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67-731: Jollees was a live music and cabaret venue in Longton , Stoke-on-Trent , United Kingdom. The venue was re-established in March 2016, after having closed in 1992. The original venue was opened in October 1973 and was the largest capacity cabaret venue in the UK in the 1970s. It also hosted the World Professional Darts Championship from 1979 to 1985. The venue had previously been a restaurant and bowling alley. Construction began in late 1972, after

134-418: A certain ruler also created a sphere of linguistic influence, with the language within the area becoming more homogeneous. Following, more or less, the political divisions of the time, several large dialect groups can be distinguished. However, the borders between them were not strong, and a dialect continuum existed between them, with spoken varieties near the edges of each dialect area showing more features of

201-604: A decor described as "A sort of Beirut with Chinese influences." The composer Eric Satie , after finishing his studies at the Conservatory, earned his living playing the piano at the Chat Noir . By 1896, there were 56 cabarets and cafes with music in Paris, along with a dozen music halls. The cabarets did not have a high reputation; one critic wrote in 1897 that "they sell drinks which are worth fifteen centimes along with verses which, for

268-463: A great deal of social commentary. When New York cabarets featured jazz, they tended to focus on famous vocalists like Nina Simone , Bette Midler , Eartha Kitt , Peggy Lee , and Hildegarde rather than instrumental musicians. Julius Monk 's annual revues established the standard for New York cabaret during the late 1950s and '60s. Cabaret in the United States began to decline in the 1960s, due to

335-514: A labial or velar consonant. Some former class 1 weak verbs retained so-called Rückumlaut . These verbs had undergone umlaut in the present tense, but the umlaut-triggering vowel was syncopated in the past tense already in Old Dutch, preventing umlaut from taking hold there. Thus, senden had the first- and third-person singular past tense sande . These verbs tended to be reinterpreted as strong verbs in later Middle Dutch; sande itself gave rise to

402-570: A revival of American cabaret, particularly in New Orleans , Chicago , Seattle , Portland , Philadelphia , Orlando , Tulsa , Asheville, North Carolina , and Kansas City, Missouri , as new generations of performers reinterpret the old forms in both music and theater. Many contemporary cabaret groups in the United States and elsewhere feature a combination of original music, burlesque and political satire. In New York City, since 1985, successful, enduring or innovative cabaret acts have been honored by

469-571: A small room (12th century). The first printed use of the word kaberet is found in a document from 1275 in Tournai . The term was used since the 13th century in Middle Dutch to mean an inexpensive inn or restaurant ( caberet , cabret ). The word cambret , itself probably derived from an earlier form of chambrette , little room, or from the Norman French chamber meaning tavern, itself derived from

536-433: A word could be found spelled differently in different occurrences within the same text. There was the matter of personal taste, and many writers thought it was more aesthetic to follow French or Latin practice, leading to sometimes rather unusual spellings. The spelling was generally phonetic, and words were written based on how they were spoken rather than based on underlying phonemes or morphology. Final-obstruent devoicing

603-476: Is a rather conservative language. Several phonological changes occurred leading up to the Middle Dutch period. The consonants of Middle Dutch differed little from those of Old Dutch. The most prominent change is the loss of dental fricatives. In addition the sound [z] was phonemicised during this period, judging from loanwords that retain [s] to this day. For descriptions of the sounds and definitions of

670-528: Is the Kleinkunstacademie (English: Cabaret Academy). It is often a mixture of (stand-up) comedy, theatre, and music and often includes social themes and political satire. In the mid twentieth century, "the big three" were Wim Sonneveld , Wim Kan , and Toon Hermans . Nowadays, many cabaret shows of popular "cabaretiers" (performers of cabaret) are broadcast on national television, especially on New Year's Eve, when several special cabaret shows are aired where

737-501: Is unclear. The following can be said: The vowels /eɛ̯/ , /øœ̯/ and /oɔ̯/ , termed "sharp-long" and denoted with a circumflex ê ô , developed from Old Dutch long vowels. The opening diphthong pronunciation was probably widespread, and perhaps once universal, as it is nowadays still found in both West Flemish and in Limburgish, at opposite ends of the Middle Dutch language area. In the general area in between, including standard Dutch,

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804-501: The British royal family , such as The Duke of Edinburgh and Princess Margaret . Cabaret performances ceased in October 1981. From 1979 to 1985 Jollees hosted the World Professional Darts Championship . In the 1983 Championship , unseeded qualifier Keith Deller beat the top three seeds on the way to winning the tournament in a result often cited as one of the biggest shocks in the history of sport. After cabaret performances stopped,

871-529: The Croix de Lorraine on the modern rue Bourg-Tibourg. In 1773, French poets, painters, musicians and writers began to meet in a cabaret called Le Caveau on rue de Buci, where they composed and sang songs. The Caveau continued until 1816, when it was forced to close because its clients wrote songs mocking the royal government. In the 18th century, the café-concert or café-chantant appeared, which offered food along with music, singers, or magicians. The most famous

938-523: The Grateful Dead . A handful of music halls exist today in Paris, attended mostly by visitors to the city; and a number of more traditional cabarets, with music and satire, can be found. In the Netherlands, cabaret or kleinkunst (literally: "small art") is a popular form of entertainment, usually performed in theatres. The birth date of Dutch cabaret is usually set at August 19, 1895. In Amsterdam, there

1005-577: The 13th century. Its characteristics are: Hollandic was spoken in the County of Holland . It was less influential during most of the Middle Ages but became more so in the 16th century during the "Hollandic expansion", during which the Eighty Years' War took place in the south. It shows the following properties: Limburgish was spoken by the people in the provinces of modern Dutch and Belgian Limburg . It

1072-833: The 1970s. Its location in one of England's smaller cities meant that some acts were initially reluctant to appear and only did so after their peers had performed there. The venue's hosts included the main host, comedian Mel Scholes, Ian 'Sludge' Lees and Pete Conway, the father of pop star Robbie Williams . Acts who appeared at the venue included Cliff Richard , Roy Orbison , Tommy Cooper , Norman Wisdom , Cannon and Ball , Freddie Starr , Ronnie Corbett , Cilla Black , The Barron Knights , Morecambe and Wise , Sarah Vaughan , Petula Clark , Johnny Mathis , Engelbert Humperdinck , David Essex , Frankie Laine , Jack Jones , Andy Williams , The Shadows , Les Dawson , Ken Dodd , Frankie Howerd , Bernard Manning , Tommy Steele , The Three Degrees and Demis Roussos . Visitors included members of

1139-520: The Alhambra Music Hall in 1902, and the Printania in 1903. The Printania, open only in summer, had a large music garden which seated twelve thousand spectators, and produced dinner shows which presented twenty-three different acts, including singers, acrobats, horses, mimes, jugglers, lions, bears and elephants, with two shows a day. In the 20th century, the competition from motion pictures forced

1206-505: The Champs-Élysées opened in 1946, presenting Édith Piaf, Laurel and Hardy , Shirley MacLaine , Marlene Dietrich , Maurice Chevalier , and Noël Coward . The Crazy Horse Saloon , featuring striptease, dance, and magic, opened in 1951. The Olympia Paris went through a number of years as a movie theater before being revived as a music hall and concert stage in 1954. Performers there included Piaf, Dietrich, Miles Davis , Judy Garland , and

1273-507: The Late Latin word camera meaning an arched roof. Cabarets had appeared in Paris by at least the late 15th century. They were distinguished from taverns because they served food as well as wine, the table was covered with a cloth, and the price was charged by the plate, not the mug. They were not particularly associated with entertainment even if musicians sometimes performed in both. Early on, cabarets were considered better than taverns; by

1340-408: The Middle Dutch period. A new second person plural pronoun was created by contraction of gij/jij and lui ('people') forming gullie/jullie (literally, 'you people'). Note: There are several other forms. Definite Article ( die , dat = the) Middle Dutch mostly retained the Old Dutch verb system. Like all Germanic languages, it distinguished strong , weak and preterite-present verbs as

1407-624: The Old Dutch long ā , and "soft-long" ā being the result of lengthening. These two vowels were distinguished only in Limburgish and Low Rhenish at the eastern end, and in western Flemish and coastal Hollandic on the western end. The relative backness of the two vowels was opposite in the two areas that distinguished them. The closing diphthong /ɛi̯/ remained from the corresponding Old Dutch diphthong. It occurred primarily in umlauting environments, with /eɛ̯/ appearing otherwise. Some dialects, particularly further west, had /eɛ̯/ in all environments (thus cleene next to cleine ). Limburgish preserved

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1474-687: The annual Bistro Awards. The Cabaret Theatre Club, later known as The Cave of the Golden Calf , was opened by Frida Strindberg (modelled on the Kaberett Fledermaus in Strindberg's native Vienna) in a basement at 9 Heddon Street, London, in 1912. She intended her club to be an avant-garde meeting place for bohemian writers and artists, with decorations by Jacob Epstein , Eric Gill , and Wyndham Lewis , but it rapidly came to be seen as an amusing place for high society and went bankrupt in 1914. The Cave

1541-555: The cabaretier usually reflects on large events of the past year. German Kabarett developed from 1901, with the creation of the Überbrettl ( Superstage ) venue, and by the Weimar era in the mid-1920s, the Kabarett performances were characterized by political satire and gallows humor . It shared the characteristic atmosphere of intimacy with the French cabaret from which it was imported, but

1608-1432: The club. . . . the question of the legality of these vouchers led to a famous visitation of the police. That was the night a certain Duke was got out by way of the kitchen lift . . . The visitation was a well-mannered affair' One of the main gathering centers of cabarets in Tehran (Iranian capital) was Laleh-Zar Street . Famous Persian cabarets were active in the city until 1979 . They also introduced many domestic artists. In common language, cabaret sometimes called by Iranians "home of dance" (In Persian : رقاص‌خانه ) or "dancing place". In Stockholm , an underground show called Fattighuskabarén ( Poor House Cabaret ) opened in 1974 and ran for 10 years. Performers of later celebrity and fame (in Sweden) such as Ted Åström , Örjan Ramberg , and Agneta Lindén began their careers there. Wild Side Story also had several runs in Stockholm, at Alexandra's (1976 with Ulla Jones and Christer Lindarw ), Camarillo (1997), Rosenlundsteatern/Teater Tre (2000), Wild Side Lounge at Bäckahästen (2003 with Helena Mattsson ) and Mango Bar (2004). Alexandra's had also hosted AlexCab in 1975, as had Compagniet in Gothenburg . In 2019

1675-709: The dance halls to put on shows that were more spectacular and more complex. In 1911, the producer Jacques Charles of the Olympia Paris created the grand staircase as a setting for his shows, competing with its great rival, the Folies Bergère which had been founded in 1869. Its stars in the 1920s included the American singer and dancer Josephine Baker . The Casino de Paris , directed by Leon Volterra and then Henri Varna, presented many famous French singers, including Mistinguett, Maurice Chevalier , and Tino Rossi . Le Lido on

1742-413: The dative singular, a remnant of the late Old Dutch inflection. In some rare occasions, the genitive singular was also endingless. Some nouns ended in -e in the singular also; these were primarily former ja-stems, which were masculine or neuter. A few were former i-stems with short stems. Nouns of this type tended to be drawn into the weak inflection by analogy. The following table shows the inflection of

1809-493: The diphthong wherever it was preserved in High German. The closing diphthong /ɔu̯/ has two different origins. In the vast majority of the Middle Dutch area, it developed through l-vocalization from older /ol/ and /al/ followed by a dental consonant. In the eastern area, Limburg in particular, it was a remnant of the older diphthong as in High German, which had developed into /oɔ̯/ elsewhere. L-vocalization occurred only in

1876-430: The distinction was mostly lost. Class 3, which retained a clear distinction that did not rely on vowel length, was levelled in favour of the o of the plural. In classes with a lengthened vowel in the present, the singular imperative often appears with a short vowel instead, e.g. les , drach . An alternative form, with final -e by analogy with the weak verbs, also occurs. The eastern dialects occasionally show i in

1943-843: The end of the century, there were only a few cabarets of the old style remaining where artists and bohemians gathered. They included the Cabaret des noctambules on Rue Champollion on the Left Bank; the Lapin Agile at Montmartre; and Le Soleil d'or at the corner of the quai Saint-Michel and boulevard Saint-Michel, where poets including Guillaume Apollinaire and André Salmon met to share their work. The music hall , first invented in London, appeared in Paris in 1862. It offered more lavish musical and theatrical productions, with elaborate costumes, singing, and dancing. The theaters of Paris, fearing competition from

2010-505: The end of the sixteenth century, they were the preferred place to dine out. In the 17th century, a clearer distinction emerged when taverns were limited to selling wine, and later to serving roast meats. Cabarets were frequently used as meeting places for writers, actors, friends and artists. Writers such as La Fontaine , Moliere and Jean Racine were known to frequent a cabaret called the Mouton Blanc on rue du Vieux-Colombier, and later

2077-436: The exact phonetics are uncertain, and seemed to have differed by dialect. The overall system is clear, however, as almost all the vowels remain distinct in modern Limburgish: /iː/ , /iə̯/ , /eɛ̯/ , /eː/ and /aː/ appear in modern Limburgish as /iː/ , /eː/ , /iə̯/ , /æː/ and /aː/ respectively. The vowels /ie̯/ , /yø̯/ and /uo̯/ developed from Old Dutch opening diphthongs, but their exact character in Middle Dutch

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2144-507: The final years of the Partitions of Poland . In the interwar Poland there was a considerable number of Yiddish -language cabarets. This art form was called kleynkunst (lliterally "small art") in Yiddish. In post- war Poland, it is almost always associated with the troupe (often on tour ), not the venue ; pre-war revue shows (with female dancers) were long gone. American cabaret

2211-485: The first Serbian cabaret club Lafayette opened. Although Serbia and Belgrade had a rich nightlife and theater life there was no cabaret house until 2019. It retained the intimate atmosphere, entertainment platform, and improvisational character of the French cabaret but developed its own characteristic gallows humour. By the late 1920s the German cabaret gradually had come to feature mildly risque musical entertainment for

2278-454: The former ja-stems, had an -e even in the strong and copular form, e.g. die vrouwe is clein e "the lady is small". Middle Dutch pronouns differed little from their modern counterparts. The main differences were in the second person with the development of a T-V distinction . The second-person plural pronoun ghi slowly gained use as a respectful second-person singular form. The original singular pronoun du gradually fell out of use during

2345-506: The gallows humor was a distinct German aspect. The Polish kabaret is a popular form of live (often televised ) entertainment involving a comedy troupe, and consisting mostly of comedy sketches , monologues , stand up comedy , songs and political satire (often hidden behind double entendre to fool censors ). It traces its origins to Zielony Balonik , a famous literary cabaret founded in Kraków by local poets, writers and artists during

2412-524: The language. The general practice was to write long vowels with a single letter in an open syllable and with two letters in a closed syllable. Which two letters were used varied among texts. Some texts, especially those in the east, do not do so and write long vowels with a single letter in all cases (as is the predominant rule in modern German). Middle Dutch nouns inflected for number as well as case . The weakening of unstressed syllables merged many different Old Dutch classes of nominal declension. The result

2479-481: The masculine noun dach "day", feminine dâet "deed" and neuter brôot "bread". Weak nouns were characterised by the ending -en throughout the plural. The singular ended in -e . The following table shows the inflection of the masculine noun bōge "bow, arc". Middle Dutch adjectives inflected according to the gender, case and number of the noun they modified. The Germanic distinction between strong and weak, or indefinite and definite inflection,

2546-503: The middle-class man, as well as biting political and social satire. It was also a centre for underground political and literary movements. [...] They were the centres of leftist of opposition to the rise of the German Nazi Party and often experienced Nazi retaliation for their criticism of the government. Middle Dutch Middle Dutch is a collective name for a number of closely related West Germanic dialects whose ancestor

2613-469: The modern period in Limburgish, and the distinction between /ol/ and /al/ was preserved, being reflected as ów and aa respectively. Phonological changes that occurred during Middle Dutch: Middle Dutch was not a single homogeneous language. The language differed by area, with different areas having a different pronunciation and often using different vocabulary. The dialect areas were affected by political boundaries. The sphere of political influence of

2680-542: The most part, are worth nothing." The traditional cabarets, with monologues and songs and little decor, were replaced by more specialized venues; some, like the Boite a Fursy (1899), specialized in current events, politics and satire. Some were purely theatrical, producing short scenes of plays. Some focused on the macabre or erotic. The Caberet de la fin du Monde had servers dressed as Greek and Roman gods and presented living tableaus that were between erotic and pornographic. By

2747-592: The music halls, had a law passed by the National Assembly forbidding music hall performers to wear costumes, dance, wear wigs, or recite dialogue. The law was challenged by the owner of the music hall Eldorado in 1867, who put a former famous actress from the Comédie-Française on stage to recite verse from Corneille and Racine. The public took the side of the music halls, and the law was repealed. The Moulin Rouge

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2814-468: The neighbouring areas. Middle Dutch has four major dialects groups: Flemish, Brabantic and Hollandic are known as West Franconian, while Limburgic is known as East Franconian (not to be confused with the High German dialect East Franconian ). In a finer classification there are: Brabantian was spoken primarily in the Duchy of Brabant . It was an influential dialect during most of the Middle Ages, during

2881-428: The past participle. In classes 6 and 7, there was no distinction between the two different vowels of the past tense. In classes 4 and 5, the difference was primarily one of length, since ā and â were not distinguished in most dialects. The difference between ê and ē , and between ô and ō , found in classes 1 and 2, was a bit more robust, but also eventually waned in the development to modern Dutch. Consequently,

2948-453: The rising popularity of rock concert shows, television variety shows , and general comedy theaters. However, it remained in some Las Vegas-style dinner shows, such as the Tropicana , with fewer comedy segments. The art form still survives in various musical formats, as well as in the stand-up comedy format, and in popular drag show performances. The late 20th and early 21st century saw

3015-411: The second- and third-person singular present indicative forms, instead of e . This is a remnant of older i-mutation in these forms. Umlaut is also sometimes found in the past subjunctive in the east. Middle Dutch retained weak verbs as the only productive class of verbs. While Old Dutch still had two different classes of weak verbs (and remnants of a third), this distinction was lost in Middle Dutch with

3082-478: The so-called "Brabantian expansion" in which the influence of Brabant was extended outwards into other areas. Compared to the other dialects, Brabantian was a kind of "middle ground" between the coastal areas on one hand, and the Rhineland and Limburg on the other. Brabantian Middle Dutch has the following characteristics compared to other dialects: Flemish, consisting today of West and East Flemish and Zeelandic ,

3149-528: The subjunctive became distinguished from the indicative only in the singular but was identical to it in the plural, and also in the past tense of weak verbs. That led to a gradual decline in the use of the subjunctive, and it has been all but lost entirely in modern Dutch. The seven classes of strong verb common to the Germanic languages were retained. The four principal parts were the present tense, first- and third-person singular past tense, remaining past tense, and

3216-539: The terms, follow the links on the headings. Notes: Most notable in the Middle Dutch vowel system, when compared to Old Dutch, is the appearance of phonemic rounded front vowels, and the merger of all unstressed short vowels. Long vowels and diphthongs cannot be clearly distinguished in Middle Dutch, as many long vowels had or developed a diphthongal quality, while existing diphthongs could also develop into monophthongs. Sometimes, this occurred only in restricted dialects, other developments were widespread. Many details of

3283-406: The three main inflectional classes. Verbs were inflected in present and past tense, and in three moods: indicative, subjunctive and imperative. The weakening of unstressed vowels affected the distinction between the indicative and subjunctive moods, which had largely been determined by the vowel of the inflectional suffix in Old Dutch. In Middle Dutch, with all unstressed vowels merging into one,

3350-435: The underlying phonemic value. However, by and large, spelling was phonetic, which is logical as people usually read texts out loud. Modern dictionaries tend to represent words in a normalised spelling to form a compromise between the variable spellings on one hand and to represent the sounds of the language consistently. Thus, normalised spellings attempt to be a general or "average" spelling but still being accurate and true to

3417-552: The venue continued as a night spot and, in the late 1980s, hosted rave nights, featuring DJs who would later work at Shelley's Laserdome . Financial losses resulted in the venue's closure in 1992. The owners of a Stoke bar purchased the rights to the name and reopened the venue in their bar, with a 300 capacity. 52°59′13″N 2°07′59″W  /  52.987°N 2.133°W  / 52.987; -2.133 Cabaret The term originally came from Picard language or Walloon language words camberete or cambret for

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3484-424: The venue's alcohol licence application had been approved, and cost £ 200,000. The opening night was attended by 1,600 people, including World Cup winning England international footballers Geoff Hurst and Gordon Banks . Merseybeat group The Fourmost and comedians Little and Large were the headliners. The club used a jester as its logo. Its capacity of 1,790 made it the country's biggest cabaret venue in

3551-608: The vowels merged with the "soft-long" vowels during the early modern Dutch period. The vowels /eː/ , /œː/ and /oː/ , termed "soft-long" and denoted with a macron ē ō , developed through the lengthening of Old Dutch short vowels in open syllables, but also frequently before /r/ . They were simple monophthongs in all Middle Dutch dialects, with the exception of western Flanders where /eː/ later developed into /ei̯/ . They might have been close-mid but also perhaps open-mid [ɛː] , [œː] and [ɔː] , as in modern Limburgish. There were two open vowels, with "sharp-long" â developed from

3618-465: The weakening of unstressed syllables. The past tense was formed with a suffix -ed- , which generally lost its e through syncope and thus came to be directly attached to the preceding stem. This triggered voicing assimilation, so that t appeared whenever the preceding stem ended in a voiceless consonant. This phenomenon remains in modern Dutch. Unsyncopated forms, which retain the fuller suffix -ed- , are sometimes found, especially with stems ending in

3685-612: Was Le Chat Noir in the bohemian neighborhood of Montmartre , created in 1881 by Rodolphe Salis , a theatrical agent and entrepreneur. It combined music and other entertainment with political commentary and satire. The Chat Noir brought together the wealthy and famous of Paris with the bohemians and artists of Montmartre and the Pigalle . Its clientele "was a mixture of writers and painters, of journalists and students, of employees and high-livers, as well as models, prostitutes and true grand dames searching for exotic experiences." The host

3752-443: Was Old Dutch . It was spoken and written between 1150 and 1500. Until the advent of Modern Dutch after 1500 or c.  1550 , there was no overarching standard language , but all dialects were mutually intelligible. During that period, a rich Medieval Dutch literature developed, which had not yet existed during Old Dutch . The various literary works of the time are often very readable for speakers of Modern Dutch since Dutch

3819-399: Was Salis himself, calling himself a gentleman- cabaretier ; he began each show with a monologue mocking the wealthy, ridiculing the deputies of the National Assembly, and making jokes about the events of the day. The cabaret was too small for the crowds trying to get in; at midnight on June 10, 1885, Salis and his customers moved down the street to a larger new club at 12 rue de Laval, which had

3886-585: Was a general distinction between strong and weak nouns. Eventually even these started to become confused, with the strong and weak endings slowly beginning to merge into a single declension class by the beginning of the modern Dutch period. The strong nouns generally originated from the Old Dutch a-stem, i-stem and u-stem inflections. They mostly had a nominative singular with no ending, and a nominative plural in -e or, for some neuter nouns, with no ending. Most strong nouns were masculine or neuter. Feminines in this class were former i-stems, and could lack an ending in

3953-399: Was fairly minimal in Middle Dutch, appearing only in the masculine and neuter nominative singular. These forms received an -e ending when a definite word (demonstrative, article) preceded, and had no ending otherwise. Adjectives were uninflected when connected through a copula. Thus, even for feminine nouns, no ending appeared: die vrouwe is goet "the lady is good". Some adjectives, namely

4020-503: Was imported from French cabaret by Jesse Louis Lasky in 1911. In the United States, cabaret diverged into several different styles of performance mostly due to the influence of jazz music. Chicago cabaret focused intensely on the larger band ensembles and reached its peak during Roaring Twenties , under the Prohibition Era , where it was featured in the speakeasies and steakhouses . New York cabaret never developed to feature

4087-585: Was nevertheless an influential venture, which introduced the concept of cabaret to London. It provided a model for the generation of nightclubs that came after it. "The clubs that started the present vogue for dance clubs were the Cabaret Club in Heddon Street . . . . The Cabaret Club was the first club where members were expected to appear in evening clothes. . . . The Cabaret Club began a system of vouchers which friends of members could use to obtain admission to

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4154-465: Was not clearly tied to one political area, instead being divided among various areas, including the Duchy of Limburg (which was south of modern Limburg). It was also the most divergent of the dialects. Kleverlandish ("Kleverlands") was spoken around the area of the Duchy of Cleves , around the Lower Rhine . It represented a transitional dialect between Limburgish and Middle Low German . Middle Dutch

4221-556: Was opened in 1889 by the Catalan Joseph Oller. It was greatly prominent because of the large red imitation windmill on its roof, and became the birthplace of the dance known as the French Cancan . It helped make famous the singers Mistinguett and Édith Piaf and the painter Toulouse-Lautrec , who made posters for the venue. The Olympia , also run by Oller, was the first to be called a music hall; it opened in 1893, followed by

4288-527: Was reflected in the spelling, and clitic pronouns and articles were frequently joined to the preceding or following word. Scribes wrote in their own dialect, and their spelling reflected the pronunciation of that particular scribe or of some prestige dialect by which the scribe was influenced. The modern Dutch word maagd (" maiden ") for example was sometimes written as maghet or maegt , but also meget , magt , maget , magd , and mecht . Some spellings, such as magd , reflect an early tendency to write

4355-484: Was spoken in the County of Flanders , northern parts of the County of Artois and areas around the towns of Calais and Boulogne-sur-Mer . Though due to their intermediary position between West Flemish and Brabantian , the East Flemish dialects have also been grouped with the latter. Flemish had been influential during the earlier Middle Ages (the "Flemish expansion") but lost prestige to the neighbouring Brabantian in

4422-668: Was the Cafe des Aveugles in the cellars of the Palais-Royal , which had a small orchestra of blind musicians. In the early 19th century, many cafés-chantants appeared around the city; the most famous were the Café des Ambassadeurs (1843) on the Champs-Élysées and the Eldorado (1858) on boulevard Strasbourg. By 1900, there were more than 150 cafés-chantants in Paris. The first cabaret in the modern sense

4489-511: Was written in the Latin alphabet , which was not designed for writing Middle Dutch so different scribes used different methods of representing the sounds of their language in writing. The traditions of neighbouring scribes and their languages led to a multitude of ways to write Middle Dutch. Consequently, spelling was not standardised but was highly variable and could differ by both time and place as various "trends" in spelling waxed and waned. Furthermore,

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