38-687: The Villa Hügel is a 19th-century mansion in Bredeney , now part of Essen , Germany. It was built by the industrialist Alfred Krupp in 1870–1873 as his main residence and was the home of the Krupp family until after World War II. More recently, the Villa Hügel has housed the offices of the Kulturstiftung Ruhr (Ruhr Cultural Foundation), an art gallery, the historical archive of the Krupp family and company, and
76-472: A "large villa" into a viable blueprint. In the event, a number of architects worked on the project over the following years. Krupp himself continually intervened in the work with new ideas. His focus was very much on a modern and efficient house: design elements were secondary to him and he deemed most ornamental architectural features superfluous. The foundations were laid in April 1870 and up to 800 people worked on
114-814: A "mansion house" (e.g., by the Revd. James Blair, Commissary in Virginia for the Bishop of London, 1689–1745, a term related to the word "manse" commonly used in the Church of Scotland and in Non-Conformist churches. H.G. Herklots, The Church of England and the American Episcopal Church). As the 16th century progressed and the Renaissance style slowly spread across Europe, the last vestiges of castle architecture and life changed;
152-438: A combination of politics and advances in weaponry negated the need for the aristocracy to live in fortified castles. As a result, many were transformed into mansions without defences or demolished and rebuilt in a more modern, undefended style. Due to intermarriage and primogeniture inheritance amongst the aristocracy, it became common for one noble to often own several country houses . These would be visited rotationally throughout
190-592: A concert venue. Hügel simply means "hill", as the villa sits atop a hill. It was sometimes named Villa Krupp , after the family. In 1864 Alfred Krupp purchased the Klosterbuschhof on the heights above Bredeney and had it rebuilt as a residence for his family. Over the following years, Krupp bought additional land around the estate and in 1869 placed an advertisement in Deutsche Bauzeitung looking for an architect who would turn his designs for
228-572: A countryside estate in the U.S. was demolished in 1980, along with its extensive gardens, to make way for suburban developments. In Paris, London or Rome , many large mansions and palazzi built or remodeled during the era still survive. Grand Federal style mansions designed by Samuel McIntire inhabit an area that, in 2012, is the largest collection of 17th- and 18th-century structures in the United States of America. This district in Salem, Massachusetts ,
266-496: A function hall (named for Alexander Hamilton) and a church for the town's merchant class. McIntire also designed the former Salem Court House and Registry of Deeds. After 1793, Samuel McIntire worked exclusively in the architectural style developed by Robert Adam in Great Britain and brought to America by the great Boston architect, Charles Bulfinch. The delicate Adam style , which emphasized decorative elements and ornamentation,
304-469: A mansion block refers to a block of flats or apartments designed for the appearance of grandeur. In many parts of Asia, including Hong Kong and Japan, the word mansion also refers to a block of apartments. In modern Japan, a "manshon" ( Japanese : マンション ), stemming from the English word "mansion", is used to refer to a multi-unit apartment complex or condominium . In Europe, from the 15th century onwards,
342-696: A number of homes for Derby and members of his extended family. McIntire also worked occasionally on Derby's vessels, and would fix a wagon or build a birdhouse if his patron desired. Hamilton Hall is a National Historic Landmark at 9 Chestnut Street in Salem, Massachusetts . Hamilton Hall was built in 1805 by Samuel McIntire and added to the National Register of Historic Places in 1970. "King" Derby's stamp of approval opened many other doors for McIntire, who went on to design and build mansions for John Gardner, Jerethmiel Peirce, Simon Forrester, and other wealthy Salem shipowners. He also built on Chestnut Street
380-651: A permanent contract up to the age of 35. It was founded in 1958 by the director of the Folkwangschule Heinz Dressel . More than 500 musicians were since employed in opera- and symphony orchestras in Germany and abroad. The orchestra is the only one to perform regularly in the historic Villa Hügel . Young soloists have been chosen to also enjoy a stage for their performances. Artists such as Christoph Eschenbach , Maria Kliegel , Nils Mönkemeyer , Sabine Meyer , Vadim Repin and Christian Tetzlaff appeared with
418-486: A speedy completion, although the Franco-Prussian War and collapsing mining tunnels underneath the edifice slowed construction. On 10 January 1873, the family moved in; some of the technical features did not work as expected, however, so work continued after that. Alfred Krupp died in 1887. The family continued to use the Villa Hügel and Friedrich Alfred Krupp and his wife Margarethe made some significant changes to
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#1732854725990456-597: Is a chamber orchestra historically formed mostly by students of the Folkwang University in Essen , Germany, and other Musikhochschulen in North Rhine-Westphalia , to prepare them for a future position in an orchestra; however, it currently employs a core of permanent members from all over Germany and the world. Members are auditioned and trialed as in a professional orchestra, and, if successful, are offered
494-508: Is a copy of Wollaton Hall . Other mansions were built in the new and innovative styles of the new era such as the arts and crafts style: The Breakers is a pastiche of an Italian Renaissance palazzo ; Waddesdon Manor in Buckinghamshire is a mixture of various French châteaux . One of the most enduring and most frequently copied styles for a mansion is the Palladian – particularly so in
532-532: Is an example of American Renaissance revivalism. During the 19th century, along with other streets in major cities, Fifth Avenue in New York City had many mansions. Many of these were designed by the leading architects of the day, often in European Gothic Revival style , and were built by families who were making their fortunes. However, nearly all of these have now been demolished. Whitemarsh Hall ,
570-476: Is called the McIntire Historic District with the center being Chestnut Street. McIntire's training came from his father and from books. He and his brothers, Joseph and Angler, began their careers as housewrights and carpenters while in their teens but, early on, Samuel's work caught the eye of Salem's pre-eminent merchant, Elias Hasket Derby. Over the next quarter century, McIntire built or remodelled
608-501: Is housed in the adjoining building, the so-called Little House. The Krupp archive has also been located in the villa since 1905. The hall is also the regular concert venue of Folkwang Kammerorchester Essen , a chamber orchestra. Ruhr Industrial Heritage Trail by bike Mansion A mansion is a large dwelling house . The word itself derives through Old French from the Latin word mansio "dwelling", an abstract noun derived from
646-530: Is situated in a 28-hectare (69-acre) park that overlooks the River Ruhr and the Baldeneysee [ de ] . The main complex consists of the three-storied Wohnhaus ('residence') – topped by a belvedere , which originally contained the air conditioning ducts – and a three-storied Logierhaus ('lodging house'). The two were linked by a winter garden , now a two-storied building. The construction
684-411: Is supported by an iron framework, which was very modern for the time. The overall style of the original building was a very austere example of a late- Neoclassical villa; later changes added more ornamentation. The interior of the main building's ground and second floors is dominated by the main hall of over 400 m (4,300 sq ft). By contrast, the rooms of the first floor (which is not open to
722-610: The Ancien Régime . Until World War I it was not unusual for a moderately sized mansion in England such as Cliveden to have an indoor staff of 20 and an outside staff of the same size, and in ducal mansions such as Chatsworth House the numbers could be far higher. In the great houses of Italy, the number of retainers was often even greater than in England; whole families plus extended relations would often inhabit warrens of rooms in basements and attics. Most European mansions were also
760-529: The Mediterranean old world, whereas where estates were founded in the sparsely populated remote areas like the Pampa of Argentina or Uruguay, where iron pillars, doors, windows, and furniture had to be brought from Europe by ship and afterwards ox cart, buildings were smaller, but normally still aspiring to evoke a stately impression, often featuring, like their earlier Italian counterparts, a morador . In Venezuela,
798-675: The Rheingauer Kantorei . Guest conductors have included Marc Piollet , Peter Schneider and Lothar Zagrosek . In 2015, the orchestra played a charity concert at the Aachen Cathedral . In the 2016/17 season, the orchestra scheduled concerts also in the Zeche Zollverein . Dressel was the first chief conductor, succeeded by Heribert Beissel , Alexander Schwinck, Karl-Heinz Bloemeke, Stefan Fraas and Achim Fiedler (from 2006). The current chief conductor, Johannes Klumpp , has held
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#1732854725990836-575: The 18th century. However, the Gothic style was probably the most popular choice of design in the 19th century. The most bizarre example of this was probably Fonthill Abbey which actually set out to imitate the mansions which had truly evolved from medieval Gothic abbeys following the Dissolution of the Monasteries in the 16th century. Mansions built during and after the 19th century were not supported by
874-466: The central points of these great houses became redundant as owners wished to live separately from their servants, and no longer ate with them in a Great hall. All evidence and odours of cooking and staff were banished from the principal parts of the house into distant wings, while the owners began to live in airy rooms, above the ground floor, with privacy from their servants, who were now confined, unless required, to their specifically delegated areas—often
912-448: The construction project at a time. Since Alfred Krupp wanted a very modern home, the villa was intended to be fire-proof and well insulated from sun, wind, cold and heat. It featured double-paned windows, water heating and an early form of air conditioning. The temperature was intended to be independently adjustable for each room. A large complex of support buildings was erected nearby, including private water and gas works. Krupp pushed for
950-448: The ground and uppermost attic floors. This was a period of great social change, as the educated prided themselves on enlightenment. The uses of these edifices paralleled that of the Roman villas . It was vital for powerful people and families to keep in social contact with each other as they were the primary moulders of society. The rounds of visits and entertainments were an essential part of
988-430: The house, adding sumptuous ornamentation. Among other heads of state and monarchs, Emperor Wilhelm II stayed at the Villa Hügel seven times and visited 9 times. The current appearance of the villa is mostly due to the next generation of Krupps, Friedrich Alfred's daughter Bertha and her husband Gustav Krupp von Bohlen und Halbach , who hired Ernst von Ihne to work on the building after 1912. He added wooden paneling to
1026-565: The hub of vast estates . The 19th century saw the continuation of the building of mansions in the United States and Europe. These mansions were often smaller than those built by the old European aristocracy. The new builders of mansions at the time explored new styles other than the Gothic tastes in architecture which were used often. They experimented with 19th-century versions of older Renaissance and Tudoresque styles; The Breakers in Rhode Island
1064-600: The interior and the owners furnished the villa with numerous works of art. An annex called the Little House ( Kleines Haus ) containing sixty rooms was used to confine Alfried Krupp in the aftermath of the Second World War. Some parts of the villa were used to house members of the British post-war Control Commission , Germany (CCG) during 1946. The house has 269 rooms and occupies 8,100 m (87,000 sq ft). It
1102-639: The large estates of their predecessors. These new mansions were often built as the week-end retreats of businessmen who commuted to their offices by the new railways, which enabled them to leave the city more easily. In Latin America, the grand rural estate , the Hacienda , Estancia, in Portuguese speaking Brazil Fazenda or Estância, with the mansion as its stately center, is a characteristic feature. Mansions tended to follow European architectural styles . Whereas until
1140-477: The oldest inhabited mansions around the world usually began their existence as fortified houses in the Middle Ages . As social conditions slowly changed and stabilised fortifications were able to be reduced, and over the centuries gave way to comfort. It became fashionable and possible for homes to be beautiful rather than grim and forbidding allowing for the development of the modern mansion. In British English,
1178-543: The orchestra early in their career. The orchestra has played also in Germany and Europe, including Austria, Italy, Lithuania, Switzerland. A 2010 tour led to Algeria. They have performed at festivals such as Rheingau Musik Festival , Schleswig-Holstein Musik Festival and Schwetzinger Mozartfest. The orchestra is a regular partner of the Essener Bachchor [ de ] and has accompanied other choirs such as
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1216-580: The public) were kept relatively simple. In 1953 the Krupp family opened their former residence to the public. Exhibitions have been held here since then. The Villa Hügel also served as a place of representation for the Krupp Group. In 1984, Berthold Beitz set up the Ruhr Cultural Foundation, which organizes major art and cultural exhibitions in the villa. The main building with many historical rooms can be visited today. The Krupp historical exhibition
1254-419: The second half of the 19th century, Portugal and Spain as the colonial (or former colonial) powers were the eminent models for architecture and upper-class lifestyle, towards the end of the 19th century they were sometimes replaced by then more dominant powers like France or England. In comparably developed, densely populated countries like Mexico, feudal estates and their mansions were as grand and stately as in
1292-457: The societal process, as described in the novels of Jane Austen . State business was often discussed and determined in informal settings. Times of revolution reversed this value. During July/August 1789, a significant number of French country mansions ( chateaux ) were destroyed by the rural population as part of the Great Fear —a symbolic rejection of the feudal rights and restraints in effect under
1330-487: The traditional Spanish mansions with a garden in the center of the property are usually referred as " Quinta ". Some realtors in the US term mansions as houses that have a minimum of 8,000-square-foot (740 m ) of floor space. Others claim a viable minimum could instead be 5,000-square-foot (460 m ) of floor space, especially in a city environment. Folkwang Kammerorchester Essen The Folkwang Kammerorchester Essen
1368-423: The verb manere "to dwell". The English word manse originally defined a property large enough for the parish priest to maintain himself, but a mansion is no longer self-sustaining in this way (compare a Roman or medieval villa ). Manor comes from the same root—territorial holdings granted to a lord who would "remain" there. Following the fall of Rome, the practice of building unfortified villas ceased. Today,
1406-502: The year as their owner pursued the social and sporting circuit from country home to country home. Many owners of a country house would also own a town mansion in their country's capital city. These town mansions were referred to as 'houses' in London, ' hôtels particuliers ' in Paris, and 'palaces' in most European cities elsewhere. It might be noted that sometimes the house of a clergyman was called
1444-574: Was preferred for McIntire, who was efficient in design and proportions and had skill as a woodcarver. Swags, rosettes, garlands, and his signature sheaths of wheat were carved in wood surfaces in McIntire homes built between 1793 and his death in 1811. In Europe, some 19th-century mansions were often built as replicas of older houses; the Château de Ferrières in France was inspired by Mentmore Towers , which in turn
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