132-605: The Camp Street Theatre , American Theatre , or Old American Theatre was a theater in New Orleans between 1824 and 1835. It was founded by James H. Caldwell to replace the St. Philip Street Theatre as the only English theater in New Orleans. It was considered the finest English speaking theater in the South and was the first building in New Orleans with gas lighting . It was replaced by
264-410: A collective form of reception. The structure of dramatic texts , unlike other forms of literature , is directly influenced by this collaborative production and collective reception. The early modern tragedy Hamlet (1601) by Shakespeare and the classical Athenian tragedy Oedipus Rex ( c. 429 BCE ) by Sophocles are among the masterpieces of the art of drama. A modern example
396-589: A civic art of rhetoric, combining the almost incompatible properties of techne and appropriateness to citizens." Each of Aristotle's divisions plays a role in civic life and can be used in a different way to affect the polis . Because rhetoric is a public art capable of shaping opinion, some of the ancients, including Plato found fault in it. They claimed that while it could be used to improve civic life, it could be used just as easily to deceive or manipulate. The masses were incapable of analyzing or deciding anything on their own and would therefore be swayed by
528-594: A course of study has evolved since its ancient beginnings, and has adapted to the particular exigencies of various times, venues, and applications ranging from architecture to literature. Although the curriculum has transformed in a number of ways, it has generally emphasized the study of principles and rules of composition as a means for moving audiences. Rhetoric began as a civic art in Ancient Greece where students were trained to develop tactics of oratorical persuasion, especially in legal disputes. Rhetoric originated in
660-406: A dancing floor (orchestra), dressing room and scene-building area (skene). Since the words were the most important part, good acoustics and clear delivery were paramount. The actors (always men) wore masks appropriate to the characters they represented, and each might play several parts. Athenian tragedy—the oldest surviving form of tragedy—is a type of dance -drama that formed an important part of
792-576: A good man, a person enlightened on a variety of civic topics. He describes the proper training of the orator in his major text on rhetoric, De Oratore , which he modeled on Plato's dialogues. Modern works continue to support the claims of the ancients that rhetoric is an art capable of influencing civic life. In Political Style , Robert Hariman claims that "questions of freedom, equality, and justice often are raised and addressed through performances ranging from debates to demonstrations without loss of moral content". James Boyd White argues that rhetoric
924-473: A group. This definition of rhetoric as identification broadens the scope from strategic and overt political persuasion to the more implicit tactics of identification found in an immense range of sources . Among the many scholars who have since pursued Burke's line of thought, James Boyd White sees rhetoric as a broader domain of social experience in his notion of constitutive rhetoric . Influenced by theories of social construction , White argues that culture
1056-518: A guide to creating persuasive messages and arguments: Memory was added much later to the original four canons. During the Renaissance rhetoric enjoyed a resurgence, and as a result nearly every author who wrote about music before the Romantic era discussed rhetoric. Joachim Burmeister wrote in 1601, "there is only little difference between music and the nature of oration". Christoph Bernhard in
1188-518: A limited field, ignoring many critical applications of rhetorical theory, criticism, and practice. Simultaneously, the neo-Sophists threaten to expand rhetoric beyond a point of coherent theoretical value. In more recent years, people studying rhetoric have tended to enlarge its object domain beyond speech. Kenneth Burke asserted humans use rhetoric to resolve conflicts by identifying shared characteristics and interests in symbols. People engage in identification , either to assign themselves or another to
1320-428: A live audience in a specific place, often a stage . The performers may communicate this experience to the audience through combinations of gesture , speech, song, music , and dance . It is the oldest form of drama , though live theatre has now been joined by modern recorded forms. Elements of art, such as painted scenery and stagecraft such as lighting are used to enhance the physicality, presence and immediacy of
1452-527: A particular type. Kālidāsa in the 1st century BCE, is arguably considered to be ancient India 's greatest Sanskrit dramatist. Three famous romantic plays written by Kālidāsa are the Mālavikāgnimitram ( Mālavikā and Agnimitra ), Vikramuurvashiiya ( Pertaining to Vikrama and Urvashi ), and Abhijñānaśākuntala ( The Recognition of Shakuntala ). The last was inspired by a story in the Mahabharata and
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#17328517910111584-470: A persuasive speech, were first codified in classical Rome: invention , arrangement , style , memory , and delivery . From Ancient Greece to the late 19th century, rhetoric played a central role in Western education in training orators , lawyers , counsellors, historians , statesmen , and poets . Scholars have debated the scope of rhetoric since ancient times. Although some have limited rhetoric to
1716-500: A play that is neither a comedy nor a tragedy—for example, Zola's Thérèse Raquin (1873) or Chekhov's Ivanov (1887). In Ancient Greece however, the word drama encompassed all theatrical plays, tragic, comic, or anything in between. Drama is often combined with music and dance : the drama in opera is generally sung throughout; musicals generally include both spoken dialogue and songs ; and some forms of drama have incidental music or musical accompaniment underscoring
1848-404: A positive image, potentially at the expense of suppressing dissent or criticism. An example of this is the government's actions in freezing bank accounts and regulating internet speech, ostensibly to protect the vulnerable and preserve freedom of expression, despite contradicting values and rights. The origins of the rhetoric language begin in Ancient Greece. It originally began by a group named
1980-473: A revival with the rise of democratic institutions during the late 18th and early 19th centuries. Hugh Blair was a key early leader of this movement. In his most famous work, Lectures on Rhetoric and Belles Lettres , he advocates rhetorical study for common citizens as a resource for social success. Many American colleges and secondary schools used Blair's text throughout the 19th century to train students of rhetoric. Political rhetoric also underwent renewal in
2112-521: A school of pre-Socratic philosophers known as the Sophists c. 600 BCE . Demosthenes and Lysias emerged as major orators during this period, and Isocrates and Gorgias as prominent teachers. Modern teachings continue to reference these rhetoricians and their work in discussions of classical rhetoric and persuasion. Rhetoric was taught in universities during the Middle Ages as one of
2244-519: A tool for developing dramatic work or skills or as a form for situational comedy. Spolin also became interested in how the process of learning improvisation was applicable to the development of human potential. Spolin's son, Paul Sills popularized improvisational theatre as a theatrical art form when he founded, as its first director, The Second City in Chicago. Having been an important part of human culture for more than 2,500 years, theatre has evolved
2376-443: A tool to influence communities from local to national levels. Political parties employ "manipulative rhetoric" to advance their party-line goals and lobbyist agendas. They use it to portray themselves as champions of compassion, freedom, and culture, all while implementing policies that appear to contradict these claims. It serves as a form of political propaganda, presented to sway and maintain public opinion in their favor, and garner
2508-421: A vehicle to tell a story qualify as comedies. This may include a modern farce such as Boeing Boeing or a classical play such as As You Like It . Theatre expressing bleak, controversial or taboo subject matter in a deliberately humorous way is referred to as black comedy . Black Comedy can have several genres like slapstick humour, dark and sarcastic comedy. Tragedy, then, is an imitation of an action that
2640-435: A very colourful shadow. The thin rods which controlled their movements were attached to a leather collar at the neck of the puppet. The rods ran parallel to the bodies of the puppet and then turned at a ninety degree angle to connect to the neck. While these rods were visible when the shadow was cast, they laid outside the shadow of the puppet; thus they did not interfere with the appearance of the figure. The rods are attached at
2772-693: A wide range of different theories and practices. Some are related to political or spiritual ideologies, while others are based purely on "artistic" concerns. Some processes focus on a story, some on theatre as event, and some on theatre as catalyst for social change. The classical Greek philosopher Aristotle , in his seminal treatise, Poetics ( c. 335 BCE ) is the earliest-surviving example and its arguments have influenced theories of theatre ever since. In it, he offers an account of what he calls "poetry" (a term which in Greek literally means "making" and in this context includes drama — comedy , tragedy , and
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#17328517910112904-436: Is Long Day's Journey into Night by Eugene O'Neill (1956). Considered as a genre of poetry in general, the dramatic mode has been contrasted with the epic and the lyrical modes ever since Aristotle 's Poetics ( c. 335 BCE ); the earliest work of dramatic theory . The use of "drama" in the narrow sense to designate a specific type of play dates from the 19th century . Drama in this sense refers to
3036-425: Is "reconstituted" through language. Just as language influences people, people influence language. Language is socially constructed, and depends on the meanings people attach to it. Because language is not rigid and changes depending on the situation, the very usage of language is rhetorical. An author, White would say, is always trying to construct a new world and persuading his or her readers to share that world within
3168-438: Is Epistemic?". In it, he focuses on uncovering the most appropriate definitions for the terms "rhetoric", "knowledge", and "certainty". According to Harpine, certainty is either objective or subjective. Although both Scotts and Cherwitz and Hikins theories deal with some form of certainty, Harpine believes that knowledge is not required to be neither objectively nor subjectively certain. In terms of "rhetoric", Harpine argues that
3300-529: Is also known for describing her process of invention in "The Exaltation of Inanna," moving between first- and third-person address to relate her composing process in collaboration with the goddess Inanna, reflecting a mystical enthymeme in drawing upon a Cosmic audience. Later examples of early rhetoric can be found in the Neo-Assyrian Empire during the time of Sennacherib (704–681 BCE ). In ancient Egypt , rhetoric had existed since at least
3432-657: Is an ancient form of storytelling that renowned for its elaborate puppet/human and complex musical styles. The earliest evidence is from the late 1st millennium CE, in medieval-era texts and archeological sites. The oldest known record that concerns wayang is from the 9th century. Around 840 AD an Old Javanese (Kawi) inscriptions called Jaha Inscriptions issued by Maharaja Sri Lokapala from Mataram Kingdom in Central Java mentions three sorts of performers: atapukan, aringgit, and abanol. Aringgit means Wayang puppet show, Atapukan means Mask dance show, and abanwal means joke art. Ringgit
3564-464: Is an overwhelming majority that does support the concept of certainty as a requirement for knowledge , but it is at the definition of certainty where parties begin to diverge. One definition maintains that certainty is subjective and feeling-based, the other that it is a byproduct of justification . The more commonly accepted definition of rhetoric claims it is synonymous with persuasion . For rhetorical purposes, this definition, like many others,
3696-468: Is capable not only of addressing issues of political interest but that it can influence culture as a whole. In his book, When Words Lose Their Meaning , he argues that words of persuasion and identification define community and civic life. He states that words produce "the methods by which culture is maintained, criticized, and transformed". Rhetoric remains relevant as a civic art. In speeches, as well as in non-verbal forms, rhetoric continues to be used as
3828-644: Is described in an 11th-century Javanese poem as a leather shadow figure. Theatre in the medieval Islamic world included puppet theatre (which included hand puppets, shadow plays and marionette productions) and live passion plays known as ta'ziyeh , where actors re-enact episodes from Muslim history . In particular, Shia Islamic plays revolved around the istishhād (martyrdom) of Ali 's sons Hasan ibn Ali and Husayn ibn Ali . Secular plays were known as akhraja , recorded in medieval adab literature, though they were less common than puppetry and ta'ziya theatre. Theatre took on many alternative forms in
3960-516: Is difficult to define. Political discourse remains the paradigmatic example for studying and theorizing specific techniques and conceptions of persuasion or rhetoric. Throughout European History , rhetoric meant persuasion in public and political settings such as assemblies and courts. Because of its associations with democratic institutions, rhetoric is commonly said to flourish in open and democratic societies with rights of free speech , free assembly, and political enfranchisement for some portion of
4092-496: Is especially used by the fields of marketing, politics, and literature. Another area of rhetoric is the study of cultural rhetorics, which is the communication that occurs between cultures and the study of the way members of a culture communicate with each other. These ideas can then be studied and understood by other cultures, in order to bridge gaps in modes of communication and help different cultures communicate effectively with each other. James Zappen defines cultural rhetorics as
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4224-526: Is known primarily from the substantial papyrus fragments of Menander . Aristotle defined comedy as a representation of laughable people that involves some kind of blunder or ugliness that does not cause pain or disaster. In addition to the categories of comedy and tragedy at the City Dionysia, the festival also included the Satyr Play . Finding its origins in rural, agricultural rituals dedicated to Dionysus,
4356-655: Is merely a form of flattery and functions similarly to culinary arts , which mask the undesirability of unhealthy food by making it taste good. Plato considered any speech of lengthy prose aimed at flattery as within the scope of rhetoric. Some scholars, however, contest the idea that Plato despised rhetoric and instead view his dialogues as a dramatization of complex rhetorical principles. Aristotle both redeemed rhetoric from his teacher and narrowed its focus by defining three genres of rhetoric— deliberative , forensic or judicial, and epideictic . Yet, even as he provided order to existing rhetorical theories, Aristotle generalized
4488-542: Is no institution devised by man which the power of speech has not helped us to establish." With this statement he argues that rhetoric is a fundamental part of civic life in every society and that it has been necessary in the foundation of all aspects of society. He further argues in Against the Sophists that rhetoric, although it cannot be taught to just anyone, is capable of shaping the character of man. He writes, "I do think that
4620-419: Is serious, complete, and of a certain magnitude: in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. Aristotle's phrase "several kinds being found in separate parts of the play" is a reference to the structural origins of drama. In it
4752-521: Is still associated with its political origins. However, even the original instructors of Western speech—the Sophists —disputed this limited view of rhetoric. According to Sophists like Gorgias , a successful rhetorician could speak convincingly on a topic in any field, regardless of his experience in that field. This suggested rhetoric could be a means of communicating any expertise, not just politics. In his Encomium to Helen , Gorgias even applied rhetoric to fiction by seeking, for his amusement, to prove
4884-510: Is the art of persuasion . It is one of the three ancient arts of discourse ( trivium ) along with grammar and logic / dialectic . As an academic discipline within the humanities , rhetoric aims to study the techniques that speakers or writers use to inform, persuade, and motivate their audiences . Rhetoric also provides heuristics for understanding, discovering, and developing arguments for particular situations. Aristotle defined rhetoric as "the faculty of observing in any given case
5016-467: Is the most famous. It was the first to be translated into English and German . Śakuntalā (in English translation) influenced Goethe 's Faust (1808–1832). The next great Indian dramatist was Bhavabhuti ( c. 7th century CE ). He is said to have written the following three plays: Malati-Madhava , Mahaviracharita and Uttar Ramacharita . Among these three, the last two cover between them
5148-521: Is too broad. The same issue presents itself with definitions that are too narrow. Rhetoricians in support of the epistemic view of rhetoric have yet to agree in this regard. Philosophical teachings refer to knowledge as a justified true belief . However, the Gettier Problem explores the room for fallacy in this concept. Therefore, the Gettier Problem impedes the effectivity of the argument of Richard A. Cherwitz and James A. Hikins, who employ
5280-744: Is universally acknowledged in the Western critical tradition", Marvin Carlson explains, "almost every detail about his seminal work has aroused divergent opinions." Important theatre practitioners of the 20th century include Konstantin Stanislavski , Vsevolod Meyerhold , Jacques Copeau , Edward Gordon Craig , Bertolt Brecht , Antonin Artaud , Joan Littlewood , Peter Brook , Jerzy Grotowski , Augusto Boal , Eugenio Barba , Dario Fo , Viola Spolin , Keith Johnstone and Robert Wilson (director) . Rhetoric Rhetoric ( / ˈ r ɛ t ə r ɪ k / )
5412-508: Is why actors are commonly called "Children of the Pear Garden". During the dynasty of Empress Ling, shadow puppetry first emerged as a recognized form of theatre in China. There were two distinct forms of shadow puppetry, Pekingese (northern) and Cantonese (southern). The two styles were differentiated by the method of making the puppets and the positioning of the rods on the puppets , as opposed to
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5544-537: The 20th century in the realism of Stanislavski and Lee Strasberg , the political theatre of Erwin Piscator and Bertolt Brecht , the so-called Theatre of the Absurd of Samuel Beckett and Eugène Ionesco , American and British musicals, the collective creations of companies of actors and directors such as Joan Littlewood 's Theatre Workshop , experimental and postmodern theatre of Robert Wilson and Robert Lepage ,
5676-501: The City Dionysia as an audience member (or even as a participant in the theatrical productions) in particular—was an important part of citizenship . Civic participation also involved the evaluation of the rhetoric of orators evidenced in performances in the law-court or political assembly , both of which were understood as analogous to the theatre and increasingly came to absorb its dramatic vocabulary. The Greeks also developed
5808-551: The Middle Kingdom period ( c. 2080–1640 BCE ). The five canons of eloquence in ancient Egyptian rhetoric were silence, timing, restraint, fluency, and truthfulness. The Egyptians held eloquent speaking in high esteem. Egyptian rules of rhetoric specified that "knowing when not to speak is essential, and very respected, rhetorical knowledge", making rhetoric a "balance between eloquence and wise silence". They also emphasized "adherence to social behaviors that support
5940-554: The Persian response to news of their military defeat at the Battle of Salamis in 480 BCE—is the notable exception in the surviving drama. When Aeschylus won first prize for it at the City Dionysia in 472 BCE, he had been writing tragedies for more than 25 years, yet its tragic treatment of recent history is the earliest example of drama to survive. More than 130 years later, the philosopher Aristotle analysed 5th-century Athenian tragedy in
6072-539: The St. Charles Theatre and by the New American Theatre , both of which burned down in 1842. This article about a theater building in the United States is a stub . You can help Misplaced Pages by expanding it . Theater Theatre or theater is a collaborative form of performing art that uses live performers, usually actors or actresses , to present experiences of a real or imagined event before
6204-554: The Sundanese and wayang kulit (leather shadow-puppet play) of the Javanese and Balinese —draw much of their repertoire from indigenized versions of the Ramayana and Mahabharata . These tales also provide source material for the wayang wong (human theatre) of Java and Bali , which uses actors. Some wayang golek performances, however, also present Muslim stories, called menak . Wayang
6336-546: The high-style , verbally elaborate tragedies of Seneca . Although Rome had a native tradition of performance, the Hellenization of Roman culture in the 3rd century BCE had a profound and energizing effect on Roman theatre and encouraged the development of Latin literature of the highest quality for the stage. The only surviving plays from the Roman Empire are ten dramas attributed to Lucius Annaeus Seneca (4 BCE–65 CE),
6468-402: The justified true belief standpoint in their argument for rhetoric as epistemic . Celeste Condit Railsback takes a different approach, drawing from Ray E. McKerrow's system of belief based on validity rather than certainty . William D. Harpine refers to the issue of unclear definitions that occurs in the theories of "rhetoric is epistemic" in his 2004 article "What Do You Mean, Rhetoric
6600-511: The postcolonial theatre of August Wilson or Tomson Highway , and Augusto Boal 's Theatre of the Oppressed . Drama is the specific mode of fiction represented in performance . The term comes from a Greek word meaning " action ", which is derived from the verb δράω, dráō , "to do" or "to act". The enactment of drama in theatre, performed by actors on a stage before an audience , presupposes collaborative modes of production and
6732-514: The satyr play —as well as lyric poetry , epic poetry , and the dithyramb ). He examines its "first principles" and identifies its genres and basic elements; his analysis of tragedy constitutes the core of the discussion. Aristotle argues that tragedy consists of six qualitative parts, which are (in order of importance) mythos or "plot", ethos or "character", dianoia or "thought", lexis or "diction", melos or "song", and opsis or "spectacle". "Although Aristotle's Poetics
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#17328517910116864-573: The specificity of theatre as synonymous expressions that differentiate theatre from the other performing arts , literature and the arts in general. A theatre company is an organisation that produces theatrical performances, as distinct from a theatre troupe (or acting company), which is a group of theatrical performers working together. Modern theatre includes performances of plays and musical theatre . The art forms of ballet and opera are also theatre and use many conventions such as acting , costumes and staging. They were influential in
6996-484: The well-made plays of Scribe and Sardou gave way to the problem plays of Naturalism and Realism ; the farces of Feydeau ; Wagner's operatic Gesamtkunstwerk ; musical theatre (including Gilbert and Sullivan 's operas); F. C. Burnand 's, W. S. Gilbert 's and Oscar Wilde 's drawing-room comedies; Symbolism ; proto- Expressionism in the late works of August Strindberg and Henrik Ibsen ; and Edwardian musical comedy . These trends continued through
7128-465: The 1st century CE. It began after the development of Greek and Roman theatre and before the development of theatre in other parts of Asia. It emerged sometime between the 2nd century BCE and the 1st century CE and flourished between the 1st century CE and the 10th, which was a period of relative peace in the history of India during which hundreds of plays were written. The wealth of archeological evidence from earlier periods offers no indication of
7260-407: The 5th century BCE have survived. We have complete texts extant by Aeschylus , Sophocles , and Euripides . The origins of tragedy remain obscure, though by the 5th century BCE it was institutionalized in competitions ( agon ) held as part of festivities celebrating Dionysus (the god of wine and fertility ). As contestants in the City Dionysia's competition (the most prestigious of
7392-538: The Athenians did, indeed rely on persuasive speech, more during public speak, and four new political processes, also increasing the sophists trainings leading too many victories for legal cases, public debate, and even a simple persuasive speech. This ultimately led to concerns rising on falsehood over truth, with highly trained, persuasive speakers, knowingly, misinforming. Rhetoric has its origins in Mesopotamia . Some of
7524-464: The Athenians persuasive speech, with the goal of navigating the courts and senate. The sophists became speech teachers known as Sophia; Greek for "wisdom" and root for philosophy, or " love of wisdom" – the sophists came to be common term for someone who sold wisdom for money. Although there is no clear understanding why the Sicilians engaged to educating the Athenians persuasive speech. It is known that
7656-540: The Corduba-born Stoic philosopher and tutor of Nero. These tragedies are known for their philosophical themes, complex characters, and rhetorical style. While Seneca's plays provide valuable insights into Roman theater, they represent only a small fraction of the dramatic repertoire that existed in ancient Rome. The first form of Indian theatre was the Sanskrit theatre , earliest-surviving fragments of which date from
7788-589: The French had a larger distinction between comedy and tragedy, whereas the English fudged the lines occasionally and put some comedic parts in their tragedies. Common forms of non-comedic plays were sentimental comedies as well as something that would later be called tragédie bourgeoise , or domestic tragedy —that is, the tragedy of common life—were more popular in England because they appealed more to English sensibilities. While theatre troupes were formerly often travelling,
7920-503: The Romans first experienced theatre in the 4th century BCE, with a performance by Etruscan actors . Beacham argues that they had been familiar with "pre-theatrical practices" for some time before that recorded contact. The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics , to the staging of Plautus 's broadly appealing situation comedies , to
8052-408: The Sophists, who wanted to teach the Athenians to speak persuasively in order to be able to navigate themselves in the court and senate. What inspired this form of persuasive speech came about through a new form of government, known as democracy, that was being experimented with. Consequently people began to fear that persuasive speech would overpower truth. Aristotle however believed that this technique
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#17328517910118184-735: The West between the 15th and 19th centuries, including commedia dell'arte from Italian theatre , and melodrama . The general trend was away from the poetic drama of the Greeks and the Renaissance and toward a more naturalistic prose style of dialogue, especially following the Industrial Revolution . Theatre took a big pause during 1642 and 1660 in England because of the Puritan Interregnum. The rising anti-theatrical sentiment among Puritans saw William Prynne write Histriomastix (1633),
8316-622: The Woods (1986), and The Phantom of the Opera (1986), as well as more contemporary hits including Rent (1994), The Lion King (1997), Wicked (2003), Hamilton (2015) and Frozen (2018). Musical theatre may be produced on an intimate scale Off-Broadway , in regional theatres , and elsewhere, but it often includes spectacle. For instance, Broadway and West End musicals often include lavish costumes and sets supported by multimillion-dollar budgets. Theatre productions that use humour as
8448-427: The assembly decides about future events, a juryman about past events: while those who merely decide on the orator's skill are observers. From this it follows that there are three divisions of oratory—(1) political, (2) forensic, and (3) the ceremonial oratory of display". Eugene Garver, in his critique of Aristotle's Rhetoric , confirms that Aristotle viewed rhetoric as a civic art. Garver writes, " Rhetoric articulates
8580-437: The available means of persuasion", and since mastery of the art was necessary for victory in a case at law, for passage of proposals in the assembly, or for fame as a speaker in civic ceremonies, he called it "a combination of the science of logic and of the ethical branch of politics". Aristotle also identified three persuasive audience appeals: logos , pathos , and ethos . The five canons of rhetoric , or phases of developing
8712-582: The best known of which is Peking Opera which is still popular today. Xiangsheng is a certain traditional Chinese comedic performance in the forms of monologue or dialogue. In Indonesia , theatre performances have become an important part of local culture, theatre performances in Indonesia have been developed for thousands of years. Most of Indonesia's oldest theatre forms are linked directly to local literary traditions (oral and written). The prominent puppet theatres — wayang golek (wooden rod-puppet play) of
8844-529: The blamelessness of the mythical Helen of Troy in starting the Trojan War . Plato defined the scope of rhetoric according to his negative opinions of the art. He criticized the Sophists for using rhetoric to deceive rather than to discover truth. In Gorgias , one of his Socratic Dialogues , Plato defines rhetoric as the persuasion of ignorant masses within the courts and assemblies. Rhetoric, in Plato's opinion,
8976-471: The city area – the citizens of Athens formed institutions to the red processes: are the Senate, jury trials, and forms of public discussions, but people needed to learn how to navigate these new institutions. With no forms of passing on the information, other than word of mouth the Athenians needed an effective strategy to inform the people. A group of wandering Sicilian's later known as the Sophists , began teaching
9108-552: The concepts of dramatic criticism and theatre architecture. Actors were either amateur or at best semi-professional. The theatre of ancient Greece consisted of three types of drama : tragedy , comedy , and the satyr play . The origins of theatre in ancient Greece, according to Aristotle (384–322 BCE), the first theoretician of theatre, are to be found in the festivals that honoured Dionysus. The performances were given in semi-circular auditoria cut into hillsides, capable of seating 10,000–20,000 people. The stage consisted of
9240-467: The dealings of the pantheon of Gods and their involvement in human affairs, backed by the chorus of Satyrs . However, according to Webster , satyr actors did not always perform typical satyr actions and would break from the acting traditions assigned to the character type of a mythical forest creature. Western theatre developed and expanded considerably under the Romans . The Roman historian Livy wrote that
9372-539: The definition of rhetoric as "the art of persuasion" is the best choice in the context of this theoretical approach of rhetoric as epistemic. Harpine then proceeds to present two methods of approaching the idea of rhetoric as epistemic based on the definitions presented. One centers on Alston's view that one's beliefs are justified if formed by one's normal doxastic while the other focuses on the causal theory of knowledge. Both approaches manage to avoid Gettier's problems and do not rely on unclear conceptions of certainty. In
9504-432: The definition of rhetoric to be the ability to identify the appropriate means of persuasion in a given situation based upon the art of rhetoric ( technê ). This made rhetoric applicable to all fields, not just politics. Aristotle viewed the enthymeme based upon logic (especially, based upon the syllogism) as the basis of rhetoric. Aristotle also outlined generic constraints that focused the rhetorical art squarely within
9636-433: The development of musical theatre . The city-state of Athens is where Western theatre originated. It was part of a broader culture of theatricality and performance in classical Greece that included festivals , religious rituals , politics , law , athletics and gymnastics, music , poetry , weddings, funerals, and symposia . Participation in the city-state's many festivals—and mandatory attendance at
9768-454: The dialogue ( melodrama and Japanese Nō , for example). In certain periods of history (the ancient Roman and modern Romantic ) some dramas have been written to be read rather than performed. In improvisation , the drama does not pre-exist the moment of performance; performers devise a dramatic script spontaneously before an audience. Music and theatre have had a close relationship since ancient times— Athenian tragedy , for example,
9900-414: The discourses of a wide variety of domains, including the natural and social sciences, fine art, religion, journalism, digital media, fiction, history, cartography , and architecture, along with the more traditional domains of politics and the law. Because the ancient Greeks valued public political participation, rhetoric emerged as an important curriculum for those desiring to influence politics. Rhetoric
10032-418: The discussion of rhetoric and epistemology , comes the question of ethics . Is it ethical for rhetoric to present itself in the branch of knowledge ? Scott rears this question, addressing the issue, not with ambiguity in the definitions of other terms, but against subjectivity regarding certainty . Ultimately, according to Thomas O. Sloane, rhetoric and epistemology exist as counterparts, working towards
10164-423: The division between the Sophists and Aristotle. Neo-Aristotelians generally study rhetoric as political discourse, while the neo-Sophistic view contends that rhetoric cannot be so limited. Rhetorical scholar Michael Leff characterizes the conflict between these positions as viewing rhetoric as a "thing contained" versus a "container". The neo-Aristotelian view threatens the study of rhetoric by restraining it to such
10296-405: The domain of public political practice. He restricted rhetoric to the domain of the contingent or probable: those matters that admit multiple legitimate opinions or arguments. Since the time of Aristotle, logic has changed. For example, modal logic has undergone a major development that also modifies rhetoric. The contemporary neo-Aristotelian and neo-Sophistic positions on rhetoric mirror
10428-553: The earliest examples of rhetoric can be found in the Akkadian writings of the princess and priestess Enheduanna ( c. 2285–2250 BCE ). As the first named author in history, Enheduanna's writing exhibits numerous rhetorical features that would later become canon in Ancient Greece. Enheduanna's "The Exaltation of Inanna ," includes an exordium , argument , and peroration , as well as elements of ethos , pathos , and logos , and repetition and metonymy . She
10560-479: The elements of theatre, the Treatise gives most attention to acting ( abhinaya ), which consists of two styles: realistic ( lokadharmi ) and conventional ( natyadharmi ), though the major focus is on the latter. Its drama is regarded as the highest achievement of Sanskrit literature . It utilised stock characters , such as the hero ( nayaka ), heroine ( nayika ), or clown ( vidusaka ). Actors may have specialized in
10692-472: The entire epic of Ramayana . The powerful Indian emperor Harsha (606–648) is credited with having written three plays: the comedy Ratnavali , Priyadarsika , and the Buddhist drama Nagananda . The Tang dynasty is sometimes known as "The Age of 1000 Entertainments". During this era, Ming Huang formed an acting school known as The Pear Garden to produce a form of drama that was primarily musical. That
10824-477: The existence of a tradition of theatre. The ancient Vedas ( hymns from between 1500 and 1000 BCE that are among the earliest examples of literature in the world) contain no hint of it (although a small number are composed in a form of dialogue ) and the rituals of the Vedic period do not appear to have developed into theatre. The Mahābhāṣya by Patañjali contains the earliest reference to what may have been
10956-503: The expanse of implications these words hold. Those who have identified this inconsistency maintain the idea that Scott's relation is important, but requires further study. The root of the issue lies in the ambiguous use of the term rhetoric itself, as well as the epistemological terms knowledge , certainty , and truth . Though counterintuitive and vague, Scott's claims are accepted by some academics, but are then used to draw different conclusions. Sonja K. Foss , for example, takes on
11088-654: The experience. Places, normally buildings, where performances regularly take place are also called "theatres" (or "theaters"), as derived from the Ancient Greek θέατρον (théatron, "a place for viewing"), itself from θεάομαι (theáomai, "to see", "to watch", "to observe"). Modern Western theatre comes, in large measure, from the theatre of ancient Greece , from which it borrows technical terminology, classification into genres , and many of its themes , stock characters , and plot elements. Theatre artist Patrice Pavis defines theatricality, theatrical language , stage writing and
11220-455: The fall of the Roman republic, poetry became a tool for rhetorical training since there were fewer opportunities for political speech. Letter writing was the primary way business was conducted both in state and church, so it became an important aspect of rhetorical education. Rhetorical education became more restrained as style and substance separated in 16th-century France, and attention turned to
11352-517: The festivals to stage drama) playwrights were required to present a tetralogy of plays (though the individual works were not necessarily connected by story or theme), which usually consisted of three tragedies and one satyr play. The performance of tragedies at the City Dionysia may have begun as early as 534 BCE; official records ( didaskaliai ) begin from 501 BCE, when the satyr play was introduced. Most Athenian tragedies dramatize events from Greek mythology , though The Persians —which stages
11484-612: The first improvisation form. Popularized by 1997 Nobel Prize in Literature winner Dario Fo and troupes such as the Upright Citizens Brigade improvisational theatre continues to evolve with many different streams and philosophies. Keith Johnstone and Viola Spolin are recognized as the first teachers of improvisation in modern times, with Johnstone exploring improvisation as an alternative to scripted theatre and Spolin and her successors exploring improvisation principally as
11616-563: The growth of the study of rhetoric in colleges across the United States. Harvard's rhetoric program drew inspiration from literary sources to guide organization and style, and studies the rhetoric used in political communication to illustrate how political figures persuade audiences. William G. Allen became the first American college professor of rhetoric, at New-York Central College , 1850–1853. Debate clubs and lyceums also developed as forums in which common citizens could hear speakers and sharpen debate skills. The American lyceum in particular
11748-646: The idea of the national theatre gained support in the 18th century, inspired by Ludvig Holberg . The major promoter of the idea of the national theatre in Germany, and also of the Sturm und Drang poets, was Abel Seyler , the owner of the Hamburgische Entreprise and the Seyler Theatre Company . Through the 19th century , the popular theatrical forms of Romanticism , melodrama , Victorian burlesque and
11880-448: The idea that rhetoric is concerned with negotiation and listening, not persuasion, which differs from ancient definitions. Some ancient rhetoric was disparaged because its persuasive techniques could be used to teach falsehoods. Communication as studied in cultural rhetorics is focused on listening and negotiation, and has little to do with persuasion. Rhetorical education focused on five canons . The Five Canons of Rhetoric serve as
12012-659: The late 19th and early 20th century . After the Edwardian musical comedy that began in the 1890s, the Princess Theatre musicals of the early 20th century, and comedies in the 1920s and 1930s (such as the works of Rodgers and Hammerstein ), with Oklahoma! (1943), musicals moved in a more dramatic direction. Famous musicals over the subsequent decades included My Fair Lady (1956), West Side Story (1957), The Fantasticks (1960), Hair (1967), A Chorus Line (1975), Les Misérables (1980), Cats (1981), Into
12144-481: The latter half of the century said "...until the art of music has attained such a height in our own day, that it may indeed be compared to a rhetoric, in view of the multitude of figures" . Epistemology and rhetoric have been compared to one another for decades, but the specifications of their similarities have gone undefined. Since scholar Robert L. Scott stated that, "rhetoric is epistemic ," rhetoricians and philosophers alike have struggled to concretely define
12276-444: The modes of persuasion: ethos , pathos , and logos ) and trace rhetorical development through history. Rhetoric earned a more esteemed reputation as a field of study with the emergence of Communication Studies departments and of Rhetoric and Composition programs within English departments in universities, and in conjunction with the linguistic turn in Western philosophy . Rhetorical study has broadened in scope, and
12408-464: The most complete work of dramaturgy in the ancient world. It addresses acting , dance , music , dramatic construction , architecture , costuming , make-up , props , the organisation of companies, the audience, competitions, and offers a mythological account of the origin of theatre. In doing so, it provides indications about the nature of actual theatrical practices. Sanskrit theatre was performed on sacred ground by priests who had been trained in
12540-466: The most notorious attack on theatre prior to the ban. Viewing theatre as sinful, the Puritans ordered the closure of London theatres in 1642 . On 24 January 1643, the actors protested against the ban by writing a pamphlet titled The Actors remonstrance or complaint for the silencing of their profession, and banishment from their severall play-houses . This stagnant period ended once Charles II came back to
12672-540: The most persuasive speeches. Thus, civic life could be controlled by whoever could deliver the best speech. Plato explores the problematic moral status of rhetoric twice: in Gorgias and in The Phaedrus , a dialogue best-known for its commentary on love. More trusting in the power of rhetoric to support a republic, the Roman orator Cicero argued that art required something more than eloquence. A good orator needed also to be
12804-411: The necessary skills (dance, music, and recitation) in a [hereditary process]. Its aim was both to educate and to entertain. Under the patronage of royal courts, performers belonged to professional companies that were directed by a stage manager ( sutradhara ), who may also have acted. This task was thought of as being analogous to that of a puppeteer —the literal meaning of " sutradhara " is "holder of
12936-410: The necks to facilitate the use of multiple heads with one body. When the heads were not being used, they were stored in a muslin book or fabric-lined box. The heads were always removed at night. This was in keeping with the old superstition that if left intact, the puppets would come to life at night. Some puppeteers went so far as to store the heads in one book and the bodies in another, to further reduce
13068-437: The oldest surviving work of dramatic theory —his Poetics ( c. 335 BCE ). Athenian comedy is conventionally divided into three periods, "Old Comedy", "Middle Comedy", and "New Comedy". Old Comedy survives today largely in the form of the eleven surviving plays of Aristophanes , while Middle Comedy is largely lost (preserved only in relatively short fragments in authors such as Athenaeus of Naucratis ). New Comedy
13200-478: The population. Those who classify rhetoric as a civic art believe that rhetoric has the power to shape communities, form the character of citizens, and greatly affect civic life. Rhetoric was viewed as a civic art by several of the ancient philosophers. Aristotle and Isocrates were two of the first to see rhetoric in this light. In Antidosis , Isocrates states, "We have come together and founded cities and made laws and invented arts; and, generally speaking, there
13332-574: The possibility of reanimating puppets. Shadow puppetry is said to have reached its highest point of artistic development in the eleventh century before becoming a tool of the government. In the Song dynasty , there were many popular plays involving acrobatics and music. These developed in the Yuan dynasty into a more sophisticated form known as zaju , with a four- or five-act structure. Yuan drama spread across China and diversified into numerous regional forms, one of
13464-443: The remainder of the Puritans and very religious of the time. The main question was if seeing something immoral on stage affects behaviour in the lives of those who watch it, a controversy that is still playing out today. The seventeenth century had also introduced women to the stage, which was considered inappropriate earlier. These women were regarded as celebrities (also a newer concept, thanks to ideas on individualism that arose in
13596-484: The same purpose of establishing knowledge , with the common enemy of subjective certainty . Rhetoric is a persuasive speech that holds people to a common purpose and therefore facilitates collective action. During the fifth century BCE, Athens had become active in metropolis and people all over there. During this time the Greek city state had been experimenting with a new form of government – democracy, demos , "the people". Political and cultural identity had been tied to
13728-422: The satyr play eventually found its way to Athens in its most well-known form. Satyr's themselves were tied to the god Dionysus as his loyal woodland companions, often engaging in drunken revelry and mischief at his side. The satyr play itself was classified as tragicomedy, erring on the side of the more modern burlesque traditions of the early twentieth century. The plotlines of the plays were typically concerned with
13860-455: The scale of poetry in general (where the tragic divides against epic and lyric ) or at the scale of the drama (where tragedy is opposed to comedy ). In the modern era, tragedy has also been defined against drama, melodrama , the tragicomic , and epic theatre . Improvisation has been a consistent feature of theatre, with the Commedia dell'arte in the sixteenth century being recognized as
13992-639: The scientific method. Influential scholars like Peter Ramus argued that the processes of invention and arrangement should be elevated to the domain of philosophy, while rhetorical instruction should be chiefly concerned with the use of figures and other forms of the ornamentation of language. Scholars such as Francis Bacon developed the study of "scientific rhetoric" which rejected the elaborate style characteristic of classical oration. This plain language carried over to John Locke 's teaching, which emphasized concrete knowledge and steered away from ornamentation in speech, further alienating rhetorical instruction—which
14124-448: The seeds of Sanskrit drama. This treatise on grammar from 140 BCE provides a feasible date for the beginnings of theatre in India . The major source of evidence for Sanskrit theatre is A Treatise on Theatre ( Nātyaśāstra ), a compendium whose date of composition is uncertain (estimates range from 200 BCE to 200 CE) and whose authorship is attributed to Bharata Muni . The Treatise is
14256-454: The specific realm of political discourse , to many modern scholars it encompasses every aspect of culture. Contemporary studies of rhetoric address a much more diverse range of domains than was the case in ancient times. While classical rhetoric trained speakers to be effective persuaders in public forums and in institutions such as courtrooms and assemblies, contemporary rhetoric investigates human discourse writ large . Rhetoricians have studied
14388-588: The spoken parts were written in the Attic dialect whereas the choral (recited or sung) ones in the Doric dialect , these discrepancies reflecting the differing religious origins and poetic metres of the parts that were fused into a new entity, the theatrical drama . Tragedy refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilisation . That tradition has been multiple and discontinuous, yet
14520-461: The strings or threads". The performers were trained rigorously in vocal and physical technique. There were no prohibitions against female performers; companies were all-male, all-female, and of mixed gender. Certain sentiments were considered inappropriate for men to enact, however, and were thought better suited to women. Some performers played characters their own age, while others played ages different from their own (whether younger or older). Of all
14652-553: The study of political discourse can help more than any other thing to stimulate and form such qualities of character." Aristotle, writing several years after Isocrates, supported many of his arguments and argued for rhetoric as a civic art. In the words of Aristotle, in the Rhetoric , rhetoric is "...the faculty of observing in any given case the available means of persuasion". According to Aristotle, this art of persuasion could be used in public settings in three different ways: "A member of
14784-558: The term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans , in one cultural form; Hellenes and Christians , in a common activity", as Raymond Williams puts it. From its obscure origins in the theatres of Athens 2,500 years ago, from which there survives only a fraction of the work of Aeschylus , Sophocles and Euripides , through its singular articulations in
14916-453: The text. People engage in rhetoric any time they speak or produce meaning. Even in the field of science , via practices which were once viewed as being merely the objective testing and reporting of knowledge, scientists persuade their audience to accept their findings by sufficiently demonstrating that their study or experiment was conducted reliably and resulted in sufficient evidence to support their conclusions. The vast scope of rhetoric
15048-453: The theatrical culture of the city-state. Having emerged sometime during the 6th century BCE, it flowered during the 5th century BCE (from the end of which it began to spread throughout the Greek world), and continued to be popular until the beginning of the Hellenistic period . No tragedies from the 6th century BCE and only 32 of the more than a thousand that were performed in during
15180-464: The three original liberal arts or trivium (along with logic and grammar ). During the medieval period, political rhetoric declined as republican oratory died out and the emperors of Rome garnered increasing authority. With the rise of European monarchs, rhetoric shifted into courtly and religious applications. Augustine exerted strong influence on Christian rhetoric in the Middle Ages, advocating
15312-696: The throne in 1660 in the Restoration . Theatre (among other arts) exploded, with influence from French culture, since Charles had been exiled in France in the years previous to his reign. In 1660, two companies were licensed to perform, the Duke's Company and the King's Company . Performances were held in converted buildings, such as Lisle's Tennis Court . The first West End theatre , known as Theatre Royal in Covent Garden , London,
15444-519: The time because of his use of floor space and scenery. Because of the turmoil before this time, there was still some controversy about what should and should not be put on the stage. Jeremy Collier , a preacher, was one of the heads in this movement through his piece A Short View of the Immorality and Profaneness of the English Stage . The beliefs in this paper were mainly held by non-theatre goers and
15576-429: The type of play performed by the puppets. Both styles generally performed plays depicting great adventure and fantasy, rarely was this very stylized form of theatre used for political propaganda. Japanese forms of Kabuki , Nō , and Kyōgen developed in the 17th century CE. Cantonese shadow puppets were the larger of the two. They were built using thick leather which created more substantial shadows. Symbolic colour
15708-416: The use of rhetoric to lead audiences to truth and understanding, especially in the church. The study of liberal arts, he believed, contributed to rhetorical study: "In the case of a keen and ardent nature, fine words will come more readily through reading and hearing the eloquent than by pursuing the rules of rhetoric." Poetry and letter writing became central to rhetorical study during the Middle Ages. After
15840-483: The view that, "rhetoric creates knowledge," whereas James Herrick writes that rhetoric assists in people's ability to form beliefs , which are defined as knowledge once they become widespread in a community. It is unclear whether Scott holds that certainty is an inherent part of establishing knowledge , his references to the term abstract. He is not the only one, as the debate's persistence in philosophical circles long predates his addition of rhetoric. There
15972-519: The wake of Renaissance Humanism ), but on the other hand, it was still very new and revolutionary that they were on the stage, and some said they were unladylike, and looked down on them. Charles II did not like young men playing the parts of young women, so he asked that women play their own parts. Because women were allowed on the stage, playwrights had more leeway with plot twists, like women dressing as men, and having narrow escapes from morally sticky situations as forms of comedy. Comedies were full of
16104-487: The wake of the U.S. and French revolutions. The rhetorical studies of ancient Greece and Rome were resurrected as speakers and teachers looked to Cicero and others to inspire defenses of the new republics. Leading rhetorical theorists included John Quincy Adams of Harvard , who advocated the democratic advancement of rhetorical art. Harvard's founding of the Boylston Professorship of Rhetoric and Oratory sparked
16236-475: The works of Shakespeare , Lope de Vega , Racine , and Schiller , to the more recent naturalistic tragedy of Strindberg , Beckett's modernist meditations on death, loss and suffering, and Müller's postmodernist reworkings of the tragic canon, tragedy has remained an important site of cultural experimentation, negotiation, struggle, and change. In the wake of Aristotle's Poetics (335 BCE), tragedy has been used to make genre distinctions, whether at
16368-532: The young and very much in vogue, with the storyline following their love lives: commonly a young roguish hero professing his love to the chaste and free minded heroine near the end of the play, much like Sheridan's The School for Scandal . Many of the comedies were fashioned after the French tradition, mainly Molière, again hailing back to the French influence brought back by the King and the Royals after their exile. Molière
16500-457: Was a form of dance - drama that employed a chorus whose parts were sung (to the accompaniment of an aulos —an instrument comparable to the modern oboe ), as were some of the actors' responses and their 'solo songs' ( monodies ). Modern musical theatre is a form of theatre that also combines music, spoken dialogue, and dance. It emerged from comic opera (especially Gilbert and Sullivan ), variety , vaudeville , and music hall genres of
16632-440: Was also very prevalent; a black face represented honesty, a red one bravery. The rods used to control Cantonese puppets were attached perpendicular to the puppets' heads. Thus, they were not seen by the audience when the shadow was created. Pekingese puppets were more delicate and smaller. They were created out of thin, translucent leather (usually taken from the belly of a donkey). They were painted with vibrant paints, thus they cast
16764-445: Was an art, and that persuasive speech could have truth and logic embedded within it. In the end, rhetoric speech still remained popular and was used by many scholars and philosophers. The study of rhetoric trains students to speak and/or write effectively, and to critically understand and analyze discourse. It is concerned with how people use symbols, especially language, to reach agreement that permits coordinated effort. Rhetoric as
16896-561: Was designed by Thomas Killigrew and built on the site of the present Theatre Royal, Drury Lane . One of the big changes was the new theatre house. Instead of the type of the Elizabethan era, such as the Globe Theatre , round with no place for the actors to prepare for the next act and with no "theatre manners", the theatre house became transformed into a place of refinement, with a stage in front and stadium seating facing it. Since seating
17028-460: Was identified wholly with such ornamentation—from the pursuit of knowledge. In the 18th century, rhetoric assumed a more social role, leading to the creation of new education systems (predominantly in England): " Elocution schools" in which girls and women analyzed classic literature, most notably the works of William Shakespeare , and discussed pronunciation tactics. The study of rhetoric underwent
17160-422: Was no longer all the way around the stage, it became prioritized—some seats were obviously better than others. The king would have the best seat in the house: the very middle of the theatre, which got the widest view of the stage as well as the best way to see the point of view and vanishing point that the stage was constructed around. Philippe Jacques de Loutherbourg was one of the most influential set designers of
17292-512: Was one of the top comedic playwrights of the time, revolutionizing the way comedy was written and performed by combining Italian commedia dell'arte and neoclassical French comedy to create some of the longest lasting and most influential satiric comedies. Tragedies were similarly victorious in their sense of righting political power, especially poignant because of the recent Restoration of the Crown. They were also imitations of French tragedy, although
17424-467: Was seen as both an educational and social institution, featuring group discussions and guest lecturers. These programs cultivated democratic values and promoted active participation in political analysis. Throughout the 20th century, rhetoric developed as a concentrated field of study, with the establishment of rhetorical courses in high schools and universities. Courses such as public speaking and speech analysis apply fundamental Greek theories (such as
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