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98-614: Amt Rosenberg ( ARo , Rosenberg Office) was an official body for cultural policy and surveillance within the Nazi party , headed by Alfred Rosenberg . It was established in 1934 under the name of Dienststelle Rosenberg ( DRbg , Rosenberg Department), with offices at Margarethenstraße 17 in Berlin, to the west of Potsdamer Platz . Due to the long official name of Rosenberg's function, Beauftragter des Führers für die gesamte geistige und weltanschauliche Erziehung der NSDAP ("Führer's representative for

196-455: A "latitudinarian approach" to public culture; that is, one that is aesthetically inclusive and broadly accessible. Musicologists David Hebert and Mikolaj Rykowski write that when "music is recognized as invaluable cultural heritage, entailing unique artefacts of intellectual property, new developments in this field then become acknowledged as important forms of social innovation ;" However, they caution policy-makers that with glocalization ,

294-405: A broader range of cultural activities - evoke a related debate about the content of public culture: " elitist " or " populist ." Proponents of the elitist position argue that cultural policy should emphasize aesthetic quality as the determining criterion for public subvention. This view is typically supported by the major cultural organizations, creative artists in the traditionally defined field of

392-417: A broader view of history. The research of Adam Watson was world-historical in scope. For him, hegemony was the most common order in history (historical "optimum") because many provinces of "frank" empires were under hegemonic rather than imperial rule. Watson summarized his life-long research: There was a spectrum of political systems ranging between multiple independent states and universal empire. The further

490-419: A competitive disadvantage in a cultural world that is increasingly profit-driven. In sum, excellence should be viewed as the achievements of greatness from a horizontal, rather than a vertical, perspective and a cultural policy as supporting the totality of these varieties of excellence. These attitudes about a public cultural responsibility stand in marked contrast to much of the rest of the world, where culture

588-412: A cultural policy is about creating public spheres that are not dependent upon profit motives nor validated by commercial values. As political democracy is dependent upon the existence of civil society and socio-economic pluralism, cultural policy stands as an essential public commitment in realizing these fundamental preconditions. One of the available and yet underappreciated tools in cultural policy at

686-575: A given society. He developed the theory of cultural hegemony , an analysis of economic class (including social class) and how the ruling class uses consent as well as force to maintain its power. Hence, the philosophic and sociologic theory of cultural hegemony analysed the social norms that established the social structures to impose their Weltanschauung (world view)—justifying the social, political, and economic status quo —as natural, inevitable, and beneficial to every social class, rather than as artificial social constructs beneficial solely to

784-712: A government museum, to establishing legal codes (such as the U.S. Internal Revenue Service 's 501(c)(3) tax designation for not-for-profit enterprises) and creating political institutions (such as the various ministries of culture and departments of culture and the National Endowment for the Humanities and the National Endowment for the Arts in the United States), arts granting councils, and cultural institutions such as galleries and museums. Similar significant organisations in

882-419: A justification for continued public support. The American model of an essentially privatized culture is increasingly attractive to governments seeking to curtail their cultural subsidies. In a system of mixed funding , public culture can nurture the arts groups and cultural activities that contribute to individual self-worth and community definition even if counting for less in the economic bottom-line. At root,

980-475: A party office. Cultural policy Cultural policy can be done at a nation-state level, at a sub-national level (e.g., U.S. states or Canadian provinces), at a regional level or at a municipal level (e.g., a city government creating a museum or arts centre). Examples of cultural policy-making at the nation-state level could include anything from funding music education or theatre programs at little to no cost, to hosting corporate-sponsored art exhibitions in

1078-401: A policy of cultural diversity. With a focus on personal enhancement, the populist's position posits very limited boundaries between amateur and professional arts activities. Indeed, the goal is to provide opportunities for those outside the professional mainstream. To give an example, whereas an elite approach advocates support for professional musicians, particularly those from Classical music ,

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1176-408: A political relationship of power wherein a sub-ordinate society (collectivity) perform social tasks that are culturally unnatural and not beneficial to them, but that are in exclusive benefit to the imperial interests of the hegemon, the superior, ordinate power; hegemony is a military, political, and economic relationship that occurs as an articulation within political discourse . Beyer analysed

1274-597: A political system evolved towards one of the extremes, the greater was the gravitational pull towards the hegemonic center of the spectrum. Hegemony may take different forms. Benevolent hegemons provide public goods to the countries within their sphere of influence. Coercive hegemons exert their economic or military power to discipline unruly or free-riding countries in their sphere of influence. Exploitative hegemonies extract resources from other countries. A prominent theory in International Relations focusing on

1372-472: A populist approach would advocate support for amateur, community singers and musicians. "Proponents of populism are frequently advocates of minority arts, folk arts , ethnic arts, or counter-cultural activities" as Kevin V. Mulcahy said. Cultural "elitists," on the other hand, argue in support of excellence over amateurism and favor an emphasis on aesthetic discipline over "culture as everything." There are "two key tensions for national cultural policy between

1470-525: A pragmatic as well as a philosophical component. Cultural patronage in democratic governments is markedly different from patronage by wealthy individuals or corporations. Private or politically paramount patrons are responsible only to themselves and are free to indulge in their tastes and preferences. Democratic governments, on the other hand, are responsible to the electorate and are held accountable for their policy decisions. The two objectives just discussed - dissemination of high culture and participation in

1568-409: A society". In theories of imperialism , the hegemonic order dictates the internal politics and the societal character of the subordinate states that constitute the hegemonic sphere of influence , either by an internal, sponsored government or by an external, installed government . The term hegemonism denoted the geopolitical and the cultural predominance of one country over other countries, e.g.

1666-406: Is a public good (i.e., contributes a public value to society for which it is hard to exclude non-payers, as all of society benefits from arts and culture) and something that is generally viewed as a merit good , governments have pursued programs to promote greater accessibility. In this way of thinking, significant aesthetic works such as paintings and sculptures should be made broadly available to

1764-503: Is a parity between the state's responsibility for its citi' social-economic-physical needs and their access to culture and opportunities for artistic self-expression. However, the aesthetic dimension of public policy has never been widely perceived as intuitively obvious or politically imperative. Accordingly, the cultural sector has often argued its case from the secondary, ancillary benefits that result from public support for programs that are seemingly only aesthetic in nature. Cultural policy

1862-441: Is a question of historic patrimony, or the national identities of peoples, whether in independent states or regions within more powerful states. Inevitably, sensitive issues are involved in any discussion of culture as a public policy. However, given the demands in a democratic system that public policies show a return to the taxpayer, cultural policy has frequently argued for support on the basis of utility. It can be argued that there

1960-539: Is a shift, since the 1970s and 1980s, away from solely supporting a small number of relatively elite, professionalized art forms and institutions (e.g., Classical music , painting, sculpture, art galleries) to also supporting amateur and community cultural and creative activities (e.g., community theatre ) and cultural forms which were not considered part of the Western canon by previous generations (e.g., traditional music such as blues , World music , and so on). Prior to

2058-479: Is limited and publicly supported aesthetic activities are expected to demonstrate a direct public benefit. Non-American cultural institutions are less constrained by the need to maintain diversified revenue streams that demand high levels of earned income and individual and corporate donations to compensate for limited government appropriations. On the other hand, cultural institutions everywhere are increasingly market-driven in their need for supplementary funds and as

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2156-415: Is not a proper theory because it amounts to a series of allegedly redundant claims that apparently could not be used predictively. A number of International Relations scholars have examined the decline of hegemons and their orders. For some, such decline tends to be disruptive because the stability that the hegemon provided gives way to a power vacuum. Others have maintained that cooperation may persist in

2254-489: Is not typically justified solely on the grounds that it is a good-in-itself, but rather that it yields other good results. The future of cultural policy would seem to predict an increasingly inexorable demand that the arts "carry their own weight" rather than rely on a public subsidy to pursue "art for art's sake". Kevin V. Mulcahy dubbed this "cultural Darwinism " is most pronounced in the United States where public subsidy

2352-524: Is the aesthetic enlightenment, enhanced dignity, and educational development of the general citizenry. "Dissemination was the key concept with the aim of establishing equal opportunity for all citizens to participate in publicly organized and financed cultural activities". To further this goal, performances and exhibitions are low cost; public art education promotes equality of aesthetic opportunity; national institutions tour and perform in work places, retirement homes and housing complexes. As indicated earlier,

2450-474: Is the political, economic, and military predominance of one state over other states, either regional or global. In Ancient Greece (ca. 8th BC – AD 6th c.), hegemony denoted the politico-military dominance of the hegemon city-state over other city-states. In the 19th century, hegemony denoted the "social or cultural predominance or ascendancy; predominance by one group within a society or milieu" and "a group or regime which exerts undue influence within

2548-621: Is the result of their action for society and for the citizens’ intellectual and artistic freedom? Among the many departments of Cultural Policy Studies around the world, there are several UNESCO Chairs in Cultural Policy from the programme launched in 1992 by the UNESCO to promote international inter-university cooperation: Hegemony Hegemony ( / h ɛ ˈ dʒ ɛ m ən i / , UK also / h ɪ ˈ ɡ ɛ m ən i / , US also / ˈ h ɛ dʒ ə m oʊ n i / )

2646-578: Is unlikely due to the difficulties in projecting power over large bodies of water. A Historian analyzed the claim: Disregarding recent (since 1492 AD) events, the hypothesis makes sense. In 1281, water and the "good wind" (kamikaze) indeed stopped the Mongols on the way to Japan. Later, however, even with all sorts of kamikaze, water ceased to stop. In 1945, the citizens of Hamburg and Dresden, Berlin and Tokyo, Hiroshima and Nagasaki (those who survived), would not describe water power as stopping; certainly not

2744-595: The Außenpolitisches Amt der NSDAP (APA "NSDAP Office of Foreign Affairs", including the Nordische Gesellschaft ("Nordic League")), Kampfbund für deutsche Kultur (KfdK "Militant League for German Culture"), NS-Kulturgemeinde ("NS-Cultural Community") (including the Kraft durch Freude ("Strength Through Joy") and Deutsche Bühne ("German Stage") theatres), Hohe Schule der NSDAP ("Advanced School of

2842-548: The Cold War . Most notably, American political scientists John Mearsheimer and Joseph Nye have argued that the US is not a genuine global hegemon because it has neither the financial nor the military resources to impose a proper, formal, global hegemony. This theory is heavily contested in academic discussions of international relations, with Anna Beyer being a notable critic of Nye and Mearsheimer. According to Mearsheimer, global hegemony

2940-853: The Korean War , the Laotian Civil War , the Arab–Israeli conflict , the Vietnam War , the Afghan War , the Angolan Civil War , and the Central American Civil Wars . Following the dissolution of the Soviet Union in 1991, the United States was the world's sole hegemonic power. Various perspectives on whether the US was or continues to be a hegemon have been presented since the end of

3038-686: The Spring and Autumn period (c. 770–480 BC), when the weakened rule of the Eastern Zhou dynasty led to the relative autonomy of the Five Hegemons ( Ba in Chinese [ 霸 ]). The term is translated as lord protector , or lord of the covenants , or chief of the feudal lords and is described as intermediate between king of independent state and Emperor of All under Heaven . The hegemons were appointed by feudal lord conferences and were nominally obliged to support

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3136-552: The "democratization of culture" is a top-down approach that promulgates certain forms of cultural programming that are deemed to be a public good. Clearly, such an objective is open to criticism for what is termed cultural elitism ; that is, the assumption that some aesthetic expressions are inherently superior - at least as determined by a cognoscenti concerned with the acquisition of cultural capital . "The problem with this policy [is] that, fundamentally, it intend[s] to create larger audiences for performances whose content [is] based on

3234-557: The 1980s, some scholars singled out Japan's economic growth and technological sophistication as a threat to U.S. primacy. More recently, analysts have focused on the economic and military rise of China and its challenge to U.S. hegemony. Scholars differ as to whether bipolarity or unipolarity is likely to produce the most stable and peaceful outcomes. Kenneth Waltz and John Mearsheimer are among those who argue that bipolarity tends to generate relatively more stability, whereas John Ikenberry and William Wohlforth are among those arguing for

3332-455: The 20th century. A hegemon may shape the international system through coercive and non-coercive means. According to Nuno Monteiro, hegemony is distinct from unipolarity. The latter refers to a preponderance of power within an anarchic system, whereas the former refers to a hierarchical system where the most powerful state has the ability to "control the external behavior of all other states." The English school of international relations takes

3430-613: The 7th century to the 12th century, the Umayyad Caliphate and later Abbasid Caliphate dominated the vast territories they governed, with other states like the Byzantine Empire paying tribute. In 7th century India, Harsha , ruler of a large empire in northern India from AD 606 to 647, brought most of the north under his hegemony. He preferred not to rule as a central government, but left "conquered kings on their thrones and contenting himself with tribute and homage." From

3528-503: The King of Zhou, whose status parallel to that of the Roman Pope in the medieval Europe. In 364 BC, Qin emerged victorious from war and its Duke Xian (424–362 BC) was named hegemon by the King of Zhou. Qin rulers did not preserve the official title of hegemon but in fact kept the hegemony over their world: "For more than one hundred years [before 221 BC] Qin commanded eight lands and brought

3626-548: The Mediterranean – the Ptolemaic Kingdom – was annexed by Augustus in the very beginning of his reign in 30 BC. Augustus initiated an unprecedented era of peace, shortly after his reign called Pax Romana . This peace however was imperial rather than hegemonic. Classic and modern scholars who call Pax Romana "hegemonic peace," use the term "hegemony" in its broader sense which includes both hegemony and empire. From

3724-643: The NSDAP") and Einsatzstab Reichsleiter Rosenberg (ERR "Reichsleiter Rosenberg Taskforce"), an organisation devoted to acquiring and stealing art objects across the occupied territories of the Reich. Not included in the term as used by Bollmus (2007) is the Reichsministerium für die besetzten Ostgebiete (RMfdbO "Reich Ministry for the Occupied Eastern Territories"), because it was a government office, not

3822-827: The Pacific Ocean and the Caribbean Sea . Britain also controlled the Indian subcontinent and large portions of Africa. In Europe, Germany, rather than Britain, may have been the strongest power after 1871, but Samuel Newland writes: Bismarck defined the road ahead as … no expansion, no push for hegemony in Europe. Germany was to be the strongest power in Europe but without being a hegemon. … His basic axioms were first, no conflict among major powers in Central Europe; and second, German security without German hegemony." These fluctuations form

3920-626: The Roman people. "Alliance" and "friendship," not any kind of subordination, bound them to Rome. No regular or formal tribute was extracted from client states. The land of a client state could not officially be a basis for taxation. The overall fact is that, despite extensive conquests, the Romans did not settle down nor extracted revenues in any subdued territories between 200 and 148 BC. The first good evidence for regular taxation of another kingdom comes from Judea as late as 64 BC. The Roman hegemony of

4018-574: The UK, the US, and the USSR) were given permanent seats on the U.N. Security Council , the organization's most powerful decision-making body. Following the war, the US and the USSR were the two strongest global powers and this created a bi-polar power dynamic in international affairs, commonly referred to as the Cold War . American hegemony during this time has been described as "Empire by invitation" . The hegemonic conflict

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4116-417: The US and China, but has faced opposition to this claim. According to the recent study published in 2019, the authors argued that a "third‐way hegemony" or Dutch‐style hegemony apart from a peaceful or violent hegemonic rise may be the most feasible option to describe China in its global hegemony in the future. In the historical writing of the 19th century, the denotation of hegemony extended to describe

4214-637: The US in Latin America and Japan in East Asia . France, the UK, Italy, the Soviet Union and later Nazi Germany (1933–1945) all either maintained imperialist policies based on spheres of influence or attempted to conquer territory but none achieved the status of a global hegemonic power. After the Second World War , the United Nations was established and the five strongest global powers (China, France,

4312-513: The United Kingdom include the Department for Culture, Media and Sport (DCMS), and Arts Council England. Throughout much of the twentieth century, many of the activities that compose cultural policy in the 2010s were governed under the title of " arts policy ". Arts policy includes direct funding to artists, creators and art institutions and indirect funding to artists and arts institutions through

4410-448: The United States established through the creation of international institutions (such as the United Nations, International Monetary Fund , World Bank, and World Trade Organization). Constructivist scholar Martha Finnemore argues that legitimation and institutionalization are key components of unipolarity. Academics have argued that in the praxis of hegemony, imperial dominance is established by means of cultural imperialism , whereby

4508-404: The abstract power of the status quo , indirect imperial domination. J. Brutt-Griffler, a critic of this view, has described it as "deeply condescending" and "treats people ... as blank slates on which global capitalism's moving finger writes its message, leaving behind another cultural automaton as it moves on." Culturally, hegemony also is established by means of language , specifically

4606-423: The aesthetic preferences of a few, however enlightened, or of overtly infusing art with political values. Consequently, a democratic cultural policy must articulate its purposes in ways that demonstrate how the public interest is being served. These purposes have often been expressed as involving either the creation of cultural democracy or the democratization of culture . The objective of cultural democratization

4704-486: The anti-hegemonic coalition and attacked Qin in 318 BC. "Qin, supported by one annexed state, overwhelmed the world coalition." The same scenario repeated itself several times. ) until Qin decisively moved from hegemony to conquests and annexations in 221 BC. Rome established its hegemony over the entire Mediterranean after its victory over the Seleucid Empire in 189 BC. Officially, Rome's client states were outside

4802-662: The arrival of the Age of Discovery and the Early modern period , they began to gradually lose their hegemony to other European powers. In The Rise of the Qi Ye Ji Tuan and the Emergence of Chinese Hegemony Jayantha Jayman writes, "If we consider the Western dominated global system from as early as the 15th century, there have been several hegemonic powers and contenders that have attempted to create

4900-412: The arts by citizens. An example of an arts policy initiative that supports excellence would be a government grant program which provides funding to the highest-achieving artists in the country. A concrete example would be a literary prize of $ 100,000 for the best fiction authors from the country, as selected by a panel of top experts. An example of an arts policy initiative that aims at increasing access to

4998-415: The arts patronage roles. Governments' first efforts to support culture were typically the establishment of archives, museums and libraries. Over the twentieth century, governments established a range of other institutions, such as arts councils and departments of culture. The first departments of culture typically supported the major arts that are part of the Western canon , such as painting and sculpture, and

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5096-476: The arts would be a music in the schools program funded by the government. A concrete example would be a program which funded an orchestra or jazz quartet and paid them to play free concerts in elementary schools. This would enable children from lower- and middle-income families to hear live music. The two goals, supporting excellence and broadening access, are often trade-offs , as any increase in emphasis on one policy objective typically has an adverse effect on

5194-436: The basis for cyclical theories by George Modelski and Joshua S. Goldstein , both of whom allege that naval power is vital for hegemony. The early 20th century, like the late 19th century, was characterized by multiple Great Powers but no global hegemon. World War I strengthened the United States and, to a lesser extent, Japan. Both of these states' governments pursued policies to expand their regional spheres of influence ,

5292-657: The benefits" of this hegemony. After the defeat and exile of Napoleon, hegemony largely passed to the British Empire , which became the largest empire in history, with Queen Victoria (1837–1901) ruling over one-quarter of the world's land and population at its zenith. Like the Dutch, the British Empire was primarily seaborne; many British possessions were located around the rim of the Indian Ocean, as well as numerous islands in

5390-419: The conflict when it was suspected that their government's policies might destabilize the balance of power . Reinhard Hildebrandt calls this a period of "dual-hegemony", where "two dominant states have been stabilizing their European spheres of influence against and alongside each other ." Proxy wars became battle grounds between forces supported either directly or indirectly by the hegemonic powers and included

5488-472: The contemporary hegemony of the United States at the example of the Global War on Terrorism and presented the mechanisms and processes of American exercise of power in 'hegemonic governance'. In the field of International Relations , hegemony generally refers to the ability of an actor to shape the international system. Usually this actor is a state, such as Britain in the 19th century or the United States in

5586-460: The country to see live orchestra shows. However, by funding 12 orchestras, this would mean that funding would go to ensembles that do not meet the highest standards of excellence. Thus, excellence and broadening access are often trade-offs. Cultural policy, while a small part of the budgets of even the most generous of governments, governs a sector of immense complexity. It entails "a large, heterogeneous set of individuals and organizations engaged in

5684-531: The creation, production, presentation, distribution, and preservation of and education about aesthetic heritage, and entertainment activities, products and artifacts". A cultural policy necessarily encompasses a broad array of activities and typically involves public support for: Some governments may place policy areas from this list in other ministries or departments. For example, national parks may be assigned to an environment department, or public humanities may be delegated to an education department. Since culture

5782-524: The development of wind power for the efficient production and delivery of goods and services. This, in turn, made possible the Amsterdam stock market and concomitant dominance of world trade. In France, King Louis XIV (1638–1715) and ( Emperor ) Napoleon I (1799–1815) attempted true French hegemony via economic, cultural and military domination of most of Continental Europe . However, Jeremy Black writes that, because of Britain, France "was unable to enjoy

5880-514: The double habakusha—those who survived in Hiroshima on August 6 and within next two days managed to reach Nagasaki. Had Mearsheimer arranged a poll of double habakushas on August 10, "Does, in your opinion, water power stop?" he would have collected unanimous negative, not necessarily literal, replies. Just the day before the anniversary of the original kamikaze (August 15), the Japanese announced

5978-485: The elitist position generally focus on supporting the creation, preservation and performance of works of the Western canon , a group of artworks that are viewed as the best artistic and cultural products of Western society. By contrast, the populist position advocates defining culture broadly and inclusively and making this culture broadly available. The populist approach emphasizes a less traditional and more pluralist notion of artistic merit and consciously seeks to create

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6076-480: The entire intellectual and ideological education of the Nazi Party"), the short description Reichsüberwachungsamt "Reich surveillance office" was used alongside, also shortened simply to Überwachungsamt "surveillance office". In post-World War II historiography, "Amt Rosenberg" is also used in a wider sense as a term for a number of official functions of Rosenberg which he held between 1928 and 1945. These included

6174-409: The experience of society's privileged groups. In sum, it has... taken for granted that the cultural needs of all society's members [are] alike". The objective of cultural democracy, on the other hand, is to provide for a more participatory (or populist) approach in the definition and provision of cultural opportunities. The coupling of the concept of democratization of culture to cultural democracy has

6272-422: The face of hegemonic decline because of institutions or enhanced contributions from non-hegemonic powers. There has been a long debate in the field about whether American hegemony is in decline. As early as in the 1970s, Robert Gilpin suggested that the global order maintained by the United States would eventually decline as benefits from the public goods provided by Washington would diffuse to other states. In

6370-417: The fine arts, cultural critics, and the well-educated, well-to-do audiences for these art forms. Ronald Dworkin terms this the "lofty approach," which "insists that art and culture must reach a certain degree of sophistication, richness, and excellence in order for human nature to flourish, and that the state must provide this excellence if the people will not or cannot provide it for themselves". Advocates of

6468-539: The goal of enhancing excellence, as funding would only go to the top musical groups. However, this approach would only enable citizens in three cities to have access to professional orchestras. On the other hand, if the government was focusing on broadening access to symphony concerts, it might direct the independent panel to pick 12 orchestras in the country, with the stipulation that only one orchestra per city be selected. By proving $ 1 million per year to 12 orchestras in 12 cities, this would enable citizens from 12 cities in

6566-448: The goals of excellence versus access, and between government roles as facilitator versus architect". Kevin V. Mulcahy argued that in effect, elitism is cultural democracy as populism is to the democratization of culture. Unfortunately, there has been a tendency to see these positions as mutually exclusive, rather than complementary. "Elitists" are denounced as "high brow snobs" advocating an esoteric culture which focuses on art music and

6664-604: The hegemon of his world. In the Greek world of 5th century BC , the city-state of Sparta was the hegemon of the Peloponnesian League (6th to 4th centuries BC) and King Philip II of Macedon was the hegemon of the League of Corinth in 337 BC (a kingship he willed to his son, Alexander the Great ). Likewise, the role of Athens within the short-lived Delian League (478–404 BC)

6762-492: The hegemonic horizontal alliance led by Qin and the anti-hegemonic alliance called perpendicular or vertical . "The political world appears as a chaos of ever-changing coalitions, but in which each new combination could ultimately be defined by its relation to Qin." The first anti-hegemonic or perpendicular alliance was formed in 322 BC. Qin was supported by one state, Wei , which it had annexed two years previously. The remaining five great warring states of China joined in

6860-594: The hegemony of the Great Powers established with European colonialism in Africa, Asia, and Latin America. In International Relations theories, hegemony is distinguished from empire as ruling only external but not internal affairs of other states. From the post-classical Latin word hēgemonia (1513 or earlier) from the Greek word ἡγεμονία , hēgemonía , 'authority, rule, political supremacy', related to

6958-469: The idea that cultural studies should not only be critical, but also try to be useful. The Princeton University e.g. founded its Center for Arts and Cultural Policy Studies 1994 “to improve the clarity, accuracy and sophistication of discourse about the nation's artistic and cultural life.” The scientific approach is genuinely interdisciplinary, combining social sciences, a wide range of the humanities, jurisprudence and economics. As all political sciences do,

7056-468: The international level UNESCO is in charge of cultural policy. Contact information for ministries of culture and national arts councils in 160 countries is available from the website of the International Federation of Arts Councils and Culture Agencies (IFACCA). On a local scale, subnational (e.g., state or provincial governments), city and local governments offer citizens and local authorities

7154-548: The late 9th to the early 11th century, the empire developed by Charlemagne achieved hegemony in Europe, with dominance over France, most of Northern and Central Italy, Burgundy and Germany. From the 11th to the late 15th centuries the Italian maritime republics , in particular Venice and Genoa held hegemony in the Mediterranean, dominating trade between Europe and the Orient for centuries, and having naval supremacy. However, with

7252-472: The late Republic left to the Mediterranean kings internal autonomy and obliged them not to enter alliances hostile to Rome and not to wage offensive wars without consent of the Senate. Annexations usually followed when client kings broke this order ( Macedonia in 148 BC and Pontus in 64 BC ). In the course of these and other annexations, Rome gradually evolved from hegemony into empire. The last major client state of

7350-456: The leader state (hegemon) dictates the internal politics and the societal character of the subordinate states that constitute the hegemonic sphere of influence , either by an internal, sponsored government or by an external, installed government. The imposition of the hegemon's way of life—an imperial lingua franca and bureaucracies (social, economic, educational, governing)—transforms the concrete imperialism of direct military domination into

7448-501: The lord of equal rank to its court." One of the six other great powers, Wei , was annexed as early as 324 BC. From the reign of Duke Xian on, "Qin gradually swallowed up the six [other] states until, after hundred years or so, the First Emperor was able to bring all kings under his power." The century preceding the Qin's wars of unification in 221 BC was dominated by confrontation between

7546-404: The major performing arts (Classical music and theatre). In the twentieth century, Western governments in the U.K., Canada, Australia, New Zealand and many European nations developed arts policy measures to promote, support and protect the arts, artists and arts institutions. These governments' arts policy initiatives generally had two aims: supporting excellence in the arts and broadening access to

7644-461: The national level is the reduction of VAT rates for cultural goods and services. Economic theory can be used to explain how reduced fiscal rates are expected to decrease prices and increase quantities of consumed cultural goods and services. Fiscal policy can be an important part of cultural policy, in particular the VAT rate discounts on cultural consumption, yet it receives less attention than deserved. At

7742-521: The opportunity to develop arts and culture with the Agenda 21 for Culture. Cultural Policy Research (or Cultural Policy Studies ) is a field of academic inquiry that grew out of Cultural Studies in the 1990s. A quarter of a century later, by now both “Cultural Policy Research” and "Cultural Policy Studies" each match almost 100 million entries in the World Wide Web. Cultural Policy Research grew out of

7840-437: The other goal. To give an example, if a hypothetical country has a $ 12 million per year grant program for orchestras in the country, if the government focuses on the goal of supporting musical excellence, it may decide to provide $ 4 million per year to the three top orchestras in the country, as determined by a panel of independent professional music critics , conductors and music professors. This decision would strongly support

7938-510: The predominance of one country upon other countries; and, by extension, hegemonism denoted the Great Power politics (c. 1880s – 1914) for establishing hegemony (indirect imperial rule), that then leads to a definition of imperialism (direct foreign rule). In the early 20th century, the Italian Marxist philosopher Antonio Gramsci used the idea of hegemony to talk about politics within

8036-455: The public. In other words, "high culture" should not be the exclusive preserve of a particular social class or of a metropolitan location. Rather, the benefits of the highest reaches of cultural excellence should be made in an egalitarian manner; national cultural treasures should be accessible without regard to the impediments of class circumstances, educational attainment or place of habitation. A democratic state cannot be seen as simply indulging

8134-441: The research focuses on the content dimension ( policy ), the formal-institutional dimension ( polity ) and the practical dimension ( politics ), particularly affecting decision processes and the results obtained. Cultural Policy Research asks: What do the actors and agents in the Cultural Policy sphere actually do when they do what they do? Which purposes they do pursue by that? What are their goals and which means do they use? What

8232-400: The rise of "'big data' offers unprecedentedly powerful tools but also inevitably entails many risks for all kinds of artists (both musicians and their collaborators in other arts) as well as the sustainability of traditional cultural practices." Such a public-cultural policy would remain faithful to the highest standards of excellence from a broad range of aesthetic expressions while providing

8330-402: The role of hegemonies is hegemonic stability theory . Its premise is that a hegemonic power is necessary to develop and uphold a stable international political and economic order. The theory was developed in the 1970s by Robert Gilpin and Stephen D. Krasner , among others. It has been criticized on both conceptual and empirical grounds. For example, Robert Keohane has argued that the theory

8428-698: The ruling class. From the Gramsci analysis derived the political science denotation of hegemony as leadership ; thus, the historical example of Prussia as the militarily and culturally predominant province of the German Empire (1871–1918); and the personal and intellectual predominance of Napoleon Bonaparte upon the French Consulate (1799–1804). Contemporarily, in Hegemony and Socialist Strategy (1985), Ernesto Laclau and Chantal Mouffe defined hegemony as

8526-575: The stabilizing impact of unipolarity. Some scholars, such as Karl Deutsch and J. David Singer argued that multipolarity was the most stable structure. Scholars disagree about the sources and stability of U.S. unipolarity. Realist international relations scholars argue that unipolarity is rooted in the superiority of U.S. material power since the end of the Cold War. Liberal international relations scholar John Ikenberry attributes U.S. hegemony in part to what he says are commitments and self-restraint that

8624-715: The tax system (e.g., by making donations to arts charities tax-deductible ). However, as Kevin Mulcahy has observed, "cultural policy encompasses a much broader array of activities than were addressed under arts policy. Whereas arts policy was effectively limited to addressing aesthetic concerns (e.g., funding art galleries and opera houses), the significance of the transformation to cultural policy can be observed in its demonstrable emphases on cultural identity , valorization of indigineity [Indigenous people's culture] and analyses of historical dynamics (such as hegemony and colonialism )." A general trend in Western industrialized nations

8722-468: The transformation proved to be fatal and eventually led to the fall of the Roman Empire. His book gives implicit advice to Washington to continue the present hegemonic strategy and refrain from establishing an empire. In 2006, author Zhu Zhiqun claimed that China is already on the way to becoming the world hegemon and that the focus should be on how a peaceful transfer of power can be achieved between

8820-435: The twentieth century, the arts were typically supported by the patronage of the church, aristocrats such as kings and queens, and wealthy merchants. During the nineteenth century, artists increased their use of the private marketplace to earn revenue. For example, the composer Beethoven put on public concerts in the 19th century for which admission was charged. During the twentieth century, governments began to take over some of

8918-405: The types of art seen in museums and galleries; populists are dismissed as "pandering philistines" promoting a trivialized and commercialized culture, as they endorse the value of popular music and folk art . However, these mutual stereotypes belie complementariness between two bookends of an artistically autonomous and politically accountable cultural policy. There is a synthesis that can be termed

9016-472: The unconditional surrender. They knew: water will not stop. Not this time. The French Socialist politician Hubert Védrine in 1999 described the US as a hegemonic hyperpower, because of its unilateral military actions worldwide. Pentagon strategist Edward Luttwak , in The Grand Strategy of the Roman Empire , outlined three stages, with hegemonic being the first, followed by imperial. In his view

9114-500: The whole Roman imperium, and preserved their entire sovereignty and international rights and privileges. With few exceptions, the Roman treaties with client states ( foedera ) were formulized on equal terms without any expression of clientship and the Romans almost never used the word "client." The term "client king" is an invention of the post-Renaissance scholarship. Those who are conventionally called by modern historians of Rome "client kings" were referred to as "allies and friends" of

9212-510: The widest possible access to people from different geographic locales, socio-economic strata, and educational background, as Dr. Mulcahy said. In conceiving of public policy as an opportunity to provide alternatives not readily available in the marketplace, public cultural agencies would be better positioned to complement the efforts of the private sector rather than duplicate their activities. Similarly, cultural agencies can promote community development by supporting artistic heritages that are at

9310-553: The word ἡγεμών , hēgemṓn , ' leader ' . The political pattern of Sumer was hegemony shifting from city to city and called King of Kish . According to the Sumerian King List , Kish established the hegemony yet before the Flood . One of the earliest literary legacies of humankind, the Epic of Gilgamesh , is a case of anti-hegemonic resistance . Gilgamesh fights and overthrows

9408-579: The world order in their own images." He lists several contenders for historical hegemony: Phillip IV tried to restore the Habsburg dominance but, by the middle of the 17th century "Spain's pretensions to hegemony (in Europe) had definitely and irremediably failed." In late 16th- and 17th-century Holland, the Dutch Republic's mercantilist dominion was an early instance of commercial hegemony, made feasible by

9506-460: Was ideological , between communism and capitalism , as well as geopolitical, between the Warsaw Pact countries (1955–1991) and NATO / SEATO / CENTO countries (1949–present/1954–1977/1955–1979). During the Cold War both hegemons competed against each other directly (during the arms race ) and indirectly (via proxy wars ). The result was that many countries, no matter how remote, were drawn into

9604-467: Was that of a "hegemon". The super-regional Persian Achaemenid Empire of 550 BC–330 BC dominated these sub-regional hegemonies prior to its collapse. Ancient historians such as Herodotus ( c.   484 BC – c.  425 BC ). Xenophon ( c.   431 BC – 354 BC) and Ephorus ( c.  400 BC – 330 BC) pioneered the use of the term hēgemonía in the modern sense of hegemony . In Ancient East Asia, Chinese hegemony existed during

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