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84-517: Since 2005, the museum has been located in the Baroque Palais Mollard-Clary . The museum holds around 35,000 library volumes, 3700 periodical titles, 3500 cultural artifacts , 10,000 autographs and manuscripts, 22,000 photographs and photographic negatives, 1500 posters, and 40,000 pamphlets. Overall, approximately 500 various planned languages are documented, of which the most important is Esperanto . This Esperanto -related article

168-528: A concave traverse. The interior was equally revolutionary; the main space of the church was oval, beneath an oval dome. Painted ceilings, crowded with angels and saints and trompe-l'œil architectural effects, were an important feature of the Italian High Baroque. Major works included The Entry of Saint Ignatius into Paradise by Andrea Pozzo (1685–1695) in the Sant'Ignazio Church, Rome , and The Triumph of

252-705: A deliberate confusion between the real architecture and the decoration. The architecture is transformed into a theatre of light, colour and movement. In Poland, the Italian-inspired Polish Baroque lasted from the early 17th to the mid-18th century and emphasised richness of detail and colour. The first Baroque building in present-day Poland and probably one of the most recognizable is the Saints Peter and Paul Church, Kraków , designed by Giovanni Battista Trevano . Sigismund's Column in Warsaw , erected in 1644,

336-508: A distinct, more flamboyant and asymmetric style which emerged from the Baroque, then replaced it in Central Europe in the first half of the 18th century, until it was replaced in turn by classicism. The princes of the multitude of states in that region also chose Baroque or Rococo for their palaces and residences, and often used Italian-trained architects to construct them. A notable example

420-560: A fundamentally different language. There is no real consensus on the exact boundary where Late Latin ends and Medieval Latin begins. Some scholarly surveys begin with the rise of early Ecclesiastical Latin in the middle of the 4th century, others around 500, and still others with the replacement of written Late Latin by written Romance languages starting around the year 900. The terms Medieval Latin and Ecclesiastical Latin are sometimes used synonymously, though some scholars draw distinctions. Ecclesiastical Latin refers specifically to

504-656: A giant ellipse balance the oversize dome and give the Church and square a unity and the feeling of a giant theatre. Another major innovator of the Italian High Baroque was Francesco Borromini , whose major work was the Church of San Carlo alle Quattro Fontane or Saint Charles of the Four Fountains (1634–1646). The sense of movement is given not by the decoration, but by the walls themselves, which undulate and by concave and convex elements, including an oval tower and balcony inserted into

588-517: A knowledge of Classical or Old Latin by the use of rare or archaic forms and sequences. Though they had not existed together historically, it is common that an author would use grammatical ideas of the two periods Republican and archaic, placing them equally in the same sentence. Also, many undistinguished scholars had limited education in "proper" Latin, or had been influenced in their writings by Vulgar Latin. Many striking differences between classical and Medieval Latin are found in orthography . Perhaps

672-497: A living language and was instead a scholarly language of the minority of educated men (and a tiny number of women) in medieval Europe, used in official documents more than for everyday communication. This resulted in two major features of Medieval Latin compared with Classical Latin, though when it is compared to the other vernacular languages, Medieval Latin developed very few changes. There are many prose constructions written by authors of this period that can be considered "showing off"

756-446: A narrowing floor and a miniature statue in the garden beyond to create the illusion that a passageway was thirty meters long, when it was actually only seven meters long. A statue at the end of the passage appears to be life-size, though it is only sixty centimeters high. Borromini designed the illusion with the assistance of a mathematician. The first building in Rome to have a Baroque façade

840-593: A period called Royal Absolutism, which allowed the Portuguese Baroque to flourish. Baroque architecture in Portugal enjoys a special situation and different timeline from the rest of Europe. It is conditioned by several political, artistic, and economic factors, that originate several phases, and different kinds of outside influences, resulting in a unique blend, often misunderstood by those looking for Italian art, find instead specific forms and character which give it

924-469: A pilgrimage church located near the town of Bad Staffelstein near Bamberg, in Bavaria, southern Germany. The Basilica was designed by Balthasar Neumann and was constructed between 1743 and 1772, its plan a series of interlocking circles around a central oval with the altar placed in the exact centre of the church. The interior of this church illustrates the summit of Rococo decoration. Another notable example of

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1008-456: A proliferation of forms, and a richness of colours and dramatic effects. Among the most influential monuments of the Early Baroque were the façade of St. Peter's Basilica (1606–1619), and the new nave and loggia which connected the façade to Michelangelo's dome in the earlier church. The new design created a dramatic contrast between the soaring dome and the disproportionately wide façade, and

1092-539: A rebirth of Latin literature and learning after the depressed period following the final disintegration of the authority of the Western Roman Empire. Although it was simultaneously developing into the Romance languages, Latin itself remained very conservative, as it was no longer a native language and there were many ancient and medieval grammar books to give one standard form. On the other hand, strictly speaking there

1176-529: A rounded surface, which carried images or text in gilded letters, and were placed as interior decoration or above the doorways of buildings, delivering messages to those below. They showed a wide variety of invention, and were found in all types of buildings, from cathedrals and palaces to small chapels. Baroque architects sometimes used forced perspective to create illusions. For the Palazzo Spada in Rome, Francesco Borromini used columns of diminishing size,

1260-537: A sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, and Poland. By the 1730s, it had evolved into an even more flamboyant style, called rocaille or Rococo , which appeared in France and Central Europe until the mid to late 18th century. In the territories of the Spanish and Portuguese Empires including

1344-510: A sense of mystery. The Santiago de Compostela Cathedral was modernized with a series of Baroque additions beginning at the end of the 17th century, starting with a highly ornate bell tower (1680), then flanked by two even taller and more ornate towers, called the Obradorio , added between 1738 and 1750 by Fernando de Casas Novoa . Another landmark of the Spanish Baroque is the chapel tower of

1428-718: A time, the Baroque ceiling paintings were carefully created so the viewer on the floor of the church would see the entire ceiling in correct perspective, as if the figures were real. The interiors of Baroque churches became more and more ornate in the High Baroque, and focused around the altar, usually placed under the dome. The most celebrated baroque decorative works of the High Baroque are the Chair of Saint Peter (1647–1653) and St. Peter's Baldachin (1623–1634), both by Gian Lorenzo Bernini , in St. Peter's Basilica in Rome. The Baldequin of St. Peter

1512-465: A uniquely Portuguese variety. Another key factor is the existence of the Jesuitical architecture, also called "plain style" (Estilo Chão or Estilo Plano) which like the name evokes, is plainer and appears somewhat austere. The buildings are single-room basilicas, deep main chapel, lateral chapels (with small doors for communication), without interior and exterior decoration, simple portal and windows. It

1596-540: Is Venantius Fortunatus ( c.  530  – c.  600 ). This was also a period of transmission: the Roman patrician Boethius ( c.  480 –524) translated part of Aristotle 's logical corpus, thus preserving it for the Latin West , and wrote the influential literary and philosophical treatise De consolatione Philosophiae ; Cassiodorus ( c.  485  – c.  585 ) founded an important library at

1680-495: Is a stub . You can help Misplaced Pages by expanding it . This article related to a museum in Austria is a stub . You can help Misplaced Pages by expanding it . 48°12′34″N 16°21′55″E  /  48.20944°N 16.36528°E  / 48.20944; 16.36528 Baroque The Baroque ( UK : / b ə ˈ r ɒ k / bə- ROK , US : /- ˈ r oʊ k / -⁠ ROHK ; French: [baʁɔk] )

1764-739: Is a Western style of architecture , music , dance , painting , sculpture , poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve

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1848-427: Is a practical building, allowing it to be built throughout the empire with minor adjustments, and prepared to be decorated later or when economic resources are available. In fact, the first Portuguese Baroque does not lack in building because "plain style" is easy to be transformed, by means of decoration (painting, tiling, etc.), turning empty areas into pompous, elaborate baroque scenarios. The same could be applied to

1932-423: Is an example of the balance of opposites in Baroque art; the gigantic proportions of the piece, with the apparent lightness of the canopy; and the contrast between the solid twisted columns, bronze, gold and marble of the piece with the flowing draperies of the angels on the canopy. The Dresden Frauenkirche serves as a prominent example of Lutheran Baroque art, which was completed in 1743 after being commissioned by

2016-569: Is crowded, dense, overlapping, loaded, in order to provoke shock effects. New motifs introduced by Baroque are: the cartouche , trophies and weapons, baskets of fruit or flowers, and others, made in marquetry , stucco , or carved. The English word baroque comes directly from the French . Some scholars state that the French word originated from the Portuguese term barroco 'a flawed pearl', pointing to

2100-654: Is that in which the harmony is confused, and loaded with modulations and dissonances. The singing is harsh and unnatural, the intonation difficult, and the movement limited. It appears that term comes from the word 'baroco' used by logicians." In 1788 Quatremère de Quincy defined the term in the Encyclopédie Méthodique as "an architectural style that is highly adorned and tormented". The French terms style baroque and musique baroque appeared in Le Dictionnaire de l'Académie Française in 1835. By

2184-561: Is the St. Nicholas Church (Malá Strana) in Prague (1704–1755), built by Christoph Dientzenhofer and his son Kilian Ignaz Dientzenhofer . Decoration covers all of walls of interior of the church. The altar is placed in the nave beneath the central dome, and surrounded by chapels, light comes down from the dome above and from the surrounding chapels. The altar is entirely surrounded by arches, columns, curved balustrades and pilasters of coloured stone, which are richly decorated with statuary, creating

2268-467: Is the city of Baroque in Portugal. Its historical centre is part of UNESCO World Heritage List . Many of the Baroque works in the historical area of the city and beyond, belong to Nicolau Nasoni an Italian architect living in Portugal, drawing original buildings with scenographic emplacement such as the church and tower of Clérigos , the logia of the Porto Cathedral , the church of Misericórdia,

2352-541: The quadratura ; trompe-l'œil paintings on the ceiling in stucco frames, either real or painted, crowded with paintings of saints and angels and connected by architectural details with the balustrades and consoles. Quadratura paintings of Atlantes below the cornices appear to be supporting the ceiling of the church. Unlike the painted ceilings of Michelangelo in the Sistine Chapel , which combined different scenes, each with its own perspective, to be looked at one at

2436-930: The Catherine Palace and the Smolny Cathedral . Other distinctive monuments of the Elizabethan Baroque are the bell tower of the Troitse-Sergiyeva Lavra and the Red Gate . Medieval Latin Medieval Latin was the form of Literary Latin used in Roman Catholic Western Europe during the Middle Ages . In this region it served as the primary written language, though local languages were also written to varying degrees. Latin functioned as

2520-791: The Chapel of the Holy Shroud (1668–1694) by Guarino Guarini . The style also began to be used in palaces; Guarini designed the Palazzo Carignano in Turin, while Longhena designed the Ca' Rezzonico on the Grand Canal , (1657), finished by Giorgio Massari with decorated with paintings by Giovanni Battista Tiepolo . A series of massive earthquakes in Sicily required the rebuilding of most of them and several were built in

2604-612: The Latin verruca 'wart', or to a word with the Romance suffix -ǒccu (common in pre-Roman Iberia ). Other sources suggest a Medieval Latin term used in logic, baroco , as the most likely source. In the 16th century the Medieval Latin word baroco moved beyond scholastic logic and came into use to characterise anything that seemed absurdly complex. The French philosopher Michel de Montaigne (1533–1592) helped to give

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2688-604: The Palace of San Telmo in Seville by Leonardo de Figueroa . Granada had only been conquered from the Moors in the 15th century, and had its own distinct variety of Baroque. The painter, sculptor and architect Alonso Cano designed the Baroque interior of Granada Cathedral between 1652 and his death in 1657. It features dramatic contrasts of the massive white columns and gold decor. The most ornamental and lavishly decorated architecture of

2772-642: The Palace of São João Novo , the Palace of Freixo , the Episcopal Palace ( Portuguese : Paço Episcopal do Porto ) along with many others. The debut of Russian Baroque, or Petrine Baroque , followed a long visit of Peter the Great to western Europe in 1697–1698, where he visited the Châteaux of Fontainebleau and Versailles as well as other architectural monuments. He decided, on his return to Russia, to construct similar monuments in St. Petersburg , which became

2856-599: The Wessobrunner School . It is now a UNESCO World Heritage Site . Baroque in France developed quite differently from the ornate and dramatic local versions of Baroque from Italy, Spain and the rest of Europe. It appears severe, more detached and restrained by comparison, preempting Neoclassicism and the architecture of the Enlightenment . Unlike Italian buildings, French Baroque buildings have no broken pediments or curvilinear façades. Even religious buildings avoided

2940-579: The syntax of some Medieval Latin writers, although Classical Latin continued to be held in high esteem and studied as models for literary compositions. The high point of the development of Medieval Latin as a literary language came with the Carolingian Renaissance , a rebirth of learning kindled under the patronage of Charlemagne , king of the Franks . Alcuin was Charlemagne's Latin secretary and an important writer in his own right; his influence led to

3024-542: The 18th century the term began to be used to describe music, and not in a flattering way. In an anonymous satirical review of the première of Jean-Philippe Rameau 's Hippolyte et Aricie in October 1733, which was printed in the Mercure de France in May 1734, the critic wrote that the novelty in this opera was " du barocque ", complaining that the music lacked coherent melody,

3108-552: The 5th century saw the literary activities of the great Christian authors Jerome ( c.  347 –420) and Augustine of Hippo (354–430), whose texts had an enormous influence on theological thought of the Middle Ages, and of the latter's disciple Prosper of Aquitaine ( c.  390  – c.  455 ). Of the later 5th century and early 6th century, Sidonius Apollinaris ( c.  430 – after 489) and Ennodius (474–521), both from Gaul, are well known for their poems, as

3192-478: The English People . Many Medieval Latin works have been published in the series Patrologia Latina , Corpus Scriptorum Ecclesiasticorum Latinorum and Corpus Christianorum . Medieval Latin was separated from Classical Latin around 800 and at this time was no longer considered part of the everyday language. The speaking of Latin became a practice used mostly by the educated high class population. Even then it

3276-510: The Germanic tribes, who invaded southern Europe, were also major sources of new words. Germanic leaders became the rulers of parts of the Roman Empire that they conquered, and words from their languages were freely imported into the vocabulary of law. Other more ordinary words were replaced by coinages from Vulgar Latin or Germanic sources because the classical words had fallen into disuse. Latin

3360-524: The Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. In the decorative arts , the style employs plentiful and intricate ornamentation. The departure from Renaissance classicism has its own ways in each country. But a general feature is that everywhere the starting point is the ornamental elements introduced by the Renaissance . The classical repertoire

3444-517: The Latin vocabulary that developed for them became the source of a great many technical words in modern languages. English words like abstract , subject , communicate , matter , probable and their cognates in other European languages generally have the meanings given to them in Medieval Latin, often terms for abstract concepts not available in English. The influence of Vulgar Latin was also apparent in

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3528-491: The Lutheran city council of Dresden and was "compared by eighteenth-century observers to St Peter's in Rome". The twisted column in the interior of churches is one of the signature features of the Baroque. It gives both a sense of motion and also a dramatic new way of reflecting light. The cartouche was another characteristic feature of Baroque decoration. These were large plaques carved of marble or stone, usually oval and with

3612-675: The Name of Jesus by Giovanni Battista Gaulli in the Church of the Gesù in Rome (1669–1683), which featured figures spilling out of the picture frame and dramatic oblique lighting and light-dark contrasts. The style spread quickly from Rome to other regions of Italy: It appeared in Venice in the church of Santa Maria della Salute (1631–1687) by Baldassare Longhena , a highly original octagonal form crowned with an enormous cupola . It appeared also in Turin , notably in

3696-555: The Spanish Baroque is called Churrigueresque style, named after the brothers Churriguera , who worked primarily in Salamanca and Madrid. Their works include the buildings on Salamanca's main square, the Plaza Mayor (1729). This highly ornamental Baroque style was influential in many churches and cathedrals built by the Spanish in the Americas. Other notable Spanish baroque architects of

3780-411: The characteristics described above, showing its period in vocabulary and spelling alone; the features listed are much more prominent in the language of lawyers (e.g. the 11th-century English Domesday Book ), physicians, technical writers and secular chroniclers. However the use of quod to introduce subordinate clauses was especially pervasive and is found at all levels. Medieval Latin had ceased to be

3864-684: The churches built in the Spanish colonies in Latin America and the Philippines. The church built by the Jesuits for the College of San Francisco Javier in Tepotzotlán , with its ornate Baroque façade and tower, is a good example. From 1680 to 1750, many highly ornate cathedrals, abbeys, and pilgrimage churches were built in Central Europe, Austria, Bohemia and southwestern Poland. Some were in Rococo style,

3948-577: The classical Latin practice of generally placing the verb at the end, medieval writers would often follow the conventions of their own native language instead. Whereas Latin had no definite or indefinite articles, medieval writers sometimes used forms of unus as an indefinite article, and forms of ille (reflecting usage in the Romance languages) as a definite article or even quidam (meaning "a certain one/thing" in Classical Latin) as something like an article. Unlike classical Latin, where esse ("to be")

4032-627: The classical forms, testifies to the declining significance of classical education in Gaul. At the same time, good knowledge of Latin and even of Greek was being preserved in monastic culture in Ireland and was brought to England and the European mainland by missionaries in the course of the 6th and 7th centuries, such as Columbanus (543–615), who founded the monastery of Bobbio in Northern Italy. Ireland

4116-483: The contrast on the façade itself between the Doric columns and the great mass of the portico. In the mid to late 17th century the style reached its peak, later termed the High Baroque. Many monumental works were commissioned by Popes Urban VIII and Alexander VII . The sculptor and architect Gian Lorenzo Bernini designed a new quadruple colonnade around St. Peter's Square (1656 to 1667). The three galleries of columns in

4200-404: The exterior. Subsequently, it is easy to adapt the building to the taste of the time and place, and add on new features and details. Practical and economical. With more inhabitants and better economic resources, the north, particularly the areas of Porto and Braga , witnessed an architectural renewal, visible in the large list of churches, convents and palaces built by the aristocracy. Porto

4284-594: The exuberant late Baroque or Rococo style. The Catholic Church in Spain, and particularly the Jesuits , were the driving force of Spanish Baroque architecture. The first major work in this style was the San Isidro Chapel in Madrid , begun in 1643 by Pedro de la Torre . It contrasted an extreme richness of ornament on the exterior with simplicity in the interior, divided into multiple spaces and using effects of light to create

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4368-557: The form that has been used by the Roman Catholic Church (even before the Middle Ages in Antiquity), whereas Medieval Latin refers to all of the (written) forms of Latin used in the Middle Ages. The Romance languages spoken in the Middle Ages were often referred to as Latin , since the Romance languages were all descended from Vulgar Latin itself. Medieval Latin would be replaced by educated humanist Renaissance Latin , otherwise known as Neo-Latin . Medieval Latin had an enlarged vocabulary, which freely borrowed from other sources. It

4452-443: The intense spatial drama one finds in the work of Borromini . The style is closely associated with the works built for Louis XIV (reign 1643–1715), and because of this, it is also known as the Louis XIV style . Louis XIV invited the master of Baroque, Bernini, to submit a design for the new east wing of the Louvre , but rejected it in favor of a more classical design by Claude Perrault and Louis Le Vau . The main architects of

4536-413: The late Baroque include Pedro de Ribera , a pupil of Churriguera, who designed the Real Hospicio de San Fernando in Madrid, and Narciso Tomé , who designed the celebrated El Transparente altarpiece at Toledo Cathedral (1729–1732) which gives the illusion, in certain light, of floating upwards. The architects of the Spanish Baroque had an effect far beyond Spain; their work was highly influential in

4620-429: The main medium of scholarly exchange, as the liturgical language of the Church , and as the working language of science, literature, law, and administration. Medieval Latin represented a continuation of Classical Latin and Late Latin , with enhancements for new concepts as well as for the increasing integration of Christianity. Despite some meaningful differences from Classical Latin, its writers did not regard it as

4704-406: The mass of churchgoers. The Council of Trent decided instead to appeal to a more popular audience, and declared that the arts should communicate religious themes with direct and emotional involvement. Similarly, Lutheran Baroque art developed as a confessional marker of identity, in response to the Great Iconoclasm of Calvinists . Baroque churches were designed with a large central space, where

4788-417: The mid-19th century, art critics and historians had adopted the term baroque as a way to ridicule post-Renaissance art. This was the sense of the word as used in 1855 by the leading art historian Jacob Burckhardt , who wrote that baroque artists "despised and abused detail" because they lacked "respect for tradition". In 1888 the art historian Heinrich Wölfflin published the first serious academic work on

4872-411: The model for his summer residence, Sanssouci , in Potsdam , designed for him by Georg Wenzeslaus von Knobelsdorff (1745–1747). Another work of Baroque palace architecture is the Zwinger (Dresden) , the former orangerie of the palace of the electors of Saxony in the 18th century. One of the best examples of a rococo church is the Basilika Vierzehnheiligen, or Basilica of the Fourteen Holy Helpers ,

4956-475: The monastery of Vivarium near Squillace where many texts from Antiquity were to be preserved. Isidore of Seville ( c.  560 –636) collected all scientific knowledge still available in his time into what might be called the first encyclopedia , the Etymologiae . Gregory of Tours ( c.  538 –594) wrote a lengthy history of the Frankish kings. Gregory came from a Gallo-Roman aristocratic family, and his Latin, which shows many aberrations from

5040-410: The most celebrated work of Polish Baroque is the Poznań Fara Church, with details by Pompeo Ferrari . After Thirty Years' War under the agreements of the Peace of Westphalia two unique baroque wattle and daub structures was built: Church of Peace in Jawor , Holy Trinity Church of Peace in Świdnica the largest wooden Baroque temple in Europe. The many states within the Holy Roman Empire on

5124-410: The most striking difference is that medieval manuscripts used a wide range of abbreviations by means of superscripts, special characters etc.: for instance the letters "n" and "s" were often omitted and replaced by a diacritical mark above the preceding or following letter. Apart from this, some of the most frequently occurring differences are as follows. Clearly many of these would have been influenced by

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5208-409: The new capital of Russia in 1712. Early major monuments in the Petrine Baroque include the Peter and Paul Cathedral and Menshikov Palace . During the reign of Anna and Elisabeth , Russian architecture was dominated by the luxurious Baroque style of Italian-born Francesco Bartolomeo Rastrelli , which developed into Elizabethan Baroque . Rastrelli's signature buildings include the Winter Palace ,

5292-414: The notice of contemporaries. Petrarch , writing in the 14th century, complained about this linguistic "decline", which helped fuel his general dissatisfaction with his own era. The corpus of Medieval Latin literature encompasses a wide range of texts, including such diverse works as sermons , hymns , hagiographical texts, travel literature , histories , epics , and lyric poetry . The first half of

5376-466: The period was the expansion of Palace of Versailles , begun in 1661 by Le Vau with decoration by the painter Charles Le Brun . The gardens were designed by André Le Nôtre specifically to complement and amplify the architecture. The Galerie des Glaces ( Hall of Mirrors ), the centerpiece of the château, with paintings by Le Brun, was constructed between 1678 and 1686. Mansart completed the Grand Trianon in 1687. The chapel, designed by Robert de Cotte ,

5460-526: The pleadings given in court. Even then, those of the church still used Latin more than the rest of the population. At this time, Latin served little purpose to the regular population but was still used regularly in ecclesiastical culture. Latin also served as a lingua franca among the educated elites of Christendom — long distance written communication, while rarer than in Antiquity, took place mostly in Latin. Most literate people wrote Latin and most rich people had access to scribes who knew Latin for use when

5544-468: The spelling, and indeed pronunciation, of the vernacular language, and thus varied between different European countries. These orthographical differences were often due to changes in pronunciation or, as in the previous example, morphology, which authors reflected in their writing. By the 16th century, Erasmus complained that speakers from different countries were unable to understand each other's form of Latin. The gradual changes in Latin did not escape

5628-479: The style included François Mansart (1598–1666), Pierre Le Muet (Church of Val-de-Grâce , 1645–1665) and Louis Le Vau ( Vaux-le-Vicomte , 1657–1661). Mansart was the first architect to introduce Baroque styling, principally the frequent use of an applied order and heavy rustication , into the French architectural vocabulary. The mansard roof was not invented by Mansart, but it has become associated with him, as he used it frequently. The major royal project of

5712-409: The style is the Pilgrimage Church of Wies ( German : Wieskirche ). It was designed by the brothers J. B. and Dominikus Zimmermann . It is located in the foothills of the Alps , in the municipality of Steingaden in the Weilheim-Schongau district, Bavaria, Germany. Construction took place between 1745 and 1754, and the interior was decorated with frescoes and with stuccowork in the tradition of

5796-488: The style, Renaissance und Barock , which described the differences between the painting, sculpture, and architecture of the Renaissance and the Baroque. The Baroque style of architecture was a result of doctrines adopted by the Catholic Church at the Council of Trent in 1545–1563, in response to the Protestant Reformation . The first phase of the Counter-Reformation had imposed a severe, academic style on religious architecture, which had appealed to intellectuals but not

5880-485: The term baroco (spelled Barroco by him) the meaning 'bizarre, uselessly complicated'. Other early sources associate baroco with magic, complexity, confusion, and excess. The word baroque was also associated with irregular pearls before the 18th century. The French baroque and Portuguese barroco were terms often associated with jewelry. An example from 1531 uses the term to describe pearls in an inventory of Charles V of France 's treasures. Later,

5964-433: The territory of today's Germany all looked to represent themselves with impressive Baroque buildings. Notable architects included Johann Bernhard Fischer von Erlach , Lukas von Hildebrandt and Dominikus Zimmermann in Bavaria , Balthasar Neumann in Bruhl , and Matthäus Daniel Pöppelmann in Dresden. In Prussia , Frederick II of Prussia was inspired by the Grand Trianon of the Palace of Versailles , and used it as

6048-548: The use of medieval Latin among the learned elites of Christendom may have played a role in the spread of those features. In every age from the late 8th century onwards, there were learned writers (especially within the Church) who were familiar enough with classical syntax to be aware that these forms and usages were "wrong" and resisted their use. Thus the Latin of a theologian like St Thomas Aquinas or of an erudite clerical historian such as William of Tyre tends to avoid most of

6132-453: The word appears in a 1694 edition of Le Dictionnaire de l'Académie Française , which describes baroque as "only used for pearls that are imperfectly round." A 1728 Portuguese dictionary similarly describes barroco as relating to a "coarse and uneven pearl". An alternative derivation of the word baroque points to the name of the Italian painter Federico Barocci (1528–1612). In

6216-486: The worshippers could be close to the altar, with a dome or cupola high overhead, allowing light to illuminate the church below. The dome was one of the central symbolic features of Baroque architecture illustrating the union between the heavens and the earth. The inside of the cupola was lavishly decorated with paintings of angels and saints, and with stucco statuettes of angels, giving the impression to those below of looking up at heaven. Another feature of Baroque churches are

6300-419: Was also spread to areas such as Ireland and Germany , where Romance languages were not spoken, and which had never known Roman rule. Works written in those lands where Latin was a learned language, having no relation to the local vernacular, also influenced the vocabulary and syntax of Medieval Latin. Since subjects like science and philosophy, including Rhetoric and Ethics , were communicated in Latin,

6384-489: Was also the birthplace of a strange poetic style known as Hisperic Latin . Other important Insular authors include the historian Gildas ( c.  500  – c.  570 ) and the poet Aldhelm ( c.  640 –709). Benedict Biscop ( c.  628 –690) founded the monastery of Wearmouth-Jarrow and furnished it with books which he had taken home from a journey to Rome and which were later used by Bede ( c.  672 –735) to write his Ecclesiastical History of

6468-701: Was finished in 1710. Following the death of Louis XIV, Louis XV added the more intimate Petit Trianon and the highly ornate theatre. The fountains in the gardens were designed to be seen from the interior, and to add to the dramatic effect. The palace was admired and copied by other monarchs of Europe, particularly Peter the Great of Russia, who visited Versailles early in the reign of Louis XV, and built his own version at Peterhof Palace near Saint Petersburg, between 1705 and 1725. Baroque architecture in Portugal lasted about two centuries (the late seventeenth century and eighteenth century). The reigns of John V and Joseph I had increased imports of gold and diamonds, in

6552-460: Was heavily influenced by the language of the Vulgate , which contained many peculiarities alien to Classical Latin that resulted from a more or less direct translation from Greek and Hebrew ; the peculiarities mirrored the original not only in its vocabulary but also in its grammar and syntax. Greek provided much of the technical vocabulary of Christianity . The various Germanic languages spoken by

6636-593: Was no single form of "Medieval Latin". Every Latin author in the medieval period spoke Latin as a second language, with varying degrees of fluency and syntax. Grammar and vocabulary, however, were often influenced by an author's native language. This was especially true beginning around the 12th century, after which the language became increasingly adulterated: late Medieval Latin documents written by French speakers tend to show similarities to medieval French grammar and vocabulary; those written by Germans tend to show similarities to German, etc. For instance, rather than following

6720-472: Was not frequently used in casual conversation. An example of these men includes the churchmen who could read Latin, but could not effectively speak it. Latin's use in universities was structured in lectures and debates, however, it was highly recommended that students use it in conversation. This practice was kept up only due to rules. One of Latin's purposes, writing, was still in practice; the main uses being charters for property transactions and to keep track of

6804-421: Was the Church of the Gesù in 1584; it was plain by later Baroque standards, but marked a break with the traditional Renaissance façades that preceded it. The interior of this church remained very austere until the high Baroque, when it was lavishly ornamented. In Rome in 1605, Paul V became the first of series of popes who commissioned basilicas and church buildings designed to inspire emotion and awe through

6888-467: Was the only auxiliary verb, Medieval Latin writers might use habere ("to have") as an auxiliary, similar to constructions in Germanic and Romance languages. The accusative and infinitive construction in classical Latin was often replaced by a subordinate clause introduced by quod or quia . This is almost identical, for example, to the use of que in similar constructions in French. Many of these developments are similar to Standard Average European and

6972-537: Was the world's first secular Baroque monument built in the form of a column. The palatial residence style was exemplified by the Wilanów Palace , constructed between 1677 and 1696. The most renowned Baroque architect active in Poland was Dutchman Tylman van Gameren and his notable works include Warsaw's St. Kazimierz Church and Krasiński Palace , Church of St. Anne, Kraków and Branicki Palace, Białystok . However,

7056-462: Was unsparing with dissonances, constantly changed key and meter, and speedily ran through every compositional device. In 1762 Le Dictionnaire de l'Académie Française recorded that the term could figuratively describe something "irregular, bizarre or unequal". Jean-Jacques Rousseau , who was a musician and composer as well as a philosopher, wrote in the Encyclopédie in 1768: "Baroque music

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