Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by dancing. The songs usually advance the plot or develop the film's characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate "production numbers".
172-414: Top Hat is a 1935 American musical screwball comedy film in which Fred Astaire plays an American tap dancer named Jerry Travers, who comes to London to star in a show produced by Horace Hardwick ( Edward Everett Horton ). He meets and attempts to impress Dale Tremont ( Ginger Rogers ) to win her affection. The film also features Eric Blore as Hardwick's valet Bates, Erik Rhodes as Alberto Beddini,
344-513: A Best Supporting Actor category was created for the Oscars, beginning with the following year's awards ceremony . American Film Institute recognition In 1940 Frank Lloyd was reported as wanting to make a film about the life of Captain Bligh starring Spencer Tracy or Charles Laughton, at Universal. It was never made. In 1945, it was reported that MGM would make a sequel with Gable, Christian of
516-611: A Bollywood-style song-and-dance number during the film's end credits, Tallika (2022) was the first movie with Maximum Genres of Music Composed by Maharaja and registered as a World Record Holder in Music, Spain has a history and tradition of musical films that were made independent of Hollywood influence. The first films arise during the Second Spanish Republic of the 1930s and the advent of sound films . A few zarzuelas (Spanish operetta ) were even adapted as screenplays during
688-467: A Sixpence , The Happiest Millionaire , Star! , Darling Lili , Goodbye, Mr. Chips , Paint Your Wagon , Song of Norway , On a Clear Day You Can See Forever , 1776 , Man of La Mancha , Lost Horizon , and Mame . Collectively and individually these failures affected the financial viability of several major studios. In the 1970s, film culture and the changing demographics of filmgoers placed greater emphasis on gritty realism, while
860-421: A chorus of men – which included a young Bob Hope and Larry Adler – with his cane. Berlin duly produced the song from his trunk and the concept of the film was then built around it. In this number Astaire had to compromise on his one-take philosophy, as Sandrich acknowledged: "We went to huge lengths to make the 'Top Hat' number look like one take, but actually it's several." Astaire's remarkable ability to change
1032-643: A crew out of a local pub, the Bounty sets sail from Portsmouth on a two-year voyage across the Pacific , to transport breadfruit from the Polynesian islands to Jamaica . Fletcher Christian , the ship's executive officer , is a formidable yet compassionate man who disapproves of Bligh's treatment of the crew. Roger Byam is an idealistic midshipman who is divided between his loyalty to Bligh, owing to his family's naval tradition, and his friendship with Christian. During
1204-688: A digitally restored version of Top Hat was released separately, and as part of The Fred and Ginger Collection, Vol. 1 from Universal Studios , which controls the rights to the RKO Astaire-Rogers pictures in the UK. In both releases, the film features an introduction by Ava Astaire McKenzie. In 2005, a digitally restored version of Top Hat , different from the Region 2 restoration, was released on Region 1 DVD separately and as part of The Astaire & Rogers Collection, Vol.1 from Warner Home Video . In both cases,
1376-690: A fashion designer and rival for Dale's affections, and Helen Broderick as Hardwick's long-suffering wife Madge. The film was directed by Mark Sandrich , and was written by Allan Scott and Dwight Taylor , with songs by Irving Berlin . " Top Hat, White Tie and Tails " and " Cheek to Cheek " have become American song classics. It has been nostalgically referred to — particularly its "Cheek to Cheek" segment — in many films, including The Purple Rose of Cairo (1985), The Green Mile (1999), and The Boss Baby (2017). Astaire and Rogers made nine films together at RKO Pictures , including: The Gay Divorcee (1934), Roberta (1935), Top Hat (1935), Follow
1548-474: A few dramas) included their own musical numbers. The Marx Brothers ' films included a musical number in nearly every film, allowing the Brothers to highlight their musical talents. Their final film, entitled Love Happy (1949), featured Vera-Ellen , considered to be the best dancer among her colleagues and professionals in the half century. Similarly, the vaudevillian comedian W. C. Fields joined forces with
1720-408: A few well-received films, but even their popularity waned by 1932. The public had quickly come to associate color with musicals and thus the decline in their popularity also resulted in a decline in color productions. The taste in musicals revived again in 1933 when director Busby Berkeley began to enhance the traditional dance number with ideas drawn from the drill precision he had experienced as
1892-497: A flat bridge on the other — was built across two adjoining sound stages. Astaire and Rogers dance across this flat bridge in "Cheek to Cheek". Around the bend from this bridge was located the main piazza, a giant stage coated in red bakelite that was the location for "The Piccolino". This fantasy representation of the Lido of Venice was on three levels comprising dance floors, restaurants and terraces, all decorated in candy-cane colors, with
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#17328514353152064-674: A house record with a gross of $ 134,800 in its first week. Twenty-five policemen were deployed to control the crowds. In its 3 weeks at the Music Hall, it grossed $ 350,000. Overall, the film earned rentals of $ 1,782,000 in the US and Canada and $ 1,420,000 elsewhere. RKO made a profit of $ 1,325,000, making it the studio's most profitable film of the 1930s. It was the 4th most popular film at the British box office in 1935–36. Reviews for Top Hat were mainly positive. The Los Angeles Evening Herald Express praised
2236-696: A lifelong friendship with Berlin contributing to more Astaire films (six in total) than any other composer. Of his experience with Astaire in Top Hat Berlin wrote: "He's a real inspiration for a writer. I'd never have written Top Hat without him. He makes you feel so secure." As Berlin could not read or write music and could only pick out tunes on a specially designed piano that transposed keys automatically, he required an assistant to make up his piano parts. Hal Borne – Astaire's rehearsal pianist – performed this role in Top Hat and recalled working nights with him in
2408-451: A manner and agrees instead to marry Alberto. Fortunately, Bates, Horace's meddling English valet, disguises himself as a priest and conducts the ceremony; Horace had sent Bates to keep tabs on Dale. On a trip in a gondola , Jerry manages to convince Dale and they return to the hotel where the previous confusion is rapidly cleared up. The reconciled couple dance off into the Venetian sunset, to
2580-526: A musical and India producing the most movies in the world (formed in 1913), the first Bollywood film to be a complete musical, Dev D (directed by Anurag Kashyap ), came in 2009. The second musical film to follow was Jagga Jasoos (directed by Anurag Basu ), in 2017. Bollywood musicals have their roots in the traditional musical theatre of India , such as classical Indian musical theatre , Sanskrit drama , and Parsi theatre . Early Bombay filmmakers combined these Indian musical theatre traditions with
2752-433: A mystery to him) and surrender completely to him. The choreographic device introduced to reflect the progress of this seduction is the supported backbend, exploiting Rogers' exceptionally flexible back. The main dance begins with the first of two brief passages which reuse the device of sequential imitation introduced in "Isn't This a Lovely Day?". The pair spin and lean, dodging back and forth past each other before moving into
2924-503: A photoplay as has come out of Hollywood in recent years. The Nordhoff-Hall trilogy was, of course, born to be filmed, and Metro-Goldwyn-Mayer has given it the kind of production a great story deserves." The Hollywood Reporter raved that it was "one of the greatest films of all time", with "the epic sweep of the sea itself." Variety called it "Hollywood at its very best. The story certainly could not have been presented as powerfully through any other medium." Film Daily wrote, "This
3096-699: A renaissance of the genre. The Guru and The 40-Year-Old Virgin also feature Indian-style song-and-dance sequences; the Bollywood musical Lagaan (2001) was nominated for the Academy Award for Best Foreign Language Film ; two other Bollywood films Devdas (2002) and Rang De Basanti (2006) were nominated for the BAFTA Award for Best Film Not in the English Language ; and Danny Boyle 's Academy Award winning Slumdog Millionaire (2008) also features
3268-561: A short solo dance that builds in intensity and volume progressing from tap shuffles sur place , via traveling patterns, to rapid-fire heel jabs finishing with a carefree tour of the suite during which he beats on the furniture with his hands. On his return to the center of the room, where he noisily concentrates his tap barrage, the camera cranes down to discover Rogers in bed, awake and irritated. As she makes her way upstairs, Horton fields telephone complaints from hotel management. Astaire incorporates this into his routine, first startling him with
3440-519: A show-biz plot about two sisters competing for a charming song-and-dance man. Advertised by MGM as the first "All-Talking, All-Singing, All-Dancing" feature film, it was a hit and won the Academy Award for Best Picture for 1929. There was a rush by the studios to hire talent from the stage to star in lavishly filmed versions of Broadway hits. The Love Parade (Paramount 1929) starred Maurice Chevalier and newcomer Jeanette MacDonald , written by Broadway veteran Guy Bolton . Warner Brothers produced
3612-586: A soft and gentle sand dance, to a diminuendo reprise of the melody, in a scene which has drawn considerable admiration from dance commentators, and has been the subject of affectionate screen parodies. In " Isn't This a Lovely Day (to be Caught in the Rain) ", while Rogers is out riding, a thunderstorm breaks and she takes shelter in a bandstand. Astaire follows her and a conversation about clouds and rainfall soon gives way to Astaire's rendering of this, one of Berlin's most prized creations. Astaire sings to Rogers' back, but
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#17328514353153784-418: A soldier during World War I . In films such as 42nd Street and Gold Diggers of 1933 (1933), Berkeley choreographed a number of films in his unique style. Berkeley's numbers typically begin on a stage but gradually transcend the limitations of theatrical space: his ingenious routines, involving human bodies forming patterns like a kaleidoscope, could never fit onto a real stage and the intended perspective
3956-595: A stage musical that began touring the UK during late 2011. The cast included Summer Strallen as Dale, Tom Chambers as Jerry and Martin Ball as Horace. The show opened at Milton Keynes Theatre on August 19, 2011, before touring to other UK regional theatres including Leeds, Birmingham and Edinburgh. The production transferred to the West End 's Aldwych Theatre on April 19, 2012, opening on May 9, 2012. It won three Olivier Awards in 2013, including for Best New Musical. In 2003,
4128-410: A standard ballroom position where the first hints of the supported backbend are introduced. The first backbend occurs at the end of a sequence where Astaire sends Rogers into a spin, collects her upstage and maneuvers her into a linked-arm stroll forward, repeats the spin but this time encircles her while she turns and then takes her in his arms. As the music becomes more energetic, the dancers flow across
4300-525: A string of successes with live action fantasy adaptations of several of their animated features , Disney produced a live action version of Beauty and the Beast , the first of this live action fantasy adaptation pack to be an all-out musical, and features new songs as well as new lyrics to both the Gaston number and the reprise of the title song. Bill Condon , who directed Dreamgirls , directed Beauty and
4472-501: A tap burst then escorting him ostentatiously to the telephone. As Horton leaves to investigate, Astaire continues to hammer his way around the suite, during which he feigns horror at seeing his image in a mirror – a reference to his belief that the camera was never kind to his face. The routine ends as Astaire, now dancing with a statue, is interrupted by Rogers' entrance, a scene which, as in The Gay Divorcee and Roberta , typifies
4644-411: A theater. Musical films characteristically contain elements reminiscent of theater; performers often treat their song and dance numbers as if a live audience were watching. In a sense, the viewer becomes the diegetic audience, as the performer looks directly into the camera and performs to it. With the advent of sound in the late 1920s, musicals gained popularity with the public and are exemplified by
4816-614: A threat Bligh eventually carried out. Huggan's constant drunkenness left Bligh little choice but to oversee key health issues himself. Notably, the crew had been examined constantly for scurvy, and Bligh – his expertise in this matter developed under Captain James Cook – had detected no verified signs of the illness at any time. Likewise, the film shows the mutineers taking over the ship only after killing several loyal crewmen, when in fact none died (although one crewman came very close to shooting Bligh until stopped by Christian). Lastly, Christian
4988-457: A title of one of the chapters in his autobiography — and parodied his experience in a song and dance routine with Judy Garland in Easter Parade (1948). Astaire also chose and provided his own clothes. He is widely credited with influencing 20th century male fashion and, according to Forbes male fashion editor, G. Bruce Boyer, the "Isn't It a Lovely Day?" routine: "shows Astaire dressed in
5160-598: A two-minute dance — all shot in one take — with the Astaire-Pan choreography separately referencing the basic melody and the Latin vamp in the accompaniment. They dance to the accompaniment as they descend the steps and glide along the dance floor, then, when the melody enters, they halt and perform the Piccolino step, which involves the feet darting out to the side of the body. The rest of the dance involves repetitions and variations of
5332-489: A way to break away from their typecasting. For instance, the multi-talented James Cagney had originally risen to fame as a stage singer and dancer, but his repeated casting in "tough guy" roles and mob films gave him few chances to display these talents. Cagney's Oscar -winning role in Yankee Doodle Dandy (1942) allowed him to sing and dance, and he considered it to be one of his finest moments. Many comedies (and
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5504-433: Is " No Strings (I'm Fancy Free) ". On retiring to his hotel suite, Horton advises him to get married. Astaire declares his preference for bachelorhood and the song – this number was the brainchild of scriptwriter Dwight Taylor and is found in his earliest drafts – emerges naturally and in mid-sentence. Astaire sings it through twice and during the last phrase leaps into a ballet jump, accompanied by leg beats, and launches into
5676-432: Is considered the first African American A-list film star. Celebrated director Howard Hawks also ventured into the genre with Gentlemen Prefer Blondes . In the 1960s, 1970s, and continuing up to today, the musical film became less of a bankable genre that could be relied upon for sure-fire hits. Audiences for them lessened and fewer musical films were produced as the genre became less mainstream and more specialized. In
5848-444: Is depicted as being allowed to see his wife before his execution. There is no record to indicate that the real Ellison was married, and in any case, a consolation visit of this type never would have been permitted in real life. Contemporary reviews were enthusiastic. Andre Sennwald of The New York Times wrote, "Grim, brutal, sturdily romantic, made out of horror and desperate courage, it is as savagely exciting and rousingly dramatic
6020-469: Is married to her friend Madge. Following the success of Jerry's opening night in London, Jerry follows Dale to Venice , where she is visiting Madge and modelling/promoting the gowns created by Alberto Beddini, a dandified Italian fashion designer with a penchant for malapropisms . Jerry proposes to Dale, who, while still believing that Jerry is Horace, is disgusted that her friend's husband could behave in such
6192-467: Is mocking in character, then becomes more of a casual exchange, and ends in a spirit of true cooperation. Until the last thirty seconds of this two and a half minute dance the pair appear to pull back from touching, then with a crook of her elbow Rogers invites Astaire in. The routine, at once comic and romantic, incorporates hopping steps, tap spins with barrages, loping and dragging steps among its many innovative devices. The spirit of equality which pervades
6364-402: Is one of the most important productions since the inception of talking pictures. It is grim, gripping and pictorially perfect." John Mosher of The New Yorker declared that the filmmakers had "done a good, solid, fine job" and wrote that Laughton's performance as Captain Bligh "may not be exactly the image of the original brute, but it's a Laughton masterpiece." Mutiny on the Bounty topped
6536-569: Is patterned too closely after The Gay Divorcee ", and "I am cast as ... a sort of objectionable young man without charm or sympathy or humour". Allan Scott , for whom this movie served as his first major project, and who would go on to serve on six of the Astaire-Rogers pictures, was hired by Sandrich to do the rewrites and never actually worked with Taylor, with Sandrich acting as script editor and advisor throughout. Allegedly Ben Holmes , Ralph Spence , and Károly Nóti were further contributors to
6708-481: Is shown being inspired to take over the ship after several crewmen have unjustly been put into irons by Bligh; this is fictional. In the final scene of the film, Christian gives a rousing speech to his fellow mutineers, speaking of creating a perfect society of free men on Pitcairn , away from Bligh and the navy. The reality was very different as mutineers enslaved Tahitian men. For historical accuracy, Clark Gable reluctantly had to shave off his moustache because
6880-526: Is viewing from straight above. Musical stars such as Fred Astaire and Ginger Rogers were among the most popular and highly respected personalities in Hollywood during the classical era; the Fred and Ginger pairing was particularly successful, resulting in a number of classic films such as Top Hat (1935), Swing Time (1936), and Shall We Dance (1937). Many dramatic actors gladly participated in musicals as
7052-564: The Academy Award for Best Original Song (1938), the film earned an ASCAP Film and Television Award (1989) for Bob Hope's signature song " Thanks for the Memory ". During the late 1940s and into the early 1950s, a production unit at Metro-Goldwyn-Mayer headed by Arthur Freed made the transition from old-fashioned musical films, whose formula had become repetitive, to something new. (However, they also produced technicolor remakes of such musicals as Show Boat , which had previously been filmed in
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7224-468: The Astaire-Rogers partnered dances – reflects the complexity of the emotional situation in which the pair find themselves. No longer flirting, as in "Isn't This a Lovely Day?," the pair are now in love. But Rogers feels guilty and deceived and would prefer to avoid Astaire's advances – in effect, fall out of love with him. Therefore, Astaire's purpose here is to make her put aside her misgivings (which are
7396-654: The Golden Globe Award for Best Motion Picture – Musical or Comedy in their respective years, while such films as The Phantom of the Opera , Hairspray , Mamma Mia! , Nine , Into the Woods , The Greatest Showman , Mary Poppins Returns , Rocketman , Cyrano , Tick, Tick... Boom! , Elvis , and The Color Purple were only nominated. Chicago was also the first musical since Oliver! to win Best Picture at
7568-643: The Sherman Brothers . Starting with 1989's The Little Mermaid , the Disney Renaissance gave new life to the musical film. Other successful animated musicals included Aladdin , The Hunchback of Notre Dame , and Pocahontas from Disney proper, The Nightmare Before Christmas from Disney division Touchstone Pictures, The Prince of Egypt from DreamWorks, Anastasia from Fox and Don Bluth, Eight Crazy Nights from Columbia, and South Park: Bigger, Longer & Uncut from Paramount. Beauty and
7740-509: The mutiny of HMS Bounty , and is adapted from the novels Mutiny on the Bounty and Men Against the Sea by Charles Nordhoff and James Norman Hall . It stars Charles Laughton as William Bligh , Clark Gable as Fletcher Christian , and Franchot Tone as Roger Byam (based on Peter Heywood ). Despite historical inaccuracies, the film was a huge box office success, becoming the highest-grossing film of 1935 and one of MGM's biggest hits of
7912-549: The twenty five greatest film musicals at number 15, and "Cheek to Cheek" appeared on their list of the one hundred greatest songs of American cinema , also at number 15. American dancer Jerry Travers comes to London to star in a show produced by the bumbling Horace Hardwick. While practicing a tap dance routine in his hotel bedroom, he awakens Dale Tremont on the floor below. She storms upstairs to complain, whereupon Jerry falls hopelessly in love with her and proceeds to pursue her all over London. Dale mistakes Jerry for Horace, who
8084-596: The "Golden Age" of Hindi cinema . Some of the most critically acclaimed Hindi films of all time were produced during this period. Examples include Pyaasa (1957) and Kaagaz Ke Phool (1959), directed by Guru Dutt and written by Abrar Alvi , Awaara (1951) and Shree 420 (1955), directed by Raj Kapoor and written by Khwaja Ahmad Abbas , and Aan (1952), directed by Mehboob Khan and starring Dilip Kumar . These films expressed social themes mainly dealing with working-class life in India , particularly urban life in
8256-445: The "Opening Sequence", after the RKO logo appears, Astaire, shown only from the waist down, dances onto a polished stage floor, backed by a male chorus sporting canes. On pausing his name appears. Rogers then follows suit and the two dance together as the picture dissolves to reveal a top hat. A similar concept was used in the opening sequence of The Barkleys of Broadway (1949). The second
8428-474: The 1930s it was clear that if the Soviet cinema was to compete with its Western counterparts, it would have to give audiences what they wanted: the glamour and fantasy they got from Hollywood. The musical film, which emerged at that time, embodied the ideal combination of entertainment and official ideology. A struggle between laughter for laughter's sake and entertainment with a clear ideological message would define
8600-501: The 1930s. The film was also a major critical success, and received a leading eight nominations at the 8th Academy Awards , winning Best Picture . In 1787, William Bligh commands the Royal Naval merchant vessel HMS Bounty . Bligh is a brutal tyrant who routinely administers harsh punishment to officers and crew alike who lack discipline, cause any infraction on board the ship, or defy his authority in any manner. After press ganging
8772-645: The 1930s.) In 1939, Freed was hired as associate producer for the film Babes in Arms . Starting in 1944 with Meet Me in St. Louis , the Freed Unit worked somewhat independently of its own studio to produce some of the most popular and well-known examples of the genre. The products of this unit include Easter Parade (1948), On the Town (1949), An American in Paris (1951), Singin' in
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#17328514353158944-639: The 1960s created specifically for film were Mary Poppins and The Jungle Book , two of Disney's biggest hits of all time. The phenomenal box-office performance of The Sound of Music gave the major Hollywood studios more confidence to produce lengthy, large-budget musicals. Despite the resounding success of some of these films, Hollywood also produced a large number of musical flops in the late 1960s and early 1970s which appeared to seriously misjudge public taste. The commercially and/or critically unsuccessful films included Camelot , Finian's Rainbow , Hello Dolly! , Sweet Charity , Doctor Dolittle , Half
9116-653: The 1960s, films based on stage musicals continued to be critical and box-office successes. These films included, West Side Story (1961), Gypsy (1962), The Music Man (1962), Bye Bye Birdie (1963), My Fair Lady , Mary Poppins (both 1964), The Sound of Music (1965), A Funny Thing Happened on the Way to the Forum , How to Succeed in Business Without Really Trying , Thoroughly Modern Millie (all 1967), Oliver! , and Funny Girl (both 1968). In
9288-631: The 1960s, the critical and box-office success of the films West Side Story , Gypsy , The Music Man , Bye Bye Birdie , My Fair Lady , Mary Poppins , The Sound of Music , A Funny Thing Happened on the Way to the Forum , The Jungle Book , Thoroughly Modern Millie , Oliver! , and Funny Girl suggested that the traditional musical was in good health, while French filmmaker Jacques Demy 's jazz musicals The Umbrellas of Cherbourg and The Young Girls of Rochefort were popular with international critics. However popular musical tastes were being heavily affected by rock and roll and
9460-738: The 1970s, film culture and the changing demographics of filmgoers placed greater emphasis on gritty realism, while the pure entertainment and theatricality of classical-era Hollywood musicals was seen as old-fashioned. Despite this, Scrooge (1970), Willy Wonka & the Chocolate Factory (1971), Fiddler on the Roof (1971), Cabaret (1972), 1776 (1972), Disney's Bedknobs and Broomsticks (1971), and Pete's Dragon (1977), as well as Grease and The Wiz (both 1978), were more traditional musicals closely adapted from stage shows and were strong successes with critics and audiences. Throughout
9632-516: The 1980s and 1990s, musicals tended to be mainly coming from the Disney animated films of the period, from composers and lyricists, Howard Ashman , Alan Menken , and Stephen Schwartz . The Disney Renaissance started with 1989's The Little Mermaid , then followed by Beauty and the Beast (1991), Aladdin (1992), The Lion King (1994), Pocahontas (1995), The Hunchback of Notre Dame (1996), Hercules (1997), and Mulan (1998). In
9804-549: The 1990s, the three biggest Bollywood movie stars have been the " Three Khans ": Aamir Khan , Shah Rukh Khan , and Salman Khan . Combined, they have starred in most of the top ten highest-grossing Bollywood films . The three Khans have had successful careers since the late 1980s, and have dominated the Indian box office since the 1990s, across three decades. Baz Luhrmann stated that his successful musical film Moulin Rouge! (2001)
9976-531: The 2006 American Film Institute 's list of best musicals . Top Hat has been nostalgically referenced — particularly its "Cheek to Cheek" segment — in many films, including The Purple Rose of Cairo (1985), The English Patient (1996), The Green Mile (1999), La La Land (2016) and the animated film The Boss Baby (2017). Top Hat's movie poster appeared in Stephen Chow's movie Kung Fu Hustle. British-Irish singer-songwriter Chris de Burgh referenced
10148-556: The 21st century, the musical genre has been rejuvenated with darker musicals, musical biopics, musical remakes, epic drama musicals and comedy drama musicals such as Moulin Rouge! (2001), Chicago (2002), The Phantom of the Opera (2004), Rent (2005), Dreamgirls (2006), Across the Universe , Enchanted , Hairspray , Sweeney Todd: The Demon Barber of Fleet Street (all 2007), Mamma Mia! (2008), Nine (2009), The Muppets (2011), Les Misérables (2012), Into
10320-557: The Academy Awards. Joshua Oppenheimer 's Academy Award-nominated documentary The Act of Killing may be considered a nonfiction musical. One specific musical trend was the rising number of jukebox musicals based on music from various pop/rock artists on the big screen, some of which based on Broadway shows. Examples of Broadway-based jukebox musical films included Mamma Mia ! ( ABBA ), Rock of Ages , and Sunshine on Leith ( The Proclaimers ). Original ones included Across
10492-567: The American public. These films included, Top Hat (1935), Follow the Fleet , Swing Time (both 1936), and Shall We Dance (1937). Victor Fleming's The Wizard of Oz (1939) would become a landmark film for movie musical as it experimented with new technology such as Technicolor . During the 1940s and 1950s, musical films from MGM musicals regularly premiered. These works included: Meet Me in St. Louis (1944), Easter Parade (1948), On
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#173285143531510664-521: The Beast , The Lion King , and others were adapted for the stage after their blockbuster success. In the 21st century, movie musicals were reborn with darker musicals, musical biopics, epic drama musicals and comedy drama musicals such as O Brother, Where Art Thou? , Moulin Rouge! , Chicago , Walk the Line , Dreamgirls , Sweeney Todd: The Demon Barber of Fleet Street , Les Misérables , La La Land , and West Side Story ; all of which won
10836-488: The Beast . The second film of this live action fantasy adaptation pack to be an all-out musical was Aladdin and features new songs. The third film of this live action fantasy adaptation pack to be an all-out musical was The Lion King and features new songs. The fourth film of this live action fantasy adaptation pack to be an all-out musical was The Little Mermaid and features new songs with lyrics by Lin-Manuel Miranda , replacing Ashman. Pixar also produced Coco ,
11008-555: The Beverly Wilshire Hotel: "Berlin went 'Heaven...' and I went dah dah dee 'I'm in Heaven' (dah-dah-dee) . He said, 'I love it, put it down.'" These parts were subsequently orchestrated by a team comprising Edward Powell, Maurice de Packh, Gene Rose, Eddie Sharp, and Arthur Knowlton who worked under the overall supervision of Max Steiner . Berlin broke a number of the conventions of American songwriting in this film, especially in
11180-412: The Bollywood blockbuster format. Yaadon Ki Baarat (1973), directed by Hussain and written by Salim-Javed, has been identified as the first masala film and the "first" quintessentially "Bollywood" film. Salim-Javed went on to write more successful masala films in the 1970s and 1980s. Masala films launched Amitabh Bachchan into the biggest Bollywood movie star of the 1970s and 1980s. A landmark for
11352-482: The Bounty . It would be based on a novel by Charles Nordhoff about Christian's romantic adventures in England and South America following the colonization of Pitcairn Island and would be produced by Carey Wilson . It was never made. A 1962 three-hour-plus widescreen Technicolor remake , starring Marlon Brando as Fletcher Christian and Trevor Howard as Capt. Bligh, was a disaster both critically and financially at
11524-825: The Chocolate Factory , Pete's Dragon , and Disney's Bedknobs and Broomsticks were also released in the 1970s, the latter winning the Academy Award for Best Visual Effects . By the 1980s, financiers grew increasingly confident in the musical genre, partly buoyed by the relative health of the musical on Broadway and London's West End . Productions of the 1980s and 1990s included The Apple , Xanadu , The Blues Brothers , Annie , Monty Python's The Meaning of Life , The Best Little Whorehouse in Texas , Victor/Victoria , Footloose , Fast Forward , A Chorus Line , Little Shop of Horrors , Forbidden Zone , Absolute Beginners , Labyrinth , Newsies , Evita , and Everyone Says I Love You . However, Can't Stop
11696-650: The Flame (1930), Song of the West (1930), Sweet Kitty Bellairs (1930), Under a Texas Moon (1930), Bride of the Regiment (1930), Whoopee! (1930), King of Jazz (1930), Viennese Nights (1930), and Kiss Me Again (1930). In addition, there were scores of musical features released with color sequences. Hollywood released more than 100 musical films in 1930, but only 14 in 1931. By late 1930, audiences had been oversaturated with musicals and studios were forced to cut
11868-428: The Fleet (1936), Swing Time (1936), Shall We Dance (1937), and Carefree (1938). Top Hat was the most successful picture of Astaire and Rogers' partnership (and Astaire's second most successful picture after Easter Parade ), achieving second place in worldwide box-office receipts for 1935. While some dance critics maintain that Swing Time contained a finer set of dances, Top Hat remains, to this day,
12040-465: The Gershwins, respectively. Warner Bros. produced Calamity Jane and A Star Is Born ; the former film was a vehicle for Doris Day , while the latter provided a big-screen comeback for Judy Garland, who had been out of the spotlight since 1950. Meanwhile, director Otto Preminger , better known for "message pictures", made Carmen Jones and Porgy and Bess , both starring Dorothy Dandridge , who
12212-685: The Music , starring the Village People , was a calamitous attempt to resurrect the old-style musical and was released to audience indifference in 1980. Little Shop of Horrors was based on an off-Broadway musical adaptation of a 1960 Roger Corman film, a precursor of later film-to-stage-to-film adaptations, including The Producers . Many animated films of the period – predominately from Disney – included traditional musical numbers. Howard Ashman , Alan Menken , and Stephen Schwartz had previous musical theater experience and wrote songs for animated films during this time, supplanting Disney workhorses
12384-499: The Musical (all 2022), The Little Mermaid , Wonka , The Color Purple (all 2023), Mean Girls , Wicked , Mufasa: The Lion King , Joker: Folie à Deux , A Complete Unknown (all 2024). The 1930s through the early 1950s are considered to be the golden age of the musical film, when the genre's popularity was at its highest in the Western world . Disney 's Snow White and
12556-415: The Piccolino step and the hopping steps associated with the vamp, leading to some complex amalgamations of the two. On the vamp melody's final appearance, the dancers perform a highly embellished form of the Piccolino step as they travel sideways back to their table, sinking back into their chairs and lifting their glasses in a toast. "The Piccolino (reprise)": After the various parties confront each other in
12728-501: The Radio City Music Hall, where it broke all records, went on to gross $ 3 million on its initial release, and became RKO's most profitable film of the 1930s. After Mutiny on the Bounty , it made more money than any other film released in 1935. Dwight Taylor was the principal screenwriter in this, the first screenplay written specially for Astaire and Rogers. Astaire reacted negatively to the first drafts, complaining that "it
12900-543: The Rain (1952), The Band Wagon (1953) and Gigi (1958). Non-Freed musicals from the studio included Seven Brides for Seven Brothers in 1954 and High Society in 1956, and the studio distributed Samuel Goldwyn 's Guys and Dolls in 1955. This era saw musical stars become household names, including Judy Garland , Gene Kelly , Ann Miller , Donald O'Connor , Cyd Charisse , Mickey Rooney , Vera-Ellen , Jane Powell , Howard Keel , and Kathryn Grayson . Fred Astaire
13072-514: The Seven Dwarfs , the earliest Disney animated feature film, was a musical which won an honorary Oscar for Walt Disney at the 11th Academy Awards . Musical short films were made by Lee de Forest in 1923–24. Beginning in 1926, thousands of Vitaphone shorts were made, many featuring bands, vocalists, and dancers. The earliest feature-length films with synchronized sound had only a soundtrack of music and occasional sound effects that played while
13244-487: The Soviet musical was first and foremost a form of propaganda. Vladimir Lenin said that cinema was "the most important of the arts". His successor, Joseph Stalin , also recognized the power of cinema in efficiently spreading Communist Party doctrine. Films were widely popular in the 1920s, but it was foreign cinema that dominated the Soviet filmgoing market. Films from Germany and the U.S. proved more entertaining than Soviet director Sergei Eisenstein 's historical dramas. By
13416-481: The Town (1949), An American in Paris (1951), Singin' in the Rain (1952), The Band Wagon (1953), High Society (1956), and Gigi (1958). During this time, films outside the Arthur Freed unit at MGM included Holiday Inn (1942), White Christmas (1954), and Funny Face (1957) as well as Oklahoma! (1955), The King and I (1956), Carousel , and South Pacific (1958). These films of
13588-924: The Unicorn , and Spellbound . Biopics about music artists and showmen were also big in the 21st century. Examples include 8 Mile ( Eminem ), Ray ( Ray Charles ), Walk the Line ( Johnny Cash and June Carter ), La Vie en Rose ( Édith Piaf ), Notorious ( Biggie Smalls ), Jersey Boys ( The Four Seasons ) Love & Mercy ( Brian Wilson ), CrazySexyCool: The TLC Story ( TLC ), Aaliyah: The Princess of R&B ( Aaliyah ), Get on Up ( James Brown ), Whitney and I Wanna Dance With Somebody ( Whitney Houston ), Straight Outta Compton ( N.W.A ), The Greatest Showman ( P. T. Barnum ), Bohemian Rhapsody ( Freddie Mercury ), The Dirt ( Mötley Crüe ), Judy ( Judy Garland ), Rocketman ( Elton John ), Respect ( Aretha Franklin ) and Elvis ( Elvis Presley ). Grossing over $ 900 million at
13760-582: The Universe ( The Beatles ), Moulin Rouge! (various pop hits), Idlewild ( Outkast ) and Yesterday ( The Beatles ). Disney also returned to musicals with Enchanted , The Princess and the Frog , Tangled , Winnie the Pooh , The Muppets , Frozen , Muppets Most Wanted , Into the Woods , Moana , Mary Poppins Returns , Frozen II , Encanto , Better Nate Than Ever , Disenchanted , Wish , Moana 2 and Mufasa: The Lion King . Following
13932-537: The Woods (2014), La La Land (2016), Beauty and the Beast , The Greatest Showman (both 2017), Mamma Mia! Here We Go Again! , A Star Is Born , Mary Poppins Returns , Bohemian Rhapsody (all 2018), Aladdin , Rocketman , The Lion King (all 2019), In the Heights , Respect , Dear Evan Hansen , Cyrano , Everybody's Talking About Jamie , Tick, Tick… Boom! , West Side Story (all 2021), Elvis , Spirited , Disenchanted , Matilda
14104-496: The actors portrayed their characters just as they did in silent films: without audible dialogue. The Jazz Singer , released in 1927 by Warner Brothers , was the first to include an audio track including non- diegetic music and diegetic music, but it had only a short sequence of spoken dialogue. This feature-length film was also a musical, featuring Al Jolson singing "Dirty Hands, Dirty Face", "Toot, Toot, Tootsie", " Blue Skies ", and " My Mammy ". Historian Scott Eyman wrote, "As
14276-410: The actual story of the mutiny. Bligh is initially depicted as a brutal, sadistic disciplinarian, only becoming more sympathetic during the voyage to Timor. Particular episodes include a keelhauling and flogging a dead man. Neither of these happened. Keelhauling was used rarely, if at all, and had been abandoned long before Bligh's time. Indeed, the meticulous record of Bounty ' s log reveals that
14448-512: The annual Film Daily poll of 523 critics as the best film of 1936 (it was released too late in the year to appear on the 1935 ballot). Rotten Tomatoes reports a 96% approval rating based on 74 reviews, with a weighted average of 8.60/10. The site's consensus reads: "The historical inaccuracies in this high-seas adventure are more than offset by its timeless themes, larger-than-life performances from Clark Gable and Charles Laughton, and Frank Lloyd's superb direction". According to MGM records
14620-408: The audience can see that Rogers' attitude towards him softens during the song, and the purpose of the ensuing dance is for her to communicate this change to her partner. The dance is one of flirtation and, according to Mueller, deploys two choreographic devices common to the classical minuet : sequential imitation (one dancer performs a step and the other responds) and touching. Initially, the imitation
14792-1088: The big screen. It set a new template for Bollywood musical romance films that defined Hindi cinema in the 1990s. The period of Hindi cinema from the 1990s onwards is referred to as "New Bollywood" cinema, linked to economic liberalisation in India during the early 1990s. By the early 1990s, the pendulum had swung back toward family-centric romantic musicals. Qayamat Se Qayamat Tak was followed by blockbusters such as Maine Pyar Kiya (1989), Chandni (1989), Hum Aapke Hain Kaun (1994), Dilwale Dulhania Le Jayenge (1995), Raja Hindustani (1996), Dil To Pagal Hai (1997), Pyaar To Hona Hi Tha (1998) and Kuch Kuch Hota Hai (1998). A new generation of popular actors emerged, such as Aamir Khan, Aditya Pancholi , Ajay Devgan , Akshay Kumar , Salman Khan ( Salim Khan's son ), and Shahrukh Khan , and actresses such as Madhuri Dixit , Sridevi , Juhi Chawla , Meenakshi Seshadri , Manisha Koirala , Kajol , and Karisma Kapoor . Since
14964-464: The box office Bohemian Rhapsody is the most commercially successful musical biopic. Director Damien Chazelle created a musical film called La La Land , starring Ryan Gosling and Emma Stone . It was meant to reintroduce the traditional jazz style of song numbers with influences from the Golden Age of Hollywood and Jacques Demy 's French musicals while incorporating a contemporary/modern take on
15136-425: The box-office. Marisol , Joselito , Pili & Mili , and Rocío Dúrcal were the major figures of musical films from the 1960s to 1970s. Due to Spanish transition to democracy and the rise of " Movida culture ", the musical genre fell in production and box-office, only saved by Carlos Saura and his flamenco musical films. Unlike the musical films of Hollywood and Bollywood, popularly identified with escapism,
15308-538: The bridal suite, with Rogers' "marriage" to Rhodes revealed as performed by a fake clergyman, the scene is set for Astaire and Rogers to dance into the sunset, which they duly do, in this fragment of a much longer duet – the original was cut after the July 1935 previews – but not before they parade across the Venetian set and reprise the Piccolino step. The film opened at Radio City Music Hall in New York on August 29, 1935 and set
15480-401: The camera, then away in a series of bold, dramatic manoeuvers culminating in three ballroom lifts which showcase Rogers' dress before abruptly coming to a halt in a final, deepest backbend, maintained as the music approaches its closing bars. They rise, and after a couple of turns dancing cheek to cheek for the first time since the dance began, come to rest next to a wall. Rogers, having conducted
15652-400: The canal waters dyed black. The vast Venetian interiors were similarly inauthentic, reflecting instead the latest Hollywood tastes. Carroll Clark, who worked under the general supervision of Van Nest Polglase, was the unit art director on all but one of the Astaire-Rogers films. He managed the team of designers responsible for the scenery and furnishings of Top Hat . Although Bernard Newman
15824-667: The comic actress Martha Raye and the young comedian Bob Hope in Paramount Pictures musical anthology The Big Broadcast of 1938 . The film also showcased the talents of several internationally recognized musical artists including: Kirsten Flagstad (Norwegian operatic soprano), Wilfred Pelletier (Canadian conductor of the Metropolitan Opera Orchestra ), Tito Guizar (Mexican tenor), Shep Fields conducting his Rippling Rhythm Jazz Orchestra and John Serry Sr. (Italian-American concert accordionist). In addition to
15996-505: The condition that he be allowed to direct and star, and that the film be shot on-location in Tahiti . Thalberg agree to let Lloyd direct, but rejected his other demands. Frank Lloyd and Thalberg undertook extensive research of 18th century British naval customs and archival records pertaining to the actual mutiny, in a bid for his historical authenticity. Lloyd consulted genealogical charts in order to contact and interviewing living descendants of
16168-404: The conventions of Hindi cinema for decades. In the 1960s and early 1970s, the industry was dominated by musical romance films with "romantic hero" leads, the most popular being Rajesh Khanna . Other actors during this period include Shammi Kapoor , Jeetendra , Sanjeev Kumar , and Shashi Kapoor , and actresses like Sharmila Tagore , Mumtaz , Saira Banu , Helen and Asha Parekh . By
16340-419: The crew begins to talk of mutiny after Bligh's harsh discipline leads to the death of the ship's beloved surgeon, Mr. Bacchus, and Bligh severely cuts water rationing to the crew in favor of providing more water for the breadfruit plants. Christian, although initially opposing the idea, decides he can no longer tolerate Bligh's brutality when he witnesses crew members shackled in iron chains, and he approves
16512-433: The cue for the music of "The Piccolino", the film's big production number. A gondola parade is followed by the entry of a dancing chorus who perform a series of ballroom poses and rippling-pattern routines choreographed by Hermes Pan. Berlin, who lavished a great deal of effort on the song designed it as a pastiche of "The Carioca" from Flying Down to Rio (1933) and " The Continental " from The Gay Divorcee (1934), and
16684-522: The dance in a state of dreamlike abandon now glances uneasily at Astaire before walking away, as if reminded that their relationship cannot proceed. By now, Rogers has learned Astaire's true identity although neither of them yet know that her impulsive marriage to Rhodes is null and void. Dining together during carnival night in Venice, and to help assuage her guilt, Astaire declares: "Let's eat, drink and be merry, for tomorrow we have to face him," which serves as
16856-405: The dance is reflected in the masculinity of Rogers' clothes and in the friendly handshake they exchange at the end. For " Top Hat, White Tie and Tails ", probably Astaire's most celebrated tap solo , the idea for the title song came from Astaire who described to Berlin a routine he had created for the 1930 Ziegfeld Broadway flop Smiles called "Say, Young Man of Manhattan," in which he gunned down
17028-465: The dance on film reveals feathers floating around Astaire and Rogers and lying on the dance floor. Later, Astaire and Pan presented Rogers with a gold feather for her charm bracelet, and serenaded her with a ditty parodying Berlin's tune: Feathers — I hate feathers And I hate them so that I can hardly speak And I never find the happiness I seek With those chicken feathers dancing Cheek to Cheek Thereafter, Astaire nicknamed Rogers "Feathers" — also
17200-929: The decline of the musical film is Indian cinema , especially the Bollywood film industry based in Mumbai (formerly Bombay), where most of films have been, and still are, musicals. The majority of films produced in the Tamil industry , based in Chennai (formerly Madras), the Sandalwood industry , based in Bangalore , the Telugu industry , based in Hyderabad , and the Malayalam industry are also musicals. Despite this exception of almost every Indian movie being
17372-476: The era typically relied on the star power of such film stars as Fred Astaire , Gene Kelly , Bing Crosby , Frank Sinatra , Judy Garland , Ann Miller , Kathryn Grayson , and Howard Keel . They also relied on film directors such as Stanley Donen and Vincente Minnelli as well as songwriters Comden and Green , Rodgers and Hammerstein , Irving Berlin , Cole Porter , and the Gershwin Brothers . During
17544-407: The film earned $ 2,250,000 in the US and Canada and $ 2,210,000 elsewhere resulting in a profit of $ 909,000. It was the 3rd most popular film at the British box office in 1935–36. This film is, as of 2023, the last Best Picture winner to win in no other category (following The Broadway Melody and Grand Hotel ). It is the only film to have three Best Actor nominations. As a result of this,
17716-474: The film ended and applause grew with the houselights, Sam Goldwyn 's wife Frances looked around at the celebrities in the crowd. She saw 'terror in all their faces', she said, as if they knew that 'the game they had been playing for years was finally over'." Still, only isolated sequences featured "live" sound; most of the film had only a synchronous musical score. In 1928, Warner Brothers followed this up with another Jolson part-talkie, The Singing Fool , which
17888-443: The film features a commentary by Astaire's daughter, Ava Astaire McKenzie, and Larry Billman, author of Fred Astaire, a Bio-bibliography. Bibliography Musical film The musical film was a natural development of the stage musical after the emergence of sound film technology. Typically, the biggest difference between film and stage musicals is the use of lavish background scenery and locations that would be impractical in
18060-477: The film was shooting near Catalina Island; director Frank Lloyd was an old friend of his, and Cagney asked him if he could play a small part in the film, saying, jokingly, "I need the money". Lloyd had Cagney dressed in a crewman's clothes and put him in the background of a few scenes. Second unit camera operator Glenn Strong was killed after a barge the crew was using capsized off San Miguel Island . A British merchant navy officer recalled in his memoirs seeing
18232-434: The film, exclaiming " Top Hat is the tops! With Fred Astaire dancing and singing Irving Berlin tunes! Well, one (in his right mind) couldn't ask for much more — unless, of course, it could be a couple of encores." The New York Times praised the film's musical numbers, but criticized the storyline, describing it as "a little on the thin side," but also stating that "it is sprightly enough to plug those inevitable gaps between
18404-402: The films of Busby Berkeley , a choreographer known for his distinctive and elaborate set pieces featuring multiple showgirls. These lavish production numbers are typified by his choreographic work in 42nd Street , Gold Diggers of 1933 , Footlight Parade (all from 1933). During the 1930s, the musical films of Fred Astaire and Ginger Rogers became massive cultural fixtures in the eyes of
18576-507: The first computer-animated musical film by the company. Other animated musical films include Rio , Dr. Seuss' The Lorax , Rio 2 , The Book of Life , Trolls , Sing , My Little Pony: The Movie , Smallfoot , UglyDolls , Trolls World Tour , Over the Moon , Vivo , Sing 2 , The Bob's Burgers Movie , Under the Boardwalk , Trolls Band Together , Leo , Thelma
18748-451: The first colour film in Hindi , Kisan Kanya . The next year, he made another colour film, a version of Mother India . However, colour did not become a popular feature until the late 1950s. At this time, lavish romantic musicals and melodramas were the staple fare at the cinema. Following India's independence , the period from the late 1940s to the early 1960s is regarded by film historians as
18920-408: The first part of the solo which follows, Astaire embarks on a circular tap movement, embellished with cane taps into which he mixes a series of unpredictable pauses. As the camera retreats the lights dim and, in the misterioso passage which follows, Astaire mimes a series of stances, ranging from overt friendliness, wariness, surprise to watchful readiness and jaunty confidence. Jimmy Cagney attended
19092-546: The first screen operetta, The Desert Song in 1929. They spared no expense and photographed a large percentage of the film in Technicolor . This was followed by the first all-color, all-talking musical feature which was entitled On with the Show (1929). The most popular film of 1929 was the second all-color, all-talking feature which was entitled Gold Diggers of Broadway (1929). This film broke all box office records and remained
19264-533: The flogging rate was lower than the average for that time. Prior to the mutiny, Bounty had only two deaths. One seaman, James Valentine, died of an ill-defined respiratory illness; logs indicate he was "seized with a violent hollow Cough and spit much." And the ship's surgeon, Thomas Huggan, apparently died of complications due to his chronic alcoholism, not as a result of abuse by Bligh. In fact, Bligh had threatened to seize and impound Huggan's alcohol stocks on account of him regularly being intoxicated while on duty,
19436-403: The floor and Rogers, moving against the music, suddenly falls into a deeper backbend, which is then repeated, only deeper still. The music now transitions to a quiet recapitulation of the main melody during which the pair engage in a muted and tender partnering, and here the second passage involving sequential imitation appears. With the music reaching its grand climax Astaire and Rogers rush toward
19608-574: The fore and aft-rigged schooner Commodore II being broken up in Cape Town in 1945, having suffered severe gale damage, and that this was the ship that had been re-rigged for the film. The film's screenplay is based largely on the Nordhoff-Hall novels, and contains several historical inaccuracies. The movie contains several historical inaccuracies. Captain Bligh was never on board HMS Pandora , nor
19780-411: The former two examples; Awaara presented the city as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life. Mehboob Khan 's Mother India (1957), a remake of his earlier Aurat (1940), was the first Indian film to be nominated for the Academy Award for Best Foreign Language Film , which it lost by a single vote. Mother India was also an important film that defined
19952-484: The freedom and youth associated with it, and indeed Elvis Presley made a few films that have been equated with the old musicals in terms of form. A Hard Day's Night and Help! , starring the Beatles , were audacious. Most of the musical films of the 1950s and 1960s such as Oklahoma! and The Sound of Music were straightforward adaptations or restagings of successful stage productions. The most successful musicals of
20124-464: The front of the stage and delivers the song, which features the famous line: "I'm stepping out, my dear, to breathe an atmosphere that simply reeks with class," trading the occasional tap barrage with the chorus as he sings. The dance begins with Astaire and chorus moving in step. Astaire soon lashes out with a swirling tap step and the chorus responds timidly before leaving the stage in a sequence of overlapping, direction-shifting, hitch steps and walks. In
20296-454: The golden age of the Soviet musical of the 1930s and 1940s. Then-head of the film industry Boris Shumyatsky sought to emulate Hollywood's conveyor belt method of production, going so far as to suggest the establishment of a Soviet Hollywood. Mutiny on the Bounty (1935 film) Mutiny on the Bounty is a 1935 American historical adventure drama film directed by Frank Lloyd and produced by Metro-Goldwyn-Mayer . It dramatizes
20468-453: The highest-grossing film ever produced until 1939. Suddenly, the market became flooded with musicals, revues, and operettas. The following all-color musicals were produced in 1929 and 1930 alone: The Hollywood Revue of 1929 (1929), The Show of Shows (1929), Sally (1929), The Vagabond King (1930), Follow Thru (1930), Bright Lights (1930), Golden Dawn (1930), Hold Everything (1930), The Rogue Song (1930), Song of
20640-488: The island chief, Hitihiti (William Bambridge), and his daughter, Tehani, and he compiles an English dictionary of the Tahitian language. Hitihiti persuades Bligh to allow Christian a day pass on the island. Bligh agrees, but quickly repeals the pass out of spite. Christian disregards the order and spends his day off the ship romancing a Tahitian girl, Maimiti . Christian promises her he will be back someday. After leaving Tahiti,
20812-401: The island for the ship to take them back to England, while Christian leads the remaining crew, his wife, and several Tahitian men and women back on board Bounty in search of a new island on which to seek refuge. Byam boards Pandora and, much to his surprise, discovers that Bligh is the captain. Bligh, who suspects that Byam was complicit in the mutiny, has him imprisoned for the remainder of
20984-490: The journey across the sea. Back in England, Byam is court-martialed and found guilty of mutiny. Before the court condemns him, Byam speaks of Bligh's cruel, dehumanising conduct aboard Bounty . Due to the intervention of his friend Sir Joseph Banks and Lord Hood , Byam is pardoned by King George III and allowed to resume his naval career at sea. Meanwhile, Christian has found Pitcairn , an uninhabited yet sustainable island that he believes will provide adequate refuge from
21156-635: The late 1980s, Hindi cinema experienced another period of stagnation, with a decline in box office turnout, due to increasing violence, decline in musical melodic quality, and rise in video piracy, leading to middle-class family audiences abandoning theaters. The turning point came with Qayamat Se Qayamat Tak (1988), directed by Mansoor Khan , written and produced by his father Nasir Hussain , and starring his cousin Aamir Khan with Juhi Chawla . Its blend of youthfulness, wholesome entertainment, emotional quotients and strong melodies lured family audiences back to
21328-456: The lyric communicates its fake origin: "It was written by a Latin/A gondolier who sat in/his home out in Brooklyn /and gazed at the stars." It is a song about a song and Rogers sings it to Astaire after which an off-camera chorus repeats it while the dance ensemble is photographed, Busby Berkeley -style, from above. The camera then switches to Rogers and Astaire who bound down to the stage to perform
21500-639: The masala film genre was Amar Akbar Anthony (1977), directed by Manmohan Desai and written by Kader Khan . Manmohan Desai went on to successfully exploit the genre in the 1970s and 1980s. Along with Bachchan, other popular actors of this era included Feroz Khan , Mithun Chakraborty , Naseeruddin Shah , Jackie Shroff , Sanjay Dutt , Anil Kapoor and Sunny Deol . Actresses from this era included Hema Malini , Jaya Bachchan , Raakhee , Shabana Azmi , Zeenat Aman , Parveen Babi , Rekha , Dimple Kapadia , Smita Patil , Jaya Prada and Padmini Kolhapure . In
21672-432: The mistaken-identity theme of the plot, so he makes a second attempt, encouraged by Broderick, in the number " Cheek to Cheek ". As in "No Strings," the song emerges from Astaire's mid-sentence as he dances with the hesitant Rogers on a crowded floor. Berlin wrote the words and music to this enduring classic in one day, and, at 72 measures, it is the longest song he ever wrote. He was very appreciative of Astaire's treatment of
21844-690: The movie in his 1986 hit, " The Lady in Red ", wherein he and the eponymous lady in the song danced "Cheek to Cheek." The film is the namesake for the seventh episode of the DC Studios miniseries The Penguin , a spin-off of the 2022 film The Batman . In the episode, a young Oz Cobb and his mother Francis watch the film in a flashback. In the present, Francis is kidnapped by Oz's rival Sofia Gigante , who she tells that she believes Oz will kill her, and when he does, "[she'll] be tap dancing on [her] grave like Ginger fuckin' Rogers". The film has been adapted into
22016-504: The music from films that were then being released. For example, Life of the Party (1930) was originally produced as an all-color, all-talking musical comedy. Before it was released, however, the songs were cut out. The same thing happened to Fifty Million Frenchmen (1931) and Manhattan Parade (1932) both of which had been filmed entirely in Technicolor . Marlene Dietrich sang songs successfully in her films, and Rodgers and Hart wrote
22188-522: The musical film format that emerged from early Hollywood sound films. Other early influences on Bombay filmmakers included Urdu literature and the Arabian Nights . The first Indian sound film, Ardeshir Irani 's Alam Ara (1931), was a major commercial success. There was clearly a huge market for talkies and musicals; Bollywood and all the regional film industries quickly switched to sound filming. In 1937, Ardeshir Irani, of Alam Ara fame, made
22360-561: The musical's heyday. They include 1776 , The Wiz , At Long Last Love , Mame , Man of La Mancha , Lost Horizon , Godspell , Phantom of the Paradise , Funny Lady ( Barbra Streisand 's sequel to Funny Girl ), A Little Night Music , and Hair amongst others. The critical wrath against At Long Last Love , in particular, was so strong that it was never released on home video. Fantasy musical films Scrooge , The Blue Bird , The Little Prince , Willy Wonka &
22532-422: The mutiny. The crew raids the weapons cabinet and seizes the ship. Bligh and his loyalists are cast into a boat and set adrift at sea with a map and rations to ensure their survival. Due to Bligh's steady leadership, they are able to find their way back to land. Meanwhile, Christian orders that Bounty return to Tahiti. Byam, who was in his cabin during the mutiny, disapproves of what Christian has done and decides
22704-499: The original Bounty crew, transcripts of the courts-martial, and also read William Bligh's own memoir A Narrative of the Mutiny on His Majesty's Ship "Bounty" . John Farrow , Robert Hopkins , and Allen Rivkin were uncredited screenwriters on the film. The film was originally conceived as a starring vehicle for Wallace Beery (as Bligh) and Robert Montgomery (as Byam), but both were replaced before production began. Clark Gable
22876-600: The partnership's best-known work. Top Hat was selected for preservation in the United States National Film Registry by the Library of Congress in its second year, 1990, as being "culturally, historically, or aesthetically significant". The film has also been recognized by the American Film Institute on various lists commemorating the best of American cinema; the film appeared on their list of
23048-503: The premiere of the R&;B band Bloodstone 's movie Train Ride to Hollywood , but problems in distribution rendered it barely getting token theatrical release. The year 1976 saw the release of the low-budget comic musical, The First Nudie Musical , released by Paramount. The 1978 film version of Grease was a smash hit; its songs were original compositions done in a 1950s pop style. However,
23220-421: The price as well as the measurements and type of material of his uniforms. At Laughton's request, the tailor used the records to reproduce Bligh's uniforms. James Cagney (then on a hiatus from Warner Bros. during a contract dispute) and future stars David Niven and Dick Haymes were uncredited extras in the movie. Cagney is clearly visible toward the beginning of the film. He was sailing his boat near where
23392-535: The pure entertainment and theatricality of classical-era Hollywood musicals was seen as old-fashioned. Despite this, Fiddler on the Roof and Cabaret were more traditional musicals closely adapted from stage shows and were strong successes with critics and audiences. Changing cultural mores and the abandonment of the Hays Code in 1968 also contributed to changing tastes in film audiences. The 1973 film of Andrew Lloyd Webber and Tim Rice 's Jesus Christ Superstar
23564-454: The reach of the Royal Navy. After Bounty crashes on the rocks, Christian orders her to be burned. The film is based on Mutiny on the Bounty and Men Against the Sea , the first two novels of The Bounty Trilogy written by Charles Nordhoff and James Norman Hall . Director Frank Lloyd purchased the rights to the novel and offered to sell the project to MGM chief Irving Thalberg , on
23736-407: The review aggregator website Rotten Tomatoes reported that the film had a 100% "fresh" approval rating based on 42 reviews, with an average rating of 8.70/10. The website's critical consensus reads, "A glamorous and enthralling depression-era diversion, Top Hat is nearly flawless, with acrobatics by Fred Astaire and Ginger Rogers that make the hardest physical stunts seem light as air." The film
23908-478: The sailors in the Royal Navy in the 18th century had to be clean-shaven. Midshipman Roger Byam was based on a real person, Midshipman Peter Heywood , who is not listed in the novel or motion picture. Just as the fictional Byam is pardoned at the end of the film, the real-life Heywood was pardoned for his part in the mutiny. MGM trailers in 1935 made an error calling Midshipman Byam an ensign. Mutineer Thomas Ellison
24080-453: The script. The story itself was later said to have been inspired by two sources: ''Scandal in Budapest'' by Sándor Faragó, and ''A Girl Who Dares'' by Aladar LaszloIt. The Hays Office insisted on only minor changes, including probably the most quoted line of dialogue from the film: Beddini's motto: "For the women the kiss, for the men the sword" which originally ran: "For the men the sword, for
24252-721: The sequel Grease 2 (released in 1982) bombed at the box-office. Films about performers which incorporated gritty drama and musical numbers interwoven as a diegetic part of the storyline were produced, such as Lady Sings the Blues , All That Jazz , and New York, New York . Some musicals made in Britain experimented with the form, such as Richard Attenborough 's Oh! What a Lovely War (released in 1969), Alan Parker 's Bugsy Malone and Ken Russell 's Tommy and Lisztomania . A number of film musicals were still being made that were financially and/or critically less successful than in
24424-467: The shimmeringly gay dances."Top Hat" is worth standing in line for. From the appearance of the lobby yesterday afternoon, you probably will have to." Variety also singled out the storyline as well as the cast, stating "the danger sign is in the story and cast. Substitute Alice Brady for Helen Broderick and it's the same lineup of players as was in The Gay Divorcée . Besides which the situations in
24596-399: The shooting of this scene and advised Astaire, who claims to have ad-libbed much of this section. The chorus then returns in a threatening posture, and Astaire proceeds to dispatch them all, using an inventive series of actions miming the cane's use as a gun, a submachine gun, a rifle and, finally, a bow and arrow. Astaire's first seduction of Rogers in "Isn't This a Lovely Day," falls foul of
24768-676: The silent era. The beginnings of the Spanish musical were focused on romantic Spanish archetypes: Andalusian villages and landscapes, gypsies, "bandoleros", and copla and other popular folk songs included in story development. These films had even more box-office success than Hollywood premieres in Spain. The first Spanish film stars came from the musical genre: Imperio Argentina , Estrellita Castro , Florián Rey (director) and, later, Lola Flores , Sara Montiel and Carmen Sevilla . The Spanish musical started to expand and grow. Juvenile stars appear and top
24940-399: The song: "The melody keeps going up and up. He crept up there. It didn't make a damned bit of difference. He made it." As he navigates through this difficult material, Rogers looks attracted and receptive and, at the end of the song, they dance cheek to cheek across a bridge to a deserted ballroom area nearby. According to Mueller's analysis, the duet that follows – easily the most famous of all
25112-471: The songs " Top Hat, White Tie and Tails " and " Cheek to Cheek ", and according to Rogers, the film became the talk of Hollywood as a result of its score. In an Astaire-Rogers picture, the Big White Set — as these Art Deco -inspired creations were known — took up the largest share of the film's production costs, and Top Hat was no exception. A winding canal — spanned by two staircase bridges at one end and
25284-430: The start of the 1970s, Hindi cinema was experiencing thematic stagnation, dominated by musical romance films . The arrival of screenwriter duo Salim–Javed , consisting of Salim Khan and Javed Akhtar , marked a paradigm shift, revitalizing the industry. They began the genre of gritty, violent, Bombay underworld crime films in the early 1970s, with films such as Zanjeer (1973) and Deewaar (1975). The 1970s
25456-974: The story and characters with balances in fantasy numbers and grounded reality. It received 14 nominations at the 89th Academy Awards , tying the record for most nominations with All About Eve (1950) and Titanic (1997), and won the awards for Best Director , Best Actress , Best Cinematography , Best Original Score , Best Original Song , and Best Production Design . In 2013, NBC produced The Sound of Music Live! as part of their effort for expanded live entertainment events, which became an annual tradition of adaptations of stage musicals, created specifically as live television events. The following years featured Peter Pan Live! , The Wiz Live! , Hairspray Live! , Jesus Christ Superstar Live! , Dr. Seuss' The Grinch Musical Live! , and Annie Live! . ABC and Fox also produced similar events, including Grease Live! , A Christmas Story Live! , Rent: Live , and The Little Mermaid Live! . An exception to
25628-538: The style he would make famous: soft-shouldered tweed sports jacket, button-down shirt, bold striped tie, easy-cut gray flannels, silk paisley pocket square, and suede shoes. It's an extraordinarily contemporary approach to nonchalant elegance, a look Ralph Lauren and a dozen other designers still rely on more than six decades later. Astaire introduced a new style of dress that broke step with the spats, celluloid collars, and homburgs worn by aristocratic European-molded father-figure heroes." The choreography, in which Astaire
25800-440: The tempo within a single dance phrase is extensively featured throughout this routine and taken to extremes – as when he explodes into activity from a pose of complete quiet and vice versa. This routine also marks Astaire's first use of a cane as a prop in one of his filmed dances. The number opens with a chorus strutting and lunging in front of a backdrop of a Parisian street scene. They make way for Astaire who strides confidently to
25972-414: The time. Nonetheless, the remake was nominated for a Best Picture Oscar. In 1984, Mel Gibson played Christian opposite Anthony Hopkins as Bligh in a film (based not upon the Nordhoff-Hall novels but on an historical work by Richard Hough ) called The Bounty . This latest version, which gives a far more sympathetic view of Bligh, is considered to be the closest to historical events. The 1935 version
26144-471: The tune of "The Piccolino." Top Hat began filming on April 1, 1935, and cost $ 620,000 to make. Shooting ended in June and the first public previews were held in July. These led to cuts of approximately ten minutes, mainly in the last portion of the film: the carnival sequence and the gondola parade which had been filmed to show off the huge set were heavily cut. A further four minutes were cut before its premiere at
26316-437: The two can no longer be friends. Months later, Byam is married to Tehani, and Christian has married Maimiti and has a child with her, while the rest of the crew are enjoying their freedom on the island. After a long estrangement, Byam and Christian reconcile their friendship. However, when the British ship HMS Pandora is spotted approaching, Byam and Christian decide they must part ways. Byam and several crew members remain on
26488-506: The two scripts parallel each other closely". Nevertheless, it concluded that Top Hat was a film "one can't miss". Writing for The Spectator in 1935, Graham Greene gave the film a generally positive review, describing the film as "a vehicle for Fred Astaire's genius", and noting that Astaire's performance eliminated any concern over the fact that "the music and lyrics are bad" or that Astaire "has to act with human beings [who cannot match] his freedom, lightness, and happiness". As of 2022,
26660-453: The voyage, the enmity between Christian and Bligh grows after Christian openly challenges Bligh's unjust practices aboard the ship. When the ship arrives at the island of Tahiti , where the crew acquires breadfruit plants to take to the West Indies, Bligh punishes Christian by refusing to let him leave the ship during their stay. Byam, meanwhile, sets up residency on the island and lives with
26832-413: The way in which Astaire inadvertently incurs the hostility of Rogers, only to find her attractive and wear down her resistance. In "No Strings (reprise)", Rogers, after storming upstairs to complain, returns to her room at which point Astaire, still intent on dancing, nominates himself her " sandman ", sprinkling sand from a cigarette receptacle and lulling her, Horton and eventually himself to sleep with
27004-420: The women the whip." Of his role in the creation of Top Hat , Taylor recalled that with Sandrich and Berlin he shared "a kind of childlike excitement. The whole style of the picture can be summed up in the word inconsequentiality . When I left RKO a year later, Mark said to me, 'You will never again see so much of yourself on the screen.'" On the film's release, the script was panned by many critics, who alleged it
27176-408: Was a blockbuster hit. Theaters scrambled to install the new sound equipment and to hire Broadway composers to write musicals for the screen. The first all-talking feature, Lights of New York , included a musical sequence in a night club. The enthusiasm of audiences was so great that in less than a year all the major studios were making sound pictures exclusively. The Broadway Melody (1929) had
27348-500: Was also coaxed out of retirement for Easter Parade and made a permanent comeback. The other Hollywood studios proved themselves equally adept at tackling the genre at this time, particularly in the 1950s. Four adaptations of Rodgers and Hammerstein shows - Oklahoma! , The King and I , Carousel , and South Pacific - were all successes, while Paramount Pictures released White Christmas and Funny Face , two films which used previously written music by Irving Berlin and
27520-546: Was also used in Follow the Fleet (1936). All five songs eventually selected became major hits and, in the September 28, 1935 broadcast of Your Hit Parade , all five featured in the top fifteen songs selected for that week. Astaire recalled how this success helped restore Berlin's flagging self-confidence. Astaire had never met Berlin before this film, although he had danced on stage to some of his tunes as early as 1915. There ensued
27692-435: Was also when the name "Bollywood" was coined, and when the quintessential conventions of commercial Bollywood films were established. Key to this was the emergence of the masala film genre, which combines elements of multiple genres ( action , comedy , romance , drama , melodrama , musical). The masala film was pioneered in the early 1970s by filmmaker Nasir Hussain , along with screenwriter duo Salim-Javed, pioneering
27864-412: Was assisted by Hermes Pan , is principally concerned throughout with the possibilities of using taps to make as much noise as possible. In the film, Astaire suffers from what Rogers terms an "affliction": "Every once in a while I suddenly find myself dancing." Astaire introduces the film's tap motif when he blasts a tap barrage at the somnolent members of a London Club. There are eight musical numbers. In
28036-448: Was directly inspired by Bollywood musicals. The film pays homage to India, incorporating an Indian-themed play and a Bollywood-style dance sequence with a song from the film China Gate . The critical and financial success of Moulin Rouge! renewed interest in the then-moribund Western live action musical genre, and subsequently films such as Chicago , The Producers , Rent , Dreamgirls , and Hairspray were produced, fueling
28208-473: Was he present at the trial of the mutineers who stayed on Tahiti . At the time, he was halfway around the world on a second voyage for breadfruit plants. Fletcher Christian 's father had died many years before Christian's travels on board Bounty , whereas the film shows the elder Christian at the trial. The movie was always presented as an adaptation of the Nordhoff and Hall trilogy, which already differed from
28380-550: Was initially opposed to playing Christian, since it meant shaving his trademark mustache. Charles Laughton , who had a severe self-image complex concerning his weight and unattractive looks, suffered horribly in comparing himself to the handsome, masculine Clark Gable. Laughton would constantly watch his own walk, gestures, and face, making sure not to let his complex be projected. During pre-production, Laughton discovered that Bligh's tailoring establishment still possessed one of Bligh's original transaction records, which contained
28552-501: Was itself not the first film account of the mutiny. In 1933 an Australian film entitled In the Wake of the Bounty , with the then-unknown Errol Flynn as Fletcher Christian, was released, but was not successful and received few bookings outside Australia. Flynn noted in his autobiography that whenever he mentioned that he'd played Christian in an Australian version of Mutiny on the Bounty two years before Gable, no one ever believed him. There
28724-403: Was like a chicken attacked by a coyote, I never saw so many feathers in my life." According to choreographer Hermes Pan , Astaire lost his temper and yelled at Rogers, who promptly burst into tears, whereupon her mother, Lela, "came charging at him like a mother rhinoceros protecting her young." An additional night's work by seamstresses resolved much of the problem; however, careful examination of
28896-434: Was merely a rewrite of The Gay Divorcee . This was composer Irving Berlin's first complete film score since 1930 and he negotiated a unique contract, retaining the copyrights to the score with a guarantee of ten percent of the profits if the film earned in excess of $ 1,250,000. Eight songs from the original score were discarded as they were not considered to advance the film's plot. One of these, "Get Thee Behind Me, Satan",
29068-448: Was met with some criticism by religious groups but was well received. By the mid-1970s, filmmakers avoided the genre in favor of using music by popular rock or pop bands as background music, partly in hope of selling a soundtrack album to fans. The Rocky Horror Picture Show was originally released in 1975 and was a critical failure until it started midnight screenings in the 1980s where it achieved cult status. That same year also saw
29240-450: Was nominally in charge of dressing the stars, Rogers was keenly interested in dress design and make-up. For the "Cheek to Cheek" routine, she was determined to use her own creation: "I was determined to wear this dress, come hell or high water. And why not? It moved beautifully. Obviously, no one in the cast or crew was willing to take sides, particularly not my side. This was all right with me. I'd had to stand alone before. At least my mother
29412-512: Was nominated for the Oscar for Best Picture , as well as Art Direction ( Carroll Clark and Van Nest Polglase ), Original Song ( Irving Berlin for "Cheek to Cheek"), and Dance Direction ( Hermes Pan for "Piccolino" and "Top Hat"). In 1990, Top Hat was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". The film ranked number 15 on
29584-467: Was there to support me in the confrontation with the entire front office, plus Fred Astaire and Mark Sandrich." Due to the enormous labor involved in sewing each ostrich feather to the dress, Astaire — who normally approved his partner's gowns and suggested modifications if necessary during rehearsals — saw the dress for the first time on the day of the shoot, and was horrified at the way it shed clouds of feathers at every twist and turn, recalling later: "It
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