In Greek mythology , Iphigenia ( / ɪ f ɪ ˈ dʒ ɪ . n ɪ ə / ; Ancient Greek : Ἰφιγένεια , romanized : Iphigéneia , pronounced [iːpʰiɡéneː.a] ) was a daughter of King Agamemnon and Queen Clytemnestra , and thus a princess of Mycenae .
124-498: In the story, Agamemnon offends the goddess Artemis on his way to the Trojan War by hunting and killing one of Artemis' sacred stags. She retaliates by preventing the Greek troops from reaching Troy unless Agamemnon kills his eldest daughter, Iphigenia, at Aulis as a human sacrifice . In some versions, Iphigenia dies at Aulis, and in others, Artemis rescues her. In the version where she
248-775: A Minoan form whose history was lost in the myths. Artemis was one of the most popular goddesses in Ancient Greece. The most frequent name of a month in the Greek calendars was Artemision in Ionic , territories Artemisios or Artamitios in the Doric and Aeolic territories and in Macedonia . Also Elaphios in Elis , Elaphebolion in Athens, Iasos , Apollonia of Chalkidice and Munichion in Attica . In
372-418: A deep interest in a wide range of 'philosophical' issues, from the nature of divine justice to the beginnings of human society. Aristotle ( Metaphysics 983b–987a) believed that the question of first causes may even have started with Hesiod ( Theogony 116–53) and Homer ( Iliad 14.201, 246). He viewed the world from outside the charmed circle of aristocratic rulers, protesting against their injustices in
496-640: A deer. Euripides' other play about Iphigenia, Iphigenia in Tauris , takes place after the sacrifice, and after Orestes has killed Clytemnestra and Aegisthus. Apollo orders Orestes—to escape persecution by the Erinyes for killing his mother, Clytemnestra, and her lover—to go to Tauris. While in Tauris, Orestes is to carry off the xoanon (carved wooden cult image) of Artemis, which had fallen from heaven, and bring it to Athens. When Orestes arrives at Tauris with Pylades , son of Strophius and intimate friend of Orestes,
620-467: A female deer (doe) and both disappear into the waters. In relation to these myths Artemis was worshipped as Saronia and Stymphalia . The myth of a goddess who is chased and then falls in the sea is related to the cults of Aphaea and Diktynna . Artemis carrying torches was identified with Hecate and she had the surnames Phosphoros and Selasphoros . In Athens and Tegea , she was worshipped as Artemis Kalliste , "the most beautiful". Sometimes
744-759: A few details of his life. There are three explicit references in Works and Days , as well as some passages in his Theogony , that support inferences made by scholars. The former poem says that his father came from Cyme in Aeolis (on the coast of Anatolia , a little south of the island of Lesbos ) and crossed the sea to settle at a hamlet near Thespiae in Boeotia named Ascra , "a cursed place, cruel in winter, hard in summer, never pleasant" ( Works 640). Hesiod's patrimony ( property inherited from one's father or male ancestor ) in Ascra,
868-479: A girl's brothers and murdered in reprisal despite his advanced age while the true culprit (his Milesian fellow-traveler) managed to escape. Greeks in the late 5th and early 4th centuries BC considered their oldest poets to be Orpheus , Musaeus , Hesiod and Homer —in that order. Thereafter, Greek writers began to consider Homer earlier than Hesiod. Devotees of Orpheus and Musaeus were probably responsible for precedence being given to their two cult heroes and maybe
992-532: A hive. In the horror of the triumph of violence over hard work and honor, verses describing the "Golden Age" present the social character and practice of nonviolent diet through agriculture and fruit-culture as a higher path of living sufficiently. In addition to the Theogony and Works and Days , numerous other poems were ascribed to Hesiod during antiquity. Modern scholarship has doubted their authenticity, and these works are generally referred to as forming part of
1116-536: A legend, Carya, the female lover of Dionysos was transformed into a nut tree and the dancers into nuts. The city is considered to be the place of the origin of the bucolic (pastoral) songs. Cedreatis , near Orchomenus in Arcadia. A xoanon was mounted on the holy cedar (kedros). Chesias , from the name of a river at Samos. Chitonia , wearing a loose tunic, at Syracuse in Sicily, as goddess of hunting. The festival
1240-433: A letter from her to Greece. Orestes refuses to go, and bids Pylades to take the letter while Orestes will stay to be slain. After a conflict of mutual affection, Pylades at last yields, and the letter makes brother and sister recognize each other, and all three escape together, carrying with them the image of Artemis. After they return to Greece—having been saved from dangers by Athena along the way—Athena orders Orestes to take
1364-457: A major source on Greek mythology , farming techniques, early economic thought, Archaic Greek astronomy , cosmology , and ancient time-keeping . The dating of Hesiod's life is a contested issue in scholarly circles ( see § Dating below ). Epic narrative allowed poets such as Homer no opportunity for personal revelations. However Hesiod's extant work comprises several didactic poems in which he went out of his way to let his audience in on
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#17328477035001488-663: A priestess at the Temple of Artemis. The earliest known accounts of the purported death of Iphigenia are included in Euripides' Iphigenia at Aulis and Iphigenia in Tauris , both Athenian tragedies of the fifth century BC set in the Heroic Age. In the dramatist's version, the Taurians worshipped both Artemis and Iphigenia in the Temple of Artemis at Tauris. Other variants include her being rescued at her sacrifice by Artemis and transformed into
1612-463: A proto-historical perspective in Hesiod, a view rejected by Paul Cartledge , for example, on the grounds that Hesiod advocates a not-forgetting without any attempt at verification. Hesiod has also been considered the father of gnomic verse . He had "a passion for systematizing and explaining things". Ancient Greek poetry in general had strong philosophical tendencies and Hesiod, like Homer, demonstrates
1736-480: A quest for immortal fame since poets in his era had probably no such notions for themselves. However some scholars suspect the presence of large-scale changes in the text and attribute it to oral transmission. Possibly he composed his verses during idle times on the farm, in the spring before the May harvest or the dead of winter. The personality behind the poems is unsuited to the kind of "aristocratic withdrawal" typical of
1860-526: A rare epithet of Artemis. Aphaea is identified with Britomartis. In the legend Britomartis (the sweet young woman) escaped from Minos, who fell in love with her. She travelled to Aegina on a wooden boat and then she disappeared. The myth indicates an identity in nature with Diktynna . Aricina , derived from the town Aricia in Latium , or from Aricia, the wife of the Roman forest god Virbius ( Hippolytus ). The goddess
1984-406: A rhapsode but is instead "argumentative, suspicious, ironically humorous, frugal, fond of proverbs, wary of women." He was in fact a " misogynist " of the same calibre as the later poet Semonides . He resembles Solon in his preoccupation with issues of good versus evil and "how a just and all-powerful god can allow the unjust to flourish in this life". He recalls Aristophanes in his rejection of
2108-554: A sacrifice, Artemis pities her and takes her away, leaving a deer in her place. In the war that followed, Artemis supported the Trojans against the Greeks, and she challenged Hera in battle. Artemis was one of the most widely venerated of the Ancient Greek deities; her worship spread throughout ancient Greece, with her multiple temples, altars, shrines, and local veneration found everywhere in
2232-489: A slave boy to cover the seed (441–6), a female servant to keep house (405, 602) and working teams of oxen and mules (405, 607f.). One modern scholar surmises that Hesiod may have learned about world geography, especially the catalogue of rivers in Theogony (337–45), listening to his father's accounts of his own sea voyages as a merchant. The father probably spoke in the Aeolian dialect of Cyme but Hesiod probably grew up speaking
2356-400: A small piece of ground at the foot of Mount Helicon , occasioned lawsuits with his brother Perses , who at first seems to have cheated him of his rightful share thanks to corrupt authorities or ‘kings’ but later became impoverished and ended up scrounging from the thrifty poet ( Works 35, 396). Unlike his father Hesiod was averse to sea travel, but he once crossed the narrow strait between
2480-446: A tone of voice that has been described as having a "grumpy quality redeemed by a gaunt dignity" but, as stated in the biography section, he could also change to suit the audience. This ambivalence appears to underlie his presentation of human history in Works and Days , where he depicts a golden period when life was easy and good, followed by a steady decline in behaviour and happiness through
2604-601: A torch in either hand. Sophocles calls her, " Elaphebolos , (deer slayer) Amphipyros", reminding the annual fire of the festival Laphria The adjective refers also to the twin fires of the two peaks of the Mount Parnassus above Delphi ( Phaedriades ). Anaitis , in Lydia . The fame of Tauria (the Tauric goddess) was very high, and the Lydians claimed that the image of the goddess
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#17328477035002728-460: Is a plant genus in the family Colchicaceae and it was named after Iphigenia . In Madeline Miller 's The Song of Achilles , Iphigenia comes to Aulis under the belief that she is to marry Achilles. Instead, she is unwillingly sacrificed to appease Artemis. In the movie The Killing of a Sacred Deer starring Nicole Kidman and Colin Farrell , the myth is drawn into a present-day thriller where
2852-597: Is believed that a precursor of Artemis was worshipped in Minoan Crete as the goddess of mountains and hunting, Britomartis . While connection with Anatolian names has been suggested, the earliest attested forms of the name Artemis are the Mycenaean Greek 𐀀𐀳𐀖𐀵 , a-te-mi-to /Artemitos/ ( gen. ) and 𐀀𐀴𐀖𐀳 , a-ti-mi-te /Artimitei/ ( dat. ), written in Linear B at Pylos . According to J.T. Jablonski ,
2976-567: Is credited to the Spartans. Rather than sacrificing virgins, they would whip a male victim in front of a sacred image of Artemis. However, most tributes to Artemis inspired by the sacrifice were more traditional. Taurians especially performed sacrifices of bulls and virgins in honour of Artemis. The myth was retold in classical Greece and Italy, and it became most popular in Etruria, especially in Perusia . In
3100-424: Is doomed, decides to be sacrificed willingly, reasoning that as a mere mortal, she cannot go against the will of a goddess. She also believes that her death will be heroic, as it is for the good of all Greeks. Iphigenia exits, and the sacrifice takes place offstage. Later, Clytemnestra is told of her daughter's purported death—and how at the last moment, the gods spared Iphigenia and whisked her away, replacing her with
3224-423: Is given as one reason for Clytemnestra and her lover Aegisthus to plan to murder Agamemnon. In Euripides ' Iphigenia at Aulis , it is Menelaus who convinces Agamemnon to heed the seer Calchas's advice. After Agamemnon sends a message to Clytemnestra informing her of Iphigenia's supposed marriage, he immediately regrets his decision and tries to send another letter telling them not to come. Menelaus intercepts
3348-569: Is not explicitly mentioned by Homer , although scholars argue that it is presupposed by Agamemnon 's criticism of Calchas at Iliad 1.105-108; Nelson has developed this suggestion further by arguing that the story of Iphigenia's sacrifice lies allusively behind the opening scenes of the Iliad : "both the debate over Chryseis and her eventual return to her father replay and rework the sacrifice story." He has highlighted six key elements that are shared by each story: The sacrifice of Iphigenia appears in
3472-544: Is of unknown or uncertain etymology, although various sources have been proposed. R.S.P. Beekes suggested that the e / i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus . Georgios Babiniotis , while accepting that the etymology is unknown, also states that the name is already attested in Mycenean Greek and is possibly of pre-Greek origin. The name may be related to Greek árktos " bear " (from PIE * h₂ŕ̥tḱos ), supported by
3596-487: Is presented as a goddess who delights in hunting and punishes harshly those who cross her. Artemis' wrath is proverbial, and represents the hostility of wild nature to humans. Homer calls her πότνια θηρῶν , "the mistress of animals", a title associated with representations in art going back as far as the Bronze Age , showing a woman between a pair of animals. Artemis carries with her certain functions and characteristics of
3720-455: Is presented as a hunting goddess of the woods, surrounded by her chaste band of nymphs. In the myth of Actaeon , when the young hunter sees her bathing naked, he is transformed into a deer by the angered goddess and is then devoured by his own hunting dogs, who do not recognize their master. In the story of Callisto , the girl is driven away from Artemis' company after breaking her vow of virginity, having lain with and been impregnated by Zeus. In
3844-400: Is related to the old traditions where icons and puppets of a vegetation goddess would be hung on a tree. It was believed that the plane tree near the spring at Caphyae, was planted by Menelaus , the husband of Helen of Troy . The tree was called "Menelais". The previous name of the goddess was most likely Kondyleatis . Aphaea , or Apha , unseen or disappeared, a goddess at Aegina and
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3968-528: Is saved, she goes to the Taurians and meets her brother Orestes . "Iphigenia" means "strong-born," "born to strength," or "she who causes the birth of strong offspring." Iphianassa ( Ἰφιάνασσα ) is the name of one of Agamemnon 's three daughters in Homer 's Iliad (ix.145, 287) The name Iphianassa may be simply an older variant of the name Iphigenia. "Not all poets took Iphigenia and Iphianassa to be two names for
4092-487: Is transmitted intact via a medieval manuscript tradition. Classical authors also attributed to Hesiod a lengthy genealogical poem known as Catalogue of Women or Ehoiai (because sections began with the Greek words ē hoiē, "Or like the one who ..."). It was a mythological catalogue of the mortal women who had mated with gods, and of the offspring and descendants of these unions. Several additional hexameter poems were ascribed to Hesiod: In addition to these works,
4216-519: The Epic Cycle affirmed that Artemis rescued Iphigenia from the human sacrifice her father was about to perform, for instance in the lost epic Cypria , which survives in a summary by Proclus : "Artemis ... snatched her away and transported her to the Tauroi, making her immortal, and put a stag in place of the girl [Iphigenia] upon the altar." The goddess swept the young princess off to Tauris where she became
4340-494: The Epic tradition , Artemis halted the winds blowing the Greek ships during the Trojan War , stranding the Greek fleet in Aulis , after King Agamemnon , the leader of the expedition, shot and killed her sacred deer. Artemis demanded the sacrifice of Iphigenia , Agamemnon's young daughter, as compensation for her slain deer. In most versions, when Iphigenia is led to the altar to be offered as
4464-489: The Homeridae were responsible in later antiquity for promoting Homer at Hesiod's expense. The first known writers to locate Homer earlier than Hesiod were Xenophanes and Heraclides Ponticus , though Aristarchus of Samothrace was the first actually to argue the case. Ephorus made Homer a younger cousin of Hesiod, the 5th century BC historian Herodotus ( Histories II, 53) evidently considered them near-contemporaries, and
4588-447: The Iliad and Odyssey to describe her is ἰοχέαιρα iocheaira , "she who shoots arrows", often translated as "she who delights in arrows" or "she who showers arrows". She is called Artemis Chrysilakatos , of the golden shafts, or Chrysinios , of the golden reins, as a goddess of hunting in her chariot. The Homeric Hymn 27 to Artemis paints this picture of the goddess: I sing of Artemis, whose shafts are of gold, who cheers on
4712-467: The Olympians , but come from an old, less organized world–exorcisms, rituals to raise crops, gods and goddesses conceived not quite in human shape. Some cults of Artemis retained the pre-Greek features which were consecrated by immemorial practices and connected with daily tasks. Artemis shows sometimes the wild and darker side of her character and can bring immediate death with her arrows, however she embodies
4836-515: The Shield of Heracles (see Hesiod's Greek below). Moreover, they both refer to the same version of the Prometheus myth. Yet even these authentic poems may include interpolations. For example, the first ten verses of the Works and Days may have been borrowed from an Orphic hymn to Zeus (they were recognised as not the work of Hesiod by critics as ancient as Pausanias). Some scholars have detected
4960-450: The Suda lists an otherwise unknown "dirge for Batrachus, [Hesiod's] beloved". Portrait of Hesiod from Augusta Treverorum ( Trier ), from the end of the 3rd century AD. The mosaic is signed in its central field by the maker, 'MONNUS FECIT' ('Monnus made this'). The figure is identified by name: 'ESIO-DVS' ('Hesiod'). It is the only known authenticated portrait of Hesiod. The Roman bronze bust,
5084-481: The conventional metre and language of epic. However, the Shield of Heracles is now known to be spurious and probably was written in the sixth century BC. Many ancient critics also rejected Theogony (e.g., Pausanias 9.31.3), even though Hesiod mentions himself by name in that poem. Theogony and Works and Days might be very different in subject matter, but they share a distinctive language, metre, and prosody that subtly distinguish them from Homer's work and from
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5208-458: The daimons and this differentiates her from the other Greek divinities. This is the reason that Artemis was later identified with Hecate , since the daimons were tutelary deities. Hecate was the goddess of crossroads and she was the queen of the witches. Laphria is the Pre-Greek "mistress of the animals" at Delphi and Patras . There was a custom to throw animals alive into the annual fire of
5332-501: The "Hesiodic corpus" whether or not their authorship is accepted. The situation is summed up in this formulation by Glenn Most : "Hesiod" is the name of a person; "Hesiodic" is a designation for a kind of poetry, including but not limited to the poems of which the authorship may reasonably be assigned to Hesiod himself. Of these works forming the extended Hesiodic corpus, only the Shield of Heracles ( Ἀσπὶς Ἡρακλέους , Aspis Hērakleous )
5456-507: The "arkteia", young girls who dressed with short saffron-yellow chitons and imitated bears (she-bears: arktoi). In the Acropolis of Athens, the Athenian girls before puberty should serve the goddess as "arktoi". Artemis was the goddess of marriage and childbirth. The name of the small "bears" indicate the theriomorphic form of Artemis in an old pre-Greek cult. In the cult of Baubronia, the myth of
5580-653: The 4th century BC sophist Alcidamas in his work Mouseion even brought them together for an imagined poetic ágōn ( ἄγών ), which survives today as the Contest of Homer and Hesiod . Most scholars today agree with Homer's priority but there are good arguments on either side. Hesiod certainly predates the lyric and elegiac poets whose work has come down to the modern era. Imitations of his work have been observed in Alcaeus , Epimenides , Mimnermus , Semonides , Tyrtaeus and Archilochus , from which it has been inferred that
5704-502: The 7th century BC (within a century or so of Hesiod's death), claims that Hesiod lies buried at Orchomenus, a town in Boeotia. According to Aristotle 's Constitution of Orchomenus, when the Thespians ravaged Ascra the villagers sought refuge at Orchomenus, where, following the advice of an oracle, they collected the ashes of Hesiod and set them in a place of honour in their agora , next to
5828-569: The 8th century BC. ( Theogony 337–45). Hesiod mentions a poetry contest at Chalcis in Euboea where the sons of one Amphidamas awarded him a tripod ( Works and Days 654–662). Plutarch identified this Amphidamas with the hero of the Lelantine War between Chalcis and Eretria and he concluded that the passage must be an interpolation into Hesiod's original work, assuming that the Lelantine War
5952-502: The Greek mainland and Euboea to participate in funeral celebrations for one Amphidamas of Chalcis and there won a tripod in a singing competition. He also describes meeting the Muses on Mount Helicon , where he had been pasturing sheep, when the goddesses presented him with a laurel staff, a symbol of poetic authority ( Theogony 22–35). Fanciful though the story might seem, the account has led ancient and modern scholars to infer that he
6076-472: The Greek world might have already developed its own versions of them. In spite of Hesiod's complaints about poverty, life on his father's farm could not have been too uncomfortable if Works and Days is anything to judge by, since he describes the routines of prosperous yeomanry rather than peasants. His farmer employs a friend ( Works and Days 370) as well as servants (502, 573, 597, 608, 766), an energetic and responsible ploughman of mature years (469 ff.),
6200-456: The Moon . She was often said to roam the forests and mountains, attended by her entourage of nymphs . The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of Zeus and Leto , and twin sister of Apollo . In most accounts, the twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on solid land. Only
6324-595: The Mycenean religion. Artemis carries with her certain functions and characteristics of a Minoan form whose history was lost in the myths. According to the beliefs of the first Greeks in Arcadia , Artemis is the first nymph , a divinity of free nature. She was a great goddess and her temples were built near springs marshes and rivers where the nymphs live, and they are appealed by the pregnant women. In Greek religion we must see less tractable elements which have nothing to do with
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#17328477035006448-595: The Near East .) Works and Days is a poem of over 800 lines which revolves around two general truths: labour is the universal lot of Man, but he who is willing to work will get by. Scholars have interpreted this work against a background of agrarian crisis in mainland Greece , which inspired a wave of documented colonisations in search of new land. Works and Days may have been influenced by an established tradition of didactic poetry based on Sumerian, Hebrew, Babylonian and Egyptian wisdom literature. This work lays out
6572-456: The Xoanon to the town of Halae, where he is to build a temple for Artemis Tauropolos. At the annual festival held there, in honor of Artemis, a single drop of blood must be drawn from the throat of a man to commemorate Orestes's near-sacrifice. Athena sends Iphigenia to the sanctuary of Artemis at Brauron where she is to be the priestess until she dies. According to the Spartans, however, they carried
6696-454: The ancient Roman didactic poem De rerum natura by Lucretius as a criticism of religion. Anticipating that his poem will seem sacrilegious, Lucretius attacks the virtue of religion by recounting the story of Iphigenia, which he considers a cruel story of a parent "making his child a sacrificial beast" on her wedding day. Lucretius concludes "such are the crimes to which Religion leads." In 1843, botanist Kunth published Iphigenia , which
6820-767: The ancient world. Her great temple at Ephesus was one of the Seven Wonders of the Ancient World , before it was burnt to the ground. Artemis' symbols included a bow and arrow, a quiver, and hunting knives, and the deer and the cypress were sacred to her. Diana, her Roman equivalent , was especially worshipped on the Aventine Hill in Rome , near Lake Nemi in the Alban Hills , and in Campania . The name "Artemis" ( n. , f. )
6944-438: The antiquity. The great popularity of Artemis corresponds to the Greek belief in freedom and she is mainly the goddess of women and children. The goddess of free nature is independent and celibate. Artemis is frequently depicted carrying a torch and she was occasionally identified with Hecate . Like other Greek deities, she had a number of other names applied to her, reflecting the variety of roles, duties, and aspects ascribed to
7068-518: The bear cult the goddess had in Attica ( Brauronia ) and the Neolithic remains at the Arkoudiotissa Cave , as well as the story of Callisto, which was originally about Artemis ( Arcadian epithet kallisto ); this cult was a survival of very old totemic and shamanistic rituals and formed part of a larger bear cult found further afield in other Indo-European cultures (e.g., Gaulish Artio ). It
7192-464: The beliefs of the first Greeks in Arcadia Artemis is the first nymph , a goddess of free nature. She is an independent free woman, and she does not need any partner. She is hunting surrounded by her nymphs . This idea of freedom and women's skill is expressed in many Greek myths. In Peloponnese the temples of Artemis were built near springs, rivers and marshes. Artemis was closely related to
7316-449: The calendars of Aetolia , Phocis and Gytheion there was the month Laphrios and in Thebes , Corcyra , and Byzantion the month Eucleios . The goddess was venerated in festivals during spring. In some cults she retains the theriomorphic form of a Pre-Greek goddess who was conceived with the shape of a bear (άρκτος árktos : bear). Kallisto in Arcadia is a hypostasis of Artemis with
7440-422: The city of Antioch, wrote that Ptolemy was smitten by the beauty of (the statue of) Artemis; whereas her mother Leto often took pride in her daughter's beauty. She has several stories surrounding her where men such as Actaeon, Orion, and Alpheus tried to couple with her forcibly, only to be thwarted or killed. Ancient poets note Artemis' height and imposing stature, as she stands taller and more impressive than all
7564-416: The common epithets Orthia , Korythalia and Dereatis . The female dancers wore masks and were famous in antiquity. The goddess of vegetation was also related to the tree-cult with temples near the holy trees and the surnames Apanchomene , Caryatis and Cedreatis . According to Greek beliefs the image of a god or a goddess gave signs or tokens and had divine and magic powers. With these conceptions she
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#17328477035007688-644: The conventional dialect of epic verse, which was Ionian. Comparisons with Homer, a native Ionian, can be unflattering. Hesiod's handling of the dactylic hexameter was not as masterful or fluent as Homer's and one modern scholar refers to his "hobnailed hexameters". His use of language and meter in Works and Days and Theogony distinguishes him also from the author of the Shield of Heracles . All three poets, for example, employed digamma inconsistently, sometimes allowing it to affect syllable length and meter, sometimes not. The ratio of observance/neglect of digamma varies between them. The extent of variation depends on how
7812-434: The countryside entertaining people with a narrative about himself if the account was known to be fictitious. Gregory Nagy , on the other hand, sees both Pérsēs ("the destroyer" from πέρθω , pérthō ) and Hēsíodos ("he who emits the voice" from ἵημι , híēmi and αὐδή , audḗ ) as fictitious names for poetical personae . It might seem unusual that Hesiod's father migrated from Anatolia westwards to mainland Greece,
7936-507: The courage, yes, the virtue of her words. Then Talthybius, for so he was commanded, stood before the assembled army and ordered them to watch and keep holy silence. The Calchas, the prophet, took from its sheath a sharp knife and put it in a basket studded with gold. And upon the young girl's head he put a garland. Achilles, son of Peleus, circled the altar of the goddess, basket in hand, and upon her he sprinkled holy water and he said, 'Artemis, daughter of Zeus, slayer of wild beasts, you that spin
8060-400: The daughter wrote a great essay on Iphigenia. Artemis In ancient Greek religion and mythology , Artemis ( / ˈ ɑːr t ɪ m ɪ s / ; Ancient Greek : Ἄρτεμις ) is the goddess of the hunt , the wilderness , wild animals, nature , vegetation , childbirth , care of children , and chastity . In later times, she was identified with Selene , the personification of
8184-404: The definite article associated with digamma, oἱ. Though typical of epic, his vocabulary features some significant differences from Homer's. One scholar has counted 278 un-Homeric words in Works and Days , 151 in Theogony and 95 in Shield of Heracles . The disproportionate number of un-Homeric words in W & D is due to its un-Homeric subject matter. Hesiod's vocabulary also includes quite
8308-512: The different subject matter between this poem and the Works and Days , most scholars, with some notable exceptions, believe that the two works were written by the same man. As M. L. West writes, "Both bear the marks of a distinct personality: a surly, conservative countryman, given to reflection, no lover of women or life, who felt the gods' presence heavy about him." An example: Hateful strife bore painful Toil, Neglect, Starvation, and tearful Pain, Battles, Combats... The Theogony concerns
8432-745: The earliest known source for the myths of Pandora , Prometheus and the Golden Age . The creation myth in Hesiod has long been held to have Eastern influences, such as the Hittite Song of Kumarbi and the Babylonian Enuma Elis . This cultural crossover may have occurred in the eighth- and ninth-century Greek trading colonies such as Al Mina in North Syria . (For more discussion, read Robin Lane Fox 's Travelling Heroes and Peter Walcot's Hesiod and
8556-512: The evidence is collected and interpreted but there is a clear trend, revealed for example in the following set of statistics. Hesiod does not observe digamma as often as the others do. That result is a bit counter-intuitive since digamma was still a feature of the Boeotian dialect that Hesiod probably spoke, whereas it had already vanished from the Ionic vernacular of Homer. This anomaly can be explained by
8680-505: The fact that Hesiod made a conscious effort to compose like an Ionian epic poet at a time when digamma was not heard in Ionian speech, while Homer tried to compose like an older generation of Ionian bards, when it was heard in Ionian speech. There is also a significant difference in the results for Theogony and Works and Days , but that is merely due to the fact that the former includes a catalog of divinities and therefore it makes frequent use of
8804-430: The family of a surgeon is haunted because of his accidental killing of a patient years before. One after the other the surgeon's children are plagued with paralysis (a direct allusion to Agamemnon's immobile armies) and the surgeon's family is forced to sacrifice one of its members to atone for the accidental surgical killing. The myth is even directly invoked by the movie when the children's school administrator states that
8928-521: The fest. The festival at Patras was introduced from Calydon and this relates Artemis to the Greek heroine Atalanta who symbolizes freedom and independence. Other epithets that relate Artemis to the animals are Amarynthia and Kolainis . In the Homeric poems Artemis is mainly the goddess of hunting, because it was the most important sport in Mycenean Greece . An almost formulaic epithet used in
9052-418: The five Ages of Man , as well as containing advice and wisdom, prescribing a life of honest labour and attacking idleness and unjust judges (like those who decided in favour of Perses ) as well as the practice of usury. It describes immortals who roam the earth watching over justice and injustice. The poem regards labor as the source of all good, in that both gods and men hate the idle, who resemble drones in
9176-435: The goddess Artemis . Artemis punishes Agamemnon by acting upon the winds, so that Agamemnon's fleet cannot sail to Troy. Calchas the seer tells Agamemnon that to appease Artemis, he must sacrifice his eldest daughter, Iphigenia. At first he refuses but, pressured by the other commanders, agrees. Iphigenia and her mother Clytemnestra are brought to Aulis, under the pretence that Achilles will marry her. In some versions of
9300-421: The goddess Hecate . Another example includes Iphigenia's brother, Orestes, discovering her identity and helping him steal an image of Artemis. Possible reasons for key discrepancies in the telling of the myth by playwrights such as Euripides are to make the story more palatable for audiences and to allow sequels using the same characters. Many traditions arose from the sacrifice of Iphigenia. One prominent version
9424-411: The goddess before a battle. The deer always accompanies the goddess of hunting. Her epithet Agraea is similar with Agrotera . Alphaea , in the district of Elis . The goddess had an annual festival at Olympia and a temple at Letrinoi near the river Alpheus . At the festival of Letrinoi, the girls were dancing wearing masks. In the legend, Alphaea and her nymphs covered their faces with mud and
9548-507: The goddess had the name of an Amazon like Lyceia (with a helmet of a wolf-skin) and Molpadia . The female warriors Amazons embody the idea of freedom and women's independence. In spite of her status as a virgin who avoided potential lovers, there are multiple references to Artemis' beauty and erotic aspect; in the Odyssey , Odysseus compares Nausicaa to Artemis in terms of appearance when trying to win her favor, Libanius , when praising
9672-440: The goddess having left a deer in her stead, or else a goat (actually the god Pan ) in her place. Euripides' description of her sacrifice is as follows: "...we brought your child to the place where the Greek army had gathered, all together and all at once. When King Agamemnon saw his daughter proceeding to the altar to her death, he heaved a deep sigh and turned his head to one side and wept. He covered his eyes with his robe. But
9796-464: The goddess. Aeginaea , probably huntress of chamois or the wielder of the javelin, at Sparta However the word may mean "from the island Aegina ", that relates Artemis with Aphaia ( Britomartis ). Aetole , of Aetolia at Nafpaktos . A marble statue represented the goddess in the attitude of one hurling a javelin. Agoraea , guardian of popular assemblies in Athens . She was considered to be
9920-452: The gods." The Hesiodic Catalogue of Women called her Iphimede ( Ἰφιμέδη ) and told that Artemis transformed her into the goddess Hecate . Antoninus Liberalis said that Iphigenia was transported to the island of Leuke , where she was wedded to immortalized Achilles under the name Orsilochia. In Aeschylus 's Agamemnon , the first play in the Oresteia , the sacrifice of Iphigenia
10044-540: The hallow bay of Aulis and cross the Aegean Sea.' When the carcass had been reduced to ashes in Hephaestus's fire, Calchas offered a prayer for the safe homecoming of the army. Agamemnon sent me to tell you these things, to tell you of the good fortune he has received from the gods, and of the fame that is now his and will not die, I tell you what I saw. For I was there. There is no doubt your child has been taken to live amongst
10168-402: The hounds, the pure maiden, shooter of stags, who delights in archery, own sister to Apollo with the golden sword. Over the shadowy hills and windy peaks she draws her golden bow, rejoicing in the chase, and sends out grievous shafts. The tops of the high mountains tremble and the tangled wood echoes awesomely with the outcry of beasts: earthquakes and the sea also where fishes shoal. According to
10292-533: The idea of "the free nature" which was introduced by the first Greeks. The Dorians came later in the area, probably from Epirus and the goddess of nature was mostly interpreted as a vegetation goddess who was related to the ecstatic Minoan tree-cult. She was worshipped in orgiastic cults with lascivious and sometimes obscene dances, which have pure Greek elements introduced by the Dorians. The feminine (sometimes male) dancers wore usually masks, and they were famous in
10416-407: The idealised hero of epic literature in favour of an idealized view of the farmer. Yet the fact that he could eulogize kings in Theogony (80 ff., 430, 434) and denounce them as corrupt in Works and Days suggests that he could resemble whichever audience he composed for. Various legends accumulated about Hesiod and they are recorded in several sources: Two different—yet early—traditions record
10540-511: The image of Artemis to Laconia , where the goddess was worshipped as Artemis Orthia . These close identifications of Iphigenia with Artemis encourage some scholars to believe that she was originally a hunting goddess, whose cult was subsumed by the Olympian Artemis. The people of Tauris/Taurica facing the Euxine Sea worshipped the maiden goddess Artemis. Some very early Greek sources in
10664-456: The island of Delos gave refuge to Leto, allowing her to give birth to her children. In one account, Artemis is born first and then proceeds to assist Leto in the birth of the second twin, Apollo. Artemis was a kourotrophic (child-nurturing) deity, that is the patron and protector of young children, especially young girls. Artemis was worshipped as one of the primary goddesses of childbirth and midwifery along with Eileithyia and Hera. Artemis
10788-408: The joy! – 'Leaders of this the Greek army, do you see this victim that the goddess has laid upon her own altar? This mountain deer? She accepts this offering with greater gladness than the child. For her altar will not now be stained with noble blood. She rejoices in the sacrifice. And she grants us fair sailing and success at Troy. Therefore, courage! To arms, to the ships! For on this day we must leave
10912-463: The latest possible date for him is about 650 BC. An upper limit of 750 BC is indicated by a number of considerations, such as the probability that his work was written down, the fact that he mentions a sanctuary at Delphi that was of little national significance before c. 750 BC ( Theogony 499), and he lists rivers that flow into the Euxine , a region explored and developed by Greek colonists beginning in
11036-451: The letter and he and Agamemnon argue. Menelaus insists that it is Agamemnon's duty to do all he can to aid the Greeks. Clytemnestra arrives at Aulis with Iphigenia and the infant Orestes . Agamemnon tries to convince Clytemnestra to go back to Argos, but Clytemnestra insists on staying for the wedding. When she sees Achilles, Clytemnestra mentions the marriage; Achilles, however, appears to be unaware of it, and she and Iphigenia gradually learn
11160-418: The local Boeotian, belonging to the same dialect group. However whilst his poetry features some Aeolisms there are no words that are certainly Boeotian. His basic language was the main literary dialect of the time, Homer's Ionian . It is probable that Hesiod wrote his poems down, or dictated them, rather than passing them on orally, as rhapsodes did—otherwise: the pronounced personality that now emerges from
11284-421: The marriage, and they are appealed by the pregnant women. Artemis became goddess of marriage and childbirth. She was worshipped with the surname Eucleia in several cities. Women consecrated clothes to Artemis for a happy childbirth and she had the epithets Lochia and Lecho . The Dorians interpreted Artemis mainly as goddess of vegetation who was worshipped in an orgiastic cult with lascivious dances, with
11408-453: The name is also Phrygian and could be "compared with the royal appellation Artemas of Xenophon ". Charles Anthon argued that the primitive root of the name is probably of Persian origin from * arta , * art , * arte , all meaning "great, excellent, holy", thus Artemis "becomes identical with the great mother of Nature, even as she was worshiped at Ephesus". Anton Goebel "suggests the root στρατ or ῥατ , 'to shake', and makes Artemis mean
11532-554: The nymphs accompanying her. Artemis is rooted to the less developed personality of the Mycenean goddess of nature. The goddess of nature was concerned with birth and vegetation and had certain chthonic aspects. The Mycenean goddess was related to the Minoan mistress of the animals, who can be traced later in local cults, however we do not know to what extent we can differentiate the Minoan from
11656-732: The opposite direction to most colonial movements at the time, and Hesiod himself gives no explanation for it. However, around 750 BC or a little later, there was a migration of seagoing merchants from his original home in Cyme in Anatolia to Cumae in Campania (a colony they shared with the Euboeans), and possibly his move west had something to do with that, since Euboea is not far from Boeotia , where he eventually established himself and his family. The family association with Aeolian Cyme might explain his familiarity with Eastern myths, evident in his poems, though
11780-590: The origins of the gods, their lineages, and the events that led to Zeus 's rise to power, and Works and Days , a poem that describes the five Ages of Man , offers advice and wisdom, and includes myths such as Pandora's box . Hesiod is generally regarded by Western authors as 'the first written poet in the Western tradition to regard himself as an individual persona with an active role to play in his subject.' Ancient authors credited Hesiod and Homer with establishing Greek religious customs. Modern scholars refer to him as
11904-487: The origins of the world ( cosmogony ) and of the gods ( theogony ), beginning with Chaos , Gaia , Tartarus and Eros , and shows a special interest in genealogy . Embedded in Greek myth , there remain fragments of quite variant tales, hinting at the rich variety of myth that once existed, city by city; but Hesiod's retelling of the old stories became, according to Herodotus , the accepted version that linked all Hellenes . It's
12028-506: The pair are immediately captured by the Tauri , who have a custom of sacrificing all Greek strangers to Artemis. Iphigenia is the priestess of Artemis, and it is her duty to perform the sacrifice. Iphigenia and Orestes don't recognize each other (Iphigenia thinks her brother is dead—a key point). Iphigenia finds out from Orestes, who is still concealing his identity, that Orestes is alive. Iphigenia then offers to release Orestes if he will carry home
12152-402: The poems would surely have been diluted through oral transmission from one rhapsode to another. Pausanias asserted that Boeotians showed him an old tablet made of lead on which the Works were engraved. If he did write or dictate, it was perhaps as an aid to memory or because he lacked confidence in his ability to produce poems extempore, as trained rhapsodes could do. It certainly was not in
12276-422: The protector of the assemblies of the people in the agora . At Olympia the cult of "Artemis Agoraea" was related to the cult of Despoinai . (The double named goddesses Demeter and Persephone). Agrotera , the huntress of wild wood, in the Iliad and many cults. It was believed that she first hunted at Agrae of Athens after her arrival from Delos . There was a custom of making a "slaughter sacrifice", to
12400-429: The river god Alpheus, who was in love with her, could not distinguish her from the others. This explains, somehow, the clay masks at Sparta. Amarynthia , or Amarysia , with a famous temple at Amarynthus near Eretria . The goddess was related to the animals, however she was also a healer goddess of women. She is identified with Kolainis . Amphipyros , with fire at each end, a rare epithet of Artemis as bearing
12524-454: The sacrifice of Iphigenia was represented in the ritual. Boulaia , of the council, in Athens. Boulephoros , counselling, advising, at Miletus , probably a Greek form of the mother-goddess. Caryatis , the lady of the nut-tree, at Caryae on the borders between Laconia and Arcadia . Artemis was strongly related to the nymphs, and young girls were dancing the dance Caryatis . The dancers of Caryai were famous in antiquity. In
12648-407: The same heroine," Kerenyi remarks, "though it is certain that to begin with they served indifferently to address the same divine being, who had not belonged from all time to the family of Agamemnon." In Greek mythology, Iphigenia appears as the Greek fleet gathers in Aulis to prepare for war against Troy . Here, Agamemnon , the leader of the Greeks, hunts and then kills a deer in a grove sacred to
12772-537: The second and first centuries BC the Etruscans adorned their cremation-urns with scenes from the sacrifice. The most common scene: "Iphigenia, a little girl, is held over the altar by Odysseus while Agamemnon performs the aparchai . Clytemnestra stands beside Agamemnon and Achilles beside Odysseus and each one begs for the life of Iphigenia." This version is closest to the myth as the Romans told it. The sacrifice of Iphigenia
12896-407: The shape of a bear, and her cults at Brauron and at Piraeus ( Munichia ) are remarkable for the arkteia where virgin girls before marriage were disguised as she-bears. The ancient Greeks called potnia theron the representation of the goddess between animals; on a Greek vase from circa 570 BCE, a winged Artemis stands between a spotted panther and a deer. "Potnia theron" is very close to
13020-447: The silver light at night, receive this sacrifice which we offer to you. We the Greek army and King Agamemnon offer to you the pure blood that flows from a virgin's throat. Grant our ships an untroubled journey. Grant that our spears will sack the towers of Troy.' The priest seized the knife and offered a prayer as he looked for a place to plunge the knife's point. My soul was deeply troubled and in pain. I stood by, head lowered. Suddenly, it
13144-405: The silver, bronze, and Iron Ages – except that he inserts a heroic age between the last two, representing its warlike men as better than their bronze predecessors. He seems in this case to be catering to two different world-views, one epic and aristocratic, the other unsympathetic to the heroic traditions of the aristocracy. The Theogony is commonly considered Hesiod's earliest work. Despite
13268-628: The site of Hesiod's grave. One, as early as Thucydides , reported in Plutarch, the Suda and John Tzetzes, states that the Delphic oracle warned Hesiod that he would die in Nemea , and so he fled to Locris , where he was killed at the local temple to Nemean Zeus, and buried there. This tradition follows a familiar ironic convention: the oracle predicts accurately after all. The other tradition, first mentioned in an epigram by Chersias of Orchomenus written in
13392-498: The so-called Pseudo-Seneca , of the late first century BC found at Herculaneum is now thought not to be of Seneca the Younger . It has been identified by Gisela Richter as an imagined portrait of Hesiod. In fact, it has been recognized since 1813 that the bust was not of Seneca when an inscribed herma portrait of Seneca with quite different features was discovered. Most scholars now follow Richter's identification. Hesiod employed
13516-456: The story, they realise the truth, while in others, Iphigenia remains unaware of her imminent sacrifice until the last moment, believing until the moment of her death that she is being led to the altar to be married. In some versions, such as Hyginus ' Fabulae , Iphigenia is not sacrificed. Some sources claim that Iphigenia was taken by Artemis to Tauris (in Crimea ) at the moment of the sacrifice,
13640-551: The thrower of the dart or the shooter". Ancient Greek writers, by way of folk etymology , and some modern scholars, have linked Artemis (Doric Artamis ) to ἄρταμος , artamos , i.e. "butcher" or, like Plato did in Cratylus , to ἀρτεμής , artemḗs , i.e. "safe", "unharmed", "uninjured", "pure", "the stainless maiden". A.J. van Windekens tried to explain both ἀρτεμής and Artemis from ἀτρεμής , atremḗs , meaning "unmoved, calm; stable, firm" via metathesis . Artemis
13764-522: The tomb of Minyas , their eponymous founder. Eventually they came to regard Hesiod too as their "hearth-founder" ( οἰκιστής , oikistēs ). Later writers attempted to harmonize these two accounts. Yet another account taken from classical sources, cited by author Charles Abraham Elton in his Remains of Hesiod the Ascræan, Including the Shield of Hercules by Hesiod , depicts Hesiod as being falsely accused of rape by
13888-436: The truth. Achilles, angry that Agamemnon has used him in his plot, vows to help prevent the murder of Iphigenia. Iphigenia and Clytemnestra plead with Agamemnon to spare his daughter's life. Achilles informs them that the Greek army, eager for war, has learned of the seer's advice and now demand that Iphigenia be sacrificed. If Agamemnon refuses, it is likely they will turn on him and kill him and his family. Iphigenia, knowing she
14012-405: The waters and especially to Poseidon , the god of the waters. Her common epithets are Limnnaia , Limnatis (relation to waters) and Potamia and Alphaea (relation to rivers). In some cults she is the healer goddess of women with the surnames Lousia and Thermia . Artemis is the leader of the nymphs ( Hegemone ) and she is hunting surrounded by them. The nymphs appear during the festival of
14136-539: The way to the academy of Athens and he believes that the names are surnames of the goddess Artemis, who is depicted carrying a torch. Kalliste is not related to Kalliste of Arcadia. Aristobule , the best advisor, at Athens . The politician and general Themistocles built a temple of Artemis Aristobule near his house in the deme of Melite , in which he dedicated his own statue. Astrateia , she that stops an invasion, at Pyrrichos in Laconia . A wooden image (xoanon),
14260-514: The young girl stood beside her father who had given her life and said: 'Fathers, as you bid me, I am here. I give my body, freely on behalf of my country, for all the land of Greece. Lead me to the altar. There, if that is the gods' will, sacrifice me. May this gift from me bring you success. May you win the crown of victory and win thereafter a glorious homecoming. And no, do not let any man lay his hands upon me. In peace and in good heart I offer you my throat.' So she spoke, and all stood by in wonder at
14384-451: Was a miracle: everyone had heard the sound of the knife – but no one could see where in the world the young maiden had disappeared to. The priest cried out. The army echoed his cry, and then they saw the miracle, impossible to believe even as it happened before their eyes. There on the ground lay a deer, gasping for breath. She was a full-grown deer, beautiful, and the altar of the goddess was dripping with her blood. Then Calchas spoke – imagine
14508-407: Was also a patron of healing and disease, particularly among women and children, and believed to send both good health and illness upon women and children. Artemis was one of the three major virgin goddesses , alongside Athena and Hestia . Artemis preferred to remain an unmarried maiden and was one of the three Greek goddesses over whom Aphrodite had no power. In myth and literature, Artemis
14632-575: Was among them. It was considered that the image had divine powers. The Athenians believed that the image became booty to the Persians and was carried from Brauron to Susa . Angelos , messenger, envoy, title of Artemis at Syracuse in Sicily . Apanchomene , the strangled goddess, at Caphyae in Arcadia. She was a vegetation goddess related to the ecstatic tree cult. The Minoan tree goddesses Helene, Dentritis, and Ariadne were also hanged. This epithet
14756-502: Was dedicated to the goddess, because she stopped the invasion of the Amazons in this area. Another xoanon represented "Apollo Amazonios". Basileie , at Thrace and Paeonia . The women offered wheat stalks to the goddess. In this cult, which reached Athens, Artemis is relative to the Thracian goddess Bendis . Brauronia , worshipped at Brauron in Attica . Her cult is remarkable for
14880-501: Was distinguished by a peculiar dance and by a music on the flute. Hesiod Hesiod ( / ˈ h iː s i ə d / HEE -see-əd or / ˈ h ɛ s i ə d / HEH -see-əd ; Ancient Greek : Ἡσίοδος Hēsíodos ; fl. c. 700 BC ) was an ancient Greek poet generally thought to have been active between 750 and 650 BC, around the same time as Homer . Several of Hesiod's works have survived in their entirety. Among these are Theogony , which tells
15004-489: Was not a professionally trained rhapsode or he would have been presented with a lyre instead. Some scholars have seen Perses as a literary creation, a foil for the moralizing that Hesiod develops in Works and Days , but there are also arguments against that theory. For example, it is quite common for works of moral instruction to have an imaginative setting as a means of getting the audience's attention, but it could be difficult to see how Hesiod could have traveled around
15128-457: Was related with Artemis Tauria (the Tauric Artemis). Her statue was considered the same with the statue that Orestes brought from Tauris. Near the sanctuary of the goddess there was a combat between slaves who had run away from their masters and the prize was the priesthood of Artemis. Ariste , the best, a goddess of the women. Pausanias describes xoana of "Ariste" and "Kalliste" in
15252-700: Was too late for Hesiod. Modern scholars have accepted his identification of Amphidamas but disagreed with his conclusion. The date of the war is not known precisely but estimates placing it around 730–705 BC fit the estimated chronology for Hesiod. In that case, the tripod that Hesiod won might have been awarded for his rendition of Theogony , a poem that seems to presuppose the kind of aristocratic audience he would have met at Chalcis. Three works have survived which were attributed to Hesiod by ancient commentators: Works and Days , Theogony , and Shield of Heracles . Only fragments exist of other works attributed to him. The surviving works and fragments were all written in
15376-450: Was worshipped as Tauria (the Tauric , goddess), Aricina ( Italy ) and Anaitis ( Lydia ). In the bucolic ( pastoral ) songs the image of the goddess was discovered in bundles of leaves or dry sticks and she had the surnames Lygodesma and Phakelitis . In the European folklore, a wild hunter is chasing an elfish woman who falls in the water. In the Greek myths the hunter is chasing
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