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111-604: Ni , NI or N-I may refer to: Arts and entertainment [ edit ] Ni, or Nishada, the seventh note of the Indian musical scale in raga New Internationalist , a magazine Knights Who Say "Ni!" , characters from the film Monty Python and the Holy Grail Businesses [ edit ] National Instruments , a U.S. producer of automated test equipment and virtual instrumentation software National Insurance ,

222-580: A psychometric indicator, the test exhibits significant deficiencies, including poor validity , poor reliability , measuring supposedly dichotomous categories that are not independent , and not being comprehensive. Most of the research supporting the MBTI's validity has been produced by the Center for Applications of Psychological Type, an organization run by the Myers–Briggs Foundation, and published in

333-569: A "masculine" rāga. These are envisioned to parallel the god-goddess themes in Hinduism, and described variously by different medieval Indian music scholars. For example, the Sangita-darpana text of 15th-century Damodara Misra proposes six rāgas with thirty ragini , creating a system of thirty six, a system that became popular in Rajasthan . In the north Himalayan regions such as Himachal Pradesh ,

444-868: A Pakistani civilian decoration Nishan-e-Iqbal , a decoration awarded by the Royal House of Rampur, India Non-Inscrits (NI), members of the European Parliament not enrolled in any political group of the European Parliament Nuevas Ideas (NI), a Salvadoran political party Introverted intuition, one of eight cognitive functions postulated by the Myers–Briggs Type Indicator See also [ edit ] [REDACTED] Search for "ni"  or "n-i" on Misplaced Pages. Nee (disambiguation) NL (disambiguation) N1 (disambiguation) Topics referred to by

555-569: A binary value to each of four categories: introversion or extraversion, sensing or intuition, thinking or feeling, and judging or perceiving. One letter from each category is taken to produce a four-letter test result representing one of 16 possible types, such as "INFP" or "ESTJ". The perceived accuracy of test results relies on the Barnum effect , flattery , and confirmation bias , leading participants to personally identify with descriptions that are somewhat desirable, vague, and widely applicable. As

666-532: A clear preference. Point scores on each of the dichotomies can vary considerably from person to person, even among those with the same type. However, Isabel Myers considered the direction of the preference (for example, E vs. I) to be more important than the degree of the preference (for example, very clear vs. slight). The expression of a person's psychological type is more than the sum of the four individual preferences. The preferences interact through type dynamics and type development . Myers–Briggs literature uses

777-406: A different intensity of mood. A rāga has a given set of notes, on a scale, ordered in melodies with musical motifs. A musician playing a rāga , states Bruno Nettl , may traditionally use just these notes but is free to emphasize or improvise certain degrees of the scale. The Indian tradition suggests a certain sequencing of how the musician moves from note to note for each rāga , in order for

888-466: A given mode or a given melody; it is mode with added multiple specialities". A rāga is a central concept of Indian music, predominant in its expression, yet the concept has no direct Western translation. According to Walter Kaufmann, though a remarkable and prominent feature of Indian music, a definition of rāga cannot be offered in one or two sentences. rāga is a fusion of technical and ideational ideas found in music, and may be roughly described as

999-454: A given set of rules. Those who prefer feeling tend to come to decisions by associating or empathizing with the situation, looking at it 'from the inside' and weighing the situation to achieve, on balance, the greatest harmony, consensus and fit, considering the needs of the people involved. Thinkers usually have trouble interacting with people who are inconsistent or illogical, and tend to give very direct feedback to others. They are concerned with

1110-401: A musical entity that includes note intonation, relative duration and order, in a manner similar to how words flexibly form phrases to create an atmosphere of expression. In some cases, certain rules are considered obligatory, in others optional. The rāga allows flexibility, where the artist may rely on simple expression, or may add ornamentations yet express the same essential message but evoke

1221-577: A musician to construct a state of experience in the audience. The word appears in the ancient Principal Upanishads of Hinduism , as well as the Bhagavad Gita . For example, verse 3.5 of the Maitri Upanishad and verse 2.2.9 of the Mundaka Upanishad contain the word rāga . The Mundaka Upanishad uses it in its discussion of soul (Atman-Brahman) and matter (Prakriti), with the sense that

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1332-504: A natural existence. Artists do not invent them, they only discover them. Music appeals to human beings, according to Hinduism, because they are hidden harmonies of the ultimate creation. Some of its ancient texts such as the Sama Veda (~1000 BCE) are structured entirely to melodic themes, it is sections of Rigveda set to music. The rāgas were envisioned by the Hindus as manifestation of

1443-443: A sensitive contact explosive Natural intelligence , a term used to contrast intelligence found in nature, particularly in man, from artificial intelligence Neonatal isoerythrolysis , a disease when the mother has antibodies against the blood type of the newborn Other uses [ edit ] NI Tank , a Russian military vehicle N-I (rocket) , a Japanese rocket based on the U.S. Delta/Thor family Nishan-e-Imtiaz ,

1554-457: A sequence of four cognitive functions (thinking, feeling, sensation, and intuition), each having one of two polar tendencies (extraversion or introversion), giving a total of eight dominant functions. The MBTI is based on these eight hypothetical functions, although with some differences in expression from Jung's model. While the Jungian model proposes the first three dichotomies, Myers and Briggs added

1665-624: A series of category mistakes; it provides, at best, a limited and incomplete account of type related phenomena"; and "type dynamics relies on anecdotal evidence, fails most efficacy tests, and does not fit the empirical facts". His studies gave the clear result that the descriptions and workings of type dynamics do not fit the real behavior of people. He suggests getting completely rid of type dynamics, because it does not help, but hinders understanding of personality. The presumed order of functions 1 to 4 did only occur in one out of 540 test results. The four pairs of preferences or "dichotomies" are shown in

1776-458: A series of empirical experiments he did with the Veena , then compared what he heard, noting the relationship of fifth intervals as a function of intentionally induced change to the instrument's tuning. Bharata states that certain combinations of notes are pleasant, and certain others are not so. His methods of experimenting with the instrument triggered further work by ancient Indian scholars, leading to

1887-785: A sign in cuneiform writing Names [ edit ] Ni (surname) (倪), a Chinese surname Ní , a surname prefix from the shortened form of the Irish word for a daughter Ni, female prefix to some Balinese names Places [ edit ] Ni River (New Caledonia) , a river of New Caledonia Ni River (Virginia) , a tributary of the Mattaponi River Mount Ni , a hill in Shandong, China Nicaragua (ISO 3166 NI) .ni , Nicaragua's internet domain Norfolk Island , an external territory of Australia North Island , one of

1998-600: A system of taxes and related social security benefits in the United Kingdom Native Instruments , a music software production company News International , a British newspaper publisher Portugália airline (IATA code NI) Language [ edit ] Ni (letter) , or Nu, a letter in the Greek alphabet: uppercase Ν, lowercase ν Ni (kana) , romanisation of the Japanese kana に and ニ Ni (cuneiform) ,

2109-566: A third and a half of the published material on the MBTI has been produced for the special conferences of the Center for the Application of Psychological Type (which provide the training in the MBTI, and are funded by sales of the MBTI) or as papers in the Journal of Psychological Type (which is edited and supported by Myers–Briggs advocates and by sales of the indicator). It has been argued that this reflects

2220-408: Is a more structured team performance, typically with a call and response musical structure, similar to an intimate conversation. It includes two or more musical instruments, and incorporates various rāgas such as those associated with Hindu gods Shiva ( Bhairav ) or Krishna ( Hindola ). The early 13th century Sanskrit text Sangitaratnakara , by Sarngadeva patronized by King Sighana of

2331-773: Is also very close to it, states Emmie te Nijenhuis, with the difference that each sruti computes to 54.5 cents, while the Greek enharmonic quarter-tone system computes to 55 cents. The text discusses gramas ( scales ) and murchanas ( modes ), mentioning three scales of seven modes (21 total), some Greek modes are also like them . However, the Gandhara-grama is just mentioned in Natyashastra , while its discussion largely focuses on two scales, fourteen modes and eight four tanas ( notes ). The text also discusses which scales are best for different forms of performance arts. These musical elements are organized into scales ( mela ), and

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2442-473: Is best in spring, Pancama in summer, Sadjagrama and Takka during the monsoons, Bhinnasadja is best in early winter, and Kaisika in late winter. In the 13th century, Sarngadeva went further and associated rāga with rhythms of each day and night. He associated pure and simple rāgas to early morning, mixed and more complex rāgas to late morning, skillful rāgas to noon, love-themed and passionate rāgas to evening, and universal rāgas to night. In

2553-438: Is central to classical Indian music. Each rāga consists of an array of melodic structures with musical motifs; and, from the perspective of the Indian tradition, the resulting music has the ability to "colour the mind" as it engages the emotions of the audience. Each rāga provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by

2664-561: Is conceptually similar to the 12th century Guidonian hand in European music. The study that mathematically arranges rhythms and modes ( rāga ) has been called prastāra (matrix).( Khan 1996 , p. 89, Quote: "… the Sanskrit word prastāra , … means mathematical arrangement of rhythms and modes. In the Indian system of music there are about the 500 modes and 300 different rhythms which are used in everyday music. The modes are called Ragas.") In

2775-451: Is considered a manifestation of Kama (god of love), typically through Krishna . Hindola is also linked to the festival of dola , which is more commonly known as "spring festival of colors" or Holi . This idea of aesthetic symbolism has also been expressed in Hindu temple reliefs and carvings, as well as painting collections such as the ragamala . In ancient and medieval Indian literature,

2886-454: Is different from Wikidata All article disambiguation pages All disambiguation pages Raga A raga ( IAST : rāga , IPA: [ɾäːɡɐ] ; also raaga or ragam or raag ; lit.   ' colouring ' or ' tingeing ' or ' dyeing ' ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode . Rāga

2997-459: Is directed outward toward people and objects, whereas the introvert's is directed inward toward concepts and ideas. Contrasting characteristics between extraverted and introverted people include: Jung identified two pairs of psychological functions: According to Jung's typology model, each person uses one of these four functions more dominantly and proficiently than the other three; however, all four functions are used at different times depending on

3108-403: Is dominant in an individual, a majority of the time. In MBTI theory, the four categories are introversion/extraversion , sensing/intuition, thinking/feeling, and judging/perceiving. According to the MBTI, each person is said to have one preferred quality from each category, producing 16 unique types. The MBTI emphasizes the value of naturally occurring differences. "The underlying assumption of

3219-449: Is especially vocal against MBTI. He called it "the fad that won't die" in a Psychology Today article. Psychometric specialist Robert Hogan wrote: "Most personality psychologists regard the MBTI as little more than an elaborate Chinese fortune cookie ". Nicholas Campion comments that this is "a fascinating example of 'disguised astrology', masquerading as science in order to claim respectability." It has been estimated that between

3330-427: Is generally used in a more conscious and confident way. This dominant function is supported by the secondary (auxiliary) function, and to a lesser degree the tertiary function. The fourth and least conscious function is always the opposite of the dominant function. Myers called this inferior function the "shadow." The four functions operate in conjunction with the attitudes (extraversion and introversion). Each function

3441-421: Is intimately related to tala or guidance about "division of time", with each unit called a matra (beat, and duration between beats). A rāga is not a tune, because the same rāga can yield an infinite number of tunes. A rāga is not a scale, because many rāgas can be based on the same scale. A rāga , according to Bruno Nettl and other music scholars, is a concept similar to a mode, something between

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3552-486: Is introverted, then the other functions are extraverted and vice versa. The MBTI Manual summarizes Jung's work of balance in psychological type as follows: "There are several references in Jung's writing to the three remaining functions having an opposite attitudinal character. For example, in writing about introverts with thinking dominant ... Jung commented that the counterbalancing functions have an extraverted character." Using

3663-492: Is no longer in use today because the 'related' rāgas had very little or no similarity and the rāga-rāginī classification did not agree with various other schemes. The North Indian rāga system is also called Hindustani , while the South Indian system is commonly referred to as Carnatic . The North Indian system suggests a particular time of a day or a season, in the belief that the human state of psyche and mind are affected by

3774-413: Is often considered to be more associated with the unconscious, being most evident in situations such as high stress (sometimes referred to as being "in the grip" of the inferior function). However, the use of type dynamics is disputed: in the conclusion of various studies on the subject of type dynamics, James H. Reynierse writes, "Type dynamics has persistent logical problems and is fundamentally based on

3885-524: Is probably a pronunciation of rāga . According to Hormoz Farhat , it is unclear how this term came to Persia, it has no meaning in modern Persian language, and the concept of rāga is unknown in Persia. Myers%E2%80%93Briggs Type Indicator The MBTI was constructed during World War II by Americans Katharine Cook Briggs and her daughter Isabel Briggs Myers , inspired by Swiss psychiatrist Carl Jung 's 1921 book Psychological Types . The test assigns

3996-828: Is recognizably the same. Some rāgas are common to both systems but have different names, such as malkos of Hindustani system is recognizably the same as hindolam of Carnatic system. However, some rāgas are named the same in the two systems, but they are different, such as todi . Recently, a 32 thaat system was presented in a book Nai Vaigyanik Paddhati to correct the classification of ragas in North Indian style. Rāgas that have four svaras are called surtara (सुरतर) (tetra tonic) rāgas; those with five svaras are called audava (औडव) (pentatonic) rāgas; those with six are called shaadava (षाडव) (hex-tonic); and those with seven are called sampurna (संपूर्ण, Sanskrit for 'complete') (heptatonic). The number of svaras may differ in

4107-422: Is too simplistic. According to them, a rāga of the ancient Indian tradition can be compared to the concept of non-constructible set in language for human communication, in a manner described by Frederik Kortlandt and George van Driem ; audiences familiar with raga recognize and evaluate performances of them intuitively. The attempt to appreciate, understand and explain rāga among European scholars started in

4218-474: Is used in either an extraverted or introverted way. A person whose dominant function is extraverted intuition, for example, uses intuition very differently from someone whose dominant function is introverted intuition. Myers and Briggs added another dimension to Jung's typological model by identifying that people also have a preference for using either the judging function (thinking or feeling) or their perceiving function (sensing or intuition) when relating to

4329-642: The Dattilam section of Brihaddeshi has survived into the modern times, but the details of ancient music scholars mentioned in the extant text suggest a more established tradition by the time this text was composed. The same essential idea and prototypical framework is found in ancient Hindu texts, such as the Naradiyasiksa and the classic Sanskrit work Natya Shastra by Bharata Muni , whose chronology has been estimated to sometime between 500 BCE and 500 CE, probably between 200 BCE and 200 CE. Bharata describes

4440-518: The Panchatantra . Indian classical music has ancient roots, and developed for both spiritual ( moksha ) and entertainment ( kama ) purposes. Rāga , along with performance arts such as dance and music, has been historically integral to Hinduism, with some Hindus believing that music is itself a spiritual pursuit and a means to moksha (liberation). Rāgas , in the Hindu tradition, are believed to have

4551-570: The Yoga Sutras II.7, rāga is defined as the desire for pleasure based on remembering past experiences of pleasure. Memory triggers the wish to repeat those experiences, leading to attachment. Ego is seen as the root of this attachment, and memory is necessary for attachment to form. Even when not consciously remembered, past impressions can unconsciously draw the mind toward objects of pleasure. According to Cris Forster, mathematical studies on systematizing and analyzing South Indian rāga began in

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4662-495: The rāga are described as manifestation and symbolism for gods and goddesses. Music is discussed as equivalent to the ritual yajna sacrifice, with pentatonic and hexatonic notes such as "ni-dha-pa-ma-ga-ri" as Agnistoma , "ri-ni-dha-pa-ma-ga as Asvamedha , and so on. In the Middle Ages, music scholars of India began associating each rāga with seasons. The 11th century Nanyadeva, for example, recommends that Hindola rāga

4773-415: The rāga in keeping with rules specific to the rāga . Rāga s range from small rāga s like Bahar and Shahana that are not much more than songs to big rāga s like Malkauns , Darbari and Yaman , which have great scope for improvisation and for which performances can last over an hour. Rāga s may change over time, with an example being Marwa , the primary development of which has been going down into

4884-532: The vadi than to other notes. The samvadi is consonant with the vadi (always from the anga that does not contain the vadi) and is the second most prominent svara in the raga. The Sanskrit word rāga (Sanskrit: राग ) has Indian roots, as *reg- which connotes "to dye". Cognates are found in Greek , Persian , Khwarezmian and other languages, such as "raxt", "rang", "rakt" and others. The words "red" and "rado" are also related. According to Monier Monier-Williams ,

4995-516: The "most comfortable and effective" for them. The Briggs Myers Type Indicator Handbook , published in 1944, was re-published as "Myers–Briggs Type Indicator" in 1956. Myers' work attracted the attention of Henry Chauncey , head of the Educational Testing Service , a private assessment-organization. Under these auspices, the first MBTI "manual" was published, in 1962. The MBTI received further support from Donald W. MacKinnon , head of

5106-464: The 16 four-preference types, one function is the most dominant and is likely to be evident earliest in life. A secondary or auxiliary function typically becomes more evident (differentiated) during teenage years and provides balance to the dominant. In normal development, individuals tend to become more fluent with a third, tertiary function during mid-life, while the fourth, inferior function remains least consciously developed. The inferior function

5217-465: The 16th century. Computational studies of rāgas is an active area of musicology. Although notes are an important part of rāga practice, they alone do not make the rāga. A rāga is more than a scale, and many rāgas share the same scale. The underlying scale may have four , five , six or seven tones , called svaras . The svara concept is found in the ancient Natya Shastra in Chapter 28. It calls

5328-669: The 27 TDI subscales is greater than 0.50, "an acceptable result given the brevity of the subscales". In 1989, a scoring system was developed for only the 20 subscales for the original four dichotomies. This was initially known as "Form K" or "the Expanded Analysis Report". This tool is now called the MBTI Step II. Form J or the TDI included the items (derived from Myers' and McCaulley's earlier work) necessary to score what became known as Step III. (The 1998 MBTI Manual reported that

5439-511: The Buddhist monkhood. Among these is the precept recommending "abstain from dancing, singing, music and worldly spectacles". Buddhism does not forbid music or dance to a Buddhist layperson, but its emphasis has been on chants, not on musical rāga . A rāga is sometimes explained as a melodic rule set that a musician works with, but according to Dorottya Fabian and others, this is now generally accepted among music scholars to be an explanation that

5550-640: The INTP type as an example, the orientation according to Jung would be as follows: Jung's typological model regards psychological type as similar to left or right handedness : people are either born with, or develop, certain preferred ways of perceiving and deciding. The MBTI sorts some of these psychological differences into four opposite pairs, or " dichotomies ", with a resulting 16 possible psychological types. None of these are considered to be "better" or "worse"; however, Briggs and Myers theorized that people innately "prefer" one overall combination of type differences. In

5661-619: The Institute of Personality and Social Research at the University of California, Berkeley ; W. Harold Grant, a professor at Michigan State University and Auburn University ; and Mary H. McCaulley of the University of Florida . The publication of the MBTI was transferred to Consulting Psychologists Press in 1975, and the Center for Applications of Psychological Type was founded as a research laboratory. After Myers' death in May 1980, Mary McCaulley updated

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5772-561: The Islamic rule period of the Indian subcontinent, particularly in and after the 15th century, the mystical Islamic tradition of Sufism developed devotional songs and music called qawwali . It incorporated elements of rāga and tāla . The Buddha discouraged music aimed at entertainment to monks for higher spiritual attainment, but encouraged chanting of sacred hymns. The various canonical Tripitaka texts of Buddhism, for example, state Dasha-shila or ten precepts for those following

5883-503: The J indicates that the dominant function is the preferred judging function (extraverted thinking). The ENTJ type introverts the auxiliary perceiving function (introverted intuition). Their tertiary function is sensing and their inferior function is introverted feeling. Conversely, because the INTJ type is introverted, the J instead indicates that the auxiliary function is the preferred judging function (extraverted thinking). The INTJ type introverts

5994-1532: The Janaka rāgas using a combination of the swarams (usually a subset of swarams) from the parent rāga. Some janya rāgas are Abheri , Abhogi , Bhairavi , Hindolam , Mohanam and Kambhoji . In this 21st century few composers have discovered new ragas . Dr. M. Balamuralikrishna who has created raga in three notes Ragas such as Mahathi, Lavangi, Sidhdhi, Sumukham that he created have only four notes, A list of Janaka Ragas would include Kanakangi , Ratnangi , Ganamurthi, Vanaspathi , Manavathi , Thanarupi, Senavathi, Hanumatodi , Dhenuka , Natakapriya , Kokilapriya , Rupavati , Gayakapriya , Vakulabharanam , Mayamalavagowla , Chakravakam , Suryakantam , Hatakambari , Jhankaradhvani , Natabhairavi , Keeravani , Kharaharapriya , Gourimanohari , Varunapriya , Mararanjani , Charukesi , Sarasangi , Harikambhoji , Sankarabharanam , Naganandini , Yagapriya , Ragavardhini , Gangeyabhushani , Vagadheeswari , Shulini , Chalanata , Salagam , Jalarnavam , Jhalavarali , Navaneetam , Pavani . Classical music has been transmitted through music schools or through Guru –Shishya parampara (teacher–student tradition) through an oral tradition and practice. Some are known as gharana (houses), and their performances are staged through sabhas (music organizations). Each gharana has freely improvised over time, and differences in

6105-428: The MBTI and Verifying Type Despite its popularity, the MBTI has been widely regarded as pseudoscience by the scientific community. The validity ( statistical validity and test validity ) of the MBTI as a psychometric instrument has been the subject of much criticism. Media reports have called the test "pretty much meaningless", and "one of the worst personality tests in existence". The psychologist Adam Grant

6216-441: The MBTI is that we all have specific preferences in the way we construe our experiences, and these preferences underpin our interests, needs, values , and motivation ." The MBTI Manual states that the indicator "is designed to implement a theory; therefore, the theory must be understood to understand the MBTI". Fundamental to the MBTI is the hypothesis of psychological types as originally developed by Carl Jung. Jung proposed

6327-497: The MBTI manual, and the second edition was published in 1985. The third edition appeared in 1998. In 1987, an advanced scoring-system was developed for the MBTI. From this was developed the Type Differentiation Indicator (TDI), which is a scoring system for the longer MBTI, Form J, which includes the 290 items written by Myers that had survived her previous item analyses. It yields 20 subscales (five under each of

6438-475: The Personality Paint Box" (1926) and "Up From Barbarism" (1928). After extensively studying the work of Jung, Briggs and her daughter extended their interest in human behavior into efforts to turn the theory of psychological types to practical use. Isabel Myers was particularly fascinated by the concept of introversion and she typed herself as an "INFP". However, she felt the book was too complex for

6549-477: The Rotterdam Conservatory of Music defined rāga as a "tonal framework for composition and improvisation." Nazir Jairazbhoy , chairman of UCLA 's department of ethnomusicology , characterized rāgas as separated by scale, line of ascent and descent, transilience , emphasized notes and register, and intonation and ornaments . Rāginī ( Devanagari : रागिनी) is a term for the "feminine" counterpart of

6660-404: The South Indian system of rāga works with 72 scales, as first discussed by Caturdandi prakashika . They are divided into two groups, purvanga and uttaranga , depending on the nature of the lower tetrachord. The anga itself has six cycles ( cakra ), where the purvanga or lower tetrachord is anchored, while there are six permutations of uttaranga suggested to the artist. After this system

6771-482: The United States use the MBTI. Briggs began her research into personality in 1917. Upon meeting her future son-in-law, she observed marked differences between his personality and that of other family members. Briggs embarked on a project of reading biographies and subsequently developed a typology wherein she proposed four temperaments: meditative (or thoughtful), spontaneous , executive , and social . After

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6882-618: The Yadava dynasty in the North-Central Deccan region (today a part of Maharashtra ), mentions and discusses 253 rāgas . This is one of the most complete historic treatises on the structure, technique and reasoning behind rāgas that has survived. The tradition of incorporating rāga into spiritual music is also found in Jainism , and in Sikhism , an Indian religion founded by Guru Nanak in

6993-503: The adjacent table. The terms used for each dichotomy have specific technical meanings relating to the MBTI, which differ from their everyday usage. For example, people who prefer judgment over perception are not necessarily more "judgmental" or less "perceptive", nor does the MBTI instrument measure aptitude ; it simply indicates for one preference over another. Someone reporting a high score for extraversion over introversion cannot be correctly described as more extraverted: they simply have

7104-548: The ancient texts of Hinduism, the term for the technical mode part of rāga was jati . Later, jati evolved to mean quantitative class of scales, while rāga evolved to become a more sophisticated concept that included the experience of the audience. A figurative sense of the word as 'passion, love, desire, delight' is also found in the Mahabharata . The specialized sense of 'loveliness, beauty', especially of voice or song, emerges in classical Sanskrit , used by Kalidasa and in

7215-469: The ascending and descending like rāga Bhimpalasi which has five notes in the ascending and seven notes in descending or Khamaj with six notes in the ascending and seven in the descending. Rāgas differ in their ascending or descending movements. Those that do not follow the strict ascending or descending order of svaras are called vakra (वक्र) ('crooked') rāgas. In Carnatic music , the principal rāgas are called Melakarthas , which literally means "lord of

7326-407: The case of intuition, which uses the abbreviation "N" to distinguish it from introversion). For instance: These abbreviations are applied to all 16 types. The interaction of two, three, or four preferences is known as "type dynamics". Although type dynamics has received little or no empirical support to substantiate its viability as a scientific theory , Myers and Briggs asserted that for each of

7437-607: The center's own journal, the Journal of Psychological Type (JPT) , raising questions of independence, bias and conflict of interest . Despite controversies over validity, the instrument has demonstrated widespread influence since its adoption by the Educational Testing Service in 1962. It is estimated that 50 million people have taken the Myers-Briggs Type Indicator and that 10,000 businesses, 2,500 colleges and universities, and 200 government agencies in

7548-455: The circumstances. Because each function can manifest in either an extraverted or an introverted attitude, Jung's model includes eight combinations of functions and attitudes, four of which are largely conscious and four unconscious. John Beebe created a model that combines ideas of archetypes and the dialogical self with functions, each function viewed as performing the role of an archetype within an internal dialog. Sensing and intuition are

7659-742: The cognitive functions can operate in the external world of behavior, action, people, and things ("extraverted attitude") or the internal world of ideas and reflection ("introverted attitude"). The MBTI assessment sorts for an overall preference for one or the other. People who prefer extraversion draw energy from action: they tend to act, then reflect, then act further. If they are inactive, their motivation tends to decline. To rebuild their energy, extraverts need breaks from time spent in reflection. Conversely, those who prefer introversion "expend" energy through action: they prefer to reflect, then act, then reflect again. To rebuild their energy, introverts need quiet time alone, away from activity. An extravert's flow

7770-621: The concept of rāga is shared by both. Rāga is also found in Sikh traditions such as in Guru Granth Sahib , the primary scripture of Sikhism . Similarly, it is a part of the qawwali tradition in Sufi Islamic communities of South Asia . Some popular Indian film songs and ghazals use rāgas in their composition. Every raga has a svara (a note or named pitch) called shadja , or adhara sadja, whose pitch may be chosen arbitrarily by

7881-423: The data. Thinking and feeling are the decision-making (judging) functions. The thinking and feeling functions are both used to make rational decisions, based on the data received from their information-gathering functions (sensing or intuition). Those who prefer thinking tend to decide things from a more detached standpoint, measuring the decision by what seems reasonable, logical, causal, consistent, and matching

7992-437: The development of successive permutations, as well as theories of musical note inter-relationships, interlocking scales and how this makes the listener feel. Bharata discusses Bhairava , Kaushika , Hindola , Dipaka , SrI-rāga , and Megha . Bharata states that these can to trigger a certain affection and the ability to "color the emotional state" in the audience. His encyclopedic Natya Shastra links his studies on music to

8103-461: The divine, a musical note treated as god or goddess with complex personality. During the Bhakti movement of Hinduism, dated to about the middle of 1st millennium CE, rāga became an integral part of a musical pursuit of spirituality. Bhajan and kirtan were composed and performed by the early South India pioneers. A bhajan has a free form devotional composition based on melodic rāgas . A Kirtan

8214-439: The domains of tune and scale, and it is best conceptualized as a "unique array of melodic features, mapped to and organized for a unique aesthetic sentiment in the listener". The goal of a rāga and its artist is to create rasa (essence, feeling, atmosphere) with music, as classical Indian dance does with performance arts. In the Indian tradition, classical dances are performed with music set to various rāgas . Joep Bor of

8325-503: The dominant perceiving function (introverted intuition). Their tertiary function is feeling and their inferior function is extraverted sensing. ... a major task in interpretation is to help respondents with less clear reported preferences arrive at a comfortable and accurate assessment of their type. This is accomplished in an interpretation session mainly through an exploration of how type preferences appear in client behaviors. The MBTI Manual, Chapter 6: Interpreting Results of

8436-404: The early colonial period. In 1784, Jones translated it as "mode" of European music tradition, but Willard corrected him in 1834 with the statement that a rāga is both modet and tune. In 1933, states José Luiz Martinez – a professor of music, Stern refined this explanation to "the rāga is more fixed than mode, less fixed than the melody, beyond the mode and short of melody, and richer both than

8547-551: The existence of two dichotomous pairs of cognitive functions: Jung believed that for every person, each of the functions is expressed primarily in either an introverted or extraverted form. Based on Jung's original concepts, Briggs and Myers developed their own theory of psychological type, described below, on which the MBTI is based. According to psychologist Hans Eysenck writing in 1995 the 16 personality types used in MBTI are incomplete, as Jung's theory used 32 types, 16 of which could not be measured by questionnaire. Per Eysenck, it

8658-452: The first that is "sa" , and the fifth that is "pa" , are considered anchors that are unalterable, while the remaining have flavors that differs between the two major systems. The music theory in the Natyashastra , states Maurice Winternitz, centers around three themes – sound, rhythm and prosody applied to musical texts. The text asserts that the octave has 22 srutis or micro-intervals of musical tones or 1200 cents. Ancient Greek system

8769-564: The four dichotomous preference scales), plus seven additional subscales for a new "comfort-discomfort" factor (which parallels, though not perfectly measuring, the NEO-PI factor of neuroticism ). This factor's scales indicate a sense of overall comfort and confidence versus discomfort and anxiety. They also load onto one of the four type-dimensions: Also included is a composite of these called "strain". There are also scales for type-scale consistency and comfort-scale consistency. Reliability of 23 of

8880-469: The general public, and therefore she tried to organize the Jungian cognitive functions to make it more accessible. Although Myers graduated from Swarthmore College in political science in 1919, neither Myers nor Briggs were formally educated in the discipline of psychology , and both were self-taught in the field of psychometric testing . Myers therefore apprenticed herself to Edward N. Hay (1891–1958),

8991-438: The head personnel officer for a large Philadelphia bank . From Hay, Myers learned rudimentary test construction , scoring , validation , and statistical methods. Briggs and Myers began creating their indicator during World War II (1939–1945) in the belief that a knowledge of personality preferences would help women entering the industrial workforce for the first time to identify the sorts of war-time jobs that would be

9102-411: The information-gathering (perceiving) functions. They describe how new information is understood and interpreted. People who prefer sensing are more likely to trust information that is in the present, tangible, and concrete: that is, information that can be understood by the five senses. They tend to distrust hunches, which seem to come "out of nowhere". They prefer to look for details and facts. For them,

9213-532: The judgment-perception preference. The most notable addition of Myers' and Briggs' ideas to Jung's original thought is their concept that a given type's fourth letter (J or P) indicates a person's most preferred extraverted function, which is the dominant function for extraverted types and the auxiliary function for introverted types. Jung hypothesized that the dominant function acts alone in its preferred world: exterior for extraverts and interior for introverts. The remaining three functions, he suggested, operate in

9324-566: The lower octave, in contrast with the traditional middle octave. Each rāga traditionally has an emotional significance and symbolic associations such as with season, time and mood. Rāgas are considered a means in the Indian musical tradition for evoking specific feelings in listeners. Hundreds of rāgas are recognized in the classical tradition, of which about 30 are common, and each rāga has its "own unique melodic personality". There are two main classical music traditions, Hindustani ( North Indian ) and Carnatic ( South Indian ), and

9435-400: The meaning is in the data. On the other hand, those who prefer intuition tend to trust information that is less dependent upon the senses, that can be associated with other information (either remembered or discovered by seeking a wider context or pattern). They may be more interested in future possibilities. For them, the meaning is in the underlying theory and principles which are manifested in

9546-642: The music scholars such as 16th century Mesakarna expanded this system to include eight descendants to each rāga , thereby creating a system of eighty four. After the 16th-century, the system expanded still further. In Sangita-darpana , the Bhairava rāga is associated with the following raginis: Bhairavi, Punyaki, Bilawali, Aslekhi, Bangali. In the Meskarna system, the masculine and feminine musical notes are combined to produce putra rāgas called Harakh, Pancham, Disakh, Bangal, Madhu, Madhava, Lalit, Bilawal. This system

9657-629: The northwest of the Indian subcontinent. In the Sikh scripture, the texts are attached to a rāga and are sung according to the rules of that rāga . According to Pashaura Singh – a professor of Sikh and Punjabi studies, the rāga and tala of ancient Indian traditions were carefully selected and integrated by the Sikh Gurus into their hymns. They also picked from the "standard instruments used in Hindu musical traditions" for singing kirtans in Sikhism. During

9768-417: The opposite orientation. Some MBTI practitioners, however, place doubt on this concept as being a category error with next to no empirical evidence backing it relative to other findings with correlation evidence, yet as a theory it still remains part of Myers' and Briggs' extrapolation of their original theory despite being discounted. Jung's hypothesis can be summarized as: if the dominant cognitive function

9879-420: The outside world (extraversion). They held that types with a preference for judging show the world their preferred judging function (thinking or feeling). Those types who prefer perception show the world their preferred perceiving function (sensing or intuition). According to Myers, judging types like to "have matters settled", while perceptive types prefer to "keep decisions open". So, TJ types tend to appear to

9990-438: The performance arts, and it has been influential in Indian performance arts tradition. The other ancient text, Naradiyasiksa dated to be from the 1st century BCE, discusses secular and religious music, compares the respective musical notes. This is earliest known text that reverentially names each musical note to be a deity, describing it in terms of varna (colours) and other motifs such as parts of fingers, an approach that

10101-433: The performance to create a rasa (mood, atmosphere, essence, inner feeling) that is unique to each rāga . A rāga can be written on a scale. Theoretically, thousands of rāga are possible given 5 or more notes, but in practical use, the classical tradition has refined and typically relies on several hundred. For most artists, their basic perfected repertoire has some forty to fifty rāgas . Rāga in Indian classical music

10212-495: The performer. This is taken to mark the beginning and end of the saptak (loosely, octave). The raga also contains an adhista, which is either the svara Ma or the svara Pa . The adhista divides the octave into two parts or anga – the purvanga , which contains lower notes, and the uttaranga , which contains higher notes. Every raga has a vadi and a samvadi . The vadi is the most prominent svara, which means that an improvising musician emphasizes or pays more attention to

10323-781: The publication in 1923 of an English translation of Carl Jung's book Psychological Types (first published in German as Psychologische Typen in 1921), Briggs recognized that Jung's theory resembled, but went far beyond, her own. Briggs's four types were later identified as corresponding to the IXXXs (Introverts: "meditative"), EXXPs (Extraverts & Prospectors: "spontaneous"), EXTJs (Extraverts, Thinkers & Judgers: "executive") and EXFJs (Extraverts, Feelers & Judgers: "social"). Her first publications were two articles describing Jung's theory, in The New Republic , "Meet Yourself Using

10434-538: The rendering of each rāga is discernible. In the Indian musical schooling tradition, the small group of students lived near or with the teacher, the teacher treated them as family members providing food and boarding, and a student learnt various aspects of music thereby continuing the musical knowledge of their guru . The tradition survives in parts of India, and many musicians can trace their guru lineage. The music concept of rāk or rang (meaning “colour”) in Persian

10545-401: The same term [REDACTED] This disambiguation page lists articles associated with the title Ni . If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Ni&oldid=1237388096 " Category : Disambiguation pages Hidden categories: Short description

10656-434: The same way that writing with the left hand is difficult for a right-hander, so people tend to find using their opposite psychological preferences more difficult, though they can become more proficient (and therefore behaviorally flexible) with practice and development. The 16 types are typically referred to by an abbreviation of four letters – the initial letters of each of their four type preferences (except in

10767-401: The scale". It is also called Asraya rāga meaning "shelter giving rāga", or Janaka rāga meaning "father rāga". A Thaata in the South Indian tradition are groups of derivative rāgas , which are called Janya rāgas meaning "begotten rāgas" or Asrita rāgas meaning "sheltered rāgas". However, these terms are approximate and interim phrases during learning, as the relationships between

10878-609: The seasons and by daily biological cycles and nature's rhythms. The South Indian system is closer to the text, and places less emphasis on time or season. The symbolic role of classical music through rāga has been both aesthetic indulgence and the spiritual purifying of one's mind (yoga). The former is encouraged in Kama literature (such as Kamasutra ), while the latter appears in Yoga literature with concepts such as "Nada-Brahman" (metaphysical Brahman of sound). Hindola rāga , for example,

10989-468: The sense of "color, dye, hue". The term rāga in the modern connotation of a melodic format occurs in the Brihaddeshi by Mataṅga Muni dated c.  8th century , or possibly 9th century. The Brihaddeshi describes rāga as "a combination of tones which, with beautiful illuminating graces, pleases the people in general". According to Emmie te Nijenhuis , a professor in Indian musicology,

11100-400: The soul does not "colour, dye, stain, tint" the matter. The Maitri Upanishad uses the term in the sense of "passion, inner quality, psychological state". The term rāga is also found in ancient texts of Buddhism where it connotes "passion, sensuality, lust, desire" for pleasurable experiences as one of three impurities of a character. Alternatively, rāga is used in Buddhist texts in

11211-437: The term comes from a Sanskrit word for "the act of colouring or dyeing", or simply a "colour, hue, tint, dye". The term also connotes an emotional state referring to a "feeling, affection, desire, interest, joy or delight", particularly related to passion, love, or sympathy for a subject or something. In the context of ancient Indian music, the term refers to a harmonious note, melody, formula, building block of music available to

11322-405: The terms extraversion and introversion as Jung first used them. Extraversion means literally outward-turning and introversion, inward-turning. These specific definitions differ somewhat from the popular usage of the words. Extraversion is the spelling used in MBTI publications. The preferences for extraversion and introversion are often called " attitudes ". Briggs and Myers recognized that each of

11433-574: The truth and view it as more important. As noted already, people who prefer thinking do not necessarily, in the everyday sense, "think better" than their feeling counterparts, in the common sense; the opposite preference is considered an equally rational way of coming to decisions (and, in any case, the MBTI assessment is a measure of preference, not ability). Similarly, those who prefer feeling do not necessarily have "better" emotional reactions than their thinking counterparts. According to Jung, people use all four cognitive functions. However, one function

11544-534: The two instruments were one and the same ) Step III was developed in a joint project involving the following organizations: the Myers–Briggs Company, the publisher of all the MBTI works; the Center for Applications of Psychological Type (CAPT), which holds all of Myers' and McCaulley's original work; and the MBTI Trust headed by Katharine and Peter Myers. CAPT advertised Step III as addressing type development and

11655-492: The two layers are neither fixed nor has unique parent–child relationship. Janaka rāgas are grouped together using a scheme called Katapayadi sutra and are organised as Melakarta rāgas. A Melakarta rāga is one which has all seven notes in both the ārōhanam (ascending scale) and avarōhanam (descending scale). Some Melakarta rāgas are Harikambhoji , Kalyani , Kharaharapriya , Mayamalavagowla , Sankarabharanam and Hanumatodi . Janya rāgas are derived from

11766-506: The two main islands of New Zealand Northern Ireland , a constituent country of the United Kingdom Lower Saxony (German: Niedersachsen ; ISO 3166 code DE-NI), a state of Germany Science and technology [ edit ] Nickel , symbol Ni, a chemical element Ampere-turns , sometimes abbreviated NI Natural insemination i.e. sexual intercourse , in contrast to artificial insemination Nitrogen Triiodide ,

11877-485: The unit of tonal measurement or audible unit as Śruti , with verse 28.21 introducing the musical scale as follows, तत्र स्वराः – षड्‍जश्‍च ऋषभश्‍चैव गान्धारो मध्यमस्तथा । पञ्‍चमो धैवतश्‍चैव सप्तमोऽथ निषादवान् ॥ २१॥ These seven degrees are shared by both major rāga system, that is the North Indian (Hindustani) and South Indian (Carnatic). The solfege ( sargam ) is learnt in abbreviated form: sa, ri (Carnatic) or re (Hindustani), ga, ma, pa, dha, ni, sa . Of these,

11988-434: The use of "perception and judgment" by respondents. The MBTI is based on the influential theory of psychological types proposed by Swiss psychiatrist Carl Jung in 1921, which was partially based on the four elements of classical cosmology. Jung speculated that people experience the world using four principal psychological functions— sensation , intuition , feeling , and thinking —and that one of these four functions

12099-454: The world as logical and FJ types as empathetic . SP types tend to appear as concrete and NP types as abstract. The J or P indicates the dominant function for extraverts, whereas for introverts, the J or P indicates their auxiliary function. Introverts tend to show their dominant function outwardly only in matters "important to their inner worlds". For example, because the ENTJ type is extraverted,

12210-491: Was developed, the Indian classical music scholars have developed additional rāgas for all the scales. The North Indian style is closer to the Western diatonic modes, and built upon the foundation developed by Vishnu Narayan Bhatkhande using ten Thaat : kalyan, bilaval, khamaj, kafi, asavari, bhairavi, bhairav, purvi, marva and todi . Some rāgas are common to both systems and have same names, such as kalyan performed by either

12321-416: Was unfair to Jung to claim the scale accurately measured Jungian concepts. Both Jung's original model and the simplified MBTI remain hypothetical, with no controlled scientific studies supporting either. Jung did not see the type preferences (such as introversion and extraversion) as dualistic, but rather as tendencies: both are innate and have the potential to balance. Jung's typology theories postulated

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