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60-405: The adventure stories narrated by a parrot, night after night, for 52 successive nights, are moralistic stories to persuade his female owner Khojasta not to commit any adulterous act with any lover, in the absence of her husband. She is always on the point of leaving the house to meet her lover, until the loyal parrot detains her by a fascinating story. Several illustrated manuscript copies survive,

120-1032: A Brahmin family, Ramananda welcomed everyone to spiritual pursuits without discriminating anyone by gender, class, caste or religion (such as Muslims). He composed his spiritual message in poems, using widely spoken vernacular language rather than Sanskrit, to make it widely accessible. The Hindu tradition recognises him as the founder of the Hindu Ramanandi Sampradaya , the largest monastic renunciant community in Asia in modern times. Other medieval era Brahmins who led spiritual movements without social or gender discrimination included Andal (9th-century female poet), Basava (12th-century Lingayatism), Dnyaneshwar (13th-century Bhakti poet), Vallabha Acharya (16th-century Vaishnava poet), Chaitanya Mahaprabhu (14th-century Vaishnava saint) were among others. Many 18th and 19th century Brahmins are credited with religious movements that criticised idolatry . For example,

180-595: A Buddhist kingdom, states Leider, may have been because Hindu texts provide guidelines for such social rituals and political ceremonies, while Buddhist texts do not. The Brahmins were also consulted in the transmission, development and maintenance of law and justice system outside India. Hindu Dharmasastras , particularly Manusmriti written by the Prajapati Manu, states Anthony Reid, were "greatly honored in Burma (Myanmar), Siam (Thailand), Cambodia and Java-Bali (Indonesia) as

240-556: A beautiful woman to seek entry into the palace to be with his loved one. The magician further facilitates the meeting of his friend with the king's daughter by telling the King that the girl in question was his daughter-in-law. On seeking entry into the palace the Brahmin discloses his true identity to his adored princess. But a twist is introduced into the tale with the King's son beholding a beautiful girl (the Brahmin in disguise) while taking bath in

300-517: A happy life. The parrot concludes the narration, towards day break, with the advice to Kojasta that she should also have everything in life including her husband. It is said that the text of the Tutinama was written in Nasta'liq calligraphy style. But each of the paintings seen in various libraries across the world focus on a single topic or episode of the stories. The straightforwardness of expressions seen in

360-556: A medium for display in the paintings of the Tutinama, the Akbarnama and the Tarrikh-e-Khandan-e-Timuria. In these paintings, men and women are shown wearing long flowing robes and high conical caps in standing positions. Even some paintings depicted two different groups of dancers. It is stated that 350 dancers, who were brought to Akbar's court from Iran by force, probably represented the ancient traditions of dances of Iran. It

420-404: A pond falls in love with her. To avoid discovery of his true identity, the Brahmin runs away with the King's daughter. The magician then appears before the King seeking return of his daughter-in-law. But the King realising the true state of the two missing girls, compensates the magician with rich gifts. The gifts are passed on by the magician to his Brahmin friend and his wife to enable them to lead

480-512: A professor of Sanskrit and Religious studies, state, "there is no evidence in the Rigveda for an elaborate, much-subdivided and overarching caste system", and "the varna system seems to be embryonic in the Rigveda and, both then and later, a social ideal rather than a social reality". According to Vijay Nath, in the Markandeya Purana (250 CE), there are references to Brahmins who were born into

540-410: A self-portrait of the artist. The Emperor Humayun was succeeded by Emperor Akbar , who was an even more passionate lover of portrait miniatures than his father. Mir Sayyid Ali, along with Abd al-Samad from childhood had taught the art of drawing to the future sultan, and between them established warm relations. Sayyid Ali headed the imperial court art initiatives, and under his leadership began one of

600-699: A teacher, author, strategist, philosopher, economist, jurist, and royal advisor, who assisted the first Mauryan emperor Chandragupta Maurya in his rise to power and is widely credited for having played an important role in the establishment of the Maurya Empire . Historical records from mid 1st millennium CE and later, suggest Brahmins were agriculturalists and warriors in medieval India, quite often instead of as exception. Donkin and other scholars state that Hoysala Empire records frequently mention Brahmin merchants who "carried on trade in horses, elephants and pearls" and transported goods throughout medieval India before

660-520: A young writer". Mir Sayyid Ali is considered a master of the genre of portraiture, but Persian portraits were to a large extent conditioned and idealized character than were significantly different from the Mughal portrait, which was much more naturalistic. However, the "Portrait of a young writer" belongs to the best Persian portrait miniatures. Experts from the Los Angeles Museum believe that this may be

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720-509: Is a varna ( caste ) within Hindu society. The other three varnas are the Kshatriya , Vaishya , and Shudra . The traditional occupation of Brahmins is that of priesthood ( purohit , pandit , or pujari ) at Hindu temples or at socio-religious ceremonies, and the performing of rite of passage rituals, such as solemnising a wedding with hymns and prayers. Traditionally, Brahmins are accorded

780-452: Is conjectured that this small book of short stories, moralistic in theme, influenced Akbar during his formative years. It is also inferred that since Akbar had a harem (of women siblings, wives and women servants), the moralistic stories had specific orientation towards the control of women. The two artists Mir Sayyid Ali and Abd al-Samad were invited by Humayun around 1530–40 to teach this art to himself and to his son Akbar. Initially,

840-589: Is in the Rigveda , occurs once, and the hymn is called Purusha Sukta . According to a hymn in Mandala 10 , Rigveda 10.90.11-2, Brahmins are described as having emerged from the mouth of Purusha , being that part of the body from which words emerge. The Purusha Sukta varna verse is now generally considered to have been inserted at a later date into the Vedic text, possibly as a charter myth . Stephanie Jamison and Joel Brereton,

900-610: Is inferred that over the years, assimilation of the Persian and the Indian people took place and provided the backdrop for the present Kathak dance style in India. Mir Sayyid Ali Mir Sayyid Ali ( Persian : میرسید علی , Tabriz , 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of

960-697: Is preliminary, at best. Most Sanskrit works are a-historic or, at least, not especially interested in presenting a chronological account of India's history. When we actually encounter history, such as in Rajatarangini or in the Gopalavamsavali of Nepal, the texts do not deal with brahmins in great detail. According to Kalhana 's Rajatarangini (12th cent. CE) and Sahyadrikhanda (5th–13th cent. CE) of Skandapurana, Brahmins are broadly classified into two groups based on geography. The northern Pancha Gauda group comprises five Brahmin communities, as mentioned in

1020-579: Is thought to date to about 1580. The authorship of the text of the Tutinama is credited to Ziya'al-Din Nakhshabi or just Nakhshabi , a Persian physician and a Sufi saint who had migrated to Badayun , Uttar Pradesh in India in the 14th century, who wrote in the Persian language . He had translated and/or edited a classical Sanskrit version of the stories similar to Tutinama into Persian, around 1335 AD. It

1080-614: The Persian Empire . Artists of his court, including Mir Sayyid Ali, dispersed in all directions. Most took refuge at the court of Shah Tahmasp's nephew, Sultan Ibrahim Mirza. Meanwhile, the Mughal Emperor Humayun after unsuccessful battles with Sher Shah Suri , lost his throne, and in 1543 arrived in Persia, where Shah Tahmasp gave him a warm welcome and the highest protection. Followed by countless feasts on which Tahmasp persuaded

1140-624: The Sunni Humayun to go to the Shiite faith. While Humayun was staying in Tabriz, he became acquainted with the artists, was fascinated by their works, and two of them were invited to come under his service, as he wanted to create a library-like master of Tabriz. These artists were Abd al-Samad and Mir Musavvir . However, for some reason, instead of Mir Musavvir, the service went to his son Mir Sayyid Ali. Humayun did not immediately regain his possessions in

1200-617: The 14th-century. The Pāli Canon depicts Brahmins as the most prestigious and elite non-Buddhist figures. They mention them parading their learning. The Pali Canon and other Buddhist texts such as the Jataka Tales also record the livelihood of Brahmins to have included being farmers, handicraft workers and artisans such as carpentry and architecture. Buddhist sources extensively attest, state Greg Bailey and Ian Mabbett, that Brahmins were "supporting themselves not by religious practice, but employment in all manner of secular occupations", in

1260-688: The Brahmins Raja Ram Mohan Roy led Brahmo Samaj and Dayananda Saraswati led the Arya Samaj . Some Brahmins formed an influential group in Burmese Buddhist kingdoms in 18th- and 19th-century. The court Brahmins were locally called Punna . During the Konbaung dynasty , Buddhist kings relied on their court Brahmins to consecrate them to kingship in elaborate ceremonies, and to help resolve political questions. This role of Hindu Brahmins in

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1320-688: The Buddhist and other non-Hindu tradition is Mahano . Strabo cites Megasthenes, highlighting two Indian philosophical schools Sramana and Brahmana : Megasthenes makes a different division of the philosophers, saying that they are of two kinds, one of which he calls the Brachmanes , and the other the Sarmanes ... Patrick Olivelle states that both Buddhist and Brahmanical literature repeatedly define "Brahmin" not in terms of family of birth, but in terms of personal qualities. These virtues and characteristics mirror

1380-517: The Gupta Empire era and thereafter. However, the knowledge about actual history of Brahmins or other varnas of Hinduism in and after the first millennium is fragmentary and preliminary, with little that is from verifiable records or archaeological evidence, and much that is constructed from ahistorical Sanskrit works and fiction. Michael Witzel writes: Current research in the area is fragmentary. The state of our knowledge of this fundamental subject

1440-455: The Indian subcontinent. While this struggle took place, it was in a Kabul court. Mir Sayyid Ali arrived there in 1549, lived and worked there for as long as the summer of 1555 Humayun's army defeated in a battle the troops of Sikandar Shah . The Delhi gate was open, and his father Humayun regained the throne. The period of the artist's life in Kabul today carries very few works, among them "Portrait of

1500-406: The Mughal empire became most powerful). Akbar provided personal patronage to promote this form of miniature paintings, not only through Iranian artists but also involved a large number of Indian artists who were also well versed in local styles of such miniature paintings that were produced in the imperial workshops. It thus developed as a unique blend of Indian, Persian and Islamic styles. Most of

1560-822: The Mughals, later to the British Raj. The East India Company also recruited sepoys (soldiers) from the Brahmin communities of Bihar and Awadh (in the present day Uttar Pradesh) for the Bengal army . Many Brahmins, in other parts of South Asia lived like other varna, engaged in all sorts of professions. Among Nepalese Hindus, for example, Niels Gutschow and Axel Michaels report the actual observed professions of Brahmins from 18th- to early 20th-century included being temple priests, ministers, merchants, farmers, potters, masons, carpenters, coppersmiths, stone workers, barbers, and gardeners, among others. Other 20th-century surveys, such as in

1620-518: The Royal tradition of Thailand , particularly for the consecration and to mark annual land fertility rituals of Buddhist kings. A small Brahmanical temple Devasathan , established in 1784 by King Rama I of Thailand, has been managed by ethnically Thai Brahmins ever since. The temple hosts Phra Phikhanesuan (Ganesha), Phra Narai (Narayana, Vishnu), Phra Itsuan (Shiva), Uma , Brahma , Indra ( Sakka ) and other Hindu deities. The tradition asserts that

1680-658: The Thai Brahmins have roots in Hindu holy city of Varanasi and southern state of Tamil Nadu, go by the title Pandita , and the various annual rites and state ceremonies they conduct has been a blend of Buddhist and Hindu rituals. The coronation ceremony of the Thai king is almost entirely conducted by the royal Brahmins. According to 2007 reports, Brahmins in India are about five per cent of its total population. The Himalayan states of Uttarakhand (20%) and Himachal Pradesh (14%) have

1740-557: The artists came to Kabul with Humayun (where he was in exile) and in later years shifted to Delhi when he won back his empire from the Suri Dynasty . The artists then moved to Fatehpur Sikri with the Mughal Emperor Akbar, where a huge workshop of artists were engaged in producing miniatures. This type of painting came to be known as Mughal painting , during Akbar's reign from 1556 to 1605 (when under Emperor Akbar's leadership

1800-540: The artists responsible for developing the style of Mughal painting , under Emperor Akbar . Born in Tabriz, Mir Sayyid Ali was the son of artist Mir Musavvir . Historian and chronicler Qazi Ahmed said that the son was more talented than his father, but the impact of Mir Musavvir did influence his work. Modern research suggests that Mir Sayyid Ali took part in the illustration of the famous Shahnameh of Shah Tahmasp created in 1525–1548 for Shah Tahmasp I (1514–1576). Two miniatures in it are attributed to Sayyid Ali's. He

1860-456: The book", this shows his late style. late master. Mir Sayyid Ali remained faithful to the end of the Persian tradition and Akbar, where he worked for an international group of artists who advocated the principles of Persian painting. In his works, one can see the influence of his father's and Sultan Muhammad. His work earned him numerous awards and praise. Vizier of Emperor Akbar I, Abu'l-Fazl , in his History of Akbar ( Akbarnama ) speaks of him

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1920-589: The classical period of India. Some of the Brahmin occupations mentioned in the Buddhist texts such as Jatakas and Sutta Nipata are very lowly. The Dharmasutras too mention Brahmin farmers. According to Haidar and Sardar, unlike the Mughal Empire in Northern India, Brahmins figured prominently in the administration of Deccan sultanates . Under Golconda Sultanate Telugu Niyogi Brahmins served in many different roles such as accountants, ministers, in

1980-415: The commission was seven years old and only four of the volumes were complete. Under Samad's direction the remaining ten volumes were completed in another seven years. The book was divided into 14 volumes, each of which contained 100 illustrations, of larger than usual size, in total – 1,400 miniatures. About 140 miniatures of the works have survived, which are scattered in various museums and collections around

2040-454: The company of a mynah and a parrot. The wife strangles the mynah for advising her not to indulge in any illicit affair. The parrot, realising the gravity of the situation, adopts a more indirect approach of narrating fascinating stories over the next fifty-two nights. The stories are narrated every successive night for 52 nights as an entertaining episode to keep Khojasta's attention and distract her from going out. A particular tale narrated by

2100-466: The defining documents of law and order, which kings were obliged to uphold. They were copied, translated and incorporated into local law code, with strict adherence to the original text in Burma and Siam, and a stronger tendency to adapt to local needs in Java (Indonesia)". The mythical origins of Cambodia are credited to a Brahmin prince named Kaundinya, who arrived by sea, married a Naga princess living in

2160-403: The difference that the latter was not sacerdotal. The Brahmins were expected to perform all six Vedic duties as opposed to other twice-borns who performed three. Historical records, state scholars, suggest that Brahmin varna was not limited to a particular status or priest and the teaching profession. Chanakya , a Brahmin born in 375 BCE, was an ancient Indian polymath who was active as

2220-515: The families of Raksasas . He posits that this is an indication that some Brahmins are immigrants and some are also mixed. According to Abraham Eraly , "Brahmin as a varna hardly had any presence in historical records before the Gupta Empire era" (3rd century to 6th century CE), when Buddhism dominated the land. "No Brahmin, no sacrifice, no ritualistic act of any kind ever, even once, is referred to" in any Indian texts between third century BCE and

2280-550: The flooded lands. Kaudinya founded Kambuja-desa, or Kambuja (transliterated to Kampuchea or Cambodia). Kaundinya introduced Hinduism, particularly Brahma, Vishnu, Shiva and Harihara (half Vishnu, half Shiva), and these ideas grew in southeast Asia in the 1st millennium CE. The Chams Balamon (Hindu Brahmin Chams) form a majority of the Cham population in Vietnam . Brahmins have been part of

2340-429: The highest ritual status of the four social classes, and they also served as spiritual teachers ( guru or acharya ). In practice, Indian texts suggest that some Brahmins historically also became agriculturalists , warriors , traders , and had also held other occupations in the Indian subcontinent. It seems likely that Kannauj and Middle country was the place of origin of majority of migrating Brahmins throughout

2400-575: The kingdom). Seven years after the start of the large project for a " Hamzanama " that is, approximately in 1569, the artist left the Mughal court, and as a devout Muslim pilgrim went to Mecca. Some researchers believe that he had died during the Hajj , while others say that he returned to the court of Akbar and died in 1580. Brahmin Traditional Brahmin ( / ˈ b r ɑː m ɪ n / ; Sanskrit : ब्राह्मण , romanized :  brāhmaṇa )

2460-575: The land themselves, many supplementing their income by selling their labour services to other farmers. Many of the prominent thinkers and earliest champions of the Bhakti movement were Brahmins, a movement that encouraged a direct relationship of an individual with a personal god. Among the many Brahmins who nurtured the Bhakti movement were Ramanuja , Nimbarka , Vallabha and Madhvacharya of Vaishnavism, Ramananda , another devotional poet sant . Born in

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2520-434: The late first century CE. He also states that "The absence of literary and material evidence, however, does not mean that Brahmanical culture did not exist at that time, but only that it had no elite patronage and was largely confined to rural folk, and therefore went unrecorded in history". Their role as priests and repository of sacred knowledge, as well as their importance in the practice of Vedic Shrauta rituals, grew during

2580-492: The master: a picture of the elegant young man holding a letter disclosed, and a diptych (double frontispiece) for the Khamsa of Nizami with "nomad camp of nomads" on one sheet and "Evening Life Palace" on the other. In the 1540s, Shah Tahmasp I became increasingly orthodox and grew to reject artistic representations of living creatures. He lost interest in miniatures, and eventually issued an edict banning secular images throughout

2640-485: The medieval centuries. Coming from Kannauj is a frequent claim among Brahmins in areas distant from Madhyadesha or Ganges heartland. The term Brahmin appears extensively in ancient and medieval Sutras and commentary texts of Buddhism and Jainism . Modern scholars state that such usage of the term Brahmin in ancient texts does not imply a caste, but simply "masters" (experts), guardian, recluse, preacher or guide of any tradition. An alternate synonym for Brahmin in

2700-528: The most ambitious projects in the book of world history – the Akbar Hamzanama , an illustrated copy of the Persian epic of Amir Hamza, the uncle of the prophet Muhammad . The order, which was implemented from 1562 to 1577, was made by Emperor Akbar, and was launched under the leadership of Mir Sayyid Ali. It was completed under the supervision of Abd al-Samad , who took over around 1572. Mir Sayyid Ali may have been replaced for being too slow, as at this point

2760-412: The most enthusiastic manner. In al Fadl's the list of the best artists of the era (he counted more than a hundred) Mir Sayyid Ali tied for first place; al Fadl stating: "His art he learned from his father. From the moment he got to the palace, the king's favor beam shone on him. He had distinguished himself by his art ... ". The emperor Humayun gave him the honorary title of "Nadir-ul-Mulk" (The Miracle of

2820-580: The most famous made for the Mughal Emperor Akbar over the five years after he ascended the throne in 1556, by two Persian artists named Mir Sayyid Ali and Abdus Samad working in the court workshop. This is almost entirely in the Cleveland Museum of Art . A second version made for Akbar is now dispersed among several museums, but with the largest part in the Chester Beatty Library in Dublin ; this

2880-528: The new British rulers. They were the first community to take up Western education and therefore dominated lower level of British administration in the 19th century. Similarly, the Tamil Brahmins were also quick to take up English education during British colonial rule and dominate government service and law. Eric Bellman states that during the Islamic Mughal Empire era Brahmins served as advisers to

2940-881: The paintings are now in the Cleveland Museum of Art ; some are also in the British Library . This became the precursor for many more refined forms of Mughal miniature painting portfolios such as the Hamzanama (Adventures of Amir Hamza ), Akbarnama (Book of Akbar), Jahangirnama (Tuzk-e-Jahangiri an autobiography of Mughal emperor Jahangir ) and so forth, which were created during the reign of subsequent Moghul rulers (16th century to 19th century) as Mughal paintings , but also with distinct Indian, Hindu , Jain and Buddhist influences. The Mughal style covered mainly portraits of Mughal emperors, Queens, court scenes, hunting scenes, special ceremonies, battle scenes, love scenes and various activities of royal rulers. This format of miniatures

3000-491: The paintings is attributed to the influence of pre-Mughal paintings. Several portfolios of Tutinama are also stated to be similar to the Malwa manuscripts with illustrations (dated to 1439 AD) but with distinct perfection. The difference is traced to the tasteful colours in Tutinama paintings, which make it rich in colours with graded quality. The popular dance form of Kathak , considered a combination of Indian and Persian forms, got

3060-447: The parrot to rivet the attention of his mistress, as she is about to leave the house in the night, is also depicted in the 35th to 37th paintings in the illustrated version of the Tutinama. The story related by the parrot is of a Brahmin boy falling in love with a princess, considered a fated (doomed) situation. But a solution to this is provided by a magician friend of the Brahmin in the form of magic beads to help his friend to turn into

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3120-547: The revenue administration, and in the judicial service. The Deccan sultanates also heavily recruited Marathi Brahmins at different levels of their administration. During the days of Maratha Empire in the 17th and 18th century, the occupation of Marathi Brahmins ranged from being state administrators, being warriors to being de facto rulers as Peshwa . After the collapse of Maratha empire, Brahmins in Maharashtra region were quick to take advantage of opportunities opened up by

3180-611: The south of the Vindhya mountain range. The term "Dravida" too has territorial, linguistic and ethnological connotations, referring to southern India, the Dravidian people, and to the Dravidian languages of southern India. The Pancha Dravida Brahmins are: The Dharmasutra and Dharmashastra texts of Hinduism describe the expectations, duties and role of Brahmins. According to Kulkarni, the Grhya-sutras state that Yajna , Adhyayana (studying

3240-407: The state of Uttar Pradesh , recorded that the primary occupation of almost all Brahmin families surveyed was neither priestly nor Vedas-related, but like other varnas, ranged from crop farming (80 per cent of Brahmins), dairy, service, labour such as cooking, and other occupations. The survey reported that the Brahmin families involved in agriculture as their primary occupation in modern times plough

3300-624: The text, residing north of the Vindhya mountain range . Historically, the Vindhya mountain range formed the southern boundary of the Āryāvarta , the territory of the ancient Indo-Aryan peoples , and Gauda has territorial, ethnographic and linguistic connotations. Linguistically, the term "Gauda" refers to the Sanskrit-derived languages of northern India. The Pancha Gauda Brahmins are: Subcastes of Gaur Brahmins are: Subcastes of Kanyakubja Brahmins are: The Pancha Dravida Brahmins reside to

3360-500: The values cherished in Hinduism during the Sannyasa stage of life, or the life of renunciation for spiritual pursuits. Brahmins, states Olivelle, were the social class from which most ascetics came. The term Brahmin in Indian texts has also signified someone who is good and virtuous, not just someone of priestly class. The earliest inferred reference to "Brahmin" as a possible social class

3420-491: The vedas and teaching), dana pratigraha (accepting and giving gifts) are the "peculiar duties and privileges of brahmins". John Bussanich states that the ethical precepts set for Brahmins, in ancient Indian texts, are similar to Greek virtue-ethics, that "Manu's dharmic Brahmin can be compared to Aristotle's man of practical wisdom", and that "the virtuous Brahmin is not unlike the Platonic-Aristotelian philosopher" with

3480-423: The world. Both the heads of the imperial court workshop essentially supervised the work of others, and it is uncertain whether Samad painted any of miniatures himself, though he may have done or corrected much of the underdrawing . But one miniature, "Elijah the prophet rescues drowning Nur ad-Dahr," is credited to Mir Sayyid Ali. Along with the portrait of his father, Mir Musavvir, and the "Wise men, reflecting on

3540-495: Was also involved in the creation of lavish illustrations for the manuscript of the Khamsa of Nizami ("Five poems") created by the best artists of the Shah's kitabhane in 1539–1543 by order of Shah Tahmasp. Of the 14 miniatures his brush is credited with, four among them including " Layla and Majnun ", bears the signature of the artist. The period around 1540, contains two remarkable works of

3600-475: Was also widely adopted by Rajput and Malwa rulers. In one miniature the figure of the king in the story is the earliest known portrait of Akbar. The main narrator of the 52 stories of Tutinama is a parrot, who tells stories to his owner, a woman called Khojasta, in order to prevent her from committing any illicit affair while her husband (a merchant by the name Maimunis) is away on business. The merchant had gone on his business trip leaving behind his wife in

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