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Royal Worcester Corset Company

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The Royal Worcester Corset Company , was founded as The Worcester Skirt Company by David Hale Fanning in 1861 in Worcester, MA , and first specialized in making hoop skirts. In 1872 the company changed its name to the Worcester Corset Co., to reflect its change of direction from hoop skirts to torso shaping. The company changed its name again in 1901, to the Royal Worcester Corset Company. In 1949 the company dropped the word 'corset' from its name and became known as the Royal Worcester Company, in response to falling interest in corsets. The company had by then switched production away from corsets to girdles.

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71-609: In 1876, the 'Bon Ton' corset was awarded the bronze medal at the Centennial Exposition in Philadelphia. The company broke ground on the eponymous The Royal Worcester Corset Company Factory , in 1895, at 30 Wyman St., Worcester, MA. The building was designed by architect Arthur Gray and built by the prominent local firm Norcross Brothers Contractors and Builders . In 1917 the company had 1500 employees. The Royal Worcester Minstrels were made up of 500 employees who performed at

142-493: A heat wave during the summer, no mass health crises occurred. Philadelphia passed an ordinance that authorized Mayor William S. Stokley to appoint 500 men as Centennial Guards for the exposition. Among soldiers and local men hired by the city was Frank Geyer , best known for investigating one of America's first serial killers, H. H. Holmes . Centennial Guards policed exhibits, kept the peace, reunited lost children, and received, recorded, and when possible, returned lost items,

213-473: A bill, the council may override the veto by a two-thirds vote. Under the rules of the council, regular public sessions are held weekly, usually on Thursday morning at 10:00am, in Room 400, City Hall . Council normally breaks for the summer months of July and August. In a 2006 computer study of local and state legislative districts, two of the city's ten council districts, the 5th and the 7th, were found to be among

284-532: A brick and marble foundation and was 383 ft (117 m) long, 193 ft (59 m) wide, and 68 ft (21 m) tall. The building was designed in the Moorish style and intended as a tribute to the Crystal Palace of London 's Great Exhibition of 1851. Inside, nurserymen, florists, and landscape architects exhibited a variety of tropical plants, garden equipment, and garden plans. In dramatic fashion,

355-490: A fence nearly three miles long. There were five main buildings in the exposition. They were the Main Exhibition Building, Memorial Hall, Machinery Hall, Agricultural Hall, and Horticultural Hall. Apart from these buildings, there were separate buildings for state, federal, foreign, corporate, and public comfort buildings. This strategy of numerous buildings in one exposition set it apart from the previous fairs around

426-561: A gala to raise funds for the Royal Worcester Mutual Aid Society. Founder David Hale Fanning died on Thursday, January 21, 1926, four days after retiring as active head of the company. In 1950, then-company-president E.A. Meister donated a collection of 171 corsets to the Brooklyn Museum . The collection had been assembled by Isidor Roth, his father-in-law and former president of the company. The stated dual purpose of

497-640: A great-granddaughter of Benjamin Franklin , as president. In its first few months, the group raised $ 40,000. When the group learned the planning commission was not doing much to display the work of women, it raised an additional $ 30,000 for a women's exhibition building. In 1873, the Centennial Commission named Alfred T. Goshorn as the director general of the Exposition. The Fairmount Park Commission set aside 450 acres (1.8 km ) of West Fairmount Park for

568-532: A loan. The board initially thought it was a subsidy . But after the exposition ended, the federal government sued to have the money returned, and the United States Supreme Court ultimately forced repayment. John Welsh enlisted help from the women of Philadelphia who had helped him in the Great Sanitary Fair. A Women's Centennial Executive Committee was formed with Elizabeth Duane Gillespie,

639-483: A member may serve. While William Penn 's original 1691 charter for the city of Philadelphia included a "common council" with appointed members, no records exist of this body ever having been convened. Its successor, the Proprietor's Charter of 1701, constituted the city as a municipal corporation with a non-elected council made up of major city officials who selected their own successors. The colonial city government

710-465: A pavilion devoted entirely to the artistic and industrial pursuits of their gender. They had to build their own structure because they lost their spot in one of the larger pavilions (the Main Building) due to an unexpected increase in the participation of foreign countries. Their aim was to employ only women in the construction of the pavilion and even to power it, and they succeeded with the exception of

781-461: A popular means for justifying female autonomy outside of the home by demonstrating to visitors the many ways women were making a profitable living. Exhibits demonstrated positive achievements and women's influence in domains such as industrial and fine arts (wood-carvings, furniture-making, and ceramics), fancy articles (clothing and woven goods), and philanthropy as well as philosophy, science, medicine, education, and literature. Mexico participated in

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852-490: A president, who serves as the regular chairperson of council meetings. In consultation with the majority of council members, the President appoints members to the various standing committees of the council. The president is also responsible for selecting and overseeing most Council employees. Every proposed ordinance is in the form of a bill introduced by a Council member. Before a bill can be enacted, it must be referred by

923-450: A separate annex was built to house them all. Another structure was built for the display of photography . Memorial Hall was designed by Herman J. Schwarzmann, who basically adopted an art museum plan submitted by Nicholas Félix Escalier to the Prix de Rome competition in 1867–69. Memorial Hall became the prototype, both from a stylistic and organizational standpoint, for other museums such as

994-646: Is now the University of the Arts . Used for a time as a police station, the building now houses the Please Touch Museum , which includes a faithful 20x30-foot model of the exposition grounds and 200 buildings. The Women's Pavilion was the first structure at an international exposition to highlight the work of women, with exhibits created and operated by women. Female organizers drew upon deep-rooted traditions of separatism and sorority in planning, fundraising, and managing

1065-930: The Art Institute of Chicago (1892–1893), the Milwaukee Public Museum (1893–1897), the Brooklyn Museum (1893–1924), and the Detroit Institute of Art (1920–1927). Libraries such as the Library of Congress , the New York Public Library , and the Free Library of Philadelphia also emulated its form. Finally, Memorial Hall was the architectural inspiration for the German capitol, the Reichstag building in Berlin. After

1136-625: The Declaration of Independence 's adoption in Philadelphia on July 4, 1776. It was held in Fairmount Park along the Schuylkill River on fairgrounds designed by Herman J. Schwarzmann . Nearly 10 million visitors attended the exposition, and 37 countries participated in it. The Great Central Fair on Logan Square in Philadelphia , in 1864, also known as the Great Sanitary Fair, was one of

1207-554: The beaux-arts style , it was the largest art hall in the country when it opened, with a massive 1.5-acre (0.61 ha) footprint and a 150 ft (46 m) dome atop a 59 ft (18 m)-high structure. The central domed area is surrounded by four pavilions on the corners, with open arcades to the east and west of the main entrance. It provided 75,000 sq ft (7,000 m ) of wall surface for paintings and 20,000 sq ft (1,900 m ) of floor space for sculptures. The exposition received so many art contributions that

1278-1061: The 16 other council members to defer to them. A Pew study from 2015 uncovered that 726 of 730 Council votes on land use decisions were unanimous with only six total dissenting votes. This system can lead to conflicts of interest between council members and developers who want to change land use zoning or want to buy property below market rates in order to sell it at a higher price. Since 1981, of six council members convicted of misconduct all revolved around land-use. Critics of councilmanic prerogative argue that it undermines government transparency and accountability, often operating in obscurity, thereby hindering development, fostering public mistrust, favoring political insiders, and allowing narrow interests to override broader city goals. District council members argue that prerogative appropriately empowers elected representatives to oversee land use projects, allowing them to safeguard their communities' interests, enhance development quality, and secure funding for local initiatives, based on their intimate knowledge of

1349-635: The Centennial Exposition. Both had a similar neo-Gothic appearance, including the waving flags, a huge central hall, the "curiosities" and relics, handmade and industrial exhibits, and also a visit from the U.S. president and his family. The idea of the Centennial Exposition is credited to John L. Campbell, a professor of mathematics, natural philosophy , and astronomy at Wabash College in Crawfordsville, Indiana . In December 1866, Campbell suggested to Philadelphia Mayor Morton McMichael that

1420-610: The Centennial or on trains heading for Philadelphia. Philadelphia streetcars increased service, and the Pennsylvania Railroad ran special trains from Philadelphia's Market Street , New York City , Baltimore , and Pittsburgh . The Philadelphia and Reading Railroad ran special trains from the Center City part of Philadelphia. A small hospital was built on the exposition's grounds by the Centennial's Medical Bureau, but despite

1491-592: The Exposition, six from typhoid fever , one from smallpox , and one from organic disease of the heart. The Centennial National Bank was chartered on January 19, 1876, to be the "financial agent of the board at the Centennial Exhibition, receiving and accounting for daily receipts, changing foreign moneys into current funds, etc.," according to an article three days later in The Philadelphia Inquirer . Its main branch, designed by Frank Furness ,

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1562-558: The Exposition, the building continued to be used for horticultural exhibits until it was severely damaged by Hurricane Hazel in 1954 and was subsequently demolished. As a replacement, the Fairmount Park Horticulture Center was built on the site in 1976 as part of the United States Bicentennial exposition. Designed by Joseph M. Wilson and Henry Pettit, Machinery Hall was the second largest structure in

1633-485: The Main Exhibition Building dealt with mining , metallurgy , manufacturing , education, and science. Offices for foreign commissioners were placed in proximity to the products exhibited along in the aisles along the sides of the building. The walkways leading to the exit doors were ten feet wide. After the Exposition, the structure was turned into a permanent building for the International Exhibition. During

1704-726: The Maryland House, which was moved to Druid Hill Park in Baltimore , where it is extant today, and the Missouri House, which was moved to Spring Lake, New Jersey , along with several other exhibition buildings, some of which are still extant in various Jersey Shore towns. The United States government had a cross-shaped building that held exhibits from various government departments. The remaining structures were corporate exhibitions, administration buildings, restaurants, and other buildings designed for public comfort. The formal name of

1775-586: The United States Centennial be celebrated with an exposition in Philadelphia. Naysayers argued that the project would not be able to find funding, other nations might not attend, and domestic exhibits might compare poorly to foreign ones. The Franklin Institute became an early supporter of the exposition and asked the Philadelphia City Council for use of Fairmount Park . With reference to

1846-595: The United States. On June 1, 1872, Congress created a Centennial Board of Finance to help raise money. The board's president was John Welsh , brother of philanthropist William Welsh, who had raised funds for the Great Sanitary Fair in 1864. The board was authorized to sell up to $ 10 million in stock via $ 10 shares. The board sold $ 1,784,320 ($ 45,381,205 in 2023 ) worth of shares by February 22, 1873. Philadelphia contributed $ 1.5 million and Pennsylvania gave $ 1 million. On February 11, 1876, Congress appropriated $ 1.5 million in

1917-615: The Women's Pavilion was commissioned in 1873 by the United States Centennial Board of Finance with the expectation that it would generate enthusiasm for the celebration of the fair and increase subscriptions to exposition stock. Elizabeth Duane Gillespie, president of the Women's Centennial Committee, led the effort to gather 82,000 signatures in two days to raise money for the pavilion. Gillespie also helped convince Congress to grant additional funding. It took only four months to raise

1988-402: The auction held on December 1, 1876, it was bought for $ 250,000. It quickly ran into financial difficulties but remained open through 1879 and was finally demolished in 1881. The third-largest structure at the exposition was Agricultural Hall. Designed by James H. Windrim , Agricultural Hall was 820 ft (250 m) long and 540 ft (160 m) wide. Made of wood and glass, the building

2059-481: The building was east–west in direction, making it well lit, and glass was used between the frames to let in light. Skylights were set over the central aisles of the structure. The corridors of the building were separated by fountains that were attractive and also provided cooling. The structure of the building featured a central avenue with a series of parallel sheds that were 120 ft (37 m) wide, 1,832 ft (558 m) long, and 75 ft (23 m) high. It

2130-423: The building's corners. These towers had small balconies at different heights that served as observation galleries. Within the building, exhibits were arranged in a grid, in a dual arrangement of type and national origin. Exhibits from the United States were placed in the center of the building, and foreign exhibits were arranged around the center, based on the nation's distance from the United States. Exhibits inside

2201-458: The city and state, and Daniel Johnson Morrell introduced a bill to create a United States Centennial Commission. The bill, which passed on March 3, 1871, provided that the U.S. government would not be liable for any expenses. The United States Centennial Commission organized on March 3, 1872, with Joseph R. Hawley of Connecticut as president. The Centennial Commission's commissioners included one representative from each state and territory in

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2272-408: The city at large. At-large council members are elected using limited voting with limited nomination in which voters may only select five candidates on the ballot, and which guarantees that two minority-party or independent candidates are elected. Each is elected for a term of four years with no limit on the number of terms that may be served. The members of City Council elect from among themselves

2343-403: The design by Hermann J. Schwarzmann. Their overarching goal was to advance women's social, economic, and legal standing, abolish restrictions discriminating against their gender, encourage sexual harmony, and gain influence, leverage, and freedom for all women in and outside of the home by increasing women's confidence and ability to choose. A project of the Women's Centennial Executive Committee,

2414-618: The donation was to honor Mr. Roth for his outstanding contributions to growth the field of corsetry and to establish a place where the collection could be used as a resource for the history of corsetry. The collection was moved to The Costume Institute at The Metropolitan Museum of Art in 2009 when Brooklyn Museum moved its costume collection in order to reduce expenses. Contemporary Worcester playwrights Virginia Byrne and Kallin Johnson, of Notre Dame Academy , debuted their fictionalized musical "Royal Worcester Corset Company" in 1993, to commemorate

2485-496: The evolved bicycle, with tension spokes and a large front wheel. Two English manufacturers, Bayless Thomas and Rudge, displayed their high-wheel bikes (called "ordinary bikes" or "penny farthings") at the exposition. The bicycle displays inspired Albert Augustus Pope to begin making high-wheel bikes in the United States. He started the Columbia Bike Company and published a journal called " LAW Bulletin and Good Roads", which

2556-627: The exposition and located west of the Main Exhibition Building. With a superstructure made of wood and glass resting on a foundation of massive masonry, it had a main hall painted light blue, 1,402 ft (427 m) long and 360 ft (110 m) wide, with a wing of 208 ft (63 m) by 210 ft (64 m) attached on the south side of the building. The length of the building was 18 times its height. With eight entrances, it occupied 558,440 sq ft (51,881 m ), had 1,900 exhibitors, and took six months to construct. The exhibits focused on machines and evolving industries. Machinery Hall

2627-419: The exposition introduced the general public to the notion of landscape design, as exemplified the building itself and the grounds surrounding it. A long, sunken parterre leading to Horticultural Hall became the exposition's iconic floral feature, reproduced on countless postcards and other memorabilia. This sunken garden enabled visitors on the raised walkways to see the patterns and shapes of the flowerbeds. After

2698-600: The exposition mainly consisted of two types of building, traditional masonry monuments and buildings with a structural framework of iron and steel. The Centennial Commission turned to third-place winner's architect Henry Pettit and engineer Joseph M. Wilson for design and construction of the Main Exhibition Building. A temporary structure, the Main Building was the largest building in the world by area, enclosing 21.5 acres (87,000 m ). It measured 464 ft (141 m) in width and 1,880 ft (570 m) in length. It

2769-458: The exposition the next day. The average daily attendance for May was 36,000 and for June 39,000. A severe heat wave began in mid-June and continued into July, hurting attendance. The average temperature was 81 °F (27 °C), and on ten days during the heat wave the temperature reached 100 °F (38 °C). The average daily attendance for July was 35,000, but it rose in August to 42,000 despite

2840-458: The exposition was the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine, but the official theme was the celebration of the United States centennial. This was reinforced by promotional tie-ins, such as the publication of Kate Harrington 's Centennial, and Other Poems , which celebrated the exposition and the centennial. At the same time, the exposition was designed to show

2911-748: The exposition, Memorial Hall reopened in 1877 as the Pennsylvania Museum of Art and included the Pennsylvania Museum School of Industrial Art. In 1928 the museum moved to Fairmount at the head of the Benjamin Franklin Parkway, and in 1938 was renamed the Philadelphia Museum of Art . Memorial Hall continued to house the school, and afterward was taken over by the Fairmount Park Commission in 1958. The museum school

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2982-471: The exposition, which was dedicated on July 4, 1873, by Secretary of the Navy George M. Robeson . The Commission decided to classify the exhibits into seven departments: agriculture, art, education and science, horticulture, machinery, manufactures, and mining and metallurgy. Newspaper publisher John W. Forney agreed to head and pay for a Philadelphia commission sent to Europe to invite nations to exhibit at

3053-437: The exposition. Despite fears of a European boycott and high American tariffs making foreign goods not worthwhile, no European country declined the invitation. To accommodate out-of-town visitors, temporary hotels were constructed near the exposition's grounds. A Centennial Lodging-House Agency made a list of rooms in hotels, boarding houses , and private homes and then sold tickets for the available rooms in cities promoting

3124-418: The exposition. In 1869, Schwarzmann began working for the Fairmount Park Commission, which administered the site of the 1876 Centennial Exposition. It is one of the great urban parks of the United States; its importance in landscape history was surpassed only by Central Park . Schwarzmann was the chief architect for the Centennial Exposition, designing Memorial Hall, Horticultural Hall, other small buildings, and

3195-429: The fairgrounds, and exorbitant rates were charged by carriage drivers. Drawing lessons from this failure, the Philadelphia exposition was ready for its visitors, with direct railroad connections to service passenger trains every 30 minutes, trolley lines, street cars, carriage routes, and even docking facilities on the river. More than 200 buildings were constructed within the exposition's grounds, which were surrounded by

3266-454: The funds for the pavilion. Much of the pavilion was devoted to human ecology and home economics . On exhibit were over 80 patented inventions, including a reliance stove, a hand attachment for sewing machines, a dishwasher, a fountain griddle-greaser, a heating iron with removable handle , a frame for stretching and drying lace curtains, and a stocking and glove darner. The Centennial women not only showed domestic production but also employed

3337-460: The gerrymandered borders of the 5th and 7th districts; it took effect for the 2015 elections. Councilmanic prerogative is the legislative practice where a Philadelphia city council member has final say over land use in their district. Chicago has a similar practice called aldermanic prerogative . This unwritten practice affords council people who represent a geographically defined district unchecked power over land use decisions as it’s custom for

3408-540: The landscaping around them. His work for the Centennial Exposition was informed by the Vienna International Exposition in 1873 , which Schwarzmann visited to study the buildings and the grounds layout. The Vienna International Exposition in 1873 was marred by disastrous logistic planning and was taken as a cautionary example. At the Vienna Exposition, there was no convenient way for visitors to reach

3479-443: The least compact districts in the nation, giving rise to suspicions of gerrymandering . The Committee of Seventy , a non-partisan watchdog group for local elections, asked candidates for council in 2007 to support a list of ethics statements, including a call for fair redistricting, which should take place after the 2010 United States Census . In 2011, the council approved a redistricting map with more compact boundaries, eliminating

3550-414: The longest 125 ft (38 m) in length. The construction included red and black brick-laid design with stained glass or painted glass decorations. The Interior walls were whitewashed, and woodwork was decorated with shades of green, crimson, blue, and gold. The flooring of the building was made of wooden planks that rested directly on the ground without any air space underneath them. The orientation of

3621-655: The many United States Sanitary Commission 's Sanitary Fairs held during the American Civil War . The fairs provided a creative and communal means for ordinary citizens to promote the welfare of Union Army soldiers and dedicate themselves to the survival of the nation, and the Great Central Fair bolstered Philadelphia's role as a vital center in the Union war effort. It anticipated the combination of public, private, and commercial investments that were necessary to mount

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3692-444: The most unusual of which were front hair pieces and false teeth. Guards were required to live onsite and were housed at six police stations strategically located throughout the Exposition. A magistrate's office and courtroom were located at the only two-story police station located on the grounds and was used to conduct prisoner hearings. Officers slept in cramped quarters, which fostered health issues. Eight guards died while working

3763-580: The numerous events of national importance that were held in the past and related to the city of Philadelphia, the City Council resolved in January 1870 to hold the Centennial Exposition in the city in 1876. The Philadelphia City Council and the Pennsylvania General Assembly created a committee to study the project and seek support of the U.S. Congress . Congressman William D. Kelley spoke for

3834-579: The occasion written by Dudley Buck and Sidney Lanier was performed. The opening ceremony concluded in Machinery Hall, with Grant and Pedro II turning on the Corliss Steam Engine which powered most of the other machines at the exposition. The official number of first day attendees was 186,272 people, with 110,000 entering with free passes. In the days following the opening ceremony, attendance dropped dramatically, with only 12,720 people visiting

3905-620: The pavilion's exhibits, indicating the growth of a sector of elite women during the Porfirio Díaz regime of the late nineteenth century, with many individual women sending examples of woven textiles and embroidery. Eleven nations had their own exhibition buildings, and others contributed small structures, including the Swedish School house referenced below, now in Central Park , New York City. The British buildings were extensive and exhibited

3976-584: The population of the city, peaking at 149 members of Common Council and 41 in Select Council, the largest municipal legislature in the US. It was replaced with a single 21-member chamber in 1919, which remained in effect until the adoption of a Home Rule charter in 1951. The 1951 Home Rule Charter established the council as the legislative arm of Philadelphia municipal government, consisting of seventeen members. Ten council members are elected by district and seven from

4047-410: The president of the council to an appropriate standing committee, considered at a public hearing and public meeting, reported out by the committee, printed as reported by the committee, distributed to the members of the council, and made available to the public. Passage of a bill requires the favorable vote of a majority of all members. A bill becomes law upon the approval of the mayor. If the mayor vetoes

4118-418: The return of high temperatures at the end of the month. Philadelphia City Council The Philadelphia City Council , the legislative body of Philadelphia , Pennsylvania, consists of ten members elected by district and seven members elected at-large. The council president is elected by the members from among their number. Each member's term is four years, and there are no limits on the number of terms

4189-548: The south entrance of the building served as a primary entrance to the building for streetcars. The north side related the building to the Art Gallery and the west side served as a passageway to the Machinery and Agricultural Halls. In the Main Exhibition Building, columns were placed at a uniform distance of 24 ft (7.3 m). The entire structure consisted of 672 columns, the shortest column 23 ft (7.0 m) in length and

4260-480: The women who worked at the factory. Centennial Exposition The Centennial International Exhibition , officially the International Exhibition of Arts, Manufactures, and Products of the Soil and Mine , was held in Philadelphia , Pennsylvania, from May 10 to November 10, 1876. It was the first official world's fair to be held in the United States and coincided with the centennial anniversary of

4331-481: The world that had relied exclusively on having one or a few large buildings. The Centennial Commission sponsored a design competition for the principal buildings, conducted in two rounds; winners of the first round had to have details such as construction cost and time prepared for the runoff on September 20, 1873. After the ten design winners were chosen, it was determined that none of them allowed enough time for construction and limited finances. The architecture of

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4402-585: The world the United States' industrial and innovative prowess. The exposition was originally scheduled to open in April, marking the anniversary of the Battles of Lexington and Concord , but construction delays caused the date to be pushed back to May 10. Bells rang all over Philadelphia to signal the exposition's opening. The opening ceremony was attended by President Ulysses Grant and his wife as well as Emperor Pedro II of Brazil and his wife . A cantata commissioned for

4473-420: Was 45 ft (14 m) tall, weighed 650 tons, and had 1 mi (1.6 km) of overhead line belts connecting to the machinery in the building. It symbolized the technology that was transforming the United States into an industrial powerhouse. Amenities available to the visitors within the hall were rolling chairs, telegraph offices, and dinner for fifty cents. Machinery Hall had 8,000 operating machines and

4544-494: Was abolished during the American Revolution and replaced in 1789 with an elected council including fifteen aldermen and thirty common councillors; these then elected a mayor and recorder who also were members of the council. In 1796, a bicameral city council was created including a 20-member Common Council elected annually and 12-member Select Council elected every three years; the sizes of both bodies increased with

4615-402: Was constructed using prefabricated parts, with a wood and iron frame resting on a substructure of 672 stone piers. Wrought iron roof trusses were supported by the columns of the superstructure. The building took eighteen months to complete and cost $ 1,580,000. The building was surrounded by portals on all four sides. The east entrance of the building was used as an access way for carriages, and

4686-500: Was designed to look like various barn structures pieced together. The building's exhibits included products and machines used in agriculture and other related businesses. Situated high atop a hill presiding over Fountain Avenue, Horticultural Hall epitomized floral achievement, which attracted professional and amateur gardeners. Unlike the other main buildings, it was meant to be permanent. Horticultural Hall had an iron and glass frame on

4757-405: Was filled with a wide assortment of hand tools, machine tools, material handling equipment, and the latest fastener technology. Some of the sandstone that was used to build the hall was from Curwensville, Pennsylvania . The Art Gallery building (now known as Memorial Hall ) is the only large exhibit building still standing on the exposition site. Constructed of brick, glass, iron, and granite in

4828-417: Was opened that April on the southeast corner of Market Street and 32nd Street. A branch office operated during the exposition on the fairgrounds. The Centennial Commission ran out of funds for printing and other expenses. Philadelphia city officials appropriated $ 50,000 to make up for the shortfall. Herman J. Schwarzmann , an engineer for the Fairmount Park Commission, was appointed the main designer of

4899-729: Was the beginning of the Good Roads Movement . . The main British building, also known as St. George's Hall or the English Commission Building, survived at its original site as Fairmount Park offices until it was demolished in 1961. 26 of the 37 U.S. states constructed buildings along States Drive in the exhibition grounds. Only three such state houses are still extant: the Ohio House at its original location in Fairmount Park,

4970-473: Was the longest nave ever introduced into an exhibition building up to that time. On both sides of the nave were avenues 100 ft (30 m) in width and 1,832 ft (558 m) in length. Aisles 48 ft (15 m) wide were located between the nave and the side avenues, and smaller aisles 24 ft (7.3 m) in width were on the outer sides of the building. The exterior of the building featured four towers, each 75 ft (23 m) high, at each of

5041-490: Was the show case for the state of the art industrial technology that was being produced at the time. The United States of America alone took up two-thirds of the exhibit space in the building. One of the major attractions on display in the building was the Corliss Centennial Steam Engine that ran power to all the machinery in the building as well as other parts of the world's fair. The 1,400 horsepower engine

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