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64-475: The Surfaris were inducted into the Musicians Hall of Fame and Museum in 2019 for their hit instrumental song, "Wipe Out". The original band members were Ron Wilson ( drums , vocals ), Jim Fuller ( lead guitar ), Bob Berryhill ( rhythm guitar ), and Pat Connolly ( bass ). In the fall of 1962, Southern California high school students Jim Fuller and Pat Connolly called friend and guitarist Berryhill for

128-502: A cover medley . On occasion, a cover can become more popular than the original, for instance Jimi Hendrix ’s version of Bob Dylan ’s " All Along the Watchtower " became the standard, and Dylan even adjusted his performance style closer to the Hendrix version. Johnny Cash ’s 2002 cover of " Hurt " by Nine Inch Nails is another example of the cover version eclipsing the original. This is

192-455: A cover version , cover song , remake , revival , or simply cover is a new performance or recording by a musician other than the original performer or composer of the song . Originally, it referred to a version of a song released around the same time as the original in order to compete with it. Now, it refers to any subsequent version performed after the original. The term "cover" goes back decades when cover version originally described

256-530: A composer cannot deny anyone a mechanical license for a new recorded version, the composer has the right to decide who will release the first recording of a song. Bob Dylan took advantage of this right when he refused his own record company the right to release a live recording of " Mr. Tambourine Man ". Even with this, pre-release cover versions of songs can occasionally occur. Live performances of copyrighted songs are typically arranged through performing rights organizations such as ASCAP or BMI . Early in

320-482: A fuller range of the artist's abilities and style. (See, for example, Please Please Me .) Artists might also perform interpretations ("covers") of a favorite artist's hit tunes for the simple pleasure of playing a familiar song or collection of tunes. Today, three broad types of entertainers depend on cover versions for their principal repertoire: Since the Copyright Act of 1909 , United States musicians have had

384-493: A practice session at Berryhill's house. The trio practiced for about four hours and met drummer Wilson at a high school dance later that evening, whereupon the band was born. "Wipe Out" was written and recorded by the quartet later that winter, with the song reaching #2 nationally in 1963 before becoming an international hit. Saxophone player Jim Pash joined after their "Wipe Out" / "Surfer Joe" recording sessions at Pal Studios engineer Paul Buff. Band manager John Reisman from

448-422: A rival version of a tune recorded to compete with the recently released (original) version. Examples of records covered include Paul Williams ' 1949 hit tune " The Hucklebuck " and Hank Williams ' 1952 song " Jambalaya ". Both crossed over to the popular hit parade and had numerous hit versions. Before the mid-20th century, the notion of an original version of a popular tune would have seemed slightly odd –

512-409: A teacher until late 2000, when he created a new band with his family and named it The Surfaris. Now the last original member playing professionally, Berryhill performs worldwide as The Surfaris with his wife Gene Berryhill and sons, Deven and Joel Berryhill. In 2003, Berryhill's band re-recorded "Wipe Out" and eight original songs, which is what he wanted to do for the first "Wipe Out" session in 1962. At

576-455: A weekly segment called Like a Version in which a band or musician performs one of their own songs as well as a song they love by another artist. Originating in 2004, the popularity of the performances have resulted in the release of annual compilation albums of selected covers and, more recently, votes in the annual Triple J Hottest 100 poll (which has even sparked its own controversy). Conjoined cover songs are collectively referred to as

640-456: A widespread, common occurrence in the music industry. With advancements in artificial intelligence , internet users can create covers using RVC models. Cover versions (as the term is now used) are often contemporary versions of familiar songs. For example, " Singin' in the Rain " was originally introduced by Cliff Edwards in the film The Hollywood Revue of 1929 . The famous Gene Kelly version

704-504: Is " Mack the Knife " ("Die Moritat von Mackie Messer"), originally from Bertolt Brecht's 1928 Die Dreigroschenoper . It was popularized by a 1956 hit parade instrumental tune, "Moritat", for the Dick Hyman Trio, also recorded by Richard Hayman & Jan August , but a hit also for Louis Armstrong 1956/1959, Bobby Darin , 1959, and Ella Fitzgerald , 1960, as vocal versions of "Mack

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768-460: Is a 501(c)(3) charity organization. The mission of the Musicians Hall of Fame and Museum is to honor all great musicians regardless of genre or instruments. This is done by exhibiting the actual instruments they used to record some of the most iconic songs in recorded history. Not only does the Musicians Hall of Fame and Museum entertain local and international visitors, but also educates them about

832-486: Is also remembered particularly for its introduction. Before the music starts, Berryhill's dad broke a board (imitating a breaking surf board) near the mic, followed by a maniacal laugh and the words "Wipe Out" spoken by band manager Dale Smallin. " Wipe Out " was written in the studio by the four original members (Berryhill, Connolly, Fuller, and Wilson). It was initially issued on the tiny DFS label (#11/12) in January 1963. It

896-410: Is the only one that might currently get widespread airplay on most media. Similarly, " Unchained Melody " was originally performed by Todd Duncan , featured in the 1955 film Unchained (based on the non-fiction story Prisoners are People by Kenyon J. Scudder); Al Hibbler having the biggest number of worldwide record sales for the vocal version with Jimmy Young's cover version rival outdoing this in

960-501: The Glenn Miller version (on RCA Victor's cheaper Bluebird label), not someone else's (sometimes presented on a more expensive record company's label). This trend was marked closely by the charting of record sales by the different artists, not just hit tunes, on the music industry's hit parades . However, for sound commercial reasons, record companies still continued to record different versions of tunes that sold well. Most audiences until

1024-524: The Harry Fox Agency , and is safe under copyright law even if they do not have any permission from the original author. A similar service was provided by Limelight by RightsFlow , until January 2015, when they announced they will be closing their service. The U.S. Congress introduced the mechanical license to head off an attempt by the Aeolian Company to monopolize the piano roll market. Although

1088-590: The Schermerhorn Symphony Center . The Induction Ceremony was hosted by Paul Shaffer . Guest performers included: Jason Aldean , Mandy Barnett , Garth Brooks , Kix Brooks , Zac Brown , Ronnie Dunn , Mike Farris , Vince Gill , Emmylou Harris , Keb' Mo' , and Ricky Skaggs . The Musicians Hall of Fame held its 7th Induction Concert and Ceremony on November 20, 2022 at the Nashville Municipal Auditorium . The Induction Ceremony

1152-424: The 1950s, musicians now play what they call "cover versions" (the reworking, updating, or interpretation) of songs as a tribute to the original performer or group. Using familiar material (such as evergreen hits, standard tunes or classic recordings) is an important method of learning music styles. Until the mid-1960s most albums, or long playing records , contained a large number of evergreens or standards to present

1216-522: The 2010 Nashville flood. In 2013, the museum found a new home in the spacious old exhibit hall of Municipal Auditorium, which more than doubled the size of the original museum. On August 29, 2013, the MHOFM reopened on the first floor of the historic Nashville Municipal Auditorium just off the James Robertson Parkway exit at 401 Gay Street, Nashville, TN 37219. The 200,000 square foot building houses

1280-532: The 20th century it became common for phonograph record labels to have singers or musicians "cover" a commercially successful "hit" tune by recording a version for their own label in hopes of cashing in on the tune's success. For example, Ain't She Sweet was popularized in 1927 by Eddie Cantor (on stage) and by Ben Bernie and Gene Austin (on record), was repopularized through popular recordings by Mr. Goon Bones & Mr. Ford and Pearl Bailey in 1949, and later still revived as 33 1/3 and 45 RPM records by

1344-659: The Air" occur in Strictly Ballroom , Candi Staton 's "Young Hearts Run Free" appear in Romeo + Juliet , and adaptations of artists such as Nat King Cole , Nirvana , Kiss , Elton John , Thelma Houston , Marilyn Monroe , Madonna , T. Rex , David Bowie , Queen , and the Police are used in Moulin Rouge! . The covers are carefully designed to fit into the structure of each film and suit

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1408-450: The American record market. Numerable English-language covers exist of " 99 Luftballons " by German singer Nena (notably one by punk band Goldfinger ), one having been recorded by Nena herself following the success of her original German version. " Popcorn ", a song that was originally completely instrumental, has had lyrics added in at least six different languages in various covers. During

1472-519: The Anglo-Saxon markets was once a popular part of the music business. For example, the 1954 worldwide hit " The Happy Wanderer " was originally " Der fröhliche Wanderer ", to this must be added " Hymne à l'amour ", " Mütterlein ", " Volare ", " Seeman ", " Quando, Quando, Quando ", " L'amour est bleu ", etc. Cover versions of many popular songs have been recorded, sometimes with a radically different style, sometimes virtually unrecognizable from

1536-462: The Beatles in 1964. Because little promotion or advertising was done in the early days of record production, other than at the local music hall or music store, the average buyer purchasing a new record usually asked for the tune, not the artist. Record distribution was highly localized, so a locally popular artist could quickly record a version of a hit song from another area and reach an audience before

1600-665: The Fire , although the German title was retained. The English version, which was not a direct translation of Falco's original but retained much of its spirit, reached the Top 5 on the US charts. " The Lion Sleeps Tonight " evolved over several decades and versions from a 1939 Solomon Linda a cappella song. Many of singer Laura Branigan 's 1980s hits were English-language covers of songs already successful in Europe, for

1664-562: The Fuller/Pash lineup of the band in the 80's points out that Jim Pash is on the Wipe Out cover and was a member of the band in 1962. Pash told Reisman that his Pash's mother said he had to stay home and do chores the day the band went to the studio to record Surfer Joe, and that 'Wipe Out' was written on the spot when Paul C. Buff, the engineer, said what are you going to put on the B-side. Fuller wrote

1728-433: The Knife". Europe's Radio Luxembourg , like many commercial stations, also sold "air time"; so record companies and others bought air time to promote their own artists or products, thus increasing the number of recorded versions of any tune then available. Add to this the fact that many radio stations were limited in their permitted " needle time " (the amount of recorded music they were allowed to play), or were regulated on

1792-479: The MHOF reopened on the first floor of the historic Nashville Municipal Auditorium just off the James Robertson Parkway exit at 401 Gay Street, Nashville, TN 37219. The 200,000 square foot building houses the historic 10,000 seat Municipal Auditorium. The 68,000 sq. ft. exhibit floor, which was also Nashville's first convention center, will now house the museum and its artifacts. Cover version In popular music ,

1856-628: The MHOFM to the public on June 6, 2006. The 30,000-square-foot facility was unique in the world, and its annual awards galas were star-studded affairs. The museum was voted venue of the year 2008 by the Meeting Professionals International. Exhibits consisted of instruments owned and played by well-known artists as well as behind-the-scenes session musicians. The session musicians were often the house studio musicians in cities such as Memphis , Los Angeles, Detroit, Nashville, Muscle Shoals and New York City. These musicians were often

1920-513: The Rain" has been covered and remixed by British act Mint Royale for a television commercial for Volkswagen . Another example of this, from a different angle, is the tune " Blueberry Hill ", many mistakenly believe the Fats Domino 1956 release to be the original recording and artist. In fact, it was originally introduced on film by Gene Autry and popularized on the record Hit Parade of 1940 by Glenn Miller. The Fats Domino rock and roll version

1984-978: The UK, Les Baxter's Orchestra gaining the big instrumentalist sales, reaching the US Hit Parade number one spot in May 1955, but the Righteous Brothers ' later version (top five on the US Hit Parade of September 1965 stalling at number 14 in the UK in August) is by far the wider known version, and especially so following its appearance in the 1990 film Ghost . " House of the Rising Sun " has hundreds of versions and in many genres such as folk , blues rock and punk as well as dance and dubstep . Director Baz Luhrmann has contemporized and stylized older songs for use in his films. New or cover versions such as John Paul Young 's "Love Is in

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2048-572: The amount of local talent they had to promote in live broadcasts, as with most national stations like the BBC in the UK. In the US, broadcasters pay royalties to authors and publishers. Artists are not paid royalties, so there is an incentive to record numerous versions of a song, particularly in different genres. For example, King Records frequently cut both rhythm and blues and country and western versions of novelty songs like "Good Morning, Judge" and "Don't Roll those Bloodshot Eyes at Me". This tradition

2112-477: The band because neither Pash nor Fuller wanted Berryhill's wife to join the band as bassist. By the mid-'80s, Fuller's The Surfaris added new players, such as Kelly Lammers, Robert Watson, Jay Truax, Paul Johnson (Mr. Moto), and Dave Raven, among others. These new band members remain in The Surfaris today. However, in 1986 John P. Reisman took over management of the Fuller/Pash version of 'The Surfaris'. In 1987,

2176-522: The band did continue to play clubs to bring the music to as many venues as possible. Bill Silva Entertainment during this period of management known as Fahn & Silva Entertainment handled the contracting. Jim Fuller later had another band concurrently with The Surfaris "Jim Fuller and the Beatnik", until his passing on March 3, 2017, in Arcadia, California at age 69. After leaving the band, Berryhill became

2240-444: The bowdlerized popular cover versions more palatable for the mass audience of parents and their children. Artists targeting the white-majority family audience were more acceptable to programmers at most radio and TV stations. Singer-songwriter Don McLean called the cover version a "racist tool". Many parents in the 1950s - 60s, whether intentionally racist or not, felt deeply threatened by the rapid pace of social change. They had, for

2304-406: The disingenuous spirit of early cover versions remain. In the album-buying heyday of the 1970s, albums of sound-alike covers were created, commonly released to fill bargain bins in the music section of supermarkets and even specialized music stores , where uninformed customers might easily confuse them with original recordings. The packaging of such discs was often intentionally confusing, combining

2368-695: The evenings inductees. Keith Richards , Kid Rock , Phil Everly and Lee Ann Womack were among the performers to welcome the inductees. Richards joined The Crickets on stage for a performance of Holly's " Not Fade Away ", which The Rolling Stones covered in 1964. After a four-year absence due to relocating, the 2014 Induction Ceremony was held in their new location on January 28, 2014. Musicians Hall of Fame held its 5th annual Induction Ceremony and Concert. Special guests included: Kenny G , Bruce Hornsby , Steve Wariner , Russell Thompkins Jr. and Peter Frampton . The Musicians Hall of Fame held its 6th Induction Concert and Ceremony on October 22, 2019 at

2432-470: The heyday of Cantopop in Hong Kong in the late 1970s to early 1990s, many hits were covers of English and Japanese titles that have gained international fame but with localized lyrics (sometimes multiple sets of lyrics sung to the same tune), and critics often chide the music industry of shorting the tune-composing process. Although modern cover versions are often produced for artistic reasons, some aspects of

2496-462: The historic 10,000-seat Municipal Auditorium. The 68,000 sq. ft. exhibit floor, which was also Nashville's first convention center, houses the museum and its artifacts. The museum was voted venue of the year by the Meeting Professionals International in 2008. The inaugural ceremony was highlighted by the performances of Garth Brooks , Vince Gill , Peter Frampton , George Jones , Amy Grant , Rodney Crowell , B.J. Thomas , and Dobie Gray honoring

2560-422: The main lick and Ron Wilson added a drum cadence he had been working on for the high school band. In a conversation with Paul Buff, Buff told Reisman that the song 'Wipe Out' was recorded on Dec. 4, 1962. Ken Forssi , later of Love , played bass with The Surfaris after Pat Connolly left. Wilson's energetic drum solo made " Wipe Out " one of the best-remembered instrumental songs of the period. " Wipe Out "

2624-455: The manager engaged the band with Columbia Pictures ' New Gidget Show ' and in 1987 recorded the cut ' Bred to Shred ' for the episode (Jim Pash: Producer; John Reisman; Engineer). The full band with the latest lineup appeared in the production. Just prior to that Chris Pritchard was in the lineup on vocals and guitar. During that period the manager focused on fairs and festivals, playing for audiences of ten to one hundred thousand at times. However,

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2688-517: The mid-1950s still heard their favorite artists playing live music on stage or via the radio . And since radio shows were for the most part aimed at local audiences, it was still rare for an artist in one area to reach a mass audience. Also radio stations tended to cater to broad audience markets, so an artist in one vein might not get broadcast on other stations geared to a set audience. So popular versions of jazz , country and western or rhythm and blues tunes, and vice versa, were frequent. An example

2752-483: The most part, shared entertainment with their parents in ways their children had become reluctant to do. The jukebox and the personal record disc player were still relatively expensive pieces of machinery — and the portable radio a great novelty, allowing truculent teenagers to shut themselves off. Tunes by introducing or "original" niche market artists that became successful on the mass audience hit parade charts are called crossovers as they "crossed over" from

2816-517: The most popular style of music in the mid-1950s / mid-1960s was still the professional light orchestra, therefore popular recording artists sought that format. For many purists these popular versions lacked the raw earthiness of the original introducing artists. Most did not have the kudos that rebellious teenagers craved, the street credibility — of rock and roll music; most were performed, and some were written, by black artists not heard in popular mass entertainment markets. Most parents considered

2880-534: The musicians who actually played on the sound tracks of their lives. In November 2003, Joe Frank Chambers and his wife Linda Chambers co-founded the future Musicians Hall of Fame and Museum. They purchased a 30,000 square foot building at 301 6th Ave. S., Nashville, Tennessee across from the Country Music Hall of Fame in Nashville, TN and began renovating. After two and half years of renovating, they first opened

2944-515: The name of the original artist in large letters with a tiny disclaimer like as originally sung by or as made popular by . More recently, albums such as the Kidz Bop series of compact discs , featuring versions of contemporary songs sung by children, have sold successfully. In 2009, the American musical comedy-drama television series Glee debuted, featuring several musical performances per episode. The series featured solely cover songs performed by

3008-409: The original sound electronically; cover versions give a performer the ability to adapt music to their own style, typically allowing them to change the genre of a song and recreating it to their own taste. For example, in 2008, Fall Out Boy covered Michael Jackson 's hit song " Beat It ", changing the genre from pop rock to a more punk rock feel. Another example is when My Chemical Romance covered

3072-403: The original. For example, Sir Mix-a-Lot 's 1992 rap " Baby Got Back " was covered by indie rock singer Jonathan Coulton in 2005, in an acoustic soft rock style. Coulton's cover was then covered, without attribution, in 2013 by the show Glee , and was so similar that Coulton, among others, alleged plagiarism of his arrangement and melody. Some producers or recording artists may also enlist

3136-645: The production of musical entertainment was seen as a live event , even if it was reproduced at home via a copy of the sheet music , learned by heart or captured on a gramophone record . In fact, one of the principal objects of publishing sheet music was to have a composition performed by as many artists as possible. This made the song more important than the performing artist and rival cover or 'copycat' versions would vie for success. In previous generations, some artists made very successful careers of presenting revivals or reworkings of once-popular tunes, even out of doing contemporary cover versions of current hits. Since

3200-526: The production of the hit surf music era songs 'Pipeline' and 'Wipeout'." The band released a series of records, with two other singles, "Surfer Joe" and "Point Panic" (another group-composed instrumental), having an impact on the charts. Point Panic is a renowned surfing venue in Hawaii after which the song was named. The original 1963 membership remained intact until August 1965 when Connolly departed before their Japanese tour. Ken Forssi replaced him on bass for

3264-432: The right to record a version of someone else's previously recorded and released tune, whether it is music alone or music with lyrics. A license can be negotiated between representatives of the interpreting artist and the copyright holder, or recording published tunes can fall under a mechanical license whereby the recording artist pays a standard royalty to the original author/copyright holder through an organization such as

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3328-504: The series' titular glee club until near the end of its second season with the episode " Original Song ". The series still primarily uses cover songs of both chart hits and show tunes, occasionally as mashups or distinct variations. The show's musical performances have been a commercial success, with over twenty-one million copies of Glee cast single releases purchased digitally, and over nine million albums purchased worldwide. Australian alternative/indie radio station Triple J presents

3392-520: The services of a sample replay company such as Titan Tribute Media or Scorccio, in order to replicate an original recording with precision detail and accuracy. A song may be covered into another language. For example, in the 1930s, a recording of " Isle of Capri " in Spanish, by Osvaldo Fresedo and singer Roberto Ray, is known. Falco 's 1982 German-language hit " Der Kommissar " was covered in English by After

3456-430: The targeted country, jazz or rhythm audience. Also, many songs originally recorded by male artists were rerecorded by female artists, and vice versa. Such a cover version is also sometimes called a cross cover version , male cover , or female cover . Some songs such as "If Only for One Night" were originally recorded by female artists but covered by mostly male artists. Reworking non-English language tunes and lyrics for

3520-405: The taste of the intended audience. Other artists release new versions of their own songs, like German singer Nena who recorded an entire album with great success, with new versions of older hits. Cover songs can be used to display creativity of a performers work through the talent of another artist's previous production. Not to be confused with a remix , which is defined as altering or distorting

3584-576: The time, the boys just 15 and 17 years old were forced to play other writers' songs, not by The Surfaris, which were later replaced by the company's players while The Surfaris were on tour. Lawsuits ensued in favor of The Surfaris. In 2015, Berryhill recorded and released the album entitled The Surfaris Hurley Sessions . Jim Pash/Jim Fullers Surfaris managed by John Reisman/Lyra Records & Productions The lineup of Berryhill's Surfaris has been stable since its 2000 founding. Musicians Hall of Fame and Museum The Musicians Hall of Fame and Museum

3648-606: The tour. Fuller resigned after the tour and the band folded in early 1966. Forssi died from a brain tumor in 1998. Ken Forssi joined the group and was the bass player for their "It Ain't Me, Babe" LP recorded at Capitol Records in Studio A in late Spring and early Summer of 1965. Pat Connolly left the music business in 1965. Ron Wilson died of a brain aneurysm on May 12, 1989, one month short of his 45th birthday. Wilson had released an album of his songs, entitled Lost In The Surf , on Bennet House Records of Grass Valley, California , which

3712-405: The unsung heroes behind the hits of many great artists. These relatively small groups of players often recorded the majority of hits in the 1950s, 1960s, 1970s and 1980s. In 2009–10, the city of Nashville seized the building (under the rules of eminent domain ) to make way for the construction of The Music City Center. The artifacts were then stored in designated buildings, but many were damaged in

3776-478: The version by the artist(s) who first introduced the tune, and highly competitive record companies were quick to take advantage of this. This began to change in the late 1930s, when the growing record-buying public began including a younger age group. During the swing era , when a bobby soxer went looking for a recorded tune, say " In the Mood ", typically she wanted the version popularized by her favorite artist(s), e.g.

3840-426: Was a revision that brought it up to date for a 1950s Hollywood musical, and was used in the 1952 film Singin' in the Rain . In 1978, it was covered by French singer Sheila , accompanied by the B. Devotion group, as a disco song, once more updating it to suit the musical taste of the era. During the disco era there was a trend of taking well known songs and recording them in the disco style. More recently "Singin' in

3904-427: Was expanded when rhythm and blues songs began appearing on pop music charts. In the early days of rock and roll , many tunes originally recorded by R&B and country musicians were still being re-recorded in a more popular vein by other artists with a more toned-down style or professional polish. This was inevitable because radio stations were reluctant to play formats outside their target audience's taste. By far

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3968-491: Was hosted by Phil Vassar . Guest performers including: Rodney Crowell , Steve Miller , Wendy Moten and Mike Farris . The Special performer performances Linda Chambers, executive vice president & chief operating officer. In February 2010, under the rules of eminent domain , the city of Nashville purchased the MHOF property in order to make room for the Music City Center (new convention center). On August 29, 2013,

4032-598: Was recorded in June 1987. A very small number of cassettes of this album were produced. Lost in the Surf included a cover of " Louie Louie ", complete with Scottish bagpipes . Jim Pash, who played saxophone in the earlier formation and was later a guitarist, died April 29, 2005, of heart failure at age 56. Jim Fuller co-founded the Surfaris in 61' with Connolly. The band reformed in 81' with Pash and Berryhill but in 1983 Berryhill left

4096-649: Was reissued on the tiny Princess label (#50) in February 1963. It was picked up by Dot (45-16479) in April 1963, and later reissued as Dot 45-144 in April 1965. It sold over one million copies and was awarded a gold disc . Following the death of television personality Morton Downey, Jr. , news reports and obituaries incorrectly credited him as the composer of "Wipe Out" (as well as The Chantays ' "Pipeline"). As of 2010, Downey's official website continued to make this claim but it has been changed to state he "also played major roles in

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