Misplaced Pages

John Gamble

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

The Drexel Collection is a collection of over 6,000 volumes of books about music and musical scores owned by the Music Division of The New York Public Library . Donated by Joseph W. Drexel in 1888 to the Lenox Library (which later became The New York Public Library), the collection, located today at the New York Public Library for the Performing Arts , is rich with materials on music theory and music history as well as other musical subjects. It contains many rare books and includes a number of significant 17th-century English music manuscripts .

#190809

20-1213: John Gamble may refer to: John Gamble (musician) (died 1687), musician and song collector John Gamble (priest) (1762–1811), British Anglican clergyman and military chaplain John M. Gamble (1791–1836), officer in the United States Marine Corps John William Gamble (1799–1873), businessman and political figure in Upper Canada and Canada West John Rankin Gamble (1848–1891), U.S. Representative from South Dakota John Marshall Gamble (1863–1957), American painter John A. Gamble (1933–2009), Canadian politician John Gamble (baseball) (1948–2022), Major League Baseball shortstop John Gamble (American football) (active 1981–2012), American football player, powerlifter and strongman competitor John Gamble (record producer) (1960–2020), American record producer See also [ edit ] John Gamble Kirkwood (1907–1959), scientist [REDACTED] Topics referred to by

40-462: A single bequest to a charitable organization : All that portion of my library which consists of works relating to the science of music, also all musical compositions and treatises on other works on musical subjects" [be given to the Lenox Library] "upon the express condition that the said trustees of The Lenox Library shall sign and deliver to my executors, hereinafter named, a written acceptance of

60-627: A touring orchestra in which he was the second clarinetist. Visiting many locations in the United States enabled Albrecht to collect music literature and scores. The Society disbanded in 1854, while in residence at Newport, Rhode Island . That year, Albrecht decided to join the Icarians in Nauvoo, Illinois , which required that members donate all their belongings. Albrecht created an inventory of his collection of 661 volumes, intending to donate them to

80-560: Is different from Wikidata All article disambiguation pages All disambiguation pages John Gamble (musician) John Gamble (died 1687) was a composer and musician in the court of Charles I of England and Charles II of England . He worked in the King's Company on the stage prior to the English Civil War , and in 1641 he was hired by the Middle Temple . During

100-400: Is for the two-book Ayres and Dialogues of 1656, 1657, and 1659. A third volume was projected and found in manuscript. The "dialogues" are dialogue songs—songs for two voices. The "airs" are solo songs. According to Anthony à Wood , the college at Oxford University were very impressed with his book. Even more importantly, Gamble assembled a commonplace book known as Drexel 4257 or by

120-616: The Interregnum , he taught music and performed, and 1661 he got a position in the King's wind band playing cornett . He lost all of his money in the Great Fire of London in 1666 (as money would have been in coin and stored in homes, therefore liable to melting). In 1674 and 1676, he got positions in two more royal bands, but he lost all of his positions with the rise of James II of England , and he died "crazed and infirm of body" (according to his will) in 1687. Gamble's main historical interest

140-474: The New York Herald Tribune announced that Drexel had purchased a manuscript missal of the fifteenth century written on vellum for $ 177.50. The most important later addition to Drexel's library was the purchase of a major portion of the library of Edward F. Rimbault which was auctioned in 1877. The significance of the library even merited a newspaper announcement. Rimbault's valuable collection

160-579: The Icarians. In writing about the demise of the Germania Musical Society and Albrecht's plans, John Sullivan Dwight remarked "His library of music and of musical books, for one collected by so young a man, is really quite a wonder." Quoting from an unidentified article in the Newport Daily News , he added: "It is a well known fact that libraries of this kind are very rare" and that Albrecht's

180-628: The bequest. When the Lenox Library merged with the Astor Library and the Tilden Trust in 1895 to form The New York Public Library, the Drexel Collection was organized by subject based on the classification system of John Shaw Billings , the first director of the newly formed library. As stipulated by Drexel's will, his collection was given call numbers distinct from the rest of the library in

200-503: The estate of musicologist Edmond de Coussemaker ( Aristoxenos 's Auctores musices antiquissimi (1616) and Vincenzo Galilei ’s Dialogo (1581), as well as volumes from the estate of Henry Aimé Ouvry and several other minor figures. After this year his acquisitions appeared nearly to stop, except for purchases of rare books in 1880 from Ludwig Rosenthal’s Catalogue XXVI (purchased through the New York dealer F. W. Christern). Though Drexel

220-483: The form of consecutive numbering, 1 through 6013 (some volumes contained many pamphlets or smaller works bound together). Although it has moved several times since its inception, the Music Division continues to house the Drexel Collection under special conditions for reasons of preservation. Albrecht's interests were German music theory and history, as well as contemporaneous German and American publications. Once in

SECTION 10

#1732845055191

240-658: The hands of Drexel, he sought to enhance publications in French. Sixteenth century music theory is well represented. Very little 16th century music is present, though the collection contains Baltazar de Beaujoyeulx 'Ballet de la Reine" from 1582, work known as a forerunner of opera. Thanks to the purchases from the Rimbault sale, the Drexel Collection has a number of unique sources (many of them manuscripts) of early seventeenth-century English music: The following list contains selected publications that have depended on unique materials from

260-725: The inscription on the first page, "John Gamble his booke amen 1659" (in the Drexel Collection of the New York Public Library for the Performing Arts ). It has 240 completely scored songs, mostly airs, representing the works of Henry Lawes , William Lawes , John Wilson , and John Gamble himself (28 songs), among others. The book was probably compiled, as the flyleaf note says, in 1659 ("anent" for "ament" and an his genitive for "Gamble's"). Drexel Collection The musical library of Joseph W. Drexel had its origins in

280-563: The library of Dr. Rene La Roche (1795-1872) (also mentioned as a competing library in Dwight's article ) which contained English, French, and Latin publications. In 1869, Drexel published (with Albrecht's assistance) a catalog of the published works in his collection which at the time contained 2,245 volumes. Additional volumes inventorying musical autographs, musical scores, and iconography were planned but were never published. Sometimes Drexel's purchases made for social news. On November 17, 1876,

300-683: The library of Henry F. Albrecht (1822-1875). Born in Germany and trained as a musician, Albrecht's passion for collecting books on music had been fueled by Siegfried Dehn , musician and librarian of the Royal Library (today the Berlin State Library ), whom he had met in Berlin. Albrecht emigrated to the United States in 1848 where he was one of the organizers of the Germania Musical Society ,

320-505: The said portion of my library, and an agreement to keep the same separated from all other books or collections of books, and to preserve the same in separate shelves or cases, to be labeled "Drexel Musical Library." "The collection of musical works in his library is considered one of the finest in the United States..." reported the New York Herald in its obituary of Drexel. The trustees of the Lenox Library voted on June 7, 1888 to accept

340-405: The same term This disambiguation page lists articles about people with the same name. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=John_Gamble&oldid=1113706802 " Category : Human name disambiguation pages Hidden categories: Short description

360-464: Was "one of the most complete in America." The Icarian community at Nauvoo failed by 1856 and its members dispersed. In 1858, Albrecht sold his library to Joseph W. Drexel and moved to Philadelphia . Drexel was a banker in the midst of a very profitable career as a partner in the firm Drexel, Morgan & Co. With Albrecht's assistance, Drexel kept adding to his library. In 1865, he purchased portions of

380-520: Was an active concert and opera attendee in the years of his retirement, very few contemporary musical works are present in his collection. An active philanthropist and a board member of several institutions after his retirement in 1877, Drexel made known his intention was that his library be donated to the Lenox Library upon his death. He died during the Great Blizzard of 1888 . It was with surprise that newspapers noted that his will contained only

400-579: Was well-known, and it was with dismay that The Musical Times reported: "all [the English unica] should have been purchased for the British Museum : now unfortunately it is too late, as a large proportion are on their way to New York." (Purchases for Drexel at the Rimbault auction were made by the London firm of Joseph Sabin & Sons. ) In 1877, Drexel also instructed Sabin to purchase at least two volumes from

#190809