Misplaced Pages

#152847

90-661: While he was regarded by foreigners and the Moroccan government as a brigand, some Moroccans, especially among the Jebala, considered him a heroic figure, fighting a repressive, corrupt government, while others considered him a thief. Historian David S. Woolman referred to Raisuni as "a combination Robin Hood , feudal baron, and tyrannical bandit." He was considered by many as "the last of the Barbary Pirates " though Barbary Coast piracy had ended by

180-596: A Robin Hood ballad is the 15th-century " Robin Hood and the Monk ". This is preserved in Cambridge University manuscript Ff.5.48. Written after 1450, it contains many of the elements still associated with the legend, from the Nottingham setting to the bitter enmity between Robin and the local sheriff. The first printed version is A Gest of Robyn Hode ( c. 1500), a collection of separate stories that attempts to unite

270-506: A Robin Hood game was in 1426 in Exeter , but the reference does not indicate how old or widespread this custom was at the time. The Robin Hood games are known to have flourished in the later 15th and 16th centuries. It is commonly stated as fact that Maid Marian and a jolly friar (at least partly identifiable with Friar Tuck) entered the legend through the May Games. The earliest surviving text of

360-466: A century after the publication of the Gest. But from the beginning Robin Hood is on the side of the poor; the Gest quotes Robin Hood as instructing his men that when they rob: loke ye do no husbonde harme That tilleth with his ploughe. No more ye shall no gode yeman That walketh by gren-wode shawe; Ne no knyght ne no squyer That wol be a gode felawe. And in its final lines

450-565: A hero on a national scale, leading the oppressed Saxons in revolt against their Norman overlords while Richard the Lionheart fought in the Crusades; this movie established itself so definitively that many studios resorted to movies about his son (invented for that purpose) rather than compete with the image of this one. Harry Aubrey de Vere Maclean General (Kaïd) Sir Harry Aubrey de Vere Maclean , KCMG (15 June 1848 – 5 February 1920)

540-645: A later common proverb, "many men speak of Robin Hood and never shot his bow", in Friar Daw's Reply ( c. 1402) and a complaint in Dives and Pauper (1405–1410) that people would rather listen to "tales and songs of Robin Hood" than attend Mass. Robin Hood is also mentioned in a famous Lollard tract dated to the first half of the fifteenth century (thus also possibly predating his other earliest historical mentions) alongside several other folk heroes such as Guy of Warwick , Bevis of Hampton , and Sir Lybeaus . However,

630-482: A lost Robin Hood play for Henry VIII's court, and that this play may have been one of Munday's sources. Henry VIII himself with eleven of his nobles had impersonated "Robyn Hodes men" as part of his "Maying" in 1510. Robin Hood is known to have appeared in a number of other lost and extant Elizabethan plays . In 1599, the play George a Green, the Pinner of Wakefield places Robin Hood in the reign of Edward IV . Edward I ,

720-469: A near-confrontation between the government of Morocco and troops of the United States of America , Raisuni received his ransom money and concessions; he was appointed Pasha of Tangier and Governor of Jibala province, and all of his imprisoned followers were released. However, Raisuni was ousted from the post in 1906 due to corruption and cruelty to his subjects; a year later he was again declared an outlaw by

810-532: A number of unreliable sources, such as the Robin Hood plays of Anthony Munday and the Sloane Manuscript. Nevertheless, Dobson and Taylor credit Ritson with having 'an incalculable effect in promoting the still continuing quest for the man behind the myth', and note that his work remains an 'indispensable handbook to the outlaw legend even now'. Ritson's friend Walter Scott used Ritson's anthology collection as

900-460: A play by George Peele first performed in 1590–91, incorporates a Robin Hood game played by the characters. Llywelyn the Great , the last independent Prince of Wales , is presented playing Robin Hood. Fixing the Robin Hood story to the 1190s had been first proposed by John Major in his Historia Majoris Britanniæ (1521), (and he also may have been influenced in so doing by the story of Warin); this

990-561: A popular folk figure in the Late Middle Ages , and his partisanship of the common people and opposition to the Sheriff are some of the earliest-recorded features of the legend, whereas his political interests and setting during the Angevin era developed in later centuries. The earliest known ballads featuring him are from the 15th century. There have been numerous variations and adaptations of

SECTION 10

#1732854583153

1080-400: A small fleet of boats for seagoing piracy ; however, he was less successful in this endeavor than in his kidnapping and extortion schemes. Raisuni had a mixed reputation. He became known for his chivalry and respectful attitude toward his hostages; he pledged Ion Perdicaris that he would defend him from any harm and was known to have befriended many of his other hostages. He was also known as

1170-550: A source for his picture of Robin Hood in Ivanhoe , written in 1818, which did much to shape the modern legend . In the decades following the publication of Ritson's book, other ballad collections would occasionally publish stray Robin Hood ballads Ritson had missed. In 1806, Robert Jamieson published the earliest known Robin Hood ballad, Robin Hood and the Monk in Volume II of his Popular Ballads and Songs From Tradition . In 1846,

1260-519: A variety of sources, including apparently "A Gest of Robin Hood", and were influential in fixing the story of Robin Hood to the period of Richard I . Stephen Thomas Knight has suggested that Munday drew heavily on Fulk Fitz Warin , a historical 12th century outlawed nobleman and enemy of King John , in creating his Robin Hood. The play identifies Robin Hood as Robert, Earl of Huntingdon , following in Richard Grafton's association of Robin Hood with

1350-505: A well-educated man who enjoyed reading any book he could, and was extremely generous to his family and followers. However, towards those who were not worthy of ransom, emissaries of the Pasha and the Sultan, or those disloyal to him, he was known for cruelty. A favorite punishment of Raisuni's was burning out an enemy's eyes with heated copper coins. On one occasion, he returned the head of an envoy to

1440-594: Is Robin Hood and Little John telling the famous story of the quarter-staff fight between the two outlaws. Dobson and Taylor wrote, 'More generally the Robin of the broadsides is a much less tragic, less heroic and in the last resort less mature figure than his medieval predecessor'. In most of the broadside ballads Robin Hood remains a plebeian figure, a notable exception being Martin Parker 's attempt at an overall life of Robin Hood, A True Tale of Robin Hood , which also emphasises

1530-449: Is a yeoman . While the precise meaning of this term changed over time, including free retainers of an aristocrat and small landholders, it always referred to commoners. The essence of it in the present context was "neither a knight nor a peasant or 'husbonde' but something in between". Artisans (such as millers) were among those regarded as 'yeomen' in the 14th century. From the 16th century on, there were attempts to elevate Robin Hood to

1620-664: Is a literary version) and presided over the French May festivities; "This Robin and Marion tended to preside, in the intervals of the attempted seduction of the latter by a series of knights, over a variety of rustic pastimes." In the Jeu de Robin and Marion , Robin and his companions have to rescue Marion from the clutches of a "lustful knight". This play is distinct from the English legends, although Dobson and Taylor regard it as 'highly probable' that this French Robin's name and functions travelled to

1710-581: Is generally regarded as in substance a genuine late medieval ballad. In 1795, Joseph Ritson published an enormously influential edition of the Robin Hood ballads Robin Hood: A collection of all the Ancient Poems Songs and Ballads now extant, relative to that celebrated Outlaw . 'By providing English poets and novelists with a convenient source book, Ritson gave them the opportunity to recreate Robin Hood in their own imagination,' Ritson's collection included

1800-452: Is more than a mere simpleton: on the contrary, he often acts with great shrewdness. The tinker, setting out to capture Robin, only manages to fight with him after he has been cheated out of his money and the arrest warrant he is carrying. In Robin Hood's Golden Prize , Robin disguises himself as a friar and cheats two priests out of their cash. Even when Robin is defeated, he usually tricks his foe into letting him sound his horn, summoning

1890-409: Is no broadside version of Robin Hood and Guy of Gisborne or of Robin Hood and the Monk , which did not appear in print until the 18th and 19th centuries respectively. However, the Gest was reprinted from time to time throughout the 16th and 17th centuries. No surviving broadside ballad can be dated with certainty before the 17th century, but during that century, the commercial broadside ballad became

SECTION 20

#1732854583153

1980-605: Is not that children did not read Robin Hood stories before, but this is the first appearance of a Robin Hood literature specifically aimed at them. A very influential example of these children's novels was Pierce Egan the Younger 's Robin Hood and Little John (1840). This was adapted into French by Alexandre Dumas in Le Prince des Voleurs (1872) and Robin Hood Le Proscrit (1873). Egan made Robin Hood of noble birth but raised by

2070-418: Is shown by their weapons: they use swords rather than quarterstaffs . The only character to use a quarterstaff in the early ballads is the potter, and Robin Hood does not take to a staff until the 17th-century Robin Hood and Little John . The political and social assumptions underlying the early Robin Hood ballads have long been controversial. J. C. Holt influentially argued that the Robin Hood legend

2160-561: Is still regarded as a folk hero by many in Morocco, although his reputation is mixed at best. A number of other works have been published about Raisuni, though many are now out of print. Notes References Robin Hood Robin Hood is a legendary heroic outlaw originally depicted in English folklore and subsequently featured in literature, theatre, and cinema. He stole from

2250-512: Is the plot of " Robin Hood and Guy of Gisborne ", which is probably at least as old as those two ballads although preserved in a more recent copy. Each of these three ballads survived in a single copy, so it is unclear how much of the medieval legend has survived, and what has survived may not be typical of the medieval legend. It has been argued that the fact that the surviving ballads were preserved in written form in itself makes it unlikely they were typical; in particular, stories with an interest for

2340-610: Is traditionally depicted dressed in Lincoln green . Through retellings, additions, and variations, a body of familiar characters associated with Robin Hood has been created. These include his lover, Maid Marian ; his band of outlaws, the Merry Men ; and his chief opponent, the Sheriff of Nottingham . The Sheriff is often depicted as assisting Prince John in usurping the rightful but absent King Richard , to whom Robin Hood remains loyal. He became

2430-477: The Gest sums up: he was a good outlawe, And dyde pore men moch god. Within Robin Hood's band, medieval forms of courtesy rather than modern ideals of equality are generally in evidence. In the early ballad, Robin's men usually kneel before him in strict obedience: in A Gest of Robyn Hode the king even observes that " His men are more at his byddynge/Then my men be at myn. " Their social status, as yeomen,

2520-584: The High Commissioner of Spain in Morocco, Ricardo Burguete , he submitted to the Spanish authorities and subsequently joined forces with the Spanish army in the Rif War of the 1920s. This agreement was heavily criticized at the time as Raisuni's forces, heavily weakened by their conflict with Abd el Krim, were seen as on the verge of defeat. Raisuni was intensely jealous of Abd el Krim and his growing popularity with

2610-620: The Percy Society included The Bold Pedlar and Robin Hood in its collection, Ancient Poems, Ballads, and Songs of the Peasantry of England . In 1850, John Mathew Gutch published his own collection of Robin Hood ballads, Robin Hood Garlands and Ballads, with the tale of the lytell Geste , that in addition to all of Ritson's collection, also included Robin Hood and the Pedlars and Robin Hood and

2700-475: The Sheriff of Nottingham are already clear. Little John , Much the Miller's Son , and Will Scarlet (as Will "Scarlok" or "Scathelocke") all appear, although not yet Maid Marian or Friar Tuck . The friar has been part of the legend since at least the later 15th century, when he is mentioned in a Robin Hood play script. In modern popular culture, Robin Hood is typically seen as a contemporary and supporter of

2790-510: The Sultan Mulai Hassan . He gained the trust of the Sultan of Morocco and his successor Moulay Abdelaziz through his service and fought against opposing tribes throughout Morocco. During his career, he was kidnapped and held for ransom after a failed first attempt. He visited the forbidden city of Tafilalt , and eventually became commander of the Sultan of Morocco's Army. Although he

Mulai Ahmed er Raisuni - Misplaced Pages Continue

2880-403: The 305 ballads in his collection as Child Ballads Nos 117–154, which is how they're often referenced in scholarly works. In the 19th century, the Robin Hood legend was first specifically adapted for children. Children's editions of the garlands were produced and in 1820, a children's edition of Ritson's Robin Hood collection was published. Children's novels began to appear shortly thereafter. It

2970-781: The Battle of Fondak Pass, although Raisuni and most of his troops managed to slip away. Silvestre was later infamous as the Spanish commander at the Battle of Annual . During World War I , Raisuni was reportedly in contact with agents of the German government to lead a tribal rebellion against France. Responding to these rumors, French troops launched a punitive expedition into Spanish Morocco in May 1915, which dispersed Raisuni's followers but failed to capture Raisuni himself. In September 1922, and after an interview with Colonel José Villalba Riquelme and permission of

3060-660: The Crusades is mentioned in passing, Robin takes no stand against Prince John, and plays no part in raising the ransom to free Richard. These developments are part of the 20th-century Robin Hood myth. Pyle's Robin Hood is a yeoman and not an aristocrat. The idea of Robin Hood as a high-minded Saxon fighting Norman lords also originates in the 19th century. The most notable contributions to this idea of Robin are Jacques Nicolas Augustin Thierry 's Histoire de la Conquête de l'Angleterre par les Normands (1825) and Sir Walter Scott 's Ivanhoe (1819). In this last work in particular,

3150-573: The English May Games, where they fused with the Robin Hood legend. Both Robin and Marian were certainly associated with May Day festivities in England (as was Friar Tuck ), but these may have been originally two distinct types of performance. Alexander Barclay in his Ship of Fools , writing in c. 1500, refers to ' some merry fytte of Maid Marian or else of Robin Hood ' – but the characters were brought together. Marian did not immediately gain

3240-685: The Forresters, it was published in 1998 as Robin Hood: The Forresters Manuscript . It appears to have been written in the 1670s. While all the ballads in the Manuscript had already been known and published during the 17th and 18th centuries (although most of the ballads in the Manuscript have different titles then ones they have listed under the Child Ballads), 13 of the ballads in Forresters are noticeably different from how they appeared in

3330-622: The Gest and put the Robin Hood and the Potter ballad in print for the first time. The only significant omission was Robin Hood and the Monk which would eventually be printed in 1806. In all, Ritson printed 33 Robin Hood ballads (and a 34th, now commonly known as Robin Hood and the Prince of Aragon that he included as the second part of Robin Hood Newly Revived which he had retitled "Robin Hood and

3420-819: The Kaïd Sir Harry Maclean, including his ceremonial sword, pistol and Matriculation of Arms are now housed for the Clan Maclean Heritage Trust at the Isle of Mull Museum. His portrait, by Sir John Lavery , hangs in the bar of the El Minzah Hotel in Tangier . Maclean is buried in the graveyard of St Andrew's Church, Tangier . Maclean was married twice. His first wife was Catherine Coe, but he divorced her in 1905, and re-married in 1913 Ella Prendergast, daughter of General Sir Harry Prendergast . One of his sons

3510-466: The Merry Men to his aid. When his enemies do not fall for this ruse, he persuades them to drink with him instead (see Robin Hood's Delight ). In the 18th and 19th centuries, the Robin Hood ballads were mostly sold in "Garlands" of 16 to 24 Robin Hood ballads; these were crudely printed chap books aimed at the poor. The garlands added nothing to the substance of the legend but ensured that it continued after

3600-506: The Moroccan government, by siding with Mulay Hafid 's overthrow of Abdelaziz, and was restored again as Pasha of Tangier. However, at the instigation of the Spanish government , the Sultan removed Raisuni from his post in 1912. In 1913, Raisuni led several Rif tribes in a bloody revolt against the Spanish, and continued a protracted guerilla war against them. His men were finally defeated by Colonel Manuel Fernández Silvestre on 3 October 1919 in

3690-453: The Moroccan government. Shortly after his dismissal, Raisuni kidnapped Sir Harry "Caid" Maclean , a British army officer serving as a military aide to the Sultan's army. Raisuni ransomed Maclean for £20,000 from the British government (£2,720,000 in 2023). For years, Raisuni continued to antagonize the Moroccan government, even after Abdelaziz's forced abdication. He briefly regained favor with

Mulai Ahmed er Raisuni - Misplaced Pages Continue

3780-592: The Pasha in a basket of melons. In 1904, Raisuni was propelled onto the international stage when he kidnapped the Greek-American expatriate Ion Perdicaris and his stepson Cromwell Varley and held them for a ransom of $ 70,000 ($ 2,370,000 in 2023). American President Theodore Roosevelt , then running for re-election , made political capital out of the incident, sending a squadron of warships to Morocco to force Abdelaziz's compliance with Raisuni's demands, famously proclaiming "Perdicaris Alive or Raisuli Dead!" After

3870-658: The Rif peoples, hoping to gain control of Western Morocco with a Spanish victory. In January 1925, after the Spanish army retreat to the Estella Line, Abd el Krim's followers attacked Raisuni's palace, killing most of his guards and capturing Raisuni. He was jailed in Tamasint (near Al Hoceima), where he died by the end of April 1925, having suffered from dropsy (Edema) for several years. Rumors of his survival persisted, however, as Raisuni had been erroneously reported dead in 1914 and 1923. He

3960-597: The Robin Hood ballads, published in 1888, Child removed the ballads from his earlier work that weren't traditional Robin Hood stories, gave the ballad Ritson titled Robin Hood and the Stranger back its original published title Robin Hood Newly Revived , and separated what Ritson had printed as the second part of Robin Hood and the Stranger as its own separate ballad, Robin Hood and the Prince of Aragon . He also included alternate versions of ballads that had distinct, alternate versions. He numbered these 38 Robin Hood ballads among

4050-563: The Scotchman . In 1858, Francis James Child published his English and Scottish Ballads which included a volume grouping all the Robin Hood ballads in one volume, including all the ballads published by Ritson, the four stray ballads published since then, as well as some ballads that either mentioned Robin Hood by name or featured characters named Robin Hood but weren't traditional Robin Hood stories. For his more scholarly work, The English and Scottish Popular Ballads , in his volume dedicated to

4140-465: The Stranger"). Ritson's interpretation of Robin Hood was also influential, having influenced the modern concept of stealing from the rich and giving to the poor as it exists today. Himself a supporter of the principles of the French Revolution and admirer of Thomas Paine , Ritson held that Robin Hood was a genuinely historical, and genuinely heroic, character who had stood up against tyranny in

4230-415: The accused defended themselves on the grounds that the practice was a long-standing custom to raise money for churches, and they had not acted riotously but peaceably. It is from the association with the May Games that Robin's romantic attachment to Maid Marian (or Marion) apparently stems. A "Robin and Marion" figured in 13th-century French ' pastourelles ' (of which Jeu de Robin et Marion c. 1280

4320-463: The bare scalp of Robin Hood's fat friar, This fellow were a king for our wild faction!" Robin Hood is also mentioned in As You Like It . When asked about the exiled Duke Senior, the character of Charles says that he is "already in the forest of Arden, and a many merry men with him; and there they live like the old Robin Hood of England". Justice Silence sings a line from an unnamed Robin Hood ballad,

4410-548: The bawdy Maid Marian of the May Games. She does not appear in extant versions of the ballad. James VI of Scotland was entertained by a Robin Hood play at Dirleton Castle produced by his favourite the Earl of Arran in May 1585, while there was plague in Edinburgh. In 1598, Anthony Munday wrote a pair of plays on the Robin Hood legend, The Downfall and The Death of Robert Earl of Huntington (published 1601). These plays drew on

4500-520: The broadsides and garlands. 9 of these ballads are significantly longer and more elaborate than the versions of the same ballads found in the broadsides and garlands. For four of these ballads, the Forresters Manuscript versions are the earliest known versions. The 20th century grafted still further details on to the original legends. The 1938 film The Adventures of Robin Hood , starring Errol Flynn and Olivia de Havilland , portrayed Robin as

4590-457: The day of the coronation of Charles II in 1661. This short play adapts the story of the king's pardon of Robin Hood to refer to the Restoration. However, Robin Hood appeared on the 18th-century stage in various farces and comic operas. Alfred, Lord Tennyson would write a four-act Robin Hood play at the end of the 19th century, "The Forrestors". It is fundamentally based on the Gest but follows

SECTION 50

#1732854583153

4680-417: The decline of the single broadside ballad. In the 18th century also, Robin Hood frequently appeared in criminal biographies and histories of highwaymen compendia. In 1765, Thomas Percy (bishop of Dromore) published Reliques of Ancient English Poetry , including ballads from the 17th-century Percy Folio manuscript which had not previously been printed, most notably Robin Hood and Guy of Gisborne which

4770-461: The earliest surviving copies of the narrative ballads that tell his story date to the second half of the 15th century, or the first decade of the 16th century. In these early accounts, Robin Hood's partisanship of the lower classes, his devotion to the Virgin Mary and associated special regard for women, his outstanding skill as an archer , his anti-clericalism , and his particular animosity towards

4860-460: The end of the 16th century. Near the end of the 16th century an unpublished prose life of Robin Hood was written, and included in the Sloane Manuscript . Largely a paraphrase of the Gest, it also contains material revealing that the author was familiar with early versions of a number of the Robin Hood broadside ballads. Not all of the medieval legend was preserved in the broadside ballads, there

4950-403: The episodes into a single continuous narrative. After this comes " Robin Hood and the Potter ", contained in a manuscript of c. 1503. "The Potter" is markedly different in tone from "The Monk": whereas the earlier tale is "a thriller" the latter is more comic, its plot involving trickery and cunning rather than straightforward force. Other early texts are dramatic pieces, the earliest being

5040-423: The forestor Gilbert Hood. Another very popular version for children was Howard Pyle 's The Merry Adventures of Robin Hood , which influenced accounts of Robin Hood through the 20th century. Pyle's version firmly stamp Robin as a staunch philanthropist, a man who takes from the rich to give to the poor. Nevertheless, the adventures are still more local than national in scope: while King Richard's participation in

5130-560: The fragmentary Robyn Hod and the Shryff off Notyngham ( c. 1475). These are particularly noteworthy as they show Robin's integration into May Day rituals towards the end of the Middle Ages; Robyn Hod and the Shryff off Notyngham , among other points of interest, contains the earliest reference to Friar Tuck. The plots of neither "the Monk" nor "the Potter" are included in the Gest ; and neither

5220-404: The gentry were by this view more likely to be preserved. The story of Robin's aid to the 'poor knight' that takes up much of the Gest may be an example. The character of Robin in these first texts is rougher edged than in his later incarnations. In "Robin Hood and the Monk", for example, he is shown as quick tempered and violent, assaulting Little John for defeating him in an archery contest; in

5310-449: The gentry, and identifies Maid Marian with "one of the semi-mythical Matildas persecuted by King John ". The plays are complex in plot and form, the story of Robin Hood appearing as a play-within-a-play presented at the court of Henry VIII and written by the poet, priest and courtier John Skelton . Skelton himself is presented in the play as acting the part of Friar Tuck. Some scholars have conjectured that Skelton may have indeed written

5400-418: The greenwood. The oldest surviving ballad, Robin Hood and the Monk , gives even less support to the picture of Robin Hood as a partisan of the true king. The setting of the early ballads is usually attributed by scholars to either the 13th century or the 14th, although it is recognised they are not necessarily historically consistent. The early ballads are also quite clear on Robin Hood's social status: he

5490-471: The household of Sir John Paston . This fragment appears to tell the story of Robin Hood and Guy of Gisborne . There is also an early playtext appended to a 1560 printed edition of the Gest. This includes a dramatic version of the story of Robin Hood and the Curtal Friar and a version of the first part of the story of Robin Hood and the Potter . (Neither of these ballads is known to have existed in print at

SECTION 60

#1732854583153

5580-429: The interests of the common people. J. C. Holt has been quick to point out, however, that Ritson "began as a Jacobite and ended as a Jacobin," and "certainly reconstructed him [Robin] in the image of a radical." In his preface to the collection, Ritson assembled an account of Robin Hood's life from the various sources available to him, and concluded that Robin Hood was born in around 1160, and thus had been active in

5670-403: The late 13th century. At least eight plausible origins to the story have been mooted by historians and folklorists, including suggestions that "Robin Hood" was a stock alias used by or in reference to bandits. The first clear reference to "rhymes of Robin Hood" is from the alliterative poem Piers Plowman , thought to have been composed in the 1370s, followed shortly afterwards by a quotation of

5760-555: The late-12th-century king Richard the Lionheart , Robin being driven to outlawry during the misrule of Richard's brother John while Richard was away at the Third Crusade . This view first gained currency in the 16th century. It is not supported by the earliest ballads. The early compilation, A Gest of Robyn Hode , names the king as 'Edward'; and while it does show Robin Hood accepting the King's pardon, he later repudiates it and returns to

5850-503: The line is "Robin Hood, Scarlet, and John" in Act 5 scene 3 of Henry IV, part 2 . In Henry IV part 1 Act 3 scene 3, Falstaff refers to Maid Marian , implying she is a by-word for unwomanly or unchaste behaviour. Ben Jonson produced the incomplete masque The Sad Shepherd, or a Tale of Robin Hood in part as a satire on Puritanism . It is about half finished and his death in 1637 may have interrupted writing. Jonson's only pastoral drama, it

5940-453: The main vehicle for the popular Robin Hood legend. These broadside ballads were in some cases newly fabricated but were mostly adaptations of the older verse narratives. The broadside ballads were fitted to a small repertoire of pre-existing tunes resulting in an increase of "stock formulaic phrases" making them "repetitive and verbose", they commonly feature Robin Hood's contests with artisans: tinkers, tanners, and butchers. Among these ballads

6030-560: The middle of the 19th century. On the other hand, according to Douglas Porch , an American historian, Raisuni was part of the rule rather than the exception in that every successful Moroccan politician at the time combined villainy with sainthood. He died in April 1925 after having been captured and imprisoned by his rival Abd el Krim . Mulai Ahmed er Raisuni was born in the village of Zinat sometime in 1871. Due to his place of origin and his reportedly handsome visage, one of his other nicknames

6120-541: The modern Robin Hood—'King of Outlaws and prince of good fellows!' as Richard the Lionheart calls him—makes his debut. In 1993, a previously unknown manuscript of 21 Robin Hood ballads (including two versions of " The Jolly Pinder of Wakefield ") turned up in an auction house and eventually wound up in the British Library . Called The Forresters Manuscript , after the first and last ballads, which are both titled Robin Hood and

6210-421: The next traveller to come down the road if he happens to be poor. Of my good he shall haue some, Yf he be a por man. As it happens the next traveller is not poor, but it seems in context that Robin Hood is stating a general policy. The first explicit statement to the effect that Robin Hood habitually robbed from the rich to give the poor can be found in John Stow 's Annales of England (1592), about

6300-435: The nobility, such as in Richard Grafton's Chronicle at Large ; Anthony Munday presented him at the very end of the century as the Earl of Huntingdon in two extremely influential plays, as he is still commonly presented in modern times. As well as ballads, the legend was also transmitted by 'Robin Hood games' or plays that were an important part of the late medieval and early modern May Day festivities. The first record of

6390-426: The reign of Henry VIII , was briefly popular at court . Robin was often allocated the role of a May King , presiding over games and processions, but plays were also performed with the characters in the roles, sometimes performed at church ales , a means by which churches raised funds. A complaint of 1492, brought to the Star Chamber , accuses men of acting riotously by coming to a fair as Robin Hood and his men;

6480-530: The reign of Richard I. He thought that Robin was of aristocratic extraction, with at least 'some pretension' to the title of Earl of Huntingdon, that he was born in an unlocated Nottinghamshire village of Locksley and that his original name was Robert Fitzooth . Ritson gave the date of Robin Hood's death as 18 November 1247, when he would have been around 87 years old. In copious and informative notes Ritson defends every point of his version of Robin Hood's life. In reaching his conclusion Ritson relied or gave weight to

6570-461: The rich and gave to the poor . According to legend, he was a highly skilled archer and swordsman . In some versions of the legend, he is depicted as being of noble birth, and in modern retellings he is sometimes depicted as having fought in the Crusades before returning to England to find his lands taken by the Sheriff . In the oldest known versions, he is instead a member of the yeoman class. He

6660-417: The same ballad, Much the Miller's Son casually kills a "little page " in the course of rescuing Robin Hood from prison. No extant early ballad actually shows Robin Hood "giving to the poor", although in "A Gest of Robyn Hode" Robin does make a large loan to an unfortunate knight , which he does not in the end require to be repaid; and later in the same ballad Robin Hood states his intention of giving money to

6750-401: The story about Will Scarlet . In the 18th century, the stories began to develop a slightly more farcical vein. From this period there are a number of ballads in which Robin is severely 'drubbed' by a succession of tradesmen including a tanner , a tinker , and a ranger . In fact, the only character who does not get the better of Hood is the luckless Sheriff. Yet even in these ballads Robin

6840-569: The story over the subsequent years, and the story continues to be widely represented in literature, film, and television media today. Robin Hood is considered one of the best-known tales of English folklore . In popular culture, the term "Robin Hood" is often used to describe a heroic outlaw or rebel against tyranny. The origins of the legend as well as the historical context have been debated for centuries. There are numerous references to historical figures with similar names that have been proposed as possible evidence of his existence, some dating back to

6930-433: The subversive aspects of the legend, and see in the medieval Robin Hood ballads a plebeian literature hostile to the feudal order. By the early 15th century at the latest, Robin Hood had become associated with May Day celebrations, with revellers dressing as Robin or as members of his band for the festivities. This was not common throughout England, but in some regions the custom lasted until Elizabethan times, and during

7020-460: The theme of Robin Hood's generosity to the poor more than the broadsheet ballads do in general. The 17th century introduced the minstrel Alan-a-Dale . He first appeared in a 17th-century broadside ballad , and unlike many of the characters thus associated, managed to adhere to the legend. The prose life of Robin Hood in Sloane Manuscript contains the substance of the Alan-a-Dale ballad but tells

7110-451: The time, and there is no earlier record known of the "Curtal Friar" story.) The publisher describes the text as a ' playe of Robyn Hood, verye proper to be played in Maye games ', but does not seem to be aware that the text actually contains two separate plays. An especial point of interest in the "Friar" play is the appearance of a ribald woman who is unnamed but apparently to be identified with

7200-439: The traditions of placing Robin Hood as the Earl of Huntingdon in the time of Richard I and making the Sheriff of Nottingham and Prince John rivals with Robin Hood for Maid Marian's hand. The return of King Richard brings a happy ending. With the advent of printing came the Robin Hood broadside ballads . Exactly when they displaced the oral tradition of Robin Hood ballads is unknown but the process seems to have been completed by

7290-578: The unquestioned role; in Robin Hood's Birth, Breeding, Valor, and Marriage , his sweetheart is "Clorinda the Queen of the Shepherdesses". Clorinda survives in some later stories as an alias of Marian. The earliest preserved script of a Robin Hood play is the fragmentary Robyn Hod and the Shryff off Notyngham This apparently dates to the 1470s and circumstantial evidence suggests it was probably performed at

7380-557: Was Walter Burton Harris , an Englishman and correspondent for The Times who already knew Raisuni. Rains demanded not money, but the release of several of Raisuni's men held in prison; Harris was released after only three weeks captivity. Many of Raisuni's other victims of this time were Moroccan military and political officials; his men only rarely kidnapped Europeans. In between kidnappings, Raisuni extorted "tribute" from villagers in territories controlled by his followers, executing those who refused to pay. He also periodically maintained

7470-566: Was "the Eagle of Zinat." He was the son of a prominent Caid , and began following in his father's footsteps. However, Raisuni eventually drifted into crime, stealing cattle and sheep and earning the ire of Moroccan authorities. He was also widely known as a womanizer. By most accounts, the formative event in Raisuni's life was his arrest and imprisonment by Abd-el-Rahman Abd el-Saduk, the Pasha of Tangier , who

7560-528: Was Raisuli's cousin and foster brother. The Pasha had invited Raisuni to dinner in his home in Tangier, only for his men to capture and brutalize Raisuni when he arrived. He was sent to the dungeon of Mogador and chained to a wall for four years. His friends were allowed to bring him food and he managed to survive. Raisuni was released from prison as part of a general clemency early in the reign of Sultan Abdelaziz - soon to become Raisuni's greatest enemy. Raisuni

7650-578: Was a Scottish soldier, and instructor to the Moroccan Army . Maclean was born on 15 June 1848, the eldest son of General Andrew Maclean. He began his military career in the 69th (South Lincolnshire) Regiment of Foot in 1869. He was dispatched overseas to fight the Fenians in Canada . In 1876 he resigned from his regiment, and the following year he went to Morocco and began his career as an army instructor for

7740-462: Was cultivated in the households of the gentry, and that it would be mistaken to see in him a figure of peasant revolt. He is not a peasant but a yeoman, and his tales make no mention of the complaints of the peasants, such as oppressive taxes. He appears not so much as a revolt against societal standards as an embodiment of them, being generous, pious, and courteous, opposed to stingy, worldly, and churlish foes. Other scholars have by contrast stressed

7830-438: Was hardened by his imprisonment, and returned to criminality after his release. However, he became more ambitious than before, growing to resent the Sultan's fealty to the various European powers - Britain, France, Spain and Germany - jockeying for influence in Morocco. With a small but devoted band of followers, Raisuni embarked on a second career: kidnapping prominent officials and holding them for ransoms. Raisuni's first victim

7920-759: Was loyal to his employer to a fault, he was regarded as an unofficial British agent in the United Kingdom . In June 1901 he was attached to a Special diplomatic mission from Morocco to the United Kingdom to congratulate King Edward VII on his recent accession, and the King appointed him a Knight Commander of the Order of St Michael and St George (KCMG) during the visit. He was physically large and used this to his advantage when disciplining insubordinates. Although maintaining his Scottish personality and expert bagpipe skill, he adopted Moorish costume. Various heirlooms of

8010-411: Was the period in which King Richard was absent from the country, fighting in the Third Crusade . William Shakespeare makes reference to Robin Hood in his late-16th-century play The Two Gentlemen of Verona . In it, the character Valentine is banished from Milan and driven out through the forest where he is approached by outlaws who, upon meeting him, desire him as their leader. They comment, "By

8100-582: Was written in sophisticated verse and included supernatural action and characters. It has had little impact on the Robin Hood tradition but earns mention as the work of a major dramatist. The 1642 London theatre closure by the Puritans interrupted the portrayal of Robin Hood on the stage. The theatres would reopen with the Restoration in 1660. Robin Hood did not appear on the Restoration stage, except for "Robin Hood and his Crew of Souldiers" acted in Nottingham on

#152847