78-645: Sydney Cove ( Eora : Warrane ) is a bay on the southern shore of Sydney Harbour, one of several harbours in Port Jackson , on the coast of Sydney , New South Wales . Sydney Cove is a focal point for community celebrations, due to its central Sydney location between the Sydney Opera House and the Sydney Harbour Bridge . Sydney Cove was the site of the First Fleet 's landing on 26 January 1788 and
156-453: A cost of £ 3,500,000 ($ 7 million) and completion date of 26 January 1963 ( Australia Day ). In reality, the project was completed ten years late and 1,357% over budget in real terms. In 1972, a construction worker was fired, leading the BLF -affiliated workers to demand his rehiring and a 25% wage increase. In response to this, all the workers were fired, and in revenge the workers broke into
234-704: A distance, they actually feature a subtle chevron pattern composed of 1,056,006 tiles in two colours: glossy white and matte cream. The tiles were manufactured by the Swedish company Höganäs AB which generally produced stoneware tiles for the paper-mill industry. Apart from the tile of the shells and the glass curtain walls of the foyer spaces, the building's exterior is largely clad with aggregate panels composed of pink granite quarried at Tarana . Significant interior surface treatments also include off-form concrete, Australian white birch plywood supplied from Wauchope in northern New South Wales, and brush box glulam . Of
312-457: A freshwater creek which was soon to be known as the Tank Stream . It must have been like entering paradise on that summer afternoon when the sea-won convoy passed through the dun and barren headlands into the untouched harbour – the water brilliantly blue, the shores high and wooded without being precipitous, a scattering of islands, sandy beaches, the trees shimmering under the sun. The site of
390-427: A large bay further south of Sydney Cove which had been discovered by Lieutenant James Cook during his voyage of discovery in 1770, and was recommended by the eminent botanist Sir Joseph Banks , who had accompanied Cook, as a suitable site for a settlement. But Phillip discovered that Botany Bay offered neither a secure anchorage nor a reliable source of fresh water. Sydney Cove offered both of these, being serviced by
468-467: A large payment for their troubles. Before the Sydney Opera House competition, Jørn Utzon had won seven of the 18 competitions he had entered but had never seen any of his designs built. Utzon's submitted concept for the Sydney Opera House was almost universally admired and considered groundbreaking. The Assessors Report of January 1957 stated: The drawings submitted for this scheme are simple to
546-638: A member of the Sydney Opera House Executive Committee, states: "Utzon came up with an idea of making all the shells of uniform curvature throughout in both directions." Peter Jones, the author of Ove Arup's biography, states that "the architect and his supporters alike claimed to recall the precise eureka moment ...; the engineers and some of their associates, with equal conviction, recall discussion in both central London and at Ove's house." He goes on to claim that "the existing evidence shows that Arup's canvassed several possibilities for
624-501: A modern expressionist design , with a series of large precast concrete "shells", each composed of sections of a sphere of 75.2 metres (246 ft 8.6 in) radius, forming the roofs of the structure, set on a monumental podium. The building covers 1.8 hectares (4.4 acres) of land and is 183 m (600 ft) long and 120 m (394 ft) wide at its widest point. It is supported on 588 concrete piers sunk as much as 25 m (82 ft) below sea level. The highest roof point
702-417: A philistine, he had been exposed before Parliament and dumped as Country Party leader for 19 years of falsely claiming a university degree. The Opera House gave Hughes a second chance. For him, as for Utzon, it was all about control; about the triumph of homegrown mediocrity over foreign genius. Differences ensued. One of the first was that Utzon believed the clients should receive information on all aspects of
780-495: A reconstructed form of the language. The speakers did not use a specific name for their language prior to settlement by the First Fleet .The coastal dialect has been referred to as Iyora (also spelt as Iora or Eora), which simply means "people" (or Aboriginal people ), while the inland dialect has been referred to as Dharug, a term of unknown origin or meaning. Linguist and anthropologist Jakelin Troy (2019) describes two dialects of
858-627: A recording studio, retail shops, cafes, restaurants, bars including the Opera Bar and Opera Kitchen. Guided tours are available, including a frequent tour of the front-of-house spaces, and a daily backstage tour that takes visitors backstage to see areas normally reserved for performers and crew members. Planning began in the late 1940s when Eugene Goossens , the Director of the New South Wales State Conservatorium of Music , lobbied for
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#1732844630465936-485: A suitable venue for large theatrical productions. The normal venue for such productions, the Sydney Town Hall , was not considered large enough. By 1954 Goossens succeeded in gaining the support of New South Wales Premier Joseph Cahill , who called for designs for a dedicated opera house. It was also Goossens who insisted that Bennelong Point be the site: Cahill had wanted it to be on or near Wynyard Railway Station in
1014-768: A traditional heritage spanning thousands of years, approximately 70 per cent of the Eora people died out during the nineteenth century as a result of the genocidal policies of colonial Australia, smallpox and other viruses, and the destruction of their natural food sources. Radiocarbon dating suggests human activity occurred in and around Sydney for at least 30,000 years, in the Upper Paleolithic period. However, numerous Aboriginal stone tools found in Sydney's far western suburbs gravel sediments were dated to be from 45,000 to 50,000 years BP, which would mean that humans could have been in
1092-424: Is 67 metres above sea-level which is the same height as that of a 22-storey building. The roof is made of 2,194 pre-cast concrete sections, which weigh up to 15 tonnes each. Although the roof structures are commonly referred to as "shells" (as in this article), they are precast concrete panels supported by precast concrete ribs, not shells in a strictly structural sense. Though the shells appear uniformly white from
1170-462: Is also one of the first in the world to use araldite to glue the precast structural elements together and proved the concept for future use. It was also a first in mechanical engineering. Another Danish firm, Steensen Varming , was responsible for designing the new air-conditioning plant, the largest in Australia at the time, supplying over 600,000 cubic feet (17,000 m ) of air per minute, using
1248-531: Is encased in a concrete drain beneath the streets of the central business district and all native bushland has been cleared. The head of the cove is occupied by the Circular Quay ferry terminal. On Bennelong Point at the northern end of the eastern shore of the cove stands the Sydney Opera House . On the western shore is the historic district known as The Rocks . Sydney Cove is a focal point for community celebrations, due to its central Sydney location between
1326-513: The Herald offered the view that: "It was not his [Utzon's] fault that a succession of Governments and the Opera House Trust should so signally have failed to impose any control or order on the project ... his concept was so daring that he himself could solve its problems only step by step ... his insistence on perfection led him to alter his design as he went along." The Sydney Opera House opened
1404-507: The Sydney Opera House and the Sydney Harbour Bridge . It is also one of the main congregation points for Sydney New Year's Eve and Australia Day events. Eora language The Dharug language , also spelt Darug , Dharuk , and other variants, and also known as the Sydney language , Gadigal language ( Sydney city area), is an Australian Aboriginal language of the Yuin–Kuric group that
1482-662: The Sydney Symphony Orchestra . As one of the most popular visitor attractions in Australia, the site is visited by more than eight million people annually, and approximately 350,000 visitors take a guided tour of the building each year. The building is managed by the Sydney Opera House Trust , an agency of the New South Wales State Government. On 28 June 1998 the Sydney Opera House became a UNESCO World Heritage Site , having been listed on
1560-548: The Sydney central business district and the Royal Botanic Gardens , and near to the Sydney Harbour Bridge . The building comprises multiple performance venues, which together host well over 1,500 performances annually, attended by more than 1.2 million people. Performances are presented by numerous performing artists, with many resident companies such as Opera Australia , the Sydney Theatre Company and
1638-437: The premier , Joseph Cahill , authorised work to begin in 1958 with Utzon directing construction. The government's decision to build Utzon's design is often overshadowed by circumstances that followed, including cost and scheduling overruns as well as the architect's ultimate resignation. The building and its surrounds occupy the whole of Bennelong Point on Sydney Harbour , between Sydney Cove and Farm Cove , adjacent to
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#17328446304651716-815: The (now defunct) Register of the National Estate since 1980, the National Trust of Australia register since 1983, the City of Sydney Heritage Inventory since 2000, the New South Wales State Heritage Register since 2003, and the Australian National Heritage List since 2005. The Opera House was also a finalist in the New7Wonders of the World campaign list. The facility features
1794-409: The 2400 precast ribs and 4000 roof panels in an on-site factory and also developed the construction processes. The achievement of this solution avoided the need for expensive formwork construction by allowing the use of precast units and it also allowed the roof tiles to be prefabricated in sheets on the ground, instead of being stuck on individually at height. The tiles themselves were manufactured by
1872-627: The Government gamekeeper, allegedly by Pemulwuy , a Yora man. The Indigenous population of Sydney gradually started using English more in everyday usage, as well as New South Wales Pidgin. This, combined with social upheaval, meant that the local Dharug language started to fade from use in the late nineteenth/early twentieth century. A wordlist of the local Sydney language was published by William Ridley in 1875, and he noted that, at that time, very few fluent speakers were left. The Dharug language had largely been lost as an extinct language, mainly due to
1950-613: The Iyura (Eora) people as a language group, or more commonly referred to as the people that sustained their diet by the constant digging of the yams as a vegetable supplement. The Dark, Darug, Tarook, Taruk Tarug is related to the word Midyini , meaning yam". The traditional territory of the coastal variety ("Iyora/Eyora", or Kuringgai ) was estimated by Val Attenbrow (2002) to include "...the Sydney Peninsula (north of Botany Bay , south of Port Jackson , west to Parramatta ), as well as
2028-558: The Ministry's criticism of the project's costs and time, along with their impression of Utzon's designs being impractical, this ultimately led to his resignation in 1966 (see below). The cost of the project so far, even in October 1966, was still only A$ 22.9 million, less than a quarter of the final $ 102 million cost. However, the projected costs for the design were at this stage much more significant. The second stage of construction
2106-479: The New South Wales government insisting contracts be put out to tender . Utzon was highly reluctant to respond to questions or criticism from the client's Sydney Opera House Executive Committee (SOHEC). However, he was greatly supported throughout by a member of the committee and one of the original competition judges, Harry Ingham Ashworth . Utzon was unwilling to compromise on some aspects of his designs that
2184-503: The Opera House project) all played a very significant part in the design development. As Peter Murray states in The Saga of the Sydney Opera House : ... the two men—and their teams—enjoyed a collaboration that was remarkable in its fruitfulness and, despite many traumas, was seen by most of those involved in the project as a high point of architect/engineer collaboration. The design of
2262-491: The Swedish company Höganäs Keramik . It took three years of development to produce the effect Utzon wanted in what became known as the Sydney Tile, 120mm square. It is made from clay with a small percentage of crushed stone. Ove Arup and Partners' site engineer supervised the construction of the shells, which used an innovative adjustable steel-trussed "erection arch" (developed by Hornibrook's engineer Joe Bertony ) to support
2340-401: The Sydney language, with neither Dharug (S64) nor Eora being in the historical record as language names. Language scholar Jeremy Steele and historian Keith Vincent Smith have postulated the name "Biyal Biyal" for the language, based on evidence that this term or something like it was actually used. A website devoted to Dharug and Dharawal resources says "The word Daruk was assigned to
2418-528: The building; stage II (1959–1963) consisted of building the upper podium; stage III (1963–1967) the construction of the outer shells, based upon the image of whales breaching the water; stage IV (1967–1973) interior design and construction. Stage I started on 2 March 1959 with the construction firm Civil & Civic , monitored by the engineers Ove Arup and Partners . The government had pushed for work to begin early, fearing that funding, or public opinion, might turn against them. But Utzon had still not completed
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2496-429: The clients wanted to change. Utzon's ability was never in doubt, despite questions raised by Davis Hughes, who attempted to portray Utzon as an impractical dreamer. Ove Arup actually stated that Utzon was "probably the best of any I have come across in my long experience of working with architects" and: "The Opera House could become the world's foremost contemporary masterpiece if Utzon is given his head." In 1965 Utzon
2574-399: The competition were: Professor Henry Ashworth ( University of Sydney ), Cobden Parkes ( New South Wales Government Architect ); Professor Leslie Martin (Professor of Architecture of Cambridge University and architect of Royal Festival Hall 1951) and American architect Eero Saarinen . The winner, announced in Sydney on 29 January 1957, was Danish architect Jørn Utzon . Utzon's design
2652-761: The completion of the final plans. After the 1965 election of the Liberal Party, with Robert Askin becoming Premier of New South Wales , the relationship of client, architect, engineers and contractors became increasingly tense. Askin had been a "vocal critic of the project prior to gaining office." His new Minister for Public Works, Davis Hughes , was even less sympathetic. Elizabeth Farrelly , an Australian architecture critic, wrote that: at an election night dinner party in Mosman, Hughes' daughter Sue Burgoyne boasted that her father would soon sack Utzon. Hughes had no interest in art, architecture or aesthetics. A fraud, as well as
2730-419: The construction site with a crowbar and brought their own toolboxes. Workers' control was applied to the site for five weeks as the construction workers worked 35 hours a week with improved morale, more efficient organization and fewer people skipping work. The workers agreed to end their work-in when management agreed to give them a 25% wage increase, the right to elect their foremen, four weeks annual leave and
2808-449: The costs or work involved in design and construction. Tensions between the client and the design team grew further when an early start to construction was demanded despite an incomplete design. This resulted in a continuing series of delays and setbacks while various technical engineering issues were being refined. The building was unique, and the problems with the design issues and cost increases were exacerbated by commencement of work before
2886-725: The country to the north of Port Jackson, possibly as far as Broken Bay ". Attenbrow places the "hinterland dialect" (Dharug) "...on the Cumberland Plain from Appin in the south to the Hawkesbury River in the north; west of the Georges River , Parramatta, the Lane Cove River and Berowra Creek ". R. H. Mathews (1903) said that the territory extended "...along the coast to the Hawkesbury River, and inland to what are now
2964-519: The dark grey clay of Sydney Cove was collected by Governor Phillip and given to Sir Joseph Banks , who gave it to pottery maker Josiah Wedgwood to test for suitability for making pottery. Wedgwood found it excellent and made a commemorative medal that became known as the Sydney Cove Medallion. The cove is dual-named as Warrane, the name by which it was known by the Eora people. The Tank Stream
3042-417: The design and construction through his practice, while the clients wanted a system (notably drawn in sketch form by Davis Hughes) where architect, contractors, and engineers each reported to the client directly and separately. This had great implications for procurement methods and cost control, with Utzon wishing to negotiate contracts with chosen suppliers (such as Ralph Symonds for the plywood interiors) and
3120-447: The design team found a solution to the problem: the shells all being created as sections from a sphere. This solution allows arches of varying length to be cast in a common mould, and a number of arch segments of common length to be placed adjacent to one another, to form a spherical section. With whom exactly this solution originated has been the subject of some controversy. It was originally credited to Utzon. Ove Arup's letter to Ashworth,
3198-473: The different roofs before completion. On 6 April 1962, it was estimated that the Opera House would be completed between August 1964 and March 1965. Stage III, the interiors, started with Utzon moving his entire office to Sydney in February 1963. However, there was a change of government in 1965, and the new Robert Askin government declared the project under the jurisdiction of the Ministry of Public Works. Due to
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3276-485: The final designs. Major structural issues still remained unresolved. By 23 January 1961, work was running 47 weeks behind, mainly because of unexpected difficulties (inclement weather, unexpected difficulty diverting stormwater, construction beginning before proper construction drawings had been prepared, changes of original contract documents). Work on the podium was finally completed in February 1963. The forced early start led to significant later problems, not least of which
3354-471: The firm GBQC Architects. The grand prize was 5,000 Australian pounds . Utzon visited Sydney in 1957 to help supervise the project. His office moved to Palm Beach , Sydney in February 1963. Utzon received the Pritzker Architecture Prize , architecture's highest honour, in 2003. The Pritzker Prize citation read: There is no doubt that the Sydney Opera House is his masterpiece. It is one of
3432-494: The foreshore of Sydney Harbour , it is widely regarded as one of the world's most famous and distinctive buildings and a masterpiece of 20th-century architecture. Designed by Danish architect Jørn Utzon and completed by an Australian architectural team headed by Peter Hall , the building was formally opened by Queen Elizabeth II on 20 October 1973, 16 years after Utzon's 1957 selection as winner of an international design competition. The Government of New South Wales , led by
3510-452: The geometry of the shells, from parabolas to ellipsoids and spheres." Yuzo Mikami, a member of the design team, presents an opposite view in his book on the project, Utzon's Sphere . It is unlikely that the truth will ever be categorically known, but there is a clear consensus that the design team worked very well indeed for the first part of the project and that Utzon, Arup, and Ronald Jenkins (partner of Ove Arup and Partners responsible for
3588-558: The grammar in a partial reconstruction of the language. The notebooks of William Dawes were the main source, together with word lists compiled by First Fleeters David Collins , John Hunter , Philip Gidley King (in Hunter), Daniel Southwell , Watkin Tench , David Blackburn , a notebook called "Anon" (or "Notebook c"), Henry Fulton , and later contributors such as Daniel Paine, James Bowman , and others. In particular, largely thanks to Dawes,
3666-450: The great iconic buildings of the 20th century, an image of great beauty that has become known throughout the world – a symbol for not only a city but a whole country and continent. The Fort Macquarie Tram Depot , occupying the site at the time of these plans, was demolished in 1958 and construction began in March 1959. The Opera House was built in four stages: stage I (1957–1959) was planning out
3744-411: The historical effects of colonisation on the speakers. Some vocabulary had been retained by some Dharug people, but only very little grammar and phonology . For many years non-Aboriginal academics collected resources for Aboriginal languages to preserve them, and more recently, Aboriginal people have been getting involved in the process, and designing tools to reclaim the languages. During the 1990s and
3822-520: The lack of collaboration caused his resignation and later described the situation as "Malice in Blunderland". In March 1966, Hughes offered him a subordinate role as "design architect" under a panel of executive architects, without any supervisory powers over the House's construction, but Utzon rejected this. Utzon left the country never to return. Following the resignation, there was great controversy about who
3900-471: The main hall and further stated that increasing the number of seats to 3,000 as specified in the brief would be disastrous for the acoustics. According to Peter Jones, the stage designer, Martin Carr, criticised the "shape, height and width of the stage, the physical facilities for artists, the location of the dressing rooms, the widths of doors and lifts, and the location of lighting switchboards." The Opera House
3978-599: The new millennium, some descendants of the Dharug clans in Western Sydney have been making considerable efforts to revive Dharug as a spoken language. In the 21st century, some modern Dharug speakers have given speeches in a reconstructed form of the Dharug language, and younger members of the community visit schools and give demonstrations of spoken Dharug. In 2005 a Macquarie University master's thesis by Jeremy Steele, "The Aboriginal Language of Sydney", provided an analysis of
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#17328446304654056-476: The northwest of the central business district . An international design competition was launched by Cahill on 13 September 1955 and received 233 entries, representing architects from 32 countries. The criteria specified a large hall seating 3,000 and a small hall for 1,200 people, each to be designed for different uses, including full-scale operas, orchestral and choral concerts, mass meetings, lectures, ballet performances, and other presentations. The jury for
4134-562: The people), man of Gadi - Sydney within Gadigal Country (identifying the place those specific people are from); and, Kamaygalyan (identifying the people), woman of Kamay - Botany Bay (identifying the place those specific people are from). This people-and-place naming convention within the Dharug language can be seen throughout all of the clans of the Eora Nation. Another example of the strong link between people and place, but without
4212-517: The point of being diagrammatic. Nevertheless, as we have returned again and again to the study of these drawings, we are convinced that they present a concept of an Opera House which is capable of becoming one of the great buildings of the world. For the first stage, Utzon worked successfully with the rest of the design team and the client, but, as the project progressed, the Cahill government insisted on progressive revisions. They also did not fully appreciate
4290-528: The reconstructed Dharug language, and parts of the language have been taught at the Sydney Festival . In December 2020, Olivia Fox sang a version of Australia's national anthem in Dharug at the Tri Nations Test match between Australia and Argentina. The language may have had a distinction of vowel length , but this is difficult to determine from the extant data. The Dharug language highlights
4368-504: The region earlier than thought. Dharug people recognise William Dawes of the First Fleet and flagship, the Sirius , as the first to record the original traditional tongue of the elder people of Sydney Dharugule-wayaun. Dawes was returned to England in December 1791, after disagreements with Governor Phillip on, among other things, the punitive expedition launched following the wounding of
4446-495: The roof was tested on scale models in wind tunnels at University of Southampton and later NPL to establish the wind-pressure distribution around the roof shape in very high winds, which helped in the design of the roof tiles and their fixtures. The immensely complex design and construction of the shells was completed by Hornibrook Group Pty Ltd , who were also responsible for construction in Stage III. Hornibrook manufactured
4524-472: The settlement was Sydney Cove. It was one of the smaller inlets, chosen because it had fresh water and good anchorage for ships close into the land. The Governor's working party had cleared a camping ground beside the creek, which stole silently along through a very thick wood, the stillness of which had then for the first time since the Creation, been interrupted by the rude sound of the labourer's axe. A sample of
4602-408: The shells involved one of the earliest uses of computers in structural analysis , to understand the complex forces to which the shells would be subjected. The computer system was also used in the assembly of the arches. The pins in the arches were surveyed at the end of each day, and the information was entered into the computer so the next arch could be properly placed the following day. In mid-1961,
4680-577: The shoreline, and women line-fished from their nowies (canoes). Sydney Cove was named after the British Home Secretary , the 1st Baron Sydney (who was later created 1st Viscount Sydney in 1789). It was the site chosen by Captain Arthur Phillip , RN between 21 and 23 January 1788 for the British penal settlement which is now the city of Sydney , and where possession of New South Wales
4758-410: The strong link between people and place through its clan naming convention. This can be seen through the suffix identifier -gal and -galyan which refer to -man of and -woman of . Clan names such as Burramuttagal (identifying the people) therefore translate to man of Burramutta - also known as Parramatta (identifying the place those specific people are from); Gadigal (identifying
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#17328446304654836-536: The subsequent raising of the Union Jack , a seminal date in Australian history now marked as Australia Day . The Eora name for Sydney Cove was recorded by several early settlers of the First Fleet variously spelt as Warrane, War-ran , Warrang and Wee-rong . The spot is of great significance, as the first meeting place between Eora people and Europeans. Before colonisation of the area , Eora men speared fish from
4914-484: The suffix, can be seen with the nation name 'Eora' itself, which translates to people and from here or this place . The name Eora refers collectively to the people of the Sydney region and also translates to the name of the (Greater Sydney) region inhabited by those people. Examples of English words borrowed from Dharug are: Sydney Opera House The Sydney Opera House is a multi-venue performing arts centre in Sydney, New South Wales, Australia. Located on
4992-427: The thesis shows how verbs operated. Past and future tenses were indicated by suffixes or endings, often with further pronoun suffixes attached, revealing who (I, you, they, etc.) was responsible for the actions concerned. A recreated version of the language is spoken at welcome ceremonies conducted by the Dharug people. As of 2005, some children at Chifley College 's Dunheved campus in Sydney had started learning
5070-426: The towns of Windsor , Penrith , Campbelltown ". The word "Eora" has been used as an ethnonym by non-Aboriginal people since the late 19th century, and by Aboriginal people since the late 20th century, to describe Aboriginal peoples of the Sydney region, despite there being "no evidence that Aboriginal people had used it in 1788 as the name of a language or group of people inhabiting the Sydney peninsula". With
5148-718: The two larger spaces, the Concert Hall is in the western group of shells, the Joan Sutherland Theatre in the eastern group. The scale of the shells was chosen to reflect the internal height requirements, with low entrance spaces, rising over the seating areas up to the high stage towers. The smaller venues (the Drama Theatre, the Playhouse and the Studio) are within the podium, beneath the Concert Hall. A smaller group of shells set to
5226-422: The way for the immensely complex geometries of some modern architecture. The design was one of the first examples of the use of computer-aided design to design complex shapes. The design techniques developed by Utzon and Arup for the Sydney Opera House have been further developed and are now used for architecture, such as works of Gehry and blobitecture , as well as most reinforced concrete structures. The design
5304-653: The western side of the Monumental Steps houses the Bennelong Restaurant. The podium is surrounded by substantial open public spaces, and the large stone-paved forecourt area with the adjacent monumental steps is regularly used as a performance space. The Sydney Opera House includes a number of performance venues: Other areas (for example the northern and western foyers) are also used for performances on an occasional basis. Venues are also used for conferences, ceremonies and social functions. The building also houses
5382-583: Was formally completed in 1973, having cost $ 102 million. H.R. "Sam" Hoare, the Hornibrook director in charge of the project, provided the following approximations in 1973: Stage I: podium Civil & Civic Pty Ltd approximately $ 5.5m. Stage II: roof shells M.R. Hornibrook (NSW) Pty Ltd approximately $ 12.5m. Stage III: completion The Hornibrook Group $ 56.5m. Separate contracts: stage equipment, stage lighting and organ $ 9.0m. Fees and other costs: $ 16.5m. The original cost and scheduling estimates in 1957 projected
5460-465: Was formally declared on 26 January (now commemorated as Australia Day). Today, the exact site where the flag was planted is unmarked, being a spot near the bottom of Bethel Steps, The Rocks (behind the south end of the present Overseas Passenger Terminal) This site on the west side of the Cove is confirmed by a 1789 letter by John Campbell. Phillip had been instructed to establish the settlement at Botany Bay ,
5538-428: Was in the right and who was in the wrong. The Sydney Morning Herald initially opined: "No architect in the world has enjoyed greater freedom than Mr Utzon. Few clients have been more patient or more generous than the people and the Government of NSW. One would not like history to record that this partnership was brought to an end by a fit of temper on the one side or by a fit of meanness on the other." On 17 March 1966,
5616-428: Was no repetition in any of the roof forms, the construction of precast concrete for each individual section would possibly have been even more expensive. From 1957 to 1963, the design team went through at least 12 iterations of the form of the shells trying to find an economically acceptable form (including schemes with parabolas, circular ribs and ellipsoids ) before a workable solution was completed. The design work on
5694-437: Was owed more than $ 100,000 in fees. Hughes then withheld funding so that Utzon could not even pay his own staff. The government minutes record that following several threats of resignation, Utzon finally stated to Davis Hughes: "If you don't do it, I resign." Hughes replied: "I accept your resignation. Thank you very much. Goodbye." Utzon left the project on 28 February 1966. He said that Hughes's refusal to pay him any fees and
5772-504: Was progressing toward completion when Utzon resigned. His position was principally taken over by Peter Hall , who became largely responsible for the interior design. Other persons appointed that same year to replace Utzon were E. H. Farmer as government architect, D. S. Littlemore and Lionel Todd. Following Utzon's resignation, the acoustic advisor, Lothar Cremer, confirmed to the Sydney Opera House Executive Committee (SOHEC) that Utzon's original acoustic design allowed for only 2,000 seats in
5850-609: Was selected by Finnish-American architect Eero Saarinen from a final cut of 30 rejects. The runner-up was a Philadelphia -based team assembled by Robert Geddes and George Qualls, both teaching at the University of Pennsylvania School of Design . They brought together a band of Penn faculty and friends from Philadelphia architectural offices, including Melvin Brecher, Warren Cunningham, Joseph Marzella, Walter Wiseman, and Leon Loschetter. Geddes, Brecher, Qualls, and Cunningham went on to found
5928-525: Was that the podium columns were not strong enough to support the roof structure, and had to be re-built. The shells of the competition entry were originally of undefined geometry, but, early in the design process, the "shells" were perceived as a series of parabolas supported by precast concrete ribs. However, engineers Ove Arup and Partners were unable to find an acceptable solution to constructing them. The formwork for using in-situ concrete would have been prohibitively expensive, and, because there
6006-561: Was traditionally spoken in the region of Sydney , New South Wales , until it became extinct due to effects of colonisation. It is the traditional language of the Dharug people . The Dharug population has greatly diminished since the onset of colonisation . The term Eora language has sometimes been used to distinguish a coastal dialect from hinterland dialects, but there is no evidence that Aboriginal peoples ever used this term, which simply means "people". Some effort has been put into reviving
6084-501: Was working closely with Ralph Symonds , a manufacturer of plywood based in Sydney and highly regarded by many, despite an Arup engineer warning that Ralph Symonds's "knowledge of the design stresses of plywood was extremely sketchy" and that the technical advice was "elementary to say the least and completely useless for our purposes." Australian architecture critic Elizabeth Farrelly has referred to Ove Arup's project engineer Michael Lewis as having "other agendas". By February 1966, Utzon
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