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Alain Mabanckou

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A novelist is an author or writer of novels , though often novelists also write in other genres of both fiction and non-fiction . Some novelists are professional novelists, thus make a living writing novels and other fiction, while others aspire to support themselves in this way or write as an avocation . Most novelists struggle to have their debut novel published, but once published they often continue to be published, although very few become literary celebrities, thus gaining prestige or a considerable income from their work.

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66-739: Alain Mabanckou (born 24 February 1966) is a novelist , journalist , poet , and academic, a French citizen born in the Republic of the Congo , he is currently a Professor of Literature at UCLA . He is best known for his novels and non-fiction writing depicting the experience of contemporary Africa and the African diaspora in France, including Broken Glass (2005) and the Prix Renaudot-winning Memoirs of

132-483: A New York Times editorial challenging Misplaced Pages's categorization of American female novelists within a distinct category , which precipitated a significant amount of press coverage describing that Misplaced Pages's approach to categorization as sexism. For her, the public representation of women novelists within another category marginalizes and defines women novelists like herself outside of a field of "American novelists" dominated by men. However, other commentators, discussing

198-510: A Novelist", highlight such moral and ethical justifications for their approach to both writing novels and criticizing them. When defining her description of the role of the modernist novelist in the essay " Modern Fiction ", Virginia Woolf argues for a representation of life not interested in the exhaustive specific details represented in realism in favor of representing a "myriad of impressions" created in experience life. Her definition made in this essay, and developed in others, helped define

264-644: A Panda-Leopard , at the age of 15, which brought him considerable critical attention. Similarly, Barbara Newhall Follett 's The House Without Windows , was accepted and published in 1927 when she was 13 by the Knopf publishing house and earned critical acclaim from the New York Times , the Saturday Review , and H. L. Mencken . Occasionally, these works will achieve popular success as well. For example, though Christopher Paolini 's Eragon (published at age 15)

330-571: A Porcupine (2006). He is among the best known and most successful writers in the French language , and one of the best known African writers in France. In some circles in Paris he is known as "the Samuel Beckett of Africa". Mabanckou is also controversial, and has been criticized by some African and diaspora writers for stating that Africans bear responsibility for their own misfortune. He has argued against

396-528: A Porcupine ), which won the Prix Renaudot , one of the highest distinctions in French literature. The book is a magic realism -inspired reworking of a folk tale into a psychological portrait of Kibandi, a young Congolese man's descent into violence. The folk tale is an African legend: "All human beings have an animal double. Some doubles are benign, others wicked." This adage focuses on the value placed on twinhood in

462-481: A Scottish identity that the upper-class British society could embrace. In American fiction, the concept of American literary regionalism ensures that many genres of novel associated with particular regions often define the reception of the novelists. For example, in writing Western novels , Zane Grey has been described as a "place-defining novelist", credited for defining the western frontier in America consciousness at

528-498: A century after the novel form first solidified at the beginning of the 19th century. Often such British regional literature captures the social and local character of a particular region in Britain, focussing on specific features, such as dialect, customs, history, and landscape (also called local colour ): "Such a locale is likely to be rural and/or provincial." Thomas Hardy 's (1840–1928) novels can be described as regional because of

594-542: A distance) to note the order of their Coaches and Carriages..As if (presented to a Novelist) it had bin the spoyles of a Tryumph leading Captive, or a preparation to some sad Execution" According to the Google Ngrams, the term novelist first appears in the Google Books database in 1521. The difference between professional and amateur novelists often is the author's ability to publish. Many people take up novel writing as

660-450: A distinction between novelists who report reality by "taking life as it already exists, not to report it, but to make an object, toward the end that the finished work might contain this life inside it, and offer it to the reader" and journalists, whose role is to act as "crusaders" advocating for particular positions, and using their craft as a political tool. Similarly, writing in the 1950s, Ralph Ellison in his essay "Society, Morality, and

726-508: A fee paid by the writer. In these settings, unlike the more traditional publishing industry, activities usually reserved for a publishing house, like the distribution and promotion of the book, become the author's responsibility. The rise of the Internet and electronic books has made self publishing far less expensive and a realistic way for authors to realize income. Novelists apply a number of different methods to writing their novels, relying on

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792-470: A group of writers known as the " Angry young men ," which included the novelists Alan Sillitoe and Kingsley Amis , who came from the working class and who wrote about working class culture . Some novelists deliberately write for a working class audience for political ends, profiling "the working classes and working-class life; perhaps with the intention of making propaganda". Such literature, sometimes called proletarian literature , maybe associated with

858-460: A hobby, but the difficulties of completing large scale fictional works of quality prevent the completion of novels. Once authors have completed a novel, they often will try to publish it. The publishing industry requires novels to have accessible profitable markets, thus many novelists will self-publish to circumvent the editorial control of publishers. Self-publishing has long been an option for writers, with vanity presses printing bound books for

924-482: A novel's fictional content. For this reason, the environment within which a novelist works and the reception of their novels by both the public and publishers can be influenced by their demographics or identity. Similarly, some novelists have creative identities derived from their focus on different genres of fiction , such as crime , romance or historical novels . While many novelists compose fiction to satisfy personal desires, novelists and commentators often ascribe

990-675: A particular character based on the national identity of the authors. In some literature, national identity shapes the self-definition of many novelists. For example, in American literature , many novelists set out to create the " Great American Novel ", or a novel that defines the American experience in their time. Other novelists engage politically or socially with the identity of other members of their nationality, and thus help define that national identity. For instance, critic Nicola Minott-Ahl describes Victor Hugo's Notre-Dame de Paris directly helping in

1056-414: A particular social responsibility or role to novel writers. Many authors use such moral imperatives to justify different approaches to novel writing, including activism or different approaches to representing reality "truthfully." Novelist is a term derivative from the term "novel" describing the "writer of novels." The Oxford English Dictionary recognizes other definitions of novelist, first appearing in

1122-604: A post-graduate Diploma in Law from the Université Paris-Dauphine , he worked for about ten years for the group Suez-Lyonnaise des Eaux . Mabanckou dedicated himself increasingly to writing after the publication of his first novel, Bleu-Blanc-Rouge ( Blue-White-Red ), which won him the Grand prix littéraire d'Afrique noire in 1999. Since then he has continued to regularly publish prose as well as poetry. His African Psycho (2003)

1188-489: A secondary hobby. Few novelists become literary celebrities or become very wealthy from the sale of their novels alone. Often those authors who are wealthy and successful will produce extremely popular genre fiction. Examples include authors like James Patterson , who was the highest paid author in 2010, making 70 million dollars, topping both other novelists and authors of non-fiction. Other famous literary millionaires include popular successes like J. K. Rowling , author of

1254-490: A small monetary advance before publication of their debut novel; in the rare exceptions when a large print run and high volume of sales are anticipated, the advance can be larger. However, once an author has established themselves in print, some authors can make steady income as long as they remain productive as writers. Additionally, many novelists, even published ones, will take on outside work, such as teaching creative writing in academic institutions , or leave novel writing as

1320-452: A strong focus by novelists from there on the significance of family, religion, community, the use of the Southern dialect , along with a strong sense of place. The South 's troubled history with racial issues has also continually concerned its novelists. In Latin America a literary movement called Criollismo or costumbrismo was active from the end of the 19th century to the beginning of

1386-476: A total of over 2.8 billion words. Novelists do not usually publish their first novels until later in life. However, many novelists begin writing at a young age. For example, Iain Banks began writing at eleven, and at sixteen completed his first novel, "The Hungarian Lift-Jet", about international arms dealers, "in pencil in a larger-than-foolscap log book". However, he was thirty before he published his first novel,

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1452-440: A variety of approaches to inspire creativity. Some communities actively encourage amateurs to practice writing novels to develop these unique practices, that vary from author to author. For example, the internet-based group, National Novel Writing Month , encourages people to write 50,000-word novels in the month of November, to give novelists practice completing such works. In the 2010 event, over 200,000 people took part – writing

1518-525: Is a novel written from the point of view of Gregoire Nakobomayo, a fictional African serial killer. Mabanckou is best known for his fiction, notably Verre cassé ( Broken Glass ), a comic novel centred on a Congolese former teacher and life in the bar he now frequents. Verre cassé has also been the subject of several theatrical adaptations. It was published in English translation as Broken Glass in 2009. In 2006 he published Memoires de porc-épic ( Memoirs of

1584-512: Is also the brand new threshold that we refashion at the door of the Church to allow entry to many whose foot gropes around it" (Jean Plaquevent, letter dated 28 December 1934). Éditions du Seuil was the publisher of the Don Camillo series, and of Chairman Mao Zedong 's Little Red Book . The large sales that these generated have allowed the house to publish more specialized titles, particularly in

1650-559: Is based on, and nearly geographically identical to, Lafayette County, of which his hometown of Oxford, Mississippi . In addition to the geographical component of Southern literature, certain themes have appeared because of the similar histories of the Southern states in regard to slavery , the American Civil War , and Reconstruction . The conservative culture in the South has also produced

1716-409: Is not a question of the subject matter or political stance of a particular author, but of her gender : her position as a woman within the literary marketplace. However, the publishing market's orientation to favor the primary reading audience of women may increasingly skew the market towards female novelists; for this reason, novelist Teddy Wayne argued in a 2012 Salon article titled "The agony of

1782-573: Is particularly associated with the rural English Midlands, whereas Arnold Bennett (1867–1931) is the novelist of the Potteries in Staffordshire , or the "Five Towns", (actually six) that now make-up Stoke-on-Trent . Similarly, novelist and poet Walter Scott 's (1771–1832) contribution in creating a unified identity for Scotland and were some of the most popular in all of Europe during the subsequent century. Scott's novels were influential in recreating

1848-433: Is the founder of the musical project Black Bazar. Novelist Novelists come from a variety of backgrounds and social classes, and frequently this shapes the content of their works. Public reception of a novelist's work , the literary criticism commenting on it, and the novelists' incorporation of their own experiences into works and characters can lead to the author's personal life and identity being associated with

1914-623: The Harry Potter series, Dan Brown author of The Da Vinci Code , historical novelist Bernard Cornwell , and Twilight author Stephenie Meyer . "[the novelist's] honesty is bound to the vile stake of his megalomania [...] The novelist is the sole master of his work. He is his work." Milan Kundera The personal experiences of the novelist will often shape what they write and how readers and critics will interpret their novels. Literary reception has long relied on practices of reading literature through biographical criticism , in which

1980-733: The University of Michigan as an Assistant Professor. After three years there he was hired in 2006 by the University of California Los Angeles , where he is now a full Professor in the French Department. He currently lives in Santa Monica, California . He was appointed Visiting Professor at the Collège de France (Chair of Artistic Creation) for 2016. Mabanckou was a judge of the 2022 Booker Prize , together with Neil MacGregor (chair), Shahidha Bari , Helen Castor and M. John Harrison . Mabanckou

2046-595: The social sciences . Seuil has published works by Jacques Lacan , Roland Barthes and Philippe Sollers (in his first period), and later by Edgar Morin , Maurice Genevoix and Pierre Bourdieu . Notably, they published Frantz Fanon 's doctoral thesis, Black Skin, White Masks , in 1952, and the first edition of Aleksandr Solzhenitsyn 's The Gulag Archipelago (in Russian as Архипелаг ГУЛАГ) in 1973. Similarly, Seuil's good relations with book retailers have allowed it to establish significant distribution activity, ensuring

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2112-448: The 16th and 17th centuries to refer to either "An innovator (in thought or belief); someone who introduces something new or who favours novelty" or "An inexperienced person; a novice." However, the OED attributes the primary contemporary meaning of "a writer of novels" as first appearing in the 1633 book "East-India Colation" by C. Farewell citing the passage "It beeing a pleasant observation (at

2178-466: The 20th anniversary of Baldwin's death. Mabanckou's 2009 novel, Black Bazar , is a dark comic story set in Jip's, a Paris Afro-Cuban bar once frequented by Mabanckou, portraying the lives of characters from the various African diasporas of France. Mabanckou's work has been translated and published in 15 languages, including several books in English. In 2002, Mabanckou went to teach Francophone Literature at

2244-759: The 20th century, which is considered equivalent to American literary regionalism. It used a realist style to portray the scenes, language, customs and manners of the country the writer was from, especially the lower and peasant classes, criollismo led to an original literature based on the continent's natural elements, mostly epic and foundational. It was strongly influenced by the wars of independence from Spain and also denotes how each country in its own way defines criollo , which in Latin America refers to locally-born people of Spanish ancestry. Novelists often will be assessed in contemporary criticism based on their gender or treatment of gender. Largely, this has to do with

2310-425: The African tradition. Just as the text uses the notion of doubles as a key idea in the development of its theme of power and sacrifice, African tribes believe twins to be harbingers of health and prosperity in a family. However, they can also bring the opposite in disaster, and misfortune. There also exists a power dynamic between twins in that the second-born undertakes the more subservient role of guide that introduces

2376-470: The Author " that the author no longer should dictate the reception and meaning derived from their work. Other, theoretical approaches to literary criticism attempt to explore the author's unintentional influence over their work; methods like psychoanalytic theory or cultural studies , presume that the work produced by a novelist represents fundamental parts of the author's identity . Milan Kundera describes

2442-673: The Novel", sees the novelist as needing to "re-create reality in the forms which his personal vision assumes as it plays and struggles with the vivid illusory "eidetic-like" imagery left in the mind's eye by the process of social change." However, Ellison also describes novelists of the Lost Generation , like Ernest Hemingway , not taking full advantage of the moral weight and influence available to novelists, pointing to Mark Twain and Herman Melville as better examples. A number of such essays, such as literary critic Frank Norris 's "Responsibilities of

2508-428: The alien and external as possible?" Editions du Seuil Éditions du Seuil ( French pronunciation: [edisjɔ̃ dy sœj] ), also known as Le Seuil , is a French publishing house established in 1935 by Catholic intellectual Jean Plaquevent (1901–1965), and currently owned by La Martinière Groupe . It owes its name to this goal "The seuil (threshold) is the whole excitement of parting and arriving. It

2574-435: The arrival of Laure Adler to oversee its literature department. Olivier took back control of his publishing house L'Olivier . Points , a pocket subsidiary of Seuil, became a publisher in its own right. The house continued its policy of growth, amalgamating the publishers Danger Public and Petit à petit . Significant tension developed and in 2006 the editor Hervé Hamon (who had a loyal record of 20 publications with Seuil in

2640-416: The artists themselves, such as À Quai by Sara and Promenade d'un distrait , by Béatrice Alemagna . In 1937, Éditions du Seuil was bought by Paul Flamand and Jean Bardet . In 1979 these two left the direction to Michel Chodkiewicz . The leadership was subsequently ensured by Claude Cherki from 1989. Cherki was involved in the purchase of Seuil by La Martinière on 12 January 2004. Six months later he

2706-404: The author's life is presumed to have influence on the topical and thematic concerns of works. Some veins of criticism use this information about the novelist to derive an understanding of the novelist's intentions within his work. However, postmodern literary critics often denounce such an approach; the most notable of these critiques comes from Roland Barthes who argues in his essay " Death of

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2772-560: The beginning of the 20th century while becoming linked as an individual to his depiction of that space. Similarly, novelist such as Mark Twain , William Faulkner , Eudora Welty , and Flannery O'Connor are often describe as writing within a particular tradition of Southern literature , in which subject matter relevant to the South is associated with their own identities as authors. For example, William Faulkner set many of his short stories and novels in Yoknapatawpha County , which

2838-399: The capacity of an author) left, declaring that the author was no longer at the centre of the operation. In August 2006, the group announced a new director general, the journalist and writer Denis Jeambar , who had formerly been deputy director of editing for Point , and president of the L'Express-L'Expansion group, and editing director of L'Express . Towards the end of 2006, Laure Adler

2904-497: The capital needed to market books by an unknown author to the public. Responding to the difficulty of successfully writing and publishing first novels, especially at a young age, there are a number of awards for young and first time novelists to highlight exceptional works from new and/or young authors (for examples see Category:Literary awards honouring young writers and Category:First book awards ). In contemporary British and American publishing markets, most authors receive only

2970-406: The circulation of the works of such publishers as Odile Jacob , Éditions de Minuit , José Corti , and Rivages . Éditions du Seuil has also performed significant activities in children's literature . The house has promoted and published many great French children's authors; in 2005 Éditions du Seuil was the first to offer to the public animated films included in their albums that were produced by

3036-632: The coastal city of Pointe-Noire , where he received his baccalaureate in Letters and Philosophy at the Lycée Karl Marx. After preliminary law classes at the Marien Ngouabi University in Brazzaville , he received a scholarship to go to France at the age of 22. He already had several manuscripts to his name, mostly collections of poems, which he began publishing three years later. After receiving

3102-584: The controversy also note that by removing such categories as "Women novelist" or "Lesbian writer" from the description of gendered or sexual minorities, the discover-ability of those authors plummet for other people who share that identity. Similarly, because of the conversations brought by feminism, examinations of masculine subjects and an author's performance of "maleness" are a new and increasingly prominent approach critical studies of novels. For example, some academics studying Victorian fiction spend considerable time examining how masculinity shapes and effects

3168-471: The creation of French political and social identity in mid-nineteenth century France. Some novelists become intimately linked with a particular place or geographic region and therefore receive a place-based identity . In his discussion of the history of the association of particular novelists with place in British literature , critic D. C. D. Pocock, described the sense of place not developing in that canon until

3234-653: The educated middle classes. However, working men and women began publishing novels in the twentieth century. This includes in Britain Walter Greenwood 's Love on the Dole (1933), from America B. Traven 's, The Death Ship (1926) and Agnes Smedley , Daughter of Earth (1929) and from the Soviet Union Nikolay Ostrovsky 's How the Steel Was Tempered (1932). Later, in 1950s Britain, came

3300-409: The endangering relationship between humans and animals and the sometimes exploitative role of ethnographers, all while staying true to authentic African traditions of storytelling, and twinhood. In 2007, Mabanckou's early poetry was re-published by Points-Seuil under the title Tant que les arbres s'enracineront dans la terre , as well as a biography of James Baldwin , Lettre à Jimmy ( Fayard ), on

3366-460: The exception rather than the norm. Other critics and writers defending the merits of genre fiction often point towards King as an example of bridging the gap between popular genres and literary merit. Both literary critics and novelists question what role novelists play in society and within art. For example, Eudora Welty writing in 1965 for in her essay "Must the Novelist Crusade?" draws

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3432-438: The firstborn to the world. These two notions of duality and power dynamics come through in the characters, and their doubles, in the novel. The novel is narrated by one of these doubles, a porcupine, who is telling a baobab tree of the years he spent with Kibandi, his "master," establishing his subservient role. On Kibandi's tenth birthday, his father makes him drink mayamvumbi , a potion, that links Kibandi to his "harmful double,"

3498-549: The genre or within their own interests. In describing the place within the industry, novelist Kim Wright says that many authors, especially authors who usually write literary fiction, worry about "the danger that genre is a cul-de-sac" where publishers will only publish similar genre fiction from that author because of reader expectations, "and that once a writer turns into it, he'll never get out." Similarly, very few authors start in genre fiction and move to more "literary" publications; Wright describes novelists like Stephen King as

3564-741: The highly controversial The Wasp Factory in 1984. The success of this novel enabled Banks to become a full-time novelist. Often an important writers' juvenilia , even if not published, is prized by scholars because it provides insight into an author's biography and approach to writing; for example, the Brontë family 's juvenilia that depicts their imaginary world of Gondal , currently in the British Library , has provided important information on their development as writers. Occasionally, novelists publish as early as their teens. For example, Patrick O'Brian published his first novel, Caesar: The Life Story of

3630-462: The idea that African and Caribbean writers should focus on their local realities in order to serve and express their communities. He further contends that categories such as nation, race, and territory fall short of encapsulating reality, and urges writers to create works that deal with issues beyond these subjects. Alain Mabanckou was born in Congo-Brazzaville in 1966. He spent his childhood in

3696-516: The impacts of cultural expectations of gender on the literary market, readership and authorship. Literary criticism , especially since the rise of feminist theory , pays attention to how women, historically, have experienced a very different set of writing expectations based on their gender; for example, the editors of The Feminist Companion to Literature in English point out: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men." It

3762-443: The literary movement of modernist literature . She argues that the novelist should represent "not a series of gig-lamps symmetrically arranged; [rather] life is luminous halo, a semitransparent envelope surrounding us from the beginning of the conscious to the end. Is it not the task of the novelist to convey this varying, this unknown and uncircumscribed spirit, whatever aberration or complexity it may display, with as little mixture of

3828-413: The male novelist" that midlist male novelists are less likely to find success than midlist female novelist, even though men tend to dominate "literary fiction" spaces. The position of women in the literary marketplace can change public conversation about novelists and their place within popular culture, leading to debates over sexism. For example, in 2013, American female novelist Amanda Filipacchi wrote

3894-641: The political agendas of the Communist party or left wing sympathizers, and seen as a "device of revolution". However, the British tradition of working class literature, unlike the Russian and American, was not especially inspired by the Communist Party, but had its roots in the Chartist movement , and socialism , amongst others. Novelists are often classified by their national affiliation, suggesting that novels take on

3960-440: The porcupine, for life, an instance of twinhood bringing misfortune. After the two carry out a string of murders in their village, even once violating the basic principle of Congolese magic of never harming twins, given their sacred place in tradition, Kibandi dies and the porcupine remains alive, and turns to the baobab to tell his story. During his confessions, the porcupine makes frequent, often poignant remarks on humanity, such as

4026-399: The sole master of his work. He is his work." The close intimacy of identity with the novelist's work ensures that particular elements, whether for class, gender, sexuality, nationality, race, or place-based identity, will influence the reception of their work. Historically, because of the amount of leisure time and education required to write novels, most novelists have come from the upper or

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4092-455: The tensions between the novelist's own identity and the work that the author produces in his essay in The New Yorker titled "What is a novelist?"; he says that the novelist's "honesty is bound to the vile stake of his megalomania [...]The work is not simply everything a novelist writes-notebooks, diaries, articles. It is the end result of long labor on an aesthetic project[...]The novelist is

4158-496: The way he makes use of these elements in relation to a part of the West of England, that he names Wessex . Other British writers that have been characterized as regional novelists, are the Brontë sisters , and writers like Mary Webb (1881–1927), Margiad Evans (1909–58) and Geraint Goodwin (1903–42), who are associate with the Welsh border region. George Eliot (1801–86) on the other hand

4224-951: The works, because of its prominence within fiction from the Victorian period. Traditionally, the publishing industry has distinguished between " literary fiction ", works lauded as achieving greater literary merit , and " genre fiction ", novels written within the expectations of genres and published as consumer products. Thus, many novelists become slotted as writers of one or the other. Novelist Kim Wright , however, notes that both publishers and traditional literary novelist are turning towards genre fiction because of their potential for financial success and their increasingly positive reception amongst critics. Wright gives examples of authors like Justin Cronin , Tom Perrotta and Colson Whitehead all making that transition. However, publishing genre novels does not always allow novelist to continue writing outside

4290-630: Was not a great critical success, its popularity among readers placed it on the New York Times Children's Books Best Seller list for 121 weeks. First-time novelists of any age often are unable to have their works published, because of a number of reasons reflecting the inexperience of the author and the economic realities of publishers. Often authors must find advocates in the publishing industry, usually literary agents , to successfully publish their debut novels . Sometimes new novelists will self-publish , because publishing houses will not risk

4356-502: Was obliged to resign as a result of his interest in this operation. Cherki was replaced by Pascal Flamand (Président-directeur général) and Olivier Cohen (publishing director). The latter created a subsidiary called L'Olivier . Following the purchase by La Martinière , the Volumen distribution company was created. Numerous logistical problems arose, and several editors left the publishing house. In November 2005, Éditions du Seuil announced

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