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114-579: Lal Bangla are two imperial late- Mughal mausoleums located in Delhi , India, that are that protected monument under the Archaeological Survey of India . Lal Bangla has two tombs made of red and yellow sandstone. One of which is the tomb of Lal Kunwar (Imtiazi Mahal), wife of Mughal Emperor Jahandar Shah (1661 - 1713) and his daughter Begum Jan. Both mausoleums consist of square rooms at diagonals with oblong halls between them. The mausoleum stands on

228-753: A Darab Nama around 1585; the Khamsa of Nizami (British Library, Or. 12208) followed in the 1590s and Jami 's Baharistan around 1595 in Lahore . As Mughal-derived painting spread to Hindu courts the texts illustrated included the Hindu epics including the Ramayana and the Mahabharata ; themes with animal fables; individual portraits; and paintings on scores of different themes. Mughal style during this period continued to refine itself with elements of realism and naturalism coming to

342-515: A Timurid chieftain from Transoxiana , who employed aid from the neighbouring Safavid and Ottoman Empires to defeat the Sultan of Delhi , Ibrahim Lodi , in the First Battle of Panipat , and to sweep down the plains of North India . The Mughal imperial structure, however, is sometimes dated to 1600, to the rule of Babur's grandson, Akbar . This imperial structure lasted until 1720, shortly after

456-600: A sarkar could turn into a subah , and Parganas were often transferred between sarkars . The hierarchy of division was ambiguous sometimes, as a territory could fall under multiple overlapping jurisdictions. Administrative divisions were also vague in their geography – the Mughal state did not have enough resources or authority to undertake detailed land surveys, and hence the geographical limits of these divisions were not formalised and maps were not created. The Mughals instead recorded detailed statistics about each division, to assess

570-559: A biography of his father Humayun , no illustrated manuscript survives. Volumes of the classics of Persian poetry usually had rather fewer miniatures, often around twenty, but often these were of the highest quality. Akbar also had the Hindu epic poems translated into Persian, and produced in illustrated versions. Four are known of the Razmnama , a Mahabharata in Persian, from between 1585 and c.  1617 . Akbar had at least one copy of

684-692: A central reference for the Mughal state that dealt with the specifics of the South Asian context. The Mughal Empire also drew on Persian notions of kingship. Particularly, this meant that the Mughal emperor was considered the supreme authority on legal affairs. Various kinds of courts existed in the Mughal Empire. One such court was that of the qadi . The Mughal qadi was responsible for dispensing justice; this included settling disputes, judging people for crimes, and dealing with inheritances and orphans. The qadi also had additional importance in documents, as

798-402: A century of growth and prosperity. A succession of short-lived incompetent and weak rulers, and civil wars over the succession, created political instability at the centre. The Mughals appeared virtually unassailable during the 17th century but, once gone, their imperial overstretch became clear, and the situation could not be recovered. The seemingly innocuous European trading companies, such as

912-569: A feature of either Persian miniature or earlier Indian painting. The pose, rarely varied in portraits, was to have the head in strict profile, but the rest of the body half turned towards the viewer. For a long time portraits were always of men, often accompanied by generalized female servants or concubines ; but there is scholarly debate about the representation of female court members in portraiture. Some scholars claim there are no known extant likenesses of figures like Jahanara Begum and Mumtaz Mahal , and others attribute miniatures, for example from

1026-472: A highly centralised, bureaucratic government, most of which was instituted during the rule of the third Mughal emperor Akbar. The central government was headed by the Mughal emperor; immediately beneath him were four ministries. The finance/revenue ministry, headed by an official called a diwan , was responsible for controlling revenues from the empire's territories, calculating tax revenues, and using this information to distribute assignments. The ministry of

1140-426: A kind of mobile, "de facto" administrative capital. From the time of Akbar, Mughal camps were huge in scale, accompanied by numerous personages associated with the royal court, as well as soldiers and labourers. All administration and governance were carried out within them. The Mughal Emperors spent a significant portion of their ruling period within these camps. After Aurangzeb, the Mughal capital definitively became

1254-420: A means of moulding the disparate styles of his artists, from Iran and from different parts of India, into one unified style". By the end, the style reached maturity, and "the flat and decorative compositions of Persian painting have been transformed by creating a believable space in which characters painted in the round can perform". Sa'di 's masterpiece The Gulistan was produced at Fatehpur Sikri in 1582,

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1368-503: A new religion, Din-i-Ilahi , with strong characteristics of a ruler cult. He left his son an internally stable state, which was in the midst of its golden age, but before long signs of political weakness would emerge. Jahangir (born Salim, reigned 1605–1627) was born to Akbar and his wife Mariam-uz-Zamani , an Indian Rajput princess. Salim was named after the Indian Sufi saint, Salim Chishti . He "was addicted to opium, neglected

1482-407: A new ruling elite loyal to him, implemented a modern administration, and encouraged cultural developments. He increased trade with European trading companies. India developed a strong and stable economy, leading to commercial expansion and economic development. Akbar allowed freedom of religion at his court and attempted to resolve socio-political and cultural differences in his empire by establishing

1596-423: A practical purpose; according to chroniclers he used to consult it when discussing appointments and the like with his advisors, apparently to jog his memory of who the people being discussed were. Many of them, like medieval European images of saints, carried objects associated with them to help identification, but otherwise the figures stand on a plain background. There are a number of fine portraits of Akbar, but it

1710-520: A red sandstone platform with rooms at corners. The dome of the mausoleum is in the late Mughal style and has a pinnacle at the top. The mausoleums share architectural similarities with the use of red and yellow sandstone of the Tomb of Safdarjung . The adjoining enclosure has three tombs belong to the family of emperor Akbar II (1806-1837). The buildings are within the premises of the Delhi Golf Club and

1824-705: A severe decline in governance, while stability and economic output in the Mughal Deccan plummeted. Aurangzeb is considered the most controversial Mughal emperor, with some historians arguing his religious conservatism and intolerance undermined the stability of Mughal society, while other historians question this, noting that he built Hindu temples , employed significantly more Hindus in his imperial bureaucracy than his predecessors did, opposed bigotry against Hindus and Shia Muslims . Despite these allegations, it has been acknowledged that Emperor Aurangzeb enacted repressive policies towards non-Muslims. A major rebellion by

1938-453: A syncretistic Hindu-Muslim culture, emulating his great-grandfather Akbar. With the support of the Islamic orthodoxy, however, a younger son of Shah Jahan, Aurangzeb ( r.  1658–1707 ), seized the throne. Aurangzeb defeated Dara in 1659 and had him executed. Although Shah Jahan fully recovered from his illness, Aurangzeb kept Shah Jahan imprisoned until he died in 1666. Aurangzeb brought

2052-473: A system where wealth was hoarded by elites, wages were depressed for manual labour . While slavery also existed, it was limited largely to household servants. Indian agricultural production increased under the Mughal Empire. A variety of crops were grown, including food crops such as wheat, rice, and barley , and non-food cash crops such as cotton, indigo and opium . By the mid-17th century, Indian cultivators began to extensively grow two new crops from

2166-471: A way to record what they remembered from earlier times to ensure that others would be able to remember the greatness of the Mughal empire. Jahangir had an artistic inclination and during his reign Mughal painting developed further. Brushwork became finer and the colours lighter. Jahangir was also deeply influenced by European painting. During his reign he came into direct contact with the English Crown and

2280-554: A workshop in Kabul, which Humayan perhaps took over into his own. Humayan's major known commission was a Khamsa of Nizami with 36 illuminated pages, in which the different styles of the various artists are mostly still apparent. Apart from the London painting, he also commissioned at least two miniatures showing himself with family members, a type of subject that was rare in Persia but common among

2394-507: A year later, the Timurid forces of Babur defeated the combined Rajput armies of Rana Sanga of Mewar , with his native cavalry employing traditional flanking tactics. The preoccupation with wars and military campaigns, however, did not allow the new emperor to consolidate the gains he had made in India. The instability of the empire became evident under his son, Humayun (reigned 1530–1556), who

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2508-517: Is an autobiographical account of Jahangir's reign, has several paintings, including some unusual subjects such as the union of a saint with a tigress, and fights between spiders. Mughal paintings made during Jahangir's reign continued the trend of Naturalism and were influenced by the resurgence of Persian styles and subjects over more traditional Hindu. During the reign of Shah Jahan (1628–58), Mughal paintings continued to develop, but court paintings became more rigid and formal. The illustrations from

2622-404: Is not accessible to general public. Also located within the complex is the tomb of Syed Abid , which was built in 1036 AH ( approx. 1626 CE). Sir Syed Ahmed Khan's seminal work on the monuments of Delhi, Aasar Us Sanaadeed mentions Syed Abid as an associate of Khan Dauran Khan, one of Shahjahan's leading soldiers. Lal Bangla is one of the most noteworthy and interesting historical monuments of

2736-663: Is not clear how far these studies went. Between 1560 and 1566 the Tutinama ("Tales of a Parrot"), now in the Cleveland Museum of Art was illustrated, showing "the stylistic components of the imperial Mughal style at a formative stage". Among other manuscripts, between 1562 and 1577 the atelier worked on an illustrated manuscript of the Hamzanama consisting of 1,400 cotton folios , unusually large at 69 cm x 54 cm (approx. 27 x 20 inches) in size. This huge project "served as

2850-649: Is the Indo-Persian form of Mongol . The Mughal dynasty's early followers were Chagatai Turks and not Mongols. The term Mughal was applied to them in India by association with the Mongols and to distinguish them from the Afghan elite which ruled the Delhi Sultanate. The term remains disputed by Indologists . In Marshall Hodgson's view, the dynasty should be called Timurid / Timuri or Indo-Timurid . The Mughal Empire

2964-502: Is very difficult to trace Imperial Mughal paintings back to specific artists. After a tentative start under Humayun, the great period of Mughal painting was during the next three reigns, of Akbar , Jahangir and Shah Jahan , which covered just over a century between them. When the second Mughal emperor, Humayun was in exile in Tabriz in the Safavid court of Shah Tahmasp I of Persia, he

3078-589: The Hamzanama . In contrast Mughal painting was "almost entirely secular", although religious figures were sometimes portrayed. Realism , especially in portraits of both people and animals, became a key aim, far more than in Persian painting, let alone the Indian traditions. There was already a Muslim tradition of miniature painting under the Turko-Afghan Sultanate of Delhi which the Mughals overthrew, and like

3192-518: The kotwal (local police), the faujdar (an officer controlling multiple districts and troops of soldiers), and the most powerful, the subahdar (provincial governor). In some cases, the emperor dispensed justice directly. Jahangir was known to have installed a "chain of justice" in the Agra Fort that any aggrieved subject could shake to get the attention of the emperor and bypass the inefficacy of officials. Self-regulating tribunals operating at

3306-468: The British East Indies Company , played no real part in the initial decline; they were still racing to get permission from the Mughal rulers to establish trades and factories in India. In fiscal terms, the throne lost the revenues needed to pay its chief officers, the emirs (nobles) and their entourages. The emperor lost authority, as the widely scattered imperial officers lost confidence in

3420-623: The Dara Shikoh album or the Freer Gallery of Art mirror portrait, to these famous noblewomen. The single idealized figure of the Riza Abbasi type was less popular, but fully painted scenes of lovers in a palace setting became popular later. Drawings of genre scenes, especially showing holy men, whether Muslim or Hindu, were also popular. Akbar had an album, now dispersed, consisting entirely of portraits of figures at his enormous court which had

3534-472: The Industrial Revolution . Modern historians and researchers generally agree that the character of the Mughal Empire's economic policy resembles the laissez-faire system in dealing with trade and billions to achieve the economic ends. The Mughals were responsible for building an extensive road system and creating a uniform currency. The empire had an extensive road network, which was vital to

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3648-478: The Khyber Pass . Babur's forces defeated Ibrahim Lodi , Sultan of Delhi , in the First Battle of Panipat in 1526. Through his use of firearms and cannons, he was able to shatter Ibrahim's armies despite being at a numerical disadvantage, expanding his dominion up to the mid Indo-Gangetic Plain . After the battle, the centre of Mughal power shifted to Agra . In the decisive Battle of Khanwa , fought near Agra

3762-510: The Marathas took place following this change, precipitated by the unmitigated state-building of its leader Shivaji in the Deccan. Aurangzeb's son, Bahadur Shah I , repealed the religious policies of his father and attempted to reform the administration. "However, after he died in 1712, the Mughal dynasty began to sink into chaos and violent feuds. In 1719 alone, four emperors successively ascended

3876-656: The Second Anglo-Maratha War . Thereafter, the British East India Company became the protectors of the Mughal dynasty in Delhi. The British East India Company took control of the former Mughal province of Bengal-Bihar in 1793 after it abolished local rule (Nizamat) that lasted until 1858, marking the beginning of the British colonial era over the Indian subcontinent. By 1857 a considerable part of former Mughal India

3990-580: The Sikh guru Arjan , whose execution was the first of many conflicts between the Mughal Empire and the Sikh community. Shah Jahan (reigned 1628–1658) was born to Jahangir and his wife Jagat Gosain , a Rajput princess. His reign ushered in the golden age of Mughal architecture . During the reign of Shah Jahan, the splendour of the Mughal court reached its peak, as exemplified by the Taj Mahal . The cost of maintaining

4104-742: The Third Battle of Panipat was fought between the Maratha Empire and the Afghans (led by Ahmad Shah Durrani ) in 1761, in which the Afghans were victorious, the emperor had ignominiously taken temporary refuge with the British to the east. In 1771, the Marathas recaptured Delhi from the Rohillas , and in 1784 the Marathas officially became the protectors of the emperor in Delhi, a state of affairs that continued until

4218-449: The mir saman . Of these ministers, the diwan held the most importance, and typically acted as the wazir (prime minister) of the empire. The empire was divided into Subah (provinces), each of which was headed by a provincial governor called a subadar . The structure of the central government was mirrored at the provincial level; each suba had its own bakhshi , sadr as-sudr , and finance minister that reported directly to

4332-458: The zabt system, the Mughals also conducted extensive cadastral surveying to assess the area of land under plough cultivation, with the Mughal state encouraging greater land cultivation by offering tax-free periods to those who brought new land under cultivation. The expansion of agriculture and cultivation continued under later Mughal emperors including Aurangzeb. Mughal agriculture was in some ways advanced compared to European agriculture at

4446-508: The "Padshanama" (chronicle of the King of the world), one of the finest Islamic manuscripts from the Royal Collection, at Windsor, were painted during the reign of Shah Jahan. Written in Persian on paper that is flecked with gold, has exquisitely rendered paintings. The "Padshahnama" has portraits of the courtiers and servants of the King painted with great detail and individuality. In keeping with

4560-461: The 16th century, were in charge of the imperial atelier during the formative stages of Mughal painting. Many artists worked on large commissions, the majority of them apparently Hindu, to judge by the names recorded. Mughal painting generally involved a group of artists, one (generally the most senior) to decide and outline the composition, the second to actually paint, and perhaps a third who specialized in portraiture, executing individual faces. This

4674-419: The 1720s. Despite India having its stocks of gold and silver, the Mughals produced minimal gold of their own but mostly minted coins from imported bullion , as a result of the empire's strong export-driven economy, with global demand for Indian agricultural and industrial products drawing a steady stream of precious metals into India. The historian Shireen Moosvi estimates that in terms of contributions to

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4788-503: The Americas, maize and tobacco. The Mughal administration emphasised the agrarian reform that began under the non-Mughal emperor Sher Shah Suri, which Akbar adopted and furthered with more reforms. The civil administration was organised hierarchically based on merit, with promotions based on performance. The Mughal government funded the building of irrigation systems across the empire, which produced much higher crop yields and increased

4902-405: The Hindu epics and other stories, performed by travelling specialists; very few early examples of these last survive. A vivid Kashmiri tradition of mural paintings flourished between the 9th and 17th centuries, as seen in the murals of Alchi Monastery or Tsaparang : a number of Kashimiri painters were employed by Akbar and some influence of their art can be seen in various Mughal works, such as

5016-441: The Mughal Empire. However, the dispensation of justice also depended on other factors, such as administrative rules, local customs, and political convenience. This was due to Persianate influences on Mughal ideology, and that the Mughal Empire governed a non-Muslim majority. Scholar Mouez Khalfaoui notes that legal institutions in the Mughal Empire systemically suffered from the corruption of local judges. The Mughal Empire followed

5130-427: The Mughal economy, in the late 16th century, the primary sector contributed 52%, the secondary sector 18% and the tertiary sector 29%; the secondary sector contributed a higher percentage than in early 20th-century British India , where the secondary sector only contributed 11% to the economy. In terms of the urban-rural divide, 18% of Mughal India's labour force were urban and 82% were rural, contributing 52% and 48% to

5244-537: The Mughal elite, resulting in greater patronage of painting , literary forms, textiles, and architecture , especially during the reign of Shah Jahan . Among the Mughal UNESCO World Heritage Sites in South Asia are: Agra Fort , Fatehpur Sikri , Red Fort , Humayun's Tomb , Lahore Fort , Shalamar Gardens , and the Taj Mahal , which is described as "the jewel of Muslim art in India, and one of

5358-408: The Mughal paintings of this period. Even though this period was titled the most prosperous, artists during this time were expected to adhere to representing life in court as organized and unified. For this reason, most art created under his rule focused mainly on the emperor and aided in establishing his authority. The purpose of this art was to leave behind an image of what the Mughal's believed to be

5472-631: The Mughal period. There is a debatable matter about the identification of the character who is buried down under the structure of Lal Bangla. A large number of historical researches suggests that the mausoleum belongs to the daughter and mother of a Mughal emperor named Shah Alam. The name of the daughter of Shah Alam is known to be Begam Jaan and of his mother as Zinat Mahal Sahiba or Lal Kunwar . [REDACTED] Media related to Lal Bangla at Wikimedia Commons 28°36′01″N 77°14′17″E  /  28.6003°N 77.2381°E  / 28.6003; 77.2381 Mughal Empire The Mughal Empire

5586-507: The Mughals, and the very earliest of Central Asian invaders into the subcontinent, patronized foreign culture. These paintings were painted on loose-leaf paper, and were usually placed between decorated wooden covers. Although the first surviving manuscripts are from Mandu in the years either side of 1500, there were very likely earlier ones which are either lost, or perhaps now attributed to southern Persia, as later manuscripts can be hard to distinguish from these by style alone, and some remain

5700-445: The Mughals. During the reign of Humayun's son Akbar (r. 1556–1605), the imperial court, apart from being the centre of administrative authority to manage and rule the vast Mughal empire, also emerged as a centre of cultural excellence. Akbar inherited and expanded his father's library and atelier of court painters, and paid close personal attention to its output. He had studied painting in his youth under Abd as-Samad , though it

5814-561: The Persian version of the Ramayana . Mughal court painting, as opposed to looser variants of the Mughal style produced in regional courts and cities, drew little from indigenous non-Muslim traditions of painting. These were Hindu and Jain, and earlier Buddhist, and almost entirely religious. They existed mainly in relatively small illustrations to texts, but also mural paintings, and paintings in folk styles on cloth, in particular ones on scrolls made to be displayed by popular singers or reciters of

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5928-649: The Sunni Hanafi system of jurisprudence. In its early years, the empire relied on Hanafi legal references inherited from its predecessor, the Delhi Sultanate. These included the al-Hidayah (the best guidance) and the Fatawa al-Tatarkhaniyya (religious decisions of the Emire Tatarkhan). During the Mughal Empire's peak, the Fatawa 'Alamgiri was commissioned by Emperor Aurangzeb. This compendium of Hanafi law sought to serve as

6042-489: The affairs of the state, and came under the influence of rival court cliques". Jahangir distinguished himself from Akbar by making substantial efforts to gain the support of the Islamic religious establishment. One way he did this was by bestowing many more madad-i-ma'ash (tax-free personal land revenue grants given to religiously learned or spiritually worthy individuals) than Akbar had. In contrast to Akbar, Jahangir came into conflict with non-Muslim religious leaders, notably

6156-471: The arts. The style of the Mughal school developed within the royal atelier . Knowledge was primarily transmitted through familial and apprenticeship relationships, and the system of joint manuscript production which brought multiple artists together for single works. In some cases, senior artists would draw the illustrations in outline, and more junior ones would usually apply the colours, especially for background areas. Where no artist names are inscribed, it

6270-437: The aspiration of the later Mughals to project an image as the representative of Allah on earth, or even as having a quasi-divine status themselves. Other images show the enthroned emperor having meetings, receiving visitors, or in durbar , or formal council. These and royal portraits incorporated in hunting scenes became highly popular types in later Rajput painting and other post-Mughal styles. Another popular subject area

6384-417: The central authorities, and made their deals with local men of influence. The imperial army bogged down in long, futile wars against the more aggressive Marathas , and lost its fighting spirit. Finally came a series of violent political feuds over control of the throne. After the execution of Emperor Farrukhsiyar in 1719, local Mughal successor states took power in region after region. The Mughal Empire had

6498-533: The central government rather than the subahdar . Subas were subdivided into administrative units known as sarkars , which were further divided into groups of villages known as parganas . Mughal government in the pargana consisted of a Muslim judge and local tax collector. Parganas were the basic administrative unit of the Mughal Empire. Mughal administrative divisions were not static. Territories were often rearranged and reconstituted for better administrative control, and to extend cultivation. For example,

6612-571: The central image (mostly trimmed in the images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint. The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined. These are often described as "post-Mughal", "sub-Mughal" or "provincial Mughal". The mingling of foreign Persian and indigenous Indian elements

6726-436: The community or village level were common, but sparse documentation of them exists. For example, it is unclear how panchayats (village councils) operated in the Mughal era. The Mughal economy was large and prosperous. India was producing 24.5% of the world's manufacturing output up until 1750. Mughal India's economy has been described as a form of proto-industrialization , like that of 18th-century Western Europe before

6840-470: The cost of establishing a new capital was marginal. Situations where two simultaneous capitals happened multiple times in Mughal history. Certain cities also served as short-term, provincial capitals, as was the case with Aurangzeb's shift to Aurangabad in the Deccan . Kabul was the summer capital of Mughals from 1526 to 1681. The imperial camp, used for military expeditions and royal tours, also served as

6954-526: The court, however, began to exceed the revenue coming in. His reign was called as "The Golden Age of Mughal Architecture". Shah Jahan extended the Mughal Empire to the Deccan by ending the Ahmadnagar Sultanate and forcing the Adil Shahis and Qutb Shahis to pay tribute. Shah Jahan's eldest son, the liberal Dara Shikoh , became regent in 1658, as a result of his father's illness. Dara championed

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7068-422: The cultures and peoples it came to rule; rather it equalized and placated them through new administrative practices, and diverse ruling elites, leading to more efficient, centralised, and standardized rule. The base of the empire's collective wealth was agricultural taxes, instituted by the third Mughal emperor, Akbar. These taxes, which amounted to well over half the output of a peasant cultivator, were paid in

7182-510: The death of the last major emperor, Aurangzeb , during whose reign the empire also achieved its maximum geographical extent. Reduced subsequently to the region in and around Old Delhi by 1760, the empire was formally dissolved by the British Raj after the Indian Rebellion of 1857 . Although the Mughal Empire was created and sustained by military warfare, it did not vigorously suppress

7296-487: The decline had set in. Some sources however note that a few of the best Mughal paintings were made for Aurangzeb, speculating that they believed that he was about to close the workshops and thus exceeded themselves in his behalf. There was a brief revival during the reign of Muhammad Shah 'Rangeela' (1719–1748), but by the time of Shah Alam II (1759–1806), the art of Mughal painting had lost its glory. By that time, other schools of Indian painting had developed, including, in

7410-432: The economic infrastructure, built by a public works department set up by the Mughals which designed, constructed and maintained roads linking towns and cities across the empire, making trade easier to conduct. The main base of the empire's collective wealth was agricultural taxes, instituted by the third Mughal emperor, Akbar. These taxes, which amounted to well over half the output of a peasant cultivator, were paid in

7524-479: The economy, respectively. According to Moosvi, Mughal India had a per-capita income, in terms of wheat, 1.24% higher in the late 16th century than British India did in the early 20th century. This income, however, would have to be revised downwards if manufactured goods, like clothing, would be considered. Compared to food per capita, expenditure on clothing was much smaller though, so relative income between 1595 and 1596 should be comparable to 1901–1910. However, in

7638-621: The emperor as he looked at each image. This colossal project took most of the 1560s, and probably beyond. These and a few other early works saw a fairly unified Mughal workshop style emerge by around 1580. Other large projects included biographies or memoirs of the Mughal dynasty . Babur , its founder, had written classic memoirs, which his grandson Akbar had translated into Persian, as the Baburnama (1589), and then produced in four lavishly illustrated copies, with up to 183 miniatures each. The Akbarnama

7752-432: The emperor or the sadr-us-sudr (chief of charities). The jurisdiction of the qadi was availed by Muslims and non-Muslims alike. The jagirdar (local tax collector) was another kind of official approach, especially for high-stakes cases. Subjects of the Mughal Empire also took their grievances to the courts of superior officials who held more authority and punitive power than the local qadi . Such officials included

7866-414: The emperor to the court, or the public, which became a daily ceremonial under Akbar, Jahangir and Shah Jahan , before being stopped as un-Islamic by Aurangzeb. In these scenes, the emperor is shown at top on a balcony or at a window, with a crowd of courtiers below, sometimes including many portraits. Like the increasingly large halos these emperors were given in single portraits, the iconography reflects

7980-554: The empire as Hindustan ( Héndūsītǎn ). In the west, the term " Mughal " was used for the emperor, and by extension, the empire as a whole. The Mughal designation for their dynasty was Gurkani ( Gūrkāniyān ), a reference to their descent from the Turco-Mongol conqueror Timur , who took the title Gūrkān 'son-in-law' after his marriage to a Chinggisid princess. The word Mughal (also spelled Mogul or Moghul in English)

8094-521: The empire to its greatest territorial extent, and oversaw an increase in the Islamicization of the Mughal state. He encouraged conversion to Islam, reinstated the jizya on non-Muslims, and compiled the Fatawa 'Alamgiri , a collection of Islamic law. Aurangzeb also ordered the execution of the Sikh guru Tegh Bahadur , leading to the militarization of the Sikh community. From the imperial perspective, conversion to Islam integrated local elites into

8208-886: The first half of the 18th century, many Mughal-trained artists left the imperial workshop to work at Rajput courts. These include artists such as Bhawanidas and his son Dalchand . Mughal-style miniature paintings are still being created today by a small number of artists in Lahore concentrated mainly in the National College of Arts . Although many of these miniatures are skillful copies of the originals, some artists have produced contemporary works using classic methods with, at times, remarkable artistic effect. The skills needed to produce these modern versions of Mughal miniatures are still passed on from generation to generation, although many artisans also employ dozens of workers, often painting under trying working conditions, to produce works sold under

8322-438: The fore. Between 1570–1585, Akbar hired over one hundred painters to practice Mughal style painting. Akbar's rule established a celebratory theme among the Mughal Empire. In this new period, Akbar persuaded artist to focus on showing off spectacles and including grand symbols like elephants in their work to create the sense of a prospering empire. Along with this new mindset, Akbar also encouraged his people to write down and find

8436-445: The formative period of the style, under Akbar, the imperial workshop produced a number of heavily illustrated copies of established books in Persian. One of the first, probably from the 1550s and now mostly in the Cleveland Museum of Art , was a Tutinama with some 250 rather simple and rather small miniatures, most with only a few figures. In contrast, Akbar's Hamzanama had unusually large pages, of densely woven cotton rather than

8550-563: The huge armies with which they had formerly enforced their rule. Many of the empire's elites now sought to control their affairs and broke away to form independent kingdoms. But lip service continued to be paid to the Mughal Emperor as the highest manifestation of sovereignty. Not only the Muslim gentry, but the Maratha, Hindu, and Sikh leaders took part in ceremonial acknowledgements of the emperor as

8664-497: The ideal ruler and state. Aurangzeb (1658–1707) was never an enthusiastic patron of painting, largely for religious reasons, and took a turn away from the pomp and ceremonial of the court around 1668, after which he probably commissioned no more paintings. After 1681 he moved to the Deccan to pursue his slow conquest of the Deccan Sultanates , never returning to live in the north. Mughal paintings continued to survive, but

8778-556: The independence of Nizam-ul-Mulk, Asaf Jah I in the Deccan, he encouraged the Marathas to invade central and northern India. The Indian campaign of Nader Shah , who had previously reestablished Iranian suzerainty over most of West Asia, the Caucasus, and Central Asia, culminated with the Sack of Delhi shattering the remnants of Mughal power and prestige, and taking off all the accumulated Mughal treasury. The Mughals could no longer finance

8892-425: The king's vision of network of shared identity that would join disparate groups throughout the empire in obedience to the Mughal emperor. He led campaigns from 1682 in the Deccan, annexing its remaining Muslim powers of Bijapur and Golconda, though engaged in a prolonged conflict in the region which had a ruinous effect on the empire. The campaigns took a toll on the Mughal treasury, and Aurangzeb's absence led to

9006-458: The many new animals Babur encountered when he invaded India, which are carefully described. However some surviving un-illustrated manuscripts may have been commissioned by him, and he comments on the style of some famous past Persian masters. Some older illustrated manuscripts have his seal on them; the Mughals came from a long line stretching back to Timur and were fully assimilated into Persianate culture, and expected to patronize literature and

9120-414: The military (army/intelligence) was headed by an official titled mir bakhshi , who was in charge of military organisation, messenger service, and the mansabdari system. The ministry in charge of law/religious patronage was the responsibility of the sadr as-sudr, who appointed judges and managed charities and stipends. Another ministry was dedicated to the imperial household and public works, headed by

9234-536: The net revenue base, leading to increased agricultural production. A major Mughal reform introduced by Akbar was a new land revenue system called zabt . He replaced the tribute system, previously common in India and used by Tokugawa Japan at the time, with a monetary tax system based on a uniform currency. The revenue system was biased in favour of higher value cash crops such as cotton, indigo, sugar cane , tree crops, and opium, providing state incentives to grow cash crops, in addition to rising market demand. Under

9348-529: The production of piece goods , calicos , and muslins . The cotton textile industry was responsible for a large part of the empire's international trade. India had a 25% share of the global textile trade in the early 18th century, and it represented the most important manufactured goods in world trade in the 18th century. The most important centre of cotton production was the Bengal province, particularly around its capital city of Dhaka . The production of cotton

9462-644: The royal courts of the Rajput kingdoms of Rajputana , Rajput painting and in the cities ruled by the British East India Company , the Company style under Western influence. Late Mughal style often shows increased use of perspective and recession under Western influence. Many museums have collections, with that of the Victoria and Albert Museum in London especially large. The Persian master artists Abd al-Samad and Mir Sayyid Ali , who had accompanied Humayun to India in

9576-417: The seal of the qadi was required to validate deeds and tax records. Qadis did not constitute a single position, but made up a hierarchy. For example, the most basic kind was the pargana (district) qadi . More prestigious positions were those of the qadi al-quddat (judge of judges) who accompanied the mobile imperial camp, and the qadi-yi lashkar (judge of the army). Qadis were usually appointed by

9690-467: The sovereign of India. Meanwhile, some regional polities within the increasingly fragmented Mughal Empire involved themselves and the state in global conflicts, leading only to defeat and loss of territory during conflicts such as the Carnatic wars and Bengal War . The Mughal Emperor Shah Alam II (1759–1806) made futile attempts to reverse the Mughal decline. Delhi was sacked by the Afghans, and when

9804-403: The strict formality at court, however the portraits of the King and important nobles was rendered in strict profile, whereas servants and common people, depicted with individual features have been portrayed in the three-quarter view or the frontal view. Themes including musical parties; lovers, sometimes in intimate positions, on terraces and gardens; and ascetics gathered around a fire, abound in

9918-463: The subject of debate among specialists. By the time of the Mughal invasion, the tradition had abandoned the high viewpoint typical of the Persian style, and adopted a more realistic style for animals and plants. No miniatures survive from the reign of the founder of the dynasty, Babur, nor does he mention commissioning any in his memoirs , the Baburnama . Copies of this were illustrated by his descendents, Akbar in particular, with many portraits of

10032-479: The territory's capacity for revenue, based on simpler land surveys. The Mughals had multiple imperial capitals, established throughout their rule. These were the cities of Agra , Delhi , Lahore , and Fatehpur Sikri . Power often shifted back and forth between these capitals. Sometimes this was necessitated by political and military demands, but shifts also occurred for ideological reasons (for example, Akbar's establishment of Fatehpur Sikri), or even simply because

10146-586: The throne", as figureheads under the rule of a brotherhood of nobles belonging to the Indian Muslim caste known as the Sadaat-e-Bara , whose leaders, the Sayyid Brothers , became the de facto sovereigns of the empire. During the reign of Muhammad Shah (reigned 1719–1748), the empire began to break up, and vast tracts of central India passed from Mughal to Maratha hands. As the Mughals tried to suppress

10260-610: The time, exemplified by the common use of the seed drill among Indian peasants before its adoption in Europe. Geared sugar rolling mills first appeared in Mughal India, using the principle of rollers as well as worm gearing , by the 17th century. South Asia during the Mughal's rule was a very fertile ground for manufacturing technologies coveted by the Europeans before the Industrial Revolution . Up until 1750, India produced about 25% of

10374-699: The universally admired masterpieces of the world's heritage." The closest to an official name for the empire was Hindustan , which was documented in the Ain-i-Akbari . Mughal administrative records also refer to the empire as "dominion of Hindustan" ( Wilāyat-i-Hindustān ), "country of Hind" ( Bilād-i-Hind ), "Sultanate of Al-Hind" ( Salṭanat(i) al-Hindīyyah ) as observed in the epithet of Emperor Aurangzeb or endonymous identification from emperor Bahadur Shah Zafar as "Land of Hind" ( Hindostān ) in Hindustani . Contemporary Chinese chronicles referred to

10488-408: The usual paper, and the images were very often crowded with figures. The work was "a continuous series of romantic interludes, threatening events, narrow escapes, and violent acts", supposedly telling the life of an uncle of Muhammad . Akbar's manuscript had a remarkable total of some 1400 miniatures, one on every opening, with the relevant text written on the back of the page, presumably to be read to

10602-417: The walled city of Shahjahanabad (Old Delhi). The Mughal Empire's legal system was context-specific and evolved throughout the empire's rule. Being a Muslim state, the empire employed fiqh (Islamic jurisprudence) and therefore the fundamental institutions of Islamic law such as those of the qadi (judge), mufti (jurisconsult), and muhtasib (censor and market supervisor) were well-established in

10716-478: The well-regulated silver currency, and caused peasants and artisans to enter larger markets. The relative peace maintained by the empire during much of the 17th century was a factor in India's economic expansion. The burgeoning European presence in the Indian Ocean and an increasing demand for Indian raw and finished products generated much wealth for the Mughal court. There was more conspicuous consumption among

10830-491: The well-regulated silver currency, and caused peasants and artisans to enter larger markets. In circa 1595, Modern historians estimated the state's annual revenues of the Mughal Empire were around 99,000,000 rupees. The Mughals adopted and standardised the rupee ( rupiya , or silver) and dam (copper) currencies introduced by Sur Emperor Sher Shah Suri during his brief rule. The Mughals minted coins with high purity, never dropping below 96%, and without debasement until

10944-473: The world's industrial output. Manufactured goods and cash crops from the Mughal Empire were sold throughout the world. The growth of manufacturing industries in the Indian subcontinent during the Mughal era in the 17th–18th centuries has been referred to as a form of proto-industrialization , similar to 18th-century Western Europe before the Industrial Revolution. In early modern Europe , there

11058-771: Was Kesu Das , who understood and developed "European techniques of rendering space and volume". Conveniently for modern scholars, Akbar liked to see the names of the artists written below each miniature. Analysis of manuscripts shows that individual miniatures were assigned to many painters. For example, the incomplete Razmnama in the British Library contains 24 miniatures, with 21 different names, though this may be an especially large number. Other important painters under Akbar and Jahangir were: Others: Nanha, Daulat, Payag, Abd al-Rahim, Amal-e Hashim, Keshavdas, and Mah Muhammad. The sub-imperial school of Mughal painting included artists such as Mushfiq , Kamal, and Fazl. During

11172-571: Was Akbar's own commissioned biography or chronicle, produced in many versions, and the tradition continued with Jahangir 's autobiography Tuzk-e-Jahangiri (or Jahangirnama ) and a celebratory biography of Shah Jahan , called the Padshahnama , which brought the era of the large illustrated imperial biography to an end, around 1650. Akbar commissioned a copy of the Zafarnama , a biography of his distant ancestor Timur , but though he had his aunt write

11286-482: Was a continuation of the patronage of other aspects of foreign culture as initiated by the earlier Delhi Sultanate , and the introduction of it into the subcontinent by various central Asian dynasties such as the Ghaznavids . From fairly early the Mughal style made a strong feature of realistic portraiture, normally in profile, and influenced by Western prints, which were available at the Mughal court. This had never been

11400-403: Was a leading producer of grains, salt, fruits, liquors and wines, precious metals and ornaments. Mughal painting The Mughal emperors were Muslims and they are credited with consolidating Islam in the subcontinent, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than

11514-403: Was advanced by the diffusion of the spinning wheel across India shortly before the Mughal era, lowering the costs of yarn and helping to increase demand for cotton. The diffusion of the spinning wheel and the incorporation of the worm gear and crank handle into the roller cotton gin led to greatly expanded Indian cotton textile production during the Mughal era. The Bengal Subah province

11628-646: Was an early modern empire in South Asia . At its peak, the empire stretched from the outer fringes of the Indus River Basin in the west, northern Afghanistan in the northwest, and Kashmir in the north, to the highlands of present-day Assam and Bangladesh in the east, and the uplands of the Deccan Plateau in South India . The Mughal Empire is conventionally said to have been founded in 1526 by Babur ,

11742-579: Was born Jalal-ud-din Muhammad in the Rajput Umarkot Fort , to Humayun and his wife Hamida Banu Begum , a Persian princess. Akbar succeeded to the throne under a regent, Bairam Khan , who helped consolidate the Mughal Empire in India. Through warfare, Akbar was able to extend the empire in all directions and controlled almost the entire Indian subcontinent north of the Godavari River . He created

11856-506: Was especially prosperous from the time of its takeover by the Mughals in 1590 until the British East India Company seized control in 1757. Historian C. A. Bayly wrote that it was probably the Mughal Empire's wealthiest province. Domestically, much of India depended on Bengali products such as rice, silks and cotton textiles. Overseas, Europeans depended on Bengali products such as cotton textiles, silks, and opium. The province

11970-441: Was especially the case with the large historical book projects that dominated production during Akbar's reign, the Tutinama , Baburnama , Hamzanama , Razmnama , and Akbarnama . For manuscripts of Persian poetry there was a different way of working, with the best masters apparently expected to produce exquisitely finished miniatures all or largely their own work. An influence on the evolution of style during Akbar's reign

12084-668: Was exposed to Persian miniature painting, and commissioned at least one work there (or in Kabul ), an unusually large painting on cloth of Princes of the House of Timur , now in the British Museum . Originally a group portrait with his sons, in the next century Jahangir had it added to make it a dynastic group including dead ancestors. When Humayun returned to India, he brought two accomplished Persian artists Abd al-Samad and Mir Sayyid Ali with him. His usurping brother Kamran Mirza had maintained

12198-435: Was forced into exile in Persia by the rebellious Sher Shah Suri (reigned 1540–1545). Humayun's exile in Persia established diplomatic ties between the Safavid and Mughal courts and led to increasing Persian cultural influence in the later restored Mughal Empire. Humayun's triumphant return from Persia in 1555 restored Mughal rule in some parts of India, but he died in an accident the next year. Akbar (reigned 1556–1605)

12312-770: Was founded by Babur (reigned 1526–1530), a Central Asian ruler who was descended from the Persianized Turco-Mongol conqueror Timur (the founder of the Timurid Empire ) on his father's side, and from Genghis Khan on his mother's side. Paternally, Babur belonged to the Turkicized Barlas tribe of Mongol origin. Ousted from his ancestral domains in Central Asia, Babur turned to India to satisfy his ambitions. He established himself in Kabul and then pushed steadily southward into India from Afghanistan through

12426-607: Was realistic studies of animals and plants, mostly flowers; the text of the Baburnama includes a number of descriptions of such subjects, which were illustrated in the copies made for Akbar. These subjects also had specialist artists, including Ustad Mansur . Milo C. Beach argues that "Mughal naturalism has been greatly overstressed. Early animal imagery consists of variations on a theme, rather than new, innovative observations". He sees considerable borrowings from Chinese animal paintings on paper, which seem not to have been highly valued by Chinese collectors, and so reached India. In

12540-472: Was sent gifts of oil paintings, which included portraits of the King and Queen. He encouraged his royal atelier to take up the single point perspective favoured by European artists, unlike the flattened multi-layered style used in traditional miniatures. He particularly encouraged paintings depicting events of his own life, individual portraits, and studies of birds, flowers and animals. The Tuzk-e-Jahangiri (or Jahangirnama ), written during his lifetime, which

12654-432: Was significant demand for products from Mughal India, particularly cotton textiles, as well as goods such as spices, peppers, indigo , silks, and saltpetre (for use in munitions ). European fashion , for example, became increasingly dependent on Mughal Indian textiles and silks. The largest manufacturing industry in the Mughal Empire was textile manufacturing , particularly cotton textile manufacturing, which included

12768-703: Was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian literature , the taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing

12882-565: Was under his successors Jahangir and Shah Jahan that the portrait of the ruler became firmly established as a leading subject in Indian miniature painting, which was to spread to both Muslim and Hindu princely courts across India. From the 17th century equestrian portraits, mostly of rulers, became another popular borrowing from the West. Another new type of image showed the Jharokha Darshan (literally "balcony view/worship"), or public display of

12996-468: Was under the East India Company's control. After a crushing defeat in the Indian Rebellion of 1857 which he nominally led, the last Mughal emperor, Bahadur Shah Zafar , was deposed by the British East India Company and exiled in 1858 to Rangoon , Burma. Historians have offered numerous accounts of the several factors involved in the rapid collapse of the Mughal Empire between 1707 and 1720, after

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