190-449: Robert Leroy Johnson (May 8, 1911 – August 16, 1938) was an American blues musician and songwriter. His singing, guitar playing and songwriting on his landmark 1936 and 1937 recordings has influenced later generations of musicians. Although his recording career spanned only seven months, he is recognized as a master of the blues, particularly the Delta blues style, and as one of
380-493: A Delta player of the time, a recording exhibits what Johnson could do entirely outside of a blues style. " They're Red Hot ", from his first recording session, shows that he was also comfortable with an "uptown" swing or ragtime sound similar to that of the Harlem Hamfats , but as Wald remarked, "no record company was heading to Mississippi in search of a down-home Ink Spots ... [H]e could undoubtedly have come up with
570-445: A Mississippi-based musicologist researching Johnson's life, found Johnson's death certificate, which listed only the date and location, with no official cause of death. No formal autopsy had been done. Instead, a pro forma examination was done to file the death certificate, and no immediate cause of death was determined. It is likely he had congenital syphilis and it was suspected later by medical professionals that this may have been
760-960: A Race and Within Our Gates , African American–directed films that presented more positive images of blacks. While the frequency of lynching dropped in the 1930s, there was a spike in 1930 during the Great Depression. For example, in North Texas and southern Oklahoma alone, four people were lynched in separate incidents in less than a month. A spike in lynchings occurred after World War II , as tensions arose after veterans returned home. White people tried to re-impose white supremacy over returning Black veterans. The last documented mass lynching occurred in Walton County, Georgia , in 1946, when local white landowners killed two war veterans and their wives. Soviet media frequently covered racial discrimination in
950-484: A banjo or guitar. Regional styles of country blues varied widely in the early 20th century. The (Mississippi) Delta blues was a rootsy sparse style with passionate vocals accompanied by slide guitar. The little-recorded Robert Johnson combined elements of urban and rural blues. In addition to Robert Johnson, influential performers of this style included his predecessors Charley Patton and Son House . Singers such as Blind Willie McTell and Blind Boy Fuller performed in
1140-425: A bottle out of my hand." Soon after, he was offered another (poisoned) bottle and accepted it. Johnson is reported to have begun feeling ill the evening after and had to be helped back to his room in the early morning hours. Over the next three days his condition steadily worsened. Witnesses reported that he died in a convulsive state of severe pain. The musicologist Robert "Mack" McCormick claimed to have tracked down
1330-415: A break; the harmony of this two-bar break, the turnaround, can be extremely complex, sometimes consisting of single notes that defy analysis in terms of chords. Much of the time, some or all of these chords are played in the harmonic seventh (7th) form. The use of the harmonic seventh interval is characteristic of blues and is popularly called the "blues seven". Blues seven chords add to the harmonic chord
1520-567: A center for electric blues from 1948 on, when Muddy Waters recorded his first success, "I Can't Be Satisfied". Chicago blues is influenced to a large extent by Delta blues , because many performers had migrated from the Mississippi region. Howlin' Wolf , Muddy Waters, Willie Dixon and Jimmy Reed were all born in Mississippi and moved to Chicago during the Great Migration. Their style
1710-452: A clear genius in his guitar style and lyrics, people said he must have sold his soul to the devil. And that fits in with this old African association with the crossroads where you find wisdom: you go down to the crossroads to learn, and in his case to learn in a Faustian pact, with the devil. You sell your soul to become the greatest musician in history. This view that the devil in Johnson's songs
1900-399: A component of R&B. After World War II, new styles of electric blues became popular in cities such as Chicago , Memphis , Detroit and St. Louis . Electric blues used electric guitars , double bass (gradually replaced by bass guitar ), drums , and harmonica (or "blues harp") played through a microphone and a PA system or an overdriven guitar amplifier . Chicago became
2090-410: A contributing factor in his death. However, 30 years of local oral tradition had, like the rest of his life story, built a legend which has filled in gaps in the scant historical record. Several differing accounts have described the events preceding his death. Johnson had been playing for a few weeks at a country dance in a town about 15 miles (24 km) from Greenwood. According to one theory, Johnson
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#17328514823702280-407: A creation of a people "who are willing to look unflinchingly at catastrophic conditions", as children of God responding to those conditions. Baraka's words are more directly critical of white writers who study African-American Blues artform and culture from a Western viewpoint, stating that "They have to do that to make themselves superior in some kind of way: that everything has come from Europe, which
2470-467: A distinctive odor and taste that it cannot be disguised, even in strong liquor. Graves also claims that a significant amount of strychnine would have to be consumed in one sitting to be fatal, and that death from the poison would occur within hours, not days. In their 2019 book Up Jumped the Devil , Bruce Conforth and Gayle Dean Wardlow suggest that the poison was naphthalene , from dissolved mothballs . This
2660-556: A few lines is astonishing." The song's "hip humor and sophistication" is often overlooked. "[G]enerations of blues writers in search of wild Delta primitivism", wrote Wald, have been inclined to overlook or undervalue aspects that show Johnson as a polished professional performer. Johnson is also known for using the guitar as "the other vocalist in the song", a technique later perfected by B.B. King and his personified guitar named Lucille : "In Africa and in Afro-American tradition, there
2850-418: A few songs and then returned the guitar to Johnson, giving him mastery of the instrument. This story of a deal with the Devil at the crossroads mirrors the legend of Faust . In exchange for his soul, Johnson was able to create the blues for which he became famous. This story was originally associated with Delta blues musician Tommy Johnson , to whom Robert Johnson was unrelated. Tommy Johnson, who grew up near
3040-605: A few to thousands. Lynching steadily increased after the Civil War, peaking in 1892. Lynchings remained common into the early 1900s, accelerating with the emergence of the Second Ku Klux Klan . Lynchings declined considerably by the time of the Great Depression . The 1955 lynching of Emmett Till , a 14-year-old African-American boy, galvanized the civil rights movement and marked the last classical lynching (as recorded by
3230-601: A full deck of chucka-chucka rhythm figures." In The Story with Dick Gordon , Bill Ferris, of American Public Media , said, "Robert Johnson I think of in the same way I think of the British Romantic poets, Keats and Shelley , who burned out early, who were geniuses at wordsmithing poetry ... The Blues, if anything, are deeply sexual. You know, 'my car doesn't run, I'm gonna check my oil ... 'if you don't like my apples, don't shake my tree'. Every verse has sexuality associated with it." Blues Blues
3420-676: A ground bass overlaid with complex treble patterns, while vocal supplies a third rhythmic layer. Similar techniques can be found in hundreds of blues records". The lyrics often relate troubles experienced within African American society. For instance Blind Lemon Jefferson 's "Rising High Water Blues" (1927) tells of the Great Mississippi Flood of 1927 : Backwater rising, Southern peoples can't make no time I said, backwater rising, Southern peoples can't make no time And I can't get no hearing from that Memphis girl of mine Although
3610-572: A little boy who was a competent harmonica player but an embarrassingly bad guitarist. Soon after, Johnson left Robinsonville for the area around Martinsville, close to his birthplace, possibly searching for his natural father. Here he mastered the guitar style of House and learned other styles from Isaiah "Ike" Zimmerman . Zimmerman was rumored to have learned supernaturally to play guitar by visiting graveyards at midnight. When Johnson next appeared in Robinsonville, he seemed to have miraculously developed
3800-450: A lot more songs in this style if the producers had wanted them." To the uninitiated, Johnson's recordings may sound like just another dusty Delta blues musician wailing away. But a careful listen reveals that Johnson was a revisionist in his time ... Johnson's tortured soul vocals and anxiety-ridden guitar playing aren't found in the cotton-field blues of his contemporaries. — Marc Myers An important aspect of Johnson's singing
3990-569: A makeshift studio at the Vitagraph (Warner Bros.) Building, on June 19–20, 1937. Johnson recorded almost half of the 29 songs that make up his entire discography in Dallas and eleven records from this session were released within the following year. Most of Johnson's "somber and introspective" songs and performances come from his second recording session. Johnson did two takes of most of these songs, and recordings of those takes survived. Because of this, there
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#17328514823704180-503: A mature guitar technique. House was interviewed at a time when the legend of Johnson's pact with the devil was well known among blues researchers. He was asked whether he attributed Johnson's technique to this pact, and his equivocal answers have been taken as confirmation. While living in Martinsville, Johnson fathered a child with Vergie Mae Smith. He married Caletta Craft in May 1931. In 1932,
4370-457: A month or a year later. Shines was 20 when he met Johnson in 1936. He estimated Johnson was maybe a year older than himself (Johnson was actually four years older). Shines is quoted describing Johnson in Samuel Charters's Robert Johnson : Robert was a very friendly person, even though he was sulky at times, you know. And I hung around Robert for quite a while. One evening he disappeared. He
4560-610: A movement known as the Great Migration . The long boom following World War II induced another massive migration of the African-American population, the Second Great Migration , which was accompanied by a significant increase of the real income of the urban blacks. The new migrants constituted a new market for the music industry. The term race record , initially used by the music industry for African-American music,
4750-456: A note with a frequency in a 7:4 ratio to the fundamental note. At a 7:4 ratio, it is not close to any interval on the conventional Western diatonic scale . For convenience or by necessity it is often approximated by a minor seventh interval or a dominant seventh chord . In melody , blues is distinguished by the use of the flattened third , fifth and seventh of the associated major scale . Blues shuffles or walking bass reinforce
4940-456: A number of songs, such as "Poor Rosy", that were popular among the slaves. Although she admitted being unable to describe the manner of singing she heard, Forten wrote that the songs "can't be sung without a full heart and a troubled spirit", conditions that have inspired countless blues songs. Though the use of the phrase in African-American music may be older, it has been attested to in print since 1912, when Hart Wand 's " Dallas Blues " became
5130-594: A part in early blues, citing Robert Johnson 's " Cross Road Blues " as a "thinly veiled reference to Eleggua , the orisha in charge of the crossroads". However, the Christian influence was far more obvious. The repertoires of many seminal blues artists, such as Charley Patton and Skip James , included religious songs or spirituals. Reverend Gary Davis and Blind Willie Johnson are examples of artists often categorized as blues musicians for their music, although their lyrics clearly belong to spirituals. The blues form
5320-569: A part of ragtime; Handy's signature work was the " Saint Louis Blues ". In the 1920s, the blues became a major element of African American and American popular music, also reaching white audiences via Handy's arrangements and the classic female blues performers. These female performers became perhaps the first African American "superstars", and their recording sales demonstrated "a huge appetite for records made by and for black people." The blues evolved from informal performances in bars to entertainment in theaters. Blues performances were organized by
5510-709: A plantation in Lucas Township in Crittenden County, Arkansas , but soon moved across the Mississippi River to Commerce in the Mississippi Delta , near Tunica and Robinsonville . They lived on the Abbay & Leatherman Plantation. Julia's new husband was 24 years her junior. Robert was remembered by some residents as "Little Robert Dusty", but he was registered at Tunica's Indian Creek School as Robert Spencer. In
5700-455: A plantation in rural Mississippi, Johnson had a tremendous desire to become a great blues musician. One of the legends often told says that Johnson was instructed to take his guitar to a crossroad near Dockery Plantation at midnight. (There are claims for other sites as the location of the crossroads.) There he was met by a large black man (the Devil) who took the guitar and tuned it. The Devil played
5890-461: A pretext for lynching African Americans who were accused of violating Jim Crow era etiquette or engaged in economic competition with Whites . One study found that there were "4,467 total victims of lynching from 1883 to 1941. Of these victims, 4,027 were men, 99 were women, and 341 were of unidentified gender (although likely male); 3,265 were Black, 1,082 were white, 71 were Mexican or of Mexican descent, 38 were American Indian, 10 were Chinese, and 1
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6080-480: A recognized lynching, a definition which became generally accepted by other compilers of the era: 1. There must be legal evidence that a person was killed. 2. That person must have met death illegally. 3. A group of three or more persons must have participated in the killing. 4. The group must have acted under the pretext of service to justice, race, or tradition. Statistics for lynchings have traditionally come from three sources primarily, none of which covered
6270-419: A recording career that began in 1926 and spanned forty years. These recordings were typically labeled " race records " to distinguish them from records sold to white audiences. Nonetheless, the recordings of some of the classic female blues singers were purchased by white buyers as well. These blueswomen's contributions to the genre included "increased improvisation on melodic lines, unusual phrasing which altered
6460-502: A relation to the concentration of Blacks in parts of the Deep South: where the Black population was concentrated, lynching rates were higher. Such areas also had a particular mix of socioeconomic conditions, with a high dependence on cotton cultivation. Henry Smith , an African American handyman accused of murdering a policeman's daughter, was a noted lynching victim because of the ferocity of
6650-433: A relationship with Johnson. From a mass of partial, conflicting, and inconsistent eyewitness accounts, biographers have attempted to summarize Johnson's character. "He was well mannered, he was soft spoken, he was indecipherable". "As for his character, everyone seems to agree that, while he was pleasant and outgoing in public, in private he was reserved and liked to go his own way". "Musicians who knew Johnson testified that he
6840-486: A relatively prosperous landowner and furniture maker, with whom she had ten children. Charles Dodds had been forced by a lynch mob to leave Hazlehurst following a dispute with white landowners. Julia left Hazlehurst with baby Robert, but in less than two years she brought the boy to Memphis to live with her husband, who had changed his name to Charles Spencer. Robert spent the next 8–9 years growing up in Memphis and attending
7030-406: A separate genre arose during the black migration from the countryside to urban areas in the 1920s and the simultaneous development of the recording industry. Blues became a code word for a record designed to sell to black listeners. The origins of the blues are closely related to the religious music of Afro-American community, the spirituals . The origins of spirituals go back much further than
7220-523: A total of 4,733 persons had died by lynching since 1882. The last lynching recorded by the Tuskegee Institute was that of Emmett Till in 1955. In the 65 years leading up to 1947, at least one lynching was reported every year. The period from 1882 to 1901 saw the height of lynchings, with an average of over 150 each year. 1892 saw the most number of lynchings in a year: 231 or 3.25 per one million people. After 1924 cases steadily declined, with less than 30
7410-426: A variety of other ways: being shot, burned alive, thrown off a bridge, dragged behind a car, etc. Occasionally, the body parts of the victims were removed and sold as souvenirs. Lynchings were not always fatal; "mock" lynchings, which involved putting a rope around the neck of someone who was suspected of concealing information, was sometimes used to compel people to make "confessions". Lynch mobs varied in size from just
7600-527: A white woman and were jailed pending a grand jury hearing. A physician's subsequent examination of the woman found no evidence of rape or assault. In 1903, the St. Louis Post-Dispatch reported a new, popular make-believe children's game: "The Game of Lynching". "Imaginary mayor gives order not to harm imaginary mob, and an imaginary hanging follows. Fire contributes realistic touch." "It has crowded out baseball", and if it continues, "may deprive of some of its prestige
7790-522: A white woman. The mob responded by putting the noose around the officer's neck as a way of scaring him, and completed killing the other man. Although at the inquest the officer identified eight people who had participated in the lynching, including the former chief of police, the jury determined that the murder had been carried out "by person or persons unknown". In Duluth, Minnesota , on June 15, 1920, three young African American traveling circus workers were lynched after having been accused of having raped
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7980-581: A wide variety of styles and subgenres. Blues subgenres include country blues , Delta blues and Piedmont blues , as well as urban blues styles such as Chicago blues and West Coast blues . World War II marked the transition from acoustic to electric blues and the progressive opening of blues music to a wider audience, especially white listeners. In the 1960s and 1970s, a hybrid form called blues rock developed, which blended blues styles with rock music . The term 'Blues' may have originated from "blue devils", meaning melancholy and sadness. An early use of
8170-752: A year. The decreasing rate of yearly lynchings was faster outside the South and for white victims of lynching. Lynching became more of a Southern phenomenon and a racial one that overwhelmingly affected Black victims. There were measurable variations in lynching rates between and within states. According to the Tuskegee Institute, 38% of victims of lynching were accused of murder, 16% of rape, 7% for attempted rape, 6% were accused of felonious assault, 7% for theft, 2% for insult to white people, and 24% were accused of miscellaneous offenses or no offense. In 1940, sociologist Arthur F. Raper investigated one hundred lynchings after 1929 and estimated that approximately one-third of
8360-449: Is a cyclic musical form in which a repeating progression of chords mirrors the call and response scheme commonly found in African and African-American music. During the first decades of the 20th century blues music was not clearly defined in terms of a particular chord progression. With the popularity of early performers, such as Bessie Smith , use of the twelve-bar blues spread across
8550-575: Is a music genre and musical form that originated amongst African-Americans in the Deep South of the United States around the 1860s. Blues has incorporated spirituals , work songs , field hollers , shouts , chants , and rhymed simple narrative ballads from the African-American culture . The blues form is ubiquitous in jazz , rhythm and blues , and rock and roll , and is characterized by
8740-560: Is a sly wordplay with the double meaning of being " tight " with someone, coupled with a more salacious physical familiarity. Blues songs with sexually explicit lyrics were known as dirty blues . The lyrical content became slightly simpler in postwar blues, which tended to focus on relationship woes or sexual worries. Lyrical themes that frequently appeared in prewar blues, such as economic depression, farming, devils, gambling, magic, floods and drought, were less common in postwar blues. The writer Ed Morales claimed that Yoruba mythology played
8930-495: Is believed to have traveled to St. Louis, Chicago, Detroit, and New York City. In 1938, Columbia Records producer John H. Hammond , who owned some of Johnson's records, directed record producer Don Law to seek out Johnson to book him for the first " From Spirituals to Swing " concert at Carnegie Hall in New York. On learning of Johnson's death, Hammond replaced him with Big Bill Broonzy , but he played two of Johnson's records from
9120-450: Is characterized by its lyrics , bass lines , and instrumentation . Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current structure became standard: the AAB pattern , consisting of a line sung over the four first bars, its repetition over the next four, and then a longer concluding line over
9310-510: Is characterized by the use of electric guitar, sometimes slide guitar, harmonica, and a rhythm section of bass and drums. The saxophonist J. T. Brown played in bands led by Elmore James and by J. B. Lenoir , but the saxophone was used as a backing instrument for rhythmic support more than as a lead instrument. Lynching in the United States Lynching was the widespread occurrence of extrajudicial killings which began in
9500-556: Is derived from an African deity was disputed by the blues scholar David Evans in an essay published in 1999, "Demythologizing the Blues": There are ... several serious problems with this crossroads myth. The devil imagery found in the blues is thoroughly familiar from western folklore, and nowhere do blues singers ever mention Legba or any other African deity in their songs or other lore. The actual African music connected with cults of Legba and similar trickster deities sounds nothing like
9690-418: Is little evidence of Sub-Sahelian influence in the blues as "elaborate polyrhythm, percussion on African drums (as opposed to European drums), [and] collective participation" which are characteristic of West-Central African music below the savannah, are conspicuously absent. According to the historian Paul Oliver , "the roots of the blues were not to be found in the coastal and forest regions of Africa. Rather...
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#17328514823709880-452: Is more opportunity to compare different performances of a single song by Johnson than for any other blues performer of his era. In contrast to most Delta players, Johnson had absorbed the idea of fitting a composed song into the three minutes of a 78-rpm side. Johnson died on August 16, 1938, at the age of 27, near Greenwood, Mississippi , of unknown causes. Johnson's death was not reported publicly. Almost 30 years later, Gayle Dean Wardlow ,
10070-493: Is not true". Baraka cites that rather than being formed out of any Western context, Blues derives from an African context of its own. The call-and-response singing Lomax argues is different from Blues has been widely cited as being a central aspect of Blues music. Johnson is considered a master of the blues, particularly of the Delta blues style. Keith Richards , of the Rolling Stones , said in 1990, "You want to know how good
10260-709: Is often associated with solo piano, boogie-woogie was also used to accompany singers and, as a solo part, in bands and small combos. Boogie-woogie style was characterized by a regular bass figure, an ostinato or riff and shifts of level in the left hand, elaborating each chord and trills and decorations in the right hand. Boogie-woogie was pioneered by the Chicago-based Jimmy Yancey and the Boogie-Woogie Trio ( Albert Ammons , Pete Johnson and Meade Lux Lewis ). Chicago boogie-woogie performers included Clarence "Pine Top" Smith and Earl Hines , who "linked
10450-491: Is often associated with the California blues style, performed a successful transition from the early urban blues à la Lonnie Johnson and Leroy Carr to the jump blues style and dominated the blues-jazz scene at Los Angeles during the 1940s. The transition from country blues to urban blues that began in the 1920s was driven by the successive waves of economic crisis and booms that led many rural blacks to move to urban areas, in
10640-668: Is that he sold his soul to the devil at a local crossroads in return for musical success. His music had a small, but influential, following during his life and in the decades after his death. In late 1938, John Hammond sought him out for a concert at Carnegie Hall , From Spirituals to Swing , only to discover that Johnson had recently died. Hammond was a producer for Columbia Records which bought Johnson's original recordings from Brunswick Records which owned them. Musicologist Alan Lomax went to Mississippi in 1941 to record Johnson, also not knowing of his death. In 1961, Columbia released an album of Johnson's recordings titled King of
10830-419: Is the other guy playing with him?", not realizing it was Johnson playing one guitar. "I was hearing two guitars, and it took a long time to actually realise he was doing it all by himself", said Richards, who later stated that "Robert Johnson was like an orchestra all by himself". "As for his guitar technique, it's politely reedy but ambitiously eclectic—moving effortlessly from hen-picking and bottleneck slides to
11020-580: Is the tradition of the talking instrument, beginning with the drums ... the one-strand and then the six-strings with bottleneck-style performance; it becomes a competing voice ... or a complementary voice ... in the performance." When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor. I immediately differentiated between him and anyone else I had ever heard. The songs weren't customary blues songs. They were so utterly fluid. At first they went by quick, too quick to even get. They jumped all over
11210-410: Is unknown; three different markers have been erected at possible sites in church cemeteries outside Greenwood. John Hammond Jr., in the documentary The Search for Robert Johnson (1991), suggests that owing to poverty and lack of transportation Johnson is most likely to have been buried in a pauper's grave (or " potter's field ") very near where he died. According to legend, as a young man living on
11400-658: The American Civil War , southern Whites struggled to maintain their dominance. Secret vigilante and terrorist groups such as the Ku Klux Klan (KKK) instigated extrajudicial assaults and killings in order to discourage freedmen from voting, working, and getting educated. They also sometimes attacked Northerners, teachers, and agents of the Freedmen's Bureau . The magnitude of the extralegal violence which occurred during election campaigns reached epidemic proportions, leading
11590-475: The American South sometimes referred to as a jitterbug or a one-string in the early twentieth century) and the banjo are African-derived instruments that may have helped in the transfer of African performance techniques into the early blues instrumental vocabulary. The banjo seems to be directly imported from West African music. It is similar to the musical instrument that griots and other Africans such as
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#173285148237011780-590: The Count Basie Orchestra were also concentrating on the blues, with 12-bar blues instrumentals such as Basie's " One O'Clock Jump " and " Jumpin' at the Woodside " and boisterous " blues shouting " by Jimmy Rushing on songs such as "Going to Chicago" and " Sent for You Yesterday ". A well-known big band blues tune is Glenn Miller 's " In the Mood ". In the 1940s, the jump blues style developed. Jump blues grew up from
11970-490: The Great Migration ( c. 1916–1970 ) out of the American South, and were often perpetrated to enforce white supremacy and intimidate ethnic minorities along with other acts of racial terrorism. A significant number of lynching victims were accused of murder or attempted murder . Rape , attempted rape, or other forms of sexual assault were the second most common accusation; these accusations were often used as
12160-579: The Igbo played (called halam or akonting by African peoples such as the Wolof , Fula and Mandinka ). However, in the 1920s, when country blues began to be recorded, the use of the banjo in blues music was quite marginal and limited to individuals such as Papa Charlie Jackson and later Gus Cannon . Blues music also adopted elements from the "Ethiopian airs", minstrel shows and Negro spirituals , including instrumental and harmonic accompaniment. The style also
12350-507: The NAACP and other civil rights groups. On November 25, 1915, a group of men led by William J. Simmons burned a cross on top of Stone Mountain , inaugurating the revival of the Ku Klux Klan. The event was attended by 15 charter members and a few aging former members of the original Klan. The Klan and their use of lynching was supported by some public officials like John Trotwood Moore ,
12540-492: The State Librarian and Archivist of Tennessee from 1919 to 1929. Moore "became one of the South's more strident advocates of lynching". 1919 was one of the worst years for lynching with at least seventy-six people killed in mob or vigilante related violence. Of these, more than eleven African American veterans who had served in the recently completed war were lynched in that year . White supremacist violence culminated in
12730-691: The Theater Owners Booking Association in nightclubs such as the Cotton Club and juke joints such as the bars along Beale Street in Memphis. Several record companies, such as the American Record Corporation , Okeh Records , and Paramount Records , began to record African-American music. As the recording industry grew, country blues performers like Bo Carter , Jimmie Rodgers , Blind Lemon Jefferson , Lonnie Johnson , Tampa Red and Blind Blake became more popular in
12920-621: The Tuskegee Institute recorded 1,297 lynchings of white people and 3,446 lynchings of Black people. Lynchings were concentrated in the Cotton Belt ( Mississippi , Georgia , Alabama , Texas , and Louisiana ). However, lynchings of Mexicans were under-counted in the Tuskegee Institute's records, and some of the largest mass lynchings in American history were the Chinese massacre of 1871 and
13110-458: The Tuskegee Institute ). The overwhelming majority of lynching perpetrators never faced justice. White supremacy and all-white juries ensured that perpetrators, even if tried, would not be convicted. Campaigns against lynching gained momentum in the early 20th century, championed by groups such as the NAACP . Some 200 anti-lynching bills were introduced in Congress between the end of the Civil War and
13300-466: The United States ' pre–Civil War South in the 1830s, slowed during the civil rights movement in the 1950s and 1960s, and continued until 1981. Although the victims of lynchings were members of various ethnicities, after roughly 4 million enslaved African Americans were emancipated, they became the primary targets of white Southerners . Lynchings in the U.S. reached their height from the 1890s to
13490-405: The call-and-response pattern, the blues scale , and specific chord progressions , of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch , are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove . Blues music
13680-409: The degrees of the progression. For instance, for a blues in the key of C, C is the tonic chord (I) and F is the subdominant (IV). The last chord is the dominant (V) turnaround , marking the transition to the beginning of the next progression. The lyrics generally end on the last beat of the tenth bar or the first beat of the 11th bar, and the final two bars are given to the instrumentalist as
13870-615: The lynching of eleven Italian immigrants in 1891 in New Orleans . During the California Gold Rush , White resentment towards more successful Mexican and Chilean miners resulted in the lynching of at least 160 Mexicans between 1848 and 1860. Members of mobs that participated in lynchings often took photographs of what they had done to their victims in order to spread awareness and fear of their power. Souvenir taking, such as pieces of rope, clothing, branches, and sometimes body parts
14060-451: The spirituals . The first appearance of the blues is often dated to after the ending of slavery , with the development of juke joints occurring later. It is associated with the newly acquired freedom of the former slaves. Chroniclers began to report about blues music at the dawn of the 20th century. The first publication of blues sheet music was in 1908. Blues has since evolved from unaccompanied vocal music and oral traditions of slaves into
14250-412: The " due process " of the U.S. judicial system. He links the decline in lynchings in the early 20th century to "the advent of the modern death penalty", and argues that "legislators renovated the death penalty...out of direct concern for the alternative of mob violence". Between 1901 and 1964, Georgia hanged and electrocuted 609 people. Eighty-two percent of those executed were Black men, even though Georgia
14440-723: The 17th century, in the context of the Wars of the Three Kingdoms in the British Isles and unsettled social and political conditions in the American colonies, lynchings became a frequent form of "mob justice" when the authorities were perceived as untrustworthy. In the United States, during the decades after the Civil War , African Americans were the main victims of racial lynching, but in the American Southwest , Mexican Americans were also
14630-464: The 1920 census, he is listed as Robert Spencer, living in Lucas, Arkansas , with Will and Julia Willis. Robert was at school in 1924 and 1927. The quality of his signature on his marriage certificate suggests that he was relatively well educated for a man of his background. A school friend, Willie Coffee, who was interviewed and filmed in later life, recalled that as a youth Robert was already noted for playing
14820-438: The 1920s, among them "the big three"— Gertrude "Ma" Rainey , Bessie Smith , and Lucille Bogan . Mamie Smith , more a vaudeville performer than a blues artist, was the first African American to record a blues song, in 1920; her second record, "Crazy Blues", sold 75,000 copies in its first month. Ma Rainey, the "Mother of Blues", and Bessie Smith each "[sang] around center tones, perhaps in order to project her voice more easily to
15010-477: The 1920s, and they primarily victimized ethnic minorities . Most of the lynchings occurred in the American South , as the majority of African Americans lived there, but racially motivated lynchings also occurred in the Midwest and border states . In 1891, the largest single mass lynching in American history was perpetrated in New Orleans against Italian immigrants . Lynchings followed African Americans with
15200-428: The 1920s, when the record industry created the marketing categories " race music " and " hillbilly music " to sell music by blacks for blacks and by whites for whites, respectively. At the time, there was no clear musical division between "blues" and "country", except for the ethnicity of the performer, and even that was sometimes documented incorrectly by record companies. Though musicologists can now attempt to define
15390-449: The 1921 Tulsa race massacre in which the majority-Black Greenwood District was razed to the ground. The NAACP mounted a strong nationwide campaign of protests and public education against The Birth of a Nation . As a result, some city governments prohibited the release of the film. In addition, the NAACP publicized production and helped create audiences for the 1919 releases, The Birth of
15580-799: The 1960s. However, in 2021 there were claims that racist lynchings still happen in the United States, being covered up as suicides. Opponents of legislation often said lynchings prevented murder and rape. As documented by Ida B. Wells , the most prevalent accusation against lynching victims was murder or attempted murder. Rape charges or rumors were present in less than one-third of the lynchings; such charges were often pretexts for lynching Blacks who violated Jim Crow etiquette or engaged in economic competition with Whites. Other common reasons given included arson, theft, assault, and robbery; sexual transgressions ( miscegenation , adultery, cohabitation); "race prejudice", "race hatred", "racial disturbance"; informing on others; "threats against whites"; and violations of
15770-498: The 1960s. One version of Ledell Johnson's account was published in David Evans 's 1971 biography of Tommy Johnson, and was repeated in print in 1982 alongside House's story in the widely read Searching for Robert Johnson , by Peter Guralnick. In another version, Ledell placed the meeting not at a crossroads but in a graveyard. This resembles the story told to Steve LaVere that Ike Zimmerman of Hazlehurst, Mississippi , learned to play
15960-533: The 19th century, as well as financial depression in the 1890s. In the Mississippi bottomlands, for instance, lynchings rose when crops and accounts were supposed to be settled. The late 1800s and early 1900s in the Mississippi Delta showed both frontier influence and actions directed at repressing African Americans. After the Civil War, 90% of the Delta was still undeveloped. Both Whites and Blacks migrated there for
16150-451: The 9-bar progression in " Sitting on Top of the World ", by Walter Vinson . The basic 12-bar lyric framework of many blues compositions is reflected by a standard harmonic progression of 12 bars in a 4/4 time signature . The blues chords associated to a twelve-bar blues are typically a set of three different chords played over a 12-bar scheme. They are labeled by Roman numbers referring to
16340-495: The African American community. Kentucky-born Sylvester Weaver was in 1923 the first to record the slide guitar style, in which a guitar is fretted with a knife blade or the sawed-off neck of a bottle. The slide guitar became an important part of the Delta blues . The first blues recordings from the 1920s are categorized as a traditional, rural country blues and a more polished city or urban blues. Country blues performers often improvised, either without accompaniment or with only
16530-520: The African call-and-response tradition that transformed into an interplay of voice and guitar, the blues form itself bears no resemblance to the melodic styles of the West African griots . Additionally, there are theories that the four-beats-per-measure structure of the blues might have its origins in the Native American tradition of pow wow drumming. Some scholars identify strong influences on
16720-545: The Carnes Avenue Colored School where he received lessons in arithmetic, reading, language, music, geography, and physical exercise. It was in Memphis that he acquired his love for, and knowledge of, the blues and popular music. His education and city upbringing placed him apart from most of his contemporary blues musicians. Robert rejoined his mother around 1919–1920 after she married an illiterate sharecropper named Will "Dusty" Willis. They originally settled on
16910-832: The Carolinas, paramilitary chapters of Red Shirts conducted overt violence and disruption of elections. In Louisiana, the White League had numerous chapters; they carried out goals of the Democratic Party to suppress Black voting. Grant's desire to keep Ohio in the Republican aisle and his attorney general's maneuvers led to a failure to support the Mississippi governor with Federal troops. The campaign of terror worked. In Yazoo County, Mississippi , for instance, with an African American population of 12,000, only seven votes were cast for Republicans in 1874. In 1875, Democrats swept into power in
17100-607: The Civil Rights movement, but none passed. Finally, in 2022, 67 years after Emmett Till's killing and the end of the lynching era, the United States Congress passed anti-lynching legislation in the form of the Emmett Till Antilynching Act . Collective violence was a familiar aspect of the early American legal landscape, with group violence in colonial America being usually nonlethal in intention and result. In
17290-578: The Delta Blues Singers produced by legendary producer and music historian Frank Driggs . It is credited with finally bringing Johnson's work to a wider audience. The album would become influential, especially in the nascent British blues movement; Eric Clapton called Johnson "the most important blues singer that ever lived." Bob Dylan , Keith Richards , and Robert Plant have cited both Johnson's lyrics and musicianship as key influences on their own work. Many of Johnson's songs have been covered over
17480-575: The Devil: The Real Life of Robert Johnson (Chicago Review Press). Two films, the 1991 documentary The Search for Robert Johnson by John Hammond Jr. , and a 1997 documentary, Can't You Hear the Wind Howl?: The Life & Music of Robert Johnson , which included reconstructed scenes with Keb' Mo' as Johnson, attempted to document his life, and demonstrated the difficulties arising from the scant historical record and conflicting oral accounts. Over
17670-517: The Dockery Plantation and learned the blues from Charlie Patton and Willie Brown , first claimed to have sold his soul to the devil at a crossroads in exchange for his mastery of the guitar. This legend was developed over time and has been chronicled by Gayle Dean Wardlow , Edward Komara and Elijah Wald, who sees the legend as largely dating from Johnson's rediscovery by white fans more than two decades after his death. Son House once told
17860-731: The Mississippi state legislature. Lynching attacks on African Americans, especially in the South , increased dramatically in the aftermath of Reconstruction. The peak of lynchings occurred in 1892, after White Southern Democrats had regained control of state legislatures. Many incidents were related to economic troubles and competition. At the turn of the 20th century, southern states passed new constitutions or legislation which effectively disenfranchised most Black people and many Poor Whites , established segregation of public facilities by race, and separated Black people from common public life and facilities through Jim Crow laws . The rate of lynchings in
18050-519: The South before 1930. Conclusions of numerous studies since the mid-20th century have found the following variables affecting the rate of lynchings in the South: "lynchings were more numerous where the African American population was relatively large, the agricultural economy was based predominantly on cotton, the white population was economically stressed, the Democratic Party was stronger, and multiple religious organizations competed for congregants." After
18240-458: The South has been strongly associated with economic strains, although the causal nature of this link is unclear. Low cotton prices, inflation , and economic stress are associated with higher frequencies of lynching. Georgia led the nation in lynchings from 1900 to 1931, with 302 incidents, according to The Tuskegee Institute . However, Florida led the nation in lynchings per capita from 1900 to 1930. Lynchings peaked in many areas when it
18430-557: The Southwest, Latinos . Of the 468 lynching victims in Texas between 1885 and 1942, 339 were Black, 77 white, 53 Hispanic, and 1 Native American. There were also Black-on-Black lynchings, with 125 recorded between 1882 and 1903, and there were four incidences of Whites being killed by Black mobs. The rate of Black-on-Black lynchings rose and fell in similar pattern of overall lynchings. There were also over 200 cases of white-on-white lynchings in
18620-566: The U.S. Deeming American criticism of Soviet Union human rights abuses at this time as hypocrisy, the Russians responded with " And you are lynching Negroes ". In Cold War Civil Rights: Race and the Image of American Democracy (2001), the historian Mary L. Dudziak wrote that Soviet communist criticism of racial discrimination and violence in the United States influenced the federal government to support civil rights legislation. Most lynchings ceased by
18810-646: The attack against him and the huge crowd that gathered. He was lynched at Paris, Texas , in 1893 for killing Myrtle Vance, the three-year-old daughter of a Texas policeman, after the policeman had assaulted Smith. Smith was not tried in a court of law. A large crowd followed the lynching, as was common then in the style of public executions. Henry Smith was fastened to a wooden platform, tortured for 50 minutes by red-hot iron brands, and burned alive while more than 10,000 spectators cheered. Fewer than one percent of lynch mob participants were ever convicted by local courts and they were seldom prosecuted or brought to trial. By
19000-420: The back of a room". Smith would "sing a song in an unusual key, and her artistry in bending and stretching notes with her beautiful, powerful contralto to accommodate her own interpretation was unsurpassed". In 1920, the vaudeville singer Lucille Hegamin became the second black woman to record blues when she recorded "The Jazz Me Blues", and Victoria Spivey , sometimes called Queen Victoria or Za Zu Girl, had
19190-544: The beginning of the 20th century. They are now lost. Other recordings that are still available were made in 1924 by Lawrence Gellert . Later, several recordings were made by Robert W. Gordon , who became head of the Archive of American Folk Songs of the Library of Congress . Gordon's successor at the library was John Lomax . In the 1930s, Lomax and his son Alan made a large number of non-commercial blues recordings that testify to
19380-404: The blues can get? Well, this is it". But according to Elijah Wald , in his book Escaping the Delta , Johnson in his own time was most respected for his ability to play in a wide range of styles, from raw country slide guitar to jazz and pop licks, and for his ability to pick up guitar parts almost instantly upon hearing a song. His first recorded song, " Kind Hearted Woman Blues ", in contrast to
19570-647: The blues from the melodic structures of certain West African musical styles of the savanna and sahel. Lucy Durran finds similarities with the melodies of the Bambara people , and to a lesser degree, the Soninke people and Wolof people , but not as much of the Mandinka people . Gerard Kubik finds similarities to the melodic styles of both the west African savanna and central Africa, both of which were sources of enslaved people. No specific African musical form can be identified as
19760-443: The blues gained an association with misery and oppression, the lyrics could also be humorous and raunchy: Rebecca, Rebecca, get your big legs off of me, Rebecca, Rebecca, get your big legs off of me, It may be sending you baby, but it's worrying the hell out of me. Hokum blues celebrated both comedic lyrical content and a boisterous, farcical performance style. Tampa Red and Georgia Tom 's " It's Tight Like That " (1928)
19950-568: The blues in the same year in Missouri ; and W.C. Handy , who first heard the blues in Tutwiler, Mississippi , in 1903. The first extensive research in the field was performed by Howard W. Odum , who published an anthology of folk songs from Lafayette County, Mississippi , and Newton County, Georgia , between 1905 and 1908. The first non-commercial recordings of blues music, termed proto-blues by Paul Oliver , were made by Odum for research purposes at
20140-460: The blues is usually dated after the Emancipation Act of 1863 , between 1860s and 1890s, a period that coincides with post- emancipation and later, the establishment of juke joints as places where African-Americans went to listen to music, dance, or gamble after a hard day's work. This period corresponds to the transition from slavery to sharecropping, small-scale agricultural production, and
20330-457: The blues narrowly in terms of certain chord structures and lyric forms thought to have originated in West Africa, audiences originally heard the music in a far more general way: it was simply the music of the rural south, notably the Mississippi Delta . Black and white musicians shared the same repertoire and thought of themselves as " songsters " rather than blues musicians. The notion of blues as
20520-515: The blues researcher Robert "Mack" McCormick that this was a divine punishment for Robert's decision to sing secular songs, known as "selling your soul to the Devil". McCormick believed that Johnson himself accepted the phrase as a description of his resolve to abandon the settled life of a husband and farmer to become a full-time blues musician. Around this time, the blues musician Son House moved to Robinsonville, where his musical partner Willie Brown lived. Late in life, House remembered Johnson as
20710-459: The blues was rooted in ... the savanna hinterland, from Senegambia through Mali, Burkina Faso, Northern Ghana, Niger, and northern Nigeria". Additionally, ethnomusicologist John Storm Roberts has argued that "The parallels between African savanna-belt string-playing and the techniques of many blues guitarists are remarkable. The big kora of Senegal and Guinea are played in a rhythmic-melodic style that uses constantly changing rhythms, often providing
20900-628: The blues, but rather features polyrhythmic percussion and choral call-and-response singing. The musicologist Alan Lomax dismissed the myth, stating, "In fact, every blues fiddler, banjo picker, harp blower, piano strummer and guitar framer was, in the opinion of both himself and his peers, a child of the Devil, a consequence of the black view of the European dance embrace as sinful in the extreme". Both Lomax's and Evans's accounts themselves have been disputed and dismissed by Black scholars and authors including Amiri Baraka and Cornel West. West defines Blues as
21090-411: The blues, usually dating back to the middle of the 18th century, when the slaves were Christianized and began to sing and play Christian hymns , in particular those of Isaac Watts , which were very popular. Before the blues gained its formal definition in terms of chord progressions, it was defined as the secular counterpart of spirituals. It was the low-down music played by rural blacks. Depending on
21280-479: The boogie-woogie wave and was strongly influenced by big band music. It uses saxophone or other brass instruments and the guitar in the rhythm section to create a jazzy, up-tempo sound with declamatory vocals. Jump blues tunes by Louis Jordan and Big Joe Turner , based in Kansas City, Missouri , influenced the development of later styles such as rock and roll and rhythm and blues. Dallas-born T-Bone Walker , who
21470-434: The color line ("attending white girl", "proposals to white woman"). Although the rhetoric which surrounded lynchings frequently suggested that they were carried out in order to protect the virtue and safety of white women, the actions basically arose out of white attempts to maintain domination in a rapidly changing society and their fears of social change. Mobs usually alleged crimes for which they lynched Black people. In
21660-933: The couple settled for a while in Clarksdale, Mississippi , in the Delta, but Johnson soon left for a career as a "walking" or itinerant musician, and Caletta died in early 1933. From 1932 until his death in 1938, Johnson moved frequently between the cities of Memphis and Helena , and the smaller towns of the Mississippi Delta and neighboring regions of Mississippi and Arkansas. On occasion, he traveled much further. The blues musician Johnny Shines accompanied him to Chicago, Texas, New York, Canada, Kentucky, and Indiana. Henry Townsend worked with him in St. Louis. In many places he stayed with members of his large extended family or with female friends. He did not marry again but formed some long-term relationships with women to whom he would return periodically. In other places he stayed with whatever woman he
21850-461: The day – and not necessarily blues. With an ability to pick up tunes at first hearing, he had no trouble giving his audiences what they wanted, and certain of his contemporaries later remarked on his interest in jazz and country music. He also had an uncanny ability to establish a rapport with his audience; in every town in which he stopped, he would establish ties to the local community that would serve him well when he passed through again
22040-718: The definitions which are given to specific incidents by those sources. The Tuskegee Institute has recorded the lynchings of 3,446 Blacks and the lynchings of 1,297 Whites, all of which occurred between 1882 and 1968, with the peak occurring in the 1890s, at a time of economic stress in the South and increasing political suppression of Blacks. A six-year study published in 2017 by the Equal Justice Initiative found that 4,084 Black men, women, and children fell victim to "racial terror lynchings" in twelve Southern states between 1877 and 1950, besides 300 that took place in other states. During this period, Mississippi's 654 lynchings led
22230-482: The devil at the intersection of Highways 1 and 8 in their town, while the 1986 movie Crossroads was filmed in Beulah, Mississippi . The blues historian Steve Cheseborough wrote that it may be impossible to discover the exact location of the mythical crossroads, because "Robert Johnson was a rambling guy". Some scholars have argued that the devil in these songs may refer not only to the Christian figure of Satan but also to
22420-479: The emphasis and impact of the lyrics, and vocal dramatics using shouts, groans, moans, and wails. The blues women thus effected changes in other types of popular singing that had spin-offs in jazz, Broadway musicals , torch songs of the 1930s and 1940s, gospel , rhythm and blues , and eventually rock and roll ." Urban male performers included popular black musicians of the era, such as Tampa Red , Big Bill Broonzy and Leroy Carr . An important label of this era
22610-550: The ensuing three-day session, Johnson played 16 selections and recorded alternate takes for most of them. Among the songs Johnson recorded in San Antonio were " I Believe I'll Dust My Broom ", " Sweet Home Chicago ", and " Cross Road Blues ", which later became blues standards . The first to be released was " Terraplane Blues ", backed with " Last Fair Deal Gone Down ", which sold as many as 10,000 copies. Johnson traveled to Dallas , Texas, for another recording session with Don Law in
22800-584: The entire historical time period of lynching in the United States. Before 1882, no contemporaneous statistics were assembled on a national level. In 1882, the Chicago Tribune began to systematically tabulate lynchings nationally. In 1908, the Tuskegee Institute began a systematic collection of lynching reports under the direction of Monroe Work at its Department of Records, drawn primarily from newspaper reports. Monroe Work published his first independent tabulations in 1910, although his report also went back to
22990-429: The expansion of railroads in the southern United States. Several scholars characterize the development of blues music in the early 1900s as a move from group performance to individualized performance. They argue that the development of the blues is associated with the newly acquired freedom of the enslaved people. According to Lawrence Levine, "there was a direct relationship between the national ideological emphasis upon
23180-430: The first copyrighted blues composition. In lyrics, the phrase is often used to describe a depressed mood. Early traditional blues verses often consisted of a single line repeated four times. However, the most common structure of blues lyrics today was established in the first few decades of the 20th century, known as the "AAB" pattern. This structure consists of a line sung over the first four bars, its repetition over
23370-475: The focus of violence in Louisiana when they started arriving in greater numbers, their deaths were not tabulated separately from Whites. In earlier years, Whites who were subject to lynching were often targeted because of suspected political activities or support of freedmen, but they were generally considered members of the community in a way new immigrants were not. Other victims included white immigrants, and, in
23560-535: The form of a loose narrative. African-American singers voiced their "personal woes in a world of harsh reality: a lost love, the cruelty of police officers, oppression at the hands of white folk, [and] hard times". This melancholy has led to the suggestion of an Igbo origin for blues, because of the reputation the Igbo had throughout plantations in the Americas for their melancholic music and outlook on life when they were enslaved. Other historians have argued that there
23750-480: The game of football". D. W. Griffith 's 1915 film, The Birth of a Nation , glorified the original Ku Klux Klan as protecting white southern women during Reconstruction, which he portrayed as a time of violence and corruption , following the Dunning School 's interpretation of history. The film aroused great controversy. It was popular among Whites nationwide, but it was protested against by Black activists,
23940-417: The genre took its shape from the idiosyncrasies of individual performers. However, there are some characteristics that were present long before the creation of the modern blues. Call-and-response shouts were an early form of blues-like music; they were a "functional expression ... style without accompaniment or harmony and unbounded by the formality of any particular musical structure". A form of this pre-blues
24130-532: The guitar at midnight while sitting on tombstones. Zimmerman is believed to have influenced the playing of the young Johnson. Recent research by the blues scholar Bruce Conforth , in Living Blues magazine, makes the story clearer. Johnson and Ike Zimmerman did practice in a graveyard at night, because it was quiet and no one would disturb them, but it was not the Hazlehurst cemetery as had been believed: Zimmerman
24320-474: The harmonica and jaw harp . Coffee recalled that Robert was absent for long periods, which suggests that he may have been living and studying in Memphis. Once Julia informed Robert about his biological father, Robert adopted the surname Johnson, using it on the certificate of his marriage to fourteen-year-old Virginia Travis in February 1929. She died in childbirth shortly after. Surviving relatives of Virginia told
24510-514: The historian William Gillette to label it " guerrilla warfare ", and historian Thomas E. Smith to understand it as a form of " colonial violence". The lynchers sometimes murdered their victims, but sometimes whipped or physically assaulted them to remind them of their former status as slaves. Often night-time raids of African American homes were made in order to confiscate firearms. Lynchings to prevent freedmen and their allies from voting and bearing arms were extralegal ways of trying to enforce
24700-454: The huge variety of proto-blues styles, such as field hollers and ring shouts . A record of blues music as it existed before 1920 can also be found in the recordings of artists such as Lead Belly and Henry Thomas . All these sources show the existence of many different structures distinct from twelve- , eight- , or sixteen-bar . The social and economic reasons for the appearance of the blues are not fully known. The first appearance of
24890-434: The individual, the popularity of Booker T. Washington's teachings, and the rise of the blues." Levine stated that "psychologically, socially, and economically, African-Americans were being acculturated in a way that would have been impossible during slavery, and it is hardly surprising that their secular music reflected this as much as their religious music did." There are few characteristics common to all blues music, because
25080-408: The last bars. Early blues frequently took the form of a loose narrative, often relating the racial discrimination and other challenges experienced by African-Americans. Many elements, such as the call-and-response format and the use of blue notes, can be traced back to the music of Africa . The origins of the blues are also closely related to the religious music of the African-American community,
25270-458: The late 19th century, however, journalist Ida B. Wells showed that many presumed crimes were either exaggerated or had not even occurred. The ideology behind lynching, directly connected to the denial of political and social equality, was stated forthrightly in 1900 by United States Senator Benjamin Tillman , who was previously governor of South Carolina : We of the South have never recognized
25460-532: The late 19th century, trial juries in most of the southern United States were all white because African Americans had been disenfranchised, and only registered voters could serve as jurors. Often juries never let the matter go past the inquest. Such cases happened in the North as well. In 1892, a police officer in Port Jervis, New York , tried to stop the lynching of a Black man who had been wrongfully accused of assaulting
25650-533: The low rate of literacy among rural African Americans at the time. Reports of blues music in southern Texas and the Deep South were written at the dawn of the 20th century. Charles Peabody mentioned the appearance of blues music at Clarksdale, Mississippi , and Gate Thomas reported similar songs in southern Texas around 1901–1902. These observations coincide more or less with the recollections of Jelly Roll Morton , who said he first heard blues music in New Orleans in 1902; Ma Rainey , who remembered first hearing
25840-454: The lynchings which occurred in all of the Southern states. The records of Tuskegee Institute remain the single most complete source of statistics and records on this crime since 1882 for all states, although modern research has illuminated new incidents in studies focused on specific states in isolation. As of 1959, which was the last time that Tuskegee Institute's annual report was published,
26030-476: The making of a "deal" (not selling the soul in the same sense as in the Faustian tradition cited by Graves) with the so-called devil at the crossroads. The Blues and the Blues singer has really special powers over women, especially. It is said that the Blues singer could possess women and have any woman they wanted. And so when Robert Johnson came back, having left his community as an apparently mediocre musician, with
26220-432: The man who murdered Johnson and to have obtained a confession from him in a personal interview, but he declined to reveal the man's name. While strychnine has been suggested as the poison that killed Johnson, at least one scholar has disputed the notion. Tom Graves, in his book Crossroads: The Life and Afterlife of Blues Legend Robert Johnson , relies on expert testimony from toxicologists to argue that strychnine has such
26410-581: The mid-1870s onward, violence rose as insurgent paramilitary groups in the Deep South worked to suppress Black voting and turn Republicans out of office. In Louisiana, the Carolinas, and Florida especially, the Democratic Party relied on paramilitary "White Line" groups, such as the White Camelia , White League and Red Shirts to terrorize, intimidate and assassinate African-American and white Republicans in an organized drive to regain power. In Mississippi and
26600-673: The most influential musicians of the 20th century. The Rock and Roll Hall of Fame describes him as perhaps "the first ever rock star". As a traveling performer who played mostly on street corners, in juke joints , and at Saturday night dances, Johnson had little commercial success or public recognition in his lifetime. He had only two recording sessions both produced by Don Law , one in San Antonio in 1936, and one in Dallas in 1937, that produced 29 distinct songs (with 13 surviving alternate takes). These songs, recorded solo in improvised studios, were
26790-516: The music industry during the 1920s and 1930s. Other chord progressions, such as 8-bar forms, are still considered blues; examples include " How Long Blues ", " Trouble in Mind ", and Big Bill Broonzy 's " Key to the Highway ". There are also 16-bar blues , such as Ray Charles 's instrumental "Sweet 16 Bars" and Herbie Hancock 's " Watermelon Man ". Idiosyncratic numbers of bars are occasionally used, such as
26980-510: The new social order which was constructed under Jim Crow; Whites acted together, reinforcing their collective identity along with the unequal status of Blacks through these group acts of violence. Lynchings were also (in part) intended as a voter suppression tool. A 2019 study found that lynchings occurred more frequently in proximity to elections, in particular in areas where the Democratic Party faced challenges. Tuskegee Institute, now Tuskegee University , defined conditions that constituted
27170-452: The next four, and a longer concluding line over the last bars. This pattern can be heard in some of the first published blues songs, such as " Dallas Blues " (1912) and " Saint Louis Blues " (1914). According to W.C. Handy , the "AAB" pattern was adopted to avoid the monotony of lines repeated three times. The lyrics are often sung in a rhythmic talk style rather than a melody, resembling a form of talking blues . Early blues frequently took
27360-449: The place in range and subject matter, short punchy verses that resulted in some panoramic story-fires of mankind blasting off the surface of this spinning piece of plastic. — Bob Dylan Johnson mastered the guitar, being considered today one of the all-time greats on the instrument. His approach was complex and musically advanced. When Keith Richards was first introduced to Johnson's music by his bandmate Brian Jones , he asked, "Who
27550-656: The plantation. He stayed in the house with some of the negroes saying he wanted to pick cotton. The white man did not have a doctor for this negro as he had not worked for him. He was buried in a homemade coffin furnished by the county. The plantation owner said it was his opinion that the man died of syphilis. In 2006, a medical practitioner, David Connell, suggested, on the basis of photographs showing Johnson's "unnaturally long fingers" and "one bad eye", that Johnson may have had Marfan syndrome , which could have both affected his guitar playing and contributed to his death due to aortic dissection . The true location of Johnson's grave
27740-499: The prevailing Delta style of the time, more resembled the style of Chicago or St. Louis , with "a full-fledged, abundantly varied musical arrangement". The song was part of a cycle of spin-offs and response songs that began with Leroy Carr 's "Mean Mistreater Mama" (1934). According to Wald, it was "the most musically complex in the cycle" and stood apart from most rural blues as a thoroughly composed lyric, rather than an arbitrary collection of more or less unrelated verses. Unusual for
27930-760: The previous system of social dominance and the Black Codes , which had been invalidated by the 14th and 15th Amendments in 1868 and 1870. Journalist, educator, and civil rights leader, Ida B. Wells commented in an 1892 pamphlet she published called Southern Horrors: Lynch Law in All Its Phases that, "The only times an Afro-American who was assaulted got away has been when he had a gun and used it in self-defense." A study published in August 2022 by researchers from Clemson University has stated that, "...rates of Black lynching decreased with greater Black firearm access..." From
28120-489: The propulsive left-hand rhythms of the ragtime pianists with melodic figures similar to those of Armstrong's trumpet in the right hand". The smooth Louisiana style of Professor Longhair and, more recently, Dr. John blends classic rhythm and blues with blues styles. Another development in this period was big band blues. The " territory bands " operating out of Kansas City , the Bennie Moten orchestra, Jay McShann , and
28310-458: The religious community a musician belonged to, it was more or less considered a sin to play this low-down music: blues was the devil's music. Musicians were therefore segregated into two categories: gospel singers and blues singers, guitar preachers and songsters. However, when rural black music began to be recorded in the 1920s, both categories of musicians used similar techniques: call-and-response patterns, blue notes, and slide guitars. Gospel music
28500-537: The right of the negro to govern white men, and we never will. We have never believed him to be the equal of the white man, and we will not submit to his gratifying his lust on our wives and daughters without lynching him. Lynchings declined briefly after White supremacists, the so-called " Redeemers ", took over the governments of the southern states in the 1870s. By the end of the 19th century, with struggles over labor and disenfranchisement, and continuing agricultural depression, lynchings rose again. Between 1882 and 1968,
28690-510: The single direct ancestor of the blues. However the call-and-response format can be traced back to the music of Africa . That blue notes predate their use in blues and have an African origin is attested to by "A Negro Love Song", by the English composer Samuel Coleridge-Taylor , from his African Suite for Piano , written in 1898, which contains blue third and seventh notes . The Diddley bow (a homemade one-stringed instrument found in parts of
28880-406: The southeastern "delicate and lyrical" Piedmont blues tradition, which used an elaborate ragtime-based fingerpicking guitar technique. Georgia also had an early slide tradition, with Curley Weaver , Tampa Red , "Barbecue Bob" Hicks and James "Kokomo" Arnold as representatives of this style. The lively Memphis blues style, which developed in the 1920s and 1930s near Memphis, Tennessee ,
29070-529: The stage. In Jackson, Mississippi, around 1936, Johnson sought out H. C. Speir , who ran a general store and also acted as a talent scout. Speir put Johnson in touch with Ernie Oertle, who, as a salesman for the ARC group of labels, introduced Johnson to Don Law to record his first sessions in San Antonio, Texas. The recording session was held on November 23–25, 1936, in room 414 of the Gunter Hotel in San Antonio. In
29260-550: The starting year 1882. Finally, in 1912, the National Association for the Advancement of Colored People started an independent record of lynchings. The numbers of lynchings from each source vary slightly, with the Tuskegee Institute's figures being considered "conservative" by some historians. Based on the source, the numbers vary depending on the sources which are cited, the years which are considered by those sources, and
29450-404: The state director of vital statistics, R. N. Whitfield, wrote a clarifying note on the back of Johnson's death certificate: I talked with the white man on whose place this negro died and I also talked with a negro woman on the place. The plantation owner said the negro man, seemingly about 26 years old, came from Tunica two or three weeks before he died to play banjo at a negro dance given there on
29640-405: The story to Pete Welding as an explanation of Johnson's astonishingly rapid mastery of the guitar. Other interviewers failed to elicit any confirmation from House and there were two full years between House's observation of Johnson as first a novice and then a master. Further details were absorbed from the imaginative retellings by Greil Marcus and Robert Palmer . Most significantly, the detail
29830-464: The sum of his recorded output. Most were released as 10-inch, 78 rpm singles from 1937–1938 , with a few released after his death. Other than these recordings, very little was known of his life outside of the small musical circuit in the Mississippi Delta where he spent most of his time. Much of his story has been reconstructed by researchers. Johnson's poorly documented life and death have given rise to legends. The one most often associated with him
30020-479: The targets of lynching as well. At the first recorded lynching, in St. Louis in 1835, a Black man named McIntosh (who killed a deputy sheriff while being taken to jail) was captured, chained to a tree, and burned to death on a corner lot downtown in front of a crowd of over 1,000 people. According to historian Michael J. Pfeifer, the prevalence of lynchings in post–Civil War America reflected people's lack of confidence in
30210-466: The term "blues" was associated with drinking alcohol, a meaning which survives in the phrase ' blue law ', which prohibits the sale of alcohol on Sunday. In 1827, it was in the sense of a sad state of mind that John James Audubon wrote to his wife that he "had the blues". In Henry David Thoreau 's book Walden , he mentions "the blues" in the chapter reflecting on his time in solitude. He wrote his account of his personal quest in 1845, although it
30400-465: The term in this sense is in George Colman 's one-act farce Blue Devils (1798). The phrase 'blue devils' may also have been derived from a British usage of the 1600s referring to the "intense visual hallucinations that can accompany severe alcohol withdrawal". As time went on, the phrase lost the reference to devils and came to mean a state of agitation or depression. By the 1800s in the United States,
30590-446: The trance-like rhythm and call-and-response, and they form a repetitive effect called a groove . Characteristic of the blues since its Afro-American origins, the shuffles played a central role in swing music . The simplest shuffles, which were the clearest signature of the R&;B wave that started in the mid-1940s, were a three-note riff on the bass strings of the guitar. When this riff
30780-445: The trickster god of African origin, Legba , himself associated with crossroads. Folklorist Harry M. Hyatt wrote that, during his research in the South from 1935 to 1939, when African-Americans born in the 19th or early 20th century said they or anyone else had "sold their soul to the devil at the crossroads", they had a different meaning in mind. Hyatt claimed there was evidence indicating African religious retentions surrounding Legba and
30970-524: The victims were falsely accused. Tuskegee Institute's method of categorizing most lynching victims as either Black or white in publications and data summaries meant that the murders of some minority and immigrant groups were obscured. In the West, for instance, Mexican, Native Americans, and Chinese were more frequent targets of lynchings than were African Americans, but their deaths were included among those of other Whites. Similarly, although Italian immigrants were
31160-408: The years, becoming hits for other artists, and his guitar licks and lyrics have been borrowed by many later musicians. Renewed interest in Johnson's work and life led to a burst of scholarship starting in the 1960s. Much of what is known about him was reconstructed by researchers such as Gayle Dean Wardlow and Bruce Conforth , especially in their 2019 award-winning biography of Johnson: Up Jumped
31350-586: The years, the significance of Johnson and his music has been recognized by the Rock and Roll, Grammy , and Blues Halls of Fame, and by the National Recording Preservation Board . Robert Leroy Johnson was born in Hazlehurst, Mississippi , possibly on May 8, 1911, to Julia Major Dodds (born October 1874) and Noah Johnson (born December 1884). Julia was married to Charles Dodds (born February 1865),
31540-436: Was "a common way of poisoning people in the rural South", but was rarely fatal. However, Johnson had been diagnosed with an ulcer and with esophageal varices , and the poison was sufficient to cause them to hemorrhage. He died after two days of severe abdominal pain, vomiting, and bleeding from the mouth. The Leflore County registrar, Cornelia Jordan, years later and after conducting an investigation into Johnson's death for
31730-402: Was Japanese." A common perception of lynchings in the U.S. is that they were only hangings , due to the public visibility of the location, which made it easier for photographers to photograph the victims. Some lynchings were professionally photographed and then the photos were sold as postcards , which became popular souvenirs in parts of the United States. Lynching victims were also killed in
31920-484: Was a formally trained musician, composer and arranger who helped to popularize the blues by transcribing and orchestrating blues in an almost symphonic style, with bands and singers. He became a popular and prolific composer, and billed himself as the "Father of the Blues"; however, his compositions can be described as a fusion of blues with ragtime and jazz, a merger facilitated using the Cuban habanera rhythm that had long been
32110-484: Was a nice guy and fairly average—except, of course, for his musical talent, his weakness for whiskey and women, and his commitment to the road." When Johnson arrived in a new town, he would play for tips on street corners or in front of the local barbershop or a restaurant. Musical associates have said that in live performances Johnson often did not focus on his dark and complex original compositions, but instead pleased audiences by performing more well-known pop standards of
32300-530: Was able to seduce at his performance. In each location, Johnson's hosts were largely ignorant of his life elsewhere. He used different names in different places, employing at least eight distinct surnames. Biographers have looked for consistency from musicians who knew Johnson in different contexts: Shines, who traveled extensively with him; Robert Lockwood Jr. , who knew him as his mother's partner; David "Honeyboy" Edwards , whose cousin Willie Mae Powell had
32490-530: Was accepted, until a boyfriend arrived or Johnson was ready to move on. In 1941, Alan Lomax learned from Muddy Waters that Johnson had performed in the area around Clarksdale, Mississippi . By 1959, the historian Samuel Charters could add only that Will Shade , of the Memphis Jug Band , remembered Johnson had once briefly played with him in West Memphis, Arkansas . In the last year of his life, Johnson
32680-522: Was added that Johnson received his gift from a large black man at a crossroads. There is dispute as to how and when the crossroads detail was attached to the Robert Johnson story. All the published evidence, including a full chapter on the subject in the biography Crossroads , by Tom Graves, suggests an origin in the story of the blues musician Tommy Johnson . This story was collected from his musical associate Ishman Bracey and his elder brother Ledell in
32870-399: Was closely related to ragtime , which developed at about the same time, though the blues better preserved "the original melodic patterns of African music". The musical forms and styles that are now considered the blues as well as modern country music arose in the same regions of the southern United States during the 19th century. Recorded blues and country music can be found as far back as
33060-457: Was heard in slave ring shouts and field hollers , expanded into "simple solo songs laden with emotional content". Blues has evolved from the unaccompanied vocal music and oral traditions of slaves imported from West Africa and rural blacks into a wide variety of styles and subgenres, with regional variations across the United States. Although blues (as it is now known) can be seen as a musical style based on both European harmonic structure and
33250-459: Was his use of microtonality . These subtle inflections of pitch help explain why his singing conveys such powerful emotion. Eric Clapton described Johnson's music as "the most powerful cry that I think you can find in the human voice". In two takes of " Me and the Devil Blues " he shows a high degree of precision in the complex vocal delivery of the last verse: "The range of tone he can pack into
33440-509: Was influenced by jug bands such as the Memphis Jug Band or the Gus Cannon's Jug Stompers . Performers such as Frank Stokes , Sleepy John Estes , Robert Wilkins , Kansas Joe McCoy , Casey Bill Weldon and Memphis Minnie used a variety of unusual instruments such as washboard , fiddle , kazoo or mandolin . Memphis Minnie was famous for her virtuoso guitar style. Pianist Memphis Slim began his career in Memphis, but his distinct style
33630-465: Was just, matter of fact, tagging along. During this time Johnson established what would be a relatively long-term relationship with Estella Coleman, a woman about 15 years his senior and the mother of the blues musician Robert Lockwood Jr. Johnson reportedly cultivated a woman to look after him in each town he played in. He reputedly asked homely young women living in the country with their families whether he could go home with them, and in most cases, he
33820-413: Was kind of a peculiar fellow. Robert'd be standing up playing some place, playing like nobody's business. At about that time it was a hustle with him as well as a pleasure. And money'd be coming from all directions. But Robert'd just pick up and walk off and leave you standing there playing. And you wouldn't see Robert no more maybe in two or three weeks. ... So Robert and I, we began journeying off. I
34010-703: Was majority white. Pfeifer also cited "the modern, racialized excesses of urban police forces in the twentieth century and after" as bearing characteristics of lynchings. A major motive for lynchings, particularly in the South, was white society's efforts to maintain white supremacy after the emancipation of enslaved people following the American Civil War . Lynchings punished perceived violations of customs, later institutionalized as Jim Crow laws , which mandated racial segregation of Whites and Blacks, and second-class status for Blacks. A 2017 paper found that more racially segregated counties were more likely to be places where Whites conducted lynchings. Lynchings emphasized
34200-442: Was murdered by the jealous husband of a woman with whom he had flirted. In an account by the blues musician Sonny Boy Williamson , Johnson had been flirting with a married woman at a dance, and she gave him a bottle of whiskey poisoned by her husband. When Johnson took the bottle, Williamson knocked it out of his hand, admonishing him to never drink from a bottle that he had not personally seen opened. Johnson replied, "Don't ever knock
34390-659: Was nevertheless using musical forms that were compatible with Christian hymns and therefore less marked by the blues form than its secular counterpart. The American sheet music publishing industry produced a great deal of ragtime music. By 1912, the sheet music industry had published three popular blues-like compositions, precipitating the Tin Pan Alley adoption of blues elements: "Baby Seals' Blues", by Baby Franklin Seals (arranged by Artie Matthews ); "Dallas Blues", by Hart Wand ; and " The Memphis Blues ", by W.C. Handy . Handy
34580-537: Was not from Hazlehurst but nearby Beauregard , and he did not practice in one graveyard, but in several in the area. Johnson spent about a year living with and learning from Zimmerman, who ultimately accompanied Johnson back to the Delta to look after him. While Dockery, Hazlehurst and Beauregard have each been claimed as the locations of the mythical crossroads, there are also tourist attractions claiming to be "The Crossroads" in both Clarksdale and Memphis. Residents of Rosedale, Mississippi , claim Johnson sold his soul to
34770-474: Was not published until 1854. The phrase "the blues" was written by Charlotte Forten , then aged 25, in her diary on December 14, 1862. She was a free-born black woman from Pennsylvania who was working as a schoolteacher in South Carolina, instructing both slaves and freedmen, and wrote that she "came home with the blues" because she felt lonesome and pitied herself. She overcame her depression and later noted
34960-539: Was not uncommon. Some of those photographs were published and sold as postcards. In 2000, James Allen published a collection of 145 lynching photos in book form as well as online, with written words and video to accompany the images. The murders reflected the tensions of labor and social changes, as the Whites imposed Jim Crow rules, legal segregation and white supremacy. The lynchings were also an indicator of long economic stress due to falling cotton prices through much of
35150-420: Was played over the bass and the drums, the groove "feel" was created. Shuffle rhythm is often vocalized as " dow , da dow , da dow , da" or " dump , da dump , da dump , da": it consists of uneven, or "swung", eighth notes. On a guitar this may be played as a simple steady bass or it may add to that stepwise quarter note motion from the fifth to the sixth of the chord and back. Hart Wand 's " Dallas Blues "
35340-430: Was published in 1912; W.C. Handy 's " The Memphis Blues " followed in the same year. The first recording by an African American singer was Mamie Smith 's 1920 rendition of Perry Bradford 's " Crazy Blues ". But the origins of the blues were some decades earlier, probably around 1890. This music is poorly documented, partly because of racial discrimination in U.S. society, including academic circles, and partly because of
35530-507: Was replaced by the term rhythm and blues . This rapidly evolving market was mirrored by Billboard magazine's Rhythm & Blues chart . This marketing strategy reinforced trends in urban blues music such as the use of electric instruments and amplification and the generalization of the blues beat, the blues shuffle , which became ubiquitous in rhythm and blues (R&B). This commercial stream had important consequences for blues music, which, together with jazz and gospel music , became
35720-444: Was smoother and had some swing elements. Many blues musicians based in Memphis moved to Chicago in the late 1930s or early 1940s and became part of the urban blues movement. City or urban blues styles were more codified and elaborate, as a performer was no longer within their local, immediate community, and had to adapt to a larger, more varied audience's aesthetic. Classic female urban and vaudeville blues singers were popular in
35910-536: Was the Chicago-based Bluebird Records . Before World War II, Tampa Red was sometimes referred to as "the Guitar Wizard". Carr accompanied himself on the piano with Scrapper Blackwell on guitar, a format that continued well into the 1950s with artists such as Charles Brown and even Nat "King" Cole . Boogie-woogie was another important style of 1930s and early 1940s urban blues. While the style
36100-430: Was time for landowners to settle accounts with sharecroppers . The frequency of lynchings rose during years of poor economy and low prices for cotton, demonstrating that more than social tensions generated the catalysts for mob action against the underclass. Researchers have studied various models to determine what motivated lynchings. One study of lynching rates of Blacks in Southern counties between 1889 and 1931 found
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