Edward Kassner (28 February 1920 – 19 November 1996) was an Austrian -born music industry executive and songwriter who was responsible for establishing the music publisher Kassner Music and the President record label. He lived and worked in both Britain and the United States .
58-611: Kassner is a surname. Notable people with the surname include: Edward Kassner (1920–1996), music executive Eli Kassner (1924–2018), guitar teacher and musician Helmut Kassner (born 1946), motorcycle road racer Helmut Kassner (military officer) (1897–1960) Horst Kassner , motorcycle road racer Kerstin Kassner (born 1958), German politician Rudolf Kassner (1873–1959), writer See also [ edit ] Kasner [REDACTED] Surname list This page lists people with
116-535: A sandbar en route to New York from Philadelphia . Once at the studio, producer Milt Gabler (Gabler was the uncle of actor Billy Crystal and had produced Louis Jordan as well as Billie Holiday ), insisted the band work on a song entitled "Thirteen Women (and Only One Man in Town)" (written and previously recorded by Dickie Thompson ), which Gabler wanted to promote as the A-side of the group's first single for Decca. Near
174-537: A 1968 version of "Rock Around the Clock" recorded for Sonet Records). Since "Swing the Mood" was still on the sales charts going into 1990, it meant that Haley's "Rock Around the Clock", in one way or another, appeared on UK or US sales charts in five consecutive decades. "Rock Around the Clock" is often cited as the biggest-selling vinyl rock and roll single of all time. The exact number of copies sold has never been audited; however,
232-584: A London band, and "I Feel Love Comin' On" by Felice Taylor . In 1968 the company had greater success with " Baby, Come Back " by the Equals , a UK no. 1 which also made the US chart and was followed up by a string of hits for the group in the UK. The company also set up a subsidiary label, Jay Boy , for releasing US singles on the TK and other labels in the UK, and had a series of hits in
290-507: A figure of at least 25 million was cited by the Guinness Book of World Records in its category "Phonograph records: Biggest Sellers" from the early 1970s until the 1990s, when the advent of compact discs led to Guinness discontinuing the category. Guinness consistently listed "Rock Around the Clock" as having the highest claim of any pop music recording, coming second in sales only to Bing Crosby 's 1942 recording of " White Christmas ", which
348-507: A hastily compiled single in the " Stars on 45 " mold which made the UK record charts in 1982, reaching number 50. In 1989, Haley's original Decca recording was incorporated into the "dance mix" single " Swing The Mood ", credited to Jive Bunny and the Mastermixers , but legal considerations forced the album version to substitute a patchwork of re-recordings from the 1950s and 1960s (in Haley's case,
406-668: A management and publishing deal with a new group, the Kinks , who had a string of successful releases in both the UK and US starting with " You Really Got Me ". With the British Invasion , Kassner decided to prioritise his activities in the UK, and launched the President label in Britain in 1966. The label's early successes were " Bye Bye Baby " and " The Best Part of Breaking Up " by the Symbols ,
464-507: A number of major tributes involving "Rock Around the Clock" occurred. That fall, a TV special marking the 30th anniversary of American Bandstand saw an all-star "supergroup" perform the song (accompanied by 1950s-era footage of Haley and the Comets). In 1982, Haley's original recording was given the Grammy Hall of Fame Award . An excerpt from the recording was included in "Haley's Golden Medley",
522-535: A regional success, although it sounded very different from what Haley would later record. After leaving Essex Records in the spring of 1954, Bill Haley signed with Decca Records , and the band's first recording session was set for April 12, 1954, at Decca's studios in the Pythian Temple in New York City. The recording session almost failed to take place because the band was traveling on a ferry that got stuck on
580-668: A songwriter with lyricist Peter Mulroney. He was then deported as an alien to Australia but, after being allowed to return to the UK, joined the British Army in which he served as an interpreter attached to a Canadian tank corps regiment in France and Germany. He married in 1944, and with his wife Eileen set up his own music publishing company, the Edward Kassner Music Co. Ltd, at 25 Denmark Street in London. He wrote songs under
638-501: A substantial hit with a version recorded for Sonet Records in 1968), but never recaptured the magic. In 1974, the original version of the song returned to the American charts when it was used as the theme for the movie American Graffiti and a re-recorded version by Haley was used as the opening theme for the TV series Happy Days during its first two seasons. In the UK, the song again reached
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#1732851384650696-507: A three-week break returned there for a further two weeks in January 1956. It re-entered the charts again in September 1956, reaching number 5. The song was re-issued in 1968, when it made number 20, and again in 1974, when it reached number 12. The song's original release saw it become the UK's first million selling single and it went on to sell over 1.4 million copies in total. The band performed
754-632: Is different from Wikidata All set index articles Edward Kassner He was born in Vienna to Jewish parents, and aspired to be a composer from an early age. At the time of the German invasion of Austria in 1938, he escaped through Germany , Belgium and the Netherlands to England . His parents both were murdered at Auschwitz . He initially worked in London cutting felt for hats, but began working as
812-474: Is ranked No. 159 on the Rolling Stone magazine's list of The 500 Greatest Songs of All Time . Although it was first recorded by Italian-American band Sonny Dae and His Knights on March 20, 1954, Myers claimed the song had been written specifically for Haley but, for legal reasons, Haley was unable to record it himself until April 12, 1954. The original full title of the song was " We're Gonna Rock Around
870-521: The Billboard R&B chart. Haley's recording became an anthem for rebellious 1950s youth, particularly after it was included in the 1955 film Blackboard Jungle . It was number 1 on the pop charts for two months and went to number 3 on the R&B chart. The recording is widely considered to be the song that, more than any other, brought rock and roll into mainstream culture around the world. The song
928-469: The Library of Congress as being "culturally, historically, or aesthetically significant". There are sources that indicate that "Rock Around the Clock" was written in 1953, but documents uncovered by historian Jim Dawson indicate it was in fact written in late 1952. The original arrangement of the song bore little resemblance to the version recorded by Haley, and was in fact closer to a popular instrumental of
986-681: The pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca . It was a number one single for two months and did well on the United Kingdom charts; the recording also reentered the UK Singles Chart in the 1960s and 1970s. It was the first rock and roll record to top the pop charts in both the US and UK —Bill Haley had American chart success with " Crazy Man, Crazy " in 1953, and in 1954, " Shake, Rattle and Roll " sung by Big Joe Turner reached No. 1 on
1044-443: The surname Kassner . If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Kassner&oldid=1162651812 " Categories : Surnames German-language surnames Hidden categories: Articles with short description Short description
1102-566: The 1970s with recordings by George McCrae and KC and the Sunshine Band . From the 1980s onwards, Kassner's company had particular success through its association with Rick Wakeman . In 1987 Edward Kassner signed up a young English band leader, Graham Dalby and his band the Grahamophones. Four albums followed plus a Children in Need single on the President label. One of the published songs by Dalby
1160-551: The B-side and carrying the Essex label, occasionally turns up for sale with the claim that it is the demo version. Myers next offered the song to and organized the recording by Sonny Dae & His Knights, a novelty all-white musical group led by Italian-American Paschal Vennitti . The group's subsequent recording, on the Arcade Records label (owned by Haley's manager, Jack Howard ), was
1218-524: The Clock Tonight! ". This was later shortened to " (We're Gonna) Rock Around the Clock ", though this form is generally only used on releases of the 1954 Bill Haley Decca Records recording; most other recordings of this song by Haley and others (including Sonny Dae) shorten this title further to its present form. In 2018, it was selected for preservation in the National Recording Registry by
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#17328513846501276-414: The Clock" as the single most important song Gabler ever produced. Gabler had previously been responsible for the highly successful string of R&B and jump blues recordings by Louis Jordan in the late 1940s, which were characterised by their strong beat, clearly enunciated lyrics and high production values, all features which Gabler sought to repeat in Haley's recordings. Also significantly, "Rock Around
1334-545: The Clock" became wildly popular with teenagers around the world. The single, released by independent label Festival Records in Australia, was the biggest-selling recording in the country at the time. Columbia Pictures cashed in on the new craze by hiring Haley and his band to star in two movies, Rock Around the Clock (1956) and Don't Knock the Rock (1957). In 1957, Haley toured Europe, bringing rock 'n' roll to that continent for
1392-458: The Clock" was recorded in the very same month that Atlantic Records issued Big Joe Turner 's " Shake, Rattle and Roll ". In relation to "Rock Around the Clock", Gabler said: "I was aware that rock was starting. I knew what was happening in the Philadelphia area, and "Crazy Man, Crazy" had been a hit about a year before that. It already was starting and I wanted to take it from there." Although
1450-514: The Freedman/Myers song. In addition, it is sometimes erroneously stated that "Rock Around the Clock" is copied from a late-1940s Big Joe Turner recording, "Around the Clock Blues". Though the titles are similar, the two songs bear little resemblance. There are many blues songs with the theme of partying or making love "round the clock", with various actions specified at various hours. However,
1508-457: The Joint " in 1952, and is considered one of the classic rock and roll guitar solos of all time. (Cedrone died in a fall down a stairway on June 17, 1954, and never lived to see his contribution become famous and legendary.) The second instrumental break recreates a popular rhythm and blues "out chorus" with tenor sax and guitar emulating the rhythm section. The version of "Rock Around the Clock" that
1566-550: The R&B charts. Billboard ranked it as the No. 2 song for 1955 , behind Perez Prado 's " Cherry Pink (and Apple Blossom White) ". In the UK, Haley's "Rock Around the Clock" was released on Brunswick Records (and Germany as well), reaching number 17 on the UK Singles Chart in January 1955, four months before it first entered the US pop charts. The song re-entered the UK chart to reach number one in November 1955 for three weeks, and after
1624-500: The U.S. Library of Congress on March 31. Haley and his Comets began performing the song on stage (Comets bass player Marshall Lytle and drummer Dick Richards say the first performances were in Wildwood, New Jersey at Phil and Eddie's Surf Club), but Dave Miller , his producer, refused to allow Haley to record it for his Essex Records label (Swenson suggests a feud existed between Myers and Miller). Haley himself claimed to have taken
1682-566: The US label Newtown Records (both in 1964), two live versions for Buddah Records recorded in New York in 1969 (neither of which were released for 25 years), and once more in Nashville, Tennessee for the Swedish Sonet Records label in 1970). Despite these efforts, the song was not a commercial success. Haley would re-record "Rock Around the Clock" many times over the years (even scoring
1740-613: The blanket title "Rock Is Fifty". Rock Is Fifty also hosted additional celebrations in Los Angeles in July, 2005, as part of a "Rock Around the Clock-a-Thon" to celebrate the 50th anniversary of the date the song reached the No. 1 spot on the American charts, as well as to observe what would have been Haley's 80th birthday. These events included numerous appearances and performances by surviving members of
1798-431: The day called " The Syncopated Clock " (written by Leroy Anderson ). The song was credited to Myers (as "Jimmy DeKnight") and Max C. Freedman when it was copyrighted on March 31, 1953. However, its exact authorship is disputed, with many speculating that Freedman wrote the song on his own. There were several earlier songs of the title "Rock Around the Clock" (by Hal Singer and Wally Mercer ), but they are unrelated to
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1856-432: The end of the session, the band finally recorded a take of "Rock Around the Clock", but Haley's vocals were drowned out by the band. A second take was quickly made with minimal accompaniment while Sammy Davis Jr. waited outside the studio for his turn behind the microphone . Decca engineers later combined the two versions into one version. (Comets piano player Johnny Grande tells a slightly different version, claiming that
1914-433: The first time. 'It's very hard to tell what made me first decide to play the guitar. Rock Around the Clock by Bill Haley came out when I was ten, and that probably had something to do with it.' In 1964, Bill Haley and His Comets recorded a sequel song entitled "Dance Around the Clock". Haley actually recorded this song on five occasions (a Spanish-language version for Orfeón of Mexico City and an English version for
1972-453: The musicians on the famous recording are: Dick Richards, Haley's drummer at the time, confirmed in a 2016 interview with Dutch journalist Gerbren Deves, that it was not him, but Gussak playing drums on the recording. Despite not being members of Bill Haley and His Comets, Gussak and Cedrone were trusted session players that Haley had used before. Cedrone's guitar solo was one that he used before on Bill Haley And The Saddlemen's version of " Rock
2030-572: The name Eddie Cassen , and had his first success in 1946 as co-writer of Vera Lynn 's hit recording of "How Lucky You Are". By the early 1950s, he had acquired rights to songs recorded by many leading singers of the day including Frank Sinatra , Perry Como , Nat King Cole and the Inkspots , and opened an office in New York City in 1951. He expanded the business by acquiring several other publishing companies, including Broadway Music Corp. which held
2088-405: The only reason a second take was recorded was that the drummer made an error.) Many musicians have claimed that they performed on the recording session for "Rock Around the Clock". Song co-writer Myers once claimed he had played drums on the piece, although he also claimed to have been advising the sound mixer in the recording booth. According to the official record sheet from the session, however,
2146-514: The opening credits of Season 6 of Austin City Limits . During the 1970s, Haley shortened his performances of "Rock Around the Clock", dropping one verse and the second instrumental break from most performances. However, his last known recorded performance of the song, at a November 1979 command performance for Queen Elizabeth II , was a complete version. Following Haley's death in February 1981,
2204-493: The original 1954 recording, starting with the "From The Original Master Tapes" compilation of Haley's work with Decca Records, mastered by Steve Hoffman and released in 1985, clock in at 2:10. This is due to the inclusion of a "count-in" by one of the Comets (saying, "One ... two") at the very start of the song. This was never included in the original single or album releases of the song. (All of Haley's subsequent studio rerecordings of
2262-717: The original Comets, including the band's induction into the Rock Walk hall of fame, a performance at the Viper Room club on the Sunset Strip , and a special performance for employees of NASA 's Jet Propulsion Laboratory in Pasadena to celebrate the success of the Deep Impact space probe. A special video of "Rock Around the Clock" was created to mark the occasion and was featured on NASA's website during July and August 2005. The anniversary
2320-496: The record is sometimes claimed to be the first in the rock and roll genre, Alexis Petridis of The Guardian wrote that "Rock Around the Clock" and " That's All Right " were generally not considered the first rock and roll records but rather "the first white artists' interpretations of a sound already well-established by black musicians almost a decade before. It was a raucous, driving, unnamed variant of rhythm and blues that came complete with lyrics that talked about 'rocking'." Later in
2378-447: The rights to a number of pop standards including " You Made Me Love You ", " I'll Be With You In Apple Blossom Time " and " Take Me Out To The Ball Game ". He also bought, for $ 250, the rights to the song " Rock Around The Clock ", which became one of the most recorded songs of all time and reportedly sold over 170 million copies. In 1955, he and his business partners formed President Records in New York, but it had little success and
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2436-447: The same article, Petridis relates that Tony Cajiao, then the editor of Now Dig This!, offered the conclusion "... you have to say that Rock Around the Clock was the first record that really brought everything together, that made tremors around the world." As Gabler intended, "Rock Around the Clock" was first issued in May 1954 as a B-side to "Thirteen Women (and Only One Man in Town)". While
2494-505: The sheet music into the recording studio at least twice, with Miller ripping up the music each time. Nonetheless, rumors of a 1953 demo recording by Haley persist to this day, although surviving members of the Comets deny this, as did Haley himself (quoted in the Swenson biography); a late-1960s bootleg single of the Decca Records version of "Rock Around the Clock", with "Crazy Man, Crazy" on
2552-505: The song did make the American Cashbox music charts (contrary to popular opinion that it was a flop), it was considered a commercial disappointment. It was not until 1955, when "Rock Around the Clock" was used under the opening credits and four additional times in the film Blackboard Jungle , that the song truly took off. Many versions of the story behind how "Rock Around the Clock" was chosen for Blackboard Jungle circulated over
2610-551: The song finished at #50 in AFI's 100 Years ... 100 Songs survey of top tunes in American cinema. On July 9, 1955 "Rock Around the Clock" became the first rock and roll recording to hit the top of Billboard ' s Pop charts, a feat it repeated on charts around the world. The song stayed at this place for eight weeks. The record was also no.1 for seven weeks on the Cashbox pop singles chart in 1955. The Bill Haley version also hit number three on
2668-608: The song in 1978. They performed the song on Top of the Pops . Their version peaked at number 51 in Australia in 1979. The Sex Pistols covered it for their soundtrack The Great Rock 'n' Roll Swindle in 1979. The song was featured in Season 7 of the series Dancing with the Stars in 2008 in a jive dance sequence. Haley's version appears in a 2017 commercial for Subway 's Reuben sandwich promotion. The 1954 Decca Records studio recording
2726-584: The song on the May 31, 1955 episode of Texaco Star Theater hosted by Milton Berle in an a cappella and lip-synched versions. On August 7, 1955, the band performed the song on The Ed Sullivan Show , hosted by Ed Sullivan . On the heels of the song breaking into the Top 20 in the UK in 1968, Decca began plugging the single in the US, where it briefly re-entered the Billboard charts in June 1968, peaking at #118. "Rock Around
2784-610: The song run longer than 2:10 with the exception of the abbreviated version recorded for Happy Days .) There are no other studio-recorded versions after the 1950s and Happy Days versions. In tribute to the influence of the song and the movie that launched its popularity, the March 29, 2005 50th anniversary of the opening of Blackboard Jungle was marked by several large celebrations in the United States organized by promoter Martin Lewis under
2842-472: The top 20 and as of 2013 remains the only non-Christmas single to have done so on five separate occasions. The original version was also featured in the 1978 film Superman , heard playing on a car radio just prior to Glenn Ford 's final scene in the film; Ford, as noted earlier, had starred in Blackboard Jungle . In 1981, about a year before Haley's death, a portion of the 1954 recording was featured in
2900-403: The verse melody of "Rock Around the Clock" does bear a very close similarity to that of Hank Williams ' first hit, " Move It On Over ", from 1947. According to the Haley biographies Bill Haley by John Swenson and Rock Around the Clock by Dawson, the song was offered to Haley by Jimmy Myers in the wake of his first national success, " Crazy Man, Crazy " in 1953, after being copyrighted with
2958-410: The years. Recent research, however, reveals that the song was chosen from the collection of young Peter Ford , the son of Blackboard Jungle star Glenn Ford and dancer Eleanor Powell . The producers were looking for a song to represent the type of music the youth of 1955 were listening to. The elder Ford borrowed several records from his son, one of which was Haley's "Rock Around the Clock". In 2004,
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#17328513846503016-444: Was also listed as having sold 25 million copies. Haley's version alone is estimated to have sold 15 million copies, with a total of 30 million copies counting all versions. A frequently used piece of promotion regarding the song is that it is said to be playing somewhere in the world every minute of the day. Although originally released on vinyl 45 and shellac 78 at a running time of 2 minutes and 8 seconds, most digital/CD releases of
3074-669: Was also marked by the publication of a book entirely devoted to the history of the song, Rock Around the Clock: The Record That Started the Rock Revolution , by Jim Dawson . The United States House of Representatives also recognized the 40th anniversary of the composing of "Rock Around the Clock" with a special statement by Rep. Robert A. Borski of Pennsylvania, which was read into the Congressional Record on March 31, 1993. The Belgian band Telex covered
3132-445: Was amalgamated into a larger company by 1961. He then formed another company, Seville Records , which had hits with " Shout! Shout! (Knock Yourself Out) " by Ernie Maresca and " Bobby's Girl " by Marcie Blane , but failed to capitalise on its early successes. He decided to reactivate the President label, partly inspired by the memory of John F. Kennedy after his assassination . Soon afterwards, in 1964, his London office acquired
3190-529: Was featured on the ABC TV show Dancing with the Stars: Juniors in the 2018 season during a dance sequence. John Legend performed the song on the season finale of The Voice on NBC on May 21, 2019, as "Block Around the Clock". As Bill Haley's best-known recording, there have been dozens of compilation album releases over the years entitled Rock Around the Clock . The most notable of these compilations
3248-574: Was the 1955 Decca Records album Rock Around the Clock (Decca DL 8225) which contained most of the tracks Haley recorded as singles for the label in 1954 and 1955. Another notable album release entitled Rock Around the Clock was the 1970 Hallmark Records UK release Rock Around the Clock (SHM 668) which was the first British release of a 1968 album entitled Bill Haley's Biggest Hits which had been released in Sweden by Sonet Records . The album consisted of newly recorded renderings of Haley classics from
3306-462: Was used as the title of a BBC 2 documentary I'd Sooner Be A Crooner in 1988. Edward Kassner continued as head of his companies until his death in London in 1996 at the age of 76. His family, in particular his son David Kassner, continue to operate the companies. Rock Around The Clock " Rock Around the Clock " is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under
3364-440: Was used in the movie Blackboard Jungle differs from the hit single version. The difference is in the two solo breaks. The record has the guitar solo taking the first break and the sax solo taking the second break. The movie version is just the opposite with the sax solo coming first. In a 2005 retrospective on his uncle Milt Gabler's work ( The Milt Gabler Story ), Billy Crystal identifies Haley's 1954 recording of "Rock Around
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