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119-451: Dark Things is an anthology of horror stories edited by American writer August Derleth . It was released in 1971 by Arkham House in an edition of 3,051 copies. It was Derleth's fourth anthology of previously unpublished stories released by Arkham House. A translation in Japanese has also been released. Dark Things contains the following tales: Horror fiction Horror

238-645: A centre of German Romanticism, where writers and poets such as Clemens Brentano , Achim von Arnim , and Joseph Freiherr von Eichendorff ( Aus dem Leben eines Taugenichts ) met regularly in literary circles. Important motifs in German Romanticism are travelling, nature, for example the German Forest , and Germanic myths . The later German Romanticism of, for example E. T. A. Hoffmann 's Der Sandmann ( The Sandman ), 1817, and Joseph Freiherr von Eichendorff 's Das Marmorbild ( The Marble Statue ), 1819,

357-614: A collection of versified folk tales, in 1806–1808. The first collection of Grimms' Fairy Tales by the Brothers Grimm was published in 1812. Unlike the much later work of Hans Christian Andersen , who was publishing his invented tales in Danish from 1835, these German works were at least mainly based on collected folk tales , and the Grimms remained true to the style of the telling in their early editions, though later rewriting some parts. One of

476-679: A complicated history. By the 18th century, European languages—notably German, French and Slavic languages—were using the term "Roman" in the sense of the English word " novel ", i.e. a work of popular narrative fiction. This usage derived from the term "Romance languages" , which referred to vernacular (or popular) language in contrast to formal Latin . Most such novels took the form of " chivalric romance ", tales of adventure, devotion and honour. The founders of Romanticism, critics (and brothers) August Wilhelm Schlegel and Friedrich Schlegel , began to speak of romantische Poesie ("romantic poetry") in

595-428: A considerable number always had, or developed, a wide range of conservative views, and nationalism was in many countries strongly associated with Romanticism, as discussed in detail below. In philosophy and the history of ideas, Romanticism was seen by Isaiah Berlin as disrupting for over a century the classic Western traditions of rationality and the idea of moral absolutes and agreed values, leading "to something like

714-599: A defence of religion and the medieval spirit ( Génie du christianisme , 1802), and finally in the 1830s and 1840s his enormous autobiography Mémoires d'Outre-Tombe ("Memoirs from beyond the grave"). After the Bourbon Restoration , French Romanticism developed in the lively world of Parisian theatre , with productions of Shakespeare , Schiller (in France a key Romantic author), and adaptations of Scott and Byron alongside French authors, several of whom began to write in

833-478: A distinct national identity and began to enjoy an international reputation. Allan Ramsay (1686–1758) laid the foundations of a reawakening of interest in older Scottish literature, as well as leading the trend for pastoral poetry, helping to develop the Habbie stanza as a poetic form . James Macpherson (1736–1796) was the first Scottish poet to gain an international reputation. Claiming to have found poetry written by

952-524: A dramatist, with his play on the life of the English poet Chatterton (1835) perhaps his best work. George Sand was a central figure of the Parisian literary scene, famous both for her novels and criticism and her affairs with Chopin and several others; she too was inspired by the theatre, and wrote works to be staged at her private estate . French Romantic poets of the 1830s to 1850s include Alfred de Musset , Gérard de Nerval , Alphonse de Lamartine and

1071-417: A feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a metaphor for larger fears of a society. The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic, and the principle of the thing embodied in

1190-559: A ghostly figure bound in chains. The figure disappeared in the courtyard; the following day, the magistrates dug in the courtyard and found an unmarked grave. Elements of the horror genre also occur in Biblical texts, notably in the Book of Revelation . The Witch of Berkeley by William of Malmesbury has been viewed as an early horror story. Werewolf stories were popular in medieval French literature . One of Marie de France 's twelve lais

1309-451: A high degree of life," whereas horror is described as that which "freezes and nearly annihilates them." Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both Devendra Varma and S. L. Varnado make reference to the theologian Rudolf Otto , whose concept of the " numinous " was originally used to describe religious experience. A recent survey reports how often horror media

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1428-612: A longing for the unbounded and the indefinable, for perpetual movement and change, an effort to return to the forgotten sources of life, a passionate effort at self-assertion both individual and collective, a search after means of expressing an unappeasable yearning for unattainable goals". Romantic artists also shared a strong belief in the importance and inspirational qualities of Nature. Romantics were distrustful of cities and social conventions. They deplored Restoration and Enlightenment Era artists who were largely concerned with depicting and critiquing social relations, thereby neglecting

1547-408: A novel by Laurence Sterne (1759–1767), introduced a whimsical version of the anti-rational sentimental novel to the English literary public. An early German influence came from Johann Wolfgang von Goethe , whose 1774 novel The Sorrows of Young Werther had young men throughout Europe emulating its protagonist, a young artist with a very sensitive and passionate temperament. At that time Germany

1666-430: A sense similar to the reason a person seeks out the controlled thrill of a roller coaster , readers in the modern era seek out feelings of horror and terror to feel a sense of excitement. However, Barrette adds that horror fiction is one of the few mediums where readers seek out a form of art that forces themselves to confront ideas and images they "might rather ignore to challenge preconceptions of all kinds." One can see

1785-478: A shift in public consciousness to the immediate impact of technology and urbanization on the working class . By World War I , Romanticism was overshadowed by new cultural, social, and political movements, many of them hostile to the perceived illusions and preoccupations of the Romantics. However, Romanticism has had a lasting impact on Western civilization, and many works of art, music, and literature that embody

1904-408: A story intends to shock and disgust, but the best horror intends to rattle our cages and shake us out of our complacency. It makes us think, forces us to confront ideas we might rather ignore, and challenges preconceptions of all kinds. Horror reminds us that the world is not always as safe as it seems, which exercises our mental muscles and reminds us to keep a little healthy caution close at hand. In

2023-576: A very typical view, and about 1830, perhaps a little later than some other critics. Others have proposed 1780–1830. In other fields and other countries the period denominated as Romantic can be considerably different; musical Romanticism , for example, is generally regarded as only having ceased as a major artistic force as late as 1910, but in an extreme extension the Four Last Songs of Richard Strauss are described stylistically as "Late Romantic" and were composed in 1946–1948. However, in most fields

2142-555: A year or more often. Unsurprisingly, there is a strong correlation between liking and frequency of use (r=.79, p<.0001). Achievements in horror fiction are recognized by numerous awards. The Horror Writers Association presents the Bram Stoker Awards for Superior Achievement, named in honor of Bram Stoker , author of the seminal horror novel Dracula . The Australian Horror Writers Association presents annual Australian Shadows Awards . The International Horror Guild Award

2261-610: Is Stephen King , known for Carrie , The Shining , It , Misery , and several dozen other novels and about 200 short stories . Beginning in the 1970s, King's stories have attracted a large audience, for which he was awarded by the U.S. National Book Foundation in 2003. Other popular horror authors of the period included Anne Rice , Shaun Hutson , Brian Lumley , Graham Masterton , James Herbert , Dean Koontz , Richard Laymon , Clive Barker , Ramsey Campbell , and Peter Straub . Best-selling book series of contemporary times exist in genres related to horror fiction, such as

2380-423: Is a genre of speculative fiction that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of psychological horror and supernatural horror, which are in the realm of speculative fiction. Literary historian J. A. Cuddon , in 1984, defined the horror story as "a piece of fiction in prose of variable length   ... which shocks, or even frightens the reader, or perhaps induces

2499-526: Is a werewolf story titled " Bisclavret ". The Countess Yolande commissioned a werewolf story titled " Guillaume de Palerme ". Anonymous writers penned two werewolf stories, "Biclarel" and " Melion ". Much horror fiction derives from the cruellest personages of the 15th century. Dracula can be traced to the Prince of Wallachia Vlad III , whose alleged war crimes were published in German pamphlets. A 1499 pamphlet

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2618-415: Is almost as old as horror fiction itself. In 1826, the gothic novelist Ann Radcliffe published an essay distinguishing two elements of horror fiction, "terror" and "horror." Whereas terror is a feeling of dread that takes place before an event happens, horror is a feeling of revulsion or disgust after an event has happened. Radcliffe describes terror as that which "expands the soul and awakens the faculties to

2737-486: Is consumed: To assess frequency of horror consumption, we asked respondents the following question: "In the past year, about how often have you used horror media (for example, horror literature, film, and video games) for entertainment?" 11.3% said "Never," 7.5% "Once," 28.9% "Several times," 14.1% "Once a month," 20.8% "Several times a month," 7.3% "Once a week," and 10.2% "Several times a week." Evidently, then, most respondents (81.3%) claimed to use horror media several times

2856-537: Is fear of the unknown." the first sentence from his seminal essay, " Supernatural Horror in Literature ". Science fiction historian Darrell Schweitzer has stated, "In the simplest sense, a horror story is one that scares us" and "the true horror story requires a sense of evil, not in necessarily in a theological sense; but the menaces must be truly menacing, life-destroying, and antithetical to happiness." In her essay "Elements of Aversion", Elizabeth Barrette articulates

2975-446: Is his law". The Romantic poet William Wordsworth , thinking along similar lines, wrote that poetry should begin with "the spontaneous overflow of powerful feelings", which the poet then "recollect[s] in tranquility", enabling the poet to find a suitably unique form for representing such feelings. The Romantics never doubted that emotionally motivated art would find suitable, harmonious modes for expressing its vital content—if, that is,

3094-399: Is merely one of many interpretations of the metaphor of Dracula. Jack Halberstam postulates many of these in his essay Technologies of Monstrosity: Bram Stoker's Dracula . He writes: [The] image of dusty and unused gold, coins from many nations and old unworn jewels, immediately connects Dracula to the old money of a corrupt class, to a kind of piracy of nations and to the worst excesses of

3213-461: Is more than merely an affair of form , but rather something that evokes a strong emotional response. With this philosophical foundation, the Romanticists elevated several key themes to which they were deeply committed: a reverence for nature and the supernatural , an idealization of the past as a nobler era , a fascination with the exotic and the mysterious , and a celebration of the heroic and

3332-445: Is most evident in the aesthetics of romanticism, where the notion of eternal models, a Platonic vision of ideal beauty, which the artist seeks to convey, however imperfectly, on canvas or in sound, is replaced by a passionate belief in spiritual freedom, individual creativity. The painter, the poet, the composer do not hold up a mirror to nature, however ideal, but invent; they do not imitate (the doctrine of mimesis), but create not merely

3451-642: Is now most highly regarded for his short lyrics and his generally unromantic prose writings, especially his letters, and his unfinished satire Don Juan . Unlike many Romantics, Byron's widely publicised personal life appeared to match his work, and his death at 36 in 1824 from disease when helping the Greek War of Independence appeared from a distance to be a suitably Romantic end, entrenching his legend. Keats in 1821 and Shelley in 1822 both died in Italy, Blake (at almost 70) in 1827, and Coleridge largely ceased to write in

3570-469: Is often called "romantic originality". The translator and prominent Romantic August Wilhelm Schlegel argued in his Lectures on Dramatic Arts and Letters that the most valuable quality of human nature is its tendency to diverge and diversify. According to Isaiah Berlin , Romanticism embodied "a new and restless spirit, seeking violently to burst through old and cramping forms, a nervous preoccupation with perpetually changing inner states of consciousness,

3689-401: Is tends to be inconclusive on the impact that viewing such media has. One defining trait of the horror genre is that it provokes an emotional, psychological , or physical response within readers that causes them to react with fear. One of H. P. Lovecraft's most famous quotes about the genre is that: "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear

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3808-482: Is unknown for sure why children enjoy these movies (as it seems counter-intuitive), it is theorized that it is, in part, grotesque monsters that fascinate kids. Tangential to this, the internalized impact of horror television programs and films on children is rather under-researched, especially when compared to the research done on the similar subject of violence in TV and film's impact on the young mind. What little research there

3927-827: The Ancien Régime , and the French Revolution had been more of an inspiration to foreign writers than those experiencing it at first-hand. The first major figure was François-René de Chateaubriand , an aristocrat who had remained a royalist throughout the Revolution, and returned to France from exile in England and America under Napoleon, with whose regime he had an uneasy relationship. His writings, all in prose, included some fiction, such as his influential novella of exile René (1802), which anticipated Byron in its alienated hero, but mostly contemporary history and politics, his travels,

4046-564: The Crusades that he had researched to a degree that was new in literature. In contrast to Germany, Romanticism in English literature had little connection with nationalism, and the Romantics were often regarded with suspicion for the sympathy many felt for the ideals of the French Revolution , whose collapse and replacement with the dictatorship of Napoleon was, as elsewhere in Europe, a shock to

4165-539: The Lake Poets were widely regarded as a marginal group of radicals, though they were supported by the critic and writer William Hazlitt and others. In contrast, Lord Byron and Walter Scott achieved enormous fame and influence throughout Europe with works exploiting the violence and drama of their exotic and historical settings; Goethe called Byron "undoubtedly the greatest genius of our century". Scott achieved immediate success with his long narrative poem The Lay of

4284-468: The deconstruction of traditional tonal harmony in music. They continued the Romantic ideal, stressing depth of emotion in art and music while showcasing technical mastery in a mature Romantic style. By the time of World War I , though, the cultural and artistic climate had changed to such a degree that Romanticism essentially dispersed into subsequent movements. The final Late Romanticist figures to maintain

4403-404: The national poet of Scotland and a major influence on the Romantic movement. His poem (and song) " Auld Lang Syne " is often sung at Hogmanay (the last day of the year), and " Scots Wha Hae " served for a long time as an unofficial national anthem of the country. Scott began as a poet and also collected and published Scottish ballads. His first prose work, Waverley in 1814, is often called

4522-609: The rationalism and classicism of the Enlightenment , Romanticism revived medievalism and juxtaposed a pastoral conception of a more "authentic" European past with a highly critical view of recent social changes, including urbanization , brought about by the Industrial Revolution . Romanticism lionized the achievements of "heroic" individuals—especially artists, who began to be represented as cultural leaders (one Romantic luminary, Percy Bysshe Shelley , described poets as

4641-495: The sublime . The Romanticist movement had a particular fondness for the Middle Ages , which to them represented an era of chivalry , heroism, and a more organic relationship between humans and their environment. This idealization contrasted sharply with the values of their contemporary industrial society, which they considered alienating for its economic materialism and environmental degradation . The movement's illustration of

4760-572: The supernatural / occult and human psychology . Romanticism tended to regard satire as something unworthy of serious attention, a view still influential today. The Romantic movement in literature was preceded by the Enlightenment and succeeded by Realism . The precursors of Romanticism in English poetry go back to the middle of the 18th century, including figures such as Joseph Warton (headmaster at Winchester College ) and his brother Thomas Warton , Professor of Poetry at Oxford University . Joseph maintained that invention and imagination were

4879-569: The werewolf fiction urban fantasy Kitty Norville books by Carrie Vaughn (2005 onward). Horror elements continue to expand outside the genre. The alternate history of more traditional historical horror in Dan Simmons 's 2007 novel The Terror sits on bookstore shelves next to genre mash ups such as Pride and Prejudice and Zombies (2009), and historical fantasy and horror comics such as Hellblazer (1993 onward) and Mike Mignola 's Hellboy (1993 onward). Horror also serves as one of

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4998-725: The "romantic harp" and "classic lyre", but in 1820 Byron could still write, perhaps slightly disingenuously, It is only from the 1820s that Romanticism certainly knew itself by its name, and in 1824 the Académie française took the wholly ineffective step of issuing a decree condemning it in literature. The period typically called Romantic varies greatly between different countries and different artistic media or areas of thought. Margaret Drabble described it in literature as taking place "roughly between 1770 and 1848", and few dates much earlier than 1770 will be found. In English literature, M. H. Abrams placed it between 1789, or 1798, this latter

5117-448: The "unacknowledged legislators of the world" in his " Defence of Poetry "). Romanticism placed the highest importance on the freedom of the artists to authentically express their sentiments and ideas. Romantics like the German painter Caspar David Friedrich believed that an artist's emotions should dictate their formal approach; Friedrich went as far as declaring that "the artist's feeling

5236-474: The 1790s, contrasting it with "classic" but in terms of spirit rather than merely dating. Friedrich Schlegel wrote in his 1800 essay Gespräch über die Poesie ("Dialogue on Poetry"): The modern sense of the term spread more widely in France by its persistent use by Germaine de Staël in her De l'Allemagne (1813), recounting her travels in Germany. In England Wordsworth wrote in a preface to his poems of 1815 of

5355-406: The 1820s. Wordsworth was by 1820 respectable and highly regarded, holding a government sinecure , but wrote relatively little. In the discussion of English literature, the Romantic period is often regarded as finishing around the 1820s, or sometimes even earlier, although many authors of the succeeding decades were no less committed to Romantic values. The most significant novelist in English during

5474-572: The 1950s satisfied readers' quests for horror imagery that the silver screen could not provide. This imagery made these comics controversial, and as a consequence, they were frequently censored. The modern zombie tale dealing with the motif of the living dead harks back to works including H. P. Lovecraft's stories " Cool Air " (1925), "In The Vault" (1926), and " The Outsider " (1926), and Dennis Wheatley 's "Strange Conflict" (1941). Richard Matheson 's novel I Am Legend (1954) influenced an entire genre of apocalyptic zombie fiction emblematized by

5593-528: The Enlightenment's position that humans can fully comprehend the world through rationality alone, suggesting that intuition and emotion are key components of insight and understanding. Published in 1774, " The Sorrows of Young Werther " by Johann Wolfgang von Goethe began to shape the Romanticist movement and its ideals. The events and ideologies of the French Revolution were also direct influences on

5712-589: The French retreat from Moscow in 1812, fantasies of heroism and adventure had little appeal for him, and like Goya he is often seen as a forerunner of Realism. His most important works are Le Rouge et le Noir ( The Red and the Black , 1830) and La Chartreuse de Parme ( The Charterhouse of Parma , 1839). Romanticism in Poland is often taken to begin with the publication of Adam Mickiewicz 's first poems in 1822, and end with

5831-605: The Last Minstrel in 1805, followed by the full epic poem Marmion in 1808. Both were set in the distant Scottish past, already evoked in Ossian ; Romanticism and Scotland were to have a long and fruitful partnership. Byron had equal success with the first part of Childe Harold's Pilgrimage in 1812, followed by four "Turkish tales", all in the form of long poems, starting with The Giaour in 1813, drawing from his Grand Tour , which had reached Ottoman Europe, and orientalizing

5950-504: The Middle Ages was a central theme in debates, with allegations that Romanticist portrayals often overlooked the downsides of medieval life. The consensus is that Romanticism peaked from 1800 until 1850. However, a "Late Romantic" period and " Neoromantic " revivals are also discussed. These extensions of the movement are characterized by a resistance to the increasingly experimental and abstract forms that culminated in modern art , and

6069-617: The Noble Grecians and Romans in the account of Cimon , the author describes the spirit of a murderer , Damon, who himself was murdered in a bathhouse in Chaeronea . Pliny the Younger (61 to c. 113) tells the tale of Athenodorus Cananites , who bought a haunted house in Athens . Athenodorus was cautious since the house seemed inexpensive. While writing a book on philosophy, he was visited by

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6188-585: The Ripper , and lesser so, Carl Panzram , Fritz Haarman , and Albert Fish , all perpetuated this phenomenon. The trend continued in the postwar era, partly renewed after the murders committed by Ed Gein . In 1959, Robert Bloch , inspired by the murders, wrote Psycho . The crimes committed in 1969 by the Manson Family influenced the slasher theme in horror fiction of the 1970s. In 1981, Thomas Harris wrote Red Dragon , introducing Dr. Hannibal Lecter . In 1988,

6307-511: The Romantic ideals died in the 1940s. Though they were still widely respected, they were seen as anachronisms at that point. Romanticism was a complex movement with a variety of viewpoints that permeated Western civilization across the globe. The movement and its opposing ideologies mutually shaped each other over time. After its end, Romantic thought and art exerted a sweeping influence on art and music , speculative fiction , philosophy , politics , and environmentalism that has endured to

6426-541: The Romantic ideals have been made after the end of the Romantic Era. The movement's advocacy for nature appreciation is cited as an influence for current nature conservation efforts. The majority of film scores from the Golden Age of Hollywood were written in the lush orchestral Romantic style, and this genre of orchestral cinematic music is still often seen in films of the 21st century. The philosophical underpinnings of

6545-436: The Romantic interest in folk literature, but neither had a fully Romantic approach to life or their work. Though they have modern critical champions such as György Lukács , Scott's novels are today more likely to be experienced in the form of the many operas that composers continued to base on them over the following decades, such as Donizetti 's Lucia di Lammermoor and Vincenzo Bellini 's I puritani (both 1835). Byron

6664-465: The Romantic period is said to be over by about 1850, or earlier. The early period of the Romantic era was a time of war, with the French Revolution (1789–1799) followed by the Napoleonic Wars until 1815. These wars, along with the political and social turmoil that went along with them, served as the background for Romanticism. The key generation of French Romantics born between 1795 and 1805 had, in

6783-862: The Wanderer (1820), Washington Irving 's " The Legend of Sleepy Hollow " (1820), Jane C. Loudon 's The Mummy!: Or a Tale of the Twenty-Second Century (1827), Victor Hugo 's The Hunchback of Notre-Dame (1831), Thomas Peckett Prest 's Varney the Vampire (1847), the works of Edgar Allan Poe , the works of Sheridan Le Fanu , Robert Louis Stevenson 's Strange Case of Dr Jekyll and Mr Hyde (1886), Oscar Wilde 's The Picture of Dorian Gray (1890), Sir Arthur Conan Doyle 's " Lot No. 249 " (1892), H. G. Wells ' The Invisible Man (1897), and Bram Stoker 's Dracula (1897). Each of these works created an enduring icon of horror seen in later re-imaginings on

6902-647: The ancient bard Ossian , he published translations that acquired international popularity, being proclaimed as a Celtic equivalent of the Classical epics . Fingal , written in 1762, was speedily translated into many European languages, and its appreciation of natural beauty and treatment of the ancient legend has been credited more than any single work with bringing about the Romantic movement in European, and especially in German literature, through its influence on Johann Gottfried von Herder and Johann Wolfgang von Goethe . It

7021-422: The aristocracy. Halberstram articulates a view of Dracula as manifesting the growing perception of the aristocracy as an evil and outdated notion to be defeated. The depiction of a multinational band of protagonists using the latest technologies (such as a telegraph ) to quickly share, collate, and act upon new information is what leads to the destruction of the vampire. This is one of many interpretations of

7140-600: The artist steered clear of moribund conventions and distracting precedents. Samuel Taylor Coleridge and others thought there were natural laws the imagination of born artists followed instinctively when these individuals were, so to speak, "left alone" during the creative process. These "natural laws" could support a wide range of different formal approaches: as many, perhaps, as there were individuals making personally meaningful works of art. Many Romantics believed that works of artistic genius were created " ex nihilo ", "from nothing", without recourse to existing models. This idea

7259-542: The artist's unique, individual imagination above the strictures of classical form. The movement emphasized intense emotion as an authentic source of aesthetic experience. It granted a new importance to experiences of sympathy , awe , wonder , and terror , in part by naturalizing such emotions as responses to the "beautiful" and the "sublime". Romantics stressed the nobility of folk art and ancient cultural practices, but also championed radical politics , unconventional behavior, and authentic spontaneity. In contrast to

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7378-410: The author. There are many theories as to why people enjoy being scared. For example, "people who like horror films are more likely to score highly for openness to experience, a personality trait linked to intellect and imagination." It is a now commonly accepted view that the horror elements of Dracula 's portrayal of vampirism are metaphors for sexuality in a repressed Victorian era . But this

7497-448: The beginning of a tradition of resistance to Enlightenment rationalism—a "Counter-Enlightenment"— to be associated most closely with German Romanticism . Another early definition comes from Charles Baudelaire : "Romanticism is precisely situated neither in choice of subject nor exact truth, but in the way of feeling." The end of the Romantic era is marked in some areas by a new style of Realism , which affected literature, especially

7616-479: The best known works, which became a paradigm of the French Romantic movement. The preface to his unperformed play Cromwell gives an important manifesto of French Romanticism, stating that "there are no rules, or models". The career of Prosper Mérimée followed a similar pattern; he is now best known as the originator of the story of Carmen , with his novella published 1845. Alfred de Vigny remains best known as

7735-478: The brothers, Jacob , published in 1835 Deutsche Mythologie , a long academic work on Germanic mythology. Another strain is exemplified by Schiller's highly emotional language and the depiction of physical violence in his play The Robbers of 1781. In English literature , the key figures of the Romantic movement are considered to be the group of poets including William Wordsworth , Samuel Taylor Coleridge , John Keats , Lord Byron , Percy Bysshe Shelley and

7854-580: The central genres in more complex modern works such as Mark Z. Danielewski 's House of Leaves (2000), a finalist for the National Book Award . There are many horror novels for children and teens, such as R. L. Stine 's Goosebumps series or The Monstrumologist by Rick Yancey . Additionally, many movies for young audiences, particularly animated ones, use horror aesthetics and conventions (for example, ParaNorman ). These are what can be collectively referred to as "children's horror". Although it

7973-418: The chief qualities of a poet. The Scottish poet James Macpherson influenced the early development of Romanticism with the international success of his Ossian cycle of poems published in 1762, inspiring both Goethe and the young Walter Scott . Thomas Chatterton is generally considered the first Romantic poet in English. Both Chatterton and Macpherson's work involved elements of fraud, as what they claimed

8092-399: The confrontation of ideas that readers and characters would "rather ignore" throughout literature in famous moments such as Hamlet 's musings about the skull of Yorick , its implications of the mortality of humanity, and the gruesome end that bodies inevitably come to. In horror fiction, the confrontation with the gruesome is often a metaphor for the problems facing the current generation of

8211-690: The crushing of the January Uprising of 1863 against the Russians. It was strongly marked by interest in Polish history. Polish Romanticism revived the old "Sarmatism" traditions of the szlachta or Polish nobility. Old traditions and customs were revived and portrayed in a positive light in the Polish messianic movement and in works of great Polish poets such as Adam Mickiewicz ( Pan Tadeusz ), Juliusz Słowacki and Zygmunt Krasiński . This close connection between Polish Romanticism and Polish history became one of

8330-437: The defining qualities of the literature of Polish Romanticism period, differentiating it from that of other countries. They had not suffered the loss of national statehood as was the case with Poland. Influenced by the general spirit and main ideas of European Romanticism, the literature of Polish Romanticism is unique, as many scholars have pointed out, in having developed largely outside of Poland and in its emphatic focus upon

8449-512: The difficulty of defining Romanticism in his seminal article "On the Discrimination of Romanticisms" in his Essays in the History of Ideas (1948); some scholars see Romanticism as essentially continuous with the present, some like Robert Hughes see in it the inaugural moment of modernity , while writers of the 19th Century such as Chateaubriand , Novalis and Samuel Taylor Coleridge saw it as

8568-411: The early 20th century made inroads in these mediums. Particularly, the venerated horror author H. P. Lovecraft , and his enduring Cthulhu Mythos transformed and popularized the genre of cosmic horror , and M. R. James is credited with redefining the ghost story in that era. The serial murderer became a recurring theme. Yellow journalism and sensationalism of various murderers, such as Jack

8687-655: The early nineteenth century, caused Edinburgh to emerge as the cultural capital of Britain and become central to a wider formation of a "British Isles nationalism". Scottish "national drama" emerged in the early 1800s, as plays with specifically Scottish themes began to dominate the Scottish stage. Theatres had been discouraged by the Church of Scotland and fears of Jacobite assemblies. In the later eighteenth century, many plays were written for and performed by small amateur companies and were not published and so most have been lost. Towards

8806-444: The end of the century there were " closet dramas ", primarily designed to be read, rather than performed, including work by Scott, Hogg, Galt and Joanna Baillie (1762–1851), often influenced by the ballad tradition and Gothic Romanticism. Romanticism was relatively late in developing in French literature , more so than in the visual arts. The 18th-century precursor to Romanticism, the cult of sensibility, had become associated with

8925-405: The excitement of living on the edge, the tension between hunter and hunted. So we told each other stories through the long, dark nights. when the fires burned low, we did our best to scare the daylights out of each other. The rush of adrenaline feels good. Our hearts pound, our breath quickens, and we can imagine ourselves on the edge. Yet we also appreciate the insightful aspects of horror. Sometimes

9044-414: The exotic and historical settings pioneered by the Romantics, but experimentation with form and technique was generally reduced, often replaced with meticulous technique, as in the poems of Tennyson or many paintings. If not realist, late 19th-century art was often extremely detailed, and pride was taken in adding authentic details in a way that earlier Romantics did not trouble with. Many Romantic ideas about

9163-656: The fields of intellectual history and literary history throughout the 20th century, without any great measure of consensus emerging. That it was part of the Counter-Enlightenment , a reaction against the Age of Enlightenment , is generally accepted in current scholarship. Its relationship to the French Revolution , which began in 1789 in the very early stages of the period, is clearly important, but highly variable depending on geography and individual reactions. Most Romantics can be said to be broadly progressive in their views, but

9282-404: The films of George A. Romero . In the late 1960s and early 1970s, the enormous commercial success of three books - Rosemary's Baby (1967) by Ira Levin , The Exorcist by William Peter Blatty , and The Other by Thomas Tryon - encouraged publishers to begin releasing numerous other horror novels, thus creating a "horror boom". One of the best-known late-20th century horror writers

9401-499: The first historical novel. It launched a highly successful career, with other historical novels such as Rob Roy (1817), The Heart of Midlothian (1818) and Ivanhoe (1820). Scott probably did more than any other figure to define and popularise Scottish cultural identity in the nineteenth century. Other major literary figures connected with Romanticism include the poets and novelists James Hogg (1770–1835), Allan Cunningham (1784–1842) and John Galt (1779–1839). Scotland

9520-409: The flamboyant Théophile Gautier , whose prolific output in various forms continued until his death in 1872. Stendhal is today probably the most highly regarded French novelist of the period, but he stands in a complex relation with Romanticism, and is notable for his penetrating psychological insight into his characters and his realism, qualities rarely prominent in Romantic fiction. As a survivor of

9639-902: The gradual development of Romanticism and the Gothic horror genre. It drew on the written and material heritage of the Late Middle Ages, finding its form with Horace Walpole 's seminal and controversial 1764 novel, The Castle of Otranto . In fact, the first edition was published disguised as an actual medieval romance from Italy, discovered and republished by a fictitious translator. Once revealed as modern, many found it anachronistic , reactionary , or simply in poor taste, but it proved immediately popular. Otranto inspired Vathek (1786) by William Beckford , A Sicilian Romance (1790), The Mysteries of Udolpho (1794), The Italian (1796) by Ann Radcliffe , and The Monk (1797) by Matthew Lewis . A significant amount of horror fiction of this era

9758-495: The late 1820s. Cliques of pro- and anti-Romantics developed, and productions were often accompanied by raucous vocalizing by the two sides, including the shouted assertion by one theatregoer in 1822 that "Shakespeare, c'est l'aide-de-camp de Wellington" ("Shakespeare is Wellington 's aide-de-camp "). Alexandre Dumas began as a dramatist, with a series of successes beginning with Henri III et sa cour (1829) before turning to novels that were mostly historical adventures somewhat in

9877-510: The lives of the poor in his native Lake District , or his feelings about nature—which he more fully developed in his long poem The Prelude , never published in his lifetime. The longest poem in the volume was Coleridge's The Rime of the Ancient Mariner , which showed the Gothic side of English Romanticism, and the exotic settings that many works featured. In the period when they were writing,

9996-444: The manner of Scott, most famously The Three Musketeers and The Count of Monte Cristo , both of 1844. Victor Hugo published as a poet in the 1820s before achieving success on the stage with Hernani —a historical drama in a quasi-Shakespearean style that had famously riotous performances on its first run in 1830. Like Dumas, Hugo is best known for his novels, and was already writing The Hunchback of Notre-Dame (1831), one of

10115-408: The means but the goals that they pursue; these goals represent the self-expression of the artist's own unique, inner vision, to set aside which in response to the demands of some "external" voice—church, state, public opinion, family friends, arbiters of taste—is an act of betrayal of what alone justifies their existence for those who are in any sense creative. Arthur Lovejoy attempted to demonstrate

10234-433: The melting away of the very notion of objective truth", and hence not only to nationalism, but also fascism and totalitarianism , with a gradual recovery coming only after World War II. For the Romantics, Berlin says, in the realm of ethics, politics, aesthetics it was the authenticity and sincerity of the pursuit of inner goals that mattered; this applied equally to individuals and groups—states, nations, movements. This

10353-449: The metaphor of only one central figure of the canon of horror fiction, as over a dozen possible metaphors are referenced in the analysis, from the religious to the antisemitic . Noël Carroll 's Philosophy of Horror postulates that a modern piece of horror fiction's " monster ", villain , or a more inclusive menace must exhibit the following two traits: In addition to those essays and articles shown above, scholarship on horror fiction

10472-521: The mid-century the undoubtedly Romantic novels of the Yorkshire -based Brontë family appeared, most notably Charlotte 's Jane Eyre and Emily 's Wuthering Heights , both published in 1847, which also introduced more Gothic themes. While these two novels were written and published after the Romantic period is said to have ended, their novels were heavily influenced by Romantic literature they had read as children. Byron, Keats, and Shelley all wrote for

10591-411: The movement have influenced modern political theory, both among liberals and conservatives . Romanticism was characterized by its emphasis on emotion and individualism as well as the glorification of the past and nature, preferring the medieval over the classical. Romanticism was partly a reaction to the Industrial Revolution , and the prevailing ideology of the Age of Enlightenment , especially

10710-602: The movement. Though his novels celebrated Scottish identity and history, Scott was politically a firm Unionist, but admitted to Jacobite sympathies. Several Romantics spent much time abroad, and a famous stay on Lake Geneva with Byron and Shelley in 1816 produced the hugely influential novel Frankenstein by Shelley's wife-to-be Mary Shelley and the novella The Vampyre by Byron's doctor John William Polidori . The lyrics of Robert Burns in Scotland, and Thomas Moore from Ireland, reflected in different ways their countries and

10829-479: The movement; many early Romantics throughout Europe sympathized with the ideals and achievements of French revolutionaries. A confluence of circumstances led to Romanticism's decline in the mid-19th century, including (but not limited to) the rise of Realism and Naturalism , Charles Darwin 's publishing of the Origin of Species , the transition from widespread revolution in Europe to a more conservative climate, and

10948-436: The much older William Blake , followed later by the isolated figure of John Clare ; also such novelists as Walter Scott from Scotland and Mary Shelley , and the essayists William Hazlitt and Charles Lamb . The publication in 1798 of Lyrical Ballads , with many of the finest poems by Wordsworth and Coleridge, is often held to mark the start of the movement. The majority of the poems were by Wordsworth, and many dealt with

11067-557: The nature and purpose of art, above all the pre-eminent importance of originality, remained important for later generations, and often underlie modern views, despite opposition from theorists. In literature, Romanticism found recurrent themes in the evocation or criticism of the past, the cult of " sensibility " with its emphasis on women and children, the isolation of the artist or narrator, and respect for nature. Furthermore, several romantic authors, such as Edgar Allan Poe , Charles Maturin and Nathaniel Hawthorne , based their writings on

11186-560: The need by some for horror tales in a modern world: The old "fight or flight" reaction of our evolutionary heritage once played a major role in the life of every human. Our ancestors lived and died by it. Then someone invented the fascinating game of civilization, and things began to calm down. Development pushed wilderness back from settled lands. War, crime, and other forms of social violence came with civilization and humans started preying on each other, but by and large daily life calmed down. We began to feel restless, to feel something missing:

11305-414: The novel and drama, painting, and even music, through Verismo opera. This movement was led by France, with Balzac and Flaubert in literature and Courbet in painting; Stendhal and Goya were important precursors of Realism in their respective media. However, Romantic styles, now often representing the established and safe style against which Realists rebelled, continued to flourish in many fields for

11424-424: The page, stage, and screen. A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For example, Gaston Leroux serialized his Le Fantôme de l'Opéra before it became a novel in 1910. One writer who specialized in horror fiction for mainstream pulps, such as All-Story Magazine , was Tod Robbins , whose fiction deals with themes of madness and cruelty. In Russia,

11543-422: The peak Romantic period, other than Walter Scott, was Jane Austen , whose essentially conservative world-view had little in common with her Romantic contemporaries, retaining a strong belief in decorum and social rules, though critics such as Claudia L. Johnson have detected tremors under the surface of many works, such as Northanger Abbey (1817), Mansfield Park (1814) and Persuasion (1817). But around

11662-541: The person. These manifested in stories of beings such as demons, witches, vampires, werewolves, and ghosts. European horror-fiction became established through works of the Ancient Greeks and Ancient Romans . Mary Shelley 's well-known 1818 novel about Frankenstein was greatly influenced by the story of Hippolytus , whom Asclepius revives from death. Euripides wrote plays based on the story, Hippolytos Kalyptomenos and Hippolytus . In Plutarch 's The Lives of

11781-457: The present day. The movement is the reference for the modern notion of " romanticization " and the act of "romanticizing" something. For most of the Western world, Romanticism was at its peak from approximately 1800 to 1850. The first Romantic ideas arose from an earlier German Counter-Enlightenment movement called Sturm und Drang (German: "Storm and Stress"). This movement directly criticized

11900-451: The reader to identify the protagonists with the poets themselves." This quality in Romantic literature, in turn, influenced the approach and reception of works in other media; it has seeped into everything from critical evaluations of individual style in painting, fashion, and music, to the auteur movement in modern filmmaking. The group of words with the root "Roman" in the various European languages, such as "romance" and "Romanesque", has

12019-399: The relationship between people and Nature. Romantics generally believed a close connection with Nature was beneficial for human beings, especially for individuals who broke off from society in order to encounter the natural world by themselves. Romantic literature was frequently written in a distinctive, personal "voice". As critic M. H. Abrams has observed, "much of romantic poetry invited

12138-477: The rest of the century and beyond. In music such works from after about 1850 are referred to by some writers as "Late Romantic" and by others as "Neoromantic" or "Postromantic", but other fields do not usually use these terms; in English literature and painting the convenient term "Victorian" avoids having to characterise the period further. In northern Europe, the Early Romantic visionary optimism and belief that

12257-441: The scientific rationalization of Nature. The movement's ideals were embodied most strongly in the visual arts, music, and literature; it also had a major impact on historiography , education, chess , social sciences , and the natural sciences . Romanticism had a significant and complex effect on politics: Romantic thinking influenced conservatism , liberalism , radicalism , and nationalism . Romanticism prioritized

12376-517: The sequel to that novel, The Silence of the Lambs , was published. Early cinema was inspired by many aspects of horror literature, and started a strong tradition of horror films and subgenres that continues to this day. Up until the graphic depictions of violence and gore on the screen commonly associated with 1960s and 1970s slasher films and splatter films , comic books such as those published by EC Comics (most notably Tales From The Crypt ) in

12495-523: The stage, but with little success in England, with Shelley's The Cenci perhaps the best work produced, though that was not played in a public theatre in England until a century after his death. Byron's plays, along with dramatizations of his poems and Scott's novels, were much more popular on the Continent, and especially in France, and through these versions several were turned into operas, many still performed today. If contemporary poets had little success on

12614-558: The stage, the period was a legendary one for performances of Shakespeare , and went some way to restoring his original texts and removing the Augustan "improvements" to them. The greatest actor of the period, Edmund Kean , restored the tragic ending to King Lear ; Coleridge said that "Seeing him act was like reading Shakespeare by flashes of lightning." Although after union with England in 1707 Scotland increasingly adopted English language and wider cultural norms, its literature developed

12733-421: The term, considering it too lurid. They instead use the terms dark fantasy or Gothic fantasy for supernatural horror, or " psychological thriller " for non-supernatural horror. Romanticism Romanticists rejected the social conventions of the time in favour of a moral outlook known as individualism . They argued that passion and intuition were crucial to understanding the world, and that beauty

12852-424: The themes of the Gothic novel in verse. These featured different variations of the " Byronic hero ", and his own life contributed a further version. Scott meanwhile was effectively inventing the historical novel , beginning in 1814 with Waverley , set in the 1745 Jacobite rising , which was a highly profitable success, followed by over 20 further Waverley Novels over the next 17 years, with settings going back to

12971-422: The words of one of their number, Alfred de Vigny , been "conceived between battles, attended school to the rolling of drums". According to Jacques Barzun , there were three generations of Romantic artists. The first emerged in the 1790s and 1800s, the second in the 1820s, and the third later in the century. The more precise characterization and specific definition of Romanticism has been the subject of debate in

13090-483: The world was in the process of great change and improvement had largely vanished, and some art became more conventionally political and polemical as its creators engaged polemically with the world as it was. Elsewhere, including in very different ways the United States and Russia, feelings that great change was underway or just about to come were still possible. Displays of intense emotion in art remained prominent, as did

13209-473: The writer Alexander Belyaev popularized these themes in his story Professor Dowell's Head (1925), in which a mad doctor performs experimental head transplants and reanimations on bodies stolen from the morgue and which was first published as a magazine serial before being turned into a novel. Later, specialist publications emerged to give horror writers an outlet, prominent among them was Weird Tales and Unknown Worlds . Influential horror writers of

13328-555: Was a multitude of small separate states, and Goethe's works would have a seminal influence in developing a unifying sense of nationalism . Another philosophic influence came from the German idealism of Johann Gottlieb Fichte and Friedrich Schelling , making Jena (where Fichte lived, as well as Schelling, Hegel , Schiller and the brothers Schlegel ) a centre for early German Romanticism (see Jena Romanticism ). Important writers were Ludwig Tieck , Novalis , Heinrich von Kleist and Friedrich Hölderlin . Heidelberg later became

13447-456: Was also popularised in France by figures that included Napoleon . Eventually it became clear that the poems were not direct translations from Scottish Gaelic , but flowery adaptations made to suit the aesthetic expectations of his audience. Robert Burns (1759–96) and Walter Scott (1771–1832) were highly influenced by the Ossian cycle. Burns, an Ayrshire poet and lyricist, is widely regarded as

13566-437: Was also the location of two of the most important literary magazines of the era, The Edinburgh Review (founded in 1802) and Blackwood's Magazine (founded in 1817), which had a major impact on the development of British literature and drama in the era of Romanticism. Ian Duncan and Alex Benchimol suggest that publications like the novels of Scott and these magazines were part of a highly dynamic Scottish Romanticism that by

13685-455: Was darker in its motifs and has gothic elements. The significance to Romanticism of childhood innocence, the importance of imagination, and racial theories all combined to give an unprecedented importance to folk literature , non-classical mythology and children's literature , above all in Germany. Brentano and von Arnim were significant literary figures who together published Des Knaben Wunderhorn ("The Boy's Magic Horn" or cornucopia ),

13804-469: Was earlier literature that they had discovered or compiled was, in fact, entirely their own work. The Gothic novel , beginning with Horace Walpole 's The Castle of Otranto (1764), was an important precursor of one strain of Romanticism, with a delight in horror and threat, and exotic picturesque settings, matched in Walpole's case by his role in the early revival of Gothic architecture . Tristram Shandy ,

13923-538: Was presented annually to works of horror and dark fantasy from 1995 to 2008. The Shirley Jackson Awards are literary awards for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic works. Other important awards for horror literature are included as subcategories within general awards for fantasy and science fiction in such awards as the Aurealis Award . Some writers of fiction normally classified as "horror" tend to dislike

14042-464: Was published by Markus Ayrer, which is most notable for its woodcut imagery. The alleged serial-killer sprees of Gilles de Rais have been seen as the inspiration for " Bluebeard ". The motif of the vampiress is most notably derived from the real-life noblewoman and murderer, Elizabeth Bathory , and helped usher in the emergence of horror fiction in the 18th century, such as through László Turóczi's 1729 book Tragica Historia . The 18th century saw

14161-568: Was written by women and marketed towards a female audience, a typical scenario of the novels being a resourceful female menaced in a gloomy castle. The Gothic tradition blossomed into the genre that modern readers today call horror literature in the 19th century. Influential works and characters that continue resonating in fiction and film today saw their genesis in the Brothers Grimm 's " Hänsel und Gretel " (1812), Mary Shelley 's Frankenstein; or, The Modern Prometheus (1818), John Polidori 's " The Vampyre " (1819), Charles Maturin 's Melmoth

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