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Industrial design

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Industrial design is a process of design applied to physical products that are to be manufactured by mass production . It is the creative act of determining and defining a product's form and features, which takes place in advance of the manufacture or production of the product. Industrial manufacture consists of predetermined, standardized and repeated, often automated, acts of replication, while craft -based design is a process or approach in which the form of the product is determined personally by the product's creator largely concurrent with the act of its production.

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139-606: All manufactured products are the result of a design process, but the nature of this process can vary. It can be conducted by an individual or a team, and such a team could include people with varied expertise (e.g. designers, engineers, business experts, etc.). It can emphasize intuitive creativity or calculated scientific decision-making , and often emphasizes a mix of both. It can be influenced by factors as varied as materials , production processes , business strategy , and prevailing social, commercial, or aesthetic attitudes. Industrial design, as an applied art , most often focuses on

278-810: A Bachelor of Industrial Design (B.I.D.), Bachelor of Science (B.Sc) or Bachelor of Fine Arts (B.F.A.). Afterwards, the bachelor programme can be extended to postgraduate degrees such as Master of Design , Master of Fine Arts and others to a Master of Arts or Master of Science . Industrial design studies function and form—and the connection between product, user, and environment. Generally, industrial design professionals work in small scale design, rather than overall design of complex systems such as buildings or ships. Industrial designers don't usually design motors, electrical circuits, or gearing that make machines move, but they may affect technical aspects through usability design and form relationships. Usually, they work with other professionals such as engineers who focus on

417-412: A "four C" model of creativity. The four "C's" are the following: This model was intended to help accommodate models and theories of creativity that stressed competence as an essential component and the historical transformation of a creative domain as the highest mark of creativity. It also, the authors argued, made a useful framework for analyzing creative processes in individuals. The contrast between

556-472: A "new working class," which, despite education and a perception of themselves as middle class, were part of the working class because they did not own the means of production, and were wage earners paid to produce a piece of capital. The professional–managerial class seek higher rank status and salaries and tend to have incomes above the average for their country. Modern definitions of the term "middle class" are often politically motivated and vary according to

695-419: A CAD model. From this the manufacturing process may be modified to improve the product. Product characteristics specified by industrial designers may include the overall form of the object, the location of details with respect to one another, colors , texture, form, and aspects concerning the use of the product . Additionally, they may specify aspects concerning the production process, choice of materials and

834-414: A better quality of life. " Although the process of design may be considered 'creative,' many analytical processes also take place. In fact, many industrial designers often use various design methodologies in their creative process. Some of the processes that are commonly used are user research, sketching, comparative product research, model making, prototyping and testing. These processes are best defined by

973-434: A chair be used?"). Divergent thinking is sometimes used as a synonym for creativity in psychology literature or is considered the necessary precursor to creativity. However, as Runco points out, there is a clear distinction between creative thinking and divergent thinking. Creative thinking focuses on the production, combination, and assessment of ideas to formulate something new and unique, while divergent thinking focuses on

1112-404: A combination of aesthetics and user-focused considerations, but also often provides solutions for problems of form, function, physical ergonomics , marketing, brand development, sustainability, and sales. For several millennia before the onset of industrialization , design, technical expertise, and manufacturing was often done by individual crafts people , who determined the form of a product at

1251-563: A competitive footing with Great Britain and the United States. The earliest published use of the term may have been in The Art-Union , 15 September 1840. Dyce's Report to the Board of Trade, on Foreign Schools of Design for Manufactures. Mr. Dyce's official visit to France, Prussia, and Bavaria, for the purpose of examining the state of schools of design in those countries, will be fresh in

1390-521: A complete line of modern furniture, among many other items. Richard Teague , who spent most of his career with the American Motors Corporation , originated the concept of using interchangeable body panels so as to create a wide array of different vehicles using the same stampings. He was responsible for such unique automotive designs as the Pacer , Gremlin , Matador coupe , Jeep Cherokee , and

1529-521: A decade. Christopher Dresser is considered among the first independent industrial designers. Industrial design's origins lie in the industrialization of consumer products. For instance, the Deutscher Werkbund (a precursor to the Bauhaus founded in 1907 by Peter Behrens and others) was a state-sponsored effort to integrate traditional crafts and industrial mass-production techniques, to put Germany on

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1668-528: A design in use to this day. Schreckengost also founded The Cleveland Institute of Art's school of industrial design. Oskar Barnack was a German optical engineer, precision mechanic, industrial designer, and the father of 35mm photography. He developed the Leica , which became the hallmark for photography for 50 years, and remains a high-water mark for mechanical and optical design. Charles and Ray Eames were most famous for their pioneering furniture designs, such as

1807-584: A desired outcome. Spontaneous behaviors by living creatures are thought to reflect past learned behaviors. In this way, a behaviorist may say that prior learning caused novel behaviors to be reinforced many times over, and the individual has been shaped to produce increasingly novel behaviors. A creative person, according to this definition, is someone who has been reinforced more often for novel behaviors than others. Behaviorists suggest that anyone can be creative, they just need to be reinforced to learn to produce novel behaviors. Another theory about creative people

1946-484: A first drop in filings since 2014. The Hague System for the International Registration of Industrial Designs provides an international mechanism that secures protection of up to 100 designs in multiple countries or regions, through a single international application. International design applications are filed directly through WIPO . The domestic legal framework of each designated contracting party governs

2085-486: A framework for understanding creativity in problem solving , namely the Explicit-Implicit Interaction (EII) theory of creativity. This theory attempts to provide a more unified explanation of relevant phenomena (in part by reinterpreting/integrating various fragmentary existing theories of incubation and insight ). The EII theory relies mainly on five basic principles: A computational implementation of

2224-417: A greater rate than the middle class, that rather than growing, India's middle class may be shrinking in size. According to a 2014 study by Standard Bank economist Simon Freemantle, a total of 15.3 million households in 11 surveyed nations of Africa are middle class: Angola , Ethiopia , Ghana , Kenya , Mozambique , Nigeria , South Sudan , Sudan , Tanzania , Uganda , and Zambia . In South Africa ,

2363-531: A hundred different definitions can be found in the literature, typically elaborating on the context (field, organization, environment, etc.) that determines the originality and/or appropriateness of the created object and the processes through which it came about. As an illustration, one definition given by Dr. E. Paul Torrance in the context of assessing an individual's creative ability is "a process of becoming sensitive to problems, deficiencies, gaps in knowledge, missing elements, disharmonies, and so on; identifying

2502-437: A neurobiological description of creative cognition. This interdisciplinary framework integrates theoretical principles and empirical results from neuroeconomics , reinforcement learning , cognitive neuroscience , and neurotransmission research on the locus coeruleus system. It describes how decision-making processes studied by neuroeconomists as well as activity in the locus coeruleus system underlie creative cognition and

2641-557: A painter that he makes something?" he answers, "Certainly not, he merely imitates ." It is commonly argued that the notion of "creativity" originated in Western cultures through Christianity, as a matter of divine inspiration . According to scholars, "the earliest Western conception of creativity was the Biblical story of the creation given in Genesis ." However, this is not creativity in

2780-451: A potentiality state, because how it will actualize depends on the different internally or externally generated contexts it interacts with. Honing theory is held to explain certain phenomena not dealt with by other theories of creativity—for example, how different works by the same creator exhibit a recognizable style or "voice" even in different creative outlets. This is not predicted by theories of creativity that emphasize chance processes or

2919-544: A problem may aid creative problem-solving. Early work proposed that creative solutions to problems arise mysteriously from the unconscious mind while the conscious mind is occupied on other tasks. This hypothesis is discussed in Csikszentmihalyi 's five-phase model of the creative process which describes incubation as a time when your unconscious takes over. This was supposed to allow for unique connections to be made without our consciousness trying to make logical order out of

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3058-402: A procedure for an international registration exists. An applicant can file for a single international deposit with WIPO or with the national office in a country party to the treaty. The design will then be protected in as many member countries of the treaty as desired. In 2022, about 1.1 million industrial design applications were filed worldwide. This represents a decrease of 3% on 2021, marking

3197-583: A regime change. Estimates vary widely on the number of middle-class people in India . A 1983 article put the Indian middle class as somewhere between 70 and 100 million. According to one study the middle class in India stood at between 60 and 80 million by 1990. According to The Economist , 78 million of India's population are considered middle class as of 2017, if defined using the cutoff of those making more than $ 10 per day,

3336-538: A report conducted by the Institute for Race Relations in 2015 estimated that between 10% and 20% of South Africans are middle class, based on various criteria. An earlier study estimated that in 2008 21.3% of South Africans were members of the middle class. A study by EIU Canback indicates 90% of Africans fall below an income of $ 10 a day. The proportion of Africans in the $ 10–$ 20 middle class (excluding South Africa), rose from 4.4% to only 6.2% between 2004 and 2014. Over

3475-626: A significant number of household items, such as chairs, stools, lamps, a tea-cart, and vases. Raymond Loewy was a prolific American designer who is responsible for the Royal Dutch Shell corporate logo, the original BP logo (in use until 2000), the PRR S1 steam locomotive, the Studebaker Starlight (including the later bulletnose), as well as Schick electric razors, Electrolux refrigerators, short-wave radios, Le Creuset French ovens, and

3614-410: A simple computational principle for measuring and optimizing learning progress. Middle class The middle class refers to a class of people in the middle of a social hierarchy , often defined by occupation , income, education, or social status . The term has historically been associated with modernity, capitalism and political debate. Common definitions for the middle class range from

3753-419: A standard used by the India's National Council of Applied Economic Research. If including those with incomes between $ 2 and $ 10 per day, the number increases to 604 million. This was termed by researchers as the "new middle class". Measures considered include geography, lifestyle, income, and education. The World Inequality Report in 2018 further concluded that elites (i.e. the top 10%) are accumulating wealth at

3892-542: A sub-stage. Wallas considered creativity to be a legacy of the evolutionary process, which allowed humans to quickly adapt to rapidly changing environments. Simonton provides an updated perspective on this view in his book, Origins of Genius: Darwinian Perspectives on creativity . In 1927, Alfred North Whitehead gave the Gifford Lectures at the University of Edinburgh, later published as Process and Reality . He

4031-479: A task or reaching a goal. Therefore, creativity enables people to solve problems in new or innovative ways. Most ancient cultures (including Ancient Greece , Ancient China , and Ancient India ) lacked the concept of creativity, seeing art as a form of discovery, rather than a form of creation. In the Judeo-Christian-Islamic tradition, creativity was seen as the sole province of God, and human creativity

4170-495: A way to explain possible benefits of creativity on mental health. The theory also addresses challenges not addressed by other theories of creativity, such as the factors guiding restructuring and the evolution of creative works. A central feature of honing theory is the notion of a potential state. Honing theory posits that creative thought proceeds not by searching through and randomly "mutating" predefined possibilities but by drawing upon associations that exist due to overlap in

4309-476: A whole, exclusive of Indians, constituted just under 20% of the national society. A 1964 study estimated that 45 million Latin Americans belonged to the urban middle class while 15 million to the urban well-to-do and 8 million to the rural middle class and well-to-do. In Brazil , according to one estimate, in 1970 the lower middle class comprised 12% of the population, while the upper middle class comprised 3%. In

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4448-492: A wide range of products, and whose creation took place in advance of their application. The use of drawing to specify how something was to be constructed later was first developed by architects and shipwrights during the Italian Renaissance . In the 17th century, the growth of artistic patronage in centralized monarchical states such as France led to large government-operated manufacturing operations epitomized by

4587-663: A working paper by the OECD asserted that 1.8 billion people were now members of the global "middle class". Credit Suisse's Global Wealth Report 2014, released in October 2014, estimated that one billion adults belonged to the "middle class," with wealth anywhere between the range of $ 10,000–$ 100,000. According to a study carried out by the Pew Research Center , a combined 16% of the world's population in 2011 were "upper-middle income" and "upper income". An April 2019 OECD report said that

4726-468: A worldview to attempt to resolve dissonance and seek internal consistency amongst its components, whether they be ideas, attitudes, or bits of knowledge. Dissonance in a person's worldview is, in some cases, generated by viewing their peers' creative outputs, and so people pursue their own creative endeavors to restructure their worldviews and reduce dissonance. This shift in worldview and cognitive restructuring through creative acts has also been considered as

4865-688: Is a product of culture and that our social interactions evolve our culture in way that promotes creativity. In everyday thought, people often spontaneously imagine alternatives to reality when they think "if only...". Their counterfactual thinking is viewed as an example of everyday creative processes. It has been proposed that the creation of counterfactual alternatives to reality depends on similar cognitive processes to rational thought. Imaginative thought in everyday life can be categorized based on whether it involves perceptual/motor related mental imagery, novel combinatorial processing, or altered psychological states. This classification aids in understanding

5004-477: Is a strategic problem-solving process that drives innovation, builds business success and leads to a better quality of life through innovative products, systems, services and experiences." An extended version of this definition is as follows: "Industrial Design is a strategic problem-solving process that drives innovation, builds business success and leads to a better quality of life through innovative products, systems, services and experiences. Industrial Design bridges

5143-512: Is about transforming those ideas into tangible outcomes that have a practical application. The distinction is critical because creativity without implementation remains an idea, whereas innovation leads to real-world impact. There is also emotional creativity, which is described as a pattern of cognitive abilities and personality traits related to originality and appropriateness in emotional experience. Most ancient cultures, including Ancient Greece , Ancient China , and Ancient India , lacked

5282-412: Is an interaction between one's conception of the task and one's worldview. The conception of the task changes through interaction with the worldview, and the worldview changes through interaction with the task. This interaction is reiterated until the task is complete, at which point the task is conceived of differently and the worldview is subtly or drastically transformed, following the natural tendency of

5421-531: Is credited with having coined the term "creativity" to serve as the ultimate category of his metaphysical scheme: "Whitehead actually coined the term—our term, still the preferred currency of exchange among literature, science, and the arts—a term that quickly became so popular, so omnipresent, that its invention within living memory, and by Alfred North Whitehead of all people, quickly became occluded". Although psychometric studies of creativity had been conducted by The London School of Psychology as early as 1927 with

5560-488: Is divided into audience and affordance , which consider the interdependence of the creative individual with the social and material world, respectively. Although not supplanting the four Ps model in creativity research, the five As model has exerted influence over the direction of some creativity research, and has been credited with bringing coherence to studies across a number of creative domains. There has been much empirical study in psychology and cognitive science of

5699-582: Is effectively defined by credentials and/or licensure required to engage in the practice of engineering. "Industrial design" as such does not overlap much with the engineering sub-discipline of industrial engineering , except for the latter's sub-specialty of ergonomics . At the 29th General Assembly in Gwangju, South Korea, 2015, the Professional Practise Committee unveiled a renewed definition of industrial design as follows: "Industrial Design

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5838-587: Is evaluated and perceived; and the fostering of creativity for national economic benefit. According to Harvard Business School , creativity benefits business by encouraging innovation, boosting productivity, enabling adaptability, and fostering growth. The English word "creativity" comes from the Latin terms creare (meaning 'to create') and facere (meaning 'to make'). Its derivational suffixes also comes from Latin. The word "create" appeared in English as early as

5977-425: Is impossible to distinguish clearly among the multiple dimensions of inequality and the various mechanisms at work." In February 2009, The Economist asserted that over half the world's population now belongs to the middle class, as a result of rapid growth in emerging countries. It characterized the middle class as having a reasonable amount of discretionary income , so that they do not live from hand-to-mouth as

6116-539: Is often difficult to describe to non-designers because the meaning accepted by the design community is not made of words. Instead, the definition is created as a result of acquiring a critical framework for the analysis and creation of artifacts. One of the many accepted (but intentionally unspecific) definitions of design originates from Carnegie Mellon's School of Design : "Everyone designs who devises courses of action aimed at changing existing situations into preferred ones." This applies to new artifacts, whose existing state

6255-513: Is the investment theory of creativity . This approach suggests that many individual and environmental factors must exist in precise ways for extremely high levels of creativity opposed to average levels of creativity to result. In the investment sense, a person with their particular characteristics in their particular environment may see an opportunity to devote their time and energy into something that has been overlooked by others. The creative person develops an undervalued or under-recognized idea to

6394-437: Is the ability to form novel and valuable ideas or works using one's imagination . Products of creativity may be intangible (e.g., an idea, a scientific theory , a literary work , a musical composition , a joke ), a physical object (e.g., an invention , a dish or meal, an item of jewelry , a costume , or a painting ). Creativity may also describe the ability to find new solutions to problems , or new methods of performing

6533-457: Is undefined, and previously created artifacts, whose state stands to be improved. Industrial design can overlap significantly with engineering design , and in different countries the boundaries of the two concepts can vary, but in general engineering focuses principally on functionality or utility of products, whereas industrial design focuses principally on aesthetic and user-interface aspects of products. In many jurisdictions this distinction

6672-603: The Eames Lounge Chair Wood and Eames Lounge Chair . Other influential designers included Henry Dreyfuss , Eliot Noyes , John Vassos , and Russel Wright . Dieter Rams is a German industrial designer closely associated with the consumer products company Braun and the Functionalist school of industrial design. German industrial designer Luigi Colani , who designed cars for automobile manufacturers including Fiat , Alfa Romeo , Lancia , Volkswagen , and BMW ,

6811-557: The Gobelins Manufactory , opened in Paris in 1667 by Louis XIV . Here teams of hundreds of craftsmen, including specialist artists, decorators and engravers, produced sumptuously decorated products ranging from tapestries and furniture to metalwork and coaches , all under the creative supervision of the King's leading artist Charles Le Brun . This pattern of large-scale royal patronage

6950-513: The bourgeoisie ; later, with the further differentiation of classes as capitalist societies developed, the term came to be synonymous with the term petite bourgeoisie . The boom-and-bust cycles of capitalist economies result in the periodic (and more or less temporary) impoverishment and proletarianization of much of the petite bourgeois world, resulting in their moving back and forth between working-class and petite-bourgeois status. The typical modern definitions of "middle class" tend to ignore

7089-420: The growth of empires broadened tastes and diversified markets, and the emergence of a wider middle class created demand for fashionable styles from a much larger and more heterogeneous population. The first use of the term "industrial design" is often attributed to the industrial designer Joseph Claude Sinel in 1919 (although he himself denied this in interviews), but the discipline predates 1919 by at least

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7228-487: The large-scale brain network dynamics associated with creativity. It suggests that creativity is an optimization and utility-maximization problem that requires individuals to determine the optimal way to exploit and explore ideas (the multi-armed bandit problem ). This utility maximization process is thought to be mediated by the locus coeruleus system, and this creativity framework describes how tonic and phasic locus coeruleus activity work in conjunction to facilitate

7367-594: The "Geneplore" model, in which creativity takes place in two phases: a generative phase, where an individual constructs mental representations called "preinventive" structures, and an exploratory phase where those structures are used to come up with creative ideas. Some evidence shows that when people use their imagination to develop new ideas, those ideas are structured in predictable ways by the properties of existing categories and concepts. Weisberg argued, by contrast, that creativity involves ordinary cognitive processes yielding extraordinary results. Helie and Sun proposed

7506-681: The "middle class" which stands between the ruling capitalist "owners of the means of production" and the working class (whose income is derived solely from hourly wages). Pioneer 20th century American Marxist theoretician Louis C. Fraina (Lewis Corey) defined the middle class as "the class of independent small enterprisers, owners of productive property from which a livelihood is derived". From Fraina's perspective, this social category included "propertied farmers" but not propertyless tenant farmers . Middle class also included salaried managerial and supervisory employees but not "the masses of propertyless, dependent salaried employees. Fraina speculated that

7645-731: The 14th century—notably in Chaucer's The Parson's Tale to indicate divine creation. The modern meaning of creativity in reference to human creation did not emerge until after the Enlightenment . In a summary of scientific research into creativity, Michael Mumford suggests, "We seem to have reached a general agreement that creativity involves the production of novel , useful products." In Robert Sternberg 's words, creativity produces "something original and worthwhile". Authors have diverged dramatically in their precise definitions beyond these general commonalities: Peter Meusburger estimates that over

7784-558: The 1990s as "New Labour" , a party competing with the Conservative Party for the votes of the middle-class as well as those of the Labour Party's traditional group of voters – the working-class. Around 40% of British people consider themselves to be middle class, and this number has remained relatively stable over the last few decades. According to the OECD , the middle class refers to households with income between 75% and 200% of

7923-466: The Chinese middle class differs substantially from its Western counterparts. Despite its growth, it remains a relatively small group profoundly joined with the Chinese state. This unique relationship challenges assumptions about its role in political change. Criticisms from this demographic often center on improving efficiency and social justice within the existing political framework, rather than advocating for

8062-467: The Chinese population were considered middle class as of 2017. China's middle class represents a significant market force with effects extending beyond its borders. The promise of increased prosperity and a consumer society has been a driving force behind this growth, while also suggesting the potential for political changes similar to those seen in Europe and North America. However, it's important to note that

8201-573: The Fine Arts or to Industrial Design, until they have completed their exercises in drawing and painting of the figure from the antique and from the living model. It is for this reason, and from the fact that artists for industrial purposes are both well-paid and highly considered (as being well-instructed men), that so many individuals in France engage themselves in both pursuits. The Practical Draughtsman's Book of Industrial Design by Jacques-Eugène Armengaud

8340-628: The Four P model as individualistic, static, and decontextualized, Vlad Petre Glăveanu proposed a "five A's" model consisting of actor, action, artifact, audience, and affordance. In this model, the actor is the person with attributes but also located within social networks; action is the process of creativity not only in internal cognitive terms but also external, bridging the gap between ideation and implementation; artifacts emphasize how creative products typically represent cumulative innovations over time rather than abrupt discontinuities; and "press/place"

8479-688: The National Association of Schools of Art and Design (NASAD). Of course, engineering education requires heavy training in mathematics and physical sciences, which is not typically required in industrial design education. Most industrial designers complete a design or related program at a vocational school or university. Relevant programs include graphic design , interior design, industrial design, architectural technology, and drafting . Diplomas and degrees in industrial design are offered at vocational schools and universities worldwide. Diplomas and degrees take two to four years of study. The study results in

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8618-523: The Paris school; and having been disorganized by the revolution, was restored by Napoleon and differently constituted, being then erected into an Academy of Fine Art: to which the study of design for silk manufacture was merely attached as a subordinate branch. It appears that all the students who entered the school commence as if they were intended for artists in the higher sense of the word and are not expected to decide as to whether they will devote themselves to

8757-519: The Renaissance that creativity was first observed, not as a conduit for the divine, but from the abilities of " great men ". The development of the modern concept of creativity began in the Renaissance, when creation began to be perceived as having originated from the abilities of the individual and not God. This could be attributed to the leading intellectual movement of the time, aptly named humanism , which developed an intensely human-centric outlook on

8896-638: The USA's first industrial design degree programs in 1934 at Carnegie Institute of Technology . Product design and industrial design overlap in the fields of user interface design , information design , and interaction design . Various schools of industrial design specialize in one of these aspects, ranging from pure art colleges and design schools (product styling), to mixed programs of engineering and design, to related disciplines such as exhibit design and interior design , to schools that almost completely subordinated aesthetic design to concerns of usage and ergonomics,

9035-410: The accumulation of expertise, but it is predicted by honing theory, according to which personal style reflects the creator's uniquely structured worldview. Another example is the environmental stimulus for creativity. Creativity is commonly considered to be fostered by a supportive, nurturing, and trustworthy environment conducive to self-actualization. In line with this idea, Gabora posits that creativity

9174-477: The act of conceiving of a variety of ideas that are not necessarily new or unique. Other researchers have occasionally used the terms flexible thinking or fluid intelligence , which are also roughly similar to (but not synonymous with) creativity. While convergent and divergent thinking differ greatly in terms of approach to problem solving, it is believed that both are employed to some degree when solving most real-world problems. In 1992, Finke et al. proposed

9313-532: The brain cooperate during creative tasks, suggesting a complex interaction between these networks in facilitating everyday imaginative thought. The term "dialectical theory of creativity" dates back to psychoanalyst Daniel Dervin and was later developed into an interdisciplinary theory. The dialectical theory of creativity starts with the ancient concept that creativity takes place in an interplay between order and chaos. Similar ideas can be found in neuroscience and psychology. Neurobiologically, it can be shown that

9452-419: The career trajectories of eminent creative people in order to map patterns and predictors of creative productivity. Theories of creativity (and empirical investigations of why some people are more creative than others) have focused on a variety of aspects. The dominant factors are usually identified as "the four P's", a framework first put forward by Mel Rhodes : In 2013, based on a sociocultural critique of

9591-479: The city. In France , the middle classes helped drive the French Revolution . This "middle class" eventually overthrew the ruling monarchists of feudal society, thus becoming the new ruling class or bourgeoisie in the new capitalist-dominated societies. The modern usage of the term "middle-class", however, dates to the 1913 UK Registrar-General's report, in which the statistician T. H. C. Stevenson identified

9730-458: The complete interior of the Eagle Premier . Milwaukee's Brooks Stevens was best known for his Milwaukee Road Skytop Lounge car and Oscar Mayer Wienermobile designs, among others. Viktor Schreckengost designed bicycles manufactured by Murray bicycles for Murray and Sears, Roebuck and Company. With engineer Ray Spiller, he designed the first truck with a cab-over-engine configuration,

9869-450: The concept of an external creative " daemon " (Greek) or " genius " (Latin), linked to the sacred or the divine. However, none of these views are similar to the modern concept of creativity, and the rejection of creativity in favor of discovery and the belief that individual creation was a conduit of the divine would dominate the West probably until the Renaissance and even later. It was during

10008-451: The concept of creativity, seeing art as a form of discovery and not creation. The ancient Greeks had no terms corresponding to "to create" or "creator" except for the expression " poiein " ("to make"), which only applied to poiesis (poetry) and to the poietes (poet, or "maker" who made it. Plato did not believe in art as a form of creation. Asked in the Republic , "Will we say of

10147-541: The creation of a shape, configuration or composition of pattern or color, or combination of pattern and color in three-dimensional form containing aesthetic value. An industrial design can be a two- or three-dimensional pattern used to produce a product, industrial commodity or handicraft. Under the Hague Agreement Concerning the International Deposit of Industrial Designs , a WIPO -administered treaty,

10286-455: The creative process by pioneering theorists such as Graham Wallas and Max Wertheimer . In his work Art of Thought , published in 1926, Wallas presented one of the first models of the creative process. In the Wallas stage model, creative insights and illuminations may be explained by a process consisting of five stages: Wallas' model is also often treated as four stages, with "intimation" seen as

10425-657: The creative process takes place in a dynamic interplay between coherence and incoherence that leads to new and usable neuronal networks. Psychology shows how the dialectics of convergent and focused thinking with divergent and associative thinking leads to new ideas and products. Personality traits like the "Big Five" seem to be dialectically intertwined in the creative process: emotional instability vs. stability, extraversion vs. introversion, openness vs. reserve, agreeableness vs. antagonism, and disinhibition vs. constraint. The dialectical theory of creativity applies also to counseling and psychotherapy. Lin and Vartanian developed

10564-447: The design protection provided by the resulting international registrations. The Hague System does not require the applicant to file a national or regional design application. in 2019 in 2020 in 2021 in 2022 in 2023 A number of industrial designers have made such a significant impact on culture and daily life that their work is documented by historians of social science. Alvar Aalto , renowned as an architect , also designed

10703-463: The developed one, since their money incomes do not match developed country levels, but the percentage of it which is discretionary does. By this definition, the number of middle-class people in Asia exceeded that in the West sometime around 2007 or 2008. The Economist 's article pointed out that in many emerging countries, the middle class has not grown incrementally but explosively. The point at which

10842-429: The difference between creativity and originality. Götz asserted that one can be creative without necessarily being original. When someone creates something, they are certainly creative at that point, but they may not be original in the case that their creation is not something new. However, originality and creativity can go hand-in-hand. Creativity in general is usually distinguished from innovation in particular, where

10981-513: The difficulty; searching for solutions, making guesses, or formulating hypotheses about the deficiencies: testing and retesting these hypotheses and possibly modifying and retesting them; and finally communicating the results." Ignacio L. Götz, following the etymology of the word, argues that creativity is not necessarily "making". He confines it to the act of creating without thinking about the end product. While many definitions of creativity seem almost synonymous with originality, he also emphasized

11120-406: The distributed neural cell assemblies that participate in the encoding of experiences in memory. Midway through the creative process, one may have made associations between the current task and previous experiences but not yet disambiguated which aspects of those previous experiences are relevant to the current task. Thus, the creative idea may feel "half-baked.". At that point, it can be said to be in

11259-504: The driving force for sustainable development. This assumption, however, is contested (see below). As the American middle class is estimated by some researchers to comprise approximately 45% of the population, The Economist 's article would put the size of the American middle class below the world average. This difference is due to the extreme difference in definitions between The Economist 's and many other models . In 2010,

11398-528: The emergence of large workshops in cities such as Florence , Venice , Nuremberg , and Bruges , where groups of more specialized craftsmen made objects with common forms through the repetitive duplication of models which defined by their shared training and technique. Competitive pressures in the early 16th century led to the emergence in Italy and Germany of pattern books : collections of engravings illustrating decorative forms and motifs which could be applied to

11537-436: The emotional attachment of the user. These values and accompanying aspects that form the basis of industrial design can vary—between different schools of thought, and among practicing designers. Industrial design rights are intellectual property rights that make exclusive the visual design of objects that are not purely utilitarian. A design patent would also be considered under this category. An industrial design consists of

11676-402: The entire category of salaried employees might be adequately described as a "new middle class" in economic terms, although this remained a social grouping in which "most of whose members are a new proletariat." In 1977, Barbara Ehrenreich and John Ehrenreich defined a new class in the United States as "salaried mental workers who do not own the means of production and whose major function in

11815-436: The exigencies of political purpose which they were conceived to serve in the first place as well as due to the multiplicity of more- or less-scientific methods used to measure and compare wealth between modern advanced industrial states, where poverty is relatively low and the distribution of wealth more egalitarian in a relative sense, and in developing countries, where poverty and a profoundly unequal distribution of wealth crush

11954-476: The exploiting and exploring of creative ideas. This framework not only explains previous empirical results but also makes novel and falsifiable predictions at different levels of analysis (ranging from neurobiological to cognitive and personality differences). B.F. Skinner attributed creativity to accidental behaviors that are reinforced by the environment. In behaviorism, creativity can be understood as novel or unusual behaviors that are reinforced if they produce

12093-599: The fact that the classical petite-bourgeoisie is and has always been the owner of a small-to medium-sized business whose income is derived almost exclusively from the employment of workers; "middle class" came to refer to the combination of the labour aristocracy , professionals , and salaried, white-collar workers . The size of the middle class depends on how it is defined, whether by education, wealth , environment of upbringing, social network , manners or values, etc. These are all related, but are far from deterministically dependent. The following factors are often ascribed in

12232-543: The first sense, it is used for the bourgeoisie (the urban merchant and professional class) that arose between the aristocracy and the proletariat in the waning years of feudalism in the Marxist model. Vladimir Lenin stated that the "peasantry ... in Russia constitute eight- or nine-tenths of the petty bourgeoisie". However, in modern developed countries, Marxist writers define the petite bourgeoisie as primarily comprising (as

12371-559: The gap between what is and what's possible. It is a trans-disciplinary profession that harnesses creativity to resolve problems and co-create solutions with the intent of making a product, system, service, experience or a business, better. At its heart, Industrial Design provides a more optimistic way of looking at the future by reframing problems as opportunities. It links innovation, technology, research, business and customers to provide new value and competitive advantage across economic, social and environmental spheres. Industrial Designers place

12510-484: The human in the centre of the process. They acquire a deep understanding of user needs through empathy and apply a pragmatic, user centric problem solving process to design products, systems, services and experiences. They are strategic stakeholders in the innovation process and are uniquely positioned to bridge varied professional disciplines and business interests. They value the economic, social and environmental impact of their work and their contribution towards co-creating

12649-452: The individual attributes of a person, such as their aesthetic taste, while Chinese people view creativity more in terms of the social influence of creative people (i.e., what they can contribute to society). Mpofu et al. surveyed 28 African languages and found that 27 had no word which directly translated to "creativity" (the exception being Arabic). The linguistic relativity hypothesis (i.e., that language can affect thought) suggests that

12788-454: The industrial designers and/or other team members. Industrial designers often utilize 3D software, computer-aided industrial design and CAD programs to move from concept to production. They may also build a prototype or scaled down sketch models through a 3D printing process or using other materials such as paper, balsa wood, various foams, or clay for modeling. They may then use industrial CT scanning to test for interior defects and generate

12927-427: The intersection of two quite different frames of reference. In the 1990s, various approaches in cognitive science that dealt with metaphor , analogy , and structure mapping converged, and a new integrative approach to the study of creativity in science, art, and humor emerged under the label conceptual blending . Honing theory, developed principally by psychologist Liane Gabora , posits that creativity arises due to

13066-611: The lack of an equivalent word for "creativity" may affect the views of creativity among speakers of such languages. However, more research would be needed to establish this, and there is certainly no suggestion that this linguistic difference makes people any less, or more, creative. Nevertheless, it is true that there has been very little research on creativity in Africa, and there has also been very little research on creativity in Latin America. Creativity has been more thoroughly researched in

13205-465: The literature on this topic to a "middle class:" In the United States, by the end of the twentieth century, more people identified themselves as middle-class (with insignificant numbers identifying themselves as upper-class). The Labour Party in the UK, which grew out of the organised labour movement and originally drew almost all of its support from the working-class, reinvented itself under Tony Blair in

13344-483: The mechanical and other functional aspects of the product, assuring functionality and manufacturability, and with marketers to identify and fulfill customer needs and expectations. Industrial design (ID) is the professional service of creating and developing concepts and specifications that optimize the function, value and appearance of products and systems for the mutual benefit of both user and manufacturer. Industrial Designers Society of America , Design, itself,

13483-426: The median national income. Marxism defines social classes according to their relationship with the means of production . The main basis of social class division of Marxism: the possession of means of production, the role and position it plays in social labor organization (production process), the distribution of wealth and resources and the amount. Marxist writers have used the term middle class in various ways. In

13622-570: The mid-1970s it was estimated by one authority that the Brazilian middle class comprised between 15 and 25% of the population. A 1969 economic survey estimated that 15% of Brazilians belonged to the middle class. By 1970, according to one study, the middle class of Argentina comprised 38% of the economically active population, compared with 19% in Brazil and 24% in Mexico . A 1975 study on Mexico estimated that

13761-461: The middle class as those falling between the upper-class and the working-class . The middle class includes: professionals, managers, and senior civil servants. The chief defining characteristic of membership in the middle-class is control of significant human capital while still being under the dominion of the elite upper class, who control much of the financial and legal capital in the world. Within capitalism, "middle-class" initially referred to

13900-452: The middle class in 1968 (defined as families earning between 2,000 and 5,000 pesos annually) comprised 36.4% of the population, while the upper class (defined as families earning over 5,000 pesos annually) comprised 9.4% of the population and the lower class (defined as families earning less than 2,000 pesos annually) comprised 53.9% of the population. According to a study by the World Bank ,

14039-541: The middle fifth of individuals on a nation's income ladder, to everyone but the poorest and wealthiest 20%. Theories like "Paradox of Interest" use decile groups and wealth distribution data to determine the size and wealth share of the middle class. Terminology differs in the United States , where the term middle class describes people who in other countries would be described as working class . There has been significant global middle-class growth over time. In February 2009, The Economist asserted that over half of

14178-640: The millennial generation is being pushed out of the middle class throughout the Western world. Since the beginning of the 21st century, China 's middle class has grown by significant margins. According to the Center for Strategic and International Studies , by 2013, some 420 million people, or 31%, of the Chinese population qualified as middle class. Based on the World Bank definition of middle class as those having with daily spending between $ 10 and $ 50 per day, nearly 40% of

14317-579: The modern sense, which did not arise until the Renaissance . In the Judeo-Christian-Islamic tradition, creativity was the sole province of God; humans were not considered to have the ability to create something new except as an expression of God's work. A concept similar to that in Christianity existed in Greek culture. For instance, Muses were seen as mediating inspiration from the gods. Romans and Greeks invoked

14456-428: The name implies) owners of small to medium-sized businesses, who derive their income from the exploitation of wage-laborers (and who are in turn exploited by the "big" bourgeoisie i.e. bankers, owners of large corporate trusts, etc.) as well as the highly educated professional class of doctors, engineers, architects, lawyers, university professors, salaried middle-management of capitalist enterprises of all sizes, etc. – as

14595-442: The neural foundations and practical implications of imagination. Creative thinking is a central aspect of everyday life, encompassing both controlled and undirected processes. This includes divergent thinking and stage models, highlighting the importance of extra- and meta-cognitive contributions to imaginative thought. Brain network dynamics play a crucial role in creative cognition. The default and executive control networks in

14734-529: The northern hemisphere, but here again there are cultural differences, even between countries or groups of countries in close proximity. For example, in Scandinavian countries, creativity is seen as an individual attitude which helps in coping with life's challenges, while in Germany, creativity is seen more as a process that can be applied to help solve problems. James C. Kaufman and Ronald A. Beghetto introduced

14873-589: The number of Latin Americans who are middle class rose from 103 million to 152 million between 2003 and 2009. In 2012, the "middle class" in Russia was estimated as 15% of the whole population. Due to sustainable growth , the pre-crisis level was exceeded. In 2015, research from the Russian Academy of Sciences estimated that around 15% of the Russian population are "firmly middle class", while around another 25% are "on

15012-401: The point of its creation, according to their own manual skill, the requirements of their clients, experience accumulated through their own experimentation, and knowledge passed on to them through training or apprenticeship . The division of labour that underlies the practice of industrial design did have precedents in the pre-industrial era. The growth of trade in the medieval period led to

15151-544: The point that it is established as a new and creative idea. Just like in the financial world, some investments are worth the buy-in, while others are less productive and do not build to the extent that the investor expected. This investment theory of creativity asserts that creativity might rely to some extent on the right investment of effort being added to a field at the right time in the right way. Jürgen Schmidhuber 's formal theory of creativity postulates that creativity, curiosity, and interestingness are by-products of

15290-412: The poor do, and defined it as beginning at the point where people have roughly a third of their income left for discretionary spending after paying for basic food and shelter. This allows people to buy consumer goods, improve their health care, and provide for their children's education. Most of the emerging middle class consists of people who are middle class by the standards of the developing world but not

15429-491: The poor start entering the middle class by the millions is alleged to be the time when poor countries get the maximum benefit from cheap labour through international trade , before they price themselves out of world markets for cheap goods. It is also a period of rapid urbanization, when subsistence farmers abandon marginal farms to work in factories, resulting in a several-fold increase in their economic productivity before their wages catch up to international levels. That stage

15568-463: The problem. J. P. Guilford drew a distinction between convergent and divergent production (commonly renamed convergent and divergent thinking ). Convergent thinking involves aiming for a single, correct, or best solution to a problem (e.g., "How can we get a crewed rocket to land on the moon safely and within budget?"). Divergent thinking, on the other hand, involves the creative generation of multiple answers to an open-ended prompt (e.g., "How can

15707-412: The problem. Ward lists various hypotheses that have been advanced to explain why incubation may aid creative problem-solving and notes how some empirical evidence is consistent with a different hypothesis: Incubation aids creative problems in that it enables "forgetting" of misleading clues. The absence of incubation may lead the problem solver to become fixated on inappropriate strategies of solving

15846-464: The processes through which creativity occurs. Interpretation of the results of these studies has led to several possible explanations of the sources and methods of creativity. "Incubation" is a temporary break from creative problem solving that can result in insight. Empirical research has investigated whether, as the concept of "incubation" in Wallas 's model implies, a period of interruption or rest from

15985-560: The product remained in the hands of the individual craftsman, and tended to decline as the scale of production increased. The emergence of industrial design is specifically linked to the growth of industrialization and mechanization that began with the Industrial Revolution in Great Britain in the mid 18th century. The rise of industrial manufacture changed the way objects were made, urbanization changed patterns of consumption ,

16124-531: The recognition of creativity (as measured) as a separate aspect of human cognition from IQ -type intelligence, into which it had previously been subsumed. Guilford's work suggested that above a threshold level of IQ, the relationship between creativity and classically measured intelligence broke down. Creativity is viewed differently in different countries. For example, cross-cultural research centered in Hong Kong found that Westerners view creativity more in terms of

16263-455: The recollection of our readers. His report on this subject was ordered to be printed some few months since, on the motion of Mr. Hume; and it is the sum and substance of this Report that we are now about to lay before our own especial portion of the reading public. The school of St. Peter, at Lyons, was founded about 1750, for the instruction of draftsmen employed in preparing patterns for the silk manufacture. It has been much more successful than

16402-556: The same period, the proportion of " upper middle class " income ($ 20–$ 50 a day) went from 1.4% to 2.3%. According to a 2014 study by the German Development Institute, the middle class of Sub-Saharan Africa rose from 14 million to 31 million people between 1990 and 2010. Over the years estimates on the size of the Latin America 's middle class have varied. A 1960 study stated that the middle strata in Latin America as

16541-428: The self-organizing, self-mending nature of a worldview. The creative process is a way in which the individual hones (and re-hones) an integrated worldview. Honing theory places emphasis not only on the externally visible creative outcome but also on the internal cognitive restructuring and repair of the worldview brought about by the creative process and production. When one is faced with a creatively demanding task, there

16680-440: The separation being made between talent (productive, but not new ground) and genius. As an independent topic of study, creativity effectively received little attention until the 19th century. Runco and Albert argue that creativity as the subject of proper study began seriously to emerge in the late 19th century with the increased interest in individual differences inspired by the arrival of Darwinism . In particular, they refer to

16819-482: The so-called functionalist school. Except for certain functional areas of overlap between industrial design and engineering design, the former is considered an applied art while the latter is an applied science. Educational programs in the U.S. for engineering require accreditation by the Accreditation Board for Engineering and Technology (ABET) in contrast to programs for industrial design which are accredited by

16958-692: The social division of labor ... [is] ... the reproduction of capitalist culture and capitalist class relations;" the Ehrenreichs named this group the "professional–managerial class". This group of middle-class professionals is distinguished from other social classes by their training and education (typically business qualifications and university degrees), with example occupations including academics and teachers , social workers , engineers , accountants , managers , nurses , and middle-level administrators. The Ehrenreichs developed their definition from studies by André Gorz , Serge Mallet, and others, of

17097-410: The social sciences (such as sociology , linguistics, and economics ), as well as engineering , technology , and mathematics. Subjects of study include the relationships between creativity and general intelligence, personality, neural processes, and mental health ; the potential for fostering creativity through education, training, and organizational practices; the factors that determine how creativity

17236-527: The stress is on implementation. For example, Teresa Amabile and Pratt define creativity as the production of novel and useful ideas and innovation as the implementation of creative ideas, while the OECD and Eurostat state that "[i]nnovation is more than a new idea or an invention. An innovation requires implementation, either by being put into active use or by being made available for use by other parties, firms, individuals, or organizations." Therefore, while creativity involves generating new ideas, innovation

17375-683: The terms "Big C" and "Little C" has been widely used. Kozbelt, Beghetto, and Runco use a little-c/Big-C model to review major theories of creativity. Margaret Boden distinguishes between h-creativity (historical) and p-creativity (personal). Ken Robinson and Anna Craft focused on creativity in a general population, particularly with respect to education. Craft makes a similar distinction between "high" and "little c" creativity and cites Robinson as referring to "high" and "democratic" creativity. Mihaly Csikszentmihalyi defined creativity in terms of individuals judged to have made significant creative, perhaps domain-changing contributions. Simonton analyzed

17514-448: The theory was developed based on the CLARION cognitive architecture and used to simulate relevant human data. This work is an initial step in the development of process-based theories of creativity encompassing incubation, insight, and various other related phenomena. In The Act of Creation , Arthur Koestler introduced the concept of bisociation – that creativity arises as a result of

17653-567: The vast majority of the population. Many of these methods of comparison have been harshly criticised; for example, economist Thomas Piketty , in his book Capital in the Twenty-First Century , describes one of the most commonly used comparative measures of wealth across the globe, the Gini coefficient , as being an example of "synthetic indices ... which mix very different things, such as inequality with respect to labor and capital, so that it

17792-517: The way the product is presented to the consumer at the point of sale . The inclusion of industrial designers in a product development process may lead to added value by improving usability , lowering production costs, and developing more appealing products. Industrial design may also focus on technical concepts, products, and processes. In addition to aesthetics , usability, and ergonomics , it can also encompass engineering, usefulness, market placement, and other concerns—such as psychology, desire, and

17931-471: The work of Francis Galton , who, through his eugenicist outlook took a keen interest in the heritability of intelligence, with creativity taken as an aspect of genius. In the late 19th and early 20th centuries, leading mathematicians and scientists such as Hermann von Helmholtz (1896) and Henri Poincaré (1908) began to reflect on and publicly discuss their creative processes. The insights of Poincaré and von Helmholtz were built on in early accounts of

18070-585: The work of H.L. Hargreaves into the Faculty of Imagination, the formal psychometric measurement of creativity, from the standpoint of orthodox psychological literature, is usually considered to have begun with J.P. Guilford 's address to the American Psychological Association in 1950. The address helped to popularize the study of creativity and to focus attention on scientific approaches to conceptualizing creativity. Statistical analyzes led to

18209-590: The world's population belonged to the middle class, as a result of rapid growth in emerging countries. It characterized the middle class as having a reasonable amount of discretionary income and defined it as beginning at the point where people have roughly a third of their income left for discretionary spending after paying for basic food and shelter. The term "middle class" is first attested in James Bradshaw's 1745 pamphlet Scheme to prevent running Irish Wools to France. Another phrase used in early modern Europe

18348-412: The world, valuing the intellect and achievement of the individual. From this philosophy arose the Renaissance man (or polymath), an individual who embodies the principles of humanism in their ceaseless courtship with knowledge and creation. One of the most well-known and immensely accomplished examples is Leonardo da Vinci . However, the shift from divine inspiration to the abilities of the individual

18487-414: Was "the middling sort". The term "middle class" has had several and sometimes contradictory meanings. Friedrich Engels saw the category as an intermediate social class between the nobility and the peasantry in late-feudalist society. While the nobility owned much of the countryside, and the peasantry worked it, a new bourgeoisie (literally "town-dwellers") arose around mercantile functions in

18626-549: Was also known to the general public for his unconventional approach to industrial design. He had expanded in numerous areas ranging from mundane household items, instruments and furniture to trucks, uniforms and entire rooms. A grand piano created by Colani, the Pegasus , is manufactured and sold by the Schimmel piano company. Many of Apple 's recent products were designed by Sir Jonathan Ive . Creativity Creativity

18765-407: Was considered an expression of God's work; the modern conception of creativity came about during the Renaissance , influenced by humanist ideas. Scholarly interest in creativity is found in a number of disciplines, primarily psychology , business studies , and cognitive science ; however, it is also present in education, the humanities (including philosophy and the arts ), theology , and

18904-529: Was gradual and would not become immediately apparent until the Enlightenment . By the 18th century and the Age of Enlightenment, mention of creativity (notably in aesthetics ), linked with the concept of imagination, became more frequent. In the writing of Thomas Hobbes , imagination became a key element of human cognition; William Duff was one of the first to identify imagination as a quality of genius, typifying

19043-514: Was printed in 1853. The subtitle of the (translated) work explains, that it wants to offer a "complete course of mechanical, engineering, and architectural drawing." The study of those types of technical drawing, according to Armengaud, belongs to the field of industrial design. This work paved the way for a big expansion in the field of drawing education in France, the United Kingdom, and the United States. Robert Lepper helped to establish one of

19182-461: Was reached in China sometime between 1990 and 2005, when the Chinese "middle class" grew from 15% to 62% of the population and is just being reached in India now. The Economist predicted that surge across the poverty line should continue for a couple of decades and the global middle class will grow exponentially between now and 2030. Based on the rapid growth, scholars expect the global middle class to be

19321-526: Was repeated in the court porcelain factories of the early 18th century, such as the Meissen porcelain workshops established in 1709 by the Grand Duke of Saxony , where patterns from a range of sources, including court goldsmiths, sculptors, and engravers, were used as models for the vessels and figurines for which it became famous. As long as reproduction remained craft-based, however, the form and artistic quality of

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