78-619: The Flying Horses Carousel is the oldest operating platform carousel in the United States. Located in the historic resort community of Oak Bluffs, Massachusetts , on Martha's Vineyard , the carousel was apparently first located in New York City before being moved to the island in the 1880s. The carousel was listed on the National Register of Historic Places in 1979 and designated a National Historic Landmark in 1987. The carousel
156-580: A German company and closed the North Tonawanda factory. The former Wurlitzer complex today hosts a business park, contractors' supply store, storage, offices, restaurants and a Platter's Chocolate factory. Piano and organ manufacturing continued in Mississippi and Arkansas factories for several years. The Baldwin Piano Company purchased Wurlitzer's piano-making assets and brand in 1988. Subsequently,
234-609: A courtyard, accompanied by tournaments and various equestrian demonstrations and games, including the spearing of cardboard heads of "Moors" and "Saracens". The most famous carousel of this kind was held by Louis XIV in June 1662, in the courtyard of the Tuileries Palace , to celebrate the birth of his son and heir. The site of the event, next to the Louvre, is still known as "the Carrousel". By
312-636: A full line of upright and grand pianos. In 1914, Wurlitzer became the sole distributor of Melville Clark Pianos and in 1919 acquired the Melville Clark company. Wurlitzer continued to manufacture pianos at the Clark factory in DeKalb, Illinois under the Melville Clark name. Other brands which have been manufactured by Wurlitzer are Apollo, De Kalb, Julius Bauer, Farney, Kingston, Kurtzman, Merrium, Schaff Bros. and Underwood. Wurlitzer excelled in piano design. It developed
390-467: A fully orchestrated concerto" and from the first note, the carousel would start turning while each horse would make a galloping movement with a visitor riding on its back. Merlin did not patent his inventions and engineers were allowed to come to create their own models of his creations. Viewed from above, and from the riders' point of view, in the United Kingdom , merry-go-rounds, called "gallopers" by
468-571: A high-end console radio, which retailed for as much as $ 425 in 1929 (approximately $ 5,800 in 2014 dollars). In addition to business acquisitions, Wurlitzer entered into several joint ventures with James Armitage, George Herschell , and other businessmen from the area. He constructed a separate plant at Goundry and Oliver Streets in downtown North Tonawanda specializing in short production runs to manufacture organs and hurdy-gurdies for amusement parks, circuses, roller rinks and carnival midways. Amusement rides, particularly carousels , were assembled at
546-722: A jukebox. The company produced various models of nickelodeons, such as the early Wurlitzer Mandolin Quartette – Wurlitzer's alternative to the Regina Sublima Piano. This machine has a reiterating piano with mandolin attachment along with an accompanying piano. They later introduced the Wurlitzer A.P.P. roll; a universal roll to be used on all subsequent Wurlitzer nickelodeons. Models such as the B(X), C(X), D(X) and I(X) use this roll. Wurlitzer also produced an automatic roll changer system so when
624-483: A line of symmetrical grand pianos, or "Butterfly" grands. At this point in Wurlitzer history, all piano manufacturing was exclusively in DeKalb, Illinois. Models ranged from the Student Butterfly having 44 keys, to the 88 key Deluxe Art Deco Streamline Model 1411. Model 1411 had many innovative patented features. A quartet of raised banding around the body were actually functional sound port slots that radiate all
702-516: A local artist. When the site was purchased by the Martha's Vineyard Land Trust, the Flying Horses underwent an extensive restoration, returning the carousel to its original appearance, complete with the historic panel paintings that were done by a Dare Company artist. Although originally powered by steam, the carousel was converted to electricity in 1900, and is powered by a 10-horsepower motor located in
780-472: A low gable roof. The carousel is about 36 feet (11 m) in diameter. Fourteen spreader panels radiate from the central platform, and are secured to the upper canopy by the columns that also support the horses and carriages of the carousel. Despite the name "Flying Horses" (given by Joseph Turnell), the horses are stationary when the carousel is rotating. The horses have their original oxide eyes, but their original horsehair manes have been lost. The layout of
858-554: A mellower sound). Some orchestrions made by the company can be found at Clark's Trading Post , Lincoln, New Hampshire , the Music Hall, Nevada City, Montana , and the Jasper Sanfilippo Collection at Victorian Palace , Barrington Hills, Illinois . Wurlitzer, starting around 1900 until circa 1935 produced nickelodeon pianos, or coin pianos, which are electrically operated player pianos that take coins to operate, like
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#1732859393472936-584: A nostalgic 1971 model called the "1050". The model did not sell well and only 1,600 units were produced. The jukebox line was sold to a German company in 1973. Already in 1960, Wurlitzer founded a wholly owned subsidiary in Hullhorst, Germany, the DEUTSCHE WURLITZER GMBH, which was building electronic organs, vending machines, mostly cigarette vendors, and jukeboxes for the European market. Deutsche Wurlitzer
1014-478: A position guide for the bottom of the pole and as a place for people to walk or other stationary animals or chariots to be placed. He called this ride the 'Platform Gallopers'. He also developed the 'platform-slide' which allowed the mounts to swing out concentrically as the carousel built up speed. Fairground organs (band organs) were often present (if not built-in) when these machines operated. Eventually electric motors were installed and electric lights added, giving
1092-527: A roll finished rewinding another was put on in a carousel-like system. An 'X' at the end of a model number indicates that model was fitted with a roll changer. Records indicate Wurlitzer sold player piano mechanisms to other manufacturers who installed Wurlitzer components in their own pianos and sold them under other brand names. One example is the Milner player piano company. Milner pianos were built in Cincinnati at
1170-410: A roundabout with boats that would pitch and roll on cranks with a circular motion, a ride he called 'Sea-on-Land'. Savage applied a similar innovation to the more traditional mount of the horse; he installed gears and offset cranks on the platform carousels, thus giving the animals their well-known up-and-down motion as they travelled around the centre pole – the galloping horse. The platform served as
1248-517: A succession of owners before its acquisition by the Martha's Vineyard Land Trust in 1986. The carousel was listed on the National Register of Historic Places in 1979, and designated a National Historic Landmark in 1986. It is one of the two oldest operating carousels in the United States; the other, the Flying Horse Carousel in Watch Hill, Rhode Island (also a National Historic Landmark),
1326-529: A time consistent with Wurlitzer's presence there. Company records suggest Wurlitzer acquired the Milner company in addition to the several other companies acquired by Wurlitzer over the years, but it is possible that Milner may have simply used Wurlitzer components in their own product. Perhaps the most famous instruments Wurlitzer built were its pipe organs (from 1914 until 1943), which were installed in theatres, homes, churches, and other venues. These were marketed as The Mighty Wurlitzers . Robert Hope-Jones
1404-491: A variety of mounts, for example pigs, zebras, tigers, or mythological creatures such as dragons or unicorns . Sometimes, chair -like or bench-like seats are used, and occasionally mounts can be shaped like aeroplanes or cars. The names carousel and merry-go-round are also used, in varying dialects, to refer to a distinct piece of playground equipment . The modern carousel emerged from early jousting traditions in Europe and
1482-439: Is a type of amusement ride consisting of a rotating circular platform with seats for riders. The "seats" are traditionally in the form of rows of wooden horses or other animals mounted on posts, many of which are moved up and down by gears to simulate galloping , to the accompaniment of looped circus music . Carousels are commonly populated with horses, each horse weighing roughly 100 lbs (45 kg), but may include
1560-550: Is actually a concert instrument, capable of playing a classical as well as non-classical repertoire. It, along with the organ at the Paramount Theatre in Denver Colorado are the only Wurlitzer installations still in use that have dual consoles . While Denver's is the typical "master-slave" system, Radio City is the only surviving original Wurlitzer installation to have two identical and completely independent consoles playing
1638-631: Is an American company started in Cincinnati in 1853 by German immigrant (Franz) Rudolph Wurlitzer. The company initially imported stringed, woodwind and brass instruments from Germany for resale in the United States. Wurlitzer enjoyed initial success, largely due to defense contracts to provide musical instruments to the U.S. military. In 1880, the company began manufacturing pianos and eventually relocated to North Tonawanda, New York . It quickly expanded to make band organs , orchestrions , player pianos and pipe or theatre organs popular in theatres during
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#17328593934721716-520: Is considered the inventor of the theatre organ . Between 1887 and 1911 his company employed 112 workers at its peak, producing 246 organs. But shortly after merging his organ business with Wurlitzer, he committed suicide in 1914 in Rochester, New York, frustrated by his new association with the Wurlitzer company, it is said. Moving the business to their North Tonawanda Barrel Organ Factory , from 1914 to 1942, Wurlitzer built over 2,243 pipe organs: 30 times
1794-716: Is located in the Efteling (Themepark). In 1955 the Efteling bought the ride for ƒ 15.475,-. (Gulden) from the Janvier family. It reopened in 1956. Originally, the price for a ticket to make a ride, was only 5 cents. Before the purchase by the Efteling, the Stoomcarrousel was named is 'Stoomcaroussel' . (1 r & 2 s') Contains: 22 Horses, 4 Coaching's, 2 Pigs & 2 clowns. Music played by: 1 Gavioli organ Engine: Fam. König, Swalmen, Carousel Wurlitzer The Rudolph Wurlitzer Company , usually referred to as simply Wurlitzer ,
1872-685: Is now known as the American Theatre Organ Society (ATOS). A similar society formed in the UK in 1952 known as the Cinema Organ Society . The Wurlitzer was the iconic jukebox of the Big Band era, to the extent that Wurlitzer came in some places to be a generic name for any jukebox. (In Hungarian , "wurlitzer" still means "jukebox", for example – despite Hungarian only using the letter W for words of foreign origin). Wurlitzer's success
1950-501: Is of a similar vintage, and is also a Dare Company carousel. The carousel is sited on a roughly triangular piece of land at the base of Circuit Avenue in Oak Bluffs that is bounded by Circuit Avenue, Oak Bluffs Avenue, Lake Avenue and Kennebec Avenue. Its address is 33 Oak Bluffs Avenue. Since being moved to the island, it has been housed in a somewhat utilitarian single-story building. It is sheathed in painted vertical pine boards, and has
2028-461: Is one of only a handful of carousels that still have brass rings for a rider to attempt to grab as the carousel rotates. Oak Bluffs, located on the northeastern part of the island of Martha's Vineyard, was originally settled as part of Edgartown in the 17th century. In 1835 the Methodist camp known as Wesleyan Grove (also a National Historic Landmark ) was established in the area. Development of
2106-561: Is said below Gibson Guitar Corporation bought Deutsche Wurlitzer by acquiring Baldwin Piano Company, who bought the US Wurlitzer company before. The Australian owned German company continued to manufacture vending machines and jukeboxes and was acquired by Gibson Guitar around 2008. Reason was, that the major shareholder of the Gibson Group would not like the German company to have the right to use
2184-404: Is surmised from a stamp " Coney Island #4" on the inside of one of its decorative panels. It was originally sited near the entrance to Oak Bluffs Harbor. In 1889, the town of Oak Bluffs acquired the carousel and moved it to its present location at the base of Circuit Avenue, the town's business and entertainment district. The town sold the carousel to Joseph Turnell in 1896, and it then went through
2262-794: The Baldwin Piano Company in 1988, and most piano manufacturing moved overseas. The Baldwin Co., including its Wurlitzer assets, was acquired by the Gibson Guitar Corporation in about 1996. Ten years later, Gibson acquired Deutsche Wurlitzer and the Wurlitzer Jukebox and Vending Electronics trademarks, briefly reuniting Wurlitzer's best-known products under a single corporate banner in 2006. Baldwin ceased making Wurlitzer-brand pianos in 2009. Vending machines are still manufactured in Germany using
2340-766: The Gibson Guitar Corporation acquired Baldwin and operated it as a wholly owned subsidiary. Meanwhile, Gibson acquired Deutsche Wurlitzer Jukebox and Electronics Vending brand in 2006, briefly bringing the primary Wurlitzer product lines back under one owner. However, Baldwin stopped using the Wurlitzer name on pianos by the end of 2009. Gibson now uses the Wurlitzer brand name exclusively for jukeboxes and vending machines. Wurlitzer continues to manufacture jukeboxes and vending machines at its factory in Hullhorst, Germany. Wurlitzer headquarters are located in Hullhorst, and it has distribution and sales offices in Gurnee, Illinois and Oxfordshire, England. Beginning in about 1880, Wurlitzer built
2418-642: The Middle East . Knights would gallop in a circle while tossing balls from one to another; an activity that required great skill and horsemanship. This game was introduced to Europe at the time of the Crusades from earlier Byzantine and Arab traditions. The word carousel originated from the Italian Carosella and Spanish Carosella ("little battle", used by crusaders to describe a combat preparation exercise and game played by Turkish and Arabian horsemen in
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2496-648: The United States Government imposed high import tariffs on street and fairground organ importation in 1892, Wurlitzer began producing mechanical organs. Most were small barrel organs , playing from a pinned barrel and powered by either steam or cranked by hand. Many of these organs have cases finished in dark (and sometimes black) wood, with gold incised designs, not unlike those of the European manufacturers of barrel organs. As parts were not subject to import tariffs, almost all Wurlitzer band organs are copied from designs by European manufacturers. For example,
2574-413: The "Pentagonal Soundboard", "Tone crafted hammers", and other unique innovations to help its pianos produce a richer, fuller tone. In 1935, it was one of the first manufacturers to offer the spinet piano to the mass market. This 39-inch high piano was an instant sensation. The spinet came at an opportune time, when many Americans could not afford a full upright or grand. In the mid 1930s, Wurlitzer unveiled
2652-408: The 12th century). This early device was essentially a cavalry training mechanism; it prepared and strengthened the riders for actual combat as they wielded their swords at the mock enemies. By the 17th century, balls were no longer used, and instead, the riders had to spear small rings that were hanging from poles overhead and rip them off. Cavalry spectacles that replaced medieval jousting , such as
2730-542: The 1901 Pan-American Exposition , Wurlitzer invested in his company. Wurlitzer bought de Kleist's interest in the business in 1909 and assumed operation of the North Tonawanda factory. The new company invested in new technology, resulting in the adoption of electric motors, and the music source was changed from pinned barrels to perforated paper rolls similar to a player piano roll. In addition to manufacturing band organs, Wurlitzer also converted band organs made by other companies to their roll scales. This generally resulted in
2808-566: The 1960s, Wurlitzer ventured into new instrument markets. In 1964, Wurlitzer bought the rights, registered trademarks, copyrights, patents, engineering records and factory of the Henry C. Martin Band Instrument Company , which manufactured brass wind instruments in Elkhart, Indiana (not to be confused with the C.F. Martin & Company guitar maker). In 1967, Wurlitzer entered the guitar market as
2886-539: The Charles W. F. Dare Company, a major manufacturer of carousels in the late 19th century. At least one expert believes that artwork of the carousel itself was done by the same artist whose work appears in the catalog, suggesting its construction date to be between 1876 and 1878. In 1884, F. O. Gordon of New York City acquired the carousel and moved it to Cottage City, as Oak Bluffs was then known. Evidence of its use in New York
2964-737: The Holman-Woodell Company of Neodesha, Kansas. The guitar labels reflected Wurlitzer's Elkhart, Indiana, location, but with the exception of a handful of prototypes made above Holman's music store in Independence, Kansas, the guitars themselves were built in a small two-story building on Main Street in Neodesha. Three models were available: the Cougar, Wildcat and Gemini, all of which were functionally similar but featured different body shapes. The majority of
3042-453: The Holman-Woodell Company, possibly due to problems with the finish on Holman-Woodell guitars which resulted in many instruments being returned to the factory. Beginning in 1967, Wurlitzer-branded guitars were manufactured by Welson in Italy, and the Wurlitzer line expanded to include semi-hollow body electric as well as acoustic guitars. Wurlitzer continued to distribute Welson-made guitars under
3120-583: The Kansas-made instruments were six-string guitars, with only a handful of basses being manufactured. Distinguishing features of the first Wurlitzer branded guitars are the W-shaped cut-out in the tremolo mounting plate and the Rock/Jazz selection rocker switch above each pick-up. Another feature of the earliest Wurlitzer electrics was that they were wired for stereo output. In 1967, Wurlitzer ceased its affiliation with
3198-541: The WURLITZER name and logo. in 2013, Deutsche Wurlitzer went out of business and the remaining part was sold to German investors. An attempt to continue with products and a new name was not successful. Jukeboxes bearing the Wurlitzer name were in production until the company ceased manufacturing in 2013. The Gibson Guitar Corporation acquired the German jukebox and vending machine manufacturer that made them in 2006. The more recent models are able to play CDs. From 1955 to 1982,
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3276-540: The Wurlitzer family in Germany for resale in the United States. Wurlitzer was an early American defense contractor, being a major supplier of musical instruments to the U.S. military during the American Civil War and Spanish–American War. In 1880, Wurlitzer started manufacturing its own pianos, which the company sold through its retail outlets in Chicago. In 1896, Wurlitzer manufactured its first coin-operated pianos. In
3354-463: The Wurlitzer name under Gibson ownership. The company ceased manufacturing jukeboxes in 2013, but still sells replacement parts. Franz Rudolph Wurlitzer (1831–1914), an immigrant from Schöneck, Saxony , founded the Wurlitzer Company in Cincinnati in 1853. His sons Howard, Rudolph and Farny successively directed the company after his death. The company initially imported musical instruments from
3432-574: The advent of smaller 45 rpm records, Wurlitzer was beat to the punch by Seeburg mechanisms which could play both sides of 50 different records, yielding 100 song choices. Although Wurlitzer ceded the crown of industry leader to rival Seeburg in the 1950s, Fuller's designs are so emblematic of jukeboxes in general that 1940s era Wurlitzers are often used to invoke the Rock n' Roll period in films and television. Wurlitzer struggled on for 20 years or so and made one final effort to keep its jukebox business viable with
3510-485: The animals would hang from chains and fly out from the centrifugal force of the spinning mechanism. They were often powered by animals walking in a circle or people pulling a rope or cranking. By 1803 John Joseph Merlin had a carousel in his Mechanical Museum in London, where gentry and nobility liked to gather on winter evenings. The horses "floated free over a pole". It was connected to a "big musical instrument that played
3588-460: The area as a summer resort became more formally organized with the establishment of the Oak Bluffs Land and Wharf Company in 1866. The company developed what was then one of the earliest planned communities, guiding the community's growth over the following years. The exact date of construction of the carousel is not known. Its artwork closely resembles that found in an 1870s catalog published by
3666-579: The area in front of the factory, creating a park and parkway setting off of Niagara Falls Boulevard. Some tree and lamp post installations, laid diagonal, remain to mark these roads. The growing company held its first annual Convention of associated businesses in Buffalo, New York at the Statler Hotel in September of 1937, complete with a three day program of events and a parade. The surviving complex, particularly
3744-494: The building's basement. The gears and belts connecting the motor to the carousel were rehabilitated in the 1980s. The ride has a traditional ring assembly, where the lucky rider who successfully grabs a brass ring gets a free ride. The carousel’s music is provided by a 1923 Wurlitzer #103 Band Organ . Carousel A carousel or carrousel (mainly North American English ), merry-go-round ( international ), Galloper ( international ) or roundabout ( British English )
3822-635: The carousel in America was the early 20th century, with large machines and elaborate animals, chariots, and decorations being built. The National Carousel Association maintains a list of Historic Carousel Award winners, primarily focused on carousels in Canada and America. The 'Vermolen Boden Carousel' in the Efteling dates back to 1865. It was originally turned by horses. At present it is turned by an electric motor. [REDACTED] [REDACTED] [REDACTED] [REDACTED] Today this old stoomcarrousel
3900-414: The carousel its classic look. These mechanical innovations came at a crucial time, when increased prosperity meant that more people had time for leisure and spare money to spend on entertainment. It was in this historical context that the modern fairground ride was born, with Savage supplying this new market demand. In his 1902 Catalogue for Roundabouts he claimed to have "... patented and placed upon
3978-561: The central front tower building and main entrance hall, is now a National Historic Landmark. Wurlitzer abandoned production of nickelodeons but continued to manufacture the music rolls for player piano music through a wholly owned subsidiary called the Endless Roll Music Company. Wurlitzer also assumed production of Lyric brand radios from the All American Mohawk Radio Company in Chicago. Lyric radios were
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#17328593934724056-531: The company also produced the Wurlitzer electric piano series, an electrically amplified piano variant. In 1966, music store owner Howard Holman used his contacts at the Martin Band Instrument Company, owned by Wurlitzer at that time, to convince Wurlitzer to distribute a line of electric guitars manufactured by Holman's start-up company in Kansas. Wurlitzer became the sole distributor of guitars made by
4134-442: The converted organ having an expanded musical library due to the vast amount of available Wurlitzer music rolls. However, these conversions sometimes required modifications to the organ's pipes and could permanently change the sound of the converted organ. The production of Wurlitzer organs ceased in 1939, the last organ to leave the factory being a style 165 organ in a 157 case (done because Wurlitzer had an extra 157 case remaining in
4212-534: The days of silent movies. Wurlitzer also operated a chain of retail stores where the company's products were sold. As technology evolved, Wurlitzer began producing electric pianos , electronic organs and jukeboxes , and it eventually became known more for jukeboxes and vending machines, which are still made by Wurlitzer, rather than for actual musical instruments. Wurlitzer's jukebox operations were sold and moved to Germany in 1973. The Wurlitzer piano and organ brands and U.S. manufacturing facilities were acquired by
4290-529: The early 18th century carousels were being built and operated at various fairs and gatherings in central Europe and England. Animals and mechanisms would be crafted during the winter months and the family and workers would go touring in their wagon train through the region, operating their large menagerie carousel at various venues. Makers included Heyn in Germany and Bayol in France . These early carousels had no platforms;
4368-630: The end of January 1925. This particular instrument (Britain's oldest Wurlitzer organ) is now located at the Congregational Church in Beer, Devon . Regular concerts and shows are hosted on the Beer Wurlitzer. The largest Wurlitzer organ originally built (in terms of pipes), was the four- manual / 58-rank (set of pipes) instrument at Radio City Music Hall in New York City. The Music Hall instrument
4446-416: The entire operation, and he moved all Wurlitzer manufacturing from Ohio to New York. In 1909, the company began making innovative automatic harps that were more durable than European prototypes, and from 1924 to the 1930s, eight models were available. The "Mighty Wurlitzer" theatre organ was introduced in late 1910 and became Wurlitzer's most famous product. Wurlitzer theatre organs are installed around
4524-720: The facility. Circa 1933, the Wurlitzer name gradually became more associated with jukeboxes than with musical instruments. In 1942, organ production at the North Tonawanda factory ceased and production was shifted to the manufacture of bomb proximity fuses for World War II . After the war, normal production efforts resumed but with more focus on radios, jukeboxes and small electronic organs for private homes. The Rivera Theatre , also in North Tonawanda, possesses one of these historic organs as well as Shea's Performing Arts Center in Buffalo, New York. Among Wurlitzer's electronic instruments, beginning with electrostatic reed organs in 1947,
4602-472: The factory and the owner didn't mind the change). During the Great Depression leading up to the end of production, various cost-cutting measures were made, such as the substitution of brass horn and trumpet pipes for ones made of wood (though arguably the change from brass to wood may have been due to the shrill sound produced by the brass pipes which some people may have found unpleasant; wood pipes produced
4680-411: The horses and carriages is as follows: a chariot, two pair of horses, a chariot, three pairs of horses, and then the entire sequence repeated. The panels that decorate the carousel, including those surrounding the central column housing the carousel machinery, depict equestrian and marine scenes. By the 1980s, these panels, needing restoration, had been removed and replaced by panels of local scenes done by
4758-420: The late 1800s, fairs were popular. As crowds grew and mechanical rides began to appear, there was a need for louder music. The fairground organ was developed. Eugene de Kleist of North Tonawanda, New York, was an early builder of such organs (also called " barrel organs ") for use in carousels . Wurlitzer bought an interest in de Kleist's North Tonawanda Barrel Organ Factory in 1897. In 1909, Wurlitzer bought
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#17328593934724836-523: The market all the principal novelties that have delighted the many thousands of pleasure seekers at home and abroad." In the United States , the carousel industry was developed by immigrants, notably Gustav Dentzel of Germany and Charles W.F. Dare from England, from the late 19th century. Several centres and styles for the construction of carousels emerged in the United States: The golden age of
4914-441: The most important have been the fully electronic organs , especially the two-manual-and-pedals spinet type (from 1971 with synthesizer features) for domestic use. In the mid-1950s, Wurlitzer began manufacturing portable electric pianos . Rembert Wurlitzer (1904–1963) independently directed the firm's violin department from 1949 until his death in 1963, building it into a leading international center for rare string instruments. In
4992-508: The operator or by ponies. In mid-19th-century England, the carousel became a popular fixture at fairs . The first steam-powered mechanical roundabout, invented by Thomas Bradshaw, appeared at the Pot Market fair in Bolton in about 1861. It was described by a Halifax Courier journalist as "a roundabout of huge proportions, driven by a steam engine which whirled around with such impetuosity, that
5070-525: The rate of Hope-Jones company, and more theatre organs than the rest of the theatre organ manufacturers combined. A number were shipped overseas, with the largest export market being the United Kingdom . The first of these theatre pipe organs to be shipped to the United Kingdom was dispatched from the North Tonawanda factory on 1 December 1924. It opened at its first location – The Picture House in Walsall , at
5148-452: The ring tilt, were popular in Italy and France . The game began to be played by commoners, and carousels soon sprung up at fairgrounds across Europe. At the Place du Carrousel in Paris , an early make-believe carousel was set up with wooden horses for the children. Another kind of carousel emerged in the 17th century in Belgium and France to celebrate special events. This was a ceremonial parade of knights and noblemen on horseback around
5226-514: The same organ. Both instruments have been substantially altered in more recent years. 5-Manual theatre organ consoles are extremely rare, and only three were built by Wurlitzer: In 1955, a group of enthusiasts met in the dining room of Richard Simonton , an early investor of Muzak and formed the American Theatre Organ Enthusiasts (ATOE) to preserve remaining theatre organs, including those by other builders, such as Morton , Möller , Kimball , Marr and Colton , Barton , and Kilgen . The ATOE
5304-416: The showmen community when populated by model horses, usually turn from the left to the right or clockwise (from the outside, or from the spectators' point of view, animals face to the left and the carousel apparently turns from the right to the left, the spectators' sense of clockwise ), while in North America and Mainland Europe , carousels typically go counterclockwise , that is, from right to left (from
5382-513: The sole distributor of Holman-Woodell guitars, which were originally sold under the Wurlitzer brand. Wurlitzer then switched to an Italian guitar maker, Welson, before abandoning guitar sales altogether in 1969. While original Wurlitzer jukeboxes sold well, technology soon outpaced Wurlitzer. By the 1950s, other companies dominated the jukebox market. Wurlitzer sold its Martin rights to LeBlanc in 1971, to focus on its core markets with pianos and jukeboxes. In 1973, Wurlitzer sold its jukebox brand to
5460-400: The spectators' point of view, animals face to the right and the carousel is seen as turning from left to right, the spectators' sense of counterclockwise). By the mid-19th century, the platform carousel was developed; the animals and chariots were fixed to a circular floor that would suspend from a centre pole and rotate around. These carousels were called dobbies and were operated manually by
5538-417: The style 104 and style 105 were copied from a Gebrüder Bruder barrel organ. The style 146 was identical copied from Brüder's model 79 fairground organ, except that the side wings (portions of the façade concealing the drums) were removed. The style 157 was copied from a Gavioli special style of organ (only 2 or 3 of this style of organ are known to exist; the former organ at Dorney Park & Wildwater Kingdom
5616-425: The way around the case, allowing sound to escape the cabinet with the lids closed. The most notable feature was the symmetrical lids that opened like butterfly wings. These lids open to reveal a secondary ported removable inner lid. These lids are decoratively cut out to allow the sound to ring out via a large F hole, similar to a violin, as well as multiple radial slots along the outer edge. Another design innovation
5694-539: The wonder is the daring riders are not shot off like cannonball, and driven half into the middle of next month." Soon afterwards, English engineer Frederick Savage began to branch out of agricultural machinery production into the construction of fairground machines, swiftly becoming the chief innovator in the field. Savage's fairground machinery was exported all over the world. By 1870, he was manufacturing carousels with Velocipedes (an early type of bicycle) and he soon began experimenting with other possibilities, including
5772-490: The world in theatres, museums, churches and private residences. With the onset of World War I , imports from Germany became problematic, and Wurlitzer found it necessary to increase manufacturing in the US. In the early 1930s, Wurlitzer built a new, state-of-the-art manufacturing and marketing facility in North Tonawanda, complete with employee recreation areas, showers and a cafeteria. It had two landscaped avenues which fanned out over
5850-580: Was at that time a major factor in Europe for vending machines and coin-operated phonographs, the internal word for jukeboxes. In 1974, when Wurlitzer in the US ceased to build jukeboxes, Deutsche Wurlitzer continued and served the European markets and partly also the USA by own distributors. Deutsche Wurlitzer GmbH was sold in 1985 to the Australian "Nelson Group of Companies, based in Sydney, New South Wales, Australia. As it
5928-545: Was due to a first rate marketing department (headed by future Indiana Senator Homer Capehart ), the reliable Simplex record changer, and the designs of engineer Paul Fuller who created many cabinet styles in the "light-up" design idiom. Another significant factor contributing to Wurlitzer's success was the end of Prohibition in 1933 and the resulting increase in the market for coin-operated music machines in bars and dance halls. Wurlitzer's original jukeboxes played only ten 78 rpm records, one side only, later expanded to 24. With
6006-547: Was one, but it was destroyed in a fire). And, the style 165 is copied from the Gebrüder Bruder "Elite Apollo Orchester." As demand for organs grew from the fairground operators, Wurlitzer was approached by Eugene de Kleist , an-ex employee of Limonaire Frères and the founder of the North Tonawanda Barrel Organ Factory . After de Kleist developed the tonophone for the company, which won a gold medal at
6084-461: Was the "Tone Amplifier". The device consists of a metal flat bar between the piano rim, running under the bass bridge to a fixed point on the soundboard, designed to bring out the tone on a smaller piano. A screw mechanism on top of the bridge allowed adjustment of the tonal output. Wurlitzer made at least three different versions of the 73 key model butterfly. Each had variations in appointments, such as legs, lyres, and sheet music stands. After
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