111-595: WUFL (93.1 MHz ) is an FM radio station licensed to Detroit, Michigan . Owned by Family Life Broadcasting , it broadcasts a contemporary Christian radio format , with some Christian talk and teaching programs. Its studios are located in the Fisher Building in New Center , while its transmitter is located at the intersection of 10 Mile and Greenfield Road in suburban Oak Park . The station, originally owned by Storer Broadcasting , first signed on as WJBK-FM in
222-524: A Billboard magazine article in February 1970, WDEE-FM was on the air from 6 am to midnight, duplicating the AM programming from 5 pm to midnight and during the day airing separate stereo country programming syndicated by Bellingham, WA -based International Good Music. In 1971, WDEE-FM was sold to Bartell Media Corporation , changed its call sign to WDRQ, and became Detroit's first FM talk radio station. As
333-408: A Doug FM spin-off with an emphasis on party music. In July 2011, Doug's Wedding Reception switched to a gold-based rhythmic AC format featuring rhythmic oldies and dance music from the '70s, '80s and '90s. In August 2012, the channel flipped to a rhythmic classic hits format inspired by WDRQ's CHR era as 93-1 DRQ , focusing primarily on pop hits spanning from 1996 to 2005. In January 2014,
444-439: A Rhythmic adult contemporary station. The first song on the relaunched "DRQ" was " Brick House " by The Commodores . Viacom sold the station to ABC Radio during this time. Initially, the station called itself "93-1 The New DRQ: Detroit's Station For Women". The station was initially jockless, with only an announcer used for on-air bumper promos. The station chiefly played a random mix of programmed dance, disco and pop music from
555-443: A dance music station. By April 1999, the station had evolved into more of a mainstream Top 40 format and was eating away at its adult-leaning Top 40 competitor WKQI . The lineup became Jay Towers in the morning, Jamie Reese and Dave Fuller middays, Lisa Lisa in the afternoon, Tic Tak (Mark Allen) at night, and Eric Chase on overnights. By the final quarter of 2001, both WDRQ and WKQI were leaning very heavily toward Rhythmic CHR. For
666-443: A horn section , a string orchestra , and a variety of " classical " solo instruments (for example, flute, piccolo, and so on). Disco songs were arranged and composed by experienced arrangers and orchestrators , and record producers added their creative touches to the overall sound using multitrack recording techniques and effects units . Recording complex arrangements with such a large number of instruments and sections required
777-493: A stunt to draw attention to the new station and about-to-be launched format, the station ran a weekend-long documentary, The History of Detroit Radio , covering the then-current and past scene of Detroit radio (with special emphasis given to rock and roll stations) put together by longtime radio enthusiast and former Oakland Press radio columnist Arthur R. Vuolo, Jr. Ultimately, the news/talk format proved to be unsuccessful and WDRQ switched to Top 40 as The Super Q . Bartell at
888-717: A 2.5 share. On December 13, 2013 at 9:31 a.m., after playing " Someday " by Sugar Ray , WDRQ flipped to country music as Nash FM 93.1 , soft launching with Christmas music by country artists for the holiday season before launching the format outright at 9:31 a.m. on January 2, 2014; the first "official" song under the format was " Radio " by Darius Rucker . The new format would compete primarily with CBS Radio 's market-leading WYCD . On February 18, 2020, WDRQ rebranded as New Country 93.1 . The rebranding came alongside changes to its on-air lineup, including afternoon host Bill "Broadway" Bert moving to mornings and joined by former WKQI personality Kristina "Krissy" Williamson (replacing
999-443: A Dance Floor , Random Access Memories , Future Nostalgia , and Kylie Minogue 's album itself titled Disco . Modern day artists like Dua Lipa , Bruno Mars and Silk Sonic have continued the genre's popularity, bringing it to a whole new younger generation. The term "disco" is shorthand for the word discothèque , a French word for "library of phonograph records" derived from "bibliothèque". The word "discotheque" had
1110-486: A beat (which in 4/4 time is 4 beats per measure). Disco is further characterized by a 16th note division of the quarter notes (as shown in the second drum pattern in the picture above, after a typical rock drum pattern). The orchestral sound usually known as "disco sound" relies heavily on string sections and horns playing linear phrases, in unison with the soaring, often reverberated vocals or playing instrumental fills, while electric pianos and chicken-scratch guitars create
1221-597: A few months. WDRQ returned to a mainstream Top 40 format at the beginning of 1980 and made a brief return to the top 10 that spring, but the big story in Detroit radio that year was the meteoric rise of album-rocker WLLZ . WDRQ's ratings once again began to drop, reaching an all-time low of a 1.4 share in the Winter 1982 Arbitron ratings. In response to this, WDRQ shifted its format to urban contemporary in March 1982, and immediately saw
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#17332018712131332-551: A group of accompanying musicians who were among the most dextrous, knowledgeable, and brilliant in all of popular music (Motown bassists have long been the envy of white rock bassists) and 7) a trebly style of mixing that relied heavily on electronic limiting and equalizing (boosting the high range frequencies) to give the overall product a distinctive sound, particularly effective for broadcast over AM radio." Motown had many hits with disco elements by acts like Eddie Kendricks (" Keep on Truckin' " in 1973, " Boogie Down " in 1974). At
1443-441: A key influence in the development of electronic dance music , house music , hip hop , new wave , dance-punk , and post-disco . The style has had several revivals since the 1990s , and the influence of disco remains strong across American and European pop music. A revival has been underway since the early 2010s , coming to great popularity in the early 2020s . Albums that have contributed to this revival include Confessions on
1554-465: A key part of the disco club experience. The Loft party host David Mancuso introduced the technologies of tweeter arrays (clusters of small loudspeakers, which emit high-end frequencies, positioned above the floor) and bass reinforcements (additional sets of subwoofers positioned at ground level) at the start of the 1970s to boost the treble and bass at opportune moments, and by the end of the decade sound engineers such as Richard Long had multiplied
1665-429: A lite mix of pop-friendly R&B and hip-hop music was also adopted to further cement the station's mainstream hook. With this being the first time a Top 40/dance music station had been on Detroit radio since the reformatting of WHYT two years earlier, WDRQ immediately attracted a large listening audience upon its re-launch. Subsequently, the station quickly abandoned the female-skewing format and promoted itself as
1776-697: A major trend in popular music in the United States following the infamous Disco Demolition Night on July 12, 1979, and it continued to sharply decline in popularity in the U.S. during the early 1980s ; however, it remained popular in Italy and some European countries throughout the 1980s, and during this time also started becoming trendy in places elsewhere including India and the Middle East , where aspects of disco were blended with regional folk styles such as ghazals and belly dancing . Disco would eventually become
1887-406: A merengue, are commonplace. The quaver pattern is often supported by other instruments such as the rhythm guitar and may be implied rather than explicitly present. Songs often use syncopation , which is the accenting of unexpected beats. In general, the difference between disco, or any dance song, and a rock or pop song is that in dance music the bass drum hits four to the floor , at least once
1998-548: A more detailed treatment of this and the above frequency ranges, see Electromagnetic spectrum . Gravitational waves are also described in Hertz. Current observations are conducted in the 30–7000 Hz range by laser interferometers like LIGO , and the nanohertz (1–1000 nHz) range by pulsar timing arrays . Future space-based detectors are planned to fill in the gap, with LISA operating from 0.1–10 mHz (with some sensitivity from 10 μHz to 100 mHz), and DECIGO in
2109-428: A non-phallic full body eroticism. Through a range of percussion instruments, a willingness to play with rhythm, and the endless repeating of phrases without cutting the listener off, disco achieved this full-body eroticism by restoring eroticism to the whole body for both sexes. This allowed for the potential expression of sexualities not defined by the cock/penis, and the erotic pleasure of bodies that are not defined by
2220-460: A prominent Moog synthesizer on the beat, was one of the first disco tracks to use the synthesizer. The rhythm is laid down by prominent, syncopated basslines (with heavy use of broken octaves , that is, octaves with the notes sounded one after the other) played on the bass guitar and by drummers using a drum kit , African/ Latin percussion , and electronic drums such as Simmons and Roland drum modules . In Philly dance and Salsoul disco,
2331-495: A relationship to a penis. The sexual liberation expressed through the rhythm of disco is further represented in the club spaces that disco grew within. In Peter Shapiro 's Modulations: A History of Electronic Music : Throbbing Words on Sound , he discusses eroticism through the technology disco utilizes to create its audacious sound. The music, Shapiro states, is adjunct to "the pleasure-is-politics ethos of post- Stonewall culture." He explains how "mechano-eroticism", which links
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#17332018712132442-399: A stronger effect. According to Peter Braunstein , the "massive quantities of drugs ingested in discothèques produced the next cultural phenomenon of the disco era: rampant promiscuity and public sex . While the dance floor was the central arena of seduction , actual sex usually took place in the nether regions of the disco: bathroom stalls, exit stairwells , and so on. In other cases
2553-480: A team that included a conductor , copyists , record producers, and mixing engineers . Mixing engineers had an important role in the disco production process because disco songs used as many as 64 tracks of vocals and instruments. Mixing engineers and record producers, under the direction of arrangers, compiled these tracks into a fluid composition of verses, bridges, and refrains, complete with builds and breaks . Mixing engineers and record producers helped to develop
2664-562: A time, WDRQ consistently defeated WKQI in the ratings, but after Clear Channel re-launched WKQI as Channel 9-5-5 in February 2002, WKQI retook the lead over WDRQ, garnering both larger ratings and revenue. As WKQI became increasingly rhythmic, WDRQ backed away somewhat from its own rhythmic lean, adding more Adult Top 40 songs and 1990s gold from the likes of Alanis Morissette and Third Eye Blind . At 1 p.m. on April 1, 2005, after playing " She Will Be Loved " by Maroon 5 , WDRQ abruptly changed formats to adult hits , branded as "93.1 Doug FM";
2775-493: A young reporter, who happened to be covering the opening of the club, impulsively took control of the record player and introduced the records that he chose to play. Klaus Quirini later claimed to thus have been the world's first nightclub DJ. During the 1960s, discotheque dancing became a European trend that was enthusiastically picked up by the American press. At this time, when the discotheque culture from Europe became popular in
2886-406: Is a genre of dance music and a subculture that emerged in the late 1960s from the United States' urban nightlife scene. Its sound is typified by four-on-the-floor beats, syncopated basslines , string sections , brass and horns , electric piano , synthesizers , and electric rhythm guitars . Discothèques as a venue were mostly a French invention, imported to the United States with
2997-588: Is achieved by lightly pressing the guitar strings against the fretboard and then quickly releasing them just enough to get a slightly muted poker [sound] while constantly strumming very close to the bridge." Other backing keyboard instruments include the piano , electric organ (during early years), string synthesizers , and electromechanical keyboards such as the Fender Rhodes electric piano, Wurlitzer electric piano, and Hohner Clavinet . Donna Summer 's 1977 song " I Feel Love ", produced by Giorgio Moroder with
3108-454: Is played for dancing, typically equipped with a large dance floor, an elaborate system of flashing coloured lights, and a powerful amplified sound system. " Its earliest example is use as the name of a particular venue in 1952, and other examples date from 1960 onwards. The entry is annotated as "Now somewhat dated". It defines Disco as "A genre of strongly rhythmical pop music mainly intended for dancing in nightclubs and particularly popular in
3219-466: Is the Planck constant . The hertz is defined as one per second for periodic events. The International Committee for Weights and Measures defined the second as "the duration of 9 192 631 770 periods of the radiation corresponding to the transition between the two hyperfine levels of the ground state of the caesium -133 atom" and then adds: "It follows that the hyperfine splitting in the ground state of
3330-452: Is usually measured in kilohertz (kHz), megahertz (MHz), or gigahertz (GHz). with the latter known as microwaves . Light is electromagnetic radiation that is even higher in frequency, and has frequencies in the range of tens of terahertz (THz, infrared ) to a few petahertz (PHz, ultraviolet ), with the visible spectrum being 400–790 THz. Electromagnetic radiation with frequencies in the low terahertz range (intermediate between those of
3441-520: The Step By Step disco dance TV show was launched with the sponsorship support of the Coca-Cola company. Produced in the same studio that Don Cornelius used for the nationally syndicated dance/music television show, Soul Train , Step by Step' s audience grew and the show became a success. The dynamic dance duo of Robin and Reggie led the show. The pair spent the week teaching disco dancing to dancers in
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3552-539: The hippies informed proto-disco music like MFSB 's album Love Is the Message . Partly through the success of Jimi Hendrix , psychedelic elements that were popular in rock music of the late 1960s found their way into soul and early funk music and formed the subgenre psychedelic soul . Examples can be found in the music of the Chambers Brothers , George Clinton with his Parliament-Funkadelic collective, Sly and
3663-407: The reciprocal of one second . It is used only in the case of periodic events. It is named after Heinrich Rudolf Hertz (1857–1894), the first person to provide conclusive proof of the existence of electromagnetic waves . For high frequencies, the unit is commonly expressed in multiples : kilohertz (kHz), megahertz (MHz), gigahertz (GHz), terahertz (THz). Some of the unit's most common uses are in
3774-490: The recording studio . Larry Levan, for example, was a prolific record producer as well as a DJ. Because record sales were often dependent on dance floor play by DJs in the nightclubs, DJs were also influential in the development and popularization of certain types of disco music being produced for record labels. In the early years, dancers in discos danced in a "hang loose" or "freestyle" approach. At first, many dancers improvised their own dance styles and dance steps. Later in
3885-468: The "disco sound" by creating a distinctive-sounding, sophisticated disco mix . Early records were the "standard" three-minute version until Tom Moulton came up with a way to make songs longer so that he could take a crowd of dancers at a club to another level and keep them dancing longer. He found that it was impossible to make the 45-RPM vinyl singles of the time longer, as they could usually hold no more than five minutes of good-quality music. With
3996-446: The 0.1–10 Hz range. In computers, most central processing units (CPU) are labeled in terms of their clock rate expressed in megahertz ( MHz ) or gigahertz ( GHz ). This specification refers to the frequency of the CPU's master clock signal . This signal is nominally a square wave , which is an electrical voltage that switches between low and high logic levels at regular intervals. As
4107-521: The 1960s, the Motown record label developed its own approach, described as having "1) simply structured songs with sophisticated melodies and chord changes, 2) a relentless four-beat drum pattern, 3) a gospel use of background voices, vaguely derived from the style of the Impressions , 4) a regular and sophisticated use of both horns and strings, 5) lead singers who were half way between pop and gospel music, 6)
4218-468: The 1970s. In some usage, the "per second" was omitted, so that "megacycles" (Mc) was used as an abbreviation of "megacycles per second" (that is, megahertz (MHz)). Sound is a traveling longitudinal wave , which is an oscillation of pressure . Humans perceive the frequency of a sound as its pitch . Each musical note corresponds to a particular frequency. An infant's ear is able to perceive frequencies ranging from 20 Hz to 20 000 Hz ;
4329-493: The AM's new easy listening and then MOR format, and its brief return to Top 40 in 1969. Starting in 1966, WJBK-FM began to introduce separate stereo programming for about 50% of the broadcast day, due to new FCC rules which restricted AM/FM simulcasting. In late 1969, WJBK-AM-FM became WDEE AM & FM ( The Big D ) and implemented a country format with a Top 40-style presentation. The AM side quickly returned to high ratings; however, WDEE-FM remained virtually invisible. According to
4440-624: The Gang , and Village People . While performers garnered public attention, record producers working behind the scenes played an important role in developing the genre. By the late 1970s, most major U.S. cities had thriving disco club scenes, and DJs would mix dance records at clubs such as Studio 54 in Manhattan , a venue popular among celebrities . Nightclub-goers often wore expensive, extravagant outfits, consisting predominantly of loose, flowing pants or dresses for ease of movement while dancing. There
4551-508: The Guinness Book of World Records. He danced for 205 hours, the equivalent of 8½ days. Other dance marathons took place afterward and Roberts held the world record for disco dancing for a short period of time. Some notable professional dance troupes of the 1970s included Pan's People and Hot Gossip . For many dancers, a key source of inspiration for 1970s disco dancing was the film Saturday Night Fever (1977). Further influence came from
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4662-462: The Stonewall riots. As New York state had laws against homosexual behavior in public, including dancing with a member of the same sex, the eroticism of disco served as resistance and an expression of sexual freedom. He uses Donna Summer's singles " Love to Love You Baby " (1975) and " I Feel Love " (1977) as examples of the ever-present relationship between the synthesized bass lines and backgrounds to
4773-446: The United States, several music genres with danceable rhythms rose to popularity and evolved into different sub-genres: rhythm and blues (originated in the 1940s), soul (late 1950s and 1960s), funk (mid-1960s) and go-go (mid-1960s and 1970s; more than "disco", the word "go-go" originally indicated a music club). Musical genres that were primarily performed by African-American musicians would influence much of early disco. Also during
4884-438: The area following the company's sale of previous outlet WUFL (1030 AM) the previous November. With the move, Cumulus Detroit director of FM programming David Corey, who had oversaw WDRQ and WDVD , would depart the company. On July 31, 2023, Family Life Radio closed on the sale and launched its programming on the station at midnight that night; a call sign change to WUFL took effect on August 10. The following day, Cumulus moved
4995-476: The average adult human can hear sounds between 20 Hz and 16 000 Hz . The range of ultrasound , infrasound and other physical vibrations such as molecular and atomic vibrations extends from a few femtohertz into the terahertz range and beyond. Electromagnetic radiation is often described by its frequency—the number of oscillations of the perpendicular electric and magnetic fields per second—expressed in hertz. Radio frequency radiation
5106-416: The background "pad" sound defining the harmony progression . Typically, all of the doubling of parts and use of additional instruments creates a rich " wall of sound ". There are, however, more minimalist flavors of disco with reduced, transparent instrumentation. Harmonically, disco music typically contains major and minor seven chords, which are found more often in jazz than pop music. The "disco sound"
5217-649: The beginning of another song using the DJ mixer's crossfader. Notable U.S. disco DJs include Francis Grasso of The Sanctuary, David Mancuso of The Loft , Frankie Knuckles of the Chicago Warehouse , Larry Levan of the Paradise Garage , Nicky Siano of The Gallery , Walter Gibbons , Karen Mixon Cook , Jim Burgess , John "Jellybean" Benitez , Richie Kulala of Studio 54 , and Rick Salsalini. Some DJs were also record producers who created and produced disco songs in
5328-569: The caesium 133 atom is exactly 9 192 631 770 hertz , ν hfs Cs = 9 192 631 770 Hz ." The dimension of the unit hertz is 1/time (T ). Expressed in base SI units, the unit is the reciprocal second (1/s). In English, "hertz" is also used as the plural form. As an SI unit, Hz can be prefixed ; commonly used multiples are kHz (kilohertz, 10 Hz ), MHz (megahertz, 10 Hz ), GHz (gigahertz, 10 Hz ) and THz (terahertz, 10 Hz ). One hertz (i.e. one per second) simply means "one periodic event occurs per second" (where
5439-535: The capital area's gay and straight college students in the late '70s. By 1979 there were 15,000-20,000 disco nightclubs in the US, many of them opening in suburban shopping centers, hotels, and restaurants. The 2001 Club franchises were the most prolific chain of disco clubs in the country. Although many other attempts were made to franchise disco clubs, 2001 was the only one to successfully do so in this time frame. Powerful, bass-heavy, hi-fi sound systems were viewed as
5550-560: The cha cha ". The pioneer of disco dance instruction was Karen Lustgarten in San Francisco in 1973. Her book The Complete Guide to Disco Dancing (Warner Books 1978) was the first to name, break down and codify popular disco dances as dance forms and distinguish between disco freestyle, partner, and line dances. The book topped the New York Times bestseller list for 13 weeks and was translated into Chinese, German, and French. In Chicago,
5661-557: The chest. Men often wore Pierre Cardin suits, three piece suits with a vest, and double-knit polyester shirt jackets with matching trousers known as the leisure suit . Men's leisure suits were typically form-fitted to some parts of the body, such as the waist and bottom while the lower part of the pants were flared in a bell bottom style, to permit freedom of movement. During the disco era, men engaged in elaborate grooming rituals and spent time choosing fashion clothing, activities that would have been considered "feminine" according to
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#17332018712135772-418: The dance and fashion aspects of the disco club scene, there was also a thriving club drug subculture , particularly for drugs that would enhance the experience of dancing to the loud, bass-heavy music and the flashing colored lights, such as cocaine (nicknamed "blow"), amyl nitrite (" poppers "), and the "... other quintessential 1970s club drug Quaalude , which suspended motor coordination and gave
5883-413: The dancers wanted, transitioning from one song to another with a DJ mixer and using a microphone to introduce songs and speak to the audiences. Other equipment was added to the basic DJ setup, providing unique sound manipulations, such as reverb , equalization, and echo effects unit . Using this equipment, a DJ could do effects such as cutting out all but the bassline of a song and then slowly mixing in
5994-482: The dancing, sex, and other embodied movements that contributed to the corporeal vibrations within the Sanctuary. It supports the argument that disco music took a role in facilitating this sexual liberation that was experienced in the discotheques. The recent legalization of abortion and the introduction of antibiotics and the pill facilitated a culture shift around sex from one of procreation to pleasure and enjoyment. Thus
6105-422: The description of periodic waveforms and musical tones , particularly those used in radio - and audio-related applications. It is also used to describe the clock speeds at which computers and other electronics are driven. The units are sometimes also used as a representation of the energy of a photon , via the Planck relation E = hν , where E is the photon's energy, ν is its frequency, and h
6216-415: The disco became a kind of 'main course' in a hedonist's menu for a night out." At The Saint nightclub, a high percentage of the gay male dancers and patrons would have sex in the club; they typically had unprotected sex , because in 1980, HIV-AIDS had not yet been identified. At The Saint, "dancers would elope to an unpoliced upstairs balcony to engage in sex." The promiscuity and public sex at discos
6327-571: The disco clubs. The instructional show aired on Saturday mornings and had a strong following. Its viewers would stay up all night on Fridays so they could be on the set the next morning, ready to return to the disco on Saturday night knowing with the latest personalized steps. The producers of the show, John Reid and Greg Roselli, routinely made appearances at disco functions with Robin and Reggie to scout out new dancing talent and promote upcoming events such as "Disco Night at White Sox Park". In Sacramento, California, Disco King Paul Dale Roberts danced for
6438-675: The disco era, popular dance styles were developed, including the "Bump", "Penguin", "Boogaloo", "Watergate", and "Robot". By October 1975 the Hustle reigned. It was highly stylized, sophisticated, and overtly sexual. Variations included the Brooklyn Hustle, New York Hustle , and Latin Hustle . During the disco era, many nightclubs would commonly host disco dance competitions or offer free dance lessons. Some cities had disco dance instructors or dance schools, which taught people how to do popular disco dances such as "touch dancing", "the hustle", and "
6549-515: The effects of these innovations in venues such as the Garage." Typical lighting designs for disco dance floors include multi-colored lights that swirl around or flash to the beat, strobe lights , an illuminated dance floor , and a mirror ball . Disco-era disc jockeys (DJs) would often remix existing songs using reel-to-reel tape machines , and add in percussion breaks, new sections, and new sounds. DJs would select songs and grooves according to what
6660-450: The end of the 1960s, musicians, and audiences from the Black, Italian, and Latino communities adopted several traits from the hippie and psychedelia subcultures. They included using music venues with a loud, overwhelming sound, free-form dancing, trippy lighting, colorful costumes, and the use of hallucinogenic drugs. In addition, the perceived positivity, lack of irony, and earnestness of
6771-441: The entire body rather than the obvious erotic parts of the body. The New York nightclub The Sanctuary under resident DJ Francis Grasso is a prime example of this sexual liberty. In their history of the disc jockey and club culture, Bill Brewster and Frank Broughton describe the Sanctuary as "poured full of newly liberated gay men, then shaken (and stirred) by a weighty concoction of dance music and pharmacoia of pills and potions,
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#17332018712136882-440: The event being counted may be a complete cycle); 100 Hz means "one hundred periodic events occur per second", and so on. The unit may be applied to any periodic event—for example, a clock might be said to tick at 1 Hz , or a human heart might be said to beat at 1.2 Hz . The occurrence rate of aperiodic or stochastic events is expressed in reciprocal second or inverse second (1/s or s ) in general or, in
6993-571: The first discotheque and to have been the first club DJ in 1953 in the "Whisky à Go-Go" in Paris. She installed a dance floor with colored lights and two turntables so she could play records without having a gap in the music. In October 1959, the owner of the Scotch Club in Aachen, West Germany chose to install a record player for the opening night instead of hiring a live band. The patrons were unimpressed until
7104-476: The first song on "Doug" was " Good Times Roll " by The Cars . Many DRQ listeners were both confused and disgruntled over the format change. ABC sold its non- Radio Disney and ESPN Radio stations, including WDRQ, to Citadel Broadcasting in 2007. Citadel merged with Cumulus Media on September 16, 2011. By November 2013, WDRQ had languished, ranking 18th in Nielsen Audio ratings for the Detroit market with
7215-537: The format change pay off, climbing to a 3.0 share in the Spring 1982 ratings report, and then to a 6.6 in Summer 1982. "Continuous Music—93FM WDRQ" was a success, and the opening of Beverly Hills Cop features an advertisement for this version of WDRQ on a city bus. Bartell sold the station to Amaturo Broadcasting in the early 1980s, who later sold it to Keymarket Communications. The original incarnation of Viacom later purchased
7326-662: The gender stereotypes of the era. Women dancers wore glitter makeup, sequins , or gold lamé clothing that would shimmer under the lights. Bold colors were popular for both genders. Platform shoes and boots for both genders and high heels for women were popular footwear. Necklaces and medallions were a common fashion accessory . Less commonly, some disco dancers wore outlandish costumes, dressed in drag , covered their bodies with gold or silver paint, or wore very skimpy outfits leaving them nearly nude; these uncommon get-ups were more likely to be seen at invitation-only New York City loft parties and disco clubs. In addition to
7437-414: The help of José Rodriguez, his remaster/mastering engineer, he pressed a single on a 10" disc instead of 7". They cut the next single on a 12" disc, the same format as a standard album. Moulton and Rodriguez discovered that these larger records could have much longer songs and remixes. 12" single records , also known as " Maxi singles ", quickly became the standard format for all DJs of the disco genre. By
7548-449: The hertz has become the primary unit of measurement accepted by the general populace to determine the performance of a CPU, many experts have criticized this approach, which they claim is an easily manipulable benchmark . Some processors use multiple clock cycles to perform a single operation, while others can perform multiple operations in a single cycle. For personal computers, CPU clock speeds have ranged from approximately 1 MHz in
7659-413: The highest normally usable radio frequencies and long-wave infrared light) is often called terahertz radiation . Even higher frequencies exist, such as that of X-rays and gamma rays , which can be measured in exahertz (EHz). For historical reasons, the frequencies of light and higher frequency electromagnetic radiation are more commonly specified in terms of their wavelengths or photon energies : for
7770-601: The late 1960s to the mid-to-late 1970s. Disco can be seen as a reaction by the 1960s counterculture to both the dominance of rock music and the stigmatization of dance music at the time. Several dance styles were developed during the period of 70s disco's popularity in the United States, including "the Bump ", "the Hustle ", "the Watergate", and "the Busstop". During the 1970s, disco music
7881-516: The late 1970s ( Atari , Commodore , Apple computers ) to up to 6 GHz in IBM Power microprocessors . Various computer buses , such as the front-side bus connecting the CPU and northbridge , also operate at various frequencies in the megahertz range. Higher frequencies than the International System of Units provides prefixes for are believed to occur naturally in the frequencies of
7992-589: The late 1970s through the early 1990s, with some new music factored in sporadically. More current dance-oriented Top 40 music was added to the playlist in the Fall, when Program Director Lisa Rodman and Music Director Jay Towers took over programming operations. By late 1996, the station had added a full lineup of personalities, including Marc Mitchell, Sharon Santoni and Trixie DeLuxxe in mornings, Jay Towers in middays, Lisa Lisa Orlando in afternoons, Mark "JoJo" Allen on evenings, and Michael Allen on overnights. By January 1997,
8103-466: The late 1970s, Studio 54 in Midtown Manhattan was arguably the best-known nightclub in the world. This club played a major formative role in the growth of disco music and nightclub culture in general. It was operated by Steve Rubell and Ian Schrager and was notorious for the hedonism that went on within: the balconies were known for sexual encounters and drug use was rampant. Its dance floor
8214-915: The late 1970s, most major US cities had thriving disco club scenes. The largest scenes were most notably in New York City but also in Philadelphia , San Francisco , Miami , and Washington, D.C. The scene was centered on discotheques , nightclubs and private loft parties. In the 1970s, notable discos included " Crisco Disco ", "The Sanctuary", "Leviticus", " Studio 54 ", and " Paradise Garage " in New York, "Artemis" in Philadelphia, "Studio One" in Los Angeles, "Dugan's Bistro" in Chicago, and "The Library" in Atlanta. In
8325-555: The mid to late 1970s.", with use from 1975 onwards, describing the origin of the word as a shortened form of discotheque . In the summer of 1964, a short sleeveless dress called the "discotheque dress" was briefly very popular in the United States. The earliest known use for the abbreviated form "disco" described this dress and has been found in The Salt Lake Tribune on July 12, 1964; Playboy magazine used it in September of
8436-799: The music and dance style of such films as Fame (1980), Disco Dancer (1982), Flashdance (1983), and The Last Days of Disco (1998). Interest in disco dancing also helped spawn dance competition TV shows such as Dance Fever (1979). Disco fashions were very trendy in the late 1970s. Discothèque-goers often wore glamorous, expensive, and extravagant fashions for nights out at their local disco club. Some women would wear sheer, flowing dresses, such as Halston dresses, or loose, flared pants. Other women wore tight, revealing, sexy clothes, such as backless halter tops , disco pants , "hot pants", or body-hugging spandex bodywear or "catsuits". Men would wear shiny polyester Qiana shirts with colorful patterns and pointy, extra wide collars, preferably open at
8547-518: The new country format to WDVD 's HD3 channel rebranded as "New Country Detroit". When WDRQ-HD2 first went on the air in January 2006, it was originally a simulcast of AM talk station WJR . In 2007, the HD2 channel began broadcasting a Rhythmic/Dance format as "Detroit's Party Station", featuring WDRQ's presentation from the mid-1990s. On January 29, 2009, WDRQ's HD2 channel changed to Doug's Wedding Reception ,
8658-468: The off-beat, and a heavy, syncopated bass line. A recording error in the 1975 song " Bad Luck " by Harold Melvin & the Blue Notes where Earl Young 's hi-hat was too loud in the recording is said to have established loud hi-hats in disco. Other Latin rhythms such as the rhumba, the samba, and the cha-cha-cha are also found in disco recordings, and Latin polyrhythms , such as a rhumba beat layered over
8769-563: The only one at the station, but because of the hot day, the CKLW jock propped the door open for a breeze, allowing the WDRQ staff to browse around. Then, on January 24, 1979, WDRQ made a format shift to disco as "Disco 93", inspired by the success of the all-disco format at WKTU in New York City. The move to disco was not received well in Detroit, and WDRQ tumbled out of Arbitron's top 20 ratings within
8880-425: The opening of Le Club , a members-only restaurant and nightclub located at 416 East 55th Street in Manhattan , by French expatriate Olivier Coquelin , on New Year's Eve 1960. Disco music as a genre started as a mixture of music from venues popular among African-Americans , Hispanic and Latino Americans , gay Americans , and Italian Americans in New York City (especially Brooklyn ) and Philadelphia during
8991-662: The quantum-mechanical vibrations of massive particles, although these are not directly observable and must be inferred through other phenomena. By convention, these are typically not expressed in hertz, but in terms of the equivalent energy, which is proportional to the frequency by the factor of the Planck constant . The CJK Compatibility block in Unicode contains characters for common SI units for frequency. These are intended for compatibility with East Asian character encodings, and not for use in new documents (which would be expected to use Latin letters, e.g. "MHz"). Disco Disco
9102-524: The result is a festivaly of carnality." The Sanctuary was the "first totally uninhibited gay discotheque in America" and while sex was not allowed on the dancefloor, the dark corners, bathrooms. and hallways of the adjacent buildings were all utilized for orgy-like sexual engagements. By describing the music, drugs, and liberated mentality as a trifecta coming together to create the festival of carnality, Brewster and Broughton are inciting all three as stimuli for
9213-544: The rules for capitalisation of a common noun ; i.e., hertz becomes capitalised at the beginning of a sentence and in titles but is otherwise in lower case. The hertz is named after the German physicist Heinrich Hertz (1857–1894), who made important scientific contributions to the study of electromagnetism . The name was established by the International Electrotechnical Commission (IEC) in 1935. It
9324-596: The same meaning in English in the 1950s. "Discothèque" became used in French for a type of nightclub in Paris, after they had resorted to playing records during the Nazi occupation in the early 1940s. Some clubs used it as their proper name. In 1960, it was also used to describe a Parisian nightclub in an English magazine. The Oxford English Dictionary defines Discotheque as "A dance hall, nightclub, or similar venue where recorded music
9435-618: The same year to describe Los Angeles nightclubs. Vince Aletti was one of the first to describe disco as a sound or a music genre. He wrote the 13 September 1973 feature article Discotheque Rock '72: Paaaaarty! that appeared in Rolling Stone magazine. The music typically layered soaring, often- reverberated vocals, often doubled by horns, over a background "pad" of electric pianos and "chicken-scratch" rhythm guitars played on an electric guitar . Lead guitar features less frequently in disco than in rock . "The "rooster scratch" sound
9546-401: The sensation that one's arms and legs had turned to ' Jell-O . ' " Quaaludes were so popular at disco clubs that the drug was nicknamed "disco biscuits". Paul Gootenberg states that "[t]he relationship of cocaine to 1970s disco culture cannot be stressed enough..." During the 1970s, the use of cocaine by well-to-do celebrities led to its "glamorization" and to the widely held view that it
9657-452: The simulated sounds of orgasms. Summer's voice echoes in the tracks, and likens them to the drug-fervent, sexually liberated fans of disco who sought to free themselves through disco's "aesthetic of machine sex." Shapiro sees this as an influence that creates sub-genres like hi-NRG and dub -disco, which allowed for eroticism and technology to be further explored through intense synth bass lines and alternative rhythmic techniques that tap into
9768-468: The sound was enriched with solo lines and harmony parts played by a variety of orchestral instruments, such as violin , viola , cello , trumpet , saxophone , trombone , flugelhorn , French horn , English horn , oboe , flute , timpani and synth strings , string section or a full string orchestra . Most disco songs have a steady four-on-the-floor beat set by a bass drum, a quaver or semi-quaver hi-hat pattern with an open hissing hi-hat on
9879-413: The specific case of radioactivity , in becquerels . Whereas 1 Hz (one per second) specifically refers to one cycle (or periodic event) per second, 1 Bq (also one per second) specifically refers to one radionuclide event per second on average. Even though frequency, angular velocity , angular frequency and radioactivity all have the dimension T , of these only frequency is expressed using
9990-413: The spoofed likes of Rodney Dangerfield , Clint Eastwood and Eddie Murphy , as well as original characters like Mr. Action - enabled the station to hold its own in competition against the other AC stations in the market, including WNIC . Through the early 1990s, the station's music became more contemporary, and the "easy listening" artists were gradually phased out. On August 9, 1996, WDRQ returned as
10101-770: The station in a trade with Keymarket for a station that Viacom owned in Memphis in the mid-1980s that Keymarket wanted. In April 1985, owner Amaturo Radio Group dropped the urban format of WDRQ, flipping the station to soft adult contemporary and changing the call sign to WLTI (initially known as W-Lite , later 93.1 Lite FM ). The station initially aired a syndicated format from Transtar called Format 41 (so named because it consisted of songs meant to appeal to female listeners in their early 40s), described by Amaturo president Monte Lang in an April 20, 1985 Billboard article as "targeted at listeners who prefer Barbra Streisand and Neil Diamond and leaning toward easy listening ." Despite
10212-408: The station shifted to a more rhythmic hot AC format, dropping most of the older dance tracks, but still featuring music of the original DRQ from 1996 to 2005, along with some newer selections as well. On August 15, 2014, WDRQ-HD2 dropped its rhythmic format in favor of Nash Icon — a complement to the main country format with an emphasis on artists popular from the 1980s through the early-2000s. After
10323-473: The success Amaturo had had with Format 41 with its own WJQY in the Fort Lauderdale -Miami market, the Detroit market was already crowded with adult contemporary stations and WLTI failed to attract an audience until the station added local personalities around 1987. DJs such as the morning drive team of Eddie Rogers and Pat Holiday (both veterans of CKLW ) – whose show featured comedic "celebrity" drop-ins by
10434-535: The summer of 1947. The station initially broadcast only six hours per day but implemented 24-hour operations in October 1947. From 1947 to 1966, WJBK-FM programming was strict 100% duplication of the co-owned AM station WJBK , and the FM side continued to simulcast through several programming changes. WJBK was Detroit's first top 40 station, playing hit music from 1956 to 1964. After 1964, WJBK-FM fully and then partially simulcast
10545-448: The switch to Family Life radio, the HD radio channels were turned off. Hertz The hertz (symbol: Hz ) is the unit of frequency in the International System of Units (SI), often described as being equivalent to one event (or cycle ) per second . The hertz is an SI derived unit whose formal expression in terms of SI base units is s , meaning that one hertz is one per second or
10656-427: The syndicated Ty Bentli Show ). On June 12, 2023, radio news outlet RadioInsight reported that Cumulus Media was on the verge of selling WDRQ to a Christian-based ownership group. Later that day, the site officially confirmed Cumulus would sell WDRQ to Family Life Broadcasting, which had been founded in nearby Mason , for $ 10 million. The sale marked the return of their non-commercial Family Life Radio network to
10767-522: The technology used to create the unique mechanical sound of disco to eroticism, set the genre in a new dimension of reality living outside of naturalism and heterosexuality. Randy Jones and Mark Jacobsen echo this sentiment in BBC Radio's "The Politics of Dancing: How Disco Changed the World," describing the loose, hip-focused dance style as "a new kind of communion" that celebrates the sparks of liberation brought on
10878-585: The time owned such legendary AM Top 40 stations as KCBQ in San Diego and WOKY in Milwaukee. Like those stations, WDRQ used consultant Buzz Bennett's fast-paced "Q" format. Like its rival, CKLW The Big 8 , WDRQ featured a tight playlist which leaned toward R&B and soul records, but unlike The Big 8 , WDRQ was not bound by Canadian content regulations requiring them to play a certain percentage of Canadian music in their rotation, which enabled them to play only
10989-506: The top hits and enabled them to make strong ratings inroads against CKLW. By 1977, WDRQ was the number one Top 40 station in Detroit. WDRQ also became intimately involved in Detroit. It organized its listeners to gather on a Saturday and clean up Detroit parks, and gave free concerts at Belle Isle Park , including one with Detroiter Bob Seger . PD Jerry Clifton kept the excitement level much higher at WDRQ than other stations by having some sort of festival each weekend and mercilessly promoted
11100-480: The unit hertz. Thus a disc rotating at 60 revolutions per minute (rpm) is said to have an angular velocity of 2 π rad/s and a frequency of rotation of 1 Hz . The correspondence between a frequency f with the unit hertz and an angular velocity ω with the unit radians per second is The hertz is named after Heinrich Hertz . As with every SI unit named for a person, its symbol starts with an upper case letter (Hz), but when written in full, it follows
11211-429: The upcoming weekend promotion during the week. CKLW and WDRQ also became personal rivals. CKLW put up a billboard at the cost of several thousand dollars bragging about their latest dominant Arbitron ratings on a major street that all jocks, newsmen and office personnel of WDRQ would see as they pulled into the parking lot of WDRQ. WDRQ did a "black bag" visit to CKLW on a hot Sunday when the jock and board operator were
11322-448: Was a "soft drug". LSD , marijuana , and "speed" (amphetamines) were also popular in disco clubs, and the use of these drugs "...contributed to the hedonistic quality of the dance floor experience." Since disco dances were typically held in liquor licensed - nightclubs and dance clubs , alcoholic drinks were also consumed by dancers; some users intentionally combined alcohol with the consumption of other drugs, such as Quaaludes, for
11433-482: Was adopted by the General Conference on Weights and Measures (CGPM) ( Conférence générale des poids et mesures ) in 1960, replacing the previous name for the unit, "cycles per second" (cps), along with its related multiples, primarily "kilocycles per second" (kc/s) and "megacycles per second" (Mc/s), and occasionally "kilomegacycles per second" (kMc/s). The term "cycles per second" was largely replaced by "hertz" by
11544-571: Was also a thriving drug subculture in the disco scene, particularly for drugs that would enhance the experience of dancing to the loud music and the flashing lights, such as cocaine and quaaludes , the latter being so common in disco subculture that they were nicknamed "disco biscuits". Disco clubs were also associated with promiscuity as a reflection of the sexual revolution of this era in popular history. Films such as Saturday Night Fever (1977) and Thank God It's Friday (1978) contributed to disco's mainstream popularity. Disco declined as
11655-522: Was decorated with an image of the " Man in the Moon " that included an animated cocaine spoon . The " Copacabana ", another New York nightclub dating to the 1940s, had a revival in the late 1970s when it embraced disco; it would become the setting of a Barry Manilow song of the same name . In Washington, D.C. , large disco clubs such as "The Pier" ("Pier 9") and "The Other Side", originally regarded exclusively as " gay bars ", became particularly popular among
11766-412: Was described as having a " pansexual attitude [that] was revolutionary in a country where up until recently it had been illegal for two men to dance together unless there was a woman present; where women were legally obliged to wear at least one recognizable item of female clothing in public; and where men visiting gay bars usually carried bail money with them." Disco was mostly developed from music that
11877-579: Was developed further, mainly by artists from the United States as well as from Europe . Well-known artists included the Bee Gees , ABBA , Donna Summer , Gloria Gaynor , Giorgio Moroder , Baccara , The Jacksons , Michael Jackson , Boney M , Earth Wind & Fire , Rick James , ELO , Average White Band , Chaka Khan , Chic , KC and the Sunshine Band , Thelma Houston , Sister Sledge , Sylvester , The Trammps , Barry White , Diana Ross , Kool &
11988-595: Was fostered a very sex-positive framework around discotheques. Further, in addition to gay sex being illegal in New York state, until 1973 the American Psychiatric Association classified homosexuality as an illness. This law and classification coupled together can be understood to have heavily dissuaded the expression of queerness in public, as such the liberatory dynamics of discotheques can be seen as having provided space for self-realization for queer persons. David Mancuso's club/house party, The Loft ,
12099-404: Was much more costly to produce than many of the other popular music genres from the 1970s. Unlike the simpler, four-piece-band sound of funk , soul music of the late 1960s or the small jazz organ trios , disco music often included a large band, with several chordal instruments (guitar, keyboards, synthesizer), several drum or percussion instruments (drumkit, Latin percussion, electronic drums),
12210-473: Was part of a broader trend towards exploring a freer sexual expression in the 1970s, an era that is also associated with " swingers clubs , hot tubs , [and] key parties ." In his paper, "In Defense of Disco" (1979), Richard Dyer claims eroticism as one of the three main characteristics of disco. As opposed to rock music which has a very phallic centered eroticism focusing on the sexual pleasure of men over other persons, Dyer describes disco as featuring
12321-468: Was popular on the dance floor in clubs that started playing records instead of having a live band. The first discotheques mostly played swing music . Later on, uptempo rhythm and blues became popular in American clubs and northern soul and glam rock records in the UK. In the early 1940s, nightclubs in Paris resorted to playing jazz records during the Nazi occupation. Régine Zylberberg claimed to have started
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