The Charition mime is a Greek theatre play, in fact more properly to be called a farce or burlesque rather than a mime, which is found in Papyrus Oxyrhynchus 413 . The manuscript, which is possibly incomplete, is untitled, and the play's name comes from the name of its protagonist. It is approximately dated to the 2nd century CE, and the play was probably performed in Egypt , where the manuscript was found.
78-559: The play alludes to earlier texts such as Iphigenia in Tauris and Odyssey . Charition (Χαριτίων), the protagonist, is a Greek girl held captive at a temple in India (like Iphigenia), and her brother comes to her rescue. The Greeks escape by getting the Indian king drunk, an element possibly borrowed from Odyssey . The introduction of humorous elements suggest that it may originally have been written as
156-823: A Minoan form whose history was lost in the myths. Artemis was one of the most popular goddesses in Ancient Greece. The most frequent name of a month in the Greek calendars was Artemision in Ionic , territories Artemisios or Artamitios in the Doric and Aeolic territories and in Macedonia . Also Elaphios in Elis , Elaphebolion in Athens, Iasos , Apollonia of Chalkidice and Munichion in Attica . In
234-419: A spoof . The play's character makes it almost a burlesque, representing a type of drama which was prior to the play's discovery not known in antiquity. The manuscript contains signs at various points which are almost certainly instructions to play percussion instruments and, possibly, the aulos , a Greek double-piped reed instrument, which suggests that the use of music in Greek mime was much more extensive than
312-555: A deer, saving the girl and sweeping her off to the land of the Taurians . She has since been made a priestess at the temple of Artemis in Taurica, a position in which she has the gruesome task of ritually sacrificing foreigners who land on King Thoas 's shores. Iphigenia hates her forced religious servitude and is desperate to contact her family in Greece . She wants to inform them that, thanks to
390-467: A female deer (doe) and both disappear into the waters. In relation to these myths Artemis was worshipped as Saronia and Stymphalia . The myth of a goddess who is chased and then falls in the sea is related to the cults of Aphaea and Diktynna . Artemis carrying torches was identified with Hecate and she had the surnames Phosphoros and Selasphoros . In Athens and Tegea , she was worshipped as Artemis Kalliste , "the most beautiful". Sometimes
468-451: A hunt encounter them. The jester defends the Greeks with his farts. He asks Chariton to steal items from the temple, but she refuses arguing that robbery would make the gods angry. On the brother's suggestion, the Greeks serve wine to the Indian king and his subjects, intoxicating them. The characters, including the king, then perform a dance for the moon goddess. The Greeks then discuss tying up
546-536: A legend, Carya, the female lover of Dionysos was transformed into a nut tree and the dancers into nuts. The city is considered to be the place of the origin of the bucolic (pastoral) songs. Cedreatis , near Orchomenus in Arcadia. A xoanon was mounted on the holy cedar (kedros). Chesias , from the name of a river at Samos. Chitonia , wearing a loose tunic, at Syracuse in Sicily, as goddess of hunting. The festival
624-468: A place. The name refers to the Crimean Peninsula (ancient Taurikḗ ). Years before the time period covered by the play, the young princess Iphigenia narrowly avoided death by sacrifice at the hands of her father, Agamemnon . (See plot of Iphigenia at Aulis .) At the last moment the goddess Artemis , to whom the sacrifice was to be made, intervened and replaced Iphigenia on the altar with
702-473: A plan to retrieve the idol without being captured. They know that the Taurians sacrifice Hellene blood in their temple of Artemis. Orestes and Pylades exit. Iphigenia enters and discusses her sad life with the chorus, composed of captive Greek maidens, attendants of Iphigenia. She believes that her father's bloodline has ended with the death of Orestes. A herdsman enters and explains to Iphigenia that he has captured two Hellenes and that Iphigenia should make ready
780-526: A rare epithet of Artemis. Aphaea is identified with Britomartis. In the legend Britomartis (the sweet young woman) escaped from Minos, who fell in love with her. She travelled to Aegina on a wooden boat and then she disappeared. The myth indicates an identity in nature with Diktynna . Aricina , derived from the town Aricia in Latium , or from Aricia, the wife of the Roman forest god Virbius ( Hippolytus ). The goddess
858-452: A single column which she then washed clean as if preparing it for ritual sacrifice. She interprets this dream to mean that Orestes is dead. Orestes and Pylades enter, having just arrived in this land. Orestes was sent by Apollo to retrieve the image of Artemis from the temple, and Pylades has accompanied him. Orestes explains that he has avenged Agamemnon's death by killing Clytaemnestra and Aegisthus . The two decide to hide and make
SECTION 10
#1732851165432936-601: A torch in either hand. Sophocles calls her, " Elaphebolos , (deer slayer) Amphipyros", reminding the annual fire of the festival Laphria The adjective refers also to the twin fires of the two peaks of the Mount Parnassus above Delphi ( Phaedriades ). Anaitis , in Lydia . The fame of Tauria (the Tauric goddess) was very high, and the Lydians claimed that the image of the goddess
1014-408: A wider range of 416 to 412 BCE. The plot of Iphigenia in Tauris is similar to that of Euripides' Helen and Andromeda , both of which are known to have been first performed in 412. This has often been taken as a reason to reject 412 as the date for Iphigenia in Tauris , since that would mean three similar plays would have been performed in the same trilogy . However, Matthew Wright believes
1092-597: Is believed that a precursor of Artemis was worshipped in Minoan Crete as the goddess of mountains and hunting, Britomartis . While connection with Anatolian names has been suggested, the earliest attested forms of the name Artemis are the Mycenaean Greek 𐀀𐀳𐀖𐀵 , a-te-mi-to /Artemitos/ ( gen. ) and 𐀀𐀴𐀖𐀳 , a-ti-mi-te /Artimitei/ ( dat. ), written in Linear B at Pylos . According to J.T. Jablonski ,
1170-408: Is dead, but that his son lives. Upon hearing this, Iphigenia decides that she wants one of the strangers to return a letter to Argos, and that she will only sacrifice one of them. Orestes demands that he be sacrificed, and that Pylades be sent home with the letter, because Orestes brought Pylades on this trip, and it would not be right for Pylades to die while Orestes lives. Pylades promises to deliver
1248-542: Is led to the altar to be offered as a sacrifice, Artemis pities her and takes her away, leaving a deer in her place. In the war that followed, Artemis supported the Trojans against the Greeks, and she challenged Hera in battle. Artemis was one of the most widely venerated of the Ancient Greek deities; her worship spread throughout ancient Greece, with her multiple temples, altars, shrines, and local veneration found everywhere in
1326-499: Is my office to kill strangers. Else I shall become a curse upon your house, Orestes. Goddess Artemis saved me and substituted a deer, which my father sacrificed believing he was thrusting the sharp blade into me. Then she brought me to stay in this land. During this recitation, Orestes asks Pylades what he should do, having realized that he was standing in front of his sister. Orestes reveals his identity to Iphigenia, who demands proof. First, Orestes recounts how Iphigenia embroidered
1404-544: Is of unknown or uncertain etymology, although various sources have been proposed. R.S.P. Beekes suggested that the e / i interchange points to a Pre-Greek origin. Artemis was venerated in Lydia as Artimus . Georgios Babiniotis , while accepting that the etymology is unknown, also states that the name is already attested in Mycenean Greek and is possibly of pre-Greek origin. The name may be related to Greek árktos " bear " (from PIE * h₂ŕ̥tḱos ), supported by
1482-487: Is presented as a goddess who delights in hunting and punishes harshly those who cross her. Artemis' wrath is proverbial, and represents the hostility of wild nature to humans. Homer calls her πότνια θηρῶν , "the mistress of animals", a title associated with representations in art going back as far as the Bronze Age , showing a woman between a pair of animals. Artemis carries with her certain functions and characteristics of
1560-400: Is related to the old traditions where icons and puppets of a vegetation goddess would be hung on a tree. It was believed that the plane tree near the spring at Caphyae, was planted by Menelaus , the husband of Helen of Troy . The tree was called "Menelais". The previous name of the goddess was most likely Kondyleatis . Aphaea , or Apha , unseen or disappeared, a goddess at Aegina and
1638-409: Is successful, he might finally be free of the haunting Erinyes . Orestes, Pylades, and Iphigenia plan an escape whereby Iphigenia will claim that the strangers need to be cleansed in order to be sacrificed and will take them to the bay where their ship is anchored. Additionally, Iphigenia will bring the statue that Orestes was sent to retrieve. Orestes and Pylades exit into the temple. Thoas , king of
SECTION 20
#17328511654321716-497: Is the patron and protector of young children, especially young girls. Artemis was worshipped as one of the primary goddesses of childbirth and midwifery along with Eileithyia and Hera. Artemis was also a patron of healing and disease, particularly among women and children, and believed to send both good health and illness upon women and children. Artemis was one of the three major virgin goddesses , alongside Athena and Hestia . Artemis preferred to remain an unmarried maiden and
1794-557: The Erinyes for committing the crime and goes through periodic fits of madness. He is told by Apollo to go to Athens to be brought to trial (as portrayed in Eumenides by Aeschylus ). Although the trial ends in his favour, the Erinyes continue to haunt him. Apollo sends him to steal a sacred statue of Artemis to bring back to Athens so that he may be set free. The scene represents the front of
1872-494: The Iliad and Odyssey to describe her is ἰοχέαιρα iocheaira , "she who shoots arrows", often translated as "she who delights in arrows" or "she who showers arrows". She is called Artemis Chrysilakatos , of the golden shafts, or Chrysinios , of the golden reins, as a goddess of hunting in her chariot. The Homeric Hymn 27 to Artemis paints this picture of the goddess: I sing of Artemis, whose shafts are of gold, who cheers on
1950-467: The Olympians , but come from an old, less organized world–exorcisms, rituals to raise crops, gods and goddesses conceived not quite in human shape. Some cults of Artemis retained the pre-Greek features which were consecrated by immemorial practices and connected with daily tasks. Artemis shows sometimes the wild and darker side of her character and can bring immediate death with her arrows, however she embodies
2028-458: The daimons and this differentiates her from the other Greek divinities. This is the reason that Artemis was later identified with Hecate , since the daimons were tutelary deities. Hecate was the goddess of crossroads and she was the queen of the witches. Laphria is the Pre-Greek "mistress of the animals" at Delphi and Patras . There was a custom to throw animals alive into the annual fire of
2106-495: The wilderness , wild animals, nature , vegetation , childbirth , care of children , and chastity . In later times, she was identified with Selene , the personification of the Moon . She was often said to roam the forests and mountains, attended by her entourage of nymphs . The goddess Diana is her Roman equivalent. In Greek tradition, Artemis is the daughter of Zeus and Leto , and twin sister of Apollo . In most accounts,
2184-507: The "arkteia", young girls who dressed with short saffron-yellow chitons and imitated bears (she-bears: arktoi). In the Acropolis of Athens, the Athenian girls before puberty should serve the goddess as "arktoi". Artemis was the goddess of marriage and childbirth. The name of the small "bears" indicate the theriomorphic form of Artemis in an old pre-Greek cult. In the cult of Baubronia, the myth of
2262-595: The Mycenean religion. Artemis carries with her certain functions and characteristics of a Minoan form whose history was lost in the myths. According to the beliefs of the first Greeks in Arcadia , Artemis is the first nymph , a divinity of free nature. She was a great goddess and her temples were built near springs marshes and rivers where the nymphs live, and they are appealed by the pregnant women. In Greek religion we must see less tractable elements which have nothing to do with
2340-400: The Taurians, enters and asks whether or not the first rites have been performed over the strangers. Iphigenia has just retrieved the statue from the temple and explains that when the strangers were brought in front of the statue, the statue turned and closed its eyes. Iphigenia interprets it thus to Thoas: The strangers arrived with the blood of kin on their hands and they must be cleansed. Also,
2418-767: The ancient world. Her great temple at Ephesus was one of the Seven Wonders of the Ancient World , before it was burnt to the ground. Artemis' symbols included a bow and arrow, a quiver, and hunting knives, and the deer and the cypress were sacred to her. Diana, her Roman equivalent , was especially worshipped on the Aventine Hill in Rome , near Lake Nemi in the Alban Hills , and in Campania . The name "Artemis" ( n. , f. )
Charition mime - Misplaced Pages Continue
2496-438: The antiquity. The great popularity of Artemis corresponds to the Greek belief in freedom and she is mainly the goddess of women and children. The goddess of free nature is independent and celibate. Artemis is frequently depicted carrying a torch and she was occasionally identified with Hecate . Like other Greek deities, she had a number of other names applied to her, reflecting the variety of roles, duties, and aspects ascribed to
2574-518: The bear cult the goddess had in Attica ( Brauronia ) and the Neolithic remains at the Arkoudiotissa Cave , as well as the story of Callisto, which was originally about Artemis ( Arcadian epithet kallisto ); this cult was a survival of very old totemic and shamanistic rituals and formed part of a larger bear cult found further afield in other Indo-European cultures (e.g., Gaulish Artio ). It
2652-464: The beliefs of the first Greeks in Arcadia Artemis is the first nymph , a goddess of free nature. She is an independent free woman, and she does not need any partner. She is hunting surrounded by her nymphs . This idea of freedom and women's skill is expressed in many Greek myths. In Peloponnese the temples of Artemis were built near springs, rivers and marshes. Artemis was closely related to
2730-449: The calendars of Aetolia , Phocis and Gytheion there was the month Laphrios and in Thebes , Corcyra , and Byzantion the month Eucleios . The goddess was venerated in festivals during spring. In some cults she retains the theriomorphic form of a Pre-Greek goddess who was conceived with the shape of a bear (άρκτος árktos : bear). Kallisto in Arcadia is a hypostasis of Artemis with
2808-422: The city of Antioch, wrote that Ptolemy was smitten by the beauty of (the statue of) Artemis; whereas her mother Leto often took pride in her daughter's beauty. She has several stories surrounding her where men such as Actaeon, Orion, and Alpheus tried to couple with her forcibly, only to be thwarted or killed. Ancient poets note Artemis' height and imposing stature, as she stands taller and more impressive than all
2886-416: The common epithets Orthia , Korythalia and Dereatis . The female dancers wore masks and were famous in antiquity. The goddess of vegetation was also related to the tree-cult with temples near the holy trees and the surnames Apanchomene , Caryatis and Cedreatis . According to Greek beliefs the image of a god or a goddess gave signs or tokens and had divine and magic powers. With these conceptions she
2964-521: The fest. The festival at Patras was introduced from Calydon and this relates Artemis to the Greek heroine Atalanta who symbolizes freedom and independence. Other epithets that relate Artemis to the animals are Amarynthia and Kolainis . In the Homeric poems Artemis is mainly the goddess of hunting, because it was the most important sport in Mycenean Greece . An almost formulaic epithet used in
3042-569: The final escape plan attempted in Thesmophoriazusae as well. Wall painting at House of the Citharist, Pompeii (pre-79 AD.) Roman relief carving around stone column discovered in Fittleworth , West Sussex (1st century AD.) Artemis In ancient Greek religion and mythology , Artemis ( / ˈ ɑːr t ɪ m ɪ s / ; Ancient Greek : Ἄρτεμις ) is the goddess of the hunt ,
3120-411: The goddess before a battle. The deer always accompanies the goddess of hunting. Her epithet Agraea is similar with Agrotera . Alphaea , in the district of Elis . The goddess had an annual festival at Olympia and a temple at Letrinoi near the river Alpheus . At the festival of Letrinoi, the girls were dancing wearing masks. In the legend, Alphaea and her nymphs covered their faces with mud and
3198-507: The goddess had the name of an Amazon like Lyceia (with a helmet of a wolf-skin) and Molpadia . The female warriors Amazons embody the idea of freedom and women's independence. In spite of her status as a virgin who avoided potential lovers, there are multiple references to Artemis' beauty and erotic aspect; in the Odyssey , Odysseus compares Nausicaa to Artemis in terms of appearance when trying to win her favor, Libanius , when praising
Charition mime - Misplaced Pages Continue
3276-464: The goddess. Aeginaea , probably huntress of chamois or the wielder of the javelin, at Sparta However the word may mean "from the island Aegina ", that relates Artemis with Aphaia ( Britomartis ). Aetole , of Aetolia at Nafpaktos . A marble statue represented the goddess in the attitude of one hurling a javelin. Agoraea , guardian of popular assemblies in Athens . She was considered to be
3354-402: The hounds, the pure maiden, shooter of stags, who delights in archery, own sister to Apollo with the golden sword. Over the shadowy hills and windy peaks she draws her golden bow, rejoicing in the chase, and sends out grievous shafts. The tops of the high mountains tremble and the tangled wood echoes awesomely with the outcry of beasts: earthquakes and the sea also where fishes shoal. According to
3432-533: The idea of "the free nature" which was introduced by the first Greeks. The Dorians came later in the area, probably from Epirus and the goddess of nature was mostly interpreted as a vegetation goddess who was related to the ecstatic Minoan tree-cult. She was worshipped in orgiastic cults with lascivious and sometimes obscene dances, which have pure Greek elements introduced by the Dorians. The feminine (sometimes male) dancers wore usually masks, and they were famous in
3510-541: The king, who has tripped over (as suggested by loud drums at the end of the music). The end of the play is lost, but the Greeks escape to their ship. One of the most interesting features of the skit is the appearance of a number of characters who speak dialogues in an unknown language. This part was included as amusing gibberish for the contemporary audience, who did not understand it. The language may partly or wholly represent an ancient Indian dialect, as some words seem to be of Dravidian and Sanskrit origin. Shortly after
3588-478: The letter unless his boat is shipwrecked and the letter is lost. Iphigenia then recites the letter to Pylades so that, if it is lost, he can still relay the message. She recites: She that was sacrificed in Aulis send this message, Iphigenia, still alive, though dead to those at Argos. Fetch me back to Argos, my brother, before I die. Rescue me from this barbarian land, free me from this slaughterous priesthood, in which it
3666-679: The lost play Andromeda , and is often described as a romance , a melodrama , a tragi-comedy or an escape play. Although the play is generally known in English as Iphigenia in Tauris , this is, strictly speaking, the Latin title of the play (corresponding to the Greek Ἰφιγένεια ἐν Ταύροις), the meaning of which is Iphigenia among the Taurians . There is no such place as "Tauris" in Euripides' play, although Goethe , in his play Iphigenie auf Tauris ironically utilising this translation error, posits such
3744-403: The lustral water and the rites of consecration. The herdsman heard one called Pylades by the other, but did not hear the name of the other. Iphigenia tells the herdsmen to bring the strangers to the temple, and says that she will prepare to sacrifice them. The herdsman leaves to fetch the strangers. Iphigenia explains that she was tricked into going to Aulis, through the treachery of Odysseus . She
3822-421: The marriage, and they are appealed by the pregnant women. Artemis became goddess of marriage and childbirth. She was worshipped with the surname Eucleia in several cities. Women consecrated clothes to Artemis for a happy childbirth and she had the epithets Lochia and Lecho . The Dorians interpreted Artemis mainly as goddess of vegetation who was worshipped in an orgiastic cult with lascivious dances, with
3900-414: The miraculous swap performed by Artemis, she is still alive and wants to return to her homeland, leaving the role of high priestess to someone else. Furthermore, she has had a prophetic dream about her younger brother Orestes and believes that he is dead. Meanwhile, Orestes has killed his mother Clytemnestra to avenge his father Agamemnon with assistance from his friend Pylades . He becomes haunted by
3978-453: The name is also Phrygian and could be "compared with the royal appellation Artemas of Xenophon ". Charles Anthon argued that the primitive root of the name is probably of Persian origin from * arta , * art , * arte , all meaning "great, excellent, holy", thus Artemis "becomes identical with the great mother of Nature, even as she was worshiped at Ephesus". Anton Goebel "suggests the root στρατ or ῥατ , 'to shake', and makes Artemis mean
SECTION 50
#17328511654324056-554: The nymphs accompanying her. Artemis is rooted to the less developed personality of the Mycenean goddess of nature. The goddess of nature was concerned with birth and vegetation and had certain chthonic aspects. The Mycenean goddess was related to the Minoan mistress of the animals, who can be traced later in local cults, however we do not know to what extent we can differentiate the Minoan from
4134-461: The papyrus' modern publication, Dr. E. Hultzsch , a noted German indologist who had a strong command of the Dravidian languages , claimed that the words represented an ancient form of Kannada , and suggested possible readings for the dialogues in question which made sense in the context in which they were uttered, but couldn't justify their claims and lost it. His findings were criticised by others at
4212-423: The plot and other stylistic similarities between the three plays indicates that they most likely were produced as part of the same trilogy in 412. Among Wright's reasons are the fact that although the plots are similar they are not identical, and that this type of escape plot may have been particularly relevant in 412 at the first Dionysia after Athens' failed Sicilian Expedition . Also, other than this play and
4290-422: The protector of the assemblies of the people in the agora . At Olympia the cult of "Artemis Agoraea" was related to the cult of Despoinai . (The double named goddesses Demeter and Persephone). Agrotera , the huntress of wild wood, in the Iliad and many cults. It was believed that she first hunted at Agrae of Athens after her arrival from Delos . There was a custom of making a "slaughter sacrifice", to
4368-429: The river god Alpheus, who was in love with her, could not distinguish her from the others. This explains, somehow, the clay masks at Sparta. Amarynthia , or Amarysia , with a famous temple at Amarynthus near Eretria . The goddess was related to the animals, however she was also a healer goddess of women. She is identified with Kolainis . Amphipyros , with fire at each end, a rare epithet of Artemis as bearing
4446-487: The sacred terraces of Brauron , and she tells Orestes that she is saving him again. Thoas heeds Athena's words, because whoever hears the words of the gods and heeds them not is out of his mind. The exact date of Iphigenia in Tauris is unknown. Metrical analysis by Zielinski indicated a date between 414 and 413 BCE, but later analysis by Martin Cropp and Gordon Fick using more sophisticated statistical techniques indicated
4524-454: The sacrifice of Iphigenia was represented in the ritual. Boulaia , of the council, in Athens. Boulephoros , counselling, advising, at Miletus , probably a Greek form of the mother-goddess. Caryatis , the lady of the nut-tree, at Caryae on the borders between Laconia and Arcadia . Artemis was strongly related to the nymphs, and young girls were dancing the dance Caryatis . The dancers of Caryai were famous in antiquity. In
4602-470: The sacrifice. Iphigenia asks Orestes his origins, but Orestes refuses to tell Iphigenia his name. Iphigenia finds out which of the two is Pylades and that they are from Argos. Iphigenia asks Orestes many questions, especially of Greeks who fought in Troy. She asks if Helen has returned home to the house of Menelaus, and of the fates of Calchas, Odysseus, Achilles, and Agamemnon. Orestes informs Iphigenia that Agamemnon
4680-479: The scene of the quarrel between Atreus and Thyestes on a fine web. Orestes also spoke of Pelops’ ancient spear, which he brandished in his hands when he killed Oenomaus and won Hippodamia , the maid of Pisa, which was hidden away in Iphigenia's maiden chamber. This is evidence enough for Iphigenia, who embraces Orestes. Orestes explains that he has come to this land by the bidding of Phoebus's oracle, and that if he
4758-407: The shape of a bear, and her cults at Brauron and at Piraeus ( Munichia ) are remarkable for the arkteia where virgin girls before marriage were disguised as she-bears. The ancient Greeks called potnia theron the representation of the goddess between animals; on a Greek vase from circa 570 BCE, a winged Artemis stands between a spotted panther and a deer. "Potnia theron" is very close to
SECTION 60
#17328511654324836-441: The statue must be cleansed. Iphigenia explains that she would like to clean the strangers and the statue in the sea, to make for a purer sacrifice. Thoas agrees that this must be done, and suspects nothing. Iphigenia tells Thoas that he must remain at the temple and cleanse the hall with torches, and that she may take a long time. All three exit the stage. A messenger enters, shouting that the strangers have escaped. Thoas enters from
4914-667: The story of Callisto , the girl is driven away from Artemis' company after breaking her vow of virginity, having lain with and been impregnated by Zeus. In the Epic tradition , Artemis halted the winds blowing the Greek ships during the Trojan War , stranding the Greek fleet in Aulis , after King Agamemnon , the leader of the expedition, shot and killed her sacred deer. Artemis demanded the sacrifice of Iphigenia , Agamemnon's young daughter, as compensation for her slain deer. In most versions, when Iphigenia
4992-462: The temple of Artemis in the land of the Taurians (presently, the Crimean peninsula). The altar is in the center. The play begins with Iphigenia reflecting on her brother's death. She recounts her "sacrifice" at the hands of Agamemnon , and how she was saved by Artemis and made priestess in this temple. She has had a dream in which the structure of her family's house crashed down in ruins, leaving only
5070-415: The temple, asking what all the noise is about. The messenger explains Iphigenia's lies and that the strangers fought some of the natives, then escaped on their Hellene ship with the priestess and the statue. Thoas calls upon the citizens of his land to run along the shore and catch the ship. Athena enters and explains to Thoas that he shouldn't be angry. She addresses Iphigenia, telling her to be priestess at
5148-551: The thrower of the dart or the shooter". Ancient Greek writers, by way of folk etymology , and some modern scholars, have linked Artemis (Doric Artamis ) to ἄρταμος , artamos , i.e. "butcher" or, like Plato did in Cratylus , to ἀρτεμής , artemḗs , i.e. "safe", "unharmed", "uninjured", "pure", "the stainless maiden". A.J. van Windekens tried to explain both ἀρτεμής and Artemis from ἀτρεμής , atremḗs , meaning "unmoved, calm; stable, firm" via metathesis . Artemis
5226-469: The time for being speculative, but even most of Hultzsch's critics accepted that the language must have been a Dravidian language. Iphigenia in Tauris Iphigenia in Tauris ( Ancient Greek : Ἰφιγένεια ἐν Ταύροις , Iphigeneia en Taurois ) is a drama by the playwright Euripides , written between 414 BC and 412 BC. It has much in common with another of Euripides's plays, Helen , as well as
5304-401: The twins are the products of an extramarital liaison. For this, Zeus' wife Hera forbade Leto from giving birth anywhere on solid land. Only the island of Delos gave refuge to Leto, allowing her to give birth to her children. In one account, Artemis is born first and then proceeds to assist Leto in the birth of the second twin, Apollo. Artemis was a kourotrophic (child-nurturing) deity, that
5382-439: The two plays known to date to 412, we do not know of any such escape plays by Euripides; if he produced two that year, why not three, which might make a particularly strong impression if the escape theme was one Euripides wished to emphasize that year. Finally, Aristophanes overtly parodied Helen and Andromeda in his comedy Thesmophoriazusae , produced in 411, and Wright sees a more subtle parody of Iphigenia in Tauris in
5460-405: The waters and especially to Poseidon , the god of the waters. Her common epithets are Limnnaia , Limnatis (relation to waters) and Potamia and Alphaea (relation to rivers). In some cults she is the healer goddess of women with the surnames Lousia and Thermia . Artemis is the leader of the nymphs ( Hegemone ) and she is hunting surrounded by them. The nymphs appear during the festival of
5538-539: The way to the academy of Athens and he believes that the names are surnames of the goddess Artemis, who is depicted carrying a torch. Kalliste is not related to Kalliste of Arcadia. Aristobule , the best advisor, at Athens . The politician and general Themistocles built a temple of Artemis Aristobule near his house in the deme of Melite , in which he dedicated his own statue. Astrateia , she that stops an invasion, at Pyrrichos in Laconia . A wooden image (xoanon),
5616-575: Was among them. It was considered that the image had divine powers. The Athenians believed that the image became booty to the Persians and was carried from Brauron to Susa . Angelos , messenger, envoy, title of Artemis at Syracuse in Sicily . Apanchomene , the strangled goddess, at Caphyae in Arcadia. She was a vegetation goddess related to the ecstatic tree cult. The Minoan tree goddesses Helene, Dentritis, and Ariadne were also hanged. This epithet
5694-502: Was dedicated to the goddess, because she stopped the invasion of the Amazons in this area. Another xoanon represented "Apollo Amazonios". Basileie , at Thrace and Paeonia . The women offered wheat stalks to the goddess. In this cult, which reached Athens, Artemis is relative to the Thracian goddess Bendis . Brauronia , worshipped at Brauron in Attica . Her cult is remarkable for
5772-488: Was earlier thought. Chariton, a beautiful Greek girl, is captured by (or sold to) the king of a coastal kingdom in India. The king keeps her at the temple of the moon goddess (as a temple girl or a priestess). A Greek search party, including her brother and a jester, arrives to rescue her, after crossing the Indian Ocean . As Chariton, her brother and the fool are discussing their escape, a group of Indian women returning from
5850-405: Was one of the three Greek goddesses over whom Aphrodite had no power. In myth and literature, Artemis is presented as a hunting goddess of the woods, surrounded by her chaste band of nymphs. In the myth of Actaeon , when the young hunter sees her bathing naked, he is transformed into a deer by the angered goddess and is then devoured by his own hunting dogs, who do not recognize their master. In
5928-457: Was related with Artemis Tauria (the Tauric Artemis). Her statue was considered the same with the statue that Orestes brought from Tauris. Near the sanctuary of the goddess there was a combat between slaves who had run away from their masters and the prize was the priesthood of Artemis. Ariste , the best, a goddess of the women. Pausanias describes xoana of "Ariste" and "Kalliste" in
6006-440: Was told that she was being married to Achilles, but upon arriving in Aulis, she discovered that she was going to be sacrificed by Agamemnon. Now, she presides over the sacrifices of any Hellene trespassers in the land of the Taurians, to avenge the crimes against her. Orestes and Pylades enter in bonds. Iphigenia demands that the prisoners' bonds be loosened, because they are hallowed. The attendants to Iphigenia leave to prepare for
6084-450: Was worshipped as Tauria (the Tauric , goddess), Aricina ( Italy ) and Anaitis ( Lydia ). In the bucolic ( pastoral ) songs the image of the goddess was discovered in bundles of leaves or dry sticks and she had the surnames Lygodesma and Phakelitis . In the European folklore, a wild hunter is chasing an elfish woman who falls in the water. In the Greek myths the hunter is chasing
#431568