The Eppley Hotel Company was located in Omaha, Nebraska . At the time of its acquisition by the Sheraton Corporation in 1956, it had 22 properties, and it was the largest privately held hotel business in the United States.
31-711: Owned by hotel magnate Eugene C. Eppley , the company was established in 1917. By 1956 there were 22 hotels spread across six states. Of the 22 hotels in the Eppley Hotel Company's portfolio that were sold to Sheraton in 1956, some of the most notable hotels included Pittsburgh 's William Penn Hotel , the Seelbach Hotel in Louisville, Kentucky the Hotel Fontenelle in Omaha, Nebraska and Sioux City's Warrior Hotel that
62-758: A local metal shop. After graduating from Washington High School , Wood enrolled in The Handicraft Guild , an art school run entirely by women in Minneapolis in 1910. In 1913, he enrolled at the School of the Art Institute of Chicago , whee he studied from 1913 to 1916. He also performed some work as a silversmith . Close to the end of World War I , Wood joined the U.S. military , working as an artist designing camouflage scenes as well as other art. From 1919 to 1925, Wood taught art to junior high school students in
93-561: A steady source of income. This included painting advertisements, sketching rooms of a mortuary house for promotional flyers and, in one case, designing the corn-themed décor (including chandelier ) for the dining room of a hotel. Wood is associated with the American movement of Regionalism , which was primarily situated in the Midwest, and advanced figurative painting of rural American themes in an aggressive rejection of European abstraction. Wood
124-417: A variety of his own works, and became a key part of the university's cultural community. Wood was an active painter from an extremely young age until his death, and although best known for his paintings, he worked in a large number of media, including lithography , ink , charcoal , ceramics , metal , wood and found objects . Throughout his life he hired out his talents to many Iowa-based businesses as
155-447: Is considered the patron artist of Cedar Rapids, and his childhood country school is depicted on the 2004 Iowa State Quarter . Wood's best known work is his 1930 painting American Gothic , which is also one of the most famous paintings in American art, and one of the few images to reach the status of widely recognized cultural icon, comparable to Leonardo da Vinci 's Mona Lisa and Edvard Munch 's The Scream . American Gothic
186-425: Is particularly well known for American Gothic (1930), which has become an iconic example of early 20th-century American art . Wood was born in rural Iowa , 4 mi (6.43 km) east of Anamosa , on February 13, 1891, the son of Hattie DeEtte Weaver Wood and Francis Maryville Wood. His mother moved the family to Cedar Rapids after his father died in 1901. Soon thereafter, Wood began as an apprentice in
217-523: The Cedar Rapids public school system . This employment provided financial stability, and its seasonal nature allowed him summer trips to Europe to study art. In addition, he took a leave of absence for the 1923–1924 school year so he could spend an entire year studying in Europe. During his stint as a teacher, Wood experimented with woodworking and metalworking. For example, he built a bench for students who broke
248-635: The Corn Room series, is now located in the Sioux City Art Center . Eugene Eppley sold the company to Sheraton Hotels in 1956 for $ 30 million. The hotel chain's sale was, at the time, the second largest hotel sale in United States history. This article about a hotel or resort in the United States is a stub . You can help Misplaced Pages by expanding it . Eugene C. Eppley Eugene C. Eppley (April 8, 1884 – October 14, 1958) also known as Gene ,
279-613: The Eppley Hotel Company . At its peak in the 1950s, the Eppley Hotel Company owned 22 hotels in six states. Eppley sold the company to Sheraton Hotels in 1956 for $ 30 million (equivalent to $ 336 million in 2023). Among many activities, he was a director of Sheraton Hotels, Mid-Continent Airlines , and the Mount Rushmore Foundation. After purchasing the Hotel Fontenelle in downtown Omaha in 1920, Eppley lived at his flagship until his death in 1958. Eppley
310-640: The Figge Art Museum in Davenport, Iowa . The World War II Liberty Ship SS Grant Wood was named in his honor. One of Iowa's nine regional Area Education Agencies, Grant Wood Area Education Agency was established in 1974 and serves Eastern Iowa. In 2009, Grant was awarded the Iowa Prize, the state's highest citizen honor. The Grant Wood Art Colony grew out of Jim Hayes’s 1975 purchase of Wood's historic Iowa City home at 1142 Court Street. The house
341-648: The Great Depression . He became a great proponent of regionalism in the arts, lecturing throughout the country on the topic. As his classically American image was solidified, his bohemian days in Paris were expunged from his public persona. In 1934, Wood was offered a position working and teaching in Iowa City as Director of a New Deal Public Works of Art Project (PWAP). While headquartered in Iowa City and associated with
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#1732851118462372-595: The University of Iowa , he assisted other artists and art students in producing a set of murals for Iowa State University in Ames, Iowa. Once his PWAP concluded in 1934, the University of Iowa offered a three-year-term as an Associate Professor of Fine Art. He taught painting at the university's School of Art until 1941. During that time, he supervised mural painting projects, mentored students including Elizabeth Catlett , produced
403-409: The Midwest's own legacy, which also informed the work. It is a key image of Regionalism. In 1940, Wood and eight other prominent American artists were hired to document and interpret dramatic scenes and characters during the production of the film The Long Voyage Home , a cinematic adaptation of Eugene O'Neill 's plays. Wood was married to Sara Sherman Maxon from 1935 to 1938. Friends considered
434-515: The allegations, and Wood would have returned as professor if not for his growing health problems. Wood was a Freemason and Member of Mount Hermon Lodge #263 in Cedar Rapids, Iowa, from 1921 to 1924. After receiving his third Degree of Master Mason he painted The First Three Degrees of Freemasonry in 1921. However, he was suspended for not paying dues in March 1924, and had no further association with
465-715: The hotel eventually went to ruins, closing in the 1970s. It was demolished in 1983. The West Hotel in Sioux City, Iowa (which was built in 1903 and became part of the Eppley chain of hotels in the mid-1930s) was razed in 1953. In 1927, Eppley commissioned four murals by Grant Wood for his hotels in Council Bluffs , Cedar Rapids , Waterloo and Sioux City. The original piece painted for Eppley's Martin Hotel dining room in Sioux City, one of
496-469: The house along with "the kind of people I fancied should live in that house." The painting shows a farmer standing beside his spinster daughter, figures modeled by the artist's sister, Nan (1900–1990), and his dentist. Wood's sister insisted that the painting depicts the farmer's daughter, disliking suggestions it was the farmer's wife, since that would mean that she looked older than she preferred to think of herself. The dentist, Dr. Byron McKeeby (1867–1950),
527-411: The marriage a mistake for him. Wood was a closeted homosexual . There was an unsuccessful attempt by a colleague, Lester Longman, to get him fired both on explicit moral grounds and for his advocacy of regionalism. Critic Janet Maslin states that his friends knew him to be "homosexual and a bit facetious in his masquerade as an overall -clad farm boy." University administration at Iowa dismissed
558-557: The nuclear test experiment conducted with civilian witnesses, known as Operation Cue . His and other private efforts were meant to demonstrate the ability of companies to ship and distribute food for "survivors" of a nuclear blast. Many witnesses were involved with civil defense organizations. Eppley also personally commissioned paintings by artist Grant Wood . He commissioned the well-known "Fruits of Iowa" grouping in 1932, for murals for four of his hotels in Midwestern cities. Several of
589-490: The onset of the Great Depression , it came to be seen as a depiction of steadfast American pioneer spirit. Another reading is that it is an ambiguous fusion of reverence and parody. Wood's inspiration came from Eldon , southern Iowa, where a cottage designed in the Gothic Revival style with an upper window in the shape of a medieval pointed arch provided the background and also the painting's title. Wood decided to paint
620-463: The organization. Wood died at Iowa City university hospital of pancreatic cancer on the eve of his 51st birthday. He is buried at Riverside Cemetery, Anamosa, Iowa . When Wood died, his estate went to his sister, Nan Wood Graham , the woman portrayed in American Gothic . When she died in 1990, her estate, along with Wood's personal effects and various works of art, became the property of
651-454: The painting was meant to be a satire of repression and narrow-mindedness of rural small-town life. It was seen as part of the trend toward increasingly critical depictions of rural America, along the lines of such novels as Sherwood Anderson 's 1919 Winesburg, Ohio , Sinclair Lewis 's 1920 Main Street , and Carl Van Vechten 's The Tattooed Countess . Wood rejected this reading of it. With
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#1732851118462682-465: The paintings of this series are now housed at Coe College in Iowa . Properties currently or formerly named after Eugene C. Eppley because of donations by his foundation include: Grant Wood Grant DeVolson Wood (February 13, 1891 – February 12, 1942) was an American artist and representative of Regionalism , best known for his paintings depicting the rural American Midwest . He
713-611: The rules to sit on while waiting punishment from the school principal, which he titled Mourner's Bench , a humorous reference to the mourner's bench used in Methodist churches. From 1922 to 1935, Wood lived with his mother in the loft of a carriage house in Cedar Rapids , which he turned into his personal studio at "5 Turner Alley" (the studio had no address until Wood made one up). Between 1922 and 1928, Wood made four trips to Europe, where he studied many styles of painting, especially Impressionism and post-Impressionism . However, it
744-752: Was a hotel magnate in Omaha, Nebraska . Eppley is credited with single-handedly building one of the most successful hotel empires, by the 1950s the largest privately owned hotel chain in the United States . Born in Akron, Ohio , Eppley graduated from the Culver Military Academy in Indiana in 1901. At the age of 19, he bought his first property, the McKinley Hotel in Canton, Ohio . At age 33, in 1917, he formed
775-608: Was a renowned philanthropist , who gave primarily to educational, civic and medical research causes in the Midwestern United States and especially in Omaha. He was active in Omaha's social club Knights of Ak-Sar-Ben , which supported local philanthropy and was elected the King of the Court of Ak-Sar-Ben in 1932. In an unusual event, in 1955 Eppley through his hotel company donated food to
806-637: Was built in 1929 but had its Grand Opening December 20th 1930. Eppley Hotels sold the Warrior and most of its hotel assets to the Sheraton Corporation of America in 1956. Omaha 's Hotel Fontenelle was built in 1914. An exquisite venue, the Fontenelle hosted dignitaries and luminaries of all sorts, including Presidents Harry S. Truman and John F. Kennedy . After Eppley sold it to the Sheraton corporation,
837-455: Was first exhibited in 1930 at the Art Institute of Chicago , where it is still located. It was awarded a $ 300 prize and made news stories nationwide, bringing Wood immediate recognition. Since then, it has been borrowed and satirized endlessly for advertisements and cartoons. Art critics who had favorable opinions about the painting, such as Gertrude Stein and Christopher Morley , assumed
868-417: Was from Cedar Rapids. The couple are in the traditional roles of men and women, the man's pitchfork symbolizing hard labor. The woman is dressed in a dark print apron mimicking 19th-century Americana with a cameo brooch. The compositional severity and detailed technique derive from Northern Renaissance paintings, which Wood had seen during his visits to Europe; after this he became increasingly aware of
899-546: Was one of three artists most associated with the movement. The others, John Steuart Curry and Thomas Hart Benton , returned to the Midwest in the 1930s due to Wood's encouragement and assistance with locating teaching positions for them at colleges in Wisconsin and Missouri, respectively. Along with Benton, Curry, and other Regionalist artists, his work was marketed through Associated American Artists in New York for many years. Wood
930-533: Was placed on the National Register of Historic Places in 1978 and was featured in the 2016 documentary, 1142: Beyond the Bricks . Over the years, Hayes purchased four land parcels behind the home. This addition led to the expansion of his vision for 1142 to include a rotating community of artists modeled after the colonies that Wood tried to establish in his lifetime such as the one at Stone City. Hayes partnered with
961-492: Was the work of the 15th-century Flemish artist Jan van Eyck that influenced him to take on the clarity of this technique and incorporate it in his new works. In addition, his 1928 trip to Munich was to oversee the making of the stained glass windows he had designed for a Veterans Memorial Building in Cedar Rapids. In 1932, Wood helped found the Stone City Art Colony near his hometown to help artists get through