Oingo Boingo is the debut EP by American new wave band Oingo Boingo , released in 1980 by I.R.S. Records .
82-538: Oingo Boingo ( / ˈ ɔɪ ŋ ɡ oʊ ˈ b ɔɪ ŋ ɡ oʊ / ) was an American new wave band formed by songwriter Danny Elfman in 1979. The band emerged from a surrealist musical theatre troupe, The Mystic Knights of the Oingo Boingo , that Elfman had led and written material for in the years previous. Their highest-charting song, " Weird Science ", reached No. 45 on the US Billboard Hot 100 . Oingo Boingo
164-495: A heavy metal and rock-dominated format. In a December 1982 Gallup poll , 14% of teenagers rated new wave as their favorite type of music, making it the third-most-popular genre. New wave had its greatest popularity on the West Coast. Unlike other genres, race was not a factor in the popularity of new wave music, according to the poll. Urban contemporary radio stations were the first to play dance-oriented new wave bands such as
246-446: A Lad," produced by Jo Julian. It was limited to 130 copies, each sleeve hand-painted by the band's team. The Demo EP and EP logos were designed by Charlie Unkeless. Sean Riley brought his artistic talents, and they collectively painted the covers using airbrushes, stencils, water sprayers, and mesh bags. They were able to create 130 separate signed and numbered covers. The EP was then picked up by I.R.S. Records and released publicly as
328-515: A band called Doug & The Mystics. They recorded one album, New Hat , which included a cover of the Oingo Boingo song "Try to Believe". Former keyboardist Richard Gibbs also began a career as a composer for film. Danny Elfman has regularly stated that there will not be an Oingo Boingo reunion, initially citing his worry that playing live would exacerbate his hearing loss. In 2021 Elfman added that he disliked former bands reuniting now that they are older, likening them to "zombies". On Halloween 2015,
410-681: A dozen TV series, including The Simpsons , Batman: The Animated Series , Tales from the Crypt , and Desperate Housewives . Elfman almost exclusively employs former Oingo Boingo guitarist Steve Bartek as his orchestrator. For a period, John Avila and Johnny "Vatos" Hernandez continued to perform as Food for Feet and in the band Tito & Tarantula in Los Angeles. Doug Lacy (Boingo live keyboardist and percussionist) recruited bassist John Avila, guitarist Steve Bartek, drummer Johnny "Vatos" Hernandez, and saxophonist Sam Phipps (among other musicians) for
492-664: A farewell concert on Halloween 1995, for which they reverted to the name Oingo Boingo and readopted the horn section. The Mystic Knights of the Oingo Boingo began as a street theater troupe in Los Angeles, founded by Richard Elfman . The name was inspired by a fictional secret society on the Amos 'n' Andy TV series called The Mystic Knights of the Sea . The earliest version of the band employed as many as 15 performers at any given time, playing over 30 instruments, including some instruments built by band members. Richard's brother Danny Elfman joined
574-457: A humorous or quirky pop approach, angular guitar riffs, jerky rhythms, the use of electronics, and a distinctive visual style in fashion. In the early 1980s, virtually every new pop and rock act – and particularly those that employed synthesizers – were tagged as "new wave" in the United States. Although new wave shares punk's do-it-yourself philosophy, the musicians were more influenced by
656-526: A live concert performance of The Nightmare Before Christmas culminated in Elfman and former Oingo Boingo guitarist Steve Bartek performing "Dead Man's Party" for the first time in twenty years, accompanied by the orchestra. The song was again performed on several subsequent Nightmare Before Christmas concert dates. In April 2016, Oingo Boingo were honored with a resolution at Los Angeles City Hall . Popular L.A. radio and television personality Richard Blade gave
738-491: A new arrangement and recording of Oingo Boingo's "Insects" from the 1982 album Nothing to Fear . Since Halloween 2005, former drummer Johnny "Vatos" Hernandez has regularly put together an Oingo Boingo tribute band, performing mainly throughout Southern California and Arizona, including the Grove of Anaheim . Initially billed as the "Johnny 'Vatos' Tribute to Halloween, Featuring Former Members of Oingo Boingo", Hernandez later titled
820-413: A new pop group. That's all." According to Stuart Borthwick and Ron Moy, authors of Popular Music Genres: an Introduction , the "height of popularity for new wave" coincided with the election of Margaret Thatcher in spring 1979. In the early 1980s, new wave gradually lost its associations with punk in popular perception among some Americans. Writing in 1989, music critic Bill Flanagan said; "Bit by bit
902-458: A post-punk/new wave revival" while arguing it was "really more analogous to a continuum, one that could be traced back as early as the mid-'80s". Oingo Boingo (EP) The EP was originally recorded as a promotional record—known as the Demo EP —distributed by the band on 10-inch vinyl prior to being signed by a record label. It was largely produced by Michael Boshears, with the exception of "Only
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#1732837449646984-431: A speech about the band's legacy. Several members attended the meeting from across the band's changing line-ups, including Johnny "Vatos" Hernandez, founding keyboardist Richard Gibbs, John Avila, Carl Graves, and Sam "Sluggo" Phipps. On June 11, 2021, Elfman released his first solo studio album in 37 years, Big Mess . It includes the participation of former members of Oingo Boingo, such as Bartek, Fitzgerald, and Mann and
1066-464: A staple of UK pop music TV programs like Top of the Pops since the mid-70s." This rise in technology made the visual style of new wave musicians important for their success. A nervous, nerdy persona was a common characteristic of new wave fans, and acts such as Talking Heads , Devo , and Elvis Costello . This took the forms of robotic dancing, jittery high-pitched vocals, and clothing fashions that hid
1148-707: A stigma—especially in the United States—that made the music virtually unmarketable. At the same time, a number of bands, such as the Cars , the Police and Elvis Costello and the Attractions , soon emerged who combined the energy and rebellious attitude of punk with a more accessible and sophisticated radio-friendly sound. These groups were lumped together and marketed exclusively under the label of new wave. As early as 1973, critics including Nick Kent and Dave Marsh were using
1230-752: A twitchy, agitated feel. New wave musicians often played choppy rhythm guitars with fast tempos; keyboards, and stop-start song structures and melodies are common. Reynolds noted new-wave vocalists sound high-pitched, geeky, and suburban. As new wave originated in Britain, many of the first new wave artists were British. These bands became popular in America, in part, because of channels like MTV, which would play British new wave music videos because most American hit records did not have music videos to play. British videos, according to head of S-Curve Records and music producer Steve Greenberg , "were easy to come by since they'd been
1312-431: A wide variety of styles that shared a quirky, lighthearted, and humorous tone that were popular in the late 1970s and early 1980s. New wave includes several pop -oriented styles from this time period. Common characteristics of new wave music include a humorous or quirky pop approach, the use of electronic sounds, and a distinctive visual style in music videos and fashion. According to Simon Reynolds , new wave music had
1394-522: The New Romantic movement. In 1981, Rolling Stone contrasted the movement with the previous new wave era, writing that "the natty Anglo-dandies of Japan ", having been "reviled in the New Wave era", seemed "made to order for the age of the clothes-conscious New Romantic bands." MTV continued its heavy rotation of videos by "post-New Wave pop" acts "with a British orientation" until 1987, when it changed to
1476-565: The Oingo Boingo EP, with the track "Forbidden Zone" (recorded for the then-unreleased movie of the same name ) replaced by a ska cover of Willie Dixon 's "Violent Love". An edited version of "Forbidden Zone" was later released on the film's soundtrack album , but the complete original recording, as included on the Demo EP , has never been re-released. Oingo Boingo was initially issued on 10-inch vinyl, but later reissued on 12-inch vinyl and cassette. The cover features an illustration of
1558-602: The music press as a "reaction against the opulence/corpulence of nouveau rich New Pop" and "part of the move back to guitar-driven music after the keyboard washes of the New Romantics". In the aftermath of grunge , the British music press launched a campaign to promote the new wave of new wave that involved overtly punk and new-wave-influenced acts such as Elastica , but it was eclipsed by Britpop , which took influences from both 1960s rock and 1970s punk and new wave. During
1640-537: The 1960s mod influences of the Jam . Paul Weller , who called new wave "the pop music of the Seventies", explained to Chas de Whalley in 1977: It's just pop music and that's why I like it. It's all about hooks and guitar riffs. That's what the new wave is all about. It's not heavy and negative like all that Iggy and New York stuff. The new wave is today's pop music for today's kids, it's as simple as that. And you can count
1722-521: The 1980s, rejecting potentially more lucrative careers from signing to a major label. In the UK, new wave "survived through the post-punk years, but after the turn of the decade found itself overwhelmed by the more outrageous style of the New Romantics." In response, many British indie bands adopted "the kind of jangling guitar work that had typified New Wave music", with the arrival of the Smiths characterised by
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#17328374496461804-506: The 1980s, said in a 2011 interview that by the time of British new pop acts' popularity on MTV, "New Wave had already been over by then. New wave was not synth music; it wasn't even this sort of funny-haircut music. It was the guy in the Boomtown Rats wearing pajamas." Similarly in Britain, journalists and music critics largely abandoned the term "new wave" with the rise of synth-pop. According to authors Stuart Borthwick and Ron Moy, "After
1886-422: The 2000s, a number of acts that exploited a diversity of new wave and post-punk influences emerged. These acts were sometimes labeled "New New Wave". According to British music journalist Chris Nickson , Scottish band Franz Ferdinand revived both Britpop and the music of the late 1970s "with their New Wave influenced sound". AllMusic notes the emergence of these acts "led journalists and music fans to talk about
1968-510: The 2006 Halloween season, there were two "Johnny 'Vatos' Tribute to Halloween" shows: one in Los Angeles, and one in Orange County, California , with Vatos, Bartek, Avila, Phipps, and Legacy. Note: Appearing on screen as Oingo Boingo New wave music New wave is a music genre that encompasses pop -oriented styles from the 1970s through the 1980s. It is considered a lighter and more melodic "broadening of punk culture ". It
2050-600: The B-52's , Culture Club , Duran Duran, and ABC . New wave soundtracks were used in mainstream Brat Pack films such as Sixteen Candles , Pretty in Pink , and The Breakfast Club , as well as in the low-budget hit Valley Girl . John Hughes , the director of several of these films, was enthralled with British new wave music, and placed songs from acts such as the Psychedelic Furs , Simple Minds , Orchestral Manoeuvres in
2132-623: The Dark , and Echo and the Bunnymen in his films, helping to keep new wave in the mainstream. Several of these songs remain standards of the era. Critics described the MTV acts of the period as shallow or vapid. Homophobic slurs were used to describe some of the new wave musicians. Despite the criticism, the danceable quality of the music and the quirky fashion sense associated with new wave musicians appealed to audiences. Peter Ivers , who started his career in
2214-680: The End of the Tunnel , featuring more mellow songs than any previous release, and including the singles "Out of Control" and "Flesh 'N Blood". Oingo Boingo continued to regularly perform live, most notably with annual Halloween concerts at Irvine Meadows and the Universal Amphitheatre. Following a short hiatus in 1992, during which time Elfman was busy scoring films, the band returned in 1993 with an increasingly different, hard-rock musical direction, and debuted new material such as "Insanity", "Helpless" and
2296-445: The Jam as "British New Wave at its most quintessential and successful", remarked that the band broke up "just as British pop was being overrun by the preposterous leisurewear and over-budgeted videos of Culture Club, Duran Duran and ABC, all of which were anathema to the puritanical Weller ." Scholar Russ Bestley noted that while punk, new wave, and post-punk songs had featured on the Top of
2378-537: The Modern Lovers debuted even earlier. CBGB owner Hilly Kristal , referring to the first show by Television at his club in March 1974, said; "I think of that as the beginning of new wave". Many musicians who would have originally been classified as punk were also termed new wave. A 1977 Phonogram Records compilation album of the same name ( New Wave ) includes American bands Dead Boys , Ramones , Talking Heads , and
2460-525: The Police, and the Cars charted during this period. " My Sharona ", a single from the Knack , was Billboard magazine's number-one single of 1979; its success, combined with new wave albums being much cheaper to produce during the music industry's worst slump in decades, prompted record companies to sign new wave groups. At the end of 1979, Dave Marsh wrote in Time that the Knack's success confirmed rather than began
2542-493: The Pops album series between mid-1977 and early 1982, by the time of the first Now That's What I Call Music! compilation in 1983 punk and new wave was "largely dead and buried as a commercial force". New wave was closely tied to punk, and came and went more quickly in the UK and Western Europe than in the US. At the time punk began, it was a major phenomenon in the UK and a minor one in the US. When new wave acts started being noticed in
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2624-626: The Runaways . Between 1976 and 1977, the terms "new wave" and "punk" were used somewhat interchangeably. Music historian Vernon Joynson said new wave emerged in the UK in late 1976, when many bands began disassociating themselves from punk. That year, the term gained currency when it appeared in UK punk fanzines such as Sniffin' Glue , and music weeklies such as Melody Maker and New Musical Express . In November 1976, Caroline Coon used Malcolm McLaren's term "new wave" to designate music by bands that were not exactly punk but were related to
2706-405: The UK. In early 1978, XTC released the single " This Is Pop " as a direct response to tags such as "new wave". Songwriter Andy Partridge later stated of bands such as themselves who were given those labels; "Let's be honest about this. This is pop, what we're playing ... don't try to give it any fancy new names, or any words that you've made up, because it's blatantly just pop music. We were
2788-450: The US, the term "punk" meant little to mainstream audiences, and it was common for rock clubs and discos to play British dance mixes and videos between live sets by American guitar acts. Illustrating the varied meanings of "new wave" in the UK and the US, Collins recalled how growing up in the 1970s he considered the Photos , who released one album in 1980 before splitting up a year later, as
2870-403: The acts on which reflected a wide variety of stylistic influences. New wave's legacy remained in the large influx of acts from the UK, and acts that were popular in rock discos, as well as the chart's name, which reflects the way new wave was marketed as "modern". According to Steve Graves, new wave's indie spirit was crucial to the development of college rock and grunge / alternative rock in
2952-476: The band "Johnny Vatos Oingo Boingo Dance Party" and then "Oingo Boingo Former Members". Since 2015, Elfman has endorsed the group as the authorized Oingo Boingo tribute band, and given Hernandez exclusive rights to use the names 'Boingo' and 'Oingo Boingo'. The tribute band is joined intermittently by former Oingo Boingo members such as Steve Bartek, Carl Graves , John Avila, and Sam "Sluggo" Phipps, while vocals are usually provided by singer Brendan McCreary. During
3034-439: The band in 1974 and later became its leader. The group gradually moved away from its street theater origins and transformed into a dedicated musical theater act. The group performed an eclectic repertoire, ranging from Cab Calloway covers to instrumentals in the style of Balinese gamelan and Russian ballet music and, later, original songs by Danny Elfman. Guitarist Steve Bartek joined in 1976 as musical co-director. That year,
3116-718: The band self-funded a promo EP record, known as the "Demo EP", for distribution to radio stations and recording industry A&R representatives to help land a contract. The effort paid off, as the record caught the attention of I.R.S. Records, who released a revised version of the EP in 1980: the Oingo Boingo (EP) . The band had now coalesced as an octet: Danny Elfman on lead vocals and rhythm guitar; Steve Bartek on lead guitar; Richard Gibbs on keyboards; Kerry Hatch on bass; Johnny "Vatos" Hernandez on drums; and Leon Schneiderman, Sam "Sluggo" Phipps , and Dale Turner on horns. Early success for
3198-517: The band's most commercially successful record. It featured their highest-charting song on the Billboard Hot 100, " Weird Science ", which was written for the John Hughes film of the same name . The band appeared on a number of movie soundtracks in the early to mid-1980s, including an appearance in the movie Back to School in 1986, performing their hit single "Dead Man's Party". The soundtrack to
3280-420: The band's sound was termed as new wave, Oingo Boingo's use of exotic percussion, a three-piece horn section, unconventional scales and harmony, and surreal imagery was a genre-skewing combination. In 1984, bassist Kerry Hatch and keyboardist Richard Gibbs departed to form the short-lived band Zuma II and Oingo Boingo went on temporary hiatus, although this was not known publicly at the time. Elfman later claimed
3362-418: The band. In 1994, the band consolidated their new musical style, and shortened its name to Boingo. Guitarist Warren Fitzgerald joined while keyboardist Carl Graves and the horn trio were removed. This marked the only year that the band toured without the horn section. The previously shelved album was completed with the new 5-piece line-up, including orchestral instrumentation, and several songs improvised in
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3444-428: The bands that do it well and are going to last on one hand. The Pistols , The Damned , The Clash , The Ramones – and The Jam. Although new wave shares punk's do-it-yourself artistic philosophy, the musicians were more influenced by the light strains of 1960s pop while opposed to mainstream "corporate" rock , which they considered creatively stagnant, and the generally abrasive and political bents of punk rock. In
3526-464: The body such as suits and big glasses. This seemed radical to audiences accustomed to post-counterculture genres such as disco dancing and macho " cock rock " that emphasized a "hang loose" philosophy, open sexuality, and sexual bravado. New wave may be seen as an attempt to reconcile "the energy and rebellious attitude of punk" with traditional forms of pop songwriting, as seen in the rockabilly riffs and classic craftsmanship of Elvis Costello and
3608-513: The constant members for most of their history. As a rock band, Oingo Boingo started as a ska and punk -influenced new wave octet, achieving significant popularity in Southern California . During the mid-1980s, the band adopted a more pop-oriented style, until a significant genre change to alternative rock in 1994. At that point, the name was shortened to simply Boingo and the keyboard and horn section were dropped. The band retired after
3690-521: The contrast between "the American audience's lack of interest in New Wave music" compared to critics, with a "stunning two-thirds of the Top 30 acts" in the 1978 Pazz & Jop poll falling into the "New Wave-to-rock 'n' roll revivalist spectrum". A month later, the same columnist called Elvis Costello the "Best Shot of the New Wave" in America, speculating that "If New Wave is to take hold here, it will be through
3772-627: The early 1980s, particularly in the United States, notable new wave acts embraced a crossover of pop and rock music with African and African-American styles. Adam and the Ants and Bow Wow Wow , both acts with ties to former Sex Pistols manager Malcolm McLaren , used Burundi -style drumming. Talking Heads' album Remain in Light was marketed and positively reviewed as a breakthrough melding of new wave and African styles, although drummer Chris Frantz said he found out about this supposed African influence after
3854-403: The efforts of those furthest from the punk center" due to "inevitable" American middle class resistance to the "jarring rawness of New Wave and its working-class angst." Starting in late 1978 and continuing into 1979, acts associated with punk and acts that mixed punk with other genres began to make chart appearances and receive airplay on rock stations and rock discos. Blondie , Talking Heads,
3936-513: The entire New Wave." Lee Ferguson, a consultant to KWST , said in an interview Los Angeles radio stations were banning disc jockeys from using the term and noted; "Most of the people who call music new wave are the ones looking for a way not to play it". Second albums by new wave musicians who had successful debut albums, along with newly signed musicians, failed to sell and stations pulled most new wave programming, such as Devo's socially critical but widely misunderstood song " Whip It ". In 1981,
4018-463: The fact. As the decade continued, new wave elements would be adopted by African-American musicians such as Grace Jones , Janet Jackson , and Prince , who in particular used new wave influences to lay the groundwork for the Minneapolis sound . The Velvet Underground have also been heralded for their influence on new wave, post-punk and alternative rock . Roxy Music were also influential to
4100-501: The genre as well as the works of David Bowie , Iggy Pop and Brian Eno . The term "new wave" is regarded as so loose and wide-ranging as to be "virtually meaningless", according to the New Rolling Stone Encyclopedia of Rock . It originated as a catch-all for the music that emerged after punk rock , including punk itself, in Britain. Scholar Theo Cateforis said that the term was used to commercialize punk groups in
4182-497: The genre's popularity in the United States. In the UK, new wave faded at the beginning of the 1980s with the emergence of the New Romantic movement. In the US, new wave continued into the mid-1980s but declined with the popularity of the New Romantic, new pop , and new music genres. Since the 1990s, new wave resurged several times with the growing nostalgia for several new-wave-influenced musicians. New wave music encompassed
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#17328374496464264-471: The group came in 1980 with the song "Only a Lad" from the eponymous EP . The song aired frequently in Los Angeles on KROQ-FM , and complemented the station's then-unusual new wave format. Following regional success of "Only a Lad", the group released its first full-length album in 1981, also titled Only a Lad (and featuring a new recording of the song). The band released further albums Nothing to Fear in 1982, and Good for Your Soul in 1983. Although
4346-432: The last traces of Punk were drained from New Wave, as New Wave went from meaning Talking Heads to meaning the Cars to Squeeze to Duran Duran to, finally, Wham! ". Among many critics, however, new wave remained tied to the punk/new wave period of the late 1970s. Writing in 1990, the "Dean of American Rock Critics" Robert Christgau , who gave punk and new wave bands major coverage in his column for The Village Voice in
4428-411: The late 1960s, went on to become the host for the television program New Wave Theatre that showcased rising acts in the underground new wave scene. He has been described by NTS Radio as "a virtuosic songwriter and musician whose antics bridged not just 60s counterculture and New Wave music but also film, theater, and music television." In September 1988, Billboard launched its Modern Rock chart,
4510-408: The late 1970s, defined "new wave" as "a polite term devised to reassure people who were scared by punk, it enjoyed a two- or three-year run but was falling from favor as the '80s began." Lester Bangs , another critical promoter of punk and new wave in the 1970s, when asked if new wave was "still going on" in 1982, stated that "The only trouble with New Wave is that nobody followed up on it ... But it
4592-462: The latter half of the 1980s and onward. Conversely, according to Robert Christgau , "in America, the original New Wave was a blip commercially, barely touching the nascent alt-rock counterculture of the '80s." In the US, new wave continued into the mid-1980s but declined with the popularity of the New Romantic , new pop , and new music genres. Some new wave acts, particularly R.E.M. , maintained new wave's indie label orientation through most of
4674-493: The media: Punk rock or new wave bands overwhelmingly expressed their dissatisfaction with the prevailing rock trends of the day. They viewed bombastic progressive rock groups like Emerson Lake and Palmer and Pink Floyd with disdain, and instead channeled their energies into a more stripped back sound… The media, however, portrayed punk groups like the Sex Pistols and their fans as violent and unruly, and eventually punk acquired
4756-401: The monochrome blacks and greys of punk/new wave, synth-pop was promoted by a youth media interested in people who wanted to be pop stars, such as Boy George and Adam Ant ". In 2005, Andrew Collins of The Guardian offered the breakup of the Jam , and the formation of Duran Duran, as two possible dates marking the "death" of new wave. British rock critic Adam Sweeting , who described
4838-500: The most "truly definitive new wave band". In the same article, reviewing the American book This Ain't No Disco: New Wave Album Covers , Collins noted that the book's inclusion of such artists as Big Country , Roxy Music, Wham!, and Bronski Beat "strikes an Englishman as patently ridiculous", but that the term means "all things to all cultural commentators." By the 2000s, critical consensus favored "new wave" to be an umbrella term that encompasses power pop , synth-pop, ska revival , and
4920-458: The movie Bachelor Party included a theme song written by Elfman, and a song unreleased on any Oingo Boingo album: "Something Isn't Right". During this era, Danny Elfman also began scoring major films, beginning with 1985's Pee-wee's Big Adventure . Elfman would go on to write the scores to almost all of Tim Burton 's films. Oingo Boingo guitarist Steve Bartek has orchestrated most of Elfman's film and television scores. The album BOI-NGO
5002-672: The need for transportation and set-up of multiple stage sets and props. Elfman stated the shift was inspired by ska revival bands such as the Specials , Madness , and the Selecter , new wave bands like XTC , Devo , and Fun Boy Three , as well as the "energy and speed" of punk . The name Oingo Boingo was settled on in 1979, at which point their early song "I'm Afraid" appeared on the Rhino Records Los Angeles rock and new wave "up and coming" compilation, L.A. In . That same year,
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#17328374496465084-589: The new wave circuit acts happening very big [in the US]. As a movement, we don't expect it to have much influence." A year earlier, Bart Mills of The Washington Post asked "Is England's New Wave All Washed Up?", writing that "The New Wave joined the Establishment, buying a few hits at the price of its anarchism. Not a single punk band broke through big in America, and in Britain John Travolta sold more albums than
5166-442: The new wave movement's commercial rise, which had been signaled in 1978 by hits for the Cars and Talking Heads. In 1980, there were brief forays into new wave-style music by non-new wave artists Billy Joel ( Glass Houses ), Donna Summer ( The Wanderer ), and Linda Ronstadt ( Mad Love ). Early in 1980, influential radio consultant Lee Abrams wrote a memo saying with a few exceptions, "we're not going to be seeing many of
5248-500: The position of VP of Publicity and Asst. to the Chairman of A&M, negotiated a release from the label and signed the band to MCA Records . Shortly after releasing So-Lo , Oingo Boingo returned to performing with new bassist John Avila and keyboardist Mike Bacich. The first release with the new line-up was Dead Man's Party in 1985. The album marked a notable change towards more pop oriented songwriting and production style, and became
5330-548: The punk-music scene. The mid-1970s British pub rock scene was the source of many of the most-commercially-successful new wave acts, such as Ian Dury , Nick Lowe , Eddie and the Hot Rods , and Dr. Feelgood . In the US, Sire Records chairman Seymour Stein , believing the term "punk" would mean poor sales for Sire's acts who had frequently played the New York club CBGB , launched a "Don't Call It Punk" campaign designed to replace
5412-412: The punk/new wave movement. Acts associated with the movement received little or no radio airplay, or music industry support. Small scenes developed in major cities. Continuing into the next year, public support remained limited to select elements of the artistic, bohemian, and intellectual population as arena rock and disco dominated the charts. In early 1979, Eve Zibart of The Washington Post noted
5494-523: The soft strains of punk rock. In the UK, some post-punk music developments became mainstream. According to music critic David Smay writing in 2001: Current critical thought discredits new wave as a genre, deriding it as a marketing ploy to soft-sell punk, a meaningless umbrella term covering bands too diverse to be considered alike. Powerpop, synth-pop, ska revival, art school novelties and rebranded pub rockers were all sold as "New Wave". In mid-1977, Time and Newsweek wrote favorable lead stories on
5576-407: The start of MTV began new wave's most successful era in the US. British musicians, unlike many of their American counterparts, had learned how to use the music video early on. Several British acts on independent labels were able to outmarket and outsell American musicians on major labels, a phenomenon journalists labeled the " Second British Invasion " of "new music" , which included many artists of
5658-484: The studio for the first time in the band's history. This was released as Boingo in 1994, and would be the band's final studio album. In 1995, it was announced that Boingo would be disbanding after 17 years. The band embarked on a farewell tour in 1995, restoring the original horn trio, and reverting its name to Oingo Boingo, ending with a final Halloween performance at the Universal Amphitheatre . The concert
5740-436: The styles of the 1950s along with the lighter strains of 1960s pop and were opposed to the generally abrasive, political bents of punk rock, as well as what was considered to be creatively stagnant " corporate rock ". New wave commercially peaked from the late 1970s into the early 1980s with numerous major musicians and an abundance of one-hit wonders . MTV , which was launched in 1981, heavily promoted new-wave acts, boosting
5822-642: The term "new wave" to classify New York–based groups such as the Velvet Underground and New York Dolls . In the US, many of the first new wave groups were the not-so-punk acts associated with CBGB (e.g. Talking Heads, Mink DeVille and Blondie ), as well as the proto-punk scene in Ohio, which included Devo , the Electric Eels , Rocket from the Tombs , and Pere Ubu . Some important bands, such as Suicide and
5904-586: The term with "new wave". Because radio consultants in the US had advised their clients punk rock was a fad, they settled on the new term. Like the filmmakers of the French New Wave movement , after whom the genre was named, new wave bands such as Ramones and Talking Heads were anti-corporate and experimental. At first, most American writers used the term "new wave" exclusively in reference to British punk acts. Starting in December 1976, The New York Rocker , which
5986-513: The troupe appeared on the TV talent contest program The Gong Show , which they won. In 1979, Danny Elfman reformed the group as a dedicated rock band, under the new name Oingo Boingo , at which point most existing members left. Steve Bartek and a brass trio of Dale Turner, Sam "Sluggo" Phipps, and Leon Schneiderman continued with the new band. Various reasons were given for the restart as a rock band, notably Danny's emerging musical interests, and reducing
6068-490: The two departing members had "lost the spirit", but stated, "I could never blame anybody for losing the spirit. It's very hard being an 8-piece ensemble doing what, at the time, was non-commercial music". Elfman used the 1984 hiatus as an opportunity to release a solo album, co-produced with Steve Bartek, with the remaining members of Oingo Boingo returning as session musicians. This was released as So-Lo in late 1984. At this point, new manager Mike Gormley , who had just left
6150-520: The unreleased song "Did It There". Shows during these years often included the so-called "Sad Clown Orchestra" providing additional accordion and circus percussion. That same year, Oingo Boingo began recording an eighth studio album for new label Giant Records . The sessions stalled when Elfman became heavily involved writing the music for animated musical The Nightmare Before Christmas with Tim Burton. Of this period, Elfman would later reflect that, after over 15 years, he had begun losing his passion for
6232-434: Was coined to describe groups who were initially considered part of new wave but were more ambitious, serious, challenging, darker, and less pop-oriented. Some of these groups later adopted synthesizers. While punk rock wielded a major influence on the popular music scene in the UK, in the US it remained a fixture of the underground. By the end of 1977, "new wave" had replaced "punk" as the term for new underground music in
6314-621: Was filmed and released on both VHS and CD in 1996 as Farewell . Following the band's dissolution, Danny Elfman continued composing for film and has been nominated for four Academy Awards for his work. He has scored the majority of Tim Burton's films since Pee-wee's Big Adventure in 1985, including Batman (1989), Edward Scissorhands (1990), The Nightmare Before Christmas (1993) and Big Fish (2003). Other scores include Good Will Hunting (1997), Men in Black (1997) and Spider-Man (2002). Elfman has also written themes for more than
6396-567: Was known for their high-energy live concerts and experimental music, which can be described as combining elements of music such as art , punk , ska , rock , pop , jazz , and world , amongst other genres. The band's body of work spanned 17 years, with various genre and line-up changes. Their best-known songs include " Only a Lad ", " Little Girls ", " Dead Man's Party " and "Weird Science". The band experienced multiple line-up changes, with Leon Schneiderman, Dale Turner , Sam Phipps , Danny Elfman , Steve Bartek , and John "Vatos" Hernandez being
6478-430: Was originally used as a catch-all for the various styles of music that emerged after punk rock . Later, critical consensus favored "new wave" as an umbrella term involving many contemporary popular music styles, including synth-pop , alternative dance and post-punk . The main new wave movement coincided with late 1970s punk and continued into the early 1980s. The common characteristics of new wave music include
6560-487: Was really an exciting burst there for like a year, year and a half." Starting around 1983, the US music industry preferred the more generic term " new music ", which it used to categorize new movements like new pop and New Romanticism . In 1983, music journalist Parke Puterbaugh wrote that new music "does not so much describe a single style as it draws a line in time, distinguishing what came before from what has come after." Chuck Eddy , who wrote for The Village Voice in
6642-426: Was released in 1987. Following its recording, Bacich was replaced by new keyboardist Carl Graves . The band's 1988 release, Boingo Alive , comprised "live" re-recordings of previous album songs on a studio soundstage, plus a new song, "Winning Side". This new track was also released as a single, and became a No. 14 hit on US Modern Rock radio stations. In 1990, the band released their seventh studio album, Dark at
6724-518: Was suspicious of the term "punk", became the first American journal to enthusiastically use the term, at first for British acts and later for acts associated with the CBGB scene. The music's stripped-back style and upbeat tempos, which Stein and others viewed as a much-needed return to the energetic rush of rock and roll and 1960s rock that had dwindled in the 1970s with progressive rock and stadium spectacles, attracted them to new wave. The term "post-punk"
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