98-508: This article describes all named characters appearing in J. R. R. Tolkien 's 1937 book The Hobbit . Creatures as collectives are not included. Characters are categorized by race. Spelling and point of view are given as from The Hobbit . Thorin's Company consisted of the following thirteen dwarves . Their quest in The Hobbit is the main impetus of the plot. Their quest was joined by Bilbo Baggins (the titular hobbit ) and occasionally by
196-405: A Bildungsroman rather than a traditional quest. The Jungian concept of individuation is also reflected through this theme of growing maturity and capability, with the author contrasting Bilbo's personal growth against the arrested development of the dwarves. Thus, while Gandalf exerts a parental influence over Bilbo early on, it is Bilbo who gradually takes over leadership of the party, a fact
294-522: A secret door . While Thrór and Thráin later perish, Thorin lives in exile in the Ered Luin , far to the west. On a journey, he meets the wizard Gandalf . Together they form a plan to reclaim the mountain. Gandalf insists that burglary is the best approach and recommends the hobbit Bilbo Baggins . Bilbo, Thorin, and Thorin's company of twelve other Dwarves travel to the Lonely Mountain to regain
392-459: A 1955 letter to W. H. Auden , Tolkien recollects that he began The Hobbit one day early in the 1930s. While he was marking School Certificate papers, he found a blank page. Suddenly inspired, he wrote the words, "In a hole in the ground there lived a hobbit." By late 1932 he had finished the story and then lent the manuscript to several friends, including C. S. Lewis and a student of Tolkien's named Elaine Griffiths. In 1936, when Griffiths
490-474: A binding, but Tolkien objected to several elements. Through several iterations, the final design ended up as mostly the author's. The spine shows runes: two " þ " ( Thráin and Thrór) runes and one " d " (door). The front and back covers were mirror images of each other, with an elongated dragon characteristic of Tolkien's style stamped along the lower edge, and with a sketch of the Misty Mountains stamped along
588-515: A boy by Samuel Rutherford Crockett 's historical novel The Black Douglas and of basing the Necromancer— Sauron —on its villain, Gilles de Retz . Incidents in both The Hobbit and Lord of the Rings are similar in narrative and style to the novel, and its overall style and imagery have been suggested as having had an influence on Tolkien. The Tolkien scholar Mark T. Hooker has catalogued
686-601: A colony there but five years later Balin is killed by an Orc, and soon afterwards Moria is overrun by Orcs and the rest of the Dwarves are killed. Gimli , a dwarf of Erebor and the son of Glóin , one of Thorin's twelve companions, is chosen to represent his people in the Fellowship of the Ring ; he helps Aragorn regain the throne of Gondor . In the War of the Ring , an emissary from Sauron ,
784-522: A company of thirteen dwarves . Thorin Oakenshield is the proud, pompous head of the company of dwarves and heir to the destroyed dwarvish kingdom under the Lonely Mountain . Smaug is a dragon who long ago pillaged the dwarvish kingdom of Thorin's grandfather and sleeps upon the vast treasure. The plot involves a host of other characters of varying importance, such as the twelve other dwarves of
882-421: A cup from the dragon's hoard, rousing him to wrath—an incident directly mirroring Beowulf and an action entirely determined by traditional narrative patterns. As Tolkien wrote, "The episode of the theft arose naturally (and almost inevitably) from the circumstances. It is difficult to think of any other way of conducting the story at this point. I fancy the author of Beowulf would say much the same." The name of
980-458: A gap in the ancient dragon's armour. The enraged dragon, deducing that Lake-town has aided the intruders, flies off to destroy the town. A thrush overhears Bilbo's report of Smaug's vulnerability and tells Lake-town resident Bard. Smaug wreaks havoc on the town, until Bard shoots an arrow into the chink in Smaug's armour , killing the dragon. When the dwarves take possession of the mountain, Bilbo finds
1078-506: A handful of children's books that have been accepted into mainstream literature, alongside Jostein Gaarder 's Sophie's World (1991) and J. K. Rowling 's Harry Potter series (1997–2007). Tolkien intended The Hobbit as a "fairy-story" and wrote it in a tone suited to addressing children; he said later that the book was not specifically written for children, but had rather been created out of his interest in mythology and legend. Many of
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#17328558490071176-435: A leadership role and acts and makes decisions independently. The Tolkien scholar Jared Lobdell comments that he is "profoundly unsympathetic" to Matthews's approach, but that she "carries it off well". Lobdell explains, citing C. S. Lewis 's essay "Psychoanalysis and Literary Criticism", that many different stories could, for instance, have the same Freudian interpretation, but be quite different as literature. He remarks on
1274-581: A lengthy series of parallels between The Hobbit and Jules Verne 's 1864 Journey to the Center of the Earth . These include, among other things, a hidden runic message and a celestial alignment that direct the adventurers to the goals of their quests. Tolkien's portrayal of goblins in The Hobbit was particularly influenced by George MacDonald 's The Princess and the Goblin . However, MacDonald's influence on Tolkien
1372-496: A linguistic shifting in level from the inanimate to animate. Tolkien saw the idea of animism as closely linked to the emergence of human language and myth: "...The first men to talk of 'trees and stars' saw things very differently. To them, the world was alive with mythological beings... To them the whole of creation was 'myth-woven and elf-patterned'." As in plot and setting, Tolkien brings his literary theories to bear in forming characters and their interactions. He portrays Bilbo as
1470-449: A man who can assume bear form; and Bard the Bowman , a grim but honourable archer of Lake-town . Gandalf tricks Bilbo Baggins into hosting a party for Thorin Oakenshield and his band of twelve dwarves (Dwalin, Balin, Kili, Fili, Dori, Nori, Ori, Oin, Gloin, Bifur, Bofur, and Bombur), who go over their plans to reclaim their ancient home, Lonely Mountain , and its vast treasure from
1568-441: A modern anachronism exploring an essentially antique world. Bilbo is able to negotiate and interact within this antique world because language and tradition make connections between the two worlds. For example, Gollum 's riddles are taken from old historical sources, while those of Bilbo come from modern nursery books. It is the form of the riddle game, familiar to both, which allows Gollum and Bilbo to engage each other, rather than
1666-663: A sense of humour. Tolkien achieves balance of humour and danger through other means as well, as seen in the foolishness and Cockney dialect of the trolls and in the drunkenness of the elven captors. The general form—that of a journey into strange lands, told in a light-hearted mood and interspersed with songs—may be following the model of The Icelandic Journals by William Morris , an important literary influence on Tolkien. Tolkien's works show many influences from Norse mythology , reflecting his lifelong passion for those stories and his academic interest in Germanic philology . The Hobbit
1764-679: A veteran may well be summed up by Bilbo's comment: "Victory after all, I suppose! Well, it seems a very gloomy business." On its publication in October 1937, The Hobbit was met with almost unanimously favourable reviews from publications both in the UK and the US, including The Times , Catholic World and New York Post . C. S. Lewis , friend of Tolkien (and later author of The Chronicles of Narnia between 1949 and 1954), writing in The Times reports: The truth
1862-432: Is "ancient time between the age of Faerie and the dominion of men" in an unnamed fantasy world . The world is shown on the endpaper map as "Western Lands" westward and " Wilderland " as the east. Originally this world was self-contained, but as Tolkien began work on The Lord of the Rings , he decided these stories could fit into the legendarium he had been working on privately for decades. The Hobbit and The Lord of
1960-472: Is a motif explicitly borrowed from Morris. The Tolkien scholar Marjorie Burns writes that Bilbo's character and adventures match many details of Morris's expedition in Iceland. She comments, for instance, that the humorous drawings of Morris riding through the wilds of Iceland by his friend the artist Edward Burne-Jones can serve well as models for Bilbo on his adventures. Tolkien wrote of being impressed as
2058-576: Is illustrated with many black-and-white drawings taken from translations of the story into some 25 languages. Tolkien's use of runes, both as decorative devices and as magical signs within the story, has been cited as a major cause for the popularization of runes within " New Age " and esoteric literature, stemming from Tolkien's popularity with the elements of counter-culture in the 1970s. The Hobbit takes cues from narrative models of children's literature , as shown by its omniscient narrator and characters that young children can relate to, such as
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#17328558490072156-466: Is killed before the gates of Erebor defending the body of his fallen ally King Brand of Dale. Dáin's son Thorin III Stonehelm and King Bard II withstand the siege and rout Sauron's forces. The Jungian psychoanalyst Dorothy Matthews, viewing The Hobbit as a psychological quest , writes that the Lonely Mountain is an apt symbol of Bilbo's maturation as an individual , as the place where he takes on
2254-502: Is mortally injured; he dies shortly afterwards. The title of King under the Mountain passes to Dáin. With the restoration of the Kingdom under the Mountain, the area becomes prosperous again. Dale is rebuilt under Bard's leadership, and Dwarves and Men reforge their friendship. Some of the Dwarves, led by Balin , leave Erebor to reclaim the ancient Dwarvish Kingdom of Moria. They established
2352-565: Is no exception to this; the work shows influences from northern European literature, myths and languages, especially from the Poetic Edda and the Prose Edda . Examples include the names of the dwarves, Fili, Kili, Oin, Gloin, Bifur, Bofur, Bombur, Dori, Nori, Dwalin, Balin , Dain, Nain, and Thorin Oakenshield, along with Gandalf which was a dwarf-name in the Norse. But while their names are Norse,
2450-566: Is recognized as a classic in children's literature and is one of the best-selling books of all time , with over 100 million copies sold. The Hobbit is set in Middle-earth and follows home-loving Bilbo Baggins , the hobbit of the title, who joins the wizard Gandalf and the thirteen dwarves of Thorin's Company , on a quest to reclaim the dwarves' home and treasure from the dragon Smaug . Bilbo's journey takes him from his peaceful rural surroundings into more sinister territory. The story
2548-402: Is that in this book a number of good things, never before united, have come together: a fund of humour, an understanding of children, and a happy fusion of the scholar's with the poet's grasp of mythology... The professor has the air of inventing nothing. He has studied trolls and dragons at first hand and describes them with that fidelity that is worth oceans of glib "originality." Lewis compares
2646-412: Is the scene of the novel's climax. The mountain has been described as the goal of Bilbo's psychological quest in The Hobbit ; scholars have noted that it and The Lord of the Rings are both structured as quests to a distant mountain, but that the quests have very different motivations. Further, the mountain is a symbol of adventure in The Hobbit , and of Bilbo's maturation as an individual, while to
2744-465: Is told in the form of a picaresque or episodic quest ; several chapters introduce a new type of monster or threat as Bilbo progresses through the landscape. Bilbo gains a new level of maturity, competence, and wisdom by accepting the disreputable, romantic, fey, and adventurous sides of his nature and applying his wits and common sense. The story reaches its climax in the Battle of Five Armies, where many of
2842-557: The Ancrene Wisse (which Tolkien had written on in 1929), and a Christian understanding of Beowulf . Shippey comments that Bilbo is nothing like a king, and that Chance's talk of "types" just muddies the waters, though he agrees with her that there are "self-images of Tolkien" throughout his fiction; and she is right, too, in seeing Middle-earth as a balance between creativity and scholarship, "Germanic past and Christian present". The overcoming of greed and selfishness has been seen as
2940-502: The Lonely Mountain is a mountain northeast of Mirkwood . It is the location of the Dwarves' Kingdom under the Mountain and the town of Dale lies in a vale on its southern slopes. In The Lord of the Rings , the mountain is called by the Sindarin name Erebor . The Lonely Mountain is the destination of the protagonists, including the titular Hobbit Bilbo Baggins in The Hobbit , and
3038-475: The Misty Mountains , they are caught by goblins and driven deep underground . Although Gandalf kills the goblin king and rescues them, Bilbo gets separated from the others as they flee the goblins. Lost in the goblin tunnels, he stumbles across a mysterious ring and then encounters Gollum , who engages him in a game, each posing a riddle until one of them cannot solve it. If Bilbo wins, Gollum will show him
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3136-437: The nursery rhyme Hey Diddle Diddle . His creative endeavours at this time also included letters from Father Christmas to his children—illustrated manuscripts that featured warring gnomes and goblins , and a helpful polar bear —alongside the creation of elven languages and an attendant mythology, including The Book of Lost Tales , which he had been creating since 1917. These works all saw posthumous publication. In
3234-515: The " Doctor Dolittle Theme" in The History of The Hobbit , and cites the multitude of talking animals as indicative of this theme. These sapient beings include ravens, a thrush, spiders and the dragon Smaug, alongside the anthropomorphic goblins and elves. Patrick Curry notes that animism is also found in Tolkien's other works, and mentions the "roots of mountains" and "feet of trees" in The Hobbit as
3332-568: The Arkenstone to the besiegers, hoping to head off a war. When they offer the jewel to Thorin in exchange for treasure, Bilbo reveals how they obtained it. Thorin, furious at what he sees as betrayal, banishes Bilbo, and battle seems inevitable when Dáin Ironfoot , Thorin's second cousin, arrives with an army of dwarf warriors. Gandalf reappears to warn all of an approaching army of goblins and Wargs. The dwarves, men and elves band together, but only with
3430-459: The Arkenstone, the most-treasured heirloom of Thorin's family, and hides it away. The Wood-elves and Lake-men request compensation for Lake-town's destruction and settlement of old claims on the treasure. When Thorin refuses to give them anything, they besiege the mountain. However, Thorin manages to send a message to his kinfolk in the Iron Hills and reinforces his position. Bilbo slips out and gives
3528-409: The Dwarves, it stands for the gain of beauty in return for loss of life. Erebor stands hundreds of miles from the nearest mountain range. Tolkien's rendering of Thrór's map in The Hobbit shows it with six ridges stretching out from a central peak that was snowcapped well into spring. The whole mountain is some ten miles in diameter; it contains an immense wealth of gold and jewels. Erebor becomes
3626-606: The Early Sun in His Eyes , Bilbo comes to the Huts of the Raft-elves and Conversation with Smaug , which features a dwarvish curse written in Tolkien's invented script Tengwar , and signed with two "þ" ("Th") runes. The additional illustrations proved so appealing that George Allen & Unwin adopted the colour plates as well for their second printing, with exception of Bilbo Woke Up with
3724-469: The Early Sun in His Eyes . Different editions have been illustrated in diverse ways. Many follow the original scheme at least loosely, but many others are illustrated by other artists, especially the many translated editions. Some cheaper editions, particularly paperback, are not illustrated except with the maps. "The Children's Book Club" edition of 1942 includes the black-and-white pictures but no maps, an anomaly. Douglas Anderson 's The Annotated Hobbit
3822-605: The Mountain is founded by Thráin I the Old, who had discovered the Arkenstone there. His son, Thorin I, leaves the mountain with much of the Folk of Durin to live in the Ered Mithrin (Grey Mountains) on account of the great riches to be found in that range. After dragons plunder their hoards, the Longbeards, led now by Thrór, a descendant of Thorin, return to Erebor to take up the title King under
3920-670: The Mountain. Under Thrór's reign, Erebor becomes a great stronghold where the dwarves are numerous and prosperous. In the Third Age , while the young Thorin II Oakenshield is out hunting, the dragon Smaug flies south from the Grey Mountains , kills all the dwarves he could find, and destroys the town of Dale. Smaug takes over the mountain, using the dwarves' hoard as a bed. King Thrór, his son Thráin II , and several companions escape death by
4018-554: The Old Norse words for "raven" and "rook", but their peaceful characters are unlike the typical carrion birds from Old Norse and Old English literature. Tolkien is not simply skimming historical sources for effect: the juxtaposition of old and new styles of expression is seen by the Tolkien scholar Tom Shippey as one of the major themes explored in The Hobbit . Maps figure in both saga literature and The Hobbit . Themes from Old English literature , especially from Beowulf , shape
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4116-752: The Rings became the end of the " Third Age " of Middle Earth within Arda . Eventually those tales of the earlier periods became published as The Silmarillion and other posthumous works. Tolkien's correspondence and publisher's records show that he was involved in the design and illustration of the entire book. All elements were the subject of considerable correspondence and fussing over by Tolkien. Rayner Unwin, in his publishing memoir, comments: "In 1937 alone Tolkien wrote 26 letters to George Allen & Unwin... detailed, fluent, often pungent, but infinitely polite and exasperatingly precise... I doubt any author today, however famous, would get such scrupulous attention." Even
4214-648: The ancient world which Bilbo stepped into. Tolkien, a scholar of Beowulf , counted the epic among his "most valued sources" for The Hobbit . Tolkien was one of the first critics to treat Beowulf as a literary work with value beyond the merely historical, with his 1936 lecture Beowulf: the Monsters and the Critics . Tolkien borrowed several elements from Beowulf , including a monstrous, intelligent dragon. Certain descriptions in The Hobbit seem to have been lifted straight out of Beowulf with some minor rewording, such as when
4312-628: The book to Alice in Wonderland in that both children and adults may find different things to enjoy in it, and places it alongside Flatland , Phantastes , and The Wind in the Willows . W. H. Auden , in his review of the sequel The Fellowship of the Ring , calls The Hobbit "one of the best children's stories of this century". Auden was later to correspond with Tolkien, and they became friends. Lonely Mountain In J. R. R. Tolkien 's legendarium ,
4410-429: The central moral of the story. Whilst greed is a recurring theme in the novel, with many of the episodes stemming from one or more of the characters' simple desire for food (be it trolls eating dwarves or dwarves eating Wood-elf fare) or a desire for beautiful objects, such as gold and jewels, it is only by the Arkenstone's influence upon Thorin that greed, and its attendant vices "coveting" and "malignancy", come fully to
4508-501: The characters and creatures from earlier chapters re-emerge to engage in conflict. Personal growth and forms of heroism are central themes of the story, along with motifs of warfare. These themes have led critics to view Tolkien's own experiences during World War I as instrumental in shaping the story. The author's scholarly knowledge of Germanic philology and interest in mythology and fairy tales are often noted as influences, but more recent fiction including adventure stories and
4606-467: The characters of the dwarves are based on fairy tales such as Snow White and Snow-White and Rose-Red as collected by the Brothers Grimm , while the latter tale may have influenced the character of Beorn. Tolkien's use of descriptive names such as Misty Mountains and Bag End echoes the names used in Old Norse sagas . The names of the dwarf-friendly ravens, such as Roäc, are derived from
4704-404: The company ; two types of elves : both puckish and more serious warrior types ; Men ; man-eating trolls ; boulder-throwing giants; evil cave-dwelling goblins ; forest-dwelling giant spiders who can speak; immense and heroic eagles who also speak; evil wolves, or Wargs , who are allied with the goblins; Elrond the sage; Gollum , a strange creature inhabiting an underground lake; Beorn ,
4802-406: The content of the riddles themselves. This idea of a superficial contrast between characters' individual linguistic style, tone and sphere of interest, leading to an understanding of the deeper unity between the ancient and modern, is a recurring theme in The Hobbit . Smaug is the main antagonist. In many ways the Smaug episode reflects and references the dragon of Beowulf , and Tolkien uses
4900-575: The cup-thief and the dragon's intellect and personality. Named swords of renown, adorned with runes, similarly have Old English connections. In using his elf-sword, Bilbo finally takes his first independent heroic action. By his naming the sword " Sting " we see Bilbo's acceptance of the kinds of cultural and linguistic practices found in Beowulf , signifying his entrance into the ancient world in which he found himself. This progression culminates in Bilbo stealing
4998-461: The destruction. Thorin, mad with greed, refuses all claims and sends word to his second cousin Dáin II Ironfoot , chief of the Dwarves of the Iron Hills , who bring reinforcements. Before battle can begin, an army of Orcs and Wargs descends on Erebor. Dwarves, Elves, and Men join ranks against them, leading to the Battle of Five Armies. Thorin's nephews Fíli and Kíli are killed, and Thorin
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#17328558490075096-429: The development of high fantasy, and further credits the 1960s paperback debuts of The Hobbit and The Lord of the Rings as essential to the creation of a mass market for fiction of this kind as well as the fantasy genre's current status. Tolkien's prose is unpretentious and straightforward, taking as given the existence of his imaginary world and describing its details in a matter-of-fact way, while often introducing
5194-425: The dragon Smaug . Gandalf unveils Thrór's map showing a secret door into the Mountain and proposes that the dumbfounded Bilbo serve as the expedition's "burglar". The dwarves ridicule the idea, but Bilbo, indignant, joins despite himself. The group travels into the wild. Gandalf saves the company from trolls and leads them to Rivendell , where Elrond reveals more secrets from the map. When they attempt to cross
5292-547: The dragon stretches its neck out to sniff for intruders. Likewise, Tolkien's descriptions of the lair as accessed through a secret passage mirror those in Beowulf . Other specific plot elements and features in The Hobbit that show similarities to Beowulf include the title of thief , as Bilbo is called by Gollum and later by Smaug, and Smaug's personality, which leads to the destruction of Lake-town. Tolkien refines parts of Beowulf 's plot that he appears to have found less than satisfactorily described, such as details about
5390-452: The dwarves could not bear to acknowledge. The analogue of the " underworld " and the hero returning from it with a boon (such as the ring, or Elvish blades) that benefits his society is seen to fit the mythic archetypes regarding initiation and male coming-of-age as described by Joseph Campbell . Chance compares the development and growth of Bilbo against other characters to the concepts of just kingship versus sinful kingship derived from
5488-487: The dwarves from giant spiders and then from the dungeons of the Wood-elves. Nearing the Lonely Mountain , the travellers are welcomed by the human inhabitants of Lake-town , who hope the dwarves will fulfil prophecies of Smaug's demise. The expedition reaches the mountain and finds the secret door. The dwarves send a reluctant Bilbo inside to scout the dragon's lair. He steals a great cup and, while conversing with Smaug, spots
5586-470: The episode to put into practice some of the ground-breaking literary theories he had developed about the Old English poem in its portrayal of the dragon as having bestial intelligence. Tolkien greatly prefers this motif over the later medieval trend of using the dragon as a symbolic or allegorical figure, such as in the legend of St. George . Smaug the dragon with his golden hoard may be seen as an example of
5684-671: The extra cost. Thus encouraged, Tolkien supplied a second batch of illustrations. The publisher accepted all of these as well, giving the first edition ten black-and-white illustrations plus the two endpaper maps. The illustrated scenes were: The Hill: Hobbiton-across-the-Water , The Trolls , The Mountain Path , The Misty Mountains looking West from the Eyrie towards Goblin Gate , Beorn 's Hall , Mirkwood , The Elvenking 's Gate , Lake Town , The Front Gate , and The Hall at Bag-End . All but one of
5782-456: The figure of the trickster occurs in every age, whether in sacred rites or picaresque stories. Jaume Albero Poveda similarly calls the "comical episodes" like the riddle game between Bilbo and Gollum "typical of the picaresque novel". Tolkien wished to imitate the prose and poetry romances of the 19th-century Arts and Crafts polymath William Morris in style and approach. The Desolation of Smaug, portraying dragons as detrimental to landscape,
5880-448: The final design of two maps as endpapers, Thror's map , and the Map of Wilderland (see Rhovanion ), both printed in black and red on the paper's cream background. Originally Allen & Unwin planned to illustrate the book only with the endpaper maps, but Tolkien's first tendered sketches so charmed the publisher's staff that they opted to include them without raising the book's price despite
5978-461: The first stage in the Shire : before setting out, Bilbo was peacefully smoking a pipe of tobacco at his own front door; at the mountain, the smoke is the dragon's, and its meaning is anything but peaceful. The Christian writer Joseph Pearce views the journey to the Lonely Mountain as a "pilgrimage of grace", a Christian bildungsroman , at its deepest level. Pearce states further that Bilbo's quest to
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#17328558490076076-544: The fore in the story and provide the moral crux of the tale. Bilbo steals the Arkenstone—a most ancient relic of the dwarves—and attempts to ransom it to Thorin for peace. However, Thorin turns on the Hobbit as a traitor, disregarding all the promises and "at your services" he had previously bestowed. In the end Bilbo gives up the precious stone and most of his share of the treasure to help those in greater need. Tolkien also explores
6174-406: The general tone is kept light-hearted, being interspersed with songs and humour. One example of the use of song to maintain tone is when Thorin and Company are kidnapped by goblins, who, when marching them into the underworld, sing: Clap! Snap! the black crack! Grip, grab! Pinch, nab! And down down to Goblin-town You go, my lad! This onomatopoeic singing undercuts the dangerous scene with
6272-424: The hero being plucked from his rural home and thrown into a far-off war where traditional types of heroism are shown to be futile. The tale as such explores the theme of heroism. As Janet Brennan Croft notes, Tolkien's literary reaction to war at this time differed from most post-war writers by eschewing irony as a method for distancing events and instead using mythology to mediate his experiences. Similarities to
6370-563: The home of the Folk of Durin , a clan of Dwarves known as the Longbeards , after they are driven from their ancestral home of Khazad-dûm . In the latter days of the Third Age, this Kingdom under the Mountain holds one of the largest dwarvish treasure hoards in Middle-earth. Dale, a town of Men built between the two southern spurs of Erebor, grew in harmony with the dwarves. The Kingdom under
6468-496: The illustrations were a full page, and one, the Mirkwood illustration, required a separate plate. Satisfied with his skills, the publishers asked Tolkien to design a dust jacket. This project, too, became the subject of many iterations and much correspondence, with Tolkien always writing disparagingly of his own ability to draw. The runic inscription around the edges of the illustration are a phonetic transliteration of English, giving
6566-538: The initial reviews refer to the work as a fairy story. However, according to Jack Zipes writing in The Oxford Companion to Fairy Tales , Bilbo is an atypical character for a fairy tale. The work is much longer than Tolkien's ideal proposed in his essay On Fairy-Stories . Many fairy tale motifs, such as the repetition of similar events seen in the dwarves' arrival at Bilbo's and Beorn's homes, and folklore themes, such as trolls turning to stone, are to be found in
6664-468: The lord of Mordor , twice comes to Erebor and speaks to Dáin. The messenger asks for assistance in finding Bilbo Baggins and retrieving a stolen ring , and in return offers Moria and three of the seven Dwarf rings to Dáin, who declines to reply. Sauron's northern army, including many Easterlings , then attacks; Dale is overrun, and many Dwarves and Men take refuge in Erebor, which is promptly surrounded. Dáin
6762-409: The maps, of which Tolkien originally proposed five, were considered and debated. He wished Thror's Map to be tipped in (that is, glued in after the book has been bound) at first mention in the text, and with the moon letter runes on the reverse so they could be seen when held up to the light. In the end the cost, as well as the shading of the maps, which would be difficult to reproduce, resulted in
6860-572: The medieval image of Jews, whilst their warlike nature stems from accounts in the Hebrew Bible . The Dwarvish calendar invented for The Hobbit reflects the Jewish calendar which begins in late autumn. And although Tolkien denied that he used allegory , the dwarves taking Bilbo out of his complacent existence has been seen as an eloquent metaphor for the "impoverishment of Western society without Jews." The scholar of literature James L. Hodge describes
6958-598: The motif of jewels that inspire intense greed that corrupts those who covet them in the Silmarillion , and there are connections between the words "Arkenstone" and " Silmaril " in Tolkien's invented etymologies. The Hobbit employs themes of animism . An important concept in anthropology and child development , animism is the idea that all things—including inanimate objects and natural events, such as storms or purses, as well as living things like animals and plants—possess human-like intelligence. John D. Rateliff calls this
7056-419: The mountain parallels Frodo 's quest to a different mountain, Mount Doom , which he calls "a mirror of Everyman's journey through life". Two scholars of literature, Paul Kocher and Randel Helms analyse Bilbo's journey to the lonely mountain, describing it as the goal of his quest and the point at which it is achieved. Both compare the quest in The Hobbit with that of The Lord of the Rings , noting that
7154-485: The narrative flow with asides (a device common to both children's and Anglo-Saxon literature), has his own linguistic style separate from those of the main characters. The basic form of the story is that of a quest , told in episodes. For the most part of the book, each chapter introduces a different denizen of the Wilderland, some helpful and friendly towards the protagonists, and others threatening or dangerous. However
7252-551: The narrative voice addressing the reader directly, the narrative voice contributes significantly to the success of the novel. The scholar Lois R. Kuznets comments that the "obtrusive narrator" is part of a standard "rhetoric of childhood"; C. W. Sullivan III adds that Tolkien may have taken the idea of an intrusive narrator from the medieval texts Beowulf and Sir Gawain and the Green Knight . Emer O'Sullivan, in her Comparative Children's Literature , notes The Hobbit as one of
7350-450: The new and fantastic in an almost casual manner. This down-to-earth style, also found in later fantasy such as Richard Adams ' Watership Down and Peter Beagle 's The Last Unicorn , accepts readers into the fictional world , rather than cajoling or attempting to convince them of its reality. While The Hobbit is written in a simple, friendly language, each of its characters has a unique voice. The narrator, who occasionally interrupts
7448-431: The other hand that a psychoanalytic approach is at least richer than a purely materialistic one. The scholar of children's literature William H. Green calls the Lonely Mountain the fourth and final stage of Bilbo's education. He identifies multiple parallels and repetitions of structure between the stages, each one involving a journey, privation, and "unlikely escape". The Lonely Mountain stage, too, symbolically echoes
7546-465: The small, food-obsessed, and morally ambiguous Bilbo. The text emphasizes the relationship between time and narrative progress and it openly distinguishes "safe" from "dangerous" in its geography. Both are key elements of works intended for children, as is the "home-away-home" (or there and back again ) plot structure typical of the Bildungsroman . While Tolkien later claimed to dislike the aspect of
7644-613: The southern spurs of the Mountain and Dale, is a playable map in The Lord of the Rings: The Battle for Middle-earth II . It has three gates, including the one Tolkien described and two which cannot be closed, to allow those playing as invading forces to easily enter the stronghold. The Lonely Mountain appears in Peter Jackson 's film adaptations of The Hobbit : An Unexpected Journey , The Desolation of Smaug , and The Battle of
7742-434: The story as picaresque , a genre of fiction in which a hero relies on his wits to survive a series of risky episodes. Hodge further likens Bilbo's admittedly unheroic business of burglary to the trickster role of some pagan gods and mythical figures: Hermes steals cattle from Apollo , Prometheus and Coyote steal fire, Odin steals the mead of poetry , and so on. Hodge quotes the psychiatrist Carl Jung as saying that
7840-499: The story of his adventures . In the early 1930s Tolkien was pursuing an academic career at Oxford as Rawlinson and Bosworth Professor of Anglo-Saxon , with a fellowship at Pembroke College . Several of his poems had been published in magazines and small collections, including Goblin Feet and The Cat and the Fiddle: A Nursery Rhyme Undone and its Scandalous Secret Unlocked , a reworking of
7938-494: The story. The book is popularly called (and often marketed as) a fantasy novel , but like Peter Pan and Wendy by J. M. Barrie and The Princess and the Goblin by George MacDonald , both of which influenced Tolkien and contain fantasy elements, it is primarily identified as being children's literature. The two genres are not mutually exclusive, so some definitions of high fantasy include works for children by authors such as L. Frank Baum and Lloyd Alexander alongside
8036-509: The theft, emerges from the mountain and flies south to destroy Lake-town , which he suspects is the source of the "thieves". During this attack Smaug is killed by Bard the Bowman ; Thorin claims the mountain on learning of Smaug's demise. However, the Men of Esgaroth, supported by Thranduil and the Elves of Mirkwood , march in force to the mountain to demand a part of the dragon's hoard as recompense for
8134-437: The timely arrival of the eagles and Beorn, who fights in his bear form and kills the goblin general, do they win the climactic Battle of Five Armies. Thorin is fatally wounded and reconciles with Bilbo before he dies. Bilbo accepts only a small portion of his share of the treasure, having no want or need for more, but still returns home a very wealthy hobbit roughly a year and a month after he first left. Years later, he writes
8232-420: The title of the book and details of the author and publisher. The original jacket design contained several shades of various colours, but Tolkien redrew it several times using fewer colours each time. His final design consisted of four colours. The publishers, mindful of the cost, removed the red from the sun to end up with only black, blue, and green ink on white stock. The publisher's production staff designed
8330-538: The traditional relationship between evil and metallurgy as collated in the depiction of Pandæmonium with its "Belched fire and rolling smoke" in John Milton 's Paradise Lost . Of all the characters, Smaug's speech is the most modern, using idioms such as "Don't let your imagination run away with you!" Just as Tolkien's literary theories have been seen to influence the tale, so have Tolkien's experiences. The Hobbit may be read as Tolkien's parable of World War I with
8428-408: The treasure. They plan to use the secret door, whose key and map Gandalf had obtained from Thráin, whom he had found at the point of death in the pits of Dol Guldur . On Durin's Day , when the setting sun and the last moon of autumn are in the sky together, the day's last sunlight falls on the door and exposes its keyhole. The Hobbit enters the mountain and steals a golden cup. Smaug, enraged by
8526-413: The two novels, for all their differences including the reason for the quests, are structurally similar. The Tolkien scholar Tom Shippey notes that in The Hobbit , the lonely mountain is a symbol of adventure, and the "true end" of the story is the moment when Bilbo looks back from a high pass and sees "There far away was the Lonely Mountain on the edge of eyesight. On its highest peak snow yet unmelted
8624-537: The upper edge. Once illustrations were approved for the book, Tolkien proposed colour plates as well. The publisher would not relent on this, so Tolkien pinned his hopes on the American edition to be published about six months later. Houghton Mifflin rewarded these hopes with the replacement of the frontispiece ( The Hill: Hobbiton-across-the Water ) in colour and the addition of new colour plates: Rivendell , Bilbo Woke Up with
8722-454: The way out of the tunnels, but if he fails, his life will be forfeit. With the help of the ring, which confers invisibility , Bilbo escapes and rejoins the dwarves, improving his reputation with them. The goblins and Wargs give chase, but the company are saved by eagles. They rest in the house of the skin-changer Beorn. The company enters the dark forest of Mirkwood without Gandalf, who has other responsibilities. In Mirkwood, Bilbo first saves
8820-695: The wizard Gandalf . Tolkien took the names of Gandalf and 12 of the 13 dwarves – excluding Balin – from the Old Norse Völuspá . The Hobbit The Hobbit, or There and Back Again is a children's fantasy novel by the English author J. R. R. Tolkien . It was published in 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book
8918-480: The wizard Radagast is taken from the name of the Slavic deity Radogost . The representation of the dwarves in The Hobbit was influenced by his own selective reading of medieval texts regarding the Jewish people and their history . The dwarves' characteristics of being dispossessed of their ancient homeland at the Lonely Mountain, and living among other groups whilst retaining their own culture are all derived from
9016-418: The works of Gene Wolfe and Jonathan Swift , which are more often considered adult literature. The Hobbit has been called "the most popular of all twentieth-century fantasies written for children". Jane Chance , however, considers the book to be a children's novel only in the sense that it appeals to the child in an adult reader. Sullivan credits the first publication of The Hobbit as an important step in
9114-480: The works of William Morris also played a part. The publisher was encouraged by the book's critical and financial success and, therefore, requested a sequel. As Tolkien's work progressed on its successor , The Lord of the Rings , he made retrospective accommodations for it in The Hobbit . These few but significant changes were integrated into the second edition. Further editions followed with minor emendations, including those reflecting Tolkien's changing concept of
9212-472: The works of other writers who faced the Great War are seen in The Hobbit , including portraying warfare as anti- pastoral : in "The Desolation of Smaug", both the area under the influence of Smaug before his demise and the setting for the Battle of Five Armies later are described as barren, damaged landscapes. The Hobbit makes a warning against repeating the tragedies of World War I, and Tolkien's attitude as
9310-536: The world into which Bilbo stumbled. The work has never been out of print. Its ongoing legacy encompasses many adaptations for stage, screen, radio, board games , and video games. Several of these adaptations have received critical recognition on their own merits. Bilbo Baggins , the protagonist, is a respectable, reserved and well-to-do hobbit —a race resembling short humans with furry, leathery feet who live in underground houses and are mainly farmers and gardeners. Gandalf , an itinerant wizard , introduces Bilbo to
9408-671: Was gleaming pale. 'So comes snow after fire, and even dragons have their ending!' said Bilbo, and he turned his back on his adventure." Amelia Harper, in the J. R. R. Tolkien Encyclopedia , writes that the mountain's history, as usual for the Dwarves, was a tale of "beauty gained and lives lost". The Lonely Mountain: Lair of Smaug the Dragon is a board game produced in 1985 by Iron Crown Enterprises , designed by Coleman Charlton, which features groups of adventurers, either Dwarves , Elves , Orcs or Men entering Smaug's Lair to capture his treasure before he awakens. "Erebor", specifically
9506-416: Was more profound than the shaping of individual characters and episodes; his works helped Tolkien form his whole thinking on the role of fantasy within his Christian faith . The evolution and maturation of the protagonist, Bilbo Baggins, is central to the story. This journey of maturation, where Bilbo gains a clear sense of identity and confidence in the outside world, may be seen in psychological terms as
9604-552: Was visited in Oxford by Susan Dagnall, a staff member of the publisher George Allen & Unwin , she is reported to have either lent Dagnall the book or suggested she borrow it from Tolkien. In any event, Dagnall was impressed by it, and showed the book to Stanley Unwin , who then asked his 10-year-old son Rayner to review it. Rayner's favourable comments settled Allen & Unwin's decision to publish Tolkien's book. The setting of The Hobbit , as described on its original dust jacket,
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