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James Lick

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153-555: James Lick (August 25, 1796 – October 1, 1876) was an American real estate investor, carpenter, piano builder, land baron, and patron of the sciences. The wealthiest man in California at the time of his death, Lick left the majority of his estate to social and scientific causes. James Lick was born to Pennsylvania Dutch parents in Stumpstown ( Fredericksburg ), Pennsylvania on August 25, 1796. Lick's paternal grandfather, William Lük,

306-644: A ballroom in the north wing, and the expansion of the king's private apartment , which required the demolition of the Ambassadors' Staircase. In 1748, Louis XV began construction of a palace theatre, the Royal Opera of Versailles at the northernmost end of the palace, but completion was delayed until 1770; construction was interrupted in the 1740s by the War of the Austrian Succession and then again in 1756 with

459-561: A grand piano , the frame and strings are horizontal, with the strings extending away from the keyboard. The action lies beneath the strings and uses gravity as its means of return to a state of rest. Grand pianos range in length from approximately 1.5–3 m (4 ft 11 in – 9 ft 10 in). Some of the lengths have been given more-or-less customary names, which vary from time to time and place to place, but might include: All else being equal, longer pianos with longer strings have larger, richer sound and lower inharmonicity of

612-661: A hotel , known as Lick House , 41 Montgomery Street (Lick Street, 111 Sutter Street), at the intersection with Sutter Street, in San Francisco. The hotel had a dining room that could seat 400, based on a similar room at the palace of Versailles . Lick House was considered the finest hotel west of the Mississippi River . The hotel was destroyed in the fire following the San Francisco earthquake of 1906 . The Hunter-Dulin Building

765-580: A loudspeaker . The electric pianos that became most popular in pop and rock music in the 1960s and 1970s, such as the Fender Rhodes use metal tines in place of strings and use electromagnetic pickups similar to those on an electric guitar . The resulting electrical, analogue signal can then be amplified with a keyboard amplifier or electronically manipulated with effects units . In classical music, electric pianos are mainly used as inexpensive rehearsal or practice instruments. Electric pianos, particularly

918-410: A pedal keyboard at the base, designed to be played by the feet. The pedals may play the existing bass strings on the piano, or rarely, the pedals may have their own set of bass strings and hammer mechanisms. While the typical intended use for pedal pianos is to enable a keyboardist to practice pipe organ music at home, a few players of pedal piano use it as a performance instrument. Wadia Sabra had

1071-408: A Dutchman, Americus Backers , to design a piano in the harpsichord case—the origin of the "grand". This was achieved by about 1777. They quickly gained a reputation for the splendour and powerful tone of their instruments, with Broadwood constructing pianos that were progressively larger, louder, and more robustly constructed. They sent pianos to both Joseph Haydn and Ludwig van Beethoven , and were

1224-414: A built-in amp and speaker). Alternatively, a person can play an electronic piano with headphones in quieter settings. Digital pianos are also non-acoustic and do not have strings or hammers. They use digital audio sampling technology to reproduce the acoustic sound of each piano note accurately. They also must be connected to a power amplifier and speaker to produce sound (however, most digital pianos have

1377-437: A built-in amp and speaker). Alternatively, a person can practise with headphones to avoid disturbing others. Digital pianos can include sustain pedals, weighted or semi-weighted keys, multiple voice options (e.g., sampled or synthesized imitations of electric piano, Hammond organ , violin , etc.), and MIDI interfaces. MIDI inputs and outputs connect a digital piano to other electronic instruments or musical devices. For example,

1530-475: A digital piano's MIDI out signal could be connected by a patch cord to a synth module , which would allow the performer to use the keyboard of the digital piano to play modern synthesizer sounds. Early digital pianos tended to lack a full set of pedals, but the synthesis software of later models such as the Yamaha Clavinova series synthesised the sympathetic vibration of the other strings (such as when

1683-474: A feature dubbed the enveloppe . This gave the château a new, Italianate façade overlooking the gardens, but preserved the courtyard façade, resulting in a mix of styles and materials that dismayed Louis XIV and that Colbert described as a "patchwork". Attempts to homogenize the two façades failed, and in 1670 Le Vau died, leaving the post of First Architect to the King vacant for the next seven years. Le Vau

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1836-622: A few decades of use. Beginning in 1961, the New York branch of the Steinway firm incorporated Teflon , a synthetic material developed by DuPont , for some parts of its Permafree grand action in place of cloth bushings, but abandoned the experiment in 1982 due to excessive friction and a "clicking" that developed over time; Teflon is "humidity stable" whereas the wood adjacent to the Teflon swells and shrinks with humidity changes, causing problems. More recently,

1989-420: A forecourt to the château. But in 1668–69, as a response to the growth of the gardens, and victory over Spain in the War of Devolution , Louis XIV decided to turn Versailles into a full-scale royal residence. He vacillated between replacing or incorporating his father's château, but settled on the latter by the end of the decade, and from 1668 to 1671, Louis XIII's château was encased on three sides in

2142-613: A form of piano wire made from cast steel ; it was "so superior to the iron wire that the English firm soon had a monopoly." A better steel wire was developed in 1840 by the Viennese firm Martin Miller, and a period of innovation and intense competition ensued, with rival brands of piano wire being tested against one another at international competitions, leading ultimately to the modern form of piano wire. Several important advances included changes to

2295-578: A great influence on architecture and horticulture from the mid-17th century to the end of the 18th century. Examples of works influenced by Versailles include Christopher Wren 's work at Hampton Court Palace , Berlin Palace , the Palace of La Granja , Stockholm Palace , Ludwigsburg Palace , Karlsruhe Palace , Rastatt Palace , Nymphenburg Palace , Schleissheim Palace , and Esterházy Palace . The construction in 1668–1671 of Louis Le Vau 's enveloppe around

2448-464: A halt when Louis Philippe was overthrown in 1848, though the paintings of French heroes and great battles still remain in the south wing. Emperor Napoleon III used the palace on occasion as a stage for grand ceremonies. One of the most lavish was the banquet that he hosted for Queen Victoria in the Royal Opera of Versailles on 25 August 1855. During the Franco-Prussian War of 1870–1871,

2601-525: A harmonic produced from three octaves below. This lets close and widespread octaves sound pure, and produces virtually beatless perfect fifths . This gives the concert grand a brilliant, singing and sustaining tone quality—one of the principal reasons that full-size grands are used in the concert hall. Smaller grands satisfy the space and cost needs of domestic use; as well, they are used in some small teaching studios and smaller performance venues. Upright pianos, also called vertical pianos, are more compact with

2754-606: A large ranch in Los Angeles County , and all of Santa Catalina Island , making Lick the richest man in California. In the next three years, Lick spent his time determining how to dispense his fortune. He originally wanted to build giant statues of himself and his parents, and erect a pyramid larger than the Great Pyramid of Giza in his own honor in downtown San Francisco. Through the efforts of George Davidson, president of

2907-478: A lower octave's corresponding sharp overtone rather than to a theoretically correct octave. If octaves are not stretched, single octaves sound in tune, but double—and notably triple—octaves are unacceptably narrow. Stretching a small piano's octaves to match its inherent inharmonicity level creates an imbalance among all the instrument's intervallic relationships. In a concert grand, however, the octave "stretch" retains harmonic balance, even when aligning treble notes to

3060-609: A massive, strong, cast iron frame. Also called the "plate", the iron frame sits atop the soundboard , and serves as the primary bulwark against the force of string tension that can exceed 20 tons (180 kilonewtons) in total for a modern grand piano. The single piece cast iron frame for square piano was patented in 1825 in Boston by Alpheus Babcock , combining the metal hitch pin plate (1821, claimed by Broadwood on behalf of Samuel Hervé) and resisting bars (Thom and Allen, 1820, but also claimed by Broadwood and Érard). Babcock later worked for

3213-417: A microtone piano manufactured by Pleyel in 1920. Abdallah Chahine later constructed his quartertone "Oriental piano" with the help of Austrian Hofmann . With technological advances , amplified electric pianos (1929), electronic pianos (1970s), and digital pianos (1980s) have been developed. The first electric pianos from the late 1920s used metal strings with a magnetic pickup , an amplifier and

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3366-400: A musical device exploited by Liszt. When the invention became public, as revised by Henri Herz , the double escapement action gradually became standard in grand pianos and is still incorporated into all grand pianos currently produced in the 2000s. Other improvements of the mechanism included the use of firm felt hammer coverings instead of layered leather or cotton. Felt, which Jean-Henri Pape

3519-505: A new restoration initiative – the "Grand Versailles" project – was started, which began with the replanting of the gardens, which had lost over 10,000 trees during Cyclone Lothar on 26 December 1999. One part of the initiative, the restoration of the Hall of Mirrors , was completed in 2006. Another major project was the further restoration of the backstage areas of the Royal Opera of Versailles in 2007 to 2009. The Palace of Versailles

3672-441: A piano are made of a steel core wrapped with one or two layers of copper wire, to increase their mass whilst retaining flexibility. If all strings throughout the piano's compass were individual (monochord), the massive bass strings would overpower the upper ranges. Makers compensate for this with the use of double (bichord) strings in the tenor and triple (trichord) strings throughout the treble. The plate (harp), or metal frame, of

3825-439: A piano are made of materials selected for strength and longevity. This is especially true of the outer rim, which is most commonly made of hardwood , typically hard maple or beech , and its massiveness serves as an essentially immobile object from which the flexible soundboard can best vibrate. According to Harold A. Conklin, the purpose of a sturdy rim is so that, "... the vibrational energy will stay as much as possible in

3978-468: A piano can be played acoustically, or the keyboard can be used as a MIDI controller, which can trigger a synthesizer module or music sampler . Some electronic feature-equipped pianos such as the Yamaha Disklavier electronic player piano, introduced in 1987, are outfitted with electronic sensors for recording and electromechanical solenoids for player piano-style playback. Sensors record the movements of

4131-419: A piano is usually made of cast iron. A massive plate is advantageous. Since the strings vibrate from the plate at both ends, an insufficiently massive plate would absorb too much of the vibrational energy that should go through the bridge to the soundboard. While some manufacturers use cast steel in their plates, most prefer cast iron. Cast iron is easy to cast and machine, has flexibility sufficient for piano use,

4284-467: A piano. An inventory made by his employers, the Medici family, indicates the existence of a piano by 1700. The three Cristofori pianos that survive today date from the 1720s. Cristofori named the instrument un cimbalo di cipresso di piano e forte ("a keyboard of cypress with soft and loud"), abbreviated over time as pianoforte , fortepiano , and later reduced to only piano . Cristofori's great success

4437-434: A position in which it is ready to play again almost immediately after its key is depressed, so the player can repeat the same note rapidly when desired. Cristofori's piano action was a model for the many approaches to piano actions that followed in the next century. Cristofori's early instruments were made with thin strings and were much quieter than the modern piano, though they were louder and had more sustain compared to

4590-402: A protégé of Mazarin and enemy of Fouquet, and charged him with managing the corps of artisans in royal employment. Colbert acted as the intermediary between them and Louis XIV, who personally directed and inspected the planning and construction of Versailles. Work at Versailles was at first concentrated on gardens , and through the 1660s, Le Vau only added two detached service wings and

4743-528: A restored budget and large workforce of former soldiers. Mansart began his tenure with the addition from 1678 to 1681 of the Hall of Mirrors , a renovation of the courtyard façade of Louis XIII's château, and the expansion of d'Orbay's pavilions to create the Ministers' Wings in 1678–79. Adjacent to the palace, Hardouin-Mansart built a pair of stables called the Grande and Petite Écuries from 1679 to 1682 and

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4896-454: A row of 88 black and white keys, tuned to a chromatic scale in equal temperament . A musician who specializes in piano is called a pianist . There are two main types of piano: the grand piano and the upright piano . The grand piano offers better sound and more precise key control, making it the preferred choice when space and budget allow. The grand piano is also considered a necessity in venues hosting skilled pianists. The upright piano

5049-596: A small number of acoustic pianos in the 2010s are produced with MIDI recording and digital sound module -triggering capabilities, the 19th century was the era of the most dramatic innovations and modifications of the instrument. Modern pianos have two basic configurations, the grand piano and the upright piano, with various styles of each. There are also specialized and novelty pianos, electric pianos based on electromechanical designs, electronic pianos that synthesize piano-like tones using oscillators, and digital pianos using digital samples of acoustic piano sounds. In

5202-493: A touch of "gold fever" and sought to mine the metal, but after a week decided his fortune was to be made by owning land, not digging in it. Lick continued buying land in San Francisco, and also began buying farmland in and around San Jose , where he planted orchards and built the largest flour mill in the state. He invited his son to join him there in 1854; however, the younger Lick suffered from poor health and returned to Pennsylvania in 1863. In 1861, Lick began construction of

5355-656: A vertical structure of the frame and strings. The mechanical action structure of the upright piano was invented in London in 1826 by Robert Wornum, and upright models became the most popular model for domestic use. Upright pianos take up less space than a grand piano and as such are a better size for use in private homes for domestic music-making and practice. The hammers move horizontally and return to their resting position via springs, which are susceptible to degradation. Upright pianos with unusually tall frames and long strings were sometimes marketed as upright grand pianos, but that label

5508-620: A week, from six to ten in the evening, with various entertainments. This was originally a chapel. It was rebuilt beginning in 1712 under the supervision of the First Architect to the King , Robert de Cotte , to showcase two paintings by Paolo Veronese , Eleazar and Rebecca and Meal at the House of Simon the Pharisee , which was a gift to Louis XIV from the Republic of Venice in 1664. The painting on

5661-611: A year. On his return trip, his ship was captured by the Portuguese , and the passengers and crew were taken to Montevideo as prisoners of war . Lick escaped captivity and returned to Buenos Aires on foot. In 1832, Lick returned to Stumpstown. He failed to reunite with Barbara Snavely and their son, and returned to Buenos Aires. He decided the political situation was too unstable and moved to Valparaíso , Chile . After four years, he again moved his business, this time to Lima , Peru . In 1846, Lick returned to North America . Anticipating

5814-399: Is a visual history of French architecture from the 1630s to the 1780s. Its earliest portion, the corps de logis , was built for Louis XIII in the style of his reign with brick, marble, and slate , which Le Vau surrounded in the 1660s with Enveloppe , an edifice that was inspired by Renaissance-era Italian villas. When Jules Hardouin-Mansart made further expansions to the palace in

5967-590: Is currently owned by the French state. Its formal title is the Public Establishment of the Palace, Museum and National Estate of Versailles . Since 1995, it has been run as a Public Establishment, with an independent administration and management supervised by the French Ministry of Culture . The grounds of the palace hosted the equestrian competition during the 2024 Summer Olympics . The Palace of Versailles

6120-465: Is misleading. Some authors classify modern pianos according to their height and to modifications of the action that are necessary to accommodate the height. Upright pianos are generally less expensive than grand pianos. Upright pianos are widely used in churches, community centers, schools, music conservatories and university music programs as rehearsal and practice instruments, and they are popular models for in-home purchase. The toy piano , introduced in

6273-419: Is more commonly used because of its smaller size and lower cost. When a key is depressed, the strings inside are struck by felt-coated wooden hammers. The vibrations are transmitted through a bridge to a soundboard that amplifies the sound by coupling the acoustic energy to the air. When the key is released, a damper stops the string's vibration, ending the sound. Most notes have three strings, except for

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6426-580: Is much more resistant to deformation than steel, and is especially tolerant of compression. Plate casting is an art, since dimensions are crucial and the iron shrinks about one percent during cooling. Including an extremely large piece of metal in a piano is potentially an aesthetic handicap. Piano makers overcome this by polishing, painting, and decorating the plate. Plates often include the manufacturer's ornamental medallion. In an effort to make pianos lighter, Alcoa worked with Winter and Company piano manufacturers to make pianos using an aluminum plate during

6579-464: Is owned by the government of France and since 1995 has been managed, under the direction of the French Ministry of Culture , by the Public Establishment of the Palace, Museum and National Estate of Versailles . About 15,000,000 people visit the palace, park, or gardens of Versailles every year, making it one of the most popular tourist attractions in the world. Louis XIII built a hunting lodge at Versailles in 1623. His successor, Louis XIV expanded

6732-547: Is the same material that is used in quality acoustic guitar soundboards. Low-cost pianos often have plywood soundboards. Palace of Versailles The Palace of Versailles ( / v ɛər ˈ s aɪ , v ɜːr ˈ s aɪ / vair- SY , vur- SY ; French : château de Versailles [ʃɑto d(ə) vɛʁsɑj] ) is a former royal residence commissioned by King Louis XIV located in Versailles , about 18 kilometres (11 mi) west of Paris , France . The palace

6885-596: The Bourbon Restoration , when the king was returned to the throne, he resided in Paris and it was not until the 1830s that meaningful repairs were made to the palace. A museum of French history was installed within it, replacing the courtiers apartments of the southern wing. The palace and park were designated a World Heritage Site by UNESCO in 1979 for its importance as the centre of power, art, and science in France during

7038-573: The California Academy of Sciences , Lick was persuaded to leave the greatest portion of his fortune to the establishment of a mountaintop observatory , with the largest, most powerful telescope yet built. In 1874, he placed $ 3,000,000 ($ 65,200,000 relative value in 2017) at the disposal of seven trustees, by whom the funds were to be applied to specific uses. He replaced the board in 1875 with Faxon Atherton , John Nightingale, Bernard D. Murphy and his son, John H. Lick. The principal divisions of

7191-578: The Chickering & Mackays firm who patented the first full iron frame for grand pianos in 1843. Composite forged metal frames were preferred by many European makers until the American system was fully adopted by the early 20th century. The increased structural integrity of the iron frame allowed the use of thicker, tenser, and more numerous strings. In 1834, the Webster & Horsfal firm of Birmingham brought out

7344-679: The Château de Saint-Germain-en-Laye . The site, near a village named Versailles, was a wooded wetland that Louis XIII's court scorned as being generally unworthy of a king; one of his courtiers, François de Bassompierre , wrote that the lodge "would not inspire vanity in even the simplest gentleman". From 1631 to 1634, architect Philibert Le Roy replaced the lodge with a château for Louis XIII, who forbade his queen, Anne of Austria , from staying there overnight, even when an outbreak of smallpox at Saint-Germain-en-Laye in 1641 forced Louis XIII to relocate to Versailles with his three-year-old heir,

7497-505: The Grand Commun  [ fr ] , which housed the palace's servants and general kitchens, from 1682 to 1684. Hardouin-Mansart also added two entirely new wings in Le Vau's Italianate style to house the court, first at the south end of the palace from 1679 to 1681 and then at its north end from 1685 to 1689. War and the resulting diminished funding slowed construction at Versailles for

7650-454: The Grand Trianon restored and refurnished as a springtime residence for himself and his family, in the style of furnishing that it is seen today. In 1815, with the final downfall of Napoleon, Louis XVIII , the younger brother of Louis XVI, became king, and considered returning the royal residence to Versailles, where he had been born. He ordered the restoration of the royal apartments, but

7803-449: The Kawai firm built pianos with action parts made of more modern materials such as carbon fiber reinforced plastic , and the piano parts manufacturer Wessell, Nickel and Gross has launched a new line of carefully engineered composite parts. Thus far these parts have performed reasonably, but it will take decades to know if they equal the longevity of wood. In all but the lowest quality pianos,

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7956-792: The Mexican–American War and the future annexation of California , he decided to settle there. A backlog of orders for his pianos delayed him 18 months, as his Mexican workers returned to their homes to join the Mexican Army. He finished the orders himself. Lick arrived in San Francisco, California , in January 1848, bringing with him his tools, work bench, $ 30,000 in gold (valued at approximately $ 2.75 million as of 2020), and 600 pounds (275 kilograms) of chocolate . The chocolate quickly sold, so Lick sent back word convincing his friend and neighbor in Peru ,

8109-780: The Steinway concert grand (Model D) weighs 480 kg (1,060 lb). The largest piano available on the general market, the Fazioli F308, weighs 570 kg (1,260 lb). The pinblock, which holds the tuning pins in place, is another area where toughness is important. It is made of hardwood (typically hard maple or beech) and is laminated for strength, stability and longevity. Piano strings (also called piano wire ), which must endure years of extreme tension and hard blows, are made of high carbon steel. They are manufactured to vary as little as possible in diameter, since all deviations from uniformity introduce tonal distortion. The bass strings of

8262-761: The Treaty of Paris at the Hôtel d'York (now 56 Rue Jacob) in Paris, granting the United States independence. On 4 September, Spain and France signed separate treaties with Britain at the Palace of Versailles, formally ending the war. The King and Queen learned of the Storming of the Bastille in Paris on 14 July 1789, while they were at the palace, and remained isolated there as the Revolution in Paris spread. The growing anger in Paris led to

8415-530: The Women's March on Versailles on 5 October 1789. A crowd of several thousand men and women, protesting the high price and scarcity of bread, marched from the markets of Paris to Versailles. They took weapons from the city armoury, besieged the palace, and compelled the King and royal family and the members of the National Constituent Assembly to return with them to Paris the following day. As soon as

8568-446: The château neuf , with three rooms in each apartment facing the garden to the west and four facing the garden parterres to the north and south, respectively. The private apartments of the king (the appartement du roi and the petit appartement du roi ) and those of the queen (the petit appartement de la reine ) remained in the château vieux (old château). Le Vau's design for the state apartments closely followed Italian models of

8721-629: The confectioner Domingo Ghirardelli , to move to San Francisco, where he founded the Ghirardelli Chocolate Company . Upon his arrival, Lick began buying real estate in the small village of San Francisco. The discovery of gold at Sutter's Mill near Sacramento a few days after Lick's arrival in the future state began the California Gold Rush and created a housing boom in San Francisco, which grew from about one thousand residents in 1848 to over twenty thousand by 1850. Lick got

8874-735: The grand appartement du roi . After the addition of the Hall of Mirrors (1678–1684) the king's apartment was reduced to five rooms (until the reign of Louis XV , when two more rooms were added) and the queen's to four. The queen's apartments served as the residence of three queens of France – Maria Theresa of Spain , wife of Louis XIV , Maria Leszczyńska , wife of Louis XV, and Marie Antoinette , wife of Louis XVI . Additionally, Louis XIV's granddaughter-in-law, Princess Marie-Adélaïde of Savoy , duchess of Burgundy, wife of Louis, Duke of Burgundy , occupied these rooms from 1697 (the year of her marriage) to her death in 1712. The Ambassadors' Staircase  [ fr ] ( Escalier des Ambassadeurs )

9027-600: The hammered dulcimers , which were introduced in the Middle Ages in Europe. During the Middle Ages, there were several attempts at creating stringed keyboard instruments with struck strings. By the 17th century, the mechanisms of keyboard instruments such as the clavichord and the harpsichord were well developed. In a clavichord the strings are struck by tangents, while in a harpsichord they are mechanically plucked by quills when

9180-499: The princes of the blood , Louis XIV's extended family, for influence over him. In the aftermath of the Fronde, Louis XIV became determined to rule alone. Following Mazarin's death in 1661, Louis XIV reformed his government to exclude his mother and the princes of the blood, moved the court back to Saint-Germain-en-Laye, and ordered the expansion of his father's château at Versailles into a palace. Louis XIV had hunted at Versailles in

9333-537: The transposing piano in 1801. This rare instrument has a lever under the keyboard to move the keyboard relative to the strings, so a pianist can play in a familiar key while the music sounds in a different key. The minipiano is an instrument patented by the Brasted brothers of the Eavestaff Ltd. piano company in 1934. This instrument has a braceless back and a soundboard positioned below the keys—long metal rods pull on

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9486-410: The "aliquot" throughout much of the upper range of the piano, always in locations that caused them to vibrate sympathetically in conformity with their respective overtones—typically in doubled octaves and twelfths. Some early pianos had shapes and designs that are no longer in use. The square piano (not truly square, but rectangular) was cross strung at an extremely acute angle above the hammers, with

9639-527: The 1650s, but did not take any special interest in Versailles until 1661. On 17 August 1661, Louis XIV was a guest at a sumptuous festival hosted by Nicolas Fouquet , the Superintendent of Finances , at his palatial residence, the Château de Vaux-le-Vicomte . Louis XIV was impressed by the château and its gardens, which were the work of Louis Le Vau , the court architect since 1654, André Le Nôtre ,

9792-490: The 1680s, he used the Enveloppe as the model for his work. Neoclassical additions were made to the palace with the remodelling of the Ministers' Wings in the 1770s, by Ange-Jacques Gabriel , and after the Bourbon Restoration . The palace was largely completed by the death of Louis XIV in 1715. The eastern facing palace has a U-shaped layout, with the corps de logis and symmetrical advancing secondary wings terminating with

9945-401: The 17th and 18th centuries. The French Ministry of Culture has placed the palace, its gardens, and some of its subsidiary structures on its list of culturally significant monuments . In 1623, Louis XIII , king of France , built a hunting lodge on a hill in a favourite hunting ground, 19 kilometres (12 mi) west of Paris , and 16 kilometres (10 mi) from his primary residence,

10098-518: The 1820s, the center of piano innovation had shifted to Paris, where the Pleyel firm manufactured pianos used by Frédéric Chopin , and the Érard firm manufactured those used by Franz Liszt . In 1821, Sébastien Érard invented the double escapement action, which incorporated a repetition lever (also called the balancier ) that permitted repeating a note even if the key had not return to its resting position. This facilitated rapid playing of repeated notes,

10251-473: The 1940s. Aluminum piano plates were not widely accepted and were discontinued. Prior to this, a piano made almost entirely of aluminum was placed aboard the airship Hindenburg . The numerous parts of a piano action are generally made from hardwood, such as maple, beech, or hornbeam ; however, since World War II, makers have also incorporated plastics. Early plastics used in some pianos in the late 1940s and 1950s, proved problematic when they lost strength after

10404-430: The 19th century, is a small piano-like instrument that generally uses round metal rods to produce sound, rather than strings. The US Library of Congress recognizes the toy piano as a unique instrument with the subject designation, Toy Piano Scores: M175 T69. In 1863, Henri Fourneaux invented the player piano , which plays itself from a piano roll . A machine perforates a performance recording into rolls of paper, and

10557-567: The Commune at the end of May was directed from Versailles, and the prisoners of the Commune were marched there and put on trial in military courts. In 1875 a second parliamentary body, the French Senate , was created and held its meetings for the election of a President of the Republic in a new hall created in 1876 in the south wing of the palace. The French Senate and National Assembly continue to meet in

10710-622: The Dufour Pavilion on the south and the Gabriel Pavilion to the north, creating an expansive cour d'honneur known as the Royal Court (Cour Royale). Flanking the Royal Court are two enormous asymmetrical wings that result in a façade of 402 metres (1,319 ft) in length. Covered by around 10 hectares (1.1 million square feet) of roof, the palace has 2,143 windows, 1,252 chimneys, and 67 staircases. The palace and its grounds have had

10863-529: The Fender Rhodes, became important instruments in 1970s funk and jazz fusion and in some rock music genres. Electronic pianos are non-acoustic; they do not have strings, tines or hammers, but are a type of analog synthesizer that simulates or imitates piano sounds using oscillators and filters that synthesize the sound of an acoustic piano. They must be connected to a keyboard amplifier and speaker to produce sound (however, some electronic keyboards have

11016-630: The King. The 7-year-old Wolfgang Amadeus Mozart played several works during his stay and later dedicated his first two harpsichord sonatas, published in 1764 in Paris, to Madame Victoria , daughter of Louis XV. In 1783, the palace was the site of the signing of the last two of the three treaties of the Peace of Paris (1783) , which ended the American Revolutionary War . On 3 September, British and American delegates, led by Benjamin Franklin , signed

11169-597: The armistice in March 1871. In that month, the government of the new Third French Republic , which had departed Paris during the war for Tours and then Bordeaux , moved into the palace. The National Assembly held its meetings in the Opera House. The uprising of the Paris Commune in March 1871, prevented the French government, under Adolphe Thiers , from returning immediately to Paris. The military operation which suppressed

11322-514: The art of piano making. He quickly mastered the skill, and moved to New York City and established his own shop. In 1821 Lick moved to Argentina , after learning that his pianos were being exported to South America . Lick found his time in Buenos Aires to be difficult, because of his ignorance of Spanish and the turbulent political situation in the country. Despite this, his business thrived, and in 1825 Lick left Argentina to tour Europe for

11475-405: The bass, which graduates from one to two. Notes can be sustained when the keys are released by the use of pedals at the base of the instrument, which lift the dampers off the strings. The sustain pedal allows pianists to connect and overlay sound, and achieve expressive and colorful sonority. In the 19th century, influenced by Romantic music trends, the fortepiano underwent changes such as

11628-418: The best of both of the older instruments, combining the ability to play at least as loudly as a harpsichord with the ability to continuously vary dynamics by touch. Cristofori's new instrument remained relatively unknown until an Italian writer, Scipione Maffei , wrote an enthusiastic article about it in 1711, including a diagram of the mechanism, that was translated into German and widely distributed. Most of

11781-491: The ceiling illustrate mythological themes. The Salon of Mercury was the original State Bedchamber when Louis XIV officially moved the court and government to the palace in 1682. The bed is a replica of the original commissioned by King Louis-Philippe in the 19th century when he turned the palace into a museum. The ceiling paintings by the Flemish artist Jean Baptiste de Champaigne depict the god Mercury in his chariot, drawn by

11934-456: The ceiling over the door opposite the windows. This salon was used for serving light meals during evening receptions. The principal feature in this room is Jean Warin 's life-size statue of Louis XIV in the costume of a Roman emperor. On the ceiling in a gilded oval frame is another painting by Houasse, Venus subjugating the Gods and Powers (1672–1681). Trompe-l'œil paintings and sculpture around

12087-585: The ceiling, The Apotheosis of Hercules , by François Lemoyne , was completed in 1736, and gave the room its name. The Salon of Abundance was the antechamber to the Cabinet of Curios (now the Games Room), which displayed Louis XIV's collection of precious jewels and rare objects. Some of the objects in the collection are depicted in René-Antoine Houasse 's painting Abundance and Liberality (1683), located on

12240-432: The centralization of royal power. Louis XIV first used Versailles to promote himself with a series of nighttime festivals in its gardens in 1664, 1668, and 1674, the events of which were disseminated throughout Europe by print and engravings. As early as 1669, but especially from 1678, Louis XIV sought to make Versailles his seat of government, and he expanded the palace so as to fit the court within it. The moving of

12393-411: The château into a palace that went through several expansions in phases from 1661 to 1715. It was a favourite residence for both kings, and in 1682, Louis XIV moved the seat of his court and government to Versailles, making the palace the de facto capital of France. This state of affairs was continued by Kings Louis XV and Louis XVI , who primarily made interior alterations to the palace, but in 1789

12546-511: The clavichord—the only previous keyboard instrument capable of dynamic nuance responding to the player's touch, the velocity with which the keys are pressed. While the clavichord allows expressive control of volume and sustain, it is relatively quiet even at its loudest. The harpsichord produces a sufficiently loud sound, especially when a coupler joins each key to both manuals of a two-manual harpsichord, but it offers no dynamic or expressive control over individual notes. The piano in some sense offers

12699-654: The condition that Santa Clara County build a "first-class" road to the site. The county agreed and the road was completed by the fall of 1876. On October 1, 1876, Lick died in his room in Lick House, San Francisco. In 1887, his body was moved to its final resting place, under the future home of the Great Lick Refracting Telescope . Piano A piano is a keyboard instrument that produces sound when its keys are depressed, activating an action mechanism where hammers strike strings . Modern pianos have

12852-792: The construction of townhouses that resembled the palace began in 1671. The next year, the Franco-Dutch War began and funding for Versailles was cut until 1674, when Louis XIV had work begun on the Ambassadors' Staircase  [ fr ] , a grand staircase for the reception of guests, and demolished the last of the village of Versailles. Following the end of the Franco-Dutch War with French victory in 1678, Louis XIV appointed as First Architect Jules Hardouin-Mansart , an experienced architect in Louis XIV's confidence, who would benefit from

13005-449: The court to Versailles did not come until 1682, however, and not officially, as opinion on Versailles was mixed among the nobility of France . By 1687, however, it was evident to all that Versailles was the de facto capital of France, and Louis XIV succeeded in attracting the nobility to Versailles to pursue prestige and royal patronage within a strict court etiquette, thus eroding their traditional provincial power bases. It

13158-547: The creation of the Museum of the History of France , dedicated to "all the glories of France", which had been used to house some members of the royal family. The museum was begun in 1833 and inaugurated on 30 June 1837. Its most famous room is the Galerie des Batailles (Hall of Battles), which lies on most of the length of the second floor of the south wing. The museum project largely came to

13311-421: The day, including the placement of the apartments on the main floor (the piano nobile , the next floor up from the ground level), a convention the architect borrowed from Italian palace design. The king's State Apartment consisted of an enfilade of seven rooms, each dedicated to one of the known planets and their associated titular Roman deity . The queen's apartment formed a parallel enfilade with that of

13464-418: The first firm to build pianos with a range of more than five octaves: five octaves and a fifth during the 1790s, six octaves by 1810 (Beethoven used the extra notes in his later works), and seven octaves by 1820. The Viennese makers similarly followed these trends; however the two schools used different piano actions: Broadwoods used a more robust action, whereas Viennese instruments were more sensitive. By

13617-589: The first landing of the staircase. The construction of the Hall of Mirrors between 1678 and 1686 coincided with a major alteration to the State Apartments. They were originally intended as his residence, but the King transformed them into galleries for his finest paintings, and venues for his many receptions for courtiers. During the season from All-Saints Day in November until Easter , these were usually held three times

13770-458: The floor, behind the keyboard and very large sticker action . The short cottage upright or pianino with vertical stringing—made popular by Robert Wornum around 1815—was built into the 20th century. They are informally called birdcage pianos because of their prominent damper mechanism. The oblique upright, popularized in France by Roller & Blanchet during the late 1820s, was diagonally strung throughout its compass. The tiny spinet upright

13923-540: The form of upright, baby grand, and grand piano styles (including a nine-foot concert grand). Reproducing systems have ranged from relatively simple, playback-only models to professional models that can record performance data at resolutions that exceed the limits of normal MIDI data. The unit mounted under the keyboard of the piano can play MIDI or audio software on its CD. Pianos can have over 12,000 individual parts, supporting six functional features: keyboard, hammers, dampers, bridge, soundboard, and strings. Many parts of

14076-448: The framework to resonate more freely with the soundboard, creating additional coloration and complexity of the overall sound. The thick wooden posts on the underside (grands) or back (uprights) of the piano stabilize the rim structure and are made of softwood for stability. The requirement of structural strength, fulfilled by stout hardwood and thick metal, makes a piano heavy. Even a small upright can weigh 136 kg (300 lb), and

14229-411: The funds were: Lick had had an interest in astronomy since at least 1860, when he and George Madeira , the founder of the first observatory in California, spent several nights observing. They had also met again in 1873 and Lick said that Madeira's telescopes were the only ones he had ever used. In 1875, Thomas Fraser recommended a site at the summit of Mount Hamilton , near San Jose. Lick approved, on

14382-429: The future Louis XIV . When Louis XIII died in 1643, Anne became Louis XIV's regent , and Louis XIII's château was abandoned for the next decade. She moved the court back to Paris, where Anne and her chief minister , Cardinal Mazarin , continued Louis XIII's unpopular monetary practices. This led to the Fronde , a series of revolts against royal authority from 1648 to 1653 that masked a struggle between Mazarin and

14535-415: The higher notes were too soft to allow a full dynamic range. Although this earned him some animosity from Silbermann, the criticism was apparently heeded. Bach did approve of a later instrument he saw in 1747 and even served as an agent in selling Silbermann's pianos. "Instrument: piano et forte genandt"—a reference to the instrument's ability to play soft and loud—was an expression that Bach used to help sell

14688-542: The instrument when he was acting as Silbermann's agent in 1749. Piano making flourished during the late 18th century in the Viennese school , which included Johann Andreas Stein (who worked in Augsburg , Germany) and the Viennese makers Nannette Streicher (daughter of Stein) and Anton Walter . Viennese-style pianos were built with wood frames, two strings per note, and leather-covered hammers. Some of these Viennese pianos had

14841-522: The keyboard set along the long side. This design is attributed to Christian Ernst Friderici (a pupil of Gottfried Silbermann) in Germany and Johannes Zumpe in England, and it was improved by changes first introduced by Guillaume-Lebrecht Petzold in France and Alpheus Babcock in the United States. Square pianos were built in great numbers through the 1840s in Europe and the 1890s in the United States, and saw

14994-605: The keys, hammers, and pedals during a performance, and the system saves the performance data as a Standard MIDI File (SMF). On playback, the solenoids move the keys and pedals and thus reproduce the original performance. Modern Disklaviers typically include an array of electronic features, such as a built-in tone generator for playing back MIDI accompaniment tracks, speakers, MIDI connectivity that supports communication with computing devices and external MIDI instruments, additional ports for audio and SMPTE input/output (I/O), and Internet connectivity. Disklaviers have been manufactured in

15147-505: The levers to make the hammers strike the strings. The first model, known as the Pianette , was unique in that the tuning pins extended through the instrument, so it could be tuned at the front. The prepared piano , present in some contemporary art music from the 20th and 21st century is a piano which has objects placed inside it to alter its sound, or has had its mechanism changed in some other way. The scores for music for prepared piano specify

15300-408: The modifications, for example, instructing the pianist to insert pieces of rubber, paper, metal screws, or washers in between the strings. These objects mute the strings or alter their timbre. Some Viennese fortepianos incorporated percussion effects, brought into action by levers. These would be used in pieces such as Mozart's Rondo alla Turca . The pedal piano is a rare type of piano that has

15453-505: The more costly endeavours for the museum and the French Fifth Republic has been to repurchase as much of the original furnishings as possible. Consequently, because furniture with a royal provenance – and especially furniture that was made for Versailles – is a highly sought-after commodity on the international market, the museum has spent considerable funds on retrieving much of the palace's original furnishings. In 2003,

15606-500: The most visible change of any type of piano: the iron-framed, over-strung squares manufactured by Steinway & Sons were more than two-and-a-half times the size of Zumpe's wood-framed instruments from a century before. Their overwhelming popularity was the result of inexpensive construction and price, although their tone and performance were limited by narrow soundboards, simple actions and string spacing that made proper hammer alignment difficult. The tall, vertically strung upright grand

15759-410: The next generation of piano builders started their work based on reading this article. One of these builders was Gottfried Silbermann , better known as an organ builder. Silbermann's pianos were virtual copies of Cristofori's, with one important addition: Silbermann invented the forerunner of the modern sustain pedal , which lifts all the dampers from the strings simultaneously. This innovation allows

15912-471: The objective was to restore the palace to its state – or as close to it as possible – in 1789 when the royal family left the palace. Among the early projects was the repair of the roof over the Hall of Mirrors; the publicity campaign brought international attention to the plight of post-war Versailles and garnered much foreign money including a grant from the Rockefeller Foundation . One of

16065-545: The opposite coloring of modern-day pianos; the natural keys were black and the accidental keys white. It was for such instruments that Wolfgang Amadeus Mozart composed his concertos and sonatas , and replicas of them are built in the 21st century for use in authentic-instrument performance of his music. The pianos of Mozart's day had a softer tone than 21st century pianos or English pianos, with less sustaining power. The term fortepiano now distinguishes these early instruments (and modern re-creations) from later pianos. In

16218-404: The outside of Louis XIII 's red brick and white stone château added state apartments for the king and the queen. The addition was known at the time as the château neuf (new château). The grands appartements (Grand Apartments, also referred to as the State Apartments ) include the grand appartement du roi and the grand appartement de la reine . They occupied the main or principal floor of

16371-464: The palace in joint session on special occasions, such as the amendment of the Constitution of France . The end of the 19th and the early 20th century saw the beginning of restoration efforts at the palace, first led by Pierre de Nolhac , poet and scholar and the first conservator, who began his work in 1892. The conservation and restoration were interrupted by two world wars but have continued until

16524-458: The palace was occupied by the general staff of the victorious German Army. Parts of the château, including the Hall of Mirrors, were turned into a military hospital. The creation of the German Empire , combining Prussia and the surrounding German states under William I , was formally proclaimed in the Hall of Mirrors on 18 January 1871. The Germans remained in the palace until the signing of

16677-437: The palace, including the furniture, mirrors, baths, and kitchen equipment, were sold in seventeen thousand lots. All fleurs-de-lys and royal emblems on the buildings were chambered or chiselled off. The empty buildings were turned into a storehouse for furnishings, art and libraries confiscated from the nobility. The empty grand apartments were opened for tours beginning in 1793, and a small museum of French paintings and art school

16830-473: The palace. More work took place after World War II, with the restoration of the Royal Opera of Versailles . The theatre was reopened in 1957, in the presence of Queen Elizabeth II of the United Kingdom. In 1978, parts of the palace were heavily damaged in a bombing committed by Breton terrorists . Starting in the 1950s, when the museum of Versailles was under the directorship of Gérald van der Kemp,

16983-543: The performer depresses the key. Centuries of work on the mechanism of the harpsichord in particular had shown instrument builders the most effective ways to construct the case, soundboard, bridge, and mechanical action for a keyboard intended to sound strings. The English word piano is a shortened form of the Italian pianoforte , derived from gravecembalo col piano e forte ("harpsichord with soft and loud"). Variations in volume ( loudness ) are produced in response to

17136-461: The period from about 1790 to 1860, the Mozart-era piano underwent significant changes that led to the modern structure of the instrument. This revolution was in response to a preference by composers and pianists for a more powerful, sustained piano sound, which was made possible by the ongoing Industrial Revolution with resources such as high-quality piano wire for strings and precision casting for

17289-437: The pianist to sustain the notes that they have depressed even after their fingers are no longer pressing down the keys. As such, by holding a chord with the sustain pedal, pianists can relocate their hands to a different register of the keyboard in preparation for a subsequent section. Silbermann showed Johann Sebastian Bach one of his early instruments in the 1730s, but Bach did not like the instrument at that time, saying that

17442-439: The pianist's touch (pressure on the keys): the greater the pressure, the greater the force of the hammer hitting the strings and the louder the sound produced and the stronger the attack . Invented in 1700, the fortepiano was the first keyboard instrument to allow gradations of volume and tone according to how forcefully or softly the player presses or strikes the keys, unlike the pipe organ and harpsichord. The invention of

17595-537: The piano is credited to Bartolomeo Cristofori of Padua , Italy, who was employed by Ferdinando de' Medici, Grand Prince of Tuscany , as the Keeper of the Instruments. Cristofori was an expert harpsichord maker and was well acquainted with the body of knowledge on stringed keyboard instruments. This knowledge of keyboard mechanisms and actions helped him to develop the first pianos. It is not known when Cristofori first built

17748-556: The piano's versatility, the extensive training of musicians, and its availability in venues, schools, and rehearsal spaces have made it a familiar instrument in the Western world. The piano was based on earlier technological innovations in keyboard instruments . Pipe organs had been used since antiquity, and as such the development of pipe organs enabled instrument builders to learn about creating keyboard mechanisms for sounding pitches . The first string instruments with struck strings were

17901-515: The player piano replays the performance using pneumatic devices. Modern equivalents of the player piano include the Bösendorfer CEUS, Yamaha Disklavier and QRS Pianomation, using solenoids and MIDI rather than pneumatics and rolls. A silent piano is an acoustic piano having an option to silence the strings by means of an interposing hammer bar. They are designed for private silent practice, to avoid disturbing others. Edward Ryley invented

18054-515: The present day. The palace returned to the world stage in June 1919, when, after six months of negotiations, the Treaty of Versailles , formally ending the First World War, was signed in the Hall of Mirrors . Between 1925 and 1928, the American philanthropist and multi-millionaire John D. Rockefeller, Jr. gave $ 2,166,000, the equivalent of about thirty million dollars today, to restore and refurbish

18207-418: The production of massive iron frames that could withstand the tremendous tension of the strings. Over time, the tonal range of the piano was also increased from the five octaves of Mozart's day to the seven octave (or more) range found on today's pianos. Early technological progress in the late 18th century owed much to the firm of Broadwood . John Broadwood joined with another Scot, Robert Stodart, and

18360-520: The remodelling of the courtyard façade in the Italianate style. Louis XIV and Hardouin-Mansart focused on a permanent palace chapel , the construction of which lasted from 1699 to 1710. Louis XIV's successors, Louis XV and Louis XVI , largely left Versailles as they inherited it and focused on the palace's interiors. Louis XV's modifications began in the 1730s, with the completion of the Salon d'Hercule ,

18513-465: The rest of the 17th century. The Nine Years' War , which began in 1688, stopped work altogether until 1698. Three years later, however, the even more expensive War of the Spanish Succession began and, combined with poor harvests in 1693–94 and 1709–10, plunged France into crisis. Louis XIV thus slashed funding and cancelled some of the work Hardouin-Mansart had planned in the 1680s, such as

18666-450: The rim was constructed from several pieces of solid wood, joined and veneered, and European makers used this method well into the 20th century. A modern exception, Bösendorfer (an Austrian manufacturer of high-quality pianos) constructs their inner rims from solid spruce, the same wood that the soundboard is made from, which is notched to allow it to bend; rather than isolating the rim from vibration, their "resonance case principle" allows

18819-464: The royal family and French court returned to Paris. For the rest of the French Revolution , the Palace of Versailles was largely abandoned and emptied of its contents, and the population of the surrounding city plummeted. Napoleon , following his coronation as Emperor , used the subsidiary palace, Grand Trianon , as a summer residence from 1810 to 1814, but did not use the main palace. Following

18972-603: The royal family departed, the palace was closed. In 1792, the National Convention , the new revolutionary government, ordered the transfer of all the paintings and sculptures from the palace to the Louvre . In 1793, the Convention declared the abolition of the monarchy and ordered all of the royal property in the palace to be sold at auction. The auction took place between 25 August 1793 and 11 August 1794. The furnishings and art of

19125-427: The royal family to the Château de Saint-Cloud ahead of more renovations to the Palace of Versailles, but construction could not begin because of financial difficulty and political crisis . In 1789, the French Revolution swept the royal family and government out of Versailles forever. The Palace of Versailles was key to Louis XIV's politics, as an expression and concentration of French art and culture , and for

19278-400: The royal gardener since 1657, and Charles Le Brun , a painter in royal service since 1647. Vaux-le-Vicomte's scale and opulence led him to imprison Fouquet that September, as he had also built an island fortress and a private army. But Louis XIV was also inspired by Vaux-le-Vicomte, and he recruited its authors for his own projects. Louis XIV replaced Fouquet with Jean-Baptiste Colbert ,

19431-403: The soundboard instead of dissipating uselessly in the case parts, which are inefficient radiators of sound." Hardwood rims are commonly made by laminating thin (hence flexible) strips of hardwood, bending them to the desired shape immediately after the application of glue. The bent plywood system was developed by C.F. Theodore Steinway in 1880 to reduce manufacturing time and costs. Previously,

19584-402: The soundboard is made of spruce boards glued together along the side grain. Spruce's high ratio of strength to weight minimizes acoustic impedance while offering strength sufficient to withstand the downward force of the strings. The best piano makers use quarter-sawn , defect-free spruce of close annular grain, carefully seasoning it over a long period before fabricating the soundboards. This

19737-559: The staircase were trompe-l'œil paintings of people from the Four Parts of the World looking into the staircase over a balustrade, a motif repeated on the ceiling fresco. There they were joined by allegorical figures for the twelve months of the year and various Classical Greek figures such as the Muses . A marble bust of Louis XIV, sculpted by Jean Warin in 1665–66, was placed in a niche above

19890-458: The staircase – famously lit naturally with a skylight – so as to overawe visitors. The staircase and walls of the room that contained it were clad in polychrome marble and gilded bronze, with decor in the Ionic order. Charles Le Brun painted the walls and ceiling of the room according to a festive theme to celebrate Louis XIV's victory in the Franco-Dutch War . On the wall immediately above

20043-595: The start of the Seven Years' War . These wars emptied the royal treasury and thereafter construction was mostly funded by Madame du Barry , Louis XV's favourite mistress. In 1771, Louis XV had the northern Ministers' Wing rebuilt in Neoclassical style by Ange-Jacques Gabriel , his court architect, as it was in the process of falling down. That work was also stopped by financial constraints, and it remained incomplete when Louis XV died in 1774. In 1784, Louis XVI briefly moved

20196-417: The string, such as rust on plain strings and dirt in the windings of bass strings. The higher the partial, the further sharp it runs. Pianos with shorter and thicker string (i.e., small pianos with short string scales) have more inharmonicity. The greater the inharmonicity, the more the ear perceives it as harshness of tone. The inharmonicity of piano strings requires that octaves be stretched , or tuned to

20349-418: The strings are placed in two separate planes, each with its own bridge height, allowed greater length to the bass strings and optimized the transition from unwound tenor strings to the iron or copper-wound bass strings. Over-stringing was invented by Pape during the 1820s and first patented for use in grand pianos in the United States by Henry Steinway Jr. in 1859. Some piano makers added variations to enhance

20502-448: The strings when the sustain pedal is depressed, key release, the drop of the dampers, and simulations of techniques such as re-pedalling. Digital, MIDI-equipped pianos can output a stream of MIDI data, or record and play MIDI format files on digital storage media, similar in concept to a pianola. The MIDI file records the physics of a note rather than its resulting sound and recreates the sounds from its physical properties (e.g., which note

20655-464: The strings. Inharmonicity is the degree to which the frequencies of overtones (known as partials or harmonics ) sound sharp relative to whole multiples of the fundamental frequency. This results from the piano's considerable string stiffness; as a struck string decays, its harmonics vibrate from a point very slightly from its termination toward the center (or more flexible part) of the string. The inharmonicity may also result from imperfections within

20808-437: The sustain pedal is depressed) and full pedal sets can now be replicated. The processing power of digital pianos has enabled highly realistic pianos using multi-gigabyte piano sample sets with as many as ninety recordings, each lasting many seconds, for each key under different conditions (e.g., there are samples of each note being struck softly, loudly, with a sharp attack, etc.). Additional samples emulate sympathetic resonance of

20961-573: The task and cost was too great. Louis XVIII had the far end of the south wing of the Cour Royale demolished and rebuilt (1814–1824) to match the Gabriel wing of 1780 opposite, which gave greater uniformity of appearance to the front entrance. Neither he nor his successor Charles X lived at Versailles. The French Revolution of 1830 brought a new monarch, Louis-Philippe to power, and a new ambition for Versailles. He did not reside at Versailles but began

21114-415: The tone of each note, such as Pascal Taskin (1788), Collard & Collard (1821), and Julius Blüthner , who developed Aliquot stringing in 1893. These systems were used to strengthen the tone of the highest register of notes on the piano, which up until this time were viewed as being too weak-sounding. Each used more distinctly ringing, undamped vibrations of sympathetically vibrating strings to add to

21267-542: The tone, except the Blüthner Aliquot stringing , which uses an additional fourth string in the upper two treble sections. While the hitchpins of these separately suspended Aliquot strings are raised slightly above the level of the usual tri-choir strings, they are not struck by the hammers but rather are damped by attachments of the usual dampers. Eager to copy these effects, Theodore Steinway invented duplex scaling , which used short lengths of non-speaking wire bridged by

21420-582: The use of a cast iron frame (which allowed much greater string tensions) and aliquot stringing which gave grand pianos a more powerful sound, a longer sustain, and a richer tone. Later in the century, as the piano became more common it allowed families to listen to a newly published musical piece by having a family member play a simplified version . The piano is widely employed in classical , jazz , traditional and popular music for solo and ensemble performances, accompaniment, and for composing , songwriting and rehearsals. Despite its weight and cost,

21573-408: The way the piano was strung. There are one string for each note in the bass, two for each note in the tenor, and three for each note in the tenor. The use of a Capo d’Astro bar instead of agraffes in the uppermost treble allowed the hammers to strike the strings in their optimal position, greatly increasing that area's power. The implementation of over-stringing (also called cross-stringing ), in which

21726-495: Was a German immigrant from the Palatinate , and served in the American Revolutionary War. William's son, John, anglicized the family name to Lick. The son of a carpenter , Lick began learning the craft at an early age. When he was twenty-one, he had a romance with Barbara Snavely, the mother of his only child, John Henry. They never married, and the romance failed. Lick left Stumpstown for Baltimore, Maryland , where he learned

21879-399: Was an imperial staircase built from 1674 to 1680 by François d'Orbay . Until Louis XV had it demolished in 1752 to create a courtyard for his private apartments, the staircase was the primary entrance into the Palace of Versailles and the royal apartments especially. It was entered from the courtyard via a vestibule that, cramped and dark, contrasted greatly with the tall, open space of

22032-424: Was arranged like a grand set on end, with the soundboard and bridges above the keys and tuning pins below them. " Giraffe pianos ", " pyramid pianos " and " lyre pianos " were arranged in a somewhat similar fashion, using evocatively shaped cases. The very tall cabinet piano was introduced about 1805 and was built through the 1840s. It had strings arranged vertically on a continuous frame with bridges extended nearly to

22185-601: Was at the Palace of Versailles that Louis XIV received the Doge of Genoa , Francesco Maria Imperiale Lercari in 1685, an embassy from the Ayutthaya Kingdom in 1686, and an embassy from Safavid Iran in 1715. Louis XIV died at Versailles on 1 September 1715 and was succeeded by his five-year-old great-grandson, Louis XV , then the duke of Anjou , who was moved to the Château de Vincennes and then to Paris by Louis XV's regent, Philippe II, Duke of Orléans . Versailles

22338-584: Was constructed 1925-1927. Following the construction, Lick returned to his San Jose orchards. In 1874, Lick suffered a massive stroke in the kitchen of his home in Santa Clara . The following morning, he was found by his employee, Thomas Fraser, and taken to Lick House, where he could be better cared for. At the time of his illness, his estates, outside his considerable area in Santa Clara County and San Francisco, included large holdings around Lake Tahoe ,

22491-537: Was designing a stringed keyboard instrument in which the notes are struck by a hammer. The hammer must strike the string but not remain in contact with it, because continued contact would damp the sound and stop the string from vibrating and making sound. This means that after striking the string, the hammer must quickly fall from (or rebound from) the strings. Moreover, the hammer must return to its rest position without bouncing violently (thus preventing notes from being re-played by accidental rebound), and it must return to

22644-411: Was manufactured from the mid-1930s until recent times. The low position of the hammers required the use of a "drop action" to preserve a reasonable keyboard height. Modern upright and grand pianos attained their present, 2000-era forms by the end of the 19th century. While improvements have been made in manufacturing processes, and many individual details of the instrument continue to receive attention, and

22797-401: Was neglected until 1722, when Philippe II removed the court to Versailles to escape the unpopularity of his regency, and when Louis XV began his majority. The 1715 move, however, broke the cultural power of Versailles, and during the reign of Louis XVI , courtiers spent their leisure in Paris, not Versailles. During Christmas 1763, Mozart and his family visited Versailles and dined with

22950-659: Was opened in some of the empty rooms. By virtue of an order issued by the Versailles district directorate in August 1794, the Royal Gate was destroyed, the Cour Royale was cleared and the Cour de Marbre lost its precious floor. When Napoleon became Emperor of the French in 1804, he considered making Versailles his residence but abandoned the idea because of the cost of the renovation. Prior to his marriage with Marie-Louise in 1810, he had

23103-490: Was struck and with what velocity). Computer based software, such as Modartt's 2006 Pianoteq , can be used to manipulate the MIDI stream in real time or subsequently to edit it. This type of software may use no samples but synthesize a sound based on aspects of the physics that went into the creation of a played note. By the 2000s, some pianos included an acoustic grand piano or upright piano combined with MIDI electronic features. Such

23256-535: Was succeeded at Versailles by his assistant, architect François d'Orbay . Work at the palace during the 1670s focused on its interiors, as the palace was then nearing completion, though d'Orbay expanded Le Vau's service wings and connected them to the château, and built a pair of pavilions for government employees in the forecourt. In 1670, d'Orbay was tasked by Louis XIV with designing a city, also called Versailles , to house and service Louis XIV's growing government and court. The granting of land to courtiers for

23409-403: Was the first to use in pianos in 1826, was a more consistent material, permitting wider dynamic ranges as hammer weights and string tension increased. The sostenuto pedal ( see below ), invented in 1844 by Jean-Louis Boisselot and copied by the Steinway firm in 1874, allowed for a wider range of effects. One innovation that helped create the powerful sound of the modern piano was the use of

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