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Mughal painting is a South Asian style of painting on paper confined to miniatures either as book illustrations or as single works to be kept in albums ( muraqqa ), originating from the territory of the Mughal Empire in the Indian subcontinent . It emerged from Persian miniature painting (itself partly of Chinese origin ) and developed in the court of the Mughal Empire of the 16th to 18th centuries. Battles, legendary stories, hunting scenes, wildlife, royal life, mythology, as well as other subjects have all been frequently depicted in paintings.

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87-616: The Lahore Museum ( Punjabi : لہور میوزیم ; Urdu : عجائب گھر لاہور ; lit.   ' Lahore Wonder House ' ) is a museum located in Lahore , Punjab , Pakistan . Founded in 1865 at a smaller location and opened in 1894 at its current location on The Mall in Lahore during the British colonial period , Lahore Museum is Pakistan's largest museum, as well as one of its most visited ones. The museum houses an extensive collection of Buddhist art from

174-705: A Darab Nama around 1585; the Khamsa of Nizami (British Library, Or. 12208) followed in the 1590s and Jami 's Baharistan around 1595 in Lahore . As Mughal-derived painting spread to Hindu courts the texts illustrated included the Hindu epics including the Ramayana and the Mahabharata ; themes with animal fables; individual portraits; and paintings on scores of different themes. Mughal style during this period continued to refine itself with elements of realism and naturalism coming to

261-559: A biography of his father Humayun , no illustrated manuscript survives. Volumes of the classics of Persian poetry usually had rather fewer miniatures, often around twenty, but often these were of the highest quality. Akbar also had the Hindu epic poems translated into Persian, and produced in illustrated versions. Four are known of the Razmnama , a Mahabharata in Persian, from between 1585 and c.  1617 . Akbar had at least one copy of

348-569: A feature of either Persian miniature or earlier Indian painting. The pose, rarely varied in portraits, was to have the head in strict profile, but the rest of the body half turned towards the viewer. For a long time portraits were always of men, often accompanied by generalized female servants or concubines ; but there is scholarly debate about the representation of female court members in portraiture. Some scholars claim there are no known extant likenesses of figures like Jahanara Begum and Mumtaz Mahal , and others attribute miniatures, for example from

435-572: A liberal approach. Through Persian, Punjabi also absorbed many Arabic-derived words like dukān , ġazal and more, as well as Turkic words like qēncī , sōġāt , etc. After the fall of the Sikh empire , Urdu was made the official language of Punjab under the British (in Pakistani Punjab , it is still the primary official language) and influenced the language as well. In the second millennium , Punjabi

522-420: A means of moulding the disparate styles of his artists, from Iran and from different parts of India, into one unified style". By the end, the style reached maturity, and "the flat and decorative compositions of Persian painting have been transformed by creating a believable space in which characters painted in the round can perform". Sa'di 's masterpiece The Gulistan was produced at Fatehpur Sikri in 1582,

609-423: A practical purpose; according to chroniclers he used to consult it when discussing appointments and the like with his advisors, apparently to jog his memory of who the people being discussed were. Many of them, like medieval European images of saints, carried objects associated with them to help identification, but otherwise the figures stand on a plain background. There are a number of fine portraits of Akbar, but it

696-520: A way to record what they remembered from earlier times to ensure that others would be able to remember the greatness of the Mughal empire. Jahangir had an artistic inclination and during his reign Mughal painting developed further. Brushwork became finer and the colours lighter. Jahangir was also deeply influenced by European painting. During his reign he came into direct contact with the English Crown and

783-706: A word will be pronounced, and vice versa. Tone is often reduced or rarely deleted when words are said with emphasis or on their own as a form of more exact identification. Sequences with the consonant h have some additional gimmicks: The consonant h on its own is now silent or very weakly pronounced except word-initially. However, certain dialects which exert stronger tone, particularly more northern Punjabi varieties and Dogri , pronounce h as very faint (thus tonal) in all cases. E.g. hatth > àtth . The Jhangvi and Shahpuri dialects of Punjabi (as they transition into Saraiki ) show comparatively less realisation of tone than other Punjabi varieties, and do not induce

870-554: A workshop in Kabul, which Humayan perhaps took over into his own. Humayan's major known commission was a Khamsa of Nizami with 36 illuminated pages, in which the different styles of the various artists are mostly still apparent. Apart from the London painting, he also commissioned at least two miniatures showing himself with family members, a type of subject that was rare in Persia but common among

957-482: Is a tendency with speakers to insert /ɪ̯/ between adjacent "a"-vowels as a separator. This usually changes to /ʊ̯/ if either vowel is nasalised. Note: for the tonal stops, refer to the next section about Tone. The three retroflex consonants /ɳ, ɽ, ɭ/ do not occur initially, and the nasals [ŋ, ɲ] most commonly occur as allophones of /n/ in clusters with velars and palatals (there are few exceptions). The well-established phoneme /ʃ/ may be realised allophonically as

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1044-611: Is also a photo gallery dedicated to the emergence of Pakistan as an independent state, the Pakistan Movement Gallery. The museum has a number of Greco-Buddhist sculptures , Mughal and Pahari paintings on display. Over 58,000 artifacts are reported to be part of its collection, with only 14,000 being on display. The collection contains important relics from the Indus Valley civilization, Gandhara , and Graeco-Bactrian periods as well. The Fasting Buddha, dating from

1131-436: Is always written as نگ . Like Hindustani , the diphthongs /əɪ/ and /əʊ/ have mostly disappeared, but are still retained in some dialects. Phonotactically , long vowels /aː, iː, uː/ are treated as doubles of their short vowel counterparts /ə, ɪ, ʊ/ rather than separate phonemes. Hence, diphthongs like ai and au get monophthongised into /eː/ and /oː/, and āi and āu into /ɛː/ and /ɔː/ respectively. The phoneme /j/

1218-517: Is an autobiographical account of Jahangir's reign, has several paintings, including some unusual subjects such as the union of a saint with a tigress, and fights between spiders. Mughal paintings made during Jahangir's reign continued the trend of Naturalism and were influenced by the resurgence of Persian styles and subjects over more traditional Hindu. During the reign of Shah Jahan (1628–58), Mughal paintings continued to develop, but court paintings became more rigid and formal. The illustrations from

1305-748: Is defined physiographically by the Indus River and these five tributaries . One of the five, the Beas River , is a tributary of another, the Sutlej . Punjabi developed from Prakrit languages and later Apabhraṃśa ( Sanskrit : अपभ्रंश , 'deviated' or 'non-grammatical speech') From 600 BC, Sanskrit developed as the standard literary and administrative language and Prakrit languages evolved into many regional languages in different parts of India. All these languages are called Prakrit languages (Sanskrit: प्राकृत , prākṛta ) collectively. Paishachi Prakrit

1392-561: Is identical to the Urdu alphabet , however various attempts have been made to create certain, distinct characters from a modification of the Persian Nastaʿlīq characters to represent Punjabi phonology , not already found in the Urdu alphabet . In Pakistan, Punjabi loans technical words from Persian and Arabic , just like Urdu does. Punjabi is the most widely spoken language in Pakistan ,

1479-663: Is not clear how far these studies went. Between 1560 and 1566 the Tutinama ("Tales of a Parrot"), now in the Cleveland Museum of Art was illustrated, showing "the stylistic components of the imperial Mughal style at a formative stage". Among other manuscripts, between 1562 and 1577 the atelier worked on an illustrated manuscript of the Hamzanama consisting of 1,400 cotton folios , unusually large at 69 cm x 54 cm (approx. 27 x 20 inches) in size. This huge project "served as

1566-451: Is termed 'Old Punjabi', whilst the stage between the 16th and 19th centuries is termed as 'Medieval Punjabi'. The Arabic and Modern Persian influence in the historical Punjab region began with the late first millennium Muslim conquests in the Indian subcontinent . Since then, many Persian words have been incorporated into Punjabi (such as zamīn , śahir etc.) and are used with

1653-502: Is very difficult to trace Imperial Mughal paintings back to specific artists. After a tentative start under Humayun, the great period of Mughal painting was during the next three reigns, of Akbar , Jahangir and Shah Jahan , which covered just over a century between them. When the second Mughal emperor, Humayun was in exile in Tabriz in the Safavid court of Shah Tahmasp I of Persia, he

1740-502: Is very fluid in Punjabi. /j/ is only truly pronounced word-initially (even then it often becomes /d͡ʒ/), where it is otherwise /ɪ/ or /i/. Unusually for an Indo-Aryan language, Punjabi distinguishes lexical tones . Three tones are distinguished in Punjabi (some sources have described these as tone contours, given in parentheses): low (high-falling), high (low-rising), and level (neutral or middle). The transcriptions and tone annotations in

1827-618: Is widely used in the TV and entertainment industry of Pakistan, which is mainly produced in Lahore . The Standard Punjabi used in India and Pakistan have slight differences. In India, it discludes many of the dialect-specific features of Majhi. In Pakistan, the standard is closer to the Majhi spoken in the urban parts of Lahore. "Eastern Punjabi" refers to the varieties of Punjabi spoken in Pakistani Punjab (specifically Northern Punjabi), most of Indian Punjab ,

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1914-557: Is written using the Gurmukhi alphabet , based on the Indic scripts . Punjabi is unusual among the Indo-Aryan languages and the broader Indo-European language family in its usage of lexical tone . The word Punjabi (sometimes spelled Panjabi ) has been derived from the word Panj-āb , Persian for 'Five Waters', referring to the five major eastern tributaries of the Indus River . The name of

2001-540: The Hamzanama . In contrast Mughal painting was "almost entirely secular", although religious figures were sometimes portrayed. Realism , especially in portraits of both people and animals, became a key aim, far more than in Persian painting, let alone the Indian traditions. There was already a Muslim tradition of miniature painting under the Turko-Afghan Sultanate of Delhi which the Mughals overthrew, and like

2088-721: The 2023 Pakistani census , and the 11th most widely-spoken in India, with 31.1 million native speakers, according to the 2011 census . It is spoken among a significant overseas diaspora , particularly in Canada , the United Kingdom , the United States , Australia , and the Gulf states . In Pakistan, Punjabi is written using the Shahmukhi alphabet , based on the Perso-Arabic script ; in India, it

2175-401: The British period. The collection also includes musical instruments, ancient jewelry, textiles, pottery, and armory, as well as some Tibetan and Nepalese work on display. The following is a list of the museum's directors. (years) The book Masterpieces of Lahore Museum , written by Anjum Rehmani, was published by the museum in 1999 with financial assistance from UNESCO . A new edition

2262-623: The Dara Shikoh album or the Freer Gallery of Art mirror portrait, to these famous noblewomen. The single idealized figure of the Riza Abbasi type was less popular, but fully painted scenes of lovers in a palace setting became popular later. Drawings of genre scenes, especially showing holy men, whether Muslim or Hindu, were also popular. Akbar had an album, now dispersed, consisting entirely of portraits of figures at his enormous court which had

2349-462: The Gandhara period, is one of the museums most prized and celebrated objects. The coin collection consists of 38,000 rare coins. The ceiling of the entrance hall features The Evolution of Mankind , a large mural consisting of 48 panels (each measuring 6 by 8 feet). It was painted by Pakistani artist Sadequain who originally completed it in 1973. Due to the weather conditions and termite attacks,

2436-461: The Hazara region , most of Azad Kashmir and small parts of Indian Punjab such as Fazilka . These include groups of dialects like Saraiki , Pahari-Pothwari , Hindko and the extinct Inku ; common dialects like Jhangvi , Shahpuri , Dhanni and Thali which are usually grouped under the term Jatki Punjabi; and the mixed variety of Punjabi and Sindhi called Khetrani . Depending on context,

2523-732: The Majha region of the Punjab. In India , Punjabi is written in the Gurmukhī script in offices, schools, and media. Gurmukhi is the official standard script for Punjabi, though it is often unofficially written in the Latin scripts due to influence from English , one of India's two primary official languages at the Union -level. In Pakistan, Punjabi is generally written using the Shahmukhī script, which in literary standards,

2610-457: The Nath Yogi -era from 9th to 14th century. The language of these compositions is morphologically closer to Shauraseni Apbhramsa , though vocabulary and rhythm is surcharged with extreme colloquialism and folklore. Writing in 1317–1318, Amir Khusrau referred to the language spoken by locals around the area of Lahore as Lahauri . The precursor stage of Punjabi between the 10th and 16th centuries

2697-413: The h consonant itself and any voiced consonants appended with [h] (Gurmukhi: ੍ਹ "perī̃ hāhā" , Shahmukhi: ھ "dō-caśmī hē" ); usually ṛh , mh , nh , rh and lh . The five tonal plosives also become voiceless word-initially. E.g. ghar > kàr "house", ḍhōl > ṭṑl "drum" etc. Tonogenesis in Punjabi forfeits the sound of [h] for tone. Thus, the more [h] is realised, the less "tonal"

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2784-630: The partition of Punjab , the artefacts of the museum were divided between the newly formed countries of Pakistan and India , with the museum retaining about 60% of its collection. The rest was given to India and eventually housed at the Government Museum and Art Gallery in Chandigarh , built specifically for this purpose. The museum's golden years are considered to be from 1970 to 1990, when scholar, archaeologist, and museologist Dr Saif-ur-Rehman Dar served as its director. He wrote several books about

2871-498: The voiceless retroflex fricative [ʂ] in learned clusters with retroflexes. Due to its foreign origin, it is often also realised as [s] , in e.g. shalwār /salᵊ.ʋaːɾᵊ/ . The phonemic status of the consonants /f, z, x, ɣ, q/ varies with familiarity with Hindustani norms, more so with the Gurmukhi script, with the pairs /f, pʰ/ , /z, d͡ʒ/ , /x, kʰ/ , /ɣ, g/ , and /q, k/ systematically distinguished in educated speech, /q/ being

2958-508: The "Padshanama" (chronicle of the King of the world), one of the finest Islamic manuscripts from the Royal Collection, at Windsor, were painted during the reign of Shah Jahan. Written in Persian on paper that is flecked with gold, has exquisitely rendered paintings. The "Padshahnama" has portraits of the courtiers and servants of the King painted with great detail and individuality. In keeping with

3045-461: The 16th century, were in charge of the imperial atelier during the formative stages of Mughal painting. Many artists worked on large commissions, the majority of them apparently Hindu, to judge by the names recorded. Mughal painting generally involved a group of artists, one (generally the most senior) to decide and outline the composition, the second to actually paint, and perhaps a third who specialized in portraiture, executing individual faces. This

3132-714: The 1981 and 2017 censuses respectively, speakers of the Western Punjabi 's Saraiki and Hindko varieties were no longer included in the total numbers for Punjabi, which explains the apparent decrease. Pothwari speakers however are included in the total numbers for Punjabi. Punjabi is the official language of the Indian state of Punjab , and has the status of an additional official language in Haryana and Delhi. Some of its major urban centres in northern India are Amritsar , Ludhiana , Chandigarh , Jalandhar , Ambala , Patiala , Bathinda , Hoshiarpur , Firozpur and Delhi . In

3219-467: The 19th century from the Medieval Punjabi stage. Modern Punjabi has two main varieties, Western Punjabi and Eastern Punjabi , which have many dialects and forms, altogether spoken by over 150 million people. The Majhi dialect , which is transitional between the two main varieties, has been adopted as standard Punjabi in India and Pakistan for education and mass media. The Majhi dialect originated in

3306-666: The 2011 census of India, 31.14 million reported their language as Punjabi. The census publications group this with speakers of related "mother tongues" like Bagri and Bhateali to arrive at the figure of 33.12 million. Punjabi is also spoken as a minority language in several other countries where Punjabi people have emigrated in large numbers, such as the United States, Australia, the United Kingdom, and Canada. There were 670,000 native Punjabi speakers in Canada in 2021, 300,000 in

3393-405: The Hindu epics and other stories, performed by travelling specialists; very few early examples of these last survive. A vivid Kashmiri tradition of mural paintings flourished between the 9th and 17th centuries, as seen in the murals of Alchi Monastery or Tsaparang : a number of Kashimiri painters were employed by Akbar and some influence of their art can be seen in various Mughal works, such as

3480-408: The Mughal paintings of this period. Even though this period was titled the most prosperous, artists during this time were expected to adhere to representing life in court as organized and unified. For this reason, most art created under his rule focused mainly on the emperor and aided in establishing his authority. The purpose of this art was to leave behind an image of what the Mughal's believed to be

3567-507: The Mughals, and the very earliest of Central Asian invaders into the subcontinent, patronized foreign culture. These paintings were painted on loose-leaf paper, and were usually placed between decorated wooden covers. Although the first surviving manuscripts are from Mandu in the years either side of 1500, there were very likely earlier ones which are either lost, or perhaps now attributed to southern Persia, as later manuscripts can be hard to distinguish from these by style alone, and some remain

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3654-445: The Mughals. During the reign of Humayun's son Akbar (r. 1556–1605), the imperial court, apart from being the centre of administrative authority to manage and rule the vast Mughal empire, also emerged as a centre of cultural excellence. Akbar inherited and expanded his father's library and atelier of court painters, and paid close personal attention to its output. He had studied painting in his youth under Abd as-Samad , though it

3741-561: The Persian version of the Ramayana . Mughal court painting, as opposed to looser variants of the Mughal style produced in regional courts and cities, drew little from indigenous non-Muslim traditions of painting. These were Hindu and Jain, and earlier Buddhist, and almost entirely religious. They existed mainly in relatively small illustrations to texts, but also mural paintings, and paintings in folk styles on cloth, in particular ones on scrolls made to be displayed by popular singers or reciters of

3828-459: The United Kingdom in 2011, 280,000 in the United States and smaller numbers in other countries. Standard Punjabi (sometimes referred to as Majhi) is the standard form of Punjabi used commonly in education and news broadcasting , and is based on the Majhi dialect . Such as the variety used on Google Translate , Standard Punjabi is also often used in official online services that employ Punjabi. It

3915-565: The United States found no evidence of a separate falling tone following a medial consonant. It is considered that these tones arose when voiced aspirated consonants ( gh, jh, ḍh, dh, bh ) lost their aspiration. In Punjabi, tone is induced by the loss of [h] in tonal consonants. Tonal consonants are any voiced aspirates /ʱ/ and the voiced glottal fricative /ɦ/ . These include the five voiced aspirated plosives bh , dh , ḍh , jh and gh (which are represented by their own letters in Gurmukhi),

4002-629: The ancient Indo-Greek and Gandhara kingdoms. It also has collections from the Indus Valley Civilisation , Mughal Empire , Sikh Empire and the British Indian Empire . The Lahore Museum, along with the Zamzama Gun located directly in front of the building, is the setting of the opening scene in the novel Kim by Rudyard Kipling , whose father, John Lockwood Kipling , was one of the museum's earliest curators. Lahore Museum

4089-471: The arts. The style of the Mughal school developed within the royal atelier . Knowledge was primarily transmitted through familial and apprenticeship relationships, and the system of joint manuscript production which brought multiple artists together for single works. In some cases, senior artists would draw the illustrations in outline, and more junior ones would usually apply the colours, especially for background areas. Where no artist names are inscribed, it

4176-437: The aspiration of the later Mughals to project an image as the representative of Allah on earth, or even as having a quasi-divine status themselves. Other images show the enthroned emperor having meetings, receiving visitors, or in durbar , or formal council. These and royal portraits incorporated in hunting scenes became highly popular types in later Rajput painting and other post-Mughal styles. Another popular subject area

4263-487: The decline had set in. Some sources however note that a few of the best Mughal paintings were made for Aurangzeb, speculating that they believed that he was about to close the workshops and thus exceeded themselves in his behalf. There was a brief revival during the reign of Muhammad Shah 'Rangeela' (1719–1748), but by the time of Shah Alam II (1759–1806), the art of Mughal painting had lost its glory. By that time, other schools of Indian painting had developed, including, in

4350-714: The devoicing of the main five tonal consonants ( bh , dh , ḍh , jh , gh ). The Gurmukhi script which was developed in the 16th century has separate letters for voiced aspirated sounds, so it is thought that the change in pronunciation of the consonants and development of tones may have taken place since that time. Some other languages in Pakistan have also been found to have tonal distinctions, including Burushaski , Gujari , Hindko , Kalami , Shina , and Torwali , though these (besides Hindko) seem to be independent of Punjabi. Mughal painting The Mughal emperors were Muslims and they are credited with consolidating Islam in

4437-462: The eleventh-most widely spoken in India , and also present in the Punjabi diaspora in various countries. Approximate distribution of native Punjabi speakers (inc. Lahndic dialects ) (assuming a rounded total of 157 million) worldwide. Punjabi is the most widely spoken language in Pakistan , being the native language of 88.9 million people, or approximately 37% of the country's population. Beginning with

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4524-621: The emperor as he looked at each image. This colossal project took most of the 1560s, and probably beyond. These and a few other early works saw a fairly unified Mughal workshop style emerge by around 1580. Other large projects included biographies or memoirs of the Mughal dynasty . Babur , its founder, had written classic memoirs, which his grandson Akbar had translated into Persian, as the Baburnama (1589), and then produced in four lavishly illustrated copies, with up to 183 miniatures each. The Akbarnama

4611-414: The emperor to the court, or the public, which became a daily ceremonial under Akbar, Jahangir and Shah Jahan , before being stopped as un-Islamic by Aurangzeb. In these scenes, the emperor is shown at top on a balcony or at a window, with a crowd of courtiers below, sometimes including many portraits. Like the increasingly large halos these emperors were given in single portraits, the iconography reflects

4698-452: The entire museum collection was transferred to present building with its new name as Jubilee Museum. The museum's collection was shifted in 1894 to its present location on The Mall , in Lahore's British-era core. The present building was designed by Bhai Ram Singh and John Lockwood Kipling. Rudyard Kipling ’s father, John Lockwood Kipling , was one of the museum's first curators, and was succeeded by K. N. Sitaram . In 1948, as part of

4785-480: The examples below are based on those provided in Punjabi University, Patiala 's Punjabi-English Dictionary . Level tone is found in about 75% of words and is described by some as absence of tone. There are also some words which are said to have rising tone in the first syllable and falling in the second. (Some writers describe this as a fourth tone.) However, a recent acoustic study of six Punjabi speakers in

4872-418: The far-north of Rajasthan and on the northwestern border of Haryana . It includes the dialects of Majhi , Malwai , Doabi , Puadhi and the extinct Lubanki . Sometimes, Dogri and Kangri are grouped into this category. "Western Punjabi" or "Lahnda" ( لہندا , lit.   ' western ' ) is the name given to the diverse group of Punjabi varieties spoken in the majority of Pakistani Punjab ,

4959-837: The first half of the 18th century, many Mughal-trained artists left the imperial workshop to work at Rajput courts. These include artists such as Bhawanidas and his son Dalchand . Mughal-style miniature paintings are still being created today by a small number of artists in Lahore concentrated mainly in the National College of Arts . Although many of these miniatures are skillful copies of the originals, some artists have produced contemporary works using classic methods with, at times, remarkable artistic effect. The skills needed to produce these modern versions of Mughal miniatures are still passed on from generation to generation, although many artisans also employ dozens of workers, often painting under trying working conditions, to produce works sold under

5046-494: The fore. Between 1570–1585, Akbar hired over one hundred painters to practice Mughal style painting. Akbar's rule established a celebratory theme among the Mughal Empire. In this new period, Akbar persuaded artist to focus on showing off spectacles and including grand symbols like elephants in their work to create the sense of a prospering empire. Along with this new mindset, Akbar also encouraged his people to write down and find

5133-445: The formative period of the style, under Akbar, the imperial workshop produced a number of heavily illustrated copies of established books in Persian. One of the first, probably from the 1550s and now mostly in the Cleveland Museum of Art , was a Tutinama with some 250 rather simple and rather small miniatures, most with only a few figures. In contrast, Akbar's Hamzanama had unusually large pages, of densely woven cotton rather than

5220-545: The ideal ruler and state. Aurangzeb (1658–1707) was never an enthusiastic patron of painting, largely for religious reasons, and took a turn away from the pomp and ceremonial of the court around 1668, after which he probably commissioned no more paintings. After 1681 he moved to the Deccan to pursue his slow conquest of the Deccan Sultanates , never returning to live in the north. Mughal paintings continued to survive, but

5307-534: The images shown here) was continued, as was a modified form of the Persian convention of an elevated viewpoint. The Mughal painting style later spread to other Indian courts, both Muslim and Hindu, and later Sikh, and was often used to depict Hindu subjects. This was mostly in northern India. It developed many regional styles in these courts, tending to become bolder but less refined. These are often described as "post-Mughal", "sub-Mughal" or "provincial Mughal". The mingling of foreign Persian and indigenous Indian elements

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5394-619: The latter three arise natively. Later, the letters ਜ਼ / ز , ਸ਼ / ش and ਫ਼ / ف began being used in English borrowings, with ਸ਼ / ش also used in Sanskrit borrowings . Punjabi has also had minor influence from and on neighbouring languages such as Sindhi , Haryanvi , Pashto and Hindustani . Note: In more formal contexts, hypercorrect Sanskritized versions of these words (ਪ੍ਰਧਾਨ pradhān for ਪਰਧਾਨ pardhān and ਪਰਿਵਾਰ parivār for ਪਰਵਾਰ parvār ) may be used. Modern Punjabi emerged in

5481-458: The many new animals Babur encountered when he invaded India, which are carefully described. However some surviving un-illustrated manuscripts may have been commissioned by him, and he comments on the style of some famous past Persian masters. Some older illustrated manuscripts have his seal on them; the Mughals came from a long line stretching back to Timur and were fully assimilated into Persianate culture, and expected to patronize literature and

5568-568: The most popular museum of Pakistan among foreigners in 2016 (2,956 visits) and 2017 (2,941 visits). It dropped to second place (with 3,659 foreign visitors) in 2018, having been replaced by Taxila Museum . The museum displays archaeological materials from Bronze Age ( Indus Valley Civilisation ) to the medieval era Hindu Shahi & Mughal period. It has one of the largest collections of archaeology, history, arts, fine arts, applied arts, ethnology, and craft objects in Pakistan. It also has an extensive collection of Hellenistic and Mughal coins. There

5655-597: The most rarely pronounced. The retroflex lateral is most commonly analysed as an approximant as opposed to a flap . Some speakers soften the voiceless aspirates /t͡ʃʰ, pʰ, kʰ/ into fricatives /ɕ, f, x/ respectively. In rare cases, the /ɲ/ and /ŋ/ phonemes in Shahmukhi may be represented with letters from Sindhi . The /ɲ/ phoneme, which is more common than /ŋ/, is written as نی or نج depending on its phonetic preservation, e.g. نیاݨا /ɲaːɳaː/ (preserved ñ ) as opposed to کنج /kiɲd͡ʒ/ (assimilated into nj ). /ŋ/

5742-467: The mural suffered significant damage over the years, A grant was approved by the Governor of Punjab in 2008 to start the restoration work. It was taken down in 2010, while restoration work began in 2012. By 2018, 16 of the panels had been restored by Uzma Usmani and Mumtaz Hussain. The museum also contains fine specimens of Mughal and Sikh carved woodwork and has a large collection of paintings dating back to

5829-457: The museum, and his tenure was complemented by that of B.A. Qureshi, who was the chairman of the museum's board of governors back then. After that, the condition of the museum went deteriorated due to the lack of support for its restoration. Over 250,000 visitors were registered at the Lahore Museum in 2005. This dropped to 236,536 in 2016, 214,697 in 2017, but rose to 227,994 in 2018. It was

5916-625: The region was introduced by the Turko-Persian conquerors of South Asia and was a translation of the Sanskrit name, Panchanada , which means 'Land of the Five Rivers'. Panj is cognate with Sanskrit pañca ( पञ्च ), Greek pénte ( πέντε ), and Lithuanian Penki , all of which meaning 'five'; āb is cognate with Sanskrit áp ( अप् ) and with the Av- of Avon . The historical Punjab region , now divided between India and Pakistan,

6003-712: The royal courts of the Rajput kingdoms of Rajputana , Rajput painting and in the cities ruled by the British East India Company , the Company style under Western influence. Late Mughal style often shows increased use of perspective and recession under Western influence. Many museums have collections, with that of the Victoria and Albert Museum in London especially large. The Persian master artists Abd al-Samad and Mir Sayyid Ali , who had accompanied Humayun to India in

6090-403: The strict formality at court, however the portraits of the King and important nobles was rendered in strict profile, whereas servants and common people, depicted with individual features have been portrayed in the three-quarter view or the frontal view. Themes including musical parties; lovers, sometimes in intimate positions, on terraces and gardens; and ascetics gathered around a fire, abound in

6177-452: The subcontinent, and spreading Muslim (and particularly Persian) arts and culture as well as the faith. Mughal painting immediately took a much greater interest in realistic portraiture than was typical of Persian miniatures. Animals and plants were the main subject of many miniatures for albums, and were more realistically depicted. Although many classic works of Persian literature continued to be illustrated, as well as Indian literature ,

6264-463: The subject of debate among specialists. By the time of the Mughal invasion, the tradition had abandoned the high viewpoint typical of the Persian style, and adopted a more realistic style for animals and plants. No miniatures survive from the reign of the founder of the dynasty, Babur, nor does he mention commissioning any in his memoirs , the Baburnama . Copies of this were illustrated by his descendents, Akbar in particular, with many portraits of

6351-482: The taste of the Mughal emperors for writing memoirs or diaries, begun by Babur, provided some of the most lavishly decorated texts, such as the Padshahnama genre of official histories. Subjects are rich in variety and include portraits, events and scenes from court life, wild life and hunting scenes, and illustrations of battles. The Persian tradition of richly decorated borders framing the central image (mostly trimmed in

6438-539: The terms Eastern and Western Punjabi can simply refer to all the Punjabi varieties spoken in India and Pakistan respectively, whether or not they are linguistically Eastern/Western. While a vowel length distinction between short and long vowels exists, reflected in modern Gurmukhi orthographical conventions, it is secondary to the vowel quality contrast between centralised vowels /ɪ ə ʊ/ and peripheral vowels /iː eː ɛː aː ɔː oː uː/ in terms of phonetic significance. The peripheral vowels have nasal analogues . There

6525-408: The usual paper, and the images were very often crowded with figures. The work was "a continuous series of romantic interludes, threatening events, narrow escapes, and violent acts", supposedly telling the life of an uncle of Muhammad . Akbar's manuscript had a remarkable total of some 1400 miniatures, one on every opening, with the relevant text written on the back of the page, presumably to be read to

6612-771: Was Kesu Das , who understood and developed "European techniques of rendering space and volume". Conveniently for modern scholars, Akbar liked to see the names of the artists written below each miniature. Analysis of manuscripts shows that individual miniatures were assigned to many painters. For example, the incomplete Razmnama in the British Library contains 24 miniatures, with 21 different names, though this may be an especially large number. Other important painters under Akbar and Jahangir were: Others: Nanha, Daulat, Payag, Abd al-Rahim, Amal-e Hashim, Keshavdas, and Mah Muhammad. The sub-imperial school of Mughal painting included artists such as Mushfiq , Kamal, and Fazl. During

6699-514: Was lexically influenced by Portuguese (words like almārī ), Greek (words like dām ), Japanese (words like rikśā ), Chinese (words like cāh , līcī , lukāṭh ) and English (words like jajj , apīl , māsṭar ), though these influences have been minor in comparison to Persian and Arabic. In fact, the sounds / z / (ਜ਼ / ز ژ ذ ض ظ ), / ɣ / (ਗ਼ / غ ), / q / (ਕ਼ / ق ), / ʃ / (ਸ਼ / ش ), / x / (ਖ਼ / خ ) and / f / (ਫ਼ / ف ) are all borrowed from Persian, but in some instances

6786-571: Was Akbar's own commissioned biography or chronicle, produced in many versions, and the tradition continued with Jahangir 's autobiography Tuzk-e-Jahangiri (or Jahangirnama ) and a celebratory biography of Shah Jahan , called the Padshahnama , which brought the era of the large illustrated imperial biography to an end, around 1650. Akbar commissioned a copy of the Zafarnama , a biography of his distant ancestor Timur , but though he had his aunt write

6873-482: Was a continuation of the patronage of other aspects of foreign culture as initiated by the earlier Delhi Sultanate , and the introduction of it into the subcontinent by various central Asian dynasties such as the Ghaznavids . From fairly early the Mughal style made a strong feature of realistic portraiture, normally in profile, and influenced by Western prints, which were available at the Mughal court. This had never been

6960-441: Was especially the case with the large historical book projects that dominated production during Akbar's reign, the Tutinama , Baburnama , Hamzanama , Razmnama , and Akbarnama . For manuscripts of Persian poetry there was a different way of working, with the best masters apparently expected to produce exquisitely finished miniatures all or largely their own work. An influence on the evolution of style during Akbar's reign

7047-668: Was exposed to Persian miniature painting, and commissioned at least one work there (or in Kabul ), an unusually large painting on cloth of Princes of the House of Timur , now in the British Museum . Originally a group portrait with his sons, in the next century Jahangir had it added to make it a dynastic group including dead ancestors. When Humayun returned to India, he brought two accomplished Persian artists Abd al-Samad and Mir Sayyid Ali with him. His usurping brother Kamran Mirza had maintained

7134-402: Was one of these Prakrit languages, which was spoken in north and north-western India and Punjabi developed from this Prakrit. Later in northern India Paishachi Prakrit gave rise to Paishachi Apabhraṃśa , a descendant of Prakrit. Punjabi emerged as an Apabhramsha, a degenerated form of Prakrit, in the 7th century AD and became stable by the 10th century. The earliest writings in Punjabi belong to

7221-467: Was originally established in 1865–66 on the site of the current Tollinton Market – a hall built for the 1864 Punjab Exhibition. The present building was constructed as a memorial of Golden Jubilee of Queen Victoria held in 1887, and financed through a special public fund raised on the occasion. The foundation stone of the new museum was laid on 3 February 1890 by Prince Albert Victor, Duke of Clarence , Queen Victoria's grandson. On its completion in 1894,

7308-494: Was published in 2006. Punjabi language Europe North America Oceania Punjabi , sometimes spelled Panjabi , is an Indo-Aryan language native to the Punjab region of Pakistan and India . It is one of the most widely spoken native languages in the world with approximately 150 million native speakers. Punjabi is the most widely-spoken first language in Pakistan, with 88.9 million native speakers according to

7395-607: Was realistic studies of animals and plants, mostly flowers; the text of the Baburnama includes a number of descriptions of such subjects, which were illustrated in the copies made for Akbar. These subjects also had specialist artists, including Ustad Mansur . Milo C. Beach argues that "Mughal naturalism has been greatly overstressed. Early animal imagery consists of variations on a theme, rather than new, innovative observations". He sees considerable borrowings from Chinese animal paintings on paper, which seem not to have been highly valued by Chinese collectors, and so reached India. In

7482-472: Was sent gifts of oil paintings, which included portraits of the King and Queen. He encouraged his royal atelier to take up the single point perspective favoured by European artists, unlike the flattened multi-layered style used in traditional miniatures. He particularly encouraged paintings depicting events of his own life, individual portraits, and studies of birds, flowers and animals. The Tuzk-e-Jahangiri (or Jahangirnama ), written during his lifetime, which

7569-565: Was under his successors Jahangir and Shah Jahan that the portrait of the ruler became firmly established as a leading subject in Indian miniature painting, which was to spread to both Muslim and Hindu princely courts across India. From the 17th century equestrian portraits, mostly of rulers, became another popular borrowing from the West. Another new type of image showed the Jharokha Darshan (literally "balcony view/worship"), or public display of

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