159-462: Our Solar System is an album by the rock group Half Japanese , released in 1984 by Iridescence. It was reissued by Drag City in 2000. The album received mixed to fair reviews. The Spin Alternative Record Guide wrote that "the playing is often too drowsy" and that "David's continued fear/objectification of women grows less cute by the minute." Rock (music) Rock is
318-579: A pop art -style, and putting their personal signatures on their style. Mods adopted new Italian and French styles in part as a reaction to the rural and small-town rockers , with their 1950s-style leather motorcycle clothes and American greaser look. Male mods adopted a smooth, sophisticated look that included tailor-made suits with narrow lapels (sometimes made of mohair ), thin ties, button-down collar shirts, wool or cashmere jumpers (crewneck or V-neck), Chelsea or Beatle boots , loafers , Clarks desert boots, bowling shoes, and hairstyles that imitated
477-489: A "rebellion based on consuming pleasures". The influence of British newspapers on creating the public perception of mods as having a leisure-filled club-going lifestyle can be seen in a 1964 article in The Sunday Times . The paper interviewed a 17-year-old mod who went out clubbing seven nights a week and spent Saturday afternoons shopping for clothes and records. However, few British teens and young adults would have had
636-658: A broad genre of popular music that originated as " rock and roll " in the United States in the late 1940s and early 1950s, developing into a range of different styles from the mid-1960s, particularly in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew directly from the genres of blues , rhythm and blues , and country music . Rock also drew strongly from genres such as electric blues and folk , and incorporated influences from jazz and other musical styles. For instrumentation, rock
795-509: A certain degree doesn't care if it's popular. — Bill Wyman in Vulture (2016) The sound of rock is traditionally centered on the amplified electric guitar, which emerged in its modern form in the 1950s with the popularity of rock and roll. It was also greatly influenced by the sounds of electric blues guitarists. The sound of an electric guitar in rock music is typically supported by an electric bass guitar, which pioneered jazz music in
954-437: A clerk, messenger or office boy. According to Dick Hebdige , mods created a parody of the consumer society that they lived in. According to Hebdige, by around 1963, the mod subculture had gradually accumulated the identifying symbols that later came to be associated with the scene, such as scooters, amphetamine pills and R&B music. While clothes were still important at that time, they could be ready-made. Dick Hebdige wrote
1113-503: A considerable influence on the worldwide spread of mod. As mod was going through transformation in England, it became all the rage in the United States and around the world, as many young people adopted its look. However, the worldwide experience differed from that of the early scene in London in that it was based mainly on the pop culture aspect, influenced by British rock musicians. By now, mod
1272-469: A different kind of attire, that emulated the rude boy look of Trilby hats and too-short trousers. These Mods listened to Jamaican ska and mingled with black rude boys at West Indian nightclubs like Ram Jam, A-Train and Sloopy's. Hebdige claimed that the hard mods were drawn to black culture and ska music in part because the educated, middle-class hippie movement's drug-orientated and intellectual music did not have any relevance for them. He argued that
1431-689: A fashion accessory. Italian scooters were preferred due to their clean-lined, curving shapes and gleaming chrome , with sales driven by close associations between dealerships and clubs, such as the Ace of Herts . For young mods, Italian scooters were the "embodiment of continental style and a way to escape the working-class row houses of their upbringing". Mods customised their scooters by painting them in "two-tone and candyflake and overaccessorized [them] with luggage racks, crash bars, and scores of mirrors and fog lights". Some mods added four, ten, or as many as 30 mirrors to their scooters. They often put their names on
1590-514: A fondness for a good beat, a meaningful lyric with some wit, and the theme of youth, which holds an "eternal attraction" so objective "that all youth music partakes of sociology and the field report ." Writing in Christgau's Record Guide: The '80s (1990), he said this sensibility is evident in the music of folk singer-songwriter Michelle Shocked , rapper LL Cool J , and synth-pop duo Pet Shop Boys —"all kids working out their identities"—as much as it
1749-477: A foundation of simple syncopated rhythms in a 4 meter , with a repetitive snare drum back beat on beats two and four. Melodies often originate from older musical modes such as the Dorian and Mixolydian , as well as major and minor modes. Harmonies range from the common triad to parallel perfect fourths and fifths and dissonant harmonic progressions. Since the late 1950s, and particularly from
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#17328447685051908-609: A frequent addition to the established rock format of guitars, bass, and drums in subsequent progressive rock. Instrumentals were common, while songs with lyrics were sometimes conceptual, abstract, or based in fantasy and science fiction. The Pretty Things ' SF Sorrow (1968), the Kinks' Arthur (Or the Decline and Fall of the British Empire) (1969), and the Who 's Tommy (1969) introduced
2067-499: A glamorous sense of dressing up and going into town to work. Hall and Jefferson argued that the presentable image of female mod fashions meant it was easier for young mod women to integrate with the non-subculture aspects of their lives (home, school and work) than for members of other subcultures. The emphasis on clothing and a stylised look for women demonstrated the "same fussiness for detail in clothes" as their male mod counterparts. Shari Benstock and Suzanne Ferriss claimed that
2226-612: A key feature of psychedelia. Psychedelic rock reached its apogee in the last years of the decade. 1967 saw the Beatles release their definitive psychedelic statement in Sgt. Pepper's Lonely Hearts Club Band , including the controversial track " Lucy in the Sky with Diamonds ", the Rolling Stones responded later that year with Their Satanic Majesties Request , and Pink Floyd debuted with The Piper at
2385-569: A larger audience. Mod-culture continues to influence fashion, with the ongoing trend for mod-inspired styles such as 3-button suits, Chelsea boots and mini dresses. The Mod Revival of the 1980s and 1990s led to a new era of mod-inspired fashion, driven by bands such as Madness , the Specials and Oasis . The popularity of the This Is England film and TV series also kept mod fashion in the public eye. Today's mod icons include Miles Kane (frontman of
2544-568: A loud amplified sound, often centered on the electric guitar, based on the Chicago blues , particularly after the tour of Britain by Muddy Waters in 1958, which prompted Cyril Davies and guitarist Alexis Korner to form the band Blues Incorporated . The band involved and inspired many of the figures of the subsequent British blues boom, including members of the Rolling Stones and Cream , combining blues standards and forms with rock instrumentation and emphasis. The other key focus for British blues
2703-572: A mainstream audience with hits including " Blowin' in the Wind " (1963) and " Masters of War " (1963), which brought " protest songs " to a wider public, but, although beginning to influence each other, rock and folk music had remained largely separate genres, often with mutually exclusive audiences. Early attempts to combine elements of folk and rock included the Animals' " House of the Rising Sun " (1964), which
2862-485: A major element of progressive rock. From about 1967 bands like Cream and the Jimi Hendrix Experience had moved away from purely blues-based music into psychedelia . By the 1970s, blues rock had become heavier and more riff-based, exemplified by the work of Led Zeppelin and Deep Purple , and the lines between blues rock and hard rock "were barely visible", as bands began recording rock-style albums. The genre
3021-429: A major influence on subsequent electronic rock . With the advent of punk rock and technological changes in the late 1970s, progressive rock was increasingly dismissed as pretentious and overblown. Many bands broke up, but some, including Genesis, ELP, Yes, and Pink Floyd, regularly scored top ten albums with successful accompanying worldwide tours. Some bands which emerged in the aftermath of punk, such as Siouxsie and
3180-410: A more basic form of rock and roll that incorporated its original influences, particularly blues, country and folk music, leading to the creation of country rock and Southern rock. In 1966 Bob Dylan went to Nashville to record the album Blonde on Blonde . This, and subsequent more clearly country-influenced albums, such as Nashville Skyline , have been seen as creating the genre of country folk ,
3339-481: A multibillion-dollar industry and doubling its market while, as Christgau noted, suffering a significant "loss of cultural prestige". "Maybe the Bee Gees became more popular than the Beatles, but they were never more popular than Jesus ", he said. "Insofar as the music retained any mythic power, the myth was self-referential – there were lots of songs about the rock and roll life but very few about how rock could change
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#17328447685053498-570: A national phenomenon. It is often argued that the surf music craze and the careers of almost all surf acts was effectively ended by the arrival of the British Invasion from 1964, because most surf music hits were recorded and released between 1960 and 1965. By the end of 1962, what would become the British rock scene had started with beat groups like the Beatles , Gerry & the Pacemakers and
3657-456: A preacher, prosecutions of Jerry Lee Lewis and Chuck Berry and the breaking of the payola scandal (which implicated major figures, including Alan Freed, in bribery and corruption in promoting individual acts or songs), gave a sense that the rock and roll era established at that point had come to an end. Rock quickly spread out from its origins in the US, associated with the rapid Americanization that
3816-444: A prog rock influence and while ranking among the most commercially successful acts of the 1970s, heralding the era of pomp or arena rock , which would last until the costs of complex shows (often with theatrical staging and special effects), would be replaced by more economical rock festivals as major live venues in the 1990s. The instrumental strand of the genre resulted in albums like Mike Oldfield 's Tubular Bells (1973),
3975-446: A rigidly delineated musical definition." In the opinion of music journalist Robert Christgau , "the best rock jolts folk-art virtues—directness, utility, natural audience—into the present with shots of modern technology and modernist dissociation ". Rock and roll was conceived as an outlet for adolescent yearnings ... To make rock and roll is also an ideal way to explore intersections of sex, love, violence, and fun, to broadcast
4134-625: A rock-informed album era in the music industry for the next several decades. By the late 1960s " classic rock " period, a few distinct rock music subgenres had emerged, including hybrids like blues rock , folk rock , country rock , Southern rock , raga rock , and jazz rock , which contributed to the development of psychedelic rock , influenced by the countercultural psychedelic and hippie scene . New genres that emerged included progressive rock , which extended artistic elements, heavy metal , which emphasized an aggressive thick sound, and glam rock , which highlighted showmanship and visual style. In
4293-695: A route pursued by a number of largely acoustic folk musicians. Other acts that followed the back-to-basics trend were the Canadian group the Band and the California-based Creedence Clearwater Revival , both of which mixed basic rock and roll with folk, country and blues, to be among the most successful and influential bands of the late 1960s. The same movement saw the beginning of the recording careers of Californian solo artists like Ry Cooder , Bonnie Raitt and Lowell George , and influenced
4452-478: A slogan one only began to hear in 1972 or so, mobilized all those eager to believe that idealism had become passe, and once they were mobilized, it had. In popular music, embracing the '70s meant both an elitist withdrawal from the messy concert and counterculture scene and a profiteering pursuit of the lowest common denominator in FM radio and album rock . Rock saw greater commodification during this decade, turning into
4611-460: A variety of directions, including Dylan and the Byrds, who began to develop country rock . However, the hybridization of folk and rock has been seen as having a major influence on the development of rock music, bringing in elements of psychedelia, and helping to develop the ideas of the singer-songwriter, the protest song, and concepts of "authenticity". Psychedelic music's LSD -inspired vibe began in
4770-522: A variety of sources such as the Tin Pan Alley pop tradition, folk music , and rhythm and blues . Christgau characterizes rock lyrics as a "cool medium" with simple diction and repeated refrains, and asserts that rock's primary "function" "pertains to music, or, more generally, noise ." The predominance of white, male, and often middle class musicians in rock music has often been noted, and rock has been seen as an appropriation of Black musical forms for
4929-521: A while (after dressing like rockers earlier), their beat music was not as popular as British R&B among mods. A notable part of the mod subculture was recreational amphetamine use, which was used to fuel all-night dances at clubs. Newspaper reports described dancers emerging from clubs at 5 a.m. with dilated pupils. Some mods consumed a combined amphetamine/barbiturate called Drinamyl , nicknamed "purple hearts". Due to this association with amphetamines, Pete Meaden's "clean living" aphorism about
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5088-501: A young, white and largely male audience. As a result, it has also been seen to articulate the concerns of this group in both style and lyrics. Christgau, writing in 1972, said in spite of some exceptions, "rock and roll usually implies an identification of male sexuality and aggression". Since the term "rock" started being used in preference to "rock and roll" from the late-1960s, it has usually been contrasted with pop music, with which it has shared many characteristics, but from which it
5247-423: Is centered on the electric guitar , usually as part of a rock group with electric bass guitar , drums , and one or more singers. Usually, rock is song-based music with a 4 time signature using a verse–chorus form , but the genre has become extremely diverse. Like pop music , lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock
5406-536: Is credited with first using the phrase "rock and roll" to describe the music. Four years later, Bill Haley 's " Rock Around the Clock " (1954) became the first rock and roll song to top Billboard magazine's main sales and airplay charts, and opened the door worldwide for this new wave of popular culture. Other artists with early rock and roll hits included Chuck Berry , Bo Diddley , Fats Domino , Little Richard , Jerry Lee Lewis , and Gene Vincent . Soon rock and roll
5565-464: Is generally agreed that garage rock peaked both commercially and artistically around 1966. By 1968 the style largely disappeared from the national charts and at the local level as amateur musicians faced college, work or the draft . New styles had evolved to replace garage rock. Although the first impact of the British Invasion on American popular music was through beat and R&B based acts,
5724-544: Is in the music of Chuck Berry , the Ramones , and the Replacements . The foundations of rock music are in rock and roll, which originated in the United States during the late 1940s and early 1950s, and quickly spread to much of the rest of the world. Its immediate origins lay in a melding of various black musical genres of the time, including rhythm and blues and gospel music , with country and western . Debate surrounds
5883-411: Is often distanced by an emphasis on musicianship, live performance, and a focus on serious and progressive themes as part of an ideology of authenticity that is frequently combined with an awareness of the genre's history and development. According to Simon Frith , rock was "something more than pop, something more than rock and roll" and "[r]ock musicians combined an emphasis on skill and technique with
6042-399: Is termed as a rock band or a rock group. Furthermore, it typically consists of between three (the power trio ) and five members. Classically, a rock band takes the form of a quartet whose members cover one or more roles, including vocalist, lead guitarist, rhythm guitarist, bass guitarist, drummer, and often keyboard player or another instrumentalist. Rock music is traditionally built on
6201-486: Is the Band." Mod (subculture) Mod , from the word modernist , is a subculture that began in late 1950s London and spread throughout Great Britain, eventually influencing fashions and trends in other countries. It continues today on a smaller scale. Focused on music and fashion, the subculture has its roots in a small group of stylish London-based young men and women in the late 1950s who were termed modernists because they listened to modern jazz . Elements of
6360-528: The Billboard Hot 100 . The British Invasion greatly influenced garage bands, providing them with a national audience, leading many (often surf or hot rod groups) to adopt a British influence, and encouraging many more groups to form. Thousands of garage bands were extant in the United States and Canada during the era and hundreds produced regional hits. Despite scores of bands being signed to major or large regional labels, most were commercial failures. It
6519-519: The American folk music revival had grown to a major movement, using traditional music and new compositions in a traditional style, usually on acoustic instruments. In America the genre was pioneered by figures such as Woody Guthrie and Pete Seeger and often identified with progressive or labor politics . In the early sixties figures such as Joan Baez and Bob Dylan had come to the fore in this movement as singer-songwriters. Dylan had begun to reach
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6678-862: The Last Shadow Puppets ), cyclist Bradley Wiggins and Paul Weller , 'The ModFather'. The early mods listened to the "sophisticated smoother modern jazz" of musicians such as Miles Davis , Charlie Parker , Dave Brubeck and the Modern Jazz Quartet , as well as the American rhythm and blues (R&B) of artists such as Bo Diddley and Muddy Waters . The music scene of the Mods was a mix of modern jazz, R&B, psychedelic rock and soul. Terry Rawlings wrote that mods became "dedicated to R&B and their own dances." Black American servicemen, stationed in Britain during
6837-531: The Teddy Boys , from whom mod fashion inherited its "narcissistic and fastidious [fashion] tendencies" and the immaculate dandy look. The Teddy Boys paved the way for making male interest in fashion socially acceptable. Prior to the Teddy Boys, male interest in fashion in Britain was often associated with underground homosexuals' subculture and dressing style. Jobling and Crowley argued that for working class mods,
6996-422: The garage rock / post-punk revival in the 2000s. Since the 2010s, rock has lost its position as the pre-eminent popular music genre in world culture, but remains commercially successful. The increased influence of hip-hop and electronic dance music can be seen in rock music, notably in the techno-pop scene of the early 2010s and the pop-punk-hip-hop revival of the 2020s. Rock has also embodied and served as
7155-405: The hippie subculture grew more popular in the United Kingdom, much of mod, for a time, seemed intertwined with those movements. However, it dissipated after 1968, as tastes began to favor a less style-conscious, denim and tie-dyed look, along with a decreased interest in nightlife. Bands such as the Who and Small Faces began to change and, by the end of the decade, moved away from mod. Additionally,
7314-553: The miniskirt , is credited for popularizing mod subculture. Miniskirts became progressively shorter between the early and mid-1960s. As female mod fashion became more mainstream, slender models like Jean Shrimpton and Twiggy began to exemplify the mod look. Maverick fashion designers emerged, such as Quant, who was known for her miniskirt designs, and John Stephen , who sold a line named "His Clothes" and whose clients included bands such as Small Faces. The television programme Ready Steady Go! helped spread awareness of mod fashions to
7473-417: The protest song , rock music has been associated with political activism , as well as changes in social attitudes to race, sex, and drug use, and is often seen as an expression of youth revolt against adult consumerism and conformity . At the same time, it has been commercially highly successful, leading to accusations of selling out . A good definition of rock, in fact, is that it's popular music that to
7632-420: The "drunken rowdiness of previous generations". Wilson argued that the significance of amphetamines to the mod culture was similar to that of LSD and cannabis within the subsequent hippie counterculture. Dick Hebdige argued that mods used amphetamines to extend their leisure time into the early hours of the morning and as a way of bridging the gap between their hostile and daunting everyday work lives and
7791-412: The "faulty pap" of 1950s pop music and sappy love songs. They aimed at being "cool, neat, sharp, hip, and smart" by embracing "all things sexy and streamlined", especially when they were new, exciting, controversial or modern. Hebdige claimed that the mod subculture came about as part of the participants' desire to understand the "mysterious complexity of the metropolis" and to get close to black culture of
7950-404: The "first sign of the youth movement" , young people met collectors of R&B and blues records. As the mod subculture grew in London during the early-to-mid-1960s, tensions arose between the mods, often riding highly decorated motor scooters, and their main rivals, the rockers , a British subculture who favoured rockabilly , early rock'n'roll , motorcycles and leather jackets, and considered
8109-488: The "inner world" of dancing and dressing up in their off-hours. Many mods drove motor scooters, usually Vespas or Lambrettas . Scooters were a practical and affordable form of transportation for 1960s teens, since until the early 1970s, public transport stopped relatively early in the night. For teens with low-paying jobs, scooters were cheaper and easier to park than cars, and they could be bought through newly available hire purchase plans. Mods also treated scooters as
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#17328447685058268-652: The "mods rejected the rocker's crude conception of masculinity, the transparency of his motivations, his clumsiness"; the rockers viewed the vanity and obsession with clothes of the mods as immasculine. Scholars debate how much contact the two subcultures had during the 1960s. Hebdige argued that mods and rockers had little contact with each other because they tended to come from different regions of England (mods from London and rockers from rural areas), and because they had "totally disparate goals and lifestyles". Mark Gilman, however, claimed that both mods and rockers could be seen at football matches. John Covach wrote that in
8427-454: The 1950s saw the growth in popularity of the electric guitar, and the development of a specifically rock and roll style of playing through such exponents as Chuck Berry, Link Wray , and Scotty Moore . The use of distortion , pioneered by Western swing guitarists such as Junior Barnard and Eldon Shamblin was popularized by Chuck Berry in the mid-1950s. The use of power chords , pioneered by Francisco Tárrega and Heitor Villa-Lobos in
8586-405: The 1960s. By 1965, conflicts between mods and rockers began to subside and mods increasingly gravitated towards pop art and psychedelia . London became synonymous with fashion, music, and pop culture in these years, a period often referred to as " Swinging London ". During this time, mod fashions spread to other countries; mod was then viewed less as an isolated subculture, but as emblematic of
8745-461: The 19th century and later on by Willie Johnson and Pat Hare in the early 1950s, was popularized by Link Wray in the late 1950s. Commentators have traditionally perceived a decline of rock and roll in the late 1950s and early 1960s. By 1959, the death of Buddy Holly, the Big Bopper and Ritchie Valens in a plane crash, the departure of Elvis for the army, the retirement of Little Richard to become
8904-552: The Action , the Smoke and John's Children . The Who's early promotional material tagged them as playing "maximum rhythm and blues", and a name change in 1964 from The Who to The High Numbers was an attempt to cater even more to the mod market. After the commercial failure of the single " Zoot Suit/I'm the Face ", the band changed its name back to The Who. Although the Beatles dressed like mods for
9063-472: The Banshees , Ultravox , and Simple Minds , showed the influence of progressive rock, as well as their more usually recognized punk influences. In the late 1960s, jazz-rock emerged as a distinct subgenre out of the blues-rock, psychedelic, and progressive rock scenes, mixing the power of rock with the musical complexity and improvisational elements of jazz. AllMusic states that the term jazz-rock "may refer to
9222-609: The Beatles, demonstrating "to the rock generation in general that an album could be a major standalone statement without hit singles", such as on The Freewheelin' Bob Dylan (1963). Folk rock particularly took off in California, where it led acts like the Mamas & the Papas and Crosby, Stills, and Nash to move to electric instrumentation, and in New York, where it spawned performers including
9381-568: The Bluetones . Popular 21st century musicians Miles Kane and Jake Bugg are also followers of the mod subculture. Dick Hebdige argued that when trying to understand 1960s mod culture, one has to try and "penetrate and decipher the mythology of the mods". Terry Rawlings argued that the mod scene developed when British teenagers began to reject the "dull, timid, old-fashioned, and uninspired" British culture around them, with its repressed and class-obsessed mentality and its "naffness" . Mods rejected
9540-596: The Byrds ' shift from folk to folk rock from 1965. The psychedelic lifestyle, which revolved around hallucinogenic drugs, had already developed in San Francisco and particularly prominent products of the scene were Big Brother and the Holding Company , the Grateful Dead and Jefferson Airplane . The Jimi Hendrix Experience 's lead guitarist, Jimi Hendrix did extended distorted, feedback-filled jams which became
9699-431: The Byrds adopted rock instrumentation, including drums and 12-string Rickenbacker guitars, which became a major element in the sound of the genre. Later that year Dylan adopted electric instruments, much to the outrage of many folk purists, with his " Like a Rolling Stone " becoming a US hit single. According to Ritchie Unterberger , Dylan (even before his adoption of electric instruments) influenced rock musicians like
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#17328447685059858-578: The Dominos , followed by an extensive solo career that helped bring blues rock into the mainstream. Green, along with the Bluesbreaker's rhythm section Mick Fleetwood and John McVie , formed Peter Green's Fleetwood Mac , who enjoyed some of the greatest commercial success in the genre. In the late 1960s Jeff Beck , also an alumnus of the Yardbirds, moved blues rock in the direction of heavy rock with his band,
10017-499: The Gates of Dawn . Key recordings included Jefferson Airplane's Surrealistic Pillow and the Doors ' self-titled debut album . These trends peaked in the 1969 Woodstock festival , which saw performances by most of the major psychedelic acts. Sgt. Pepper was later regarded as the greatest album of all time and a starting point for the album era , during which rock music transitioned from
10176-537: The Jamaican rude boy , because mods felt that black culture "ruled the night hours" and that it had more streetwise " savoir faire ". Shari Benstock and Suzanne Ferriss argued that at the "core of the British Mod rebellion was a blatant fetishising of the American consumer culture" that had "eroded the moral fiber of England." In doing so, the mods "mocked the class system that had gotten their fathers nowhere" and created
10335-464: The Jeff Beck Group . The last Yardbirds guitarist was Jimmy Page , who went on to form The New Yardbirds which rapidly became Led Zeppelin . Many of the songs on their first three albums, and occasionally later in their careers, were expansions on traditional blues songs. In America, blues rock had been pioneered in the early 1960s by guitarist Lonnie Mack , but the genre began to take off in
10494-498: The Joint " (1949), also covered by Bill Haley & His Comets in 1952; and " Rocket 88 " by Jackie Brenston and his Delta Cats (in fact, Ike Turner and his band the Kings of Rhythm ), recorded by Sam Phillips for Chess Records in 1951. In 1951, Cleveland, Ohio disc jockey Alan Freed began playing rhythm and blues music (then termed " race music ") for a multi-racial audience, and
10653-499: The Lovin' Spoonful and Simon and Garfunkel , with the latter's acoustic " The Sounds of Silence " (1965) being remixed with rock instruments to be the first of many hits. These acts directly influenced British performers like Donovan and Fairport Convention . In 1969 Fairport Convention abandoned their mixture of American covers and Dylan-influenced songs to play traditional English folk music on electric instruments. This British folk-rock
10812-556: The Margate and Brighton brawls between mods and rockers , some mods were seen wearing boots and braces and sporting close cropped haircuts (for practical reasons, as long hair was a liability in industrial jobs and street fights). Mods and ex-mods were also part of the early northern soul scene, a subculture based on obscure 1960s and 1970s American soul records. Some mods evolved into, or merged with, subcultures such as individualists, stylists, and scooterboys . A mod revival started in
10971-476: The Rolling Stones and the Yardbirds , were much more directly influenced by rhythm and blues and later blues music. Soon these groups were composing their own material, combining US forms of music and infusing it with a high energy beat. Beat bands tended towards "bouncy, irresistible melodies", while early British blues acts tended towards less sexually innocent, more aggressive songs, often adopting an anti-establishment stance. There was, however, particularly in
11130-573: The Searchers from Liverpool and Freddie and the Dreamers , Herman's Hermits and the Hollies from Manchester. They drew on a wide range of American influences including 1950s rock and roll, soul, rhythm and blues, and surf music, initially reinterpreting standard American tunes and playing for dancers. Bands like the Animals from Newcastle and Them from Belfast , and particularly those from London like
11289-650: The Seeds ) to near-studio musician quality (including the Knickerbockers , the Remains , and the Fifth Estate ). There were also regional variations in many parts of the country with flourishing scenes particularly in California and Texas. The Pacific Northwest states of Washington and Oregon had perhaps the most defined regional sound. The style had been evolving from regional scenes as early as 1958. "Tall Cool One" (1959) by
11448-558: The Swinging London scene and the burgeoning hippie movement. By 1967, they considered most of the people in the Swinging London scene to be "soft mods" or "peacock mods", as styles, there, became increasingly extravagant, often featuring highly ruffled, brocade d, or laced fabrics in Day-Glo colours. Many of the hard mods lived in the same economically depressed areas of South London as West Indian immigrants, so these mods favoured
11607-676: The US was becoming dominated by lightweight pop and ballads, British rock groups at clubs and local dances were developing a style more strongly influenced by blues-rock pioneers, and were starting to play with an intensity and drive seldom found in white American acts; this influence would go on to shape the future of rock music through the British Invasion . The first four years of the 1960s has traditionally been seen as an era of hiatus for rock and roll. More recently some authors have emphasised important innovations and trends in this period without which future developments would not have been possible. While early rock and roll, particularly through
11766-604: The USSR and South Africa from 1955 to 1957, influencing the globalisation of rock. Johnny O'Keefe 's 1958 record " Wild One " was one of the earliest Australian rock and roll hits. By the late 1950s, as well as in the American-influenced Western world, rock was popular in communist states such as Yugoslavia, and the USSR, as well as in regions such as South America. In the late 1950s and early 1960s, American blues music and blues rock artists, who had been surpassed by
11925-467: The United Kingdom, rockers were often engaged in brawls with mods. BBC News stories from May 1964 stated that mods and rockers were jailed after riots in seaside resort towns on the south and east coasts of England, such as Margate , Brighton , Bournemouth and Clacton . The "mods and rockers" conflict was explored as an instance of " moral panic " by sociologist Stanley Cohen in his study Folk Devils and Moral Panics , which examined media coverage of
12084-722: The Wailers and " Louie Louie " by the Kingsmen (1963) are mainstream examples of the genre in its formative stages. By 1963, garage band singles were creeping into the national charts in greater numbers, including Paul Revere and the Raiders (Boise), the Trashmen (Minneapolis) and the Rivieras (South Bend, Indiana). Other influential garage bands, such as the Sonics (Tacoma, Washington), never reached
12243-514: The Who's manager Peter Meaden summarised as "clean living under difficult circumstances." George Melly wrote that mods were initially a small group of clothes-focused English working class young men insisting on clothes and shoes tailored to their style, who emerged during the modern jazz boom of the late 1950s. Early mods watched French and Italian art films and read Italian magazines to look for style ideas. They usually held semi-skilled manual jobs or low grade white-collar positions such as
12402-527: The advent of rockabilly, saw the greatest commercial success for male and white performers, in this era, the genre was dominated by black and female artists. Rock and roll had not disappeared entirely from music at the end of the 1950s and some of its energy can be seen in the various dance crazes of the early 1960s, started by Chubby Checker 's record " The Twist " (1960). Some music historians have also pointed to important and innovative technical developments that built on rock and roll in this period, including
12561-575: The biggest selling rock band of all time and they were followed into the US charts by numerous British bands. During the next two years British acts dominated their own and the US charts with Peter and Gordon , the Animals, Manfred Mann , Petula Clark , Freddie and the Dreamers, Wayne Fontana and the Mindbenders , Herman's Hermits, the Rolling Stones, the Troggs , and Donovan all having one or more number one singles. Other major acts that were part of
12720-405: The chart. Their first appearance on The Ed Sullivan Show on 9 February 1964, drawing an estimated 73 million viewers (at the time a record for an American television program) is considered a milestone in American pop culture. During the week of 4 April 1964, the Beatles held 12 positions on the Billboard Hot 100 singles chart, including the entire top five. The Beatles went on to become
12879-414: The definition of mod can be difficult to pin down, because throughout the subculture's original era, it was "prone to continuous reinvention." They claimed that since the mod scene was so pluralist, the word mod was an umbrella term that covered several distinct sub-scenes. Terry Rawlings argued that mods are difficult to define because the subculture started out as a "mysterious semi-secret world", which
13038-424: The delights and limitations of the regional , and to deal with the depredations and benefits of mass culture itself. — Robert Christgau in Christgau's Record Guide (1981) Unlike many earlier styles of popular music, rock lyrics have dealt with a wide range of themes, including romantic love, sex, rebellion against " The Establishment ", social concerns, and life styles. These themes were inherited from
13197-462: The earliest examples of the term being written to describe young British style-conscious modern jazz fans. This usage of the word modernist should not be confused with modernism in the context of literature, art, design and architecture. From the mid-to-late 1960s onwards, the mass media often used the term mod in a wider sense to describe anything that was believed to be popular, fashionable or modern . Paul Jobling and David Crowley argued that
13356-600: The early hippie movement, and by 1967 more exotic looks, such as Nehru jackets and love beads came into vogue. Its trappings were reflected on popular American TV shows such as Laugh-In and The Mod Squad . Dick Hebdige argued that the subculture lost its vitality when it became commercialised and stylised to the point that mod clothing styles were being created "from above" by clothing companies and by TV shows like Ready Steady Go! , rather than being developed by young people customising their clothes and combining different fashions. As psychedelic rock and
13515-451: The early 1970s among existing blues-rock and psychedelic bands, as well as newly formed acts. The vibrant Canterbury scene saw acts following Soft Machine from psychedelia, through jazz influences, toward more expansive hard rock, including Caravan , Hatfield and the North , Gong , and National Health . The French group Magma around drummer Christian Vander almost single-handedly created
13674-455: The early 1970s, Robert Christgau wrote in Christgau's Record Guide: Rock Albums of the Seventies (1981): The decade is, of course, an arbitrary schema itself—time doesn't just execute a neat turn toward the future every ten years. But like a lot of artificial concepts—money, say—the category does take on a reality of its own once people figure out how to put it to work. "The '60s are over,"
13833-421: The early 1980s, particularly in southern California . The term mod derives from modernist , a term used in the 1950s to describe modern jazz musicians and fans. This usage contrasted with the term trad , which described traditional jazz players and fans. The 1959 novel Absolute Beginners describes modernists as young modern jazz fans who dress in sharp modern Italian clothes . The novel may be one of
13992-497: The early hours of the morning. Coffee bars had jukeboxes , which in some cases reserved space in the machines for the customers' own records. In the late 1950s, coffee bars were associated with jazz and blues, but in the early 1960s, they began playing more R&B music. Frith noted that although coffee bars were originally aimed at middle-class art school students, they began to facilitate an intermixing of youth from different backgrounds and classes. At these venues, which Frith called
14151-593: The early part of the Cold War , brought over R&B and soul records that were unavailable in Britain, and they often sold these to young people in London. Starting around 1960, mods embraced the off-beat, Jamaican ska music of artists such as the Skatalites , Owen Gray , Derrick Morgan and Prince Buster on record labels such as Melodisc , Starlite and Bluebeat . The original mods gathered at all-night clubs such as The Flamingo and The Marquee in London to hear
14310-479: The early skinheads were, except in isolated situations, largely devoid of the overt racism and fascism that would later become associated with whole wings of the movement in the mid to late 1970s. The early skinheads retained basic elements of mod fashion—such as Fred Perry and Ben Sherman shirts, Sta-Prest trousers and Levi's jeans—but mixed them with working class-orientated accessories such as braces and Dr. Martens work boots. Hebdige claimed that as early as
14469-407: The early stages, considerable musical crossover between the two tendencies. By 1963, led by the Beatles, beat groups had begun to achieve national success in Britain, soon to be followed into the charts by the more rhythm and blues focused acts. " I Want to Hold Your Hand " was the Beatles' first number one hit on the Billboard Hot 100 , spending seven weeks at the top and a total of 15 weeks on
14628-404: The early to mid-1960s, as mod grew and spread throughout Britain, certain elements of the mod scene became engaged in well-publicised clashes with members of a rival subculture: rockers . The mods and rockers conflict led sociologist Stanley Cohen to use the term " moral panic " in his study about the two youth subcultures , in which he examined media coverage of the mod and rocker riots in
14787-510: The electronic treatment of sound by such innovators as Joe Meek , and the elaborate production methods of the Wall of Sound pursued by Phil Spector . The instrumental rock and roll of performers such as Duane Eddy , Link Wray and the Ventures was further developed by Dick Dale , who added distinctive "wet" reverb , rapid alternate picking, and Middle Eastern and Mexican influences. He produced
14946-490: The emphasis in the mod subculture on consumerism and shopping was the "ultimate affront to male working-class traditions" in the United Kingdom, because in the working-class tradition, shopping was usually done by women. They argued that British mods were "worshipping leisure and money ... scorning the masculine world of hard work and honest labour" by spending their time listening to music, collecting records, socialising, and dancing at all-night clubs. In early-1960s Britain,
15105-753: The energy of new wave music . The British mod revival was followed by a revival in North America in the early 1980s, particularly in Southern California , led by bands such as the Untouchables . The mod scene in Los Angeles and Orange County was partly influenced by the 2 Tone ska revival in England, and was unique in its racial diversity, with black, white, Hispanic and Asian participants. The 1990s Britpop scene featured noticeable mod influences on bands such as Oasis , Blur , Ocean Colour Scene and
15264-512: The example set by the Beatles ' 1965 LP Rubber Soul in particular, other British rock acts released rock albums intended as artistic statements in 1966, including the Rolling Stones ' Aftermath , the Beatles' own Revolver , and the Who 's A Quick One , as well as American acts in the Beach Boys ( Pet Sounds ) and Bob Dylan ( Blonde on Blonde ). Garage rock was a raw form of rock music, particularly prevalent in North America in
15423-491: The first record, and worldwide hit, for the Virgin Records label, which became a mainstay of the genre. Instrumental rock was particularly significant in continental Europe, allowing bands like Kraftwerk , Tangerine Dream , Can , Focus (band) and Faust to circumvent the language barrier. Their synthesiser-heavy " krautrock ", along with the work of Brian Eno (for a time the keyboard player with Roxy Music ), would be
15582-522: The flames of hysteria, such as a Birmingham Post editorial in May 1964 which warned that mods and rockers were " internal enemies " in the United Kingdom who would "bring about disintegration of a nation's character". The magazine Police Review argued that the mods and rockers' purported lack of respect for law and order could cause violence to "surge and flame like a forest fire". As a result of this media coverage, two British members of parliament travelled to
15741-669: The focus began to change. By 1966, proletarian aspects of the scene in London had waned as fashion and pop-culture elements continued to grow, not only in England, but elsewhere. This period, portrayed by Alberto Sordi 's film in Thank you very much , and in Michelangelo Antonioni 's 1966 film Blowup , was typified by pop art , Carnaby Street boutiques, live music, and discothèques. Many associate this era with fashion model Twiggy , miniskirts , and bold geometrical patterns on brightly coloured clothes. During these years, it exerted
15900-451: The folk scene. The first group to advertise themselves as psychedelic rock were the 13th Floor Elevators from Texas. The Beatles introduced many of the major elements of the psychedelic sound to audiences in this period, such as guitar feedback , the Indian sitar and backmasking sound effects . Psychedelic rock particularly took off in California's emerging music scene as groups followed
16059-503: The format of rock operas and opened the door to concept albums , often telling an epic story or tackling a grand overarching theme. King Crimson 's 1969 début album, In the Court of the Crimson King , which mixed powerful guitar riffs and mellotron , with jazz and symphonic music , is often taken as the key recording in progressive rock, helping the widespread adoption of the genre in
16218-410: The hard mods were attracted to ska because it was a secret, underground, non-commercialised music that was disseminated through informal channels such as house parties and clubs. By the end of the 1960s, the hard mods had become known as skinheads , who, in their early days, would be known for the same love of soul , rocksteady and early reggae . Because of their fascination with black culture,
16377-453: The impetus was soon taken up by a second wave of bands that drew their inspiration more directly from American blues , including the Rolling Stones and the Yardbirds . British blues musicians of the late 1950s and early 1960s had been inspired by the acoustic playing of figures such as Lead Belly , who was a major influence on the Skiffle craze, and Robert Johnson . Increasingly they adopted
16536-460: The invasion included the Kinks and the Dave Clark Five . The British Invasion helped internationalize the production of rock and roll, opening the door for subsequent British (and Irish) performers to achieve international success. In America it arguably spelled the end of instrumental surf music, vocal girl groups and (for a time) the teen idols , that had dominated the American charts in
16695-511: The label were R&B oriented white rock bands that made use of jazzy horn sections, like Electric Flag , Blood, Sweat & Tears and Chicago , to become some of the most commercially successful acts of the later 1960s and the early 1970s. British acts to emerge in the same period from the blues scene, to make use of the tonal and improvisational aspects of jazz, included Nucleus and the Graham Bond and John Mayall spin-off Colosseum . From
16854-412: The larger youth culture of the era. As mod became more cosmopolitan during the "Swinging London" period, some working class "street mods" splintered off, forming other groups such as the skinheads . In the late 1970s, there was a mod revival in Britain which attempted to replicate the "scooter" period look and styles of the early to mid-1960s. It was followed by a similar mod revival in North America in
17013-446: The late 1950s and 1960s. It dented the careers of established R&B acts like Fats Domino and Chubby Checker and even temporarily derailed the chart success of surviving rock and roll acts, including Elvis. The British Invasion also played a major part in the rise of a distinct genre of rock music, and cemented the primacy of the rock group, based on guitars and drums and producing their own material as singer-songwriters. Following
17172-604: The late 1970s in the United Kingdom, with thousands of mod revivalists attending scooter rallies in locations such as Scarborough and the Isle of Wight. This revival was partly inspired by the 1979 film Quadrophenia , which explores the original 1960s movement, and by mod-influenced bands such as the Jam , Secret Affair , the Lambrettas , Purple Hearts , the Specials and the Chords , who drew on
17331-515: The latest records and show off their dance moves. As the mod subculture spread across the United Kingdom, other clubs became popular, including Twisted Wheel Club in Manchester. The British R&B / rock bands the Rolling Stones , the Yardbirds and the Kinks all had mod followings, and other bands emerged that were specifically mod-oriented. These included the Who, Small Faces, the Creation ,
17490-913: The look of French Nouvelle Vague film actors. A big part of the Mod look was borrowed from the Ivy League collegiate style from the United States. A few male mods went against gender norms by using eye shadow, eye-pencil or even lipstick. Mods chose scooters over motorbikes partly because they were a symbol of Italian style and because their body panels concealed moving parts and made them less likely to stain clothes with oil or road dust. Many mods wore ex-military parkas while driving scooters to keep their clothes clean. Many female mods dressed androgynously, with short haircuts, men's trousers or shirts, flat shoes, and little makeup – often just pale foundation, brown eye shadow, white or pale lipstick and false eyelashes. British fashion designer Mary Quant , who helped popularize
17649-410: The loudest, wildest, most electrified fusion bands from the jazz camp, but most often it describes performers coming from the rock side of the equation." Jazz-rock "...generally grew out of the most artistically ambitious rock subgenres of the late '60s and early '70s", including the singer-songwriter movement. Many early US rock and roll musicians had begun in jazz and carried some of these elements into
17808-476: The many recordings which have been suggested as "the first rock and roll record ". Contenders include " Strange Things Happening Every Day " by Sister Rosetta Tharpe (1944); " That's All Right " by Arthur Crudup (1946), which was later covered by Elvis Presley in 1954; " The House of Blue Lights " by Ella Mae Morse and Freddie Slack (1946); Wynonie Harris ' " Good Rocking Tonight " (1948); Goree Carter 's "Rock Awhile" (1949); Jimmy Preston 's " Rock
17967-669: The mid-1950s by white singers such as Carl Perkins , Jerry Lee Lewis, Buddy Holly and with the greatest commercial success, Elvis Presley . Hispanic and Latino American movements in rock and roll, which would eventually lead to the success of Latin rock and Chicano rock within the US, began to rise in the Southwest ; with rock and roll standard musician Ritchie Valens and even those within other heritage genres, such as Al Hurricane along with his brothers Tiny Morrie and Baby Gaby as they began combining rock and roll with country- western within traditional New Mexico music . In addition,
18126-603: The mid-1960s the Left Banke , the Beatles, the Rolling Stones and the Beach Boys, had pioneered the inclusion of harpsichords , wind , and string sections on their recordings to produce a form of Baroque rock and can be heard in singles like Procol Harum 's " A Whiter Shade of Pale " (1967), with its Bach -inspired introduction. The Moody Blues used a full orchestra on their album Days of Future Passed (1967) and subsequently created orchestral sounds with synthesizers. Classical orchestration, keyboards, and synthesizers were
18285-479: The mid-1960s and so called because of the perception that it was rehearsed in the suburban family garage. Garage rock songs often revolved around the traumas of high school life, with songs about "lying girls" and unfair social circumstances being particularly common. The lyrics and delivery tended to be more aggressive than was common at the time, often with growled or shouted vocals that dissolved into incoherent screaming. They ranged from crude one-chord music (like
18444-435: The mid-1960s as acts developed a sound similar to British blues musicians. Key acts included Paul Butterfield (whose band acted like Mayall's Bluesbreakers in Britain as a starting point for many successful musicians), Canned Heat , the early Jefferson Airplane , Janis Joplin , Johnny Winter , the J. Geils Band and Jimi Hendrix with his power trios , the Jimi Hendrix Experience (which included two British members, and
18603-402: The mid-1960s focused on the mod obsession with clothes, often detailing the prices of the expensive suits worn by young mods, and seeking out extreme cases such as a young mod who claimed that he would "go without food to buy clothes". Two youth subcultures helped pave the way for mod fashion by breaking new ground: the beatniks , with their Bohemian image of berets and black turtlenecks, and
18762-401: The mid-1960s onwards, rock music often used the verse–chorus structure derived from blues and folk music, but there has been considerable variation from this model. Critics have stressed the eclecticism and stylistic diversity of rock. Because of its complex history and its tendency to borrow from other musical and cultural forms, it has been argued that "it is impossible to bind rock music to
18921-542: The mod and rocker riots in the 1960s. Although Cohen acknowledged that mods and rockers had some fights in the mid-1960s, he argued that they were no different from the evening brawls that occurred between non-mod and non-rocker youths throughout the 1950s and early 1960s, both at seaside resorts and after football games. Newspapers of the time were eager to describe the mod and rocker clashes as being of "disastrous proportions", and labelled mods and rockers as "sawdust Caesars", "vermin" and "louts". Newspaper editorials fanned
19080-572: The mod scene gave young women high visibility and relative autonomy. They wrote that this status may have been related both to the attitudes of the mod young men, who accepted the idea that a young woman did not have to be attached to a man, and to the development of new occupations for young women, which gave them an income and made them more independent. Hall and Jefferson noted the increasing number of jobs in boutiques and women's clothing stores, which, while poorly paid and lacking opportunities for advancement, gave young women disposable income, status and
19239-688: The mod subculture had its roots in the 1950s beatnik coffee bar culture, which catered to art school students in the radical Bohemian scene in London. Steve Sparks, whose claim is to be one of the original mods, agrees that before mod became commercialised, it was essentially an extension of the beatnik culture: "It comes from 'modernist', it was to do with modern jazz and to do with Sartre " and existentialism . Sparks argued that "Mod has been much misunderstood ... as this working-class, scooter-riding precursor of skinheads." Coffee bars were attractive to British youth because, in contrast to typical pubs , which closed at about 11 pm, they were open until
19398-445: The mod subculture include fashion (often tailor-made suits); music (including soul , rhythm and blues, ska and mainly jazz ) and motor scooters (usually Lambretta or Vespa ). In the mid-1960s when they started to fade out, the subculture listened to rock groups with jazz and blues influences such as the Who and Small Faces . The original mod scene was associated with amphetamine -fuelled all-night jazz dancing at clubs. During
19557-498: The mod subculture may seem contradictory, but the drug was still legal in Britain in the early 1960s, and mods used the drug for stimulation and alertness , which they viewed as different from the intoxication caused by alcohol and other drugs. Andrew Wilson argued that for a significant minority, "amphetamines symbolised the smart, on-the-ball, cool image" and that they sought "stimulation not intoxication ... greater awareness, not escape" and "confidence and articulacy" rather than
19716-453: The mods effeminate because of their interest in fashion. There were some violent clashes between the two groups. This period was later immortalised by songwriter Pete Townshend , in the Who's 1973 concept album, Quadrophenia . After 1964, clashes between the two groups largely subsided, as mod expanded and came to be accepted by the larger youth generation throughout the UK as a symbol of all that
19875-461: The new music genre zeuhl with their first albums in the early 1970s. Greater commercial success was enjoyed by Pink Floyd, who also moved away from psychedelia after the departure of Syd Barrett in 1968, with The Dark Side of the Moon (1973), seen as a masterpiece of the genre, becoming one of the best-selling albums of all time. There was an emphasis on instrumental virtuosity, with Yes showcasing
20034-591: The new music. In Britain the subgenre of blues rock, and many of its leading figures, like Ginger Baker and Jack Bruce of the Eric Clapton -fronted band Cream , had emerged from the British jazz scene. Often highlighted as the first true jazz-rock recording is the only album by the relatively obscure New York–based the Free Spirits with Out of Sight and Sound (1966). The first group of bands to self-consciously use
20193-665: The new towns of the south. Due to the increasing affluence of post-war Britain, the youths of the early 1960s were one of the first generations that did not have to contribute their money from after-school jobs to the family finances. As mod teens and young adults began using their disposable income to buy stylish clothes, the first youth-targeted boutique clothing stores opened in London in the Carnaby Street and King's Road districts. The streets' names became symbols of, one magazine later stated, "an endless frieze of mini-skirted, booted, fair-haired angular angels". Newspaper accounts from
20352-409: The original mods of the early 1960s were coming to the age of marriage and child-rearing, which meant many of them no longer had the time or money for their youthful pastimes of club-going, record-shopping, and buying clothes. Some street-oriented mods, usually of lesser means, sometimes referred to as hard mods, remained active well into the late 1960s, but tended to become increasingly detached from
20511-465: The psychedelic rock and the Canterbury scenes came Soft Machine, who, it has been suggested, produced one of the artistically successfully fusions of the two genres. Perhaps the most critically acclaimed fusion came from the jazz side of the equation, with Miles Davis , particularly influenced by the work of Hendrix, incorporating rock instrumentation into his sound for the album Bitches Brew (1970). It
20670-628: The regional hit " Let's Go Trippin ' " in 1961 and launched the surf music craze, following up with songs like " Misirlou " (1962). Like Dale and his Del-Tones , most early surf bands were formed in Southern California, including the Bel-Airs , the Challengers , and Eddie & the Showmen . The Chantays scored a top ten national hit with " Pipeline " in 1963 and probably the best-known surf tune
20829-400: The rise of rock and roll in the US, found new popularity in the UK, visiting with successful tours. Lonnie Donegan 's 1955 hit " Rock Island Line " was a major influence and helped to develop the trend of skiffle music groups throughout the country, many of which, including John Lennon 's Quarrymen (later the Beatles ), moved on to play rock and roll. While former rock and roll market in
20988-475: The romantic concept of art as artistic expression, original and sincere". In the new millennium, the term rock has occasionally been used as a blanket term including forms like pop music, reggae music , soul music , and even hip hop , which it has been influenced with but often contrasted through much of its history. Christgau has used the term broadly to refer to popular and semipopular music that caters to his sensibility as "a rock-and-roller", including
21147-517: The same era, and by percussion produced from a drum kit that combines drums and cymbals. This trio of instruments has often been complemented by the inclusion of other instruments, particularly keyboards such as the piano, the Hammond organ , and the synthesizer. The basic rock instrumentation was derived from the basic blues band instrumentation (prominent lead guitar, second chordal instrument, bass, and drums). A group of musicians performing rock music
21306-514: The seaside resort brawls, the media began to associate Italian scooters with violent mods. Much later, writers described groups of mods riding scooters together as a "menacing symbol of group solidarity" that was "converted into a weapon". With events like the 6 November 1966, "scooter charge" on Buckingham Palace , the scooter, along with the mods' short hair and suits, began to be seen as a symbol of subversion. Stuart Hall and Tony Jefferson argued in 1993 that compared to other youth subcultures,
21465-555: The second half of the 1970s, punk rock reacted by producing stripped-down, energetic social and political critiques. Punk was an influence in the 1980s on new wave , post-punk and eventually alternative rock . From the 1990s, alternative rock began to dominate rock music and break into the mainstream in the form of grunge , Britpop , and indie rock . Further fusion subgenres have since emerged, including pop-punk , electronic rock , rap rock , and rap metal . Some movements were conscious attempts to revisit rock's history, including
21624-543: The singles format to albums and achieved cultural legitimacy in the mainstream. Led by the Beatles in the mid-1960s, rock musicians advanced the LP as the dominant form of recorded music expression and consumption, initiating a rock-informed album era in the music industry for the next several decades. Progressive rock, a term sometimes used interchangeably with art rock , moved beyond established musical formulas by experimenting with different instruments, song types, and forms. From
21783-413: The skills of both guitarist Steve Howe and keyboard player Rick Wakeman , while Emerson, Lake & Palmer were a supergroup who produced some of the genre's most technically demanding work. Jethro Tull and Genesis both pursued very different, but distinctly English, brands of music. Renaissance , formed in 1969 by ex-Yardbirds Jim McCarty and Keith Relf, evolved into a high-concept band featuring
21942-487: The small windscreen. They sometimes took their engine side panels and front bumpers to electroplating shops to get them covered in highly reflective chrome. Hard mods (who later evolved into the skinheads) began riding scooters more for practical reasons. Their scooters were either unmodified or cutdown , which was nicknamed a "skelly". Lambrettas were cutdown to the bare frame, and the unibody (monocoque)-design Vespas had their body panels slimmed down or reshaped. After
22101-552: The subculture's focus on fashion and music was a release from the "humdrum of daily existence" at their jobs. Jobling and Crowley noted that while the subculture had strong elements of consumerism and shopping, mods were not passive consumers; instead they were very self-conscious and critical, customising "existing styles, symbols and artefacts" such as the Union flag and the Royal Air Force roundel , and putting them on their jackets in
22260-467: The term mod covered a number of styles including the emergence of Swinging London , though to him it defined Melly's working class clothes-conscious teenagers living in London and south England in the early to mid-1960s. Mary Anne Long argued that "first hand accounts and contemporary theorists point to the Jewish upper-working or middle-class of London's East End and suburbs." Simon Frith asserted that
22419-610: The three-octave voice of Annie Haslam . Most British bands depended on a relatively small cult following, but a handful, including Pink Floyd, Genesis, and Jethro Tull, managed to produce top ten singles at home and break the American market. The American brand of progressive rock varied from the eclectic and innovative Frank Zappa , Captain Beefheart and Blood, Sweat & Tears , to more pop rock orientated bands like Boston , Foreigner , Kansas , Journey , and Styx . These, beside British bands Supertramp and ELO , all demonstrated
22578-432: The time and money to spend this much time going to nightclubs. Paul Jobling and David Crowley argued that most young mods worked 9 to 5 at semi-skilled jobs, which meant that they had much less leisure time and only a modest income to spend during their time off. Paul Jobling and David Crowley called the mod subculture a "fashion-obsessed and hedonistic cult of the hyper-cool" young adults who lived in metropolitan London or
22737-423: The two main youth subcultures were mods and rockers . Mods were described in 2012 as "effeminate, stuck-up, emulating the middle classes, aspiring to a competitive sophistication, snobbish, [and] phony", and rockers as "hopelessly naive, loutish, [and] scruffy", emulating the motorcycle gang members in the film The Wild One , by wearing leather jackets and riding motorcycles. Dick Hebdige claimed in 2006 that
22896-409: The vehicle for cultural and social movements, leading to major subcultures including mods and rockers in the U.K., the hippie movement and the wider Western counterculture movement that spread out from San Francisco in the U.S. in the 1960s, the latter of which continues to this day. Similarly, 1970s punk culture spawned the goth , punk, and emo subcultures. Inheriting the folk tradition of
23055-524: The work of the Beach Boys , formed in 1961 in Southern California. Their early albums included both instrumental surf rock (among them covers of music by Dick Dale) and vocal songs, drawing on rock and roll and doo wop and the close harmonies of vocal pop acts like the Four Freshmen . The Beach Boys first chart hit, " Surfin ' " in 1961 reached the Billboard top 100 and helped make the surf music craze
23214-533: The work of established performers such as the Rolling Stones' Beggar's Banquet (1968) and the Beatles' Let It Be (1970). Reflecting on this change of trends in rock music over the past few years, Christgau wrote in his June 1970 "Consumer Guide" column that this "new orthodoxy" and "cultural lag" abandoned improvisatory, studio-ornamented productions in favor of an emphasis on "tight, spare instrumentation" and song composition: "Its referents are '50s rock, country music, and rhythm-and-blues, and its key inspiration
23373-404: The world, except as a new brand of painkiller ... In the '70s the powerful took over, as rock industrialists capitalized on the national mood to reduce potent music to an often reactionary species of entertainment—and to transmute rock's popular base from the audience to market." Roots rock is the term now used to describe a move away from what some saw as the excesses of the psychedelic scene, to
23532-570: Was John Mayall ; his band, the Bluesbreakers , included Eric Clapton (after Clapton's departure from the Yardbirds) and later Peter Green . Particularly significant was the release of Blues Breakers with Eric Clapton (Beano) album (1966), considered one of the seminal British blues recordings and the sound of which was much emulated in both Britain and the United States. Eric Clapton went on to form supergroups Cream, Blind Faith , and Derek and
23691-676: Was 1963's " Wipe Out ", by the Surfaris , which hit number 2 and number 10 on the Billboard charts in 1965. Surf rock was also popular in Europe during this time, with the British group the Shadows scoring hits in the early 1960s with instrumentals such as " Apache " (1960) and " Kon-Tiki " (1961), while Swedish surf group the Spotnicks saw success in both Sweden and Britain. Surf music achieved its greatest commercial success as vocal pop music, particularly
23850-473: Was a major influence on subsequent rock-influenced jazz artists, including Herbie Hancock , Chick Corea and Weather Report . The genre began to fade in the late 1970s, as a mellower form of fusion began to take its audience, but acts like Steely Dan , Frank Zappa and Joni Mitchell recorded significant jazz-influenced albums in this period, and it has continued to be a major influence on rock music. Reflecting on developments that occurred in rock music in
24009-424: Was continued in the 1970s by figures such as George Thorogood and Pat Travers , but, particularly on the British scene (except perhaps for the advent of groups such as Status Quo and Foghat who moved towards a form of high energy and repetitive boogie rock ), bands became focused on heavy metal innovation, and blues rock began to slip out of the mainstream. By the 1960s, the scene that had developed out of
24168-561: Was founded in Britain), and Band of Gypsys , whose guitar virtuosity and showmanship would be among the most emulated of the decade. Blues rock bands from the southern states, like the Allman Brothers Band , Lynyrd Skynyrd , and ZZ Top , incorporated country elements into their style to produce the distinctive genre Southern rock . Early blues rock bands often emulated jazz, playing long, involved improvisations, which would later be
24327-412: Was new. During this time London became a mecca for rock music, with popular bands such as the Who and Small Faces appealing to a largely mod audience, as well as the preponderance of hip fashions, in a period often referred to as Swinging London . As numerous British rock bands of the mid-1960s began to adopt a mod look and following, the scope of the subculture grew beyond its original confines and
24486-515: Was taken up by bands including Pentangle , Steeleye Span and the Albion Band , which in turn prompted Irish groups like Horslips and Scottish acts like the JSD Band , Spencer's Feat and later Five Hand Reel , to use their traditional music to create a brand of Celtic rock in the early 1970s. Folk-rock reached its peak of commercial popularity in the period 1967–68, before many acts moved off in
24645-606: Was taking place globally in the aftermath of the Second World War . Cliff Richard is credited with one of the first rock and roll hits outside of North America with " Move It " (1959), effectively ushering in the sound of British rock . Several artists, most prominently Tommy Steele from the UK, found success with covers of major American rock and roll hits before the recordings could spread internationally, often translating them into local languages where appropriate. Steele in particular toured Britain, Scandinavia, Australia,
24804-439: Was the first commercially successful folk song to be recorded with rock and roll instrumentation and the Beatles " I'm a Loser " (1964), arguably the first Beatles song to be influenced directly by Dylan. The folk rock movement is usually thought to have taken off with the Byrds ' recording of Dylan's " Mr. Tambourine Man " which topped the charts in 1965. With members who had been part of the café-based folk scene in Los Angeles,
24963-430: Was the major force in American record sales and crooners , such as Eddie Fisher , Perry Como , and Patti Page , who had dominated the previous decade of popular music, found their access to the pop charts significantly curtailed. Rock and roll has been seen as leading to a number of distinct subgenres, including rockabilly, combining rock and roll with "hillbilly" country music, which was usually played and recorded in
25122-450: Was the most popular genre of music in the U.S. and much of the Western world from the 1950s to the 2010s. Rock musicians in the mid-1960s began to advance the album ahead of the single as the dominant form of recorded music expression and consumption, with the Beatles at the forefront of this development. Their contributions lent the genre a cultural legitimacy in the mainstream and initiated
25281-523: Was thought of more as a general youth-culture style rather than as a separate subgroup among different contentious factions. American musicians, in the wake of the British Invasion , adopted the look of mod clothes, longer hairstyles, and Beatle boots . The exploitation documentary Mondo Mod provides a glimpse at mod's influence on the Sunset Strip and West Hollywood scene of late 1966. Mod increasingly became associated with psychedelic rock and
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