A stock character , also known as a character archetype , is a type of character in a narrative (e.g. a novel, play, television show, or film) whom audiences recognize across many narratives or as part of a storytelling tradition or convention . There is a wide range of stock characters , covering people of various ages, social classes and demeanors. They are archetypal characters distinguished by their simplification and flatness . As a result, they tend to be easy targets for parody and to be criticized as clichés . The presence of a particular array of stock characters is a key component of many genres , and they often help to identify a genre or subgenre. For example, a story with the stock characters of a knight-errant and a witch is probably a fairy tale or fantasy .
51-465: Alazṓn ( Ancient Greek : ἀλαζών ) is one of three stock characters in comedy of the theatre of ancient Greece . He is the opponent of the eirôn . The alazṓn is an impostor that sees himself as greater than he actually is. The senex iratus (the angry father) and the miles gloriosus (the braggart soldier) are two types of alazṓn . Miles Gloriosus (literally, "braggart-soldier", in Latin )
102-537: A pitch accent . In Modern Greek, all vowels and consonants are short. Many vowels and diphthongs once pronounced distinctly are pronounced as /i/ ( iotacism ). Some of the stops and glides in diphthongs have become fricatives , and the pitch accent has changed to a stress accent . Many of the changes took place in the Koine Greek period. The writing system of Modern Greek, however, does not reflect all pronunciation changes. The examples below represent Attic Greek in
153-544: A "self-derogatory and understating character". In American popular films, there are a wide range of stock characters, which are typically used as non-speaking extras in the background, bit parts with a single line, minor secondary/supporting roles, or major secondary/supporting roles. Stock characters in American films have changed over the decades. A 1930s or 1940s film's stock characters include newspaper vendors, ice vendors, street sweepers, and cigarette girls; in contrast,
204-399: A 1990s film has homeless " bag ladies ", pimps, plainclothes police, business women, and Black and Hispanic stereotypes. Stock characters in American popular culture, especially racial and ethnic stereotypes, often came to be seen as offensive in later decades and were replaced with new stereotypes. For example, the " lazy Black " and the " treacherous bespectacled Japanese " were replaced in
255-582: A creative writing professor and prolific fiction author, all characters begin as stock characters and are fleshed out only as far as needed to advance the plot. E. Graham McKinley says "there is general agreement on the importance to drama of 'stock' characters. This notion has been considerably explored in film theory, where feminists have argued, female stock characters are only stereotypes (child/woman, whore, bitch, wife, mother, secretary or girl Friday , career women, vamp , etc.)." Ulrike Roesler and Jayandra Soni analyze "not only with female stock characters in
306-472: A lack of contemporaneous evidence. Several theories exist about what Hellenic dialect groups may have existed between the divergence of early Greek-like speech from the common Proto-Indo-European language and the Classical period. They have the same general outline but differ in some of the detail. The only attested dialect from this period is Mycenaean Greek , but its relationship to the historical dialects and
357-419: A lesser degree. Pamphylian Greek , spoken in a small area on the southwestern coast of Anatolia and little preserved in inscriptions, may be either a fifth major dialect group, or it is Mycenaean Greek overlaid by Doric, with a non-Greek native influence. Regarding the speech of the ancient Macedonians diverse theories have been put forward, but the epigraphic activity and the archaeological discoveries in
408-543: A prefix /e-/, called the augment . This was probably originally a separate word, meaning something like "then", added because tenses in PIE had primarily aspectual meaning. The augment is added to the indicative of the aorist, imperfect, and pluperfect, but not to any of the other forms of the aorist (no other forms of the imperfect and pluperfect exist). The two kinds of augment in Greek are syllabic and quantitative. The syllabic augment
459-510: A vowel or /n s r/ ; final stops were lost, as in γάλα "milk", compared with γάλακτος "of milk" (genitive). Ancient Greek of the classical period also differed in both the inventory and distribution of original PIE phonemes due to numerous sound changes, notably the following: The pronunciation of Ancient Greek was very different from that of Modern Greek . Ancient Greek had long and short vowels ; many diphthongs ; double and single consonants; voiced, voiceless, and aspirated stops ; and
510-487: A wider sense. There were several regional dialects of Ancient Greek; Attic Greek developed into Koine. Ancient Greek was a pluricentric language , divided into many dialects. The main dialect groups are Attic and Ionic , Aeolic , Arcadocypriot , and Doric , many of them with several subdivisions. Some dialects are found in standardized literary forms in literature , while others are attested only in inscriptions. There are also several historical forms. Homeric Greek
561-478: Is a stock character of a boastful soldier from the comic theatre of ancient Rome , and variations on this character have appeared in drama and fiction ever since. The character derives from the alazṓn or "braggart" of the Greek Old Comedy (e.g. Aristophanes ). The term "Miles Gloriosus" is occasionally applied in a contemporary context to refer to a posturing and self-deceiving boaster or bully. In
SECTION 10
#1732852819464612-508: Is a comic archetype character who belongs to the alazon or impostor group in theater , manifesting himself through his rages and threats, his obsessions and his gullibility. His usual function is to impede the love of the hero and heroine , and his power to do so stems from his greater social position and his increased control of cash. In the New Comedy , he was often the father of the hero and so his rival. More frequently since, he has been
663-556: Is a literary form of Archaic Greek (derived primarily from Ionic and Aeolic) used in the epic poems , the Iliad and the Odyssey , and in later poems by other authors. Homeric Greek had significant differences in grammar and pronunciation from Classical Attic and other Classical-era dialects. The origins, early form and development of the Hellenic language family are not well understood because of
714-418: Is added to stems beginning with consonants, and simply prefixes e (stems beginning with r , however, add er ). The quantitative augment is added to stems beginning with vowels, and involves lengthening the vowel: Some verbs augment irregularly; the most common variation is e → ei . The irregularity can be explained diachronically by the loss of s between vowels, or that of the letter w , which affected
765-644: Is called 'East Greek'. Arcadocypriot apparently descended more closely from the Mycenaean Greek of the Bronze Age. Boeotian Greek had come under a strong Northwest Greek influence, and can in some respects be considered a transitional dialect, as exemplified in the poems of the Boeotian poet Pindar who wrote in Doric with a small Aeolic admixture. Thessalian likewise had come under Northwest Greek influence, though to
816-448: Is considered by some linguists to have been closely related to Greek . Among Indo-European branches with living descendants, Greek is often argued to have the closest genetic ties with Armenian (see also Graeco-Armenian ) and Indo-Iranian languages (see Graeco-Aryan ). Ancient Greek differs from Proto-Indo-European (PIE) and other Indo-European languages in certain ways. In phonotactics , ancient Greek words could end only in
867-509: Is that stock characters help to move the story along more efficiently, by allowing the audience to already understand the character and their motivations. Furthermore, stock characters can be used to build an audience's expectations and, in some cases, they can also enhance narrative elements like suspense, irony, or plot twists if those expectations end up subverted. There is often confusion between stock characters, archetypes , stereotypes , and clichés . In part this confusion arises due to
918-423: Is that, as with films, these stock characters can incorporate racial stereotypes , and "prejudicial and demeaning images". One concern raised with these gay stock characters is they tend to be shown as just advice-giving "sidekicks" who are not truly integrated into the narrative; as well, the gay character's life is not depicted, apart from their advice-giving interactions with the main characters. This also echoed
969-472: Is to cover up his own fear of it; whereas Capt. Mandrake - the eirôn - actually was tortured, and seems to have dealt with it. In music, the title role of Háry János by Kodály is an example of the character. In the PC game The Elder Scrolls III: Morrowind , there is a non-playable character named Miles Gloriosus, willing to brag about his accomplishments as soldier. The senex iratus or heavy father figure
1020-658: The Archaic or Epic period ( c. 800–500 BC ), and the Classical period ( c. 500–300 BC ). Ancient Greek was the language of Homer and of fifth-century Athenian historians, playwrights, and philosophers . It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance . This article primarily contains information about
1071-537: The Epic and Classical periods of the language, which are the best-attested periods and considered most typical of Ancient Greek. From the Hellenistic period ( c. 300 BC ), Ancient Greek was followed by Koine Greek , which is regarded as a separate historical stage, though its earliest form closely resembles Attic Greek , and its latest form approaches Medieval Greek , and Koine may be classified as Ancient Greek in
SECTION 20
#17328528194641122-745: The Greek region of Macedonia during the last decades has brought to light documents, among which the first texts written in Macedonian , such as the Pella curse tablet , as Hatzopoulos and other scholars note. Based on the conclusions drawn by several studies and findings such as Pella curse tablet , Emilio Crespo and other scholars suggest that ancient Macedonian was a Northwest Doric dialect , which shares isoglosses with its neighboring Thessalian dialects spoken in northeastern Thessaly . Some have also suggested an Aeolic Greek classification. The Lesbian dialect
1173-501: The present , future , and imperfect are imperfective in aspect; the aorist , present perfect , pluperfect and future perfect are perfective in aspect. Most tenses display all four moods and three voices, although there is no future subjunctive or imperative. Also, there is no imperfect subjunctive, optative or imperative. The infinitives and participles correspond to the finite combinations of tense, aspect, and voice. The indicative of past tenses adds (conceptually, at least)
1224-405: The 1990s with the " street-smart Brother " and the "camera-happy Japanese tourist". Other groups more frequently represented as stock characters include women, Native Americans, Hispanics, Arabs, Gays/Lesbians, Jews, and Italians. Other briefly popular stock characters include the 1950s "overweight Communist cell leader" and the 1970s " Black Panther revolutionary". Even in timeless occupations,
1275-1031: The 5th century BC. Ancient pronunciation cannot be reconstructed with certainty, but Greek from the period is well documented, and there is little disagreement among linguists as to the general nature of the sounds that the letters represent. /oː/ raised to [uː] , probably by the 4th century BC. Greek, like all of the older Indo-European languages , is highly inflected. It is highly archaic in its preservation of Proto-Indo-European forms. In ancient Greek, nouns (including proper nouns) have five cases ( nominative , genitive , dative , accusative , and vocative ), three genders ( masculine , feminine , and neuter ), and three numbers (singular, dual , and plural ). Verbs have four moods ( indicative , imperative , subjunctive , and optative ) and three voices (active, middle, and passive ), as well as three persons (first, second, and third) and various other forms. Verbs are conjugated through seven combinations of tenses and aspect (generally simply called "tenses"):
1326-490: The Archaic period of ancient Greek (see Homeric Greek for more details): Μῆνιν ἄειδε, θεά, Πηληϊάδεω Ἀχιλῆος οὐλομένην, ἣ μυρί' Ἀχαιοῖς ἄλγε' ἔθηκε, πολλὰς δ' ἰφθίμους ψυχὰς Ἄϊδι προΐαψεν ἡρώων, αὐτοὺς δὲ ἑλώρια τεῦχε κύνεσσιν οἰωνοῖσί τε πᾶσι· Διὸς δ' ἐτελείετο βουλή· ἐξ οὗ δὴ τὰ πρῶτα διαστήτην ἐρίσαντε Ἀτρεΐδης τε ἄναξ ἀνδρῶν καὶ δῖος Ἀχιλλεύς. The beginning of Apology by Plato exemplifies Attic Greek from
1377-654: The Classical period of ancient Greek. (The second line is the IPA , the third is transliterated into the Latin alphabet using a modern version of the Erasmian scheme .) Ὅτι [hóti Hóti μὲν men mèn ὑμεῖς, hyːmêːs hūmeîs, Lovers (character) There are several purposes to using stock characters. Stock characters are a time- and effort-saving shortcut for story creators, as authors can populate their tale with existing well-known character types. Another benefit
1428-671: The Way to the Forum features a warrior named Miles Gloriosus. An example in Terence of the alazon character is Thraso in the Eunuchus . Like Pyrgopolinices in the Miles Gloriosus , Thraso is attended by a flatterer or parasite who follows him round and attends to his wishes. Like Pyrgopolinices, Thraso is wealthy and is a rival of the young man in the story for the love of a courtesan. Shakespeare uses
1479-550: The aorist. Following Homer 's practice, the augment is sometimes not made in poetry , especially epic poetry. The augment sometimes substitutes for reduplication; see below. Almost all forms of the perfect, pluperfect, and future perfect reduplicate the initial syllable of the verb stem. (A few irregular forms of perfect do not reduplicate, whereas a handful of irregular aorists reduplicate.) The three types of reduplication are: Irregular duplication can be understood diachronically. For example, lambanō (root lab ) has
1530-456: The audience. In the late 1990s, there was a trend for screenwriters to add a gay stock character, which replaced the 1980s era's "African-American workplace pal" stock character. In the 1990s, a number of sitcoms introduced gay stock characters with the quality of the depictions being viewed as setting a new bar for onscreen LGBT depiction. One challenge with the use of stock characters in TV shows
1581-419: The augment when it was word-initial. In verbs with a preposition as a prefix, the augment is placed not at the start of the word, but between the preposition and the original verb. For example, προσ(-)βάλλω (I attack) goes to προσ έ βαλoν in the aorist. However compound verbs consisting of a prefix that is not a preposition retain the augment at the start of the word: αὐτο(-)μολῶ goes to ηὐ τομόλησα in
Alazon - Misplaced Pages Continue
1632-421: The basic function of the senex iratus . Ancient Greek language Ancient Greek ( Ἑλληνῐκή , Hellēnikḗ ; [hellɛːnikɛ́ː] ) includes the forms of the Greek language used in ancient Greece and the ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek ( c. 1400–1200 BC ), Dark Ages ( c. 1200–800 BC ),
1683-438: The center of Greek scholarship, this division of people and language is quite similar to the results of modern archaeological-linguistic investigation. One standard formulation for the dialects is: West vs. non-West Greek is the strongest-marked and earliest division, with non-West in subsets of Ionic-Attic (or Attic-Ionic) and Aeolic vs. Arcadocypriot, or Aeolic and Arcado-Cypriot vs. Ionic-Attic. Often non-West
1734-611: The dialect of Sparta ), and Northern Peloponnesus Doric (including Corinthian ). All the groups were represented by colonies beyond Greece proper as well, and these colonies generally developed local characteristics, often under the influence of settlers or neighbors speaking different Greek dialects. After the conquests of Alexander the Great in the late 4th century BC, a new international dialect known as Koine or Common Greek developed, largely based on Attic Greek , but with influence from other dialects. This dialect slowly replaced most of
1785-493: The father of the heroine who insists on her union with the bad fiancé; as such, he appears in both A Midsummer Night's Dream , where he fails and so the play is a comedy, and Romeo and Juliet , where his acts are successful enough to render the play a tragedy. Pantalone in Commedia dell'arte acts as a senex iratus . In his Anatomy of Criticism , Northrop Frye considered all blocking humors in comedy to be variations on
1836-556: The historical Dorians . The invasion is known to have displaced population to the later Attic-Ionic regions, who regarded themselves as descendants of the population displaced by or contending with the Dorians. The Greeks of this period believed there were three major divisions of all Greek people – Dorians, Aeolians, and Ionians (including Athenians), each with their own defining and distinctive dialects. Allowing for their oversight of Arcadian, an obscure mountain dialect, and Cypriot, far from
1887-472: The historical circumstances of the times imply that the overall groups already existed in some form. Scholars assume that major Ancient Greek period dialect groups developed not later than 1120 BC, at the time of the Dorian invasions —and that their first appearances as precise alphabetic writing began in the 8th century BC. The invasion would not be "Dorian" unless the invaders had some cultural relationship to
1938-465: The mold. Baron Munchausen is a braggart soldier. In Commedia dell'arte , the figure of Il Capitano is a miles gloriosus . In the novel, A Confederacy of Dunces , the main character, Ignatius J. Reilly, believes himself to be better than everyone because of his apathy towards modern society and his Medievalist views. In Dr Strangelove , Gen. Buck Turgidson reveals himself as a boastful soldier when we discover that his tough talk about torture
1989-499: The older dialects, although the Doric dialect has survived in the Tsakonian language , which is spoken in the region of modern Sparta. Doric has also passed down its aorist terminations into most verbs of Demotic Greek . By about the 6th century AD, the Koine had slowly metamorphosed into Medieval Greek . Phrygian is an extinct Indo-European language of West and Central Anatolia , which
2040-577: The overlap between these concepts. Nevertheless, these terms are not synonyms. The relationship is that basic archetypes (such as " hero " or " father figure ") and stock characters (such as " damsel in distress " and " wise fool ") are the raw source material that authors use to build on and create fleshed-out, interesting characters. In contrast, stereotypes and clichés are generally viewed as signs of "bad writing or shallow thinking". Some stereotypes, such as racial stereotype characters, may be offensive to readers or viewers. According to Dwight V. Swain ,
2091-487: The perfect stem eilēpha (not * lelēpha ) because it was originally slambanō , with perfect seslēpha , becoming eilēpha through compensatory lengthening. Reduplication is also visible in the present tense stems of certain verbs. These stems add a syllable consisting of the root's initial consonant followed by i . A nasal stop appears after the reduplication in some verbs. The earliest extant examples of ancient Greek writing ( c. 1450 BC ) are in
Alazon - Misplaced Pages Continue
2142-574: The person in the job has changed, reflecting cultural and demographic changes. In the 1990s, a hairdresser (previously French) was often depicted as a gay man, a gardener (previously White) as Asian or Hispanic, a bartender (previously White) as Black, and a maid (previously Black) as Hispanic. Due to the scheduling constraints on television production, in which episodes need to be quickly scripted and shot, television scriptwriters often depend heavily on stock characters borrowed from popular film. TV writers use these stock characters to quickly communicate to
2193-471: The play Miles Gloriosus ("Boastful Soldier") by Plautus , the term applies to the main character Pyrgopolynices. This foolish Miles Gloriosus brags openly and often about his supposed greatness, while the rest of the characters feign their admiration and secretly plot against him. Heavily borrowing from Plautus, the Stephen Sondheim - Burt Shevelove - Larry Gelbart musical A Funny Thing Happened on
2244-507: The plays' comic business and royal pomp." Tara Brabazon discusses how the "school ma'am on the colonial frontier has been a stock character of literature and film in Australia and the United States. She is an ideal foil for the ill mannered, uncivilised hero. In American literature and film, the spinster from East – generally Boston – has some stock attributes." Polly Welts Kaufman shows that
2295-456: The schoolma'am's " genteel poverty , unbending morality, education, and independent ways make her character a useful foil for the two other female stock characters in Western literature: the prostitute with the heart of gold and the long-suffering farmer's wife.'" Stock characters can be further identified as an alazon , the "impostor and self-deceiving braggart" in a story, or an eiron ,
2346-521: The sense of typical roles in the dramas, but also with other female persons in the area of the theatrical stage..." Andrew Griffin, Helen Ostovich, and Holger Schott Syme explain further that "Female stock characters also permit a close level of audience identification; this is true most of all in The Troublesome Reign , where the "weeping woman" type is used to dramatic advantage. This stock character provides pathos as yet another counterpoint to
2397-517: The syllabic script Linear B . Beginning in the 8th century BC, however, the Greek alphabet became standard, albeit with some variation among dialects. Early texts are written in boustrophedon style, but left-to-right became standard during the classic period. Modern editions of ancient Greek texts are usually written with accents and breathing marks , interword spacing , modern punctuation , and sometimes mixed case , but these were all introduced later. The beginning of Homer 's Iliad exemplifies
2448-707: The type most notably with the bombastic and self-glorifying ensign Ancient Pistol in Henry IV, Part 2 , The Merry Wives of Windsor and Henry V . Other examples are "fashion's own knight", the Spaniard Armardo, in Love's Labour's Lost , the worthless Captain Parolles in All's Well That Ends Well , and Falstaff in Henry IV, Part 1 and Part 2 , and The Merry Wives of Windsor . Sir Tophas of John Lyly's Endymion also fits
2499-415: The way that Black and Latino characters were used in 1980s and early 1990s shows: they were given a stock character role as a police chief, which in put them in a position of power, but then these characters were used as minor characters, with little narrative interaction with main characters. In the 2000s, with changing views on depicting race, Latino/a characters are both typecast into stock characters and
2550-483: The writers play with viewer expectations by making a seemingly stock Latino/a character act or behave "against type". Southern sheriff stock characters are depicted with a negative stereotype of being obese, poorly trained, uneducated, and racist, as was done with Sheriff Roscoe P. Coltrane from The Dukes of Hazzard . In the United States , courts have determined that copyright protection cannot be extended to
2601-475: Was Aeolic. For example, fragments of the works of the poet Sappho from the island of Lesbos are in Aeolian. Most of the dialect sub-groups listed above had further subdivisions, generally equivalent to a city-state and its surrounding territory, or to an island. Doric notably had several intermediate divisions as well, into Island Doric (including Cretan Doric ), Southern Peloponnesus Doric (including Laconian ,
SECTION 50
#1732852819464#463536