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105-842: Christian electronic dance music , also known as CEDM , Christian EDM , Christian dance music , CDM , or Christian electronic music is a genre of electronic dance music and Christian music . Its musical styles closely mirror non-Christian EDM; however, the CEDM culture's lack of drug use and emphasis on positive lyrics (often focused on Christianity-based principles) distinguish it from non-religious counterparts. EDM.com wrote "the [CEDM] culture can feel quite welcoming." Many live concerts and events have been held in Christian churches in addition to traditional venues such as Lumination, Creation Festival and LifeLight Music Festival . CEDM has also been incorporated into some Christian worship routines. During

210-542: A "creative partnership" with EDC organizers Insomniac Events in 2013 that would allow it to access its resources whilst remaining an independent company; Live Nation CEO Michael Rapino described EDM as the "[new] rock 'n' roll ". US radio conglomerate iHeartMedia, Inc. (formerly Clear Channel Media and Entertainment) also made efforts to align itself with EDM. In January 2014 It hired noted British DJ and BBC Radio 1 personality Pete Tong to produce programming for its "Evolution" dance radio brand, and announced

315-500: A CEDM radio show, The Reconstruction , which seeks to promote Christian EDM. Electronic dance music Electronic dance music ( EDM ), also referred to as club music , is a broad range of percussive electronic music genres originally made for nightclubs , raves , and festivals . It is generally produced for playback by DJs who create seamless selections of tracks, called a DJ mix , by segueing from one recording to another. EDM producers also perform their music live in

420-517: A celebrity status. Other major acts that gained prominence, including Avicii and Swedish House Mafia , toured major venues such as arenas and stadiums rather than playing clubs; in December 2011, Swedish House Mafia became the first electronic music act to sell out New York City's Madison Square Garden . In 2011, Spin declared a "new rave generation" led by acts like David Guetta, Deadmau5 , and Skrillex . In January 2013, Billboard introduced

525-399: A computer running a digital audio workstation (DAW), with various plug-ins installed such as software synthesizers and effects units, which are controlled with a MIDI controller such as a MIDI keyboard . This setup is generally sufficient to complete entire productions, which are then ready for mastering . A ghost producer is a hired music producer in a business arrangement who produces

630-465: A concert or festival setting in what is sometimes called a live PA . Since its inception EDM has expanded to include a wide range of subgenres. In the late 1980s and early 1990s, following the emergence of raving , pirate radio , Party crews , underground festivals and an upsurge of interest in club culture , EDM achieved mainstream popularity in Europe. However, rave culture was not as broadly popular in

735-472: A different approach to erroneous silence in audio files, but other required features are the same. However, this approach requires more computation. In portable digital audio players, this means a reduced playing time on batteries. A common workaround is to encode consecutive tracks as one single file, relying on cue sheets (or something similar) for navigation. While this method results in gapless playback within consecutive tracks, it can be unwieldy because of

840-520: A few headliner dudes that can play 3,000–4,000-capacity venues, but DJs play the same venues, they turn the crowd over two times, people buy drinks all night long at higher prices—it's a win-win." Electronic music festivals, such as Electric Daisy Carnival (EDC) in Las Vegas and Ultra Music Festival in Miami also grew in size, placing an increased emphasis on visual experiences, and DJs who had begun to attain

945-478: A fistful of water". In the UK, "dance music" or "dance" are more common terms for EDM. What is widely perceived to be "club music" has changed over time; it now includes different genres and may not always encompass EDM. Similarly, "electronic dance music" can mean different things to different people. Both "club music" and "EDM" seem vague, but the terms are sometimes used to refer to distinct and unrelated genres (club music

1050-538: A home studio. Unlike in traditional recording studios, bedroom producers typically use low-cost, accessible software and equipment which can lead to music being created completely "in the box", with no external hardware. Afro-EDM depicts African electronic dance music genres and styles that blend elements of traditional African music with electronic dance music. It incorporates various African rhythms, instruments, and vocal styles, merging them with modern EDM production techniques. Afro EDM had existed for decades. However, it

1155-425: A large volume drop. These methods defeat the purpose of intentional spacing between tracks. Not all albums are mix albums; perhaps more typically, there is an aesthetic pause between unrelated tracks. Also, the artist may intentionally leave in silences for dramatic effect, which should arguably be preserved regardless of whether there is a track boundary there. Compared to precise gapless playback, these methods are

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1260-464: A new EDM-focused Dance/Electronic Songs chart, tracking the top 50 electronic songs based on sales, radio airplay, club play, and online streaming . According to Eventbrite, EDM fans are more likely to use social media to discover and share events or gigs. They also discovered that 78% of fans say they are more likely to attend an event if their peers do, compared to 43% of fans in general. EDM has many young and social fans. By late 2011, Music Trades

1365-540: A partnership with SFX to co-produce live concerts and EDM-oriented original programming for its top 40 radio stations. iHeartMedia president John Sykes explained that he wanted his company's properties to be the "best destination [for EDM]". Major brands have also used the EDM phenomena as a means of targeting millennials and EDM songs and artists have increasingly been featured in television commercials and programs. Avicii's manager Ash Pournouri compared these practices to

1470-438: A pause will usually remain between them. Audio-CDs can be recorded in either disc at once (DAO) or track at once (TAO) mode. The latter is more flexible, but has the drawback of inserting approximately 2 seconds of silence between tracks. Disc at once (DAO) mode allows recording the entire CD in one continuous session, without any pauses between tracks. This mode allows for a playback without an interruption between songs. DAO

1575-477: A performance instrument. They also foregrounded spatial effects such as reverb and delay by using auxiliary send routings creatively. The Roland Space Echo , manufactured by Roland Corporation , was widely used by dub producers in the 1970s to produce echo and delay effects. Despite the limited electronic equipment available to dub pioneers such as King Tubby and Lee "Scratch" Perry, their experiments in remix culture were musically cutting-edge. Ambient dub

1680-461: A plethora of trap remixes of popular EDM songs, and 1/3 dub (low-frequency focus and strong emphasis on repetitiveness throughout a song)". Some of the artists that popularized this genre, along with several others, are producers such as RL Grime with the tracks "Core" and "Scylla" released in 2014, Flosstradamus with their Hdynation Radio album released in 2015 and Carnage with his track "Turn Up" released in 2012. Trap music in this connotation

1785-602: A question about being credited with coining the term New Romantic Burgess has stated that: "Initially I was using three terms – Futurist, Electronic Dance Music (the Landscape singles have EDM printed on them) and New Romantic." Writing in The Guardian , journalist Simon Reynolds noted that the American music industry's adoption of the term EDM in the late 2000s was an attempt to re-brand US "rave culture" and differentiate it from

1890-538: A recording studio with specialized equipment such as samplers , synthesizers, effects units and MIDI controllers all set up to interact with one another using the MIDI protocol. In the genre's early days, hardware electronic musical instruments were used and the focus in production was mainly on manipulating MIDI data as opposed to manipulating audio signals. Since the late 1990s, the use of software has increased. A modern electronic music production studio generally consists of

1995-627: A simple and austere sound. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s, including late-1970s debutants like Japan and Orchestral Manoeuvres in the Dark , and newcomers such as Depeche Mode and Eurythmics . In Japan, Yellow Magic Orchestra's success opened the way for synth-pop bands such as P-Model , Plastics , and Hikashu . The development of inexpensive polyphonic synthesizers,

2100-430: A small amount of padding silence to the beginning and end of each track. These silences increase the playtime of the compressed audio data. If not trimmed off upon playback, the two silences played consecutively over a track boundary will appear as a pause in the original audio content. Lossless formats are not prone to this problem. For some audio formats (e.g. Ogg Vorbis ), where the start and end are precisely defined,

2205-488: A snare or high hat on the second, fourth, or eighth notes. In the mid-1980s house music thrived on the small Balearic Island of Ibiza, Spain . The Balearic sound was the spirit of the music emerging from the island at that time; the combination of old vinyl rock, pop, reggae, and disco records paired with an "anything goes" attitude made Ibiza a hub of drug-induced musical experimentation. A club called Amnesia, whose resident DJ, Alfredo Fiorito , pioneered Balearic house ,

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2310-441: A solo artist. Such non-disclosure agreements are often noted as predatory because ghost producers, especially teenage producers, do not have an understanding of the music industry. London producer Mat Zo has alleged that DJs who hire ghost producers "have pretended to make their own music and [left] us actual producers to struggle". A bedroom producer is an independent musician who creates electronic music on their laptop or in

2415-432: A song for another DJ/artist that releases it as their own, typically under a contract which prevents them from identifying themselves as a personnel of the song. Ghost producers receive a simple fee or royalty payments for their work and are often able to work in their preference of not having the intense pressure of fame and the lifestyle of an internationally recognized DJ. A ghost producer may increase their notability in

2520-646: A tongue-in-cheek blog post, saying "Nay, the Lord has spoken, and he has done so through womps...Hallelujah!" Usually broadcast on Christian radio broadcasts- such as the Effect Radio Network, additionally, there is one Major FM Radio Station, Victory 91.5 FM in Atlanta, and a slew of smaller internet radio stations that specifically broadcast CEDM, such as Radio U Fusion: EDM , NRT Radio Remix, God's DJs, URLive, and GLOW. NRT Radio and David Thulin partnered to create

2625-414: A traditional verse/chorus structure. Structured vocal form in trance music forms the basis of the vocal trance subgenre, which has been described as "grand, soaring, and operatic" and "ethereal female leads floating amongst the synths". Trance music is broken into a number of subgenres including acid trance , classic trance, hard trance , progressive trance, and uplifting trance . Uplifting trance

2730-505: Is Euro-trance , which has become a general term for a wide variety of highly commercialized European dance music. Several subgenres are crossovers with other major genres of electronic music. For instance, Tech trance is a mixture of trance and techno, and Vocal trance "combines [trance's] progressive elements with pop music". The dream trance genre originated in the mid-1990s, with its popularity then led by Robert Miles . AllMusic states on progressive trance: "the progressive wing of

2835-559: Is Nigerian Afro-EDM which emerged in the 2020s encompassing afrobeats, Nigerian afro-house and afroelectro. Gqom originated around 2009-2010 in Durban , through the pioneering efforts of local record producers. Gqom blends elements of techno, broken beats, and house music. Unlike traditional house music, gqom diverges by eschewing the typical four-on-the-floor rhythm. Gqom is categorized as both EDM and house music, characterized by diverse production techniques and variations. Initially,

2940-435: Is a form of house music characterized by a prominent bassline or kick drum and a tempo between 125 and 135 beats per minute, usually 128. Its origins were influenced by electro . The term has been used to describe the music of many DJ Mag Top 100 DJs , including Dimitri Vegas & Like Mike , Hardwell , Skrillex , and Steve Aoki . Italian DJ Benny Benassi , with his track " Satisfaction " released in 2002,

3045-522: Is a genre of electronic dance music that originated in South London in the late 1990s. It is generally characterized by sparse, syncopated rhythmic patterns with bass lines that contain prominent sub-bass frequencies. The style emerged as an offshoot of UK garage , drawing on a lineage of related styles such as 2-step , dub reggae , jungle , broken beat , and grime . In the United Kingdom,

3150-411: Is a gqom subgenre pioneered by Mr Thela, Mshayi and Cairo CPT in the 2020s originating from Cape Town , South Africa. It blends gospel music elements creating a distinctive "church keyboard"-driven sound, and sgubhu elements with gqom. In September 2014, Hallels.com conducted an interview with CEDM artist Matthew Parker , and claimed that some in the Christian community deem dance music as, "music of

3255-466: Is a perception of genre-blending between CEDM and Contemporary Christian music . A significant number of artists from this genre tend not to reference themselves as solely Christian music due the crossover with other genres,. There also is a perception of genre-blending between CEDM and Contemporary Christian music , such as Christian hip-hop musicians Andy Mineo , Lecrae , and Kanye West . Gospel gqom, also known as gqom gospel or "Cape Town gqom"

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3360-606: Is also known as "anthem trance", "epic trance", "commercial trance", "stadium trance", or "euphoric trance", and has been strongly influenced by classical music in the 1990s and 2000s by leading artists such as Ferry Corsten , Armin Van Buuren , Tiësto , Push , Rank 1 and at present with the development of the subgenre "orchestral uplifting trance" or "uplifting trance with symphonic orchestra" by such artists as Andy Blueman , Ciro Visone, Soundlift, Arctic Moon, Sergey Nevone&Simon O'Shine etc. Closely related to Uplifting Trance

3465-406: Is commonly used for live recordings, DJ mixes, or concept albums where tracks blend into each other. As opposed to heuristic techniques, what is often meant by precise gapless playback, is that playback timing is guaranteed to be identical to the source. By this definition, a precise gapless player is not allowed to introduce either gaps or overlaps (crossfading) between successive tracks, and

3570-421: Is defined by what is popular, whereas EDM is distinguished by musical attributes). Though Billboard debuted a "dance" chart in 1974, the larger US music industry did not create music charts until the late 1990s. In July 1995, Nervous Records and Project X Magazine hosted the first awards ceremony, calling it the "Electronic Dance Music Awards". Electronic dance music is generally composed and produced in

3675-430: Is important to note when discussing the history of drum & bass that prior to jungle, rave music was getting faster and more experimental. By 1994, jungle had begun to gain mainstream popularity, and fans of the music (often referred to as junglists ) became a more recognisable part of youth subculture. The genre further developed, incorporating and fusing elements from a wide range of existing musical genres, including

3780-465: Is not allowed to use guesswork. Apart from accounting for playback latency, the preciseness here lies in treating lossless data as-is, and removing the correct amount of padding from lossy data. This is not possible for file formats with loosely defined encoder specifications and no metadata and therefore no way for encoders to record the duration of extraneous silence. Heuristics are used by some music players to detect silence between tracks and trim

3885-454: Is now Live Nation —re-launched SFX Entertainment as an EDM conglomerate, and announced his plan to invest $ 1 billion to acquire EDM businesses. His acquisitions included regional promoters and festivals (including ID&T , which organises Tomorrowland ), two nightclub operators in Miami, and Beatport , an online music store which focuses on electronic music. Live Nation also acquired Cream Holdings and Hard Events , and announced

3990-453: Is seen as the forerunner of electro-house who brought it to the mainstream. By the mid-2000s, electro-house saw an increase in popularity, with hits such as the Tom Neville remix of Studio B 's "I See Girls" in 2005 (UK #11). In November 2006, electroGq-house tracks " Put Your Hands Up for Detroit " by Fedde Le Grand and the D. Ramirez remix of " Yeah Yeah " by Bodyrox and Luciana held

4095-641: The Balearic party vibe associated with Ibiza's DJ Alfredo was transported to London, when Danny Rampling and Paul Oakenfold opened the clubs Shoom and Spectrum, respectively. Both places became synonymous with acid house, and it was during this period that MDMA gained prominence as a party drug. Other important UK clubs included Back to Basics in Leeds , Sheffield's Leadmill and Music Factory, and The Haçienda in Manchester, where Mike Pickering and Graeme Park's spot, Nude,

4200-486: The Mudd Club and clear the floor". By the late 1980s interest in house, acid house and techno escalated in the club scene and MDMA-fueled club-goers, who were faced with a 2 a.m. closing time in the UK, started to seek after-hours refuge at all-night warehouse parties. Within a year, in summer 1989, up to 25,000 people at a time were attending commercially organised underground parties called raves. Trance emerged from

4305-482: The Village People helped define the late 1970s disco sound. Giorgio Moroder and Pete Bellotte produced " I Feel Love " for Donna Summer in 1977. It became the first well-known disco hit to have a completely synthesized backing track. Other disco producers, most famously American producer Tom Moulton , grabbed ideas and techniques from dub music (which came with the increased Jamaican migration to New York City in

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4410-447: The raggamuffin sound, dancehall , MC chants, dub basslines, and increasingly complex, heavily edited breakbeat percussion. Despite the affiliation with the ecstasy-fuelled rave scene, Jungle also inherited some associations with violence and criminal activity, both from the gang culture that had affected the UK's hip-hop scene and as a consequence of jungle's often aggressive or menacing sound and themes of violence (usually reflected in

4515-594: The rave scene in the United Kingdom in the late 1980s and developed further during the early 1990s in Germany before spreading throughout the rest of Europe, as a more melodic offshoot from techno and house. At the same time trance music was developing in Europe, the genre was also gathering a following in the Indian state of Goa . Trance is mostly instrumental , although vocals can be mixed in: typically they are performed by mezzo-soprano to soprano female soloists, often without

4620-414: The "Forward" night (sometimes stylised as FWD>>), which went on to be considered influential to the development of dubstep. The term "dubstep" in reference to a genre of music began to be used around 2002 by labels such as Big Apple, Ammunition, and Tempa, by which time stylistic trends used in creating these remixes started to become more noticeable and distinct from 2-step and grime . Electro house

4725-484: The 1970s) to provide alternatives to the four-on-the-floor style that dominated. During the early 1980s, the popularity of disco music sharply declined in the United States, abandoned by major US record labels and producers. Euro disco continued evolving within the broad mainstream pop music scene. Synth-pop (short for synthesizer pop ; also called techno-pop ) is a music genre that first became prominent in

4830-507: The 1970s. Inspired by Jamaican sound system culture Jamaican-American DJ Kool Herc introduced large bass heavy speaker rigs to the Bronx . His parties are credited with having kick-started the New York City hip-hop movement in 1973. A technique developed by DJ Kool Herc that became popular in hip hop culture was playing two copies of the same record on two turntables, in alternation, and at

4935-529: The 1980s was shaped by the development of several new electronic musical instruments , particularly those from the Japanese Roland Corporation . The Roland TR-808 (often abbreviated as the "808") notably played an important role in the evolution of dance music, after Afrika Bambaataa 's " Planet Rock " (1982), made it very popular on dancefloors. The track, which also featured the melody line from Riot In Lagos (1980) of Ryuichi Sakamoto, informed

5040-455: The 1980s, Detroit DJs Juan Atkins , Derrick May , and Kevin Saunderson laid the foundation for a new style of music which would dubbed techno. They fused Chicago house influenced electronic and Detroit (including Motown) influenced funk sounds with the mechanical vibes of the post-industrial city, creating the techno sound of four-on-the-floor beat driven by a kick drum on the quarter notes and

5145-413: The 1990s rave scene. It has been described as an era of electronic music, being described in a MixMag article as being "the drop-heavy, stadium-filling, fist-pumping, chart-topping, massively commercial main stage sound that conquered America...possibly somewhere between electro and progressive house, directed by Michael Bay, and like many music genres, trying to pin it down exactly is like trying to grab

5250-408: The American music industry and music press in an effort to rebrand American rave culture. Despite the industry's attempt to create a specific EDM brand, the acronym remains in use as an umbrella term for multiple genres, including dance-pop , house , techno , electro and trance , as well as their respective subgenres, which all predate the acronym. Various EDM genres have evolved over

5355-457: The House " by Coldcut (1988) entered the pop charts. The electronic instrumentation and minimal arrangement of Charanjit Singh 's Synthesizing: Ten Ragas to a Disco Beat (1982), an album of Indian ragas performed in a disco style, anticipated the sounds of acid house music, but it is not known to have had any influence on the genre prior to the album's rediscovery in the 21st century. In

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5460-451: The United States; it was not typically seen outside of the regional scenes in New York City, Florida, the Midwest, and California. Although the pioneer genres of electro , Chicago house and Detroit techno were influential both in Europe and the United States, mainstream media outlets and the record industry in the United States remained openly hostile to it until the 1990s and beyond. There

5565-506: The audio as necessary on playback. Due to the loss of time resolution of lossy compression , this method is inexact. In particular, the silence is not exactly zero. If the silence threshold is too low, some silences go undetected. Too high, and entire sections of quiet music at the beginning or end of a track may be removed. Digital signal processing (DSP) algorithms can also be used to crossfade between tracks. This eliminates gaps that some listeners find distracting, but also greatly alters

5670-415: The audio signal, which may have undesirable effects on the listening experience. Some listeners dislike these effects more than the gap they attempt to remove. For example, crossfading is inappropriate for files that are already gapless, in which case the transition may feel artificially short and disturb the rhythm. Also, depending on the length of untrimmed silence and the particular crossfader, it may cause

5775-703: The birth of electro. As the electronic sound developed, instruments such as the bass guitar and drums were replaced by synthesizers and most notably by iconic drum machines , particularly the Roland TR-808 and the Yamaha DX7 . Early uses of the TR-808 include several Yellow Magic Orchestra tracks in 1980–1981, the 1982 track " Planet Rock " by Afrika Bambaataa , and the 1982 song " Sexual Healing " by Marvin Gaye . In 1982, producer Arthur Baker , with Afrika Bambaataa , released

5880-499: The choice of samples). However, this developed in tandem with the often positive reputation of the music as part of the wider rave scene and dance hall-based Jamaican music culture prevalent in London. By 1995, whether as a reaction to, or independently of this cultural schism, some jungle producers began to move away from the ragga-influenced style and create what would become collectively labelled, for convenience, as drum and bass. Dubstep

5985-645: The commercialization of hip-hop in the early 2000s. Heineken has a marketing relationship with the Ultra Music Festival, and has incorporated Dutch producers Armin van Buuren and Tiësto into its ad campaigns. Anheuser-Busch has a similar relationship as beer sponsor of SFX Entertainment events. In 2014, 7 Up launched "7x7Up"—a multi-platform EDM-based campaign that included digital content, advertising featuring producers, and branded stages at both Ultra and Electric Daisy Carnival. Wireless carrier T-Mobile US entered into an agreement with SFX to become

6090-559: The currently playing track finishes. The two decoded pieces of audio must be fed to the hardware continuously over the transition, as if the tracks were concatenated in software. Many older audio players on personal computers do not implement the required buffering to play gapless audio. Some of these rely on third-party gapless audio plug-ins to buffer output. Most recent players and newer versions of old players now support gapless playback directly. Lossy audio compression schemes that are based on overlapping time/frequency transforms add

6195-470: The definition of MIDI and the use of dance beats, led to a more commercial and accessible sound for synth-pop. This, its adoption by the style-conscious acts from the New Romantic movement, together with the rise of MTV , led to success for large numbers of British synth-pop acts (including Duran Duran and Spandau Ballet ) in the United States. The use of digital sampling and looping in popular music

6300-467: The development of electronic dance music, and subgenres including Miami bass and Detroit techno , and popularized the 808 as a "fundamental element of futuristic sound". According to Slate , "Planet Rock" "didn't so much put the 808 on the map so much as reorient an entire world of post-disco dance music around it". The Roland TR-909 , TB-303 and Juno-60 similarly influenced electronic dance music such as techno , house and acid . During

6405-529: The devil", to which Parker replied, "I don't believe any rhythms, melodies, chords, or harmonies are inherently evil and belong to the devil. Frankly, I think that's stupid." Zurich Lewis of the Biola University Chimes wrote an article aimed at Christians distinguishing the harmful elements of the EDM culture (such as drug use) from the musical style of the genre itself. In 2014, Matt Shea of Noisey wrote

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6510-634: The early house sound, such as the Roland TB-303 bass synthesizer and minimal vocals as well as a Roland (specifically TR-808 ) drum machine and Korg (specifically Poly-61 ) synthesizer . "On and On" is sometimes cited as the 'first house record', though other examples from around that time, such as J.M. Silk 's " Music is the Key " (1985), have also been cited. House music quickly spread to American cities including New York City, and Newark , and Detroit—all of which developed their own regional scenes. In

6615-403: The first Detroit productions to receive wider attention was Derrick May's " Strings of Life " (1987), which, together with May's previous release, "Nude Photo" (1987), helped raise techno's profile in Europe, especially the UK and Germany, during the 1987–1988 house music boom (see Second Summer of Love ). It became May's best-known track, which, according to Frankie Knuckles, "just exploded. It

6720-602: The first-ever Dance/Mix Show Airplay chart. By 2005, the prominence of dance music in North American popular culture had markedly increased. According to Spin , Daft Punk 's performance at Coachella in 2006 was the "tipping point" for EDM—it introduced the duo to a new generation of "rock kids". As noted by Entertainment Weekly , Justin Timberlake 's " SexyBack " helped introduce EDM sounds to top 40 radio , as it brought together variations of electronic dance music with

6825-523: The innovative techniques of electronic dance music onto the American pop charts" By the mid-2000s, Dutch producer Tiësto was bringing worldwide popular attention to EDM after providing a soundtrack to the entry of athletes during the opening ceremony of the 2004 Summer Olympics — an event which The Guardian deemed as one of the 50 most important events in dance music. In 2003, the influence of dance music on American radio resulted in Billboard creating

6930-529: The last 40 years, for example; house , techno , drum and bass , dance-pop etc. Stylistic variation within an established EDM genre can lead to the emergence of what is called a subgenre . Hybridization, where elements of two or more genres are combined, can lead to the emergence of an entirely new genre of EDM. In the late 1960s bands such as Silver Apples created electronic music intended for dancing. Other early examples of music that influenced later electronic dance music include Jamaican dub music during

7035-595: The late 1960s to 1970s, the synthesizer-based disco music of Italian producer Giorgio Moroder in the late 1970s, and the electropop of Kraftwerk and Yellow Magic Orchestra in the mid-to-late 1970s. Author Michael Veal considers dub music , a Jamaican music stemming from roots reggae and sound system culture that flourished between 1968 and 1985, to be one of the important precursors to contemporary electronic dance music. Dub productions were remixed reggae tracks that emphasized rhythm, fragmented lyrical and melodic elements, and reverberant textures. The music

7140-540: The late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock , electronic , art rock , disco . Early synth-pop pioneers included Japanese group Yellow Magic Orchestra , and British bands Ultravox , the Human League and Berlin Blondes . The Human League used monophonic synthesizers to produce music with

7245-485: The late 2000s and early 2010s several Christian electronic artists rose to prominence in Christian music and general popular music , those include G-Powered , Owl City and Kye Kye . Other mainstay artists in the genre include Capital Kings , LZ7 Gawvi , Hillsong Young & Free , and Andy Hunter . CEDM also includes other subgenres included in EDM, such as dubstep , techno , deep house and trance . There also

7350-593: The margins of the US industry . In 1998, Madonna 's album Ray of Light —heavily influenced by club music trends and produced with British producer William Orbit —brought dance music to the attention of popular music listeners. In the late 1990s, despite US media interest in dance music re-branded as electronica, American house and techno producers continued to travel abroad to establish their careers as DJs and producers. According to New York Times journalist Kelefa Sanneh, Aaliyah 's 2000 single " Try Again " "helped smuggle

7455-559: The market, and the first in their influential Technics series of turntables. The most influential turntable was the Technics SL-1200 , which was developed in 1971 by a team led by Shuichi Obata at Matsushita, which then released it onto the market in 1972. In the 1980s and 1990s hip-hop DJs used turntables as musical instruments in their own right and virtuosic use developed into a creative practice called turntablism. In 1974, George McCrae 's early disco hit " Rock Your Baby "

7560-566: The mid-to-late 1980s, house music became popular in Europe as well as major cities in South America, and Australia. Chicago House experienced some commercial success in Europe with releases such as "House Nation" by House Master Boyz and the Rude Boy of House (1987). Following this, a number of house inspired releases such as " Pump Up The Volume " by M|A|R|R|S (1987), " Theme from S'Express " by S'Express (1988), and " Doctorin'

7665-588: The music industry by acquainting with established "big name" DJs and producers. Producers like Martin Garrix and Porter Robinson are often noted for their ghost production work for other producers while David Guetta and Steve Aoki are noted for their usage of ghost producers in their songs whereas DJs like Tiësto have been openly crediting their producers in an attempt to avoid censure and for transparency. Many ghost producers sign agreements that prevent them from working for anyone else or establishing themselves as

7770-689: The number one and number two spots, respectively, on the UK top 40 singles chart. Since then, electro-house producers such as Feed Me , Knife Party , The M Machine , Porter Robinson , Yasutaka Nakata and Dada Life have emerged. Trap music originated from techno , dub, and Dutch house , but also from the original off-shoot of Southern hip hop in the late 2000s and early 2010s. This form of trap music can be simplified by these three features: "1/3 hip hop (tempo and song structure are similar, most tracks are usually between 70 and 110 bpm) – with vocals sometimes being pitched down, 1/3 dance music – high-pitched Dutch synth work, hardstyle sampling, as well as

7875-427: The official wireless sponsor of its events, and partnered with Above & Beyond to sponsor its 2015 tour. In August 2015, SFX began to experience declines in its value, and a failed bid by CEO Sillerman to take the company private. The company began looking into strategic alternatives that could have resulted in the sale of the company. In October 2015, Forbes declared the possibility of an EDM " bubble ", in

7980-601: The origins of the genre can be traced back to the growth of the Jamaican sound system party scene in the early 1980s. The earliest known dubstep releases date back to 1998, and were usually featured as B-sides of 2-step garage single releases. These tracks were darker, more experimental remixes with less emphasis on vocals, and attempted to incorporate elements of breakbeat and drum and bass into 2-step. In 2001, this and other strains of dark garage music began to be showcased and promoted at London's nightclub Plastic People, at

8085-405: The padding is implicitly trimmed off in the decoding process. Other formats may require extra metadata for the player to achieve the same. The popular MP3 format defines no way to record the amount of delay or padding for later removal. Also, the encoder delay may vary from encoder to encoder, making automatic removal difficult. Even if two tracks are decompressed and merged into a single track,

8190-450: The point where a track featured a break . This technique was further used to manually loop a purely percussive break, leading to what was later called a break beat . Turntablism has origins in the invention of the direct-drive turntable , by Shuichi Obata, an engineer at Matsushita (now Panasonic ). In 1969, Matsushita released it as the SP-10 , the first direct-drive turntable on

8295-621: The popularization of electronic dance music was associated with European rave and club culture and it achieved limited popular exposure in the United States. By the mid-to-late 1990s this began to change as the American music industry made efforts to market a range of dance genres as " electronica ". At the time, a wave of electronic music bands from the United Kingdom, including The Prodigy , The Chemical Brothers , Fatboy Slim and Underworld , had been prematurely associated with an "American electronica revolution". But rather than finding mainstream success, many established EDM acts were relegated to

8400-442: The possibly large size of the resulting compressed file. Furthermore, unless the playback software or hardware can recognize the cue sheets, navigating between tracks may be difficult. It may be possible to add gapless metadata to existing files. If the encoder is known, it is possible to guess the encoder delay. Also, if the compression was performed on CD audio, the original playback length will be an integer multiple of 588 samples,

8505-559: The post-disco era include dance-pop , boogie , electro , Hi-NRG , Italo disco , house , and techno . In the early 1980s, electro (short for "electro-funk") emerged as a fusion of synth-pop , funk , and boogie . Also called electro-funk or electro-boogie, but later shortened to electro, cited pioneers include Ryuichi Sakamoto , Afrika Bambaataa , Zapp , D.Train , and Sinnamon . Early hip hop and rap combined white European electropop influences such as Giorgio Moroder, Dan Lacksman (Telex) and Yellow Magic Orchestra inspired

8610-644: The post-disco era that followed the backlash against " disco " which began in the mid to late 1979, which in the United States lead to civil unrest and a riot in Chicago known as the Disco Demolition Night , an underground movement of "stripped-down" disco inspired music featuring "radically different sounds" started to emerge on the East Coast . This new scene was seen primarily in the New York metropolitan area and

8715-1023: The same year. The early 1980s were electro's mainstream peak. According to author Steve Taylor, Afrika Bambaataa's Planet Rock serves as a "template for all interesting dance music since". In the early 1980s, Chicago radio jocks The Hot Mix 5 and club DJs Ron Hardy and Frankie Knuckles played various styles of dance music, including older disco records (mostly Philly disco and Salsoul tracks), Italo Disco, electro funk tracks by artists such as Afrika Bambaataa , newer Italo disco , B-Boy hip hop music by Man Parrish , Jellybean Benitez , Arthur Baker , and John Robie , and electronic pop music by Giorgio Moroder and Yellow Magic Orchestra . Some made and played their own edits of their favorite songs on reel-to-reel tape, and sometimes mixed in effects, drum machines, and other rhythmic electronic instrumentation. The hypnotic electronic dance song "On and On", produced in 1984 by Chicago DJ Jesse Saunders and co-written by Vince Lawrence , had elements that became staples of

8820-413: The seminal " Planet Rock ", which was influenced by Yellow Magic Orchestra (Ryuichi Sakamoto - Riot In Lagos 1980) and had drum beats supplied by the TR-808. Planet Rock was followed later that year by another breakthrough electro record, " Nunk " by Warp 9 . In 1983, Hashim created an electro-funk sound with "Al-Naafyish (The Soul)" that influenced Herbie Hancock , resulting in his hit single " Rockit "

8925-431: The singer's R&B sounds. In 2009, French house musician David Guetta began to gain prominence in mainstream pop music thanks to several crossover hits on Top 40 charts such as " When Love Takes Over " with Kelly Rowland , as well as his collaborations with US pop and hip hop acts such as Akon (" Sexy Bitch ") and The Black Eyed Peas (" I Gotta Feeling "). The music sharing website SoundCloud , as well as

9030-488: The trance crowd led directly to a more commercial, chart-oriented sound since trance had never enjoyed much chart action in the first place. Emphasizing the smoother sound of Eurodance or house (and occasionally more reminiscent of Jean-Michel Jarre than Basement Jaxx ), Progressive Trance became the sound of the world's dance floors by the end of the millennium. Critics ridiculed its focus on predictable breakdowns and relative lack of skill to beat-mix, but progressive trance

9135-455: The use of digital sampling in popular music, as the first album consisting of mostly samples and loops . The album was produced using Toshiba-EMI 's LMD-649 digital PCM sampler , which engineer Kenji Murata custom-built for YMO. The LMD-649 was also used for sampling by other Japanese synthpop artists in the early 1980s, including YMO-associated acts such as Chiemi Manabe and Logic System . The emergence of electronic dance music in

9240-496: The video sharing website YouTube, also helped fuel interest in electronic music. Dubstep producer Skrillex popularized a harsher sound dubbed " Brostep ", which had drawn comparisons to the aggression and tone of heavy metal . With the increasing popularity of electronic dance music, promoters and venues realized that DJs could generate larger profits than traditional musicians; Diplo explained that "a band plays [for] 45 minutes; DJs can play for four hours. Rock bands—there's

9345-468: The wake of the declines at SFX Entertainment, slowing growth in revenue, the increasing costs of organizing festivals and booking talent, as well as an oversaturation of festivals in the eastern and western United States. Insomniac CEO Pasquale Rotella felt that the industry would weather the financial uncertainty of the overall market by focusing on "innovation" and entering into new markets. Despite forecasts that interest in popular EDM would wane, in 2015 it

9450-410: The whole first block, before having any data to feed the hardware buffer. The gap can be as much as half a second or more — very noticeable in "continuous" music such as certain classical or dance genres. In extreme cases, the hardware is even reset between tracks, creating a very short "click". To account for the whole chain of delays, the start of the next track should ideally be readily decoded before

9555-417: Was also a perceived association between EDM and drug culture , which led governments at state and city levels to enact laws and policies intended to halt the spread of rave culture. Subsequently, in the new millennium, the popularity of EDM increased globally, particularly in the United States and Australia. By the early 2010s, the term "electronic dance music" and the initialism "EDM" was being pushed by

9660-507: Was an important proving ground for American underground dance music. The success of house and acid house paved the way for Detroit Techno , a style that was initially supported by a handful of house music clubs in Chicago, New York, and Northern England, with Detroit clubs catching up later. The term Techno first came into use after a release of a 10 Records/Virgin Records compilation titled Techno: The Dance Sound of Detroit in 1988. One of

9765-604: Was caned by the hottest DJ." By the early 1990s, a style of music developed within the rave scene that had an identity distinct from American house and techno. This music, much like hip-hop before it, combined sampled syncopated beats or breakbeats, other samples from a wide range of different musical genres, and, occasionally, samples of music, dialogue, and effects from films and television programmes. Relative to earlier styles of dance music such as house and techno, so-called 'rave music' tended to emphasise bass sounds and use faster tempos, or beats per minute (BPM). This subgenre

9870-492: Was characterized by "soulful synths, 808s, the pan flute, sharp snares and long, syrup-slurred vowels" which created dirty and aggressive beats resulting in "dark melodies". Trap is now mainly used to create remixes of already existing songs. In 1980 English producer Richard James Burgess , and his band Landscape , used the term on the sleeve of the single "European Man": "Electronic Dance Music... EDM; computer programmed to perfection for your listening pleasure." In response to

9975-413: Was describing electronic dance music as the fastest-growing genre in the world. Elements of electronic music also became increasingly prominent in pop music. Radio and television also contributed to dance music's mainstream acceptance. Corporate consolidation in the EDM industry began in 2012—especially in terms of live events. In June 2012, media executive Robert F. X. Sillerman —founder of what

10080-401: Was estimated to be a £5.5bn industry in the US, up by 60% compared to 2012 estimates. Gapless playback Various software, firmware, and hardware components may add up to a substantial delay associated with starting playback of a track. If not accounted for, the listener is left waiting in silence as the player fetches the next file (see harddisk access time ), updates metadata, decodes

10185-535: Was initially led by the urban contemporary artists that were responding to the over-commercialization and subsequent demise of disco culture. The sound that emerged originated from P-Funk the electronic side of disco , dub music , and other genres. Much of the music produced during this time was, like disco, catering to a singles-driven market. At this time creative control started shifting to independent record companies, less established producers, and club DJs. Other dance styles that began to become popular during

10290-450: Was known as "hardcore" rave, but from as early as 1991, some musical tracks made up of these high-tempo breakbeats, with heavy basslines and samples of older Jamaican music, were referred to as "jungle techno ", a genre influenced by Jack Smooth and Basement Records, and later just "jungle", which became recognized as a separate musical genre popular at raves and on pirate radio in Britain. It

10395-416: Was like something you can't imagine, the kind of power and energy people got off that record when it was first heard. Mike Dunn says he has no idea how people can accept a record that doesn't have a bassline." According to British DJ Mark Moore , "Strings of Life" led London club-goers to accept house: "because most people hated house music and it was all rare groove and hip hop...I'd play 'Strings of Life' at

10500-791: Was one of the first records to use a drum machine , an early Roland rhythm machine. The use of drum machines in disco production was influenced by Sly and the Family Stone 's " Family Affair " (1971), with its rhythm echoed in McCrae's "Rock Your Baby", and Timmy Thomas ' " Why Can't We Live Together " (1972). Disco producer Biddu used synthesizers in several disco songs from 1976 to 1977, including "Bionic Boogie" from Rain Forest (1976), "Soul Coaxing" (1977), and Eastern Man and Futuristic Journey (recorded from 1976 to 1977). Acts like Donna Summer , Chic , Earth, Wind & Fire , Heatwave , and

10605-756: Was only with the advent of 21st-century technology that African EDM truly began to thrive. Popular contemporary millennium Afro-EDM genres and styles can be found within the gqom ( South Africa ) and Afrobeats ( Nigeria ) genres. Music scenes in other African countries exist such as in Uganda and the Democratic Republic of the Congo (tekno kintueni). Pon Pon (also ADM or African Dance Music) emerged in Nigeria circa 2018 denoting EDM influences intermingled with Afrobeats, Nigerian Afropop, dancehall and highlife . A variant

10710-467: Was pioneered by Japanese electronic music band Yellow Magic Orchestra (YMO). Their approach to sampling was a precursor to the contemporary approach of constructing music by cutting fragments of sounds and looping them using computer technology. " Computer Game/Firecracker " (1978) interpolated a Martin Denny melody, and sampled Space Invaders video game sounds . Technodelic (1981) introduced

10815-446: Was pioneered by King Tubby and other Jamaican sound artists, using DJ-inspired ambient electronics, complete with drop-outs, echo, equalization and psychedelic electronic effects. It featured layering techniques and incorporated elements of world music , deep bass lines and harmonic sounds. Techniques such as a long echo delay were also used. Hip hop music has had some influence in the development of electronic dance music since

10920-402: Was pioneered by studio engineers, such as Sylvan Morris, King Tubby , Errol Thompson , Lee "Scratch" Perry , and Scientist . Their productions included forms of tape editing and sound processing that Veal considers comparable to techniques used in musique concrète . Dub producers made improvised deconstructions of existing multi-track reggae mixes by using the studio mixing board as

11025-600: Was the center of the scene. Amnesia became known across Europe and by the mid to late 1980s it was drawing people from all over the continent. By 1988, house music had become the most popular form of club music in Europe, with acid house developing as a notable trend in the United Kingdom and Germany in the same year. In the UK an established warehouse party subculture , centered on the British African-Caribbean sound system scene fueled underground after-parties that featured dance music exclusively. Also in 1988,

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