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103-836: Roman mythology is the body of myths of ancient Rome as represented in the literature and visual arts of the Romans , and is a form of Roman folklore . "Roman mythology" may also refer to the modern study of these representations, and to the subject matter as represented in the literature and art of other cultures in any period. Roman mythology draws from the mythology of the Italic peoples and shares mythemes with Proto-Indo-European mythology . The Romans usually treated their traditional narratives as historical, even when these have miraculous or supernatural elements. The stories are often concerned with politics and morality, and how an individual's personal integrity relates to his or her responsibility to

206-784: A free citizen ? Can a superpower still be a republic ? How does well-meaning authority turn into murderous tyranny ? Major sources for Roman myth include the Aeneid of Virgil and the first few books of Livy 's history as well as Dionysius's Roman Antiquities . Other important sources are the Fasti of Ovid , a six-book poem structured by the Roman religious calendar , and the fourth book of elegies by Propertius . Scenes from Roman myth also appear in Roman wall painting , coins , and sculpture , particularly reliefs . The Aeneid and Livy's early history are

309-613: A moral , fable , allegory or a parable , or collection of traditional stories, understood to be false. It came eventually to be applied to similar bodies of traditional stories among other polytheistic cultures around the world. Thus "mythology" entered the English language before "myth". Johnson 's Dictionary , for example, has an entry for mythology, but not for myth. Indeed, the Greek loanword mythos ( pl. mythoi ) and Latinate mythus (pl. mythi ) both appeared in English before

412-449: A "disease of language". He speculated that myths arose due to the lack of abstract nouns and neuter gender in ancient languages. Anthropomorphic figures of speech , necessary in such languages, were eventually taken literally, leading to the idea that natural phenomena were in actuality conscious or divine. Not all scholars, not even all 19th-century scholars, accepted this view. Lucien Lévy-Bruhl claimed that "the primitive mentality

515-459: A I.8a (comprising the first 26 lines) and I.8b (lines 27–46). More complicated organizational problems are presented by poems like II.26, a confusing piece in which Propertius first (1) dreams of Cynthia being shipwrecked, and then (2) praises Cynthia's faithfulness. Following this, he (3) declares that she plans to sail and he will come along, (4) shifts to the couple together on the shore, and then (5) quickly has them back on board ship, ready to face

618-419: A belief that is not true. Instead, the veracity of a myth is not a defining criterion. Myths are often endorsed by secular and religious authorities and are closely linked to religion or spirituality . Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when

721-449: A book on the comparative study of mythology and religion—argued that humans started out with a belief in magical rituals; later, they began to lose faith in magic and invented myths about gods, reinterpreting their rituals as religious rituals intended to appease the gods. Historically, important approaches to the study of mythology have included those of Vico , Schelling , Schiller , Jung , Freud , Lévy-Bruhl , Lévi-Strauss , Frye ,

824-412: A conflation of two books (the second and third of an original five), with some passages lost, parts of poems and whole poems combined, and possible shuffling of fragments. This case is well supported by the texts themselves and fits testimonial evidence about Propertius's original publication of his work: first the "Monobiblos" (our "Book I"), then a collection of three books (our "Book II" and Book III --

927-477: A failed or obsolete mode of thought, often by interpreting myth as the primitive counterpart of modern science within a unilineal framework that imagined that human cultures are travelling, at different speeds, along a linear path of cultural development. One of the dominant mythological theories of the latter 19th century was nature mythology , the foremost exponents of which included Max Müller and Edward Burnett Tylor . This theory posited that "primitive man"

1030-446: A methodology that allows us to understand the complexity of the myth and its manifestations in contemporary times, is justified. Because "myth" is sometimes used in a pejorative sense, some scholars have opted for "mythos" instead. "Mythos" now more commonly refers to its Aristotelian sense as a "plot point" or to a body of interconnected myths or stories, especially those belonging to a particular religious or cultural tradition. It

1133-451: A mortal woman, the infant Hercules , on Juno 's breast while she is asleep so the baby will drink her divine milk and thus become immortal, an act which would endow the baby with godlike qualities. When Juno woke and realized that she was breastfeeding an unknown infant, she pushed him away, some of her milk spills, and the spurting milk became the Milky Way . In another version of the myth,

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1236-535: A myth can be highly controversial. Many religious adherents believe that the narratives told in their respective religious traditions are historical without question, and so object to their identification as myths while labelling traditional narratives from other religions as such. Hence, some scholars may label all religious narratives as "myths" for practical reasons, such as to avoid depreciating any one tradition because cultures interpret each other differently relative to one another. Other scholars may abstain from using

1339-461: A native mythology. This perception is a product of Romanticism and the classical scholarship of the 19th century, which valued Greek civilization as more "authentically creative." From the Renaissance to the 18th century, however, Roman myths were an inspiration particularly for European painting . The Roman tradition is rich in historical myths, or legends , concerning the foundation and rise of

1442-403: A patron of the arts who took Propertius into his circle of court poets. A second, larger book of elegies was published perhaps a year later, one that includes poems addressed directly to his patron and (as expected) praises for Augustus. The 19th century classics scholar Karl Lachmann argued, based on the unusually large number of poems in this book and Propertius' mention of tres libelli , that

1545-486: A pattern of behavior to be imitated, testifies to the efficacy of ritual with its practical ends and establishes the sanctity of cult . Another definition of myth comes from myth criticism theorist and professor José Manuel Losada . According to Cultural Myth Criticism, the studies of myth must explain and understand "myth from inside", that is, only "as a myth". Losada defines myth as "a functional, symbolic and thematic narrative of one or several extraordinary events with

1648-536: A poetic description of the sea as "raging" was eventually taken literally and the sea was then thought of as a raging god. Some thinkers claimed that myths result from the personification of objects and forces. According to these thinkers, the ancients worshiped natural phenomena, such as fire and air, gradually deifying them. For example, according to this theory, ancients tended to view things as gods, not as mere objects. Thus, they described natural events as acts of personal gods, giving rise to myths. According to

1751-621: A scholarly term for "[a] traditional story, especially one concerning the early history of a people or explaining a natural or social phenomenon, and typically involving supernatural beings or events." The Greek term mythología was then borrowed into Late Latin , occurring in the title of Latin author Fulgentius ' 5th-century Mythologiæ to denote what is now referred to as classical mythology —i.e., Greco-Roman etiological stories involving their gods. Fulgentius' Mythologiæ explicitly treated its subject matter as allegories requiring interpretation and not as true events. The Latin term

1854-461: A starting point for other topics. Book IV, published sometime after 16 BC, displays more of the poet's ambitious agenda, and includes several aetiological poems explaining the origin of various Roman rites and landmarks. Book IV, the last Propertius wrote, has only half the number of poems as Book I. Given the change in direction apparent in his poetry, scholars assume only his death a short time after publication prevented him from further exploration;

1957-565: A step further, incorporating the study of the transcendent dimension (its function, its disappearance) to evaluate the role of myth as a mirror of contemporary culture. Cultural myth criticism Cultural myth criticism, without abandoning the analysis of the symbolic , invades all cultural manifestations and delves into the difficulties in understanding myth today. This cultural myth criticism studies mythical manifestations in fields as wide as literature , film and television , theater , sculpture , painting , video games , music , dancing ,

2060-436: A transcendent, sacred and supernatural referent; that lacks, in principle, historical testimony; and that refers to an individual or collective, but always absolute, cosmogony or eschatology". According to the hylistic myth research by assyriologist Annette Zgoll and classic philologist Christian Zgoll , "A myth can be defined as an Erzählstoff [narrative material] which is polymorphic through its variants and – depending on

2163-572: A well-to-do family at or near Asisium ( Assisi ). His birthplace is generally regarded as modern Assisi , where tourists can view the excavated remains of a house thought to have belonged at least to the poet's family, if not to the poet himself. During Propertius' childhood, his father died and the family lost land as part of a confiscation , probably the same one which reduced Virgil 's estates when Octavian allotted lands to his veterans in 41 BC. Along with cryptic references in Ovid that imply that he

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2266-576: A world of the remote past, very different from that of the present. Definitions of "myth" vary to some extent among scholars, though Finnish folklorist Lauri Honko offers a widely-cited definition: Myth, a story of the gods, a religious account of the beginning of the world , the creation , fundamental events, the exemplary deeds of the gods as a result of which the world, nature and culture were created together with all parts thereof and given their order, which still obtains. A myth expresses and confirms society's religious values and norms, it provides

2369-421: Is a condition of the human mind and not a stage in its historical development." Recent scholarship, noting the fundamental lack of evidence for "nature mythology" interpretations among people who actually circulated myths, has likewise abandoned the key ideas of "nature mythology". Frazer saw myths as a misinterpretation of magical rituals, which were themselves based on a mistaken idea of natural law. This idea

2472-465: Is a form of understanding and telling stories that are connected to power, political structures, and political and economic interests. These approaches contrast with approaches, such as those of Joseph Campbell and Eliade , which hold that myth has some type of essential connection to ultimate sacred meanings that transcend cultural specifics. In particular, myth was studied in relation to history from diverse social sciences. Most of these studies share

2575-434: Is a free translation of Propertius' Elegy IV 7. Elena Shvarts wrote a cycle of poems as if they were the works of Propertius' love, Cynthia. She explains Cynthia's 'poems have not survived, nevertheless I have tried to translate them into Russian'. In the 20th century Ezra Pound 's poem "Homage to Sextus Propertius" cast Propertius as something of a satirist and political dissident, and his translation/interpretation of

2678-594: Is a result of manuscript corruptions. Another possibility is that Propertius was deliberately presenting disjointed images in violation of principles such as the Classical Unities , a theory which argues for different unifying structures in Propertius' elegies. This interpretation also implies that Propertius' style represented a mild reaction against the orthodoxy of classical literary theory. However, although these theories may have some bearing on issues of continuity in

2781-423: Is nobody's truth. Myths are somebody's truth." One theory claims that myths are distorted accounts of historical events. According to this theory, storytellers repeatedly elaborate upon historical accounts until the figures in those accounts gain the status of gods. For example, the myth of the wind-god Aeolus may have evolved from a historical account of a king who taught his people to use sails and interpret

2884-472: Is often thought to differ from genres such as legend and folktale in that neither are considered to be sacred narratives. Some kinds of folktales, such as fairy stories , are not considered true by anyone, and may be seen as distinct from myths for this reason. Main characters in myths are usually gods , demigods or supernatural humans, while legends generally feature humans as their main characters. Many exceptions and combinations exist, as in

2987-413: Is part of a literary convention in Roman love elegy; scripta puella , a fictionalised 'written girl'. Propertius frequently compliments her as docta puella 'learned girl', and characterises her as a female writer of verse, such as Sulpicia . This literary affair veers wildly between emotional extremes, and as a lover she clearly dominates the life of the poet's voice at least through the publication of

3090-614: Is sometimes known as "mythography", a term also used for a scholarly anthology of myths or of the study of myths generally. Key mythographers in the Classical tradition include: Other prominent mythographies include the thirteenth-century Prose Edda attributed to the Icelander Snorri Sturluson , which is the main surviving survey of Norse Mythology from the Middle Ages. Jeffrey G. Snodgrass (professor of anthropology at

3193-510: Is sometimes used specifically for modern, fictional mythologies, such as the world building of H. P. Lovecraft . Mythopoeia ( mytho- + -poeia , 'I make myth') was termed by J. R. R. Tolkien , amongst others, to refer to the "conscious generation" of mythology. It was notoriously also suggested, separately, by Nazi ideologist Alfred Rosenberg . Comparative mythology is a systematic comparison of myths from different cultures. It seeks to discover underlying themes that are common to

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3296-571: The Iliad , Odyssey and Aeneid . Moreover, as stories spread between cultures or as faiths change, myths can come to be considered folktales, their divine characters recast as either as humans or demihumans such as giants , elves and faeries . Conversely, historical and literary material may acquire mythological qualities over time. For example, the Matter of Britain (the legendary history of Great Britain, especially those focused on King Arthur and

3399-452: The Republic . His critique was primarily on the grounds that the uneducated might take the stories of gods and heroes literally. Nevertheless, he constantly referred to myths throughout his writings. As Platonism developed in the phases commonly called Middle Platonism and neoplatonism , writers such as Plutarch , Porphyry , Proclus , Olympiodorus , and Damascius wrote explicitly about

3502-842: The Theologia Mythologica (1532). The first modern, Western scholarly theories of myth appeared during the second half of the 19th century —at the same time as "myth" was adopted as a scholarly term in European languages. They were driven partly by a new interest in Europe's ancient past and vernacular culture, associated with Romantic Nationalism and epitomised by the research of Jacob Grimm (1785–1863). This movement drew European scholars' attention not only to Classical myths, but also material now associated with Norse mythology , Finnish mythology , and so forth. Western theories were also partly driven by Europeans' efforts to comprehend and control

3605-586: The Aventine Triad – Ceres , Liber , and Libera – developed in association with the rise of plebeians to positions of wealth and influence. The gods represented distinctly the practical needs of daily life, and the Romans scrupulously accorded them the appropriate rites and offerings. Early Roman divinities included a host of "specialist gods" whose names were invoked in the carrying out of various specific activities. Fragments of old ritual accompanying such acts as plowing or sowing reveal that at every stage of

3708-611: The Colorado State University ) has termed India's Bhats as mythographers. Myth criticism is a system of anthropological interpretation of culture created by French philosopher Gilbert Durand . Scholars have used myth criticism to explain the mythical roots of contemporary fiction, which means that modern myth criticism needs to be interdisciplinary . Professor Losada offers his own methodologic, hermeneutic and epistemological approach to myth. While assuming mythopoetical perspectives, Losada's Cultural Myth Criticism takes

3811-432: The Roman army spread his cult as far afield as Roman Britain . The important Roman deities were eventually identified with the more anthropomorphic Greek gods and goddesses, and assumed many of their attributes and myths. Many astronomical objects are named after Roman deities, like the planets Mercury , Venus , Mars , Jupiter , Saturn , and Neptune . In Roman and Greek mythology, Jupiter places his son born by

3914-540: The ancient Greeks and reinterpreted myths about Greek deities under the names of their Roman counterparts. The influence of Greek mythology likely began as early as Rome's protohistory . Classical mythology is the amalgamated tradition of Greek and Roman mythologies, as disseminated especially by Latin literature in Europe throughout the Middle Ages , into the Renaissance , and up to present-day uses of myths in fiction and movies. The interpretations of Greek myths by

4017-400: The elegiac couplet , a form in vogue among the Roman social set during the late 1st century BC. Like the work of nearly all the elegists, Propertius' work is dominated by a figure of a single female character, one he refers to throughout his poetry by the name Cynthia. She is named in over half the elegies of the first book and appears indirectly in several others, right from the first word of

4120-402: The war with Hannibal , any distinction between "indigenous" and "immigrant" gods begins to fade, and the Romans embraced diverse gods from various cultures as a sign of strength and universal divine favor. The absorption of neighboring local gods took place as the Roman state conquered neighboring territories. The Romans commonly granted the local gods of a conquered territory the same honors as

4223-584: The Archaic Triad – an unusual example within Indo-European religion of a supreme triad formed of two female deities and only one male. The cult of Diana became established on the Aventine Hill , but the most famous Roman manifestation of this goddess may be Diana Nemorensis , owing to the attention paid to her cult by J.G. Frazer in the mythographic classic The Golden Bough . What modern scholars call

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4326-534: The English writer Ben Jonson , though the authorship of these is disputed. Johann Wolfgang von Goethe 's 1795 collection of "Elegies" also shows some familiarity with Propertius' poetry. Propertius is the lyrical protagonist of Joseph Brodsky 's poem "Anno Domini" (1968), originally written in Russian. His relationship with Cynthia is also addressed in Robert Lowell 's poem, "The Ghost. After Sextus Propertius", which

4429-579: The Internet and other artistic fields . Myth criticism, a discipline that studies myths (mythology contains them, like a pantheon its statues), is by nature interdisciplinary: it combines the contributions of literary theory, the history of literature, the fine arts and the new ways of dissemination in the age of communication. Likewise, it undertakes its object of study from its interrelation with other human and social sciences, in particular sociology , anthropology and economics . The need for an approach, for

4532-501: The Latin elegists. The last two poems in Book III seem to indicate a final break with the character of Cynthia ( versibus insignem te pudet esse meis - "It is a shame that my verses have made you famous" ). In this last book Cynthia is the subject of only two poems, best regarded as a postscript. The bi-polar complexity of the relationship is amply demonstrated in a poignant, if amusing, poem from

4635-476: The Middle Ages. In the 12th century, he and Cynthia were summoned to a Love Assize but he was truly rediscovered during the Italian Renaissance along with the other elegists. Petrarch 's love sonnets certainly show the influence of his writing, and Aeneas Silvius (the future Pope Pius II) titled a collection of his youthful elegies "Cinthia". There are also a set of "Propertian Elegies" attributed to

4738-474: The Roman heir to Callimachus. This judgement also seems to be upheld by Quintilian , who ranks the elegies of Tibullus higher and, while accepting that others preferred Propertius, is himself somewhat dismissive of the poet. However, Propertius' popularity is attested by the presence of his verses in the graffiti preserved at Pompeii ; while Ovid , for example, drew on him repeatedly for poetic themes, more than on Tibullus. Propertius fell into obscurity in

4841-454: The Romans often had a greater influence on narrative and pictorial representations of myths than Greek sources. In particular, the versions of Greek myths in Ovid 's Metamorphoses , written during the reign of Augustus , came to be regarded as canonical . Because ritual played the central role in Roman religion that myth did for the Greeks, it is sometimes doubted that the Romans had much of

4944-553: The Soviet school, and the Myth and Ritual School . The critical interpretation of myth began with the Presocratics . Euhemerus was one of the most important pre-modern mythologists. He interpreted myths as accounts of actual historical events, though distorted over many retellings. Sallustius divided myths into five categories: Plato condemned poetic myth when discussing education in

5047-471: The abandoned Hercules is given by Minerva to Juno for feeding, but Hercules' forcefulness causes Minerva to rip him from her breast in pain. The milk that squirts out forms the Milky Way. Myths Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is very different from the vernacular usage of the term "myth" that refers to

5150-413: The assumption that history and myth are not distinct in the sense that history is factual, real, accurate, and truth, while myth is the opposite. Propertius Propertius' surviving work comprises four books of Elegies ( Elegiae ). He was a friend of the poets Gallus and Virgil and, with them, had as his patron Maecenas and, through Maecenas, the emperor Augustus . Although Propertius

5253-504: The best extant sources for Rome's founding myths . Material from Greek heroic legend was grafted onto this native stock at an early date. The Trojan prince Aeneas was cast as husband of Lavinia , daughter of King Latinus , patronymical ancestor of the Latini , and therefore through a convoluted revisionist genealogy as forebear of Romulus and Remus . By extension, the Trojans were adopted as

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5356-498: The city. These narratives focus on human actors, with only occasional intervention from deities but a pervasive sense of divinely ordered destiny. In Rome's earliest period, history and myth have a mutual and complementary relationship. As T. P. Wiseman notes: The Roman stories still matter , as they mattered to Dante in 1300 and Shakespeare in 1600 and the founding fathers of the United States in 1776. What does it take to be

5459-413: The collection may in fact have been published posthumously. An elegy of Ovid dated to 2 BC makes it clear that Propertius was dead by this time. Propertius' fame rests on his four books of elegies, totaling around 92 poems (the exact number cannot be known as over the intervening years, scholars have divided and regrouped the poems, creating doubt as to the precise number). All his poems are written using

5562-552: The community or Roman state. Heroism is an important theme. When the stories illuminate Roman religious practices, they are more concerned with ritual, augury , and institutions than with theology or cosmogony . Roman mythology also draws on Greek mythology , primarily during the Hellenistic period of Greek influence and through the Roman conquest of Greece , via the artistic imitation of Greek literary models by Roman authors. The Romans identified their own gods with those of

5665-465: The concept of the Oedipus complex in his 1899 The Interpretation of Dreams . Jung likewise tried to understand the psychology behind world myths. Jung asserted that all humans share certain innate unconscious psychological forces, which he called archetypes . He believed similarities between the myths of different cultures reveals the existence of these universal archetypes. The mid-20th century saw

5768-519: The corrupted state of the text, have made his elegies a challenge to edit; among the more famous names who have offered criticism of and emendations to the text have been the classicist John Percival Postgate and the English classicist and poet A. E. Housman . The text contains many syntactic, organizational and logical problems as it has survived. Some of these are no doubt exacerbated by Propertius' bold and occasionally unconventional use of Latin. Others have led scholars to alter and sometimes rearrange

5871-577: The cultures, stories and religions they were encountering through colonialism . These encounters included both extremely old texts such as the Sanskrit Rigveda and the Sumerian Epic of Gilgamesh , and current oral narratives such as mythologies of the indigenous peoples of the Americas or stories told in traditional African religions . The intellectual context for nineteenth-century scholars

5974-627: The earlier gods of the Roman state religion . In addition to Castor and Pollux , the conquered settlements in Italy seem to have contributed to the Roman pantheon Diana , Minerva , Hercules , Venus , and deities of lesser rank, some of whom were Italic divinities, others originally derived from the Greek culture of Magna Graecia . In 203 BC, Rome imported the cult object embodying Cybele from Pessinus in Phrygia and welcomed its arrival with due ceremony . Both Lucretius and Catullus , poets contemporary in

6077-472: The elegies presented them as ancient examples of Pound's own Imagist theory of art. Pound identified in Propertius an example of what he called (in "How to Read") 'logopoeia', "the dance of the intellect among words." Gilbert Highet , in Poets in a Landscape , attributed this to Propertius' use of mythic allusions and circumlocution, which Pound mimics to more comic effect in his Homage . The imagist interpretation,

6180-420: The fact that he lived on Rome's Esquiline Hill indicate he moved among the children of the rich and politically connected during the early part of the 20s BC. Propertius published a first book of love elegies around 30 BC, with the character 'Cynthia' as the main theme; the book's complete devotion gave it the natural title Cynthia Monobiblos . The Monobiblos must have attracted the attention of Maecenas ,

6283-442: The final book. Cynthia's ghost addresses Propertius from beyond the grave with criticism (among other things) that her funeral was not lavish enough, yet the longing of the poet remains in the final line inter complexus excidit umbra meos. - "Her shade then slipped away from my embrace." Book IV strongly indicates Propertius was planning a new direction for his poetry. The book includes several aetiological poems which, in reviewing

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6386-493: The first example of "myth" in 1830. The main characters in myths are usually non-humans, such as gods , demigods , and other supernatural figures. Others include humans, animals, or combinations in their classification of myth. Stories of everyday humans, although often of leaders of some type, are usually contained in legends , as opposed to myths. Myths are sometimes distinguished from legends in that myths deal with gods, usually have no historical basis, and are set in

6489-475: The first poem in the Monobiblos : Cynthia prima suis miserum me cepit ocellis, contactum nullis ante cupidinibus. Cynthia first captivated wretched me with her eyes, I who had never before been touched by Cupid. Whilst Apuleius identifies her as a woman named Hostia , and Propertius suggests she is a descendant of the Roman poet Hostius , modern scholarship indicates that the creation of 'Cynthia'

6592-402: The foremost functions of myth is to establish models for behavior and that myths may provide a religious experience. By telling or reenacting myths, members of traditional societies detach themselves from the present, returning to the mythical age, thereby coming closer to the divine. Honko asserted that, in some cases, a society reenacts a myth in an attempt to reproduce the conditions of

6695-456: The gods Mars and Quirinus , who were often identified with each other. Mars was a god of both war and agriculture; he was honored in March and October. Quirinus was the patron of the armed community in time of peace. The 19th-century scholar Georg Wissowa thought that the Romans distinguished two classes of gods, the di indigetes and the di novensides or novensiles : the indigetes were

6798-415: The harvest. Jupiter , the ruler of the gods, was honored for the aid his rains might give to the farms and vineyards. In his more encompassing character he was considered, through his weapon of lightning, the director of human activity. Owing to his widespread domain, the Romans regarded him as their protector in their military activities beyond the borders of their own community. Prominent in early times were

6901-633: The influences of other cultures in response to social change. The earliest pantheon included Janus, Vesta , and the so-called Archaic Triad of Jupiter, Mars, and Quirinus, whose three patrician flamens were of the highest order . According to tradition, Numa Pompilius , the Sabine second king of Rome , founded Roman religion; Numa was believed to have had as his consort and adviser a Roman goddess or nymph of fountains and of prophecy, Egeria . The Etruscan-influenced Capitoline Triad of Jupiter, Juno and Minerva later became central to official religion, replacing

7004-423: The influential development of a structuralist theory of mythology , led by Lévi-Strauss . Strauss argued that myths reflect patterns in the mind and interpreted those patterns more as fixed mental structures, specifically pairs of opposites (good/evil, compassionate/callous), rather than unconscious feelings or urges. Meanwhile, Bronislaw Malinowski developed analyses of myths focusing on their social functions in

7107-705: The knights of the Round Table ) and the Matter of France , seem distantly to originate in historical events of the 5th and 8th centuries, respectively, and became mythologised over the following centuries. In colloquial use, "myth" can also be used of a collectively held belief that has no basis in fact, or any false story. This usage, which is often pejorative , arose from labelling the religious myths and beliefs of other cultures as incorrect, but it has spread to cover non-religious beliefs as well. As commonly used by folklorists and academics in other relevant fields, such as anthropology , "myth" has no implication whether

7210-517: The late 6th century BC from the Cumaean Sibyl . Some aspects of archaic Roman religion survived in the lost theological works of the 1st-century BC scholar Varro , known through other classical and Christian authors. Although traditional Roman religion was conservative in ritual rather than dogmatic in doctrine, the meaning of the rituals they perpetuated could be adapted, expanded, and reinterpreted by accretions of myths, etiologies , commentary, and

7313-434: The mid-1st century BC, offer disapproving glimpses of Cybele's wildly ecstatic cult. In some instances, deities of an enemy power were formally invited through the ritual of evocatio to take up their abode in new sanctuaries at Rome. Communities of foreigners ( peregrini ) and former slaves (libertini) continued their own religious practices within the city. In this way Mithras came to Rome and his popularity within

7416-465: The myth-ritual theory, myth is tied to ritual. In its most extreme form, this theory claims myths arose to explain rituals. This claim was first put forward by Smith , who argued that people begin performing rituals for reasons not related to myth. Forgetting the original reason for a ritual, they account for it by inventing a myth and claiming the ritual commemorates the events described in that myth. James George Frazer —author of The Golden Bough ,

7519-583: The mythical age. For example, it might reenact the healing performed by a god at the beginning of time in order to heal someone in the present. Similarly, Barthes argued that modern culture explores religious experience. Since it is not the job of science to define human morality, a religious experience is an attempt to connect with a perceived moral past, which is in contrast with the technological present. Pattanaik defines mythology as "the subjective truth of people communicated through stories, symbols and rituals." He says, "Facts are everybody's truth. Fiction

7622-415: The mythical ancestors of the Roman people. The characteristic myths of Rome are often political or moral, that is, they deal with the development of Roman government in accordance with divine law, as expressed by Roman religion , and with demonstrations of the individual's adherence to moral expectations ( mos maiorum ) or failures to do so. Narratives of divine activity played a more important role in

7725-448: The mythological origins of Rome and its landmarks, can also be read as critical—even vaguely subversive—of Augustus and his agenda for the new Rome. The position is currently a subject of debate among modern classicists. The final poem is a touching address by the recently deceased Cornelia consoling her husband Lucius Aemilius Lepidus Paullus and their three children. Although the poem (given Cornelia's connection to Augustus' family)

7828-430: The myths of multiple cultures. In some cases, comparative mythologists use the similarities between separate mythologies to argue that those mythologies have a common source. This source may inspire myths or provide a common "protomythology" that diverged into the mythologies of each culture. A number of commentators have argued that myths function to form and shape society and social behaviour. Eliade argued that one of

7931-553: The narrative may be understood as true or otherwise. Among biblical scholars of both the Old and New Testament, the word "myth" has a technical meaning, in that it usually refers to "describe the actions of the other‐worldly in terms of this world" such as the Creation and the Fall. Since "myth" is popularly used to describe stories that are not objectively true , the identification of a narrative as

8034-451: The operation a separate deity was invoked, the name of each deity being regularly derived from the verb for the operation. Tutelary deities were particularly important in ancient Rome. Thus, Janus and Vesta guarded the door and hearth, the Lares protected the field and house, Pales the pasture, Saturn the sowing, Ceres the growth of the grain, Pomona the fruit, and Consus and Ops

8137-485: The original gods of the Roman state, their names and nature indicated by the titles of the earliest priests and by the fixed festivals of the calendar, with 30 such gods honored by special festivals; the novensides were later divinities whose cults were introduced to the city in the historical period, usually at a known date and in response to a specific crisis or felt need. Arnaldo Momigliano and others, however, have argued that this distinction cannot be maintained. During

8240-473: The other three surviving books of Propertius, modern philological scholarship tends toward a consensus that the extant text "Book Two" in fact represents the conflated remains of what were originally two books of poems. Recent editors of Propertius -- notably Paulo Fedeli (Teubner 1984); compare G.P. Gould's 1990 revision of the Loeb text -- reflect these conclusions in their texts for "Book Two", which show it as such

8343-431: The poet's tendency to sustain an interior monologue, and the deeply personal nature of his poetry have made Propertius a favorite in the modern age. In 1906 J. S. Phillimore presented a prose translation of Propertius, published by Oxford University Press . Three modern English translations of his work have appeared since 2000, and the playwright Tom Stoppard suggests in his best-known work The Invention of Love that

8446-412: The potential dangers of the sea. The images seem to conflict logically and chronologically, and have led different commentators to rearrange the lines or assume some lacunae in the text. More modern critics have pointed out that all the proposed rearrangements assume Propertius' original poetry adhered strictly to the classical literary principles as set down by Aristotle , and so the apparent jumble

8549-425: The rationalization of myths, putting themes formerly imbued with mythological qualities into pragmatic contexts. An example of this would be following a cultural or religious paradigm shift (notably the re-interpretation of pagan mythology following Christianization ). Interest in polytheistic mythology revived during the Renaissance , with early works of mythography appearing in the sixteenth century, among them

8652-535: The real world. He is associated with the idea that myths such as origin stories might provide a "mythic charter"—a legitimisation—for cultural norms and social institutions . Thus, following the Structuralist Era ( c.  1960s –1980s), the predominant anthropological and sociological approaches to myth increasingly treated myth as a form of narrative that can be studied, interpreted, and analyzed like ideology, history, and culture. In other words, myth

8755-471: The single Book II actually comprises two separate books of poetry conflated in the manuscript tradition, an idea supported by the state of the manuscript tradition of "Book II." An editor of Propertius, Paul Fedeli, accepts this hypothesis, as does G.P. Goold, editor of the Loeb edition. The publication of a third book came sometime after 23 BC. Its content shows the poet beginning to move beyond simple love themes, as some poems (e.g. III.5) use Amor merely as

8858-421: The symbolic interpretation of traditional and Orphic myths. Mythological themes were consciously employed in literature, beginning with Homer . The resulting work may expressly refer to a mythological background without itself becoming part of a body of myths ( Cupid and Psyche ). Medieval romance in particular plays with this process of turning myth into literature. Euhemerism , as stated earlier, refers to

8961-550: The system of Greek religious belief than among the Romans, for whom ritual and cultus were primary. Although Roman religion was not based on scriptures and their exegesis , priestly literature was one of the earliest written forms of Latin prose . The books (libri) and commentaries (commentarii) of the College of Pontiffs and of the augurs contained religious procedures, prayers, and rulings and opinions on points of religious law. Although at least some of this archived material

9064-464: The term "myth" altogether for purposes of avoiding placing pejorative overtones on sacred narratives. In present use, "mythology" usually refers to the collection of myths of a group of people. For example, Greek mythology , Roman mythology , Celtic mythology and Hittite mythology all describe the body of myths retold among those cultures. "Mythology" can also refer to the study of myths and mythologies. The compilation or description of myths

9167-409: The text as preserved in the manuscripts. A total of 146 Propertius manuscripts survive, the oldest of which dates from the 12th century. However, some of the poems in these manuscripts appear disjointed, such as I.8, which begins as a plea for Cynthia to abandon a planned sea voyage, then closes with sudden joy that the voyage has been called off. This poem has therefore been split by most scholars into

9270-400: The third book: cuncta tuus sepelivit amor, nec femina post te ulla dedit collo dulcia vincla meo. Thy love has buried all others, nor has any woman after thee put sweet fetters upon my neck. It is difficult to precisely date many of Propertius' poems, but they chronicle the kind of declarations, passions, jealousies, quarrels, and lamentations that were commonplace subjects among

9373-437: The three-book elegiac format imitated by Ovid's Amores) and lastly our Book IV, very likely posthumously. Propertius himself says he was popular and even scandalous in his own day. Horace , however, says that he would have to "endure much" and "stop up his ears" if he had to listen to " Callimachus ... to please the sensitive stock of poets"; Postgate and others see this as a veiled attack on Propertius, who considered himself

9476-483: The variant – polystratic; an Erzählstoff in which transcending interpretations of what can be experienced are combined into a hyleme sequence with an implicit claim to relevance for the interpretation and mastering of the human condition." Scholars in other fields use the term "myth" in varied ways. In a broad sense, the word can refer to any traditional story , popular misconception or imaginary entity. Though myth and other folklore genres may overlap, myth

9579-739: The winds. Herodotus (fifth-century BCE) and Prodicus made claims of this kind. This theory is named euhemerism after mythologist Euhemerus ( c.  320 BCE ), who suggested that Greek gods developed from legends about humans. Some theories propose that myths began as allegories for natural phenomena: Apollo represents the sun, Poseidon represents water, and so on. According to another theory, myths began as allegories for philosophical or spiritual concepts: Athena represents wise judgment, Aphrodite romantic desire, and so on. Müller supported an allegorical theory of myth. He believed myths began as allegorical descriptions of nature and gradually came to be interpreted literally. For example,

9682-405: The word mȳthos with the suffix - λογία ( -logia , 'study') in order to mean 'romance, fiction, story-telling.' Accordingly, Plato used mythología as a general term for 'fiction' or 'story-telling' of any kind. In Anglicised form, this Greek word began to be used in English (and was likewise adapted into other European languages) in the early 19th century, in a much narrower sense, as

9785-578: The world had not achieved its later form. Origin myths explain how a society's customs , institutions , and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals . The word "myth" comes from Ancient Greek μῦθος ( mȳthos ), meaning 'speech, narrative, fiction, myth, plot'. In turn, Ancient Greek μυθολογία ( mythología , 'story', 'lore', 'legends', or 'the telling of stories') combines

9888-452: Was available for consultation by the Roman senate , it was often occultum genus litterarum , an arcane form of literature to which by definition only priests had access. Prophecies pertaining to world history and to Rome's destiny turn up fortuitously at critical junctures in history, discovered suddenly in the nebulous Sibylline books , which Tarquin the Proud (according to legend) purchased in

9991-1029: Was central to the " myth and ritual " school of thought. According to Frazer, humans begin with an unfounded belief in impersonal magical laws. When they realize applications of these laws do not work, they give up their belief in natural law in favor of a belief in personal gods controlling nature, thus giving rise to religious myths. Meanwhile, humans continue practicing formerly magical rituals through force of habit, reinterpreting them as reenactments of mythical events. Finally, humans come to realize nature follows natural laws, and they discover their true nature through science. Here again, science makes myth obsolete as humans progress "from magic through religion to science." Segal asserted that by pitting mythical thought against modern scientific thought, such theories imply modern humans must abandon myth. The earlier 20th century saw major work developing psychoanalytical approaches to interpreting myth, led by Sigmund Freud , who, drawing inspiration from Classical myth, began developing

10094-447: Was most likely an imperial commission, its dignity, nobility, and pathos have led critics to call it the "queen of the elegies", and it is commonly considered the best in the collection. Propertius' style is marked by seemingly abrupt transitions (in the manner of Latin neoteric poetry) and a high and imaginative allusion, often to the more obscure passages of Greek and Roman myth and legend. His idiosyncratic use of language, together with

10197-479: Was not as renowned in his own time as other Latin elegists, he is today regarded by scholars as a major poet. Very little information is known about Propertius outside of his own writing. His praenomen "Sextus" is mentioned by Aelius Donatus , a few manuscripts list him as "Sextus Propertius", but the rest of his name is unknown. From numerous references in his poetry it is clear he was born and raised in Umbria, of

10300-618: Was primarily concerned with the natural world. It tended to interpret myths that seemed distasteful to European Victorians —such as tales about sex, incest, or cannibalism—as metaphors for natural phenomena like agricultural fertility . Unable to conceive impersonal natural laws, early humans tried to explain natural phenomena by attributing souls to inanimate objects, thus giving rise to animism . According to Tylor, human thought evolved through stages, starting with mythological ideas and gradually progressing to scientific ideas. Müller also saw myth as originating from language, even calling myth

10403-468: Was profoundly shaped by emerging ideas about evolution . These ideas included the recognition that many Eurasian languages—and therefore, conceivably, stories—were all descended from a lost common ancestor (the Indo-European language ) which could rationally be reconstructed through the comparison of its descendant languages. They also included the idea that cultures might evolve in ways comparable to species. In general, 19th-century theories framed myth as

10506-532: Was then adopted in Middle French as mythologie . Whether from French or Latin usage, English adopted the word "mythology" in the 15th century, initially meaning 'the exposition of a myth or myths', 'the interpretation of fables', or 'a book of such expositions'. The word is first attested in John Lydgate 's Troy Book ( c.  1425 ). From Lydgate until the 17th or 18th century, "mythology" meant

10609-424: Was younger than his contemporary Tibullus , this suggests a birthdate after 55 BC. After his father's death, Propertius' mother set him on course for a public career, indicating his family still had some wealth, while the abundance of obscure mythology present in his poetry indicates he received a good education. Frequent mention of friends like Tullus, the nephew of Lucius Volcatius Tullus , consul in 33 BC, plus

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