Radio drama (or audio drama , audio play , radio play , radio theatre , or audio theatre ) is a dramatized , purely acoustic performance . With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama includes plays specifically written for radio, docudrama , dramatized works of fiction , as well as plays originally written for the theatre, including musical theatre , and opera .
141-571: Sears Radio Theater was a radio drama anthology series which ran weeknights on CBS Radio in 1979, sponsored by the Sears chain. Often paired with The CBS Radio Mystery Theater during its first season, the program offered a different genre of drama for each evening's broadcast. In January 1980, the program moved from CBS to the Mutual Broadcasting System and was renamed Mutual Radio Theater . The Mutual series broadcast repeats from
282-436: A Molière adaptation), either as in-studio productions or by remote broadcast from local theaters and opera houses. An early British drama broadcast was of Shakespeare 's A Midsummer Night's Dream on 2LO on 25 July 1923. Serious study of American radio drama of the 1920s and early 1930s is, at best, very limited. Unsung pioneers of the art include: WLW's Fred Smith; Freeman Gosden and Charles Correll (who popularized
423-474: A broadcast. Translated and broadcast in Germany and England by 1925, the play was originally scheduled by Radio-Paris to air on October 23, 1924, but was instead banned from French radio until 1937 because the government feared that the dramatic SOS messages would be mistaken for genuine distress signals. In 1951, American writer and producer Arch Oboler suggested that Wyllis Cooper 's Lights Out (1934–47)
564-693: A censorship apparatus for the inevitability of war. Due to the BBC's advancements in shortwave radio technology, the corporation could broadcast across the world during the Second World War. Within Europe, the BBC European Service would gather intelligence and information regarding the current events of the war in English. Regional BBC workers, based on their regional geo-political climate, would then further censor
705-405: A decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s, radio drama began losing its audience. However, it remains popular in much of the world. Recordings of OTR ( old-time radio ) survive today in the audio archives of collectors, libraries and museums, as well as several online sites such as
846-464: A dramatist in 1955, with his adaptation of his own novel Like Men Betrayed for the BBC Light Programme . However, he made his debut as an original playwright with The Dock Brief , starring Michael Hordern as a hapless barrister, first broadcast in 1957 on BBC Third Programme, later televised with the same cast and subsequently presented in a double bill with What Shall We Tell Caroline? at
987-409: A duplicitous character's internal monologue and his spoken words. The question of who was the first to write stream-of-consciousness drama for radio is a difficult one to answer. By 1930, Tyrone Guthrie had written plays for the BBC like Matrimonial News (which consists entirely of the thoughts of a shopgirl awaiting a blind date) and The Flowers Are Not for You to Pick (which takes place inside
1128-528: A fair share of drama, both single plays (generally, as the name of the station indicated, of a lighter nature) and serials. In contrast, the BBC Third Programme, destined to become one of the leading cultural and intellectual forces in post-war Britain, specialized in heavier drama (as well as the serious music, talks, and other features which made up its content): long-form productions of both classical and modern/experimental dramatic works sometimes occupied
1269-506: A fertile training ground and a steady source of employment for many actors, and this was particularly important because at this time the Australian theatre scene was in its infancy and opportunities were very limited. Many who trained in this medium (such as Peter Finch ) subsequently became prominent both in Australia and overseas. BBC The British Broadcasting Corporation ( BBC )
1410-552: A forerunner of radio drama because "his plays were performed by readers as sound plays, not by actors as stage plays... In this respect Seneca had no significant successors until 20th-century technology made possible the widespread dissemination of sound plays." Radio drama traces its roots back to the 1880s: "In 1881 French engineer Clement Ader had filed a patent for 'improvements of Telephone Equipment in Theatres ' " ( Théâtrophone ). English-language radio drama seems to have started in
1551-527: A good training ground for beginning drama writers as the words written form a much greater part of the finished product; bad lines cannot be obscured with stagecraft. The BBC's sole surviving radio soap is The Archers on BBC Radio 4 : it is, with over 18,700 episodes to date, the world's longest-running such programme. Other radio soaps ("ongoing serials") produced by the BBC but no longer on air include: In September, 2010 Radio New Zealand began airing its first ongoing soap opera, You Me Now , which won
SECTION 10
#17328526721811692-461: A larger brand: in 2003, BBC Choice was replaced by BBC Three , with programming for younger adults and shocking real-life documentaries, BBC News 24 became the BBC News Channel in 2008, and BBC Radio 7 became BBC Radio 4 Extra in 2011, with new programmes to supplement those broadcast on Radio 4. In 2008, another channel was launched, BBC Alba , a Scottish Gaelic service. During this decade,
1833-418: A long list of others who were credited at the time with any number of innovations but who are largely forgotten or undiscussed today. Elizabeth McLeod 's 2005 book on Gosden and Correll's early work is a major exception, as is Richard J. Hand's 2006 study of horror radio, which examines some programs from the late 1920s and early 1930s. Another notable early radio drama, one of the first specially written for
1974-419: A new generation of dramatists also emerged at this time, notably Yuri Rasovsky , Thomas Lopez of ZBS and the dramatic sketches heard on humorist Garrison Keillor 's A Prairie Home Companion . Brian Daley 's 1981 adaptation of the blockbuster space opera film Star Wars for NPR Playhouse was a notable success. Production costs on this serial were mitigated by the support of Lucasfilm , which sold
2115-599: A news and information service. In 1978, BBC staff went on strike just before the Christmas, thus blocking out the transmission of both channels and amalgamating all four radio stations into one. Since the deregulation of the UK television and radio market in the 1980s, the BBC has faced increased competition from the commercial sector (and from the advertiser-funded public service broadcaster Channel 4 ), especially on satellite television, cable television, and digital television services. In
2256-489: A number of additional channels and radio stations have been launched: Radio 5 was launched in 1990, as a sports and educational station, but was replaced in 1994, with BBC Radio 5 Live to become a live radio station, following the success of the Radio 4 service to cover the 1991 Gulf War . The new station would be a news and sport station. In 1997, BBC News 24 , a rolling news channel, launched on digital television services, and
2397-506: A number of short radio plays in the 1950s and 1960s, and later for television; his radio play Embers was first broadcast on the BBC Third Programme on 24 June 1959 and won the RAI prize at the Prix Italia awards later that year. Robert Bolt's writing career began with scripts for Children's Hour . A Man for All Seasons was subsequently produced on television in 1957. Then in 1960, there
2538-532: A pitching process to be made and distributed (as these aspects of production can be learned by the creator) and which have no restrictions regarding programme length or content. In Australia, as in most other developed countries, from the early years of the medium almost every radio network and station featured drama, serials, and soap operas as staples of their programming; during the so-called "Golden Years" of radio these were hugely popular. Many Australian serials and "soapies" were copies of American originals (e.g.,
2679-732: A proposal to cut 4,000 jobs, and to privatise parts of the BBC, disrupted much of the BBC's regular programming. In 2006, BBC HD launched as an experimental service and became official in December 2007. The channel broadcast HD simulcasts of programmes on BBC One , BBC Two , BBC Three and BBC Four as well as repeats of some older programmes in HD. In 2010, an HD simulcast of BBC One launched: BBC One HD . The channel uses HD versions of BBC One's schedule and uses upscaled versions of programmes not currently produced in HD. The BBC HD channel closed in March 2013 and
2820-623: A radio playwright and, starting in 1962 with The Ants , she wrote nine productions with BBC radio drama up until 1973, when her stage work began to be recognised at the Royal Court Theatre . Joe Orton 's dramatic debut in 1963 was the radio play The Ruffian on the Stair , which was broadcast on 31 August 1964. Tom Stoppard 's "first professional production was in the 15-minute Just Before Midnight programme on BBC Radio , which showcased new dramatists". John Mortimer made his radio debut as
2961-1171: A regular troupe of actors, The WGY Players. Aware of this series, the director of Cincinnati 's WLW began regularly broadcasting one-acts (as well as excerpts from longer works) in November. The success of these projects led to imitators at other stations. By early 1923, original dramatic pieces written specially for radio were airing on stations in Cincinnati ( When Love Wakens by WLW's Fred Smith), Philadelphia ( The Secret Wave by Clyde A. Criswell) and Los Angeles ( At Home over KHJ ). That same year, WLW (in May) and WGY (in September) sponsored scripting contests, inviting listeners to create original plays to be performed by those stations' dramatic troupes. Listings in The New York Times and other sources for May 1923 reveal at least 20 dramatic offerings were scheduled (including one-acts, excerpts from longer dramas, complete three- and four-act plays, operettas and
SECTION 20
#17328526721813102-624: A revival, with a growing number of independent producers who are able to build an audience through Internet distribution. While there are few academic programs in the United States that offer training in radio drama production, organizations such as the National Audio Theatre Festival teach the craft to new producers. The digital age has also resulted in recording styles that differ from the studio recordings of radio drama's Golden Age. Not from Space (2003) on XM Satellite Radio
3243-539: A series of strikes; however, the BBC stated that the cuts were essential to move the organisation forward and concentrate on increasing the quality of programming. On 20 October 2010, the Chancellor of the Exchequer George Osborne announced that the television licence fee would be frozen at its current level until the end of the current charter in 2016. The same announcement revealed that the BBC would take on
3384-451: A variation of the technique (so that the listener can hear the final thoughts and relived memories of a man falling to his death from the title building). There were probably earlier examples of stream-of-consciousness drama on the radio. For example, in December 1924, actor Paul Robeson , then appearing in a revival of Eugene O'Neill 's The Emperor Jones , performed a scene from the play over New York's WGBS to critical acclaim. Some of
3525-464: A variety of radio plays from the BBC's vast archives and a few extended versions of Radio 4 programmes. The British commercial station Oneword , though broadcasting mostly book readings, also transmitted a number of radio plays in instalments before it closed in 2008. In the United States, contemporary radio drama can be found on broadcasters including ACB radio, produced by the American Council of
3666-464: A year by the mid-1940s. Producers of radio drama soon became aware that adapting stage plays for radio did not always work, and that there was a need for plays specifically written for radio, which recognized its potential as a distinct and different medium from the theatre. George Bernard Shaw 's plays, for example, were seen as readily adaptable. However, in a lead article in the BBC literary journal The Listener , of 14 August 1929, which discussed
3807-583: Is a British public service broadcaster headquartered at Broadcasting House in London , England. Originally established in 1922 as the British Broadcasting Company , it evolved into its current state with its current name on New Year's Day 1927. The oldest and largest local and global broadcaster by stature and by number of employees, the BBC employs over 21,000 staff in total, of whom approximately 17,200 are in public-sector broadcasting. The BBC
3948-500: Is obviously of paramount importance." Reith succeeded in building a high wall against an American-style free-for-all in radio in which the goal was to attract the largest audiences and thereby secure the greatest advertising revenue. There was no paid advertising on the BBC; all the revenue came from a tax on receiving sets. Highbrow audiences, however, greatly enjoyed it. At a time when American, Australian and Canadian stations were drawing huge audiences cheering for their local teams with
4089-630: Is set by the British Government , agreed by Parliament , and is used to fund the BBC's radio, TV, and online services covering the nations and regions of the UK. Since 1 April 2014, it has also funded the BBC World Service (launched in 1932 as the BBC Empire Service), which broadcasts in 28 languages and provides comprehensive TV, radio, and online services in Arabic and Persian . Some of
4230-626: The Archbishops of Canterbury and York came to St Paul's to broadcast to the UK and the world on the National Day of Prayer. BBC employees during the war included George Orwell who spent two years with the broadcaster. During his role as prime minister during the war, Winston Churchill delivered 33 major wartime speeches by radio, all of which were carried by the BBC within the UK. On 18 June 1940, French general Charles de Gaulle , in exile in London as
4371-645: The BBC Home Service (itself the result of the fusion in September 1939 of the pre-war National and Regional Programmes ). These were the BBC Light Programme (dating from 29 July 1945 and a direct successor to the wartime General Forces Programme ) and the BBC Third Programme (launched on 29 September 1946). The BBC Light Programme, while principally devoted to light entertainment and music, carried
Sears Radio Theater - Misplaced Pages Continue
4512-526: The BBC Television Service ) started from Alexandra Palace in November 1936, alternating between an improved Baird mechanical 240-line system and the all-electronic 405-line Marconi-EMI system which had been developed by an EMI research team led by Sir Isaac Shoenberg . The superiority of the electronic system saw the mechanical system dropped early the following year, with the Marconi-EMI system
4653-614: The Internet Archive . By the 21st century, radio drama had a minimal presence on terrestrial radio in the United States, with much American radio drama being restricted to rebroadcasts of programmes from previous decades. However, other nations still have thriving traditions of radio drama. In the United Kingdom, for example, the BBC produces and broadcasts hundreds of new radio plays each year on Radio 3 , Radio 4 , and Radio 4 Extra . Like
4794-799: The Lyric Hammersmith in April 1958, before transferring to the Garrick Theatre . Mortimer is most famous for Rumpole of the Bailey , a British television series which starred Leo McKern as Horace Rumpole, an aging London barrister who defends any and all clients. It has been spun off into a series of short stories, novels, and radio programmes. Giles Cooper was a pioneer in writing for radio, becoming prolific in both radio and television drama. His early successes included radio dramatisations of Charles Dickens 's Oliver Twist , William Golding 's Lord of
4935-936: The MediaCityUK development in Salford , with BBC Three moving online only in 2016, the sharing of more programmes between stations and channels, sharing of radio news bulletins, more repeats in schedules, including the whole of BBC Two daytime and for some original programming to be reduced. BBC HD was closed on 26 March 2013, and replaced with an HD simulcast of BBC Two; however, flagship programmes, other channels and full funding for CBBC and CBeebies would be retained. Numerous BBC facilities have been sold off, including New Broadcasting House on Wilmslow Road in Manchester. Many major departments have been relocated to Broadcasting House in central London and MediaCityUK in Salford, particularly since
5076-551: The driveway moment for over 300,000 people listeners each week during readings of contemporary and classic short stories by well-known professional actors. The lack of visuals also enable fantastical settings and effects to be used in radio plays where the cost would be prohibitive for movies or television. The Hitchhiker's Guide to the Galaxy was first produced as radio drama, and was not adapted for television until much later, when its popularity would ensure an appropriate return for
5217-491: The 1960s, Dick Orkin created the popular syndicated comic adventure series Chicken Man . ABC Radio aired a daily dramatic anthology program, Theater Five , in 1964–65. Inspired by The Goon Show , "the four or five crazy guys" of the Firesign Theatre built a large following with their satirical plays on recordings exploring the dramatic possibilities inherent in stereo. A brief resurgence of production beginning in
5358-514: The 2025–26 season of the Women's Super League campaign. The BBC is a statutory corporation , independent from direct government intervention, with its activities being overseen from April 2017 by the BBC Board and regulated by Ofcom . The chairman is Samir Shah. The BBC is a state owned public broadcasting company and operates under a royal charter . The charter is the constitutional basis for
5499-524: The Arts and Humanities , public radio continued to air a smattering of audio drama until the mid-1980s. From 1986 to 2002, NPR's most consistent producer of radio drama was the idiosyncratic Joe Frank , working out of KCRW in Santa Monica. The Sci Fi Channel presented an audio drama series, Seeing Ear Theatre , on its website from 1997 to 2001. Also, the dramatic serial It's Your World aired twice daily on
5640-640: The BBC Third Programme, and novelist Wyndham Lewis 's The Human Age (1955). Among contemporary novels that were dramatised were the 1964 radio adaptation of Stan Barstow 's A Kind of Loving (1960); there had also been a 1962 film adaption. After the advent of television, radio drama never recovered its popularity in the United States. Most remaining CBS and NBC radio dramas were cancelled in 1960. The last network radio dramas to originate during American radio's " Golden Age ", Suspense and Yours Truly, Johnny Dollar , ended on September 30, 1962. There have been some efforts at radio drama since then. In
5781-467: The BBC announced a BBC News savings target of £80 million per year by 2022, involving about 520 staff reductions. The BBC's director of news and current affairs Fran Unsworth said there would be further moves toward digital broadcasting, in part to attract back a youth audience, and more pooling of reporters to stop separate teams covering the same news. In 2020, the BBC reported a £119 million deficit because of delays to cost reduction plans, and
Sears Radio Theater - Misplaced Pages Continue
5922-506: The BBC has played a prominent role in British life and culture. It is sometimes informally referred to as the Beeb or Auntie . In 1923 it launched Radio Times (subtitled "The official organ of the BBC"), the first broadcast listings magazine; the 1988 Christmas edition sold 11 million copies, the biggest-selling edition of any British magazine in history. Britain's first live public broadcast
6063-565: The BBC is subject to an additional 'Agreement' between it and the Culture Secretary , and that its operating licence is to be set by Ofcom, an external regulatory body . It used to be that the Home Secretary be departmental to both Agreement as well as Licence, and regulatory duties fall to the BBC Trust , but the 2017 charter changed those 2007 arrangements. The charter, too, outlines
6204-684: The BBC released minutes of the board meeting which led to Greg Dyke's resignation. Unlike the other departments of the BBC, the BBC World Service was funded by the Foreign, Commonwealth and Development Office . The Foreign and Commonwealth Office, more commonly known as the Foreign Office or the FCO, is the British government department responsible for promoting the interests of the United Kingdom abroad. A strike in 2005 by more than 11,000 BBC workers, over
6345-440: The BBC suddenly became the primary source of news for the duration of the crisis. The crisis placed the BBC in a delicate position. On the one hand Reith was acutely aware that the government might exercise its right to commandeer the BBC at any time as a mouthpiece of the government if the BBC were to step out of line, but on the other he was anxious to maintain public trust by appearing to be acting independently. The government
6486-477: The BBC was granted sufficient leeway to pursue the government's objectives largely in a manner of its own choosing. Supporters of the strike nicknamed the BBC the BFC for British Falsehood Company. Reith personally announced the end of the strike which he marked by reciting from Blake's " Jerusalem " signifying that England had been saved. While the BBC tends to characterise its coverage of the general strike by emphasising
6627-531: The BBC", was priced at tuppence (two pence ) on newsstands, and quickly sold out its run of a quarter of a million copies. Mid-1925 found the future of broadcasting under further consideration, this time by the Crawford committee. By now, the BBC, under Reith's leadership, had forged a consensus favouring a continuation of the unified (monopoly) broadcasting service, but more money was still required to finance rapid expansion. Wireless manufacturers were anxious to exit
6768-459: The BBC's airwaves. In 1937, a MI5 security officer was given a permanent office within the organisation. This officer would examine the files of potential political subversives and mark the files of those deemed a security risk to the organisation, blacklisting them. This was often done on spurious grounds; even so, the practice would continue and expand during the years of the Cold War. There
6909-535: The BBC's censorship office, which surveilled and edited American coverage of British affairs. By 1940, across all BBC broadcasts, music by composers from enemy nations was censored. In total, 99 German, 38 Austrian and 38 Italian composers were censored. The BBC argued that like the Italian or German languages, listeners would be irritated by the inclusion of enemy composers. Any potential broadcasters said to have pacifist, communist or fascist ideologies were not allowed on
7050-512: The BBC's revenue comes from its commercial subsidiary BBC Studios (formerly BBC Worldwide ), which sells BBC programmes and services internationally and also distributes the BBC's international 24-hour English-language news services BBC News , and from BBC.com, provided by BBC Global News Ltd. In 2009, the company was awarded the Queen's Award for Enterprise in recognition of its international achievements in business. Since its formation in 1922,
7191-510: The BBC, and sets out the BBC's Object, Mission and Public Purposes. It emphasises public service , (limited) editorial independence , prohibits advertising on domestic services and proclaims the BBC is to "seek to avoid adverse impacts on competition which are not necessary for the effective fulfilment of the Mission and the promotion of the Public Purposes". The charter also sets out that
SECTION 50
#17328526721817332-530: The Best New Drama Award in the 2011 New Zealand Radio Awards . On KDVS radio in Davis, California there are two radio theater shows, Evening Shadows , a horror/fantasy show paying tribute to classic old-time radio horror, and KDVS Radio Theater which commonly features dramas about social and political themes. The audio drama format exists side by side with books presented on radio , read by actors or by
7473-567: The Blind ; on the Sirius XM Book Radio channel from Sirius XM Satellite Radio (previously Sonic Theater on XM); and occasionally in syndication, as with Jim French 's production Imagination Theater . Several community radio stations carry weekly radio drama programs including KBOO , KFAI , WMPG , WLPP and WFHB . A growing number of religious radio stations air daily or weekly programs usually geared to younger audiences, such as Focus on
7614-483: The Blitz. After the war in 1946 it was moved to the BBC Light Programme . The BBC continued producing various kinds of drama, including docu-drama, throughout World War II ; amongst the writers they employed were the novelist James Hanley and poet Louis MacNeice , who in 1941 became an employee of the BBC's. MacNeice's work for the BBC initially involved writing and producing radio programmes intended to build support for
7755-575: The British government's asylum policy on social media. Lineker was suspended from his position on Match of the Day before being re-instated after receiving overwhelming support from his colleagues. The scandal was made worse due to the connections between BBC's chairman, Richard Sharp, and the Conservative Party. In April 2023, Richard Sharp resigned as chairman after a report found he did not disclose potential perceived conflicts of interest in his role in
7896-500: The CBBC Channel and CBeebies Channel. In addition to the television channels, new digital radio stations were created: 1Xtra , 6 Music and Radio 4 Extra . BBC 1Xtra was a sister station to Radio 1 and specialised in modern black music, BBC 6 Music specialised in alternative music genres and BBC7 specialised in archive, speech and children's programming. The following few years resulted in repositioning of some channels to conform to
8037-542: The CBS run until September 1980, when a short season of new dramas was presented. Sears continued as a sponsor during the Mutual run. The program turned out to be Mutual's final radio drama series. Mutual continued to broadcast repeats of the program (along with a few previously unaired episodes) until December 1981. Monday was "Western Night" and was hosted by Lorne Greene . Tuesday was "Comedy Night", hosted by Andy Griffith . Wednesday
8178-628: The Corporation's governance and regulatory arrangements as a statutory corporation, including the role and composition of the BBC Board. The current Charter began on 1 January 2017 and ends on 31 December 2027; the Agreement being coterminous. The BBC Board was formed in April 2017. It replaced the previous governing body, the BBC Trust, which itself had replaced the board of governors in 2007. The board sets
8319-730: The Family 's Adventures in Odyssey (1,700+ syndicated stations), or Pacific Garden Mission 's Unshackled! (1,800 syndicated stations – a long-running radio drama), which is geared to adults. The networks sometime sell transcripts of their shows on cassette tapes or CDs or make the shows available for listening or downloading over the Internet. Transcription recordings of many pre-television shows have been preserved. They are collected, re-recorded onto audio CDs and/or MP3 files and traded by hobbyists today as old-time radio programs. Meanwhile, veterans such as
8460-569: The Flies , and John Wyndham 's classic science fiction novel Day of the Triffids . He was also successful in the theatre. The first of his radio plays to make his reputation was Mathry Beacon (1956), about a small detachment of men and women still guarding a Top Secret "missile deflector" somewhere in Wales, years after the war has ended. Bill Naughton 's radio play Alfie Elkins and his Little Life (1962)
8601-477: The GPO and the BBC had become deadlocked and the Postmaster General commissioned a review of broadcasting by the Sykes Committee. The committee recommended a short-term reorganisation of licence fees with improved enforcement in order to address the BBC's immediate financial distress, and an increased share of the licence revenue split between it and the GPO. This was to be followed by a simple 10 shillings licence fee to fund broadcasts. The BBC's broadcasting monopoly
SECTION 60
#17328526721818742-441: The Prime Minister, maintained the censorship of editorial opinions on public policy, but allowed the BBC to address matters of religious, political or industrial controversy. The resulting political "talk series", designed to inform England on political issues, were criticised by members of parliament, including Winston Churchill, David Lloyd George and Sir Austen Chamberlain . Those who opposed these chats claimed that they silence
8883-430: The UK's first Independent local radio station, LBC came on-air in the London area. As a result of the Pilkington Committee report of 1962, in which the BBC was praised for the quality and range of its output, and ITV was very heavily criticised for not providing enough quality programming, the decision was taken to award the BBC a second television channel, BBC2 , in 1964, renaming the existing service BBC1 . BBC2 used
9024-802: The US, Australia's network the ABC has abandoned broadcasting drama but in New Zealand on RNZ , continues to promote and broadcast a variety of drama over its airwaves. Thanks to advances in digital recording and Internet distribution, radio drama experienced a revival around 2010. Podcasting offered the means of inexpensively creating new radio dramas, in addition to the distribution of vintage programs. The terms audio drama or audio theatre are sometimes used synonymously with radio drama ; however, audio drama or audio theatre may not necessarily be intended specifically for broadcast on radio. Audio drama can also be found on CDs , cassette tapes , podcasts, webcasts , or other digital downloads as well as broadcast radio. The Roman playwright Seneca has claim as
9165-481: The US, and later Russia, through cultural programmes emphasising links between the countries rather than outright propaganda. By the end of the war MacNeice had written well over 60 scripts for the BBC, including Christopher Columbus (1942), which starred Laurence Olivier , The Dark Tower (1946), and a six-part radio adaptation of Goethe 's Faust (1949). Following World War II the BBC reorganized its radio provision, introducing two new channels to supplement
9306-457: The United States (and also in other parts of the world). There were dozens of programs in many different genres, from mysteries and thrillers, to soap operas and comedies. Among American playwrights, screenwriters and novelists who got their start in radio drama are Rod Serling and Irwin Shaw . In Britain, however, during the 1930s BBC programming, tended to be more high brow, including the works of Shakespeare, Classical Greek drama, as well as
9447-443: The United States, the GPO proposed that it would issue a single broadcasting licence to a company jointly owned by a consortium of leading wireless receiver manufacturers, to be known as the British Broadcasting Company Ltd , which was formed on 18 October 1922. John Reith , a Scottish Calvinist , was appointed its general manager in December 1922 a few weeks after the company made its first official broadcast. L. Stanton Jefferies
9588-430: The United States. A Rural Line on Education , a brief sketch specifically written for radio, aired on Pittsburgh 's KDKA in 1921, according to historian Bill Jaker. Newspaper accounts of the era report on a number of other drama experiments by America's commercial radio stations: KYW broadcast a season of complete operas from Chicago starting in November 1921. In February 1922, entire Broadway musical comedies with
9729-564: The air and forced the British government finally to regulate radio services to permit nationally based advertising-financed services. In response, the BBC reorganised and renamed their radio channels. On 30 September 1967, the Light Programme was split into Radio 1 offering continuous "Popular" music and Radio 2 more "Easy Listening". The "Third" programme became Radio 3 offering classical music and cultural programming. The Home Service became Radio 4 offering news, and non-musical content such as quiz shows, readings, dramas and plays. As well as
9870-399: The author. In Britain and other countries there is also quite a bit of radio comedy (both stand-up and sitcom). Together, these programs provide entertainment where television is either not wanted or would be distracting (such as while driving or operating machinery). Selected Shorts , a long-running NPR program broadcast in front of a live audience at Symphony Space in New York, originated
10011-410: The broadcast of baseball, rugby and hockey, the BBC emphasised service for a national rather than a regional audience. Boat races were well covered along with tennis and horse racing, but the BBC was reluctant to spend its severely limited air time on long football or cricket games, regardless of their popularity. John Reith and the BBC, with support from the Crown , determined the universal needs of
10152-409: The broadcasting of 12 great plays, it was suggested that while the theatrical literature of the past should not be neglected the future lay mainly with plays written specifically for the microphone. In 1939–40, the BBC founded its own Drama Repertory Company which made a stock of actors readily available. After the war, the number was around 50. They performed in the great number of plays broadcast in
10293-606: The challenge of better reflecting and representing a changing UK". Since 2017, the BBC has also funded the Local Democracy Reporting Service , with up to 165 journalists employed by independent news organisations to report on local democracy issues on a pooled basis. In 2016, the BBC Director General Tony Hall announced a savings target of £800 million per year by 2021, which is about 23% of annual licence fee revenue. Having to take on
10434-464: The closure of BBC Television Centre in March 2013. On 16 February 2016, the BBC Three television service was discontinued and replaced by a digital outlet under the same name, targeting its young adult audience with web series and other content. Under the new royal charter instituted in 2017, the corporation must publish an annual report to Ofcom, outlining its plans and public service obligations for
10575-408: The corporation began to sell off a number of its operational divisions to private owners; BBC Broadcast was spun off as a separate company in 2002, and in 2005, it was sold off to Australian -based Macquarie Capital Alliance Group and Macquarie Group Limited and rebranded Red Bee Media . The BBC's IT , telephony and broadcast technology were brought together as BBC Technology Ltd in 2001, and
10716-553: The division was later sold to the German company Siemens IT Solutions and Services (SIS). SIS was subsequently acquired from Siemens by the French company Atos . Further divestments included BBC Books (sold to Random House in 2006); BBC Outside Broadcasts Ltd (sold in 2008 to Satellite Information Services ); Costumes and Wigs (stock sold in 2008 to Angels Costumes ); and BBC Magazines (sold to Immediate Media Company in 2011). After
10857-517: The dramatic serial ); The Eveready Hour creative team (which began with one-act plays but was soon experimenting with hour-long combinations of drama and music on its weekly variety program); the various acting troupes at stations like WLW, WGY, KGO and a number of others, frequently run by women like Helen Schuster Martin and Wilda Wilson Church; early network continuity writers like Henry Fisk Carlton, William Ford Manley and Don Clark; producers and directors like Clarence Menser and Gerald Stopp; and
10998-503: The early 1970s yielded Rod Serling 's The Zero Hour for Mutual , National Public Radio 's Earplay , and veteran Himan Brown 's CBS Radio Mystery Theater and General Mills Radio Adventure Theater . These productions were later followed by the Sears/Mutual Radio Theater , The National Radio Theater of Chicago , NPR Playhouse , and a newly produced episode of the former 1950s series X Minus One . Works by
11139-632: The early 1970s. Henry Reed was especially successful with the Hilda Tablet plays. Irish playwright Brendan Behan, author of The Quare Fellow (1954), was commissioned by the BBC to write a radio play The Big House (1956); prior to this he had written two plays for Irish radio: Moving Out and A Garden Party . Among the most famous works created for radio, are Dylan Thomas 's Under Milk Wood (1954), Samuel Beckett 's All That Fall (1957), Harold Pinter 's A Slight Ache (1959), and Robert Bolt 's A Man for All Seasons (1954). Beckett wrote
11280-407: The facilitation of a loan to Prime Minister Boris Johnson . Dame Elan Closs Stephens was appointed as acting chairwoman on 27 June 2023, and she would lead the BBC board for a year or until a new permanent chair has been appointed. Samir Shah was subsequently appointed with effect from 4 March 2024. In October 2024 it was announced that the BBC along with Sky Sports signed a deal to broadcast
11421-447: The first fully electronic television system in the world to be used in regular broadcasting. The success of broadcasting provoked animosities between the BBC and well-established media such as theatres, concert halls and the recording industry. By 1929, the BBC complained that the agents of many comedians refused to sign contracts for broadcasting, because they feared it harmed the artist "by making his material stale" and that it "reduces
11562-429: The following year, BBC Choice was launched as the third general entertainment channel from the BBC. The BBC also purchased The Parliamentary Channel, which was renamed BBC Parliament . In 1999, BBC Knowledge launched as a multimedia channel, with services available on the newly launched BBC Text digital teletext service (later rebranded as BBC Red Button), and on BBC Online . The channel had an educational aim, which
11703-453: The forthcoming ending of the remaining £253 million funding towards pensioner licence fees would increase financial pressures. In January 2021, it was reported that former banker Richard Sharp would succeed David Clementi , as chairman, when he stepped down in February. In March 2023, the BBC was at the centre of a political row with football pundit Gary Lineker , after he criticised
11844-499: The four national channels, a series of local BBC radio stations were established in 1967, including Radio London . In 1969, the BBC Enterprises department was formed to exploit BBC brands and programmes for commercial spin-off products. In 1979, it became a wholly owned limited company, BBC Enterprises Ltd. In 1974, the BBC's teletext service, Ceefax , was introduced, created initially to provide subtitling, but developed into
11985-612: The full cost of running the BBC World Service and the BBC Monitoring service from the Foreign and Commonwealth Office, and partially finance the Welsh broadcaster S4C . Further cuts were announced on 6 October 2011, so the BBC could reach a total reduction in their budget of 20%, following the licence fee freeze in October 2010, which included cutting staff by 2,000 and sending a further 1,000 to
12126-633: The government. Throughout the 1930s, political broadcasts had been closely monitored by the BBC. In 1935, the BBC censored the broadcasts of Oswald Mosley and Harry Pollitt . Mosley was a leader of the British Union of Fascists , and Pollitt a leader of the Communist Party of Great Britain . They had been contracted to provide a series of five broadcasts on their parties' politics. The BBC, in conjunction with The Foreign Office of Britain, first suspended this series and ultimately cancelled it without
12267-461: The heyday of BBC radio drama of the 40s–60s. Initially the BBC resisted American-style 'soap opera', but eventually highly popular serials, like Dick Barton, Special Agent (1946–51), Mrs Dale's Diary (1948–69) and The Archers (1950–), were produced. The Archers is still running (as of July 2024 ) and is the world's longest-running soap opera with a total of over 18,400 episodes. There had been some earlier serialized drama including,
12408-567: The high cost of the futuristic setting. On occasion television series can be revived as radio series. For example, a long-running but no longer popular television series can be continued as a radio series because the reduced production costs make it cost-effective with a much smaller audience. When an organization owns both television and radio channels, such as the BBC, the fact that no royalties have to be paid makes this even more attractive. Radio revivals can also use actors reprising their television roles even after decades as they still sound roughly
12549-405: The higher resolution 625-line standard which had been standardised across Europe. BBC2 was broadcast in colour from 1 July 1967 and was joined by BBC1 and ITV on 15 November 1969. The 405-line VHF transmissions of BBC1 (and ITV) were continued for compatibility with older television receivers until 1985. Starting in 1964, a series of pirate radio stations (starting with Radio Caroline ) came on
12690-847: The late Yuri Rasovsky ( The National Radio Theater of Chicago ) and Thomas Lopez ( ZBS Foundation ) have gained new listeners on cassettes, CDs and downloads. In the mid-1980s, the nonprofit L.A. Theatre Works launched its radio series recorded before live audiences. Productions have been broadcast via public radio, while also being marketed on compact discs and via download. Carl Amari 's nationally syndicated radio series Hollywood 360 features four old-time radio shows during his four-hour weekly broadcasts. Amari also broadcasts old-time radio shows on The WGN Radio Theatre heard every Saturday night beginning at 10 pm on 720-WGN in Chicago. In addition to traditional radio broadcasters, modern radio drama (also known as audio theater, or audio drama), has experienced
12831-534: The late 1980s, the BBC began a process of divestment by spinning off and selling parts of its organisation. In 1988, it sold off the Hulton Press Library, a photographic archive which had been acquired from the Picture Post magazine by the BBC in 1957. The archive was sold to Brian Deutsch and is now owned by Getty Images . In 1987, the BBC decided to centralize its operations by the management team with
12972-665: The leader of the Free French, made a speech, broadcast by the BBC, urging the French people not to capitulate to the Nazis. In October 1940, Princesses Elizabeth and Margaret made their first radio broadcast for the BBC's Children's Hour , addressing other children who had been evacuated from cities. In 1938, John Reith and the Government of the United Kingdom , specifically the Ministry of Information which had been set up for WWII, designed
13113-581: The loss-making consortium, and Reith was keen that the BBC be seen as a public service rather than a commercial enterprise. The recommendations of the Crawford Committee were published in March the following year and were still under consideration by the GPO when the 1926 United Kingdom general strike broke out in May. The strike temporarily interrupted newspaper production, and with restrictions on news bulletins waived,
13254-475: The major part of its output on any given evening. The Home Service, meanwhile, continued to broadcast more "middle-brow" drama (one-off plays and serializations) daily. The high-water mark for BBC radio drama was the 1950s and 1960s, and during this period many major British playwrights either effectively began their careers with the BBC, or had works adapted for radio. Most of playwright Caryl Churchill 's early experiences with professional drama production were as
13395-461: The many storytellers and monologists on early 1920s American radio might be able to claim even earlier dates. Perhaps America's most famous radio drama broadcast is Orson Welles ' The War of the Worlds (a 1938 version of H. G. Wells ' novel ), which inspired stories of a mass panic that, though greatly exaggerated, signaled the power of the form. By the late 1930s, radio drama was widely popular in
13536-754: The material their broadcasts would cover. Nothing was to be added outside the preordained news items. For example, the BBC Polish Service was heavily censored due to fears of jeopardising relations with the Soviet Union . Controversial topics, i.e. the contested Polish and Soviet border, the deportation of Polish citizens, the arrests of Polish Home Army members and the Katyn massacre , were not included in Polish broadcasts. American radio broadcasts were broadcast across Europe on BBC channels. This material also passed through
13677-435: The medium in the UK, was A Comedy of Danger by Richard Hughes , broadcast by the BBC on January 15, 1924, about a group of people trapped in a Welsh coal mine. One of the earliest and most influential French radio plays was the prize-winning Marémoto ('Seaquake'), by Gabriel Germinet and Pierre Cusy, which presents a realistic account of a sinking ship before revealing that the characters are actually actors rehearsing for
13818-679: The mind of a drowning man). After they were published in 1931, Guthrie's plays aired on the American networks. Around the same time, Guthrie himself also worked for the Canadian National Railway radio network , producing plays written by Merrill Denison that used similar techniques. A 1940 article in Variety credited a 1932 NBC play, Drink Deep by Don Johnson, as the first stream-of-consciousness play written for American radio. The climax of Lawrence Holcomb's 1931 NBC play Skyscraper also uses
13959-530: The modest, church-going elderly or a member of the Clergy . Until 1928, entertainers broadcasting on the BBC, both singers and "talkers" were expected to avoid biblical quotations, Clerical impersonations and references, references to drink or Prohibition in the United States , vulgar and doubtful matter and political allusions. The BBC excluded popular foreign music and musicians from its broadcasts, while promoting British alternatives. On 5 March 1928, Stanley Baldwin,
14100-474: The nationally syndicated Tom Joyner Morning Show from 1994 to 2008, continuing online through 2010. Radio drama remains popular in much of the world, though most material is now available through Internet download rather than heard over terrestrial or satellite radio. Stations producing radio drama often commission a large number of scripts. The relatively low cost of producing a radio play enables them to take chances with works by unknown writers. Radio can be
14241-413: The new corporation adopted the coat of arms , including the motto "Nation shall speak peace unto Nation". British radio audiences had little choice apart from the upscale programming of the BBC. Reith, an intensely moralistic executive, was in full charge. His goal was to broadcast "All that is best in every department of human knowledge, endeavour and achievement.... The preservation of a high moral tone
14382-425: The next year. In its 2017–18 report, released July 2017, the BBC announced plans to "re-invent" its output to better compete against commercial streaming services such as Netflix . These plans included increasing the diversity of its content on television and radio, a major increase in investments towards digital children's content, and plans to make larger investments in Wales, Scotland and Northern Ireland to "rise to
14523-413: The notice of the public. Less radical politicians faced similar censorship. In 1938, Winston Churchill proposed a series of talks regarding British domestic and foreign politics and affairs but was similarly censored. The censorship of political discourse by the BBC was a precursor to the total shutdown of political debate that manifested over the BBC's wartime airwaves. The Foreign Office maintained that
14664-541: The opinions of those in Parliament who are not nominated by Party Leaders or Party Whips, thus stifling independent, non-official views. In October 1932, the policemen of the Metropolitan Police Federation marched in protest at a proposed pay cut. Fearing dissent within the police force and public support for the movement, the BBC censored its coverage of the events, only broadcasting official statements from
14805-415: The original casts aired from WJZ 's Newark studios. Actors Grace George and Herbert Hayes performed an entire play from a San Francisco station in the summer of 1922. An important turning point in radio drama came when Schenectady, New York 's WGY , after a successful tryout on August 3, 1922, began weekly studio broadcasts of full-length stage plays in September 1922, using music, sound effects and
14946-407: The people of Britain and broadcast content according to these perceived standards. Reith effectively censored anything that he felt would be harmful, directly or indirectly. While recounting his time with the BBC in 1935, Raymond Postgate claims that BBC broadcasters were made to submit a draft of their potential broadcast for approval. It was expected that they tailored their content to accommodate
15087-414: The popular soap Portia Faces Life or the adventure series Superman , which featured future Australian TV star Leonard Teale in the title role), although these were typically locally produced and performed live to air, since the technology of the time did not permit high-quality pre-recording or duplication of programs for import or export. In this period radio drama, serials and soap operas provided
15228-435: The positive impression created by its balanced coverage of the views of government and strikers, Seaton has characterised the episode as the invention of "modern propaganda in its British form". Reith argued that trust gained by 'authentic impartial news' could then be used. Impartial news was not necessarily an end in itself. The BBC did well out of the crisis, which cemented a national audience for its broadcasting, and it
15369-476: The post, with a note saying 'We regret, etc.'" In the 1930s music broadcasts also enjoyed great popularity, for example the friendly and wide-ranging BBC Theatre Organ broadcasts at St George's Hall , London by Reginald Foort , who held the official role of BBC Staff Theatre Organist from 1936 to 1938. Television broadcasting was suspended from 1 September 1939 to 7 June 1946, during the World War II , and it
15510-409: The postwar decades, from which many actors and directors proceeded to international careers, but abolished its radio drama department in the 1970s and finally ceased production of radio dramas in 2012. BBC Radio 4 in today noted for its radio drama, broadcasting hundreds of new, one-off plays each year in such strands as The Afternoon Play , as well as serials and soap operas. Radio 4 Extra broadcasts
15651-495: The pressure from these quarters and uneasiness among the staff of the licensing authority, the General Post Office (GPO), was sufficient to lead to a ban on further Chelmsford broadcasts. But by 1922, the GPO had received nearly 100 broadcast licence requests and moved to rescind its ban in the wake of a petition by 63 wireless societies with over 3,000 members. Anxious to avoid the same chaotic expansion experienced in
15792-459: The public should not be aware of their role in the censorship. From 1935 to 1939, the BBC also attempted to unite the British Empire's radio waves, sending staff to Egypt, Palestine , Newfoundland , Jamaica, India, Canada and South Africa. Reith personally visited South Africa, lobbying for state-run radio programmes which was accepted by South African Parliament in 1936. A similar programme
15933-423: The radio and television divisions joining forces together for the first time, the activities of the news and currents departments and coordinated jointly under the new directorate. During the 1990s, this process continued with the separation of certain operational arms of the corporation into autonomous but wholly owned subsidiaries , with the aim of generating additional revenue for programme-making. BBC Enterprises
16074-572: The rights to NPR for a nominal $ 1 fee, and by the participation of the BBC in an international co-production deal. Star Wars was credited with generating a 40% rise in NPR's ratings and quadrupling the network's youth audience overnight. Radio adaptations of the sequels followed with The Empire Strikes Back in 1983 and Return of the Jedi in 1996. Thanks in large part to the National Endowments for
16215-443: The sales of OBs and costumes, the remainder of BBC Resources was reorganised as BBC Studios and Post Production , which continues today as a wholly owned subsidiary of the BBC. The 2004 Hutton Inquiry and the subsequent report raised questions about the BBC's journalistic standards and its impartiality. This led to resignations of senior management members at the time including the then Director General, Greg Dyke . In January 2007,
16356-428: The same. Series that have had this treatment include Doctor Who , Dad's Army , Thunderbirds and The Tomorrow People . In 2013 BBC Radio 4 released a radio adaptation of Neverwhere by Neil Gaiman , featuring a cast of well known television and film actors. Neil Gaiman has said he was excited about the radio drama adaptation as it allowed the work to be presented with a greater deal of special effects than
16497-599: The six episode The Shadow of the Swastika (1939), Dorothy L. Sayers 's The Man Born To Be King , in twelve episodes (1941), and Front Line Family (1941–48), which was broadcast to America as part of the effort to encourage the US to enter the war. The show's storylines depicted the trials and tribulations of a British family, the Robinsons, living through the war. This featured plots about rationing, family members missing in action and
16638-427: The strategy for the corporation, assesses the performance of the BBC's executive board in delivering the BBC's services, and appoints the director-general. Ofcom is responsible for the regulation of the BBC. The board consists of the following members: The executive committee is responsible for the day-to-day operations of the broadcaster. Consisting of senior managers of the BBC, the committee meets once per month and
16779-563: The value of the artist as a visible music-hall performer". On the other hand, the BBC was "keenly interested" in a cooperation with the recording companies who "in recent years ... have not been slow to make records of singers, orchestras, dance bands, etc. who have already proved their power to achieve popularity by wireless." Radio plays were so popular that the BBC had received 6,000 manuscripts by 1929, most of them written for stage and of little value for broadcasting: "Day in and day out, manuscripts come in, and nearly all go out again through
16920-501: The works of major modern playwrights, such as Chekhov , Ibsen , Strindberg , and so forth. Novels and short stories were also frequently dramatised. In addition the plays of contemporary writers and original plays were produced, with, for example, a broadcast of T. S. Eliot 's famous verse play Murder in the Cathedral in 1936. By 1930, the BBC was producing "twice as many plays as London's West End " and were producing over 400 plays
17061-509: The £700 million cost for free TV licences for the over-75 pensioners, and rapid inflation in drama and sport coverage costs, was given as the reason. Duplication of management and content spending would be reduced, and there would be a review of BBC News . In September 2019, the BBC launched the Trusted News Initiative to work with news and social media companies to combat disinformation about national elections. In 2020,
17202-1034: Was "Mystery Night" with Vincent Price as host. On Thursday, Cicely Tyson was host of "Love and Hate Night" and finally, Friday brought "Adventure Night", first hosted by Richard Widmark , followed by Howard Duff and lastly by Leonard Nimoy . Several actors from the Golden Age of Radio were featured on the series. Among the actors heard were Jim Jordan , Henry Morgan , Daws Butler , June Foray , Parley Baer , Mary Jane Croft , Howard Culver , John Dehner , Joan McCall , Don Diamond , Virginia Gregg , Janet Waldo , Vic Perrin , Hans Conried , Marvin Miller , Elliott Lewis , Jeff Corey , Lesley Woods , Robert Rockwell , Lurene Tuttle , Eve Arden , Keith Andes , Harriet Nelson , Alan Young , Tom Bosley , Marion Ross , Lloyd Bochner , Rick Jason , Frank Campanella , Toni Tennille , Arthur Hill , Dan O'Herlihy , Jesse White and Frank Nelson . Veteran radio actress Peggy Webber
17343-495: Was a highly successful stage production in London's West End and on New York's Broadway from late 1961. In addition there have been two film versions: in 1966 starring Paul Scofield and 1988 for television, starring Charlton Heston . While Alan Ayckbourn did not write for radio many of his stage plays were subsequently adapted for radio. Other significant adaptations included, dramatised readings of poet David Jones 's In Parenthesis in 1946 and The Anathemata in 1953, for
17484-442: Was a widely reported urban myth that, upon resumption of the BBC television service after the war, announcer Leslie Mitchell started by saying, "As I was saying before we were so rudely interrupted ..." In fact, the first person to appear when transmission resumed was Jasmine Bligh and the words said were "Good afternoon, everybody. How are you? Do you remember me, Jasmine Bligh ... ?" The European Broadcasting Union
17625-495: Was adopted in Canada. Through collaboration with these state-run broadcasting centres, Reith left a legacy of cultural influence across the empire of Great Britain with his departure from the corporation in 1938. Experimental television broadcasts were started in 1929, using an electromechanical 30-line system developed by John Logie Baird . Limited regular broadcasts using this system began in 1932, and an expanded service (now named
17766-513: Was divided on how to handle the BBC, but ended up trusting Reith, whose opposition to the strike mirrored the PM's own. Although Winston Churchill in particular wanted to commandeer the BBC to use it "to the best possible advantage", Reith wrote that Stanley Baldwin 's government wanted to be able to say "that they did not commandeer [the BBC], but they know that they can trust us not to be really impartial". Thus
17907-463: Was established under a royal charter , and operates under an agreement with the Secretary of State for Culture, Media and Sport . Its work is funded principally by an annual television licence fee which is charged to all British households, companies, and organisations using any type of equipment to receive or record live television broadcasts or to use the BBC's streaming service, iPlayer . The fee
18048-667: Was first broadcast on the BBC Third Programme on 7 January 1962. In it Alfie, "[w]ith sublime amorality... swaggers and philosophises his way through" life. The action spans about two decades, from the beginning of World War II to the late 1950s. In 1964, Bill Naughton turned it into a stage play which was put on at London's Mermaid Theatre . Later, he wrote the screenplay for a film version, Alfie (1966), starring Michael Caine . Other notable radio dramatists included Henry Reed , Brendan Behan , Rhys Adrian , Alan Plater ; Anthony Minghella , Alan Bleasdale , and novelist Angela Carter . Novelist Susan Hill also wrote for BBC Radio, from
18189-640: Was followed by the Government's acceptance of the recommendation made by the Crawford Committee (1925–26) that the British Broadcasting Company be replaced by a non-commercial, Crown-chartered organisation: the British Broadcasting Corporation. The British Broadcasting Corporation came into existence on 1 January 1927, and Reith – newly knighted – was appointed its first director general. To represent its purpose and (stated) values,
18330-474: Was formed on 12 February 1950, in Torquay with the BBC among the 23 founding broadcasting organisations. Competition to the BBC was introduced in 1955, with the commercial and independently operated television network of Independent Television (ITV) . However, the BBC monopoly on radio services would persist until 8 October 1973 when under the control of the newly renamed Independent Broadcasting Authority (IBA),
18471-508: Was heard on 52 episodes. The program was produced and directed by Fletcher Markle and Elliott Lewis . The theme music was composed and conducted by Nelson Riddle . The program was broadcast in stereo . Though much less long-lived than the CBS Radio Mystery Theater or NPR 's Earplay , the series was an ambitious attempt to reinvigorate radio drama. Radio drama Radio drama achieved widespread popularity within
18612-504: Was its first director of music. The company was to be financed by a royalty on the sale of BBC wireless receiving sets from approved domestic manufacturers. To this day, the BBC aims to follow the Reithian directive to "inform, educate and entertain". The financial arrangements soon proved inadequate. Set sales were disappointing as amateurs made their own receivers and listeners bought rival unlicensed sets. By mid-1923, discussions between
18753-575: Was left to BBC Radio broadcasters such as Reginald Foort to keep the nation's spirits up. The BBC moved most of its radio operations out of London, initially to Bristol , and then to Bedford . Concerts were broadcast from the Bedford Corn Exchange ; the Trinity Chapel in St Paul's Church, Bedford was the studio for the daily service from 1941 to 1945, and, in the darkest days of the war in 1941,
18894-486: Was made explicit for the duration of its current broadcast licence, as was the prohibition on advertising. To avoid competition with newspapers, Fleet Street persuaded the government to ban news bulletins before 7 pm and the BBC was required to source all news from external wire services. The Radio Times , the world's first and longest-running radio and television listings magazine, was launched by Reith in September 1923. The first edition, subtitled "The official organ of
19035-683: Was made from the factory of Marconi Company in Chelmsford in June 1920. It was sponsored by the Daily Mail ' s Alfred Harmsworth, 1st Viscount Northcliffe and featured the famous Australian soprano Dame Nellie Melba . The Melba broadcast caught the people's imagination and marked a turning point in the British public's attitude to radio. However, this public enthusiasm was not shared in official circles where such broadcasts were held to interfere with important military and civil communications. By late 1920,
19176-400: Was modified later on in its life to offer documentaries. In 2002, several television and radio channels were reorganised. BBC Knowledge was replaced by BBC Four and became the BBC's arts and documentaries channel. CBBC , which had been a programming strand as Children's BBC since 1985, was split into CBBC and CBeebies , for younger children, with both new services getting a digital channel:
19317-607: Was possible on television. In the United States, an adaptation of The Twilight Zone aired to modest success in the 2000s (decade) as a syndicated program. Regular broadcasts of radio drama in English can be heard on the BBC's Radio 3 , Radio 4 and Radio 4 Extra (formerly Radio 7), on RTÉ Radio 1 in Ireland, and RNZ National in New Zealand. The Canadian Broadcasting Corporation produced notable radio plays in Calgary and Toronto in
19458-457: Was reorganised and relaunched in 1995, as BBC Worldwide Ltd. In 1998, BBC studios, outside broadcasts, post production, design, costumes and wigs were spun off into BBC Resources Ltd. The BBC Research & Development has played a major part in the development of broadcasting and recording techniques. The BBC was also responsible for the development of the NICAM stereo standard. In recent decades,
19599-479: Was replaced by BBC Two HD in the same month. On 18 October 2007, BBC Director General Mark Thompson announced a controversial plan to make major cuts and reduce the size of the BBC as an organisation. The plans included a reduction in posts of 2,500; including 1,800 redundancies, consolidating news operations, reducing programming output by 10% and selling off the flagship Television Centre building in London. These plans were fiercely opposed by unions, who threatened
19740-423: Was the first national radio play recorded exclusively through the Internet in which the voice actors were all in separate locations. Other producers use portable recording equipment to record actors on location rather than in studios. Podcasts are a growing distribution format for independent radio drama producers. Podcasts provides an alternative to mainstream television and radio which does not necessarily require
19881-652: Was the first true radio drama to make use of the unique qualities of radio: Radio drama (as distinguished from theatre plays boiled down to kilocycle size) began at midnight, in the middle thirties, on one of the upper floors of Chicago's Merchandise Mart. The pappy was a rotund writer by the name of Wyllis Cooper. Though the series is often remembered solely for its gruesome stories and sound effects, Cooper's scripts for Lights Out were later recognized as well written and offered innovations seldom heard in early radio dramas, including multiple first-person narrators, stream of consciousness monologues and scripts that contrasted
#180819