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Night Gallery is an American anthology television series that aired on NBC from December 16, 1970, to May 27, 1973, featuring stories of horror and the macabre . Rod Serling , who had gained fame from an earlier series, The Twilight Zone , served both as the on-air host of Night Gallery and as a major contributor of scripts, although he did not have the same control of content and tone as he had on The Twilight Zone . Serling viewed Night Gallery as a logical extension of The Twilight Zone , but while both series shared an interest in thought-provoking dark fantasy , more of Zone ' s offerings were science fiction while Night Gallery focused on horrors of the supernatural .

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56-468: Serling appeared in an art gallery setting as the curator and introduced the macabre tales that made up each episode by unveiling paintings (by artists Thomas J. Wright and Jaroslav "Jerry" Gebr) that depicted the stories. His intro usually was, “Good evening, and welcome to a private showing of three paintings, displayed here for the first time. Each is a collector’s item in its own way—not because of any special artistic quality, but because each captures on

112-513: A Victorian Gothic and a detective story) and The House of the Wolf (a novel of lycanthropy ) were both illustrated by Stephen Fabian . Necropolis received a 1981 nomination for the Locus Award Best Fantasy novel category. Copper edited a 1982 two-volume omnibus collection of Derleth's stories of the 'Pontine' canon, published by Arkham House; in that edition, Copper "edited" most of

168-519: A canvas, suspended in time and space, a frozen moment of a nightmare.” Night Gallery regularly presented adaptations of classic fantasy tales by authors such as H. P. Lovecraft , as well as original works, many of which were by Serling himself. Night Gallery' s multi-segment presentation mirrored the EC horror comics of the 1950s, and hadn't been seen on television before, except for on the one-off "Trio for Terror" episode of Thriller in 1961. The series

224-450: A full-time writer in 1970. In addition to horror and detective fiction , Copper was perhaps best known for his series of Solar Pons stories continuing the character created as a tribute to Sherlock Holmes by August Derleth . Copper's interests included swimming, gardening, travel, sailing and historic film material. One of England's leading film collectors, his private archive contained almost one thousand titles (at 1977). He founded

280-721: A marathon of the series. On December 6, 2018, Syfy announced that it had plans to revive the Night Gallery series. On April 6, 2020, Comet TV began airing the syndicated version of the show. Universal Studios has released all 3 seasons on DVD in Region 1 as well as the first season on DVD in the UK. On September 12, 2017, Universal released Night Gallery: The Complete Series on DVD in Region 1. Reba Wissner, Kim Newman, Stephen Jones, and Mark Dawidziak and "Art Gallery: The Paintings" Similar series Art gallery An art gallery

336-467: A museum is the preservation of artifacts with cultural, historical, and aesthetic value by maintaining a collection of valued objects. Art museums also function as galleries that display works from the museum's own collection or on loan from the collections of other museums. Museums might be in public or private ownership and may be accessible to all or have restrictions on access. Although primarily concerned with visual art , art museums are often used as

392-655: A neutral fashion to an element of horror. You spend fifteen minutes creating a mood for an audience and then you dispel it arbitrarily by trying to make them laugh." These types of segments were much less frequent in the third and final season. For the third season, the show had a lower budget, and shifted towards a shorter half-hour format, featuring either a single segment, or a single segment and one short blackout sketch. During this season, NBC explicitly asked for no more philosophical Twilight Zone -esque stories. They also demanded less adaptations of classic European-inspired fiction, in favor of more American-centric stories. NBC moved

448-636: A number of locations. Galleries selling the work of recognized artists may occupy space in established commercial areas of a city. New styles in art have historically been attracted to the low rent of marginal neighborhoods. An artist colony existed in Greenwich Village as early as 1850, and the tenements built around Washington Square Park to house immigrants after the Civil War also attracted young artists and avant-garde art galleries. The resulting gentrification prompted artists and galleries to move to

504-445: A permanent collection may be called either "gallery of art" or "museum of art". If the latter, the rooms where art is displayed within the museum building are called galleries. Art galleries that do not maintain a collection are either commercial enterprises for the sale of artworks, or similar spaces operated by art cooperatives or non-profit organizations . As part of the art world , art galleries play an important role in maintaining

560-508: A short story by H.P. Lovecraft), "A Question of Fear", " Silent Snow, Secret Snow ", and "The Sins of the Fathers". Robert Bloch wrote two teleplays for the show. "Logoda's Heads" was based on the story by August Derleth . "Last Rites for a Dead Druid" originally was an adaptation by Bloch of the H.P. Lovecraft/ Hazel Heald collaboration " Out of the Aeons "; however, Bloch's script was not used, and

616-428: A typical horror sound. The music was changed in an attempt to heighten the tension, and it was also a by-product of having to either cut down segments or pad them out. Richard Bracken, one of Harry Tatelman's editors on Night Gallery , later said "Harry was given the assignment by the studio and it was a job he knew that he could do one way or the other, and he did. I don't know if there was any particular glee in changing

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672-531: A venue for other cultural exchanges and artistic activities where the art object is replaced by practices such as performance art , dance, music concerts, or poetry readings. Similar to a gallery, a kunsthalle is a facility that hosts temporary art exhibitions however does not possess a permanent collection . The art world comprises everyone involved in the production and distribution of fine art. The market for fine art depends upon maintaining its distinction as high culture , although during recent decades

728-453: A wraparound structure featuring Bart Simpson in the Serling role, introducing several paintings. Night Gallery was also parodied on a 1995 episode of Tiny Toons , titled "Night Ghoulery". The series was produced by former Night Gallery director Steven Spielberg. In 2023, Entertainment Weekly included it on their list of the 21 best horror anthology shows of all time. Night Gallery

784-500: Is a room or a building in which visual art is displayed. In Western cultures from the mid-15th century, a gallery was any long, narrow covered passage along a wall, first used in the sense of a place for art in the 1590s. The long gallery in Elizabethan and Jacobean houses served many purposes including the display of art. Historically, art is displayed as evidence of status and wealth, and for religious art as objects of ritual or

840-657: Is a unique commodity, the artist has a monopoly on production, which ceases when the artist either dies or stops working. Some businesses operate as vanity galleries , charging artists a fee to exhibit their work. Lacking a selection process to assure the quality of the artworks, and having little incentive to promote sales, vanity galleries are avoided as unprofessional. Some non-profit organizations or local governments host art galleries for cultural enrichment and to support local artists. Non-profit organizations may start as exhibit spaces for artist collectives , and expand into full-fledged arts programs. Other non-profits include

896-416: Is absolutely criminal. But they don't give a shit. That has always been the disease of Hollywood. They don't care about the past, all they care about is making a lot of money now ." Szwarc additionally said that he had stopped watching the show, since the syndicated version was still being heavily used on television at that point. The original, uncut and un-edited hour-long version of the series (and without

952-720: The Tunbridge Wells Vintage Film Society and often gave talks at various film organisations in London. He was a member of the British Film Society and the Vintage Film Circle of London . Copper was a longtime resident of Sevenoaks in Kent , and was survived by his French-born wife Annie (née Guerin) to whom he had been married since 1960. Copper had his very first short story, "The Curse", published when he

1008-457: The early modern period , approximately 1500 to 1800 CE. In the Middle Ages that preceded, painters and sculptors were members of guilds, seeking commissions to produce artworks for aristocratic patrons or churches. The establishment of academies of art in the 16th century represented efforts by painters and sculptors to raise their status from mere artisans who worked with their hands to that of

1064-586: The 1971–1972 season, with McCloud becoming the most popular and longest running of the four. Serling wrote many of the teleplays, including "Camera Obscura" (based on a short story by Basil Copper ), "The Caterpillar" (based on a short story by Oscar Cook ), "Class of '99", " Cool Air " (based on a short story by H.P. Lovecraft ), "The Doll", "Green Fingers", "Lindemann's Catch", and "The Messiah on Mott Street" (heavily influenced by Bernard Malamud 's "Angel Levine"). Non-Serling efforts include "The Dead Man", "I'll Never Leave You—Ever", " Pickman's Model " (based on

1120-499: The Dark (1977) and his novels Necropolis (1980) and The House of the Wolf . His work drew praise from Donald Wandrei who said of him: "He beguiles the mind as he lures the imagination beyond the outposts of reality." Copper's work was also championed by editor Peter Haining . Copper's best-known macabre tales include: "The Academy of Pain", "Amber Print", "The Recompensing of Albano Pizar" (dramatised by BBC Radio 4) "The Candle in

1176-518: The Skull' (read over Hallowe'en on BBC Radio 4), "Better Dead", the acclaimed Lovecraftian novella "Beyond the Reef", "Bright Blades Gleaming" and "Ill Met by Daylight". Copper's novel The Great White Space (1975) describes an expedition into a remote part of Asia to discover the location of the mysterious Old Ones. The Great White Space was influenced by Edgar Allan Poe and Lovecraft and includes elements of

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1232-506: The additional Sixth Sense episodes) has been shown on STARZ! ’s Encore Mystery premium movie cable network. The show has aired in the 30-minute syndicated format in several markets through the Retro Television Network in the past. MeTV had broadcast rights for Night Gallery and aired the show in its syndicated, 30-minute format, including the edited The Sixth Sense episodes. From May 21 to May 23, 2016, Decades aired

1288-413: The adjacent neighborhood "south of Houston" ( SoHo ) which became gentrified in turn. Attempting to recreate this natural process, arts districts have been created intentionally by local governments in partnership with private developers as a strategy for revitalizing neighborhoods. Such developments often include spaces for artists to live and work as well as galleries. A contemporary practice has been

1344-409: The arts as part of other missions, such as providing services to low-income neighborhoods. Historically, art world activities have benefited from clustering together either in cities or in remote areas offering natural beauty. The proximity of art galleries facilitated an informal tradition of art show openings on the same night, which have become officially coordinated as " first Friday events " in

1400-467: The blackout sketches were written by Laird himself, and they often featured supernatural characters (such as vampires) in black comedy situations. The inclusion of the short blackout sketches meant that some episodes in the second season had up to four different segments. Rod Serling opposed their presence on the show, due to their contrasting tone, and several of them have no introduction from Serling. He stated "I thought they [the blackout sketches] distorted

1456-420: The boundary between high and popular culture has been eroded by postmodernism . In the case of historical works, or Old Masters this distinction is maintained by the work's provenance ; proof of its origin and history. For more recent work, status is based upon the reputation of the artist. Reputation includes both aesthetic factors; art schools attended, membership in a stylistic or historical movement,

1512-447: The category of Post-war art; while contemporary may be limited to the 21st century or "emerging artists". An enduring model for contemporary galleries was set by Leo Castelli . Rather than simply being the broker for sales, Castelli became actively involved in the discovery and development of new artists, while expecting to remain an exclusive agent for their work. However he also focused exclusively on new works, not participating in

1568-486: The classical arts such as poetry and music, which are purely intellectual pursuits. However, the public exhibition of art had to overcome the bias against commercial activity, which was deemed beneath the dignity of artists in many European societies. Commercial art galleries were well-established by the Victorian era , made possible by the increasing number of people seeking to own objects of cultural and aesthetic value. At

1624-480: The depiction of narratives. The first galleries were in the palaces of the aristocracy, or in churches. As art collections grew, buildings became dedicated to art, becoming the first art museums. Among the modern reasons art may be displayed are aesthetic enjoyment, education , historic preservation , or for marketing purposes. The term is used to refer to establishments with distinct social and economic functions, both public and private. Institutions that preserve

1680-595: The earliest Faraday novels. Instead, he used maps of the city and films based there to supply background detail for the series. Copper also ghostwrote two novels about the comics hero the Phantom for Lee Falk . Copper's work has been translated into many languages, reprinted in leading anthologies and filmed for television by Universal Pictures. The TV adaptation was of his well-known macabre story "Camera Obscura", filmed as an episode of Rod Serling 's Night Gallery in 1971. His novels Necropolis (a crossover between

1736-436: The end of the 19th and the beginning of the 20th century there were also the first indications of modern values regarding art; art as an investment versus pure aesthetics, and the increased attention to living artists as an opportunity for such investment. Commercial galleries owned or operated by an art dealer or "gallerist" occupy the middle tier of the art market , accounting for most transactions, although not those with

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1792-400: The episode was rewritten and retitled. As a result, "Last Rites for a Dead Druid" bears no resemblance to "Out of the Aeons". The show featured various composers. The original pilot theme and background music was composed by Billy Goldenberg . The theme for the first two seasons, composed by Gil Mellé , is noted for being one of the first television openings to use electronic instruments. For

1848-420: The episodes instead of creating their own edits, which would lead to a higher pitch in the voice of the actors. Rod Serling and Jack Laird were both said to be "livid" with the syndication edits. Some directors were allowed input before their segments were edited for syndication, including Jeannot Szwarc. When asked what he thought about the show's syndicated version, Szwarc said in 1998, "what they've done to it

1904-468: The expertise of the gallery owner and staff, and the particular market, the artwork shown may be more innovative or more traditional in style and media. Galleries may deal in the primary market of new works by living artists, or the secondary markets for works from prior periods owned by collectors, estates, or museums. The periods represented include Old Masters , Modern (1900–1950), and contemporary (1950–present). Modern and contemporary may be combined in

1960-404: The highest monetary values. Once limited to major urban art worlds such as New York, Paris and London, art galleries have become global. Another trend in globalization is that while maintaining their urban establishments, galleries also participate in art fairs such as Art Basel and Frieze Art Fair . Art galleries are the primary connection between artists and collectors . At the high end of

2016-661: The latter author's Cthulhu Mythos stories. The novel also features a character called Clark Ashton Scarsdale who appears to be an affectionate tribute to Clark Ashton Smith . Copper is also noted for his Cthulhu Mythos short story "Shaft Number 247" in New Tales of the Cthulhu Mythos (1980). Though his important work was in the domain of the macabre, he also wrote a long-running novel series featuring hard-boiled Los Angeles private detective Mike Faraday (58 novels from 1966 to 1988). Copper had not visited Los Angeles when he wrote

2072-408: The market, a handful of elite auction houses and dealers sell the work of celebrity artists; at the low end artists sell their work from their studio, or in informal venues such as restaurants. Point-of-sale galleries connect artists with buyers by hosting exhibitions and openings. The artworks are on consignment, with the artist and the gallery splitting the proceeds from each sale. Depending upon

2128-689: The network of connections between artists, collectors, and art experts that define fine art . The terms 'art museum' and 'art gallery' may be used interchangeably as reflected in the names of institutions around the world, some of which are called galleries (e.g. the National Gallery and Neue Nationalgalerie ), and some of which are called museums (e.g. the Museum of Modern Art and National Museum of Western Art ). However, establishments that display art for other purposes, but serve no museum functions, are only called art galleries. The distinctive function of

2184-477: The opinions of art historians and critics; and economic factors; inclusion in group and solo exhibitions and past success in the art market. Art dealers, through their galleries, have occupied a central role in the art world by bringing many of these factors together; such as "discovering" new artists, promoting their associations in group shows, and managing market valuation. Exhibitions of art operating similar to current galleries for marketing art first appeared in

2240-434: The resale of older work by the same artists. All art sales after the first are part of the secondary market, in which the artist and the original dealer are not involved. Many of these sales occur privately between collectors, or works are sold at auctions. However some galleries participate in the secondary market depending upon the market conditions. As with any market, the major conditions are supply and demand. Because art

2296-511: The show from Wednesday to Sunday, but it was still placed in the same 10 p.m. timeslot. Regarding the changes in the third season, Serling said at the time, "I'm fucking furious. These people are taking what could have been a good series and they're so commercializing it it's not going to be commercial." Serling added that they wanted "considerable action as opposed to anything insightful, cerebral or sensitive." It has been claimed that NBC pushed for Night Gallery to become strictly an action show for

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2352-505: The style and content of the show, as much as getting the job done." 25 episodes of an unrelated, short-lived supernatural series from 1972, The Sixth Sense , were also incorporated into the syndicated version of the series. Serling was paid 100,000 dollars to film introductions for the episodes from The Sixth Sense , with new paintings also being commissioned for them. Serling's introductions for The Sixth Sense were written by an unknown member of Harry Tatelman's staff. As The Sixth Sense

2408-521: The syndication package, because they had already entered syndication as a stand-alone movie. The syndication edits for Night Gallery were overseen by Harry Tatelman of Universal. In their book Rod Serling's Night Gallery: An After-Hours Tour , authors Scott Skelton and Jim Benson identify 39 of the 98 individual segments that were produced for Night Gallery as being "severely altered" in syndication. Segments such as "Green Fingers" and "Lindemann's Catch" had new music inserted, which leaned towards more of

2464-545: The tales in ways that many Solar Pons aficionados found objectionable. A later omnibus, The Original Text Solar Pons Omnibus Edition , was issued in 2000 under the imprint of Mycroft & Moran . In early 2008, a bio-bibliography was published on him: Basil Copper: A Life in Books , compiled and edited by Stephen Jones . The volume received the 2009 British Fantasy Award for Best Non-Fiction. In March 2010, Darkness, Mist and Shadow: The Collected Macabre Tales of Basil Copper

2520-543: The third season, Mellé's theme was replaced with a more frantic orchestral piece by Eddie Sauter . Currently, no music from the show has been released commercially. While Serling was displeased with the creative interference on Night Gallery , he still mentioned "They're Tearing Down Tim Riley's Bar" as one of the best pieces of work he'd written, putting it above even his Twilight Zone material. Serling's Night Gallery introductions were parodied on The Simpsons ' fourth annual Treehouse of Horror special in 1993. It had

2576-465: The third season, with no supernatural elements, although this would not end up being the case. Night Gallery was initially part of a rotating anthology or wheel series called Four in One . This 1970–1971 television series rotated four separate shows, including McCloud , SFX ( San Francisco International Airport ) and The Psychiatrist . Two of these, Night Gallery and McCloud, were renewed for

2632-436: The thread of what we were trying to do on Night Gallery . I don't think one can show Edgar Allan Poe and then come back with Flip Wilson for 34 seconds. I just don't think they fit." In another interview, he referred to them as "foreign and substantially incorrect", complaining that "you can't sustain the mood of horror or suspense and then intersperse light laughter in the middle of it and then expect to be able to go back in

2688-506: The use of vacant commercial space for art exhibitions that run for periods from a single day to a month. Now called "popup galleries", a precursor was Artomatic which had its first event in 1999 and has occurred periodically to the present, mainly in the Washington metro area . Basil Copper Basil Frederick Albert Copper (5 February 1924 – 3 April 2013) was an English writer and former journalist and newspaper editor. He became

2744-706: Was 14 years old; however his first professionally published short story was "The Spider" in the Fifth Pan Book of Horror Stories (1964). His first book was the Mike Faraday novel The Dark Mirror (1966). The first of Copper's stories published by editor August Derleth was "The House by the Tarn" in Dark Things (1971). Copper went on to have a long-lived relationship with Derleth's Arkham House , which published his collections From Evil's Pillow (1973) and And Afterward,

2800-476: Was achieved using stock footage from Fahrenheit 451 , Silent Running and the Apollo space missions. One of the most heavily cut segments was "They're Tearing Down Tim Riley's Bar", which was edited down from 41 minutes to 24 minutes. For time reasons, some of the segments were paired with segments that they didn't originally air alongside. The three segments from the 1969 TV movie pilot were not included as part of

2856-508: Was cancelled, the 60-minute episodes from the first two seasons were re-edited for a 30-minute time slot. This was in order to increase the number of episodes that were available for syndication. Many segments were severely cut, and others extended by inserting "new" scenes of recycled, previously discarded, or stock footage to fill up the time. For example, the segment "The Different Ones" was extended from 15 minutes to 24 minutes, which made it long enough to air as its own stand-alone episode. This

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2912-440: Was fine with having horror elements, he wanted it to be infused with social commentary. Some of Serling's scripts were rejected by producer Jack Laird . He was a fan of the classic Universal horror films , and preferred NBC's vision of the show. In its second season, the series began using original comic blackout sketches between the longer story segments in some episodes, with this concept being conceived by Jack Laird. Most of

2968-408: Was introduced with a pilot television film consisting of three segments or movies, that aired on November 8, 1969. The second segment of the film, "Eyes," was the directorial debut of Steven Spielberg , as well as one of the last acting performances by Joan Crawford . According to Rod Serling's wife Carol, NBC envisioned Night Gallery as being a show about "action, ghouls and gore". While Serling

3024-657: Was launched at the Brighton World Horror Convention as a two-volume set by PS Publishing . Copper has received many honours in recent years. In 1979, the Mark Twain Society of America elected him a Knight of Mark Twain for his outstanding "contribution to modern fiction", while the Praed Street Irregulars have twice honoured him for his work on the Solar Pons series. He has been a member of

3080-522: Was nominated for an Emmy Award for its first-season episode "They're Tearing Down Tim Riley's Bar" as the Outstanding Single Program on U.S. television in 1971. In 1972, the series received another nomination (Outstanding Achievement in Makeup) for the second-season episode " Pickman's Model ". Serling himself received an Edgar Allan Poe Award for writing the pilot. Shortly after Night Gallery

3136-487: Was originally a one-hour show, these episodes were all severely edited to fit into the half-hour timeslot. In order to have more commercials, some television stations required a few extra minutes be cut from episodes, in addition to the edits that had already been made by Tatelman. These edits were done by people working at their respective stations, and are described as having less care put into them when compared to Tatelman's edits. In later years, stations would simply speed up

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