109-671: The Baldwin Piano Company is an American piano brand. It was once the largest US-based manufacturer of keyboard instruments and was known by the slogan, "America's Favorite Piano". Since 2001, it has been a subsidiary of Gibson Brands, Inc. Baldwin ceased domestic production in December 2008, moving its piano manufacturing to China. The company traces its origins back to 1857, when Dwight Hamilton Baldwin began teaching piano, organ, and violin in Cincinnati , Ohio . In 1862, Baldwin started
218-594: A Decker Brothers piano dealership and, and in 1866, Baldwin hired Lucien Wulsin as a clerk. Wulsin eventually became a partner in the dealership, which by then was known as the D.H. Baldwin & Company. The Baldwin Company became the largest piano dealer in the Midwestern United States by the 1890s. In 1889–1890, Baldwin vowed to build "the best piano that could be built" and subsequently formed two production companies: Hamilton Organ, which built reed organs, and
327-404: A bridge to a soundboard that amplifies the sound by coupling the acoustic energy to the air. When the key is released, a damper stops the string's vibration, ending the sound. Most notes have three strings, except for the bass, which graduates from one to two. Notes can be sustained when the keys are released by the use of pedals at the base of the instrument, which lift the dampers off
436-561: A grand piano , the frame and strings are horizontal, with the strings extending away from the keyboard. The action lies beneath the strings and uses gravity as its means of return to a state of rest. Grand pianos range in length from approximately 1.5–3 m (4 ft 11 in – 9 ft 10 in). Some of the lengths have been given more-or-less customary names, which vary from time to time and place to place, but might include: All else being equal, longer pianos with longer strings have larger, richer sound and lower inharmonicity of
545-580: A loudspeaker . The electric pianos that became most popular in pop and rock music in the 1960s and 1970s, such as the Fender Rhodes use metal tines in place of strings and use electromagnetic pickups similar to those on an electric guitar . The resulting electrical, analogue signal can then be amplified with a keyboard amplifier or electronically manipulated with effects units . In classical music, electric pianos are mainly used as inexpensive rehearsal or practice instruments. Electric pianos, particularly
654-410: A pedal keyboard at the base, designed to be played by the feet. The pedals may play the existing bass strings on the piano, or rarely, the pedals may have their own set of bass strings and hammer mechanisms. While the typical intended use for pedal pianos is to enable a keyboardist to practice pipe organ music at home, a few players of pedal piano use it as a performance instrument. Wadia Sabra had
763-408: A Dutchman, Americus Backers , to design a piano in the harpsichord case—the origin of the "grand". This was achieved by about 1777. They quickly gained a reputation for the splendour and powerful tone of their instruments, with Broadwood constructing pianos that were progressively larger, louder, and more robustly constructed. They sent pianos to both Joseph Haydn and Ludwig van Beethoven , and were
872-501: A Gretsch Country Gentleman for the performance. Fred Gretsch never found a suitable successor, and in 1967 Gretsch was sold to Baldwin Pianos , becoming a subsidiary of that firm. Mid-1969, Baldwin moved Gretsch instrument manufacturing operations from Brooklyn to a plant in DeQueen, Arkansas. In 1983, Baldwin's holding company and several of its subsidiaries were forced into bankruptcy. At
981-414: A built-in amp and speaker). Alternatively, a person can play an electronic piano with headphones in quieter settings. Digital pianos are also non-acoustic and do not have strings or hammers. They use digital audio sampling technology to reproduce the acoustic sound of each piano note accurately. They also must be connected to a power amplifier and speaker to produce sound (however, most digital pianos have
1090-437: A built-in amp and speaker). Alternatively, a person can practise with headphones to avoid disturbing others. Digital pianos can include sustain pedals, weighted or semi-weighted keys, multiple voice options (e.g., sampled or synthesized imitations of electric piano, Hammond organ , violin , etc.), and MIDI interfaces. MIDI inputs and outputs connect a digital piano to other electronic instruments or musical devices. For example,
1199-475: A digital piano's MIDI out signal could be connected by a patch cord to a synth module , which would allow the performer to use the keyboard of the digital piano to play modern synthesizer sounds. Early digital pianos tended to lack a full set of pedals, but the synthesis software of later models such as the Yamaha Clavinova series synthesised the sympathetic vibration of the other strings (such as when
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#17328524939311308-622: A few decades of use. Beginning in 1961, the New York branch of the Steinway firm incorporated Teflon , a synthetic material developed by DuPont , for some parts of its Permafree grand action in place of cloth bushings, but abandoned the experiment in 1982 due to excessive friction and a "clicking" that developed over time; Teflon is "humidity stable" whereas the wood adjacent to the Teflon swells and shrinks with humidity changes, causing problems. More recently,
1417-613: A form of piano wire made from cast steel ; it was "so superior to the iron wire that the English firm soon had a monopoly." A better steel wire was developed in 1840 by the Viennese firm Martin Miller, and a period of innovation and intense competition ensued, with rival brands of piano wire being tested against one another at international competitions, leading ultimately to the modern form of piano wire. Several important advances included changes to
1526-525: A harmonic produced from three octaves below. This lets close and widespread octaves sound pure, and produces virtually beatless perfect fifths . This gives the concert grand a brilliant, singing and sustaining tone quality—one of the principal reasons that full-size grands are used in the concert hall. Smaller grands satisfy the space and cost needs of domestic use; as well, they are used in some small teaching studios and smaller performance venues. Upright pianos, also called vertical pianos, are more compact with
1635-440: A larger facility where Gretsch went on to become a prominent manufacturer of American musical instruments. Through the years, Gretsch has manufactured a wide range of instruments, though they currently focus on electric , acoustic and resonator guitars, basses , ukuleles , and drums. Gretsch instruments enjoyed market prominence by the 1950s. In 1954, Gretsch began a collaboration with guitarist Chet Atkins to manufacture
1744-517: A line of electric guitars with Atkins' endorsement, resulting in the Gretsch 6120 hollowbody guitar and other later models such as the Country Gentleman. Electric guitars before 1957 used single coil pickups that have significant hum problems as an inherent part of their design. Frustration with the hum of these pickups prompted Atkins to collaborate with American inventor and engineer Ray Butts on
1853-478: A lower octave's corresponding sharp overtone rather than to a theoretically correct octave. If octaves are not stretched, single octaves sound in tune, but double—and notably triple—octaves are unacceptably narrow. Stretching a small piano's octaves to match its inherent inharmonicity level creates an imbalance among all the instrument's intervallic relationships. In a concert grand, however, the octave "stretch" retains harmonic balance, even when aligning treble notes to
1962-609: A massive, strong, cast iron frame. Also called the "plate", the iron frame sits atop the soundboard , and serves as the primary bulwark against the force of string tension that can exceed 20 tons (180 kilonewtons) in total for a modern grand piano. The single piece cast iron frame for square piano was patented in 1825 in Boston by Alpheus Babcock , combining the metal hitch pin plate (1821, claimed by Broadwood on behalf of Samuel Hervé) and resisting bars (Thom and Allen, 1820, but also claimed by Broadwood and Érard). Babcock later worked for
2071-451: A merger with United Corp. In 1980, the company opened a new piano manufacturing facility in Trumann , Arkansas . By 1982, however, the piano business contributed only three percent of Baldwin's $ 3.6 billion revenues. Meanwhile, the company had taken on significant debt to finance its acquisitions and new facilities, and was finding it increasingly difficult to meet its loan obligations. In 1983,
2180-417: A microtone piano manufactured by Pleyel in 1920. Abdallah Chahine later constructed his quartertone "Oriental piano" with the help of Austrian Hofmann . With technological advances , amplified electric pianos (1929), electronic pianos (1970s), and digital pianos (1980s) have been developed. The first electric pianos from the late 1920s used metal strings with a magnetic pickup , an amplifier and
2289-400: A musical device exploited by Liszt. When the invention became public, as revised by Henri Herz , the double escapement action gradually became standard in grand pianos and is still incorporated into all grand pianos currently produced in the 2000s. Other improvements of the mechanism included the use of firm felt hammer coverings instead of layered leather or cotton. Felt, which Jean-Henri Pape
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#17328524939312398-670: A new piano factory in Greenwood, Mississippi . Subsequently production of upright pianos was moved from Cincinnati, Ohio to Greenwood. The company next attempted to capitalize on the growth of pop music . After an unsuccessful bid to buy Fender Musical Instruments Corporation , Baldwin bought Burns of London in 1965 for $ 380,000, and began selling the guitars through the company's piano retail outlets. During this time period, Baldwin engineer Robert C. Scherer develo Academy of Music Concert, Indianapolis Maennerchor, November 26, 1920 - DPLA - 7b312695966c6161043d3e45c8fb2ad3 (page 3) (cropped).jpg ped
2507-441: A piano are made of a steel core wrapped with one or two layers of copper wire, to increase their mass whilst retaining flexibility. If all strings throughout the piano's compass were individual (monochord), the massive bass strings would overpower the upper ranges. Makers compensate for this with the use of double (bichord) strings in the tenor and triple (trichord) strings throughout the treble. The plate (harp), or metal frame, of
2616-439: A piano are made of materials selected for strength and longevity. This is especially true of the outer rim, which is most commonly made of hardwood , typically hard maple or beech , and its massiveness serves as an essentially immobile object from which the flexible soundboard can best vibrate. According to Harold A. Conklin, the purpose of a sturdy rim is so that, "... the vibrational energy will stay as much as possible in
2725-468: A piano can be played acoustically, or the keyboard can be used as a MIDI controller, which can trigger a synthesizer module or music sampler . Some electronic feature-equipped pianos such as the Yamaha Disklavier electronic player piano, introduced in 1987, are outfitted with electronic sensors for recording and electromechanical solenoids for player piano-style playback. Sensors record the movements of
2834-419: A piano is usually made of cast iron. A massive plate is advantageous. Since the strings vibrate from the plate at both ends, an insufficiently massive plate would absorb too much of the vibrational energy that should go through the bridge to the soundboard. While some manufacturers use cast steel in their plates, most prefer cast iron. Cast iron is easy to cast and machine, has flexibility sufficient for piano use,
2943-467: A piano. An inventory made by his employers, the Medici family, indicates the existence of a piano by 1700. The three Cristofori pianos that survive today date from the 1720s. Cristofori named the instrument un cimbalo di cipresso di piano e forte ("a keyboard of cypress with soft and loud"), abbreviated over time as pianoforte , fortepiano , and later reduced to only piano . Cristofori's great success
3052-434: A position in which it is ready to play again almost immediately after its key is depressed, so the player can repeat the same note rapidly when desired. Cristofori's piano action was a model for the many approaches to piano actions that followed in the next century. Cristofori's early instruments were made with thin strings and were much quieter than the modern piano, though they were louder and had more sustain compared to
3161-480: A resounding success, lessons learned in constructing plywood aircraft wings ultimately assisted in Baldwin's development of its 21-ply maple pinblock design used in its postwar piano models. After the war ended, Baldwin resumed selling pianos, and by 1953 the company had doubled production figures from prewar levels. In 1946, Baldwin introduced its first electronic organ (developed in 1941), which became so successful that
3270-596: A small number of acoustic pianos in the 2010s are produced with MIDI recording and digital sound module -triggering capabilities, the 19th century was the era of the most dramatic innovations and modifications of the instrument. Modern pianos have two basic configurations, the grand piano and the upright piano, with various styles of each. There are also specialized and novelty pianos, electric pianos based on electromechanical designs, electronic pianos that synthesize piano-like tones using oscillators, and digital pianos using digital samples of acoustic piano sounds. In
3379-656: A vertical structure of the frame and strings. The mechanical action structure of the upright piano was invented in London in 1826 by Robert Wornum, and upright models became the most popular model for domestic use. Upright pianos take up less space than a grand piano and as such are a better size for use in private homes for domestic music-making and practice. The hammers move horizontally and return to their resting position via springs, which are susceptible to degradation. Upright pianos with unusually tall frames and long strings were sometimes marketed as upright grand pianos, but that label
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3488-465: Is misleading. Some authors classify modern pianos according to their height and to modifications of the action that are necessary to accommodate the height. Upright pianos are generally less expensive than grand pianos. Upright pianos are widely used in churches, community centers, schools, music conservatories and university music programs as rehearsal and practice instruments, and they are popular models for in-home purchase. The toy piano , introduced in
3597-580: Is much more resistant to deformation than steel, and is especially tolerant of compression. Plate casting is an art, since dimensions are crucial and the iron shrinks about one percent during cooling. Including an extremely large piece of metal in a piano is potentially an aesthetic handicap. Piano makers overcome this by polishing, painting, and decorating the plate. Plates often include the manufacturer's ornamental medallion. In an effort to make pianos lighter, Alcoa worked with Winter and Company piano manufacturers to make pianos using an aluminum plate during
3706-643: Is the same material that is used in quality acoustic guitar soundboards. Low-cost pianos often have plywood soundboards. Gretsch Gretsch is an American company that manufactures and markets musical instruments . The company was founded in 1883 in Brooklyn , New York by Friedrich Gretsch, a 27-year-old German immigrant, shortly after his arrival to the United States. Friedrich Gretsch manufactured banjos , tambourines , and drums until his death in 1895. In 1916, his son, Fred Gretsch Sr. moved operations to
3815-578: The Chickering & Mackays firm who patented the first full iron frame for grand pianos in 1843. Composite forged metal frames were preferred by many European makers until the American system was fully adopted by the early 20th century. The increased structural integrity of the iron frame allowed the use of thicker, tenser, and more numerous strings. In 1834, the Webster & Horsfal firm of Birmingham brought out
3924-449: The Kawai firm built pianos with action parts made of more modern materials such as carbon fiber reinforced plastic , and the piano parts manufacturer Wessell, Nickel and Gross has launched a new line of carefully engineered composite parts. Thus far these parts have performed reasonably, but it will take decades to know if they equal the longevity of wood. In all but the lowest quality pianos,
4033-780: The Steinway concert grand (Model D) weighs 480 kg (1,060 lb). The largest piano available on the general market, the Fazioli F308, weighs 570 kg (1,260 lb). The pinblock, which holds the tuning pins in place, is another area where toughness is important. It is made of hardwood (typically hard maple or beech) and is laminated for strength, stability and longevity. Piano strings (also called piano wire ), which must endure years of extreme tension and hard blows, are made of high carbon steel. They are manufactured to vary as little as possible in diameter, since all deviations from uniformity introduce tonal distortion. The bass strings of
4142-462: The grand piano and the upright piano . The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through
4251-600: The hammered dulcimers , which were introduced in the Middle Ages in Europe. During the Middle Ages, there were several attempts at creating stringed keyboard instruments with struck strings. By the 17th century, the mechanisms of keyboard instruments such as the clavichord and the harpsichord were well developed. In a clavichord the strings are struck by tangents, while in a harpsichord they are mechanically plucked by quills when
4360-537: The transposing piano in 1801. This rare instrument has a lever under the keyboard to move the keyboard relative to the strings, so a pianist can play in a familiar key while the music sounds in a different key. The minipiano is an instrument patented by the Brasted brothers of the Eavestaff Ltd. piano company in 1934. This instrument has a braceless back and a soundboard positioned below the keys—long metal rods pull on
4469-410: The "aliquot" throughout much of the upper range of the piano, always in locations that caused them to vibrate sympathetically in conformity with their respective overtones—typically in doubled octaves and twelfths. Some early pianos had shapes and designs that are no longer in use. The square piano (not truly square, but rectangular) was cross strung at an extremely acute angle above the hammers, with
Baldwin Piano Company - Misplaced Pages Continue
4578-518: The 1820s, the center of piano innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin , and the Érard firm manufactured those used by Franz Liszt . In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier ) that permitted repeating a note even if the key had not return to its resting position. This facilitated rapid playing of repeated notes,
4687-509: The 1920s. A piano factory was constructed in Cincinnati, Ohio . Player piano models became unpopular by the end of the 1920s, which, coupled with the beginning of the Great Depression , could have spelled disaster for Baldwin. However, Wulsin's son, Lucien Wulsin II, had become the company's president and had created a large reserve fund for such situations. These reserves enabled Baldwin to ride out
4796-473: The 1940s. Aluminum piano plates were not widely accepted and were discontinued. Prior to this, a piano made almost entirely of aluminum was placed aboard the airship Hindenburg . The numerous parts of a piano action are generally made from hardwood, such as maple, beech, or hornbeam ; however, since World War II, makers have also incorporated plastics. Early plastics used in some pianos in the late 1940s and 1950s, proved problematic when they lost strength after
4905-430: The 19th century, is a small piano-like instrument that generally uses round metal rods to produce sound, rather than strings. The US Library of Congress recognizes the toy piano as a unique instrument with the subject designation, Toy Piano Scores: M175 T69. In 1863, Henri Fourneaux invented the player piano , which plays itself from a piano roll . A machine perforates a performance recording into rolls of paper, and
5014-512: The Baldwin Hamilton studio models B243 and B247, which are the most popular school pianos ever built. The much larger factory in Dongbei is not building pianos at this time. Baldwin grand pianos are being built to Baldwin specification by Parsons Music, China. All new pianos are being sold under the Baldwin name and not Wurlitzer, Hamilton or Chickering. Baldwin stopped manufacturing new pianos in
5123-497: The Baldwin Piano Company, which made pianos. The company's first piano, an upright, began selling in 1891. Baldwin introduced its first grand piano in 1895. Dwight Baldwin died in 1899 and left the vast majority of his estate to fund missionary causes. Wulsin ultimately purchased Baldwin's estate and continued the company's shift from retail to manufacturing. The company won its first major award in 1900 when its model 112 won
5232-529: The Fender Rhodes, became important instruments in 1970s funk and jazz fusion and in some rock music genres. Electronic pianos are non-acoustic; they do not have strings, tines or hammers, but are a type of analog synthesizer that simulates or imitates piano sounds using oscillators and filters that synthesize the sound of an acoustic piano. They must be connected to a keyboard amplifier and speaker to produce sound (however, some electronic keyboards have
5341-716: The Grand Prix at the Exposition Universelle in Paris, becoming the first American manufactured piano to win such an award. Baldwin-manufactured pianos also won top awards at the Louisiana Purchase Exposition and the 1914 Anglo-American Exposition. By 1913, business had grown substantially, with Baldwin exporting to thirty-two countries in addition to having retailers throughout the United States. Baldwin, like many other manufacturers, began building player pianos in
5450-499: The Prismatone pickup for nylon string guitars. Unaccustomed to marketing guitars, the Baldwin stores failed to interest many guitar buyers, and sales proved disappointing. In 1967, Baldwin also bought Gretsch guitars, which had its own experienced guitar sales force and a distribution network of authorized retail outlets. However, Fender and Gibson continued to dominate, and sales did not reach expected levels. The Gretsch guitar operation
5559-489: The United States in 2008, briefly retaining staff at its Trumann, Arkansas factory for specialist work before closure and disposal of remaining inventory. In 2020, Baldwin was inducted into the American Classical Music Hall of Fame . Grand Piano Models (as of 2020): Upright Piano Models (as of 2020): Many distinguished musicians have chosen to compose, perform and record using Baldwin pianos, including
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#17328524939315668-446: The age of 39 and the company was taken over by his wife and fifteen-year-old son Fred. Fred Gretsch expanded the business, adding Gretsch Building #1 at 109 South 5th Street in 1903, Gretsch Building #2 at 104-114 South 4th Street in 1910, and a new ten-story Gretsch Building #4 at 60 Broadway in 1916. The company ultimately owned or operated six properties in the immediate area, including a warehouse on Dunham Place. Gretsch Building #4
5777-418: The best of both of the older instruments, combining the ability to play at least as loudly as a harpsichord with the ability to continuously vary dynamics by touch. Cristofori's new instrument remained relatively unknown until an Italian writer, Scipione Maffei , wrote an enthusiastic article about it in 1711, including a diagram of the mechanism, that was translated into German and widely distributed. Most of
5886-414: The century, as the piano became more common it allowed families to listen to a newly published musical piece by having a family member play a simplified version . The piano is widely employed in classical , jazz , traditional and popular music for solo and ensemble performances, accompaniment, and for composing , songwriting and rehearsals. Despite its weight and cost, the piano's versatility,
5995-511: The clavichord—the only previous keyboard instrument capable of dynamic nuance responding to the player's touch, the velocity with which the keys are pressed. While the clavichord allows expressive control of volume and sustain, it is relatively quiet even at its loudest. The harpsichord produces a sufficiently loud sound, especially when a coupler joins each key to both manuals of a two-manual harpsichord, but it offers no dynamic or expressive control over individual notes. The piano in some sense offers
6104-664: The company changed its name to the Baldwin Piano & Organ Company. In 1961, Lucien Wulsin III became president. By 1963, the company had acquired German piano maunfacturer C. Bechstein Pianofortefabrik and remained its owner until 1986. In 1959, Baldwin constructed a new piano manufacturing plant in Conway, Arkansas , originally to manufacture upright pianos: by 1973, the company had built 1,000,000 upright pianos. In 1961 Baldwin constructed
6213-527: The company laid off some workers from its Trumann, Arkansas manufacturing plant while undergoing restructuring. As a subsidiary of Gibson Guitar Corporation, the company has manufactured instruments under the Baldwin, Chickering , Wurlitzer, Hamilton, and Howard names. Baldwin bought two piano factories in China in which they manufacture grand and vertical pianos. Models built in the factory in Zhongshan , China include
6322-415: The company moved its headquarters from Loveland to nearby Deerfield Township . Throughout the 1990s, the company's fortunes improved, and by 1998, the company's 270 employees at its Conway, Arkansas facility were building 2,200 grand pianos a year. However, in 2001, Baldwin was again facing difficulties, and filed for bankruptcy once again, when the company was bought by Gibson Guitar Corporation . In 2005,
6431-580: The company. The first Gretsch guitars after Fred W Gretsch became president were released in 1988. They were a series of Traveling Wilburys commemorative guitars, which bore little resemblance to prior Gretsch models. In 1989, Gretsch restarted large-scale production of new guitars based on classic Gretsch models. In late 2002, Gretsch and the Fender Musical Instruments Corporation reached an agreement giving Fender control over marketing, production, and distribution of guitars, with
6540-537: The development of a new "humbucking" pickup by connecting two single-coil pickups serially and out of phase. This resulted in what may have been the first humbucker pickup (a claim lost to Gibson Guitars because Gibson was able to file a patent for their humbucker design first). Butts' design became the Gretsch Filter'Tron and was used on Gretsch guitars beginning in 1957, and is highly regarded for its unique sound properties. The popularity of Gretsch guitars soared in
6649-531: The extensive training of musicians, and its availability in venues, schools, and rehearsal spaces have made it a familiar instrument in the Western world. The piano was based on earlier technological innovations in keyboard instruments . Pipe organs had been used since antiquity, and as such the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches . The first string instruments with struck strings were
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#17328524939316758-418: The first firm to build pianos with a range of more than five octaves: five octaves and a fifth during the 1790s, six octaves by 1810 (Beethoven used the extra notes in his later works), and seven octaves by 1820. The Viennese makers similarly followed these trends; however the two schools used different piano actions: Broadwoods used a more robust action, whereas Viennese instruments were more sensitive. By
6867-507: The floor, behind the keyboard and very large sticker action . The short cottage upright or pianino with vertical stringing—made popular by Robert Wornum around 1815—was built into the 20th century. They are informally called birdcage pianos because of their prominent damper mechanism. The oblique upright, popularized in France by Roller & Blanchet during the late 1820s, was diagonally strung throughout its compass. The tiny spinet upright
6976-540: The form of upright, baby grand, and grand piano styles (including a nine-foot concert grand). Reproducing systems have ranged from relatively simple, playback-only models to professional models that can record performance data at resolutions that exceed the limits of normal MIDI data. The unit mounted under the keyboard of the piano can play MIDI or audio software on its CD. Pianos can have over 12,000 individual parts, supporting six functional features: keyboard, hammers, dampers, bridge, soundboard, and strings. Many parts of
7085-448: The framework to resonate more freely with the soundboard, creating additional coloration and complexity of the overall sound. The thick wooden posts on the underside (grands) or back (uprights) of the piano stabilize the rim structure and are made of softwood for stability. The requirement of structural strength, fulfilled by stout hardwood and thick metal, makes a piano heavy. Even a small upright can weigh 136 kg (300 lb), and
7194-572: The hands of his younger brother, William Walter "Bill" Gretsch. Bill Gretsch died in 1948 and the company was again run by Fred Jr. By the mid-1950s the company introduced several models, including the 6120 "Nashville," and the 6128 Duo Jet chambered "solid body", which was played by Bo Diddley . Two other models were introduced - the Country Club, and the White Falcon . In 1954, guitarist and Gretsch employee, Jimmie Webster suggested adding
7303-415: The higher notes were too soft to allow a full dynamic range. Although this earned him some animosity from Silbermann, the criticism was apparently heeded. Bach did approve of a later instrument he saw in 1747 and even served as an agent in selling Silbermann's pianos. "Instrument: piano et forte genandt"—a reference to the instrument's ability to play soft and loud—was an expression that Bach used to help sell
7412-703: The holding company and several of its subsidiaries were forced into bankruptcy with a total debt of over $ 9 billion—at that time, the largest bankruptcy ever. However, the piano business was not part of the bankruptcy. During bankruptcy proceedings in 1984, the Baldwin piano business was sold to its management. The new company went public in 1986 as the Baldwin Piano and Organ Company and moved its headquarters to Loveland, Ohio . However, difficulties continued as demographic changes and foreign competition slowed sales of keyboard instruments. The company responded by acquiring Wurlitzer to increase market share and by moving manufacturing overseas to reduce production costs. In 1998,
7521-542: The instrument when he was acting as Silbermann's agent in 1749. Piano making flourished during the late 18th century in the Viennese school , which included Johann Andreas Stein (who worked in Augsburg , Germany) and the Viennese makers Nannette Streicher (daughter of Stein) and Anton Walter . Viennese-style pianos were built with wood frames, two strings per note, and leather-covered hammers. Some of these Viennese pianos had
7630-522: The keyboard set along the long side. This design is attributed to Christian Ernst Friderici (a pupil of Gottfried Silbermann) in Germany and Johannes Zumpe in England, and it was improved by changes first introduced by Guillaume-Lebrecht Petzold in France and Alpheus Babcock in the United States. Square pianos were built in great numbers through the 1840s in Europe and the 1890s in the United States, and saw
7739-605: The keys, hammers, and pedals during a performance, and the system saves the performance data as a Standard MIDI File (SMF). On playback, the solenoids move the keys and pedals and thus reproduce the original performance. Modern Disklaviers typically include an array of electronic features, such as a built-in tone generator for playing back MIDI accompaniment tracks, speakers, MIDI connectivity that supports communication with computing devices and external MIDI instruments, additional ports for audio and SMPTE input/output (I/O), and Internet connectivity. Disklaviers have been manufactured in
7848-454: The lead vocalist, pianist and keyboardist of Evanescence also uses this brand in most of her compositions, recordings and live performances. A Baldwin piano was seen nightly being played by Paul Shaffer on the Late Show with David Letterman . Baldwin was the official piano of the television show Glee . Marian McPartland 's long-running radio show Piano Jazz was hosted by Baldwin. Baldwin
7957-505: The levers to make the hammers strike the strings. The first model, known as the Pianette , was unique in that the tuning pins extended through the instrument, so it could be tuned at the front. The prepared piano , present in some contemporary art music from the 20th and 21st century is a piano which has objects placed inside it to alter its sound, or has had its mechanism changed in some other way. The scores for music for prepared piano specify
8066-592: The market downturn. During World War II , the US War Production Board ordered the cessation of all US piano manufacturing so that the factories could be put to use in the war effort. Baldwin factories were used to manufacture plywood airplane components for various aircraft such as the Aeronca PT-23 trainer and the stillborn Curtiss-Wright C-76 Caravan cargo aircraft. While the employment of wood components in military aircraft could by no means be considered
8175-525: The mid-1960s because of its association with Beatles guitarist George Harrison , who played Gretsch guitars beginning in the band's early years. Gretsch was founded in 1883 by Friedrich Gretsch, a young German immigrant who opened his own musical instrument shop on 128 Middleton Street in Brooklyn, New York that year. His shop was designed for the manufacture of tambourines and drums . The operation moved to South 4th Street in 1894. In 1895, Gretsch died at
8284-408: The modifications, for example, instructing the pianist to insert pieces of rubber, paper, metal screws, or washers in between the strings. These objects mute the strings or alter their timbre. Some Viennese fortepianos incorporated percussion effects, brought into action by levers. These would be used in pieces such as Mozart's Rondo alla Turca . The pedal piano is a rare type of piano that has
8393-500: The most visible change of any type of piano: the iron-framed, over-strung squares manufactured by Steinway & Sons were more than two-and-a-half times the size of Zumpe's wood-framed instruments from a century before. Their overwhelming popularity was the result of inexpensive construction and price, although their tone and performance were limited by narrow soundboards, simple actions and string spacing that made proper hammer alignment difficult. The tall, vertically strung upright grand
8502-410: The next generation of piano builders started their work based on reading this article. One of these builders was Gottfried Silbermann , better known as an organ builder. Silbermann's pianos were virtual copies of Cristofori's, with one important addition: Silbermann invented the forerunner of the modern sustain pedal , which lifts all the dampers from the strings simultaneously. This innovation allows
8611-545: The opposite coloring of modern-day pianos; the natural keys were black and the accidental keys white. It was for such instruments that Wolfgang Amadeus Mozart composed his concertos and sonatas , and replicas of them are built in the 21st century for use in authentic-instrument performance of his music. The pianos of Mozart's day had a softer tone than 21st century pianos or English pianos, with less sustaining power. The term fortepiano now distinguishes these early instruments (and modern re-creations) from later pianos. In
8720-543: The performer depresses the key. Centuries of work on the mechanism of the harpsichord in particular had shown instrument builders the most effective ways to construct the case, soundboard, bridge, and mechanical action for a keyboard intended to sound strings. The English word piano is a shortened form of the Italian pianoforte , derived from gravecembalo col piano e forte ("harpsichord with soft and loud"). Variations in volume ( loudness ) are produced in response to
8829-461: The period from about 1790 to 1860, the Mozart-era piano underwent significant changes that led to the modern structure of the instrument. This revolution was in response to a preference by composers and pianists for a more powerful, sustained piano sound, which was made possible by the ongoing Industrial Revolution with resources such as high-quality piano wire for strings and precision casting for
8938-437: The pianist to sustain the notes that they have depressed even after their fingers are no longer pressing down the keys. As such, by holding a chord with the sustain pedal, pianists can relocate their hands to a different register of the keyboard in preparation for a subsequent section. Silbermann showed Johann Sebastian Bach one of his early instruments in the 1730s, but Bach did not like the instrument at that time, saying that
9047-439: The pianist's touch (pressure on the keys): the greater the pressure, the greater the force of the hammer hitting the strings and the louder the sound produced and the stronger the attack . Invented in 1700, the fortepiano was the first keyboard instrument to allow gradations of volume and tone according to how forcefully or softly the player presses or strikes the keys, unlike the pipe organ and harpsichord. The invention of
9156-632: The pianists Walter Gieseking , Claudio Arrau , Mike Shinoda , Jorge Bolet , Morton Estrin , Margaret Baxtresser (née Barthel), Earl Wild and José Iturbi and the composers Aaron Copland , Philip Glass , Igor Stravinsky , Béla Bartók , Stephen Sondheim , Leonard Bernstein , Lukas Foss , André Previn , and John Williams . Additionally, Baldwin pianos have been used by popular entertainers including Ray Charles , Liberace , Richard Carpenter , Michael Feinstein , Ben Folds , Billy Joel , Cat Stevens , and Carly Simon , and jazz pianists Dave Brubeck , George Shearing and Dick Hyman . Amy Lee ,
9265-537: The piano is credited to Bartolomeo Cristofori of Padua , Italy, who was employed by Ferdinando de' Medici, Grand Prince of Tuscany , as the Keeper of the Instruments. Cristofori was an expert harpsichord maker and was well acquainted with the body of knowledge on stringed keyboard instruments. This knowledge of keyboard mechanisms and actions helped him to develop the first pianos. It is not known when Cristofori first built
9374-515: The player piano replays the performance using pneumatic devices. Modern equivalents of the player piano include the Bösendorfer CEUS, Yamaha Disklavier and QRS Pianomation, using solenoids and MIDI rather than pneumatics and rolls. A silent piano is an acoustic piano having an option to silence the strings by means of an interposing hammer bar. They are designed for private silent practice, to avoid disturbing others. Edward Ryley invented
9483-418: The production of massive iron frames that could withstand the tremendous tension of the strings. Over time, the tonal range of the piano was also increased from the five octaves of Mozart's day to the seven octave (or more) range found on today's pianos. Early technological progress in the late 18th century owed much to the firm of Broadwood . John Broadwood joined with another Scot, Robert Stodart, and
9592-450: The rim was constructed from several pieces of solid wood, joined and veneered, and European makers used this method well into the 20th century. A modern exception, Bösendorfer (an Austrian manufacturer of high-quality pianos) constructs their inner rims from solid spruce, the same wood that the soundboard is made from, which is notched to allow it to bend; rather than isolating the rim from vibration, their "resonance case principle" allows
9701-403: The soundboard instead of dissipating uselessly in the case parts, which are inefficient radiators of sound." Hardwood rims are commonly made by laminating thin (hence flexible) strips of hardwood, bending them to the desired shape immediately after the application of glue. The bent plywood system was developed by C.F. Theodore Steinway in 1880 to reduce manufacturing time and costs. Previously,
9810-402: The soundboard is made of spruce boards glued together along the side grain. Spruce's high ratio of strength to weight minimizes acoustic impedance while offering strength sufficient to withstand the downward force of the strings. The best piano makers use quarter-sawn , defect-free spruce of close annular grain, carefully seasoning it over a long period before fabricating the soundboards. This
9919-569: The sparkle finishes from Gretsch drums onto their guitars, resulting in the Gretsch Sparkle Jet. He was also inspired by the American cars of the era in introducing new finishes to their guitars. During this time, Chet Atkins became an endorser of Gretsch and they sold guitars with Atkins' name on the pickguard. After The Beatles first appearance on the Ed Sullivan Show , Gretsch sales soared overnight, due to George Harrison playing
10028-417: The string, such as rust on plain strings and dirt in the windings of bass strings. The higher the partial, the further sharp it runs. Pianos with shorter and thicker string (i.e., small pianos with short string scales) have more inharmonicity. The greater the inharmonicity, the more the ear perceives it as harshness of tone. The inharmonicity of piano strings requires that octaves be stretched , or tuned to
10137-418: The strings are placed in two separate planes, each with its own bridge height, allowed greater length to the bass strings and optimized the transition from unwound tenor strings to the iron or copper-wound bass strings. Over-stringing was invented by Pape during the 1820s and first patented for use in grand pianos in the United States by Henry Steinway Jr. in 1859. Some piano makers added variations to enhance
10246-448: The strings when the sustain pedal is depressed, key release, the drop of the dampers, and simulations of techniques such as re-pedalling. Digital, MIDI-equipped pianos can output a stream of MIDI data, or record and play MIDI format files on digital storage media, similar in concept to a pianola. The MIDI file records the physics of a note rather than its resulting sound and recreates the sounds from its physical properties (e.g., which note
10355-464: The strings. Inharmonicity is the degree to which the frequencies of overtones (known as partials or harmonics ) sound sharp relative to whole multiples of the fundamental frequency. This results from the piano's considerable string stiffness; as a struck string decays, its harmonics vibrate from a point very slightly from its termination toward the center (or more flexible part) of the string. The inharmonicity may also result from imperfections within
10464-420: The strings. The sustain pedal allows pianists to connect and overlay sound, and achieve expressive and colorful sonority. In the 19th century, influenced by Romantic music trends, the fortepiano underwent changes such as the use of a cast iron frame (which allowed much greater string tensions) and aliquot stringing which gave grand pianos a more powerful sound, a longer sustain, and a richer tone. Later in
10573-437: The sustain pedal is depressed) and full pedal sets can now be replicated. The processing power of digital pianos has enabled highly realistic pianos using multi-gigabyte piano sample sets with as many as ninety recordings, each lasting many seconds, for each key under different conditions (e.g., there are samples of each note being struck softly, loudly, with a sharp attack, etc.). Additional samples emulate sympathetic resonance of
10682-555: The time it was the largest bankruptcy ever, with a total debt of over $ 9 billion. In 1984, former Baldwin CEO Richard Harrison bought the Baldwin music divisions and brought back former Gretsch employee, Duke Kramer, to run the Gretsch division. In 1985, the Gretsch company once again came under the leadership of the Gretsch family when Fred W. Gretsch, great-grandson of Friedrich and nephew of Fred Gretsch Jr, assumed presidency of
10791-415: The tone of each note, such as Pascal Taskin (1788), Collard & Collard (1821), and Julius Blüthner , who developed Aliquot stringing in 1893. These systems were used to strengthen the tone of the highest register of notes on the piano, which up until this time were viewed as being too weak-sounding. Each used more distinctly ringing, undamped vibrations of sympathetically vibrating strings to add to
10900-542: The tone, except the Blüthner Aliquot stringing , which uses an additional fourth string in the upper two treble sections. While the hitchpins of these separately suspended Aliquot strings are raised slightly above the level of the usual tri-choir strings, they are not struck by the hammers but rather are damped by attachments of the usual dampers. Eager to copy these effects, Theodore Steinway invented duplex scaling , which used short lengths of non-speaking wire bridged by
11009-408: The way the piano was strung. There are one string for each note in the bass, two for each note in the tenor, and three for each note in the tenor. The use of a Capo d’Astro bar instead of agraffes in the uppermost treble allowed the hammers to strike the strings in their optimal position, greatly increasing that area's power. The implementation of over-stringing (also called cross-stringing ), in which
11118-424: Was arranged like a grand set on end, with the soundboard and bridges above the keys and tuning pins below them. " Giraffe pianos ", " pyramid pianos " and " lyre pianos " were arranged in a somewhat similar fashion, using evocatively shaped cases. The very tall cabinet piano was introduced about 1805 and was built through the 1840s. It had strings arranged vertically on a continuous frame with bridges extended nearly to
11227-537: Was designing a stringed keyboard instrument in which the notes are struck by a hammer. The hammer must strike the string but not remain in contact with it, because continued contact would damp the sound and stop the string from vibrating and making sound. This means that after striking the string, the hammer must quickly fall from (or rebound from) the strings. Moreover, the hammer must return to its rest position without bouncing violently (thus preventing notes from being re-played by accidental rebound), and it must return to
11336-411: Was manufactured from the mid-1930s until recent times. The low position of the hammers required the use of a "drop action" to preserve a reasonable keyboard height. Modern upright and grand pianos attained their present, 2000-era forms by the end of the 19th century. While improvements have been made in manufacturing processes, and many individual details of the instrument continue to receive attention, and
11445-507: Was owned by the Gretsch family until 1999. Guitar production by the Gretsch Company began in the early 1930s, and Gretsch guitars became highly sought after, most notably in the 1950s and 1960s. Fred Gretsch Sr. handed over the family business to his son, Fred Gretsch Jr., after retiring in 1942. Soon after taking over, Fred Jr. left to serve in WWII as a Navy commander, leaving the business in
11554-440: Was second only to Steinway in its artist and symphony roster. Piano A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings . Modern pianos have a row of 88 black and white keys, tuned to a chromatic scale in equal temperament . A musician who specializes in piano is called a pianist . There are two main types of piano:
11663-434: Was sold back to the Gretsch family in 1989. Throughout the 1970s, the company undertook a significant bid to diversify into financial services. Under the leadership of Morley P. Thompson, Baldwin bought dozens of firms and by the early 1980s owned over 200 savings and loan institutions, insurance companies and investment firms, including MGIC Investment Corporation . The company changed its name to Baldwin-United in 1977 after
11772-490: Was struck and with what velocity). Computer based software, such as Modartt's 2006 Pianoteq , can be used to manipulate the MIDI stream in real time or subsequently to edit it. This type of software may use no samples but synthesize a sound based on aspects of the physics that went into the creation of a played note. By the 2000s, some pianos included an acoustic grand piano or upright piano combined with MIDI electronic features. Such
11881-403: Was the first to use in pianos in 1826, was a more consistent material, permitting wider dynamic ranges as hammer weights and string tension increased. The sostenuto pedal ( see below ), invented in 1844 by Jean-Louis Boisselot and copied by the Steinway firm in 1874, allowed for a wider range of effects. One innovation that helped create the powerful sound of the modern piano was the use of
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