163-483: The Cinema of India , consisting of motion pictures made by the Indian film industry , has had a large effect on world cinema since the second half of the 20th century. Indian cinema is made up of various film industries , each producing films in different languages, including Hindi , Telugu , Tamil , Kannada , Malayalam , Marathi , Bengali , Punjabi , Bhojpuri and others. Major centres of film production across
326-494: A communist inclination, began to take shape through the 1940s and the 1950s. IPTA plays, such as Nabanna (1944), prepared the ground for realism in Indian cinema, exemplified by Khwaja Ahmad Abbas 's Dharti Ke Lal ( Children of the Earth , 1946). The IPTA movement continued to emphasise realism in films Mother India (1957) and Pyaasa (1957), among India's most recognisable cinematic productions. Following independence,
489-600: A Film would probably be about the aesthetics or theory of film, while a book entitled Let's Go to the Movies would probably be about the history of entertaining movies and blockbusters . Raja Harishchandra Raja Harishchandra ( transl. King Harishchandra ) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke . It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke , Anna Salunke , Bhalchandra Phalke and Gajanan Vasudev Sane. It
652-478: A Williamson camera and Kodak raw films and a perforator which reached Bombay (now Mumbai ) in May 1912. He set up a processing room and taught his family to perforate and develop the film. Though Phalke was certain of his idea of filmmaking, he could not find any investors. So, he decided to make a short film to demonstrate the techniques. He planted some peas in a pot, placed a camera in front of it, and shot one frame
815-593: A coin-operated peep-box Electrotachyscope model were manufactured by Siemens & Halske in Berlin and sold internationally. Nearly 34,000 people paid to see it at the Berlin Exhibition Park in the summer of 1892. Others saw it in London or at the 1893 Chicago World's Fair . On 25 November 1894, Anschütz introduced a Electrotachyscope projector with a 6x8 meter screening in Berlin. Between 22 February and 30 March 1895,
978-545: A combination of some or all of these techniques, and other visual effects . Before the introduction of digital production, a series of still images were recorded on a strip of chemically sensitized celluloid ( photographic film stock ), usually at a rate of 24 frames per second. The images are transmitted through a movie projector at the same rate as they were recorded, with a Geneva drive ensuring that each frame remains still during its short projection time. A rotating shutter causes stroboscopic intervals of darkness, but
1141-467: A contract that called for an annual salary of one million dollars. From 1931 to 1956, film was also the only image storage and playback system for television programming until the introduction of videotape recorders . In the United States, much of the film industry is centered around Hollywood, California . Other regional centers exist in many parts of the world, such as Mumbai -centered Bollywood ,
1304-416: A day for over a month. This resulted in a film, lasting just over a minute, of the seed growing, sprouting, and changing into a climber. Phalke titled this short film Ankurachi Wadh ( Growth of a Pea Plant ) and showed it to selected individuals. Some of them, including Yashwantrao Nadkarni and Narayanrao Devhare, offered Phalke a loan. In his Marathi language magazine Suvarnamala , Phalke had published
1467-421: A day or two to formulate their opinions. Despite this, critics have an important impact on the audience response and attendance at films, especially those of certain genres . Mass marketed action , horror , and comedy films tend not to be greatly affected by a critic's overall judgment of a film. The plot summary and description of a film and the assessment of the director's and screenwriters' work that makes up
1630-536: A few decades before it was successfully combined with a method to record series of sequential images in real-time. In 1878, Eadweard Muybridge eventually managed to take a series of photographs of a running horse with a battery of cameras in a line along the track and published the results as The Horse in Motion on cabinet cards . Muybridge, as well as Étienne-Jules Marey , Ottomar Anschütz and many others, would create many more chronophotography studies. Muybridge had
1793-484: A film about Jesus, The Life of Christ (1906) by the French director Alice Guy-Blaché . While watching Jesus on the screen, Phalke envisioned Hindu deities Rama and Krishna instead and decided to start in the business of "moving pictures". After completing his two-week trip to London to learn filmmaking techniques, he founded Phalke Films Company on 1 April 1912. During his London trip, Phalke had placed an order for
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#17328550934291956-403: A film of 3,700 feet (1,100 m); about four reels . Phalke used trick photography to shoot one of the scenes where the god appears and disappears from behind the smoke of sage Vishvamitra's Yajna - kund . The film negative stocks used were of limited spectral sensitivity with low sensitivity to the red band of the spectrum ; thus, sets, costumes, and artists' make-up artists avoided
2119-400: A film was 3,700 feet (1,100 m), about four reels . In 1917, the film's last print caught fire due to the constant friction and the exposure to high temperatures while it was being transported from one theatre to another, by a bullock cart. Phalke readily re-shot the film to produce the version that exists today. However, only the first and last reels of the original film are preserved at
2282-551: A flashing soda can during a screening). These fields may further create derivative fields, such as a movie review section in a newspaper or a television guide. Sub-industries can spin off from film, such as popcorn makers, and film-related toys (e.g., Star Wars figures ). Sub-industries of pre-existing industries may deal specifically with film, such as product placement and other advertising within films. The terminology used for describing motion pictures varies considerably between British and American English . In British usage,
2445-422: A lead actor was solidified by crime-action films Zanjeer and Sholay (1975). The devotional classic Jai Santoshi Ma (1975) was made on a low budget and became a box office success and a cult classic. Another important film was Deewaar (1975, Yash Chopra ), a crime film with brothers on opposite sides of the law which Danny Boyle described as "absolutely key to Indian cinema". The term " Bollywood "
2608-764: A more dynamic and engaging experience for the viewer. The development of scene construction through mise-en-scène , editing, and special effects led to more sophisticated techniques that can be compared to those utilized in opera and ballet. The French New Wave movement of the late 1950s and 1960s also embraced the montage technique, with filmmakers such as Jean-Luc Godard and François Truffaut using montage to create distinctive and innovative films. This approach continues to be influential in contemporary cinema, with directors employing montage to create memorable sequences in their films. In contemporary cinema, montage continues to play an essential role in shaping narratives and creating emotional resonance. Filmmakers have adapted
2771-425: A new section or sequence within a film. This technique can be used to convey a narrative or to create an emotional or intellectual effect by juxtaposing different shots, often for the purpose of condensing time, space, or information. Montage can involve flashbacks , parallel action, or the interplay of various visual elements to enhance the storytelling or create symbolic meaning . The concept of montage emerged in
2934-419: A note added at the end that the ticket rates would be double the usual rates. The film had a houseful run for a week, and it was extended for twelve more days. A special show was scheduled on 17 May for women and children only at half rates. Initially, 18 May was advertised as the last show, but the film continued its screening due to popular demand. It screened continuously for twenty-three days until 25 May and
3097-411: A poll conducted by CNN-IBN among those 100 films, Mayabazar was voted by the public as the "Greatest Indian film of all time". K. Viswanath , one of the prominent auteurs of Indian cinema, he received international recognition for his works, and is known for blending parallel cinema with mainstream cinema. His works such as Sankarabharanam (1980) about revitalisation of Indian classical music won
3260-459: A projection before 1882. He then further developed the device into the Théâtre Optique which could project longer sequences with separate backgrounds, patented in 1888. He created several movies for the machine by painting images on hundreds of gelatin plates that were mounted into cardboard frames and attached to a cloth band. From 28 October 1892 to March 1900 Reynaud gave over 12,800 shows to
3423-562: A relationship between the content in the separate shots in the minds of the viewer. It is this relationship that makes all film storytelling possible. In a simple example, if a person is shown looking out a window, whatever the next shot shows, it will be regarded as the view the person was seeing.) Each scene was a single stationary shot with the action occurring before it. The scenes were later broken up into multiple shots photographed from different distances and angles. Other techniques such as camera movement were developed as effective ways to tell
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#17328550934293586-516: A source of profit almost as soon as the process was invented. Upon seeing how successful their new invention, and its product, was in their native France, the Lumières quickly set about touring the Continent to exhibit the first films privately to royalty and publicly to the masses. In each country, they would normally add new, local scenes to their catalogue and, quickly enough, found local entrepreneurs in
3749-594: A stage play by Mylavaram Bala Bharathi Samajam. The film received an honorary diploma at the 2nd Venice International Film Festival . Chittoor Nagayya was one of the first multilingual filmmakers in India. Jumai Shasthi was the first Bengali short film as a talkie . Jyoti Prasad Agarwala made his first film Joymoti (1935) in Assamese, and later made Indramalati . The first film studio in South India, Durga Cinetone,
3912-620: A story Surabaichi Kahani ( A Tale of Sura ). The story, which depicted the ill effects of alcoholism, was the first he considered for filming. After watching several American films screened in Bombay, he observed that they included mystery and romance, which the audiences liked. His family members suggested that the storyline should appeal to middle-class people and women and it should also highlight Indian culture . After considering various stories depicted in Hindu mythology , Phalke's family shortlisted
4075-415: A story with film. Until sound film became commercially practical in the late 1920s, motion pictures were a purely visual art , but these innovative silent films had gained a hold on the public imagination. Rather than leave audiences with only the noise of the projector as an accompaniment, theater owners hired a pianist or organist or, in large urban theaters, a full orchestra to play music that fit
4238-657: A time through "peep show" devices such as the Electrotachyscope , Kinetoscope and the Mutoscope . Not much later, exhibitors managed to project films on large screens for theatre audiences. The first public screenings of films at which admission was charged were made in 1895 by the American Woodville Latham and his sons, using films produced by their Eidoloscope company, by the Skladanowsky brothers and by
4401-521: A total of circa 7,000 paying customers came to view a 1.5-hour show of some 40 scenes at a 300-seat hall in the old Reichstag building in Berlin. Émile Reynaud already mentioned the possibility of projecting the images of the Praxinoscope in his 1877 patent application. He presented a praxinoscope projection device at the Société française de photographie on 4 June 1880, but did not market his praxinoscope
4564-506: A total of over 500,000 visitors at the Musée Grévin in Paris. By the end of the 1880s, the introduction of lengths of celluloid photographic film and the invention of motion picture cameras , which could photograph a rapid sequence of images using only one lens, allowed action to be captured and stored on a single compact reel of film. Movies were initially shown publicly to one person at
4727-420: A truthful King and its success led many to consider him a pioneer of Indian cinema. Phalke used an all Indian crew including actors Anna Salunke and D. D. Dabke . He directed, edited, processed the film himself. Phalke saw The Life of Christ (1906) by the French director Alice Guy-Blaché , While watching Jesus on the screen, Phalke envisioned Hindu deities Rama and Krishna instead and decided to start in
4890-474: A valid fine art . André Bazin reacted against this theory by arguing that film's artistic essence lay in its ability to mechanically reproduce reality, not in its differences from reality, and this gave rise to realist theory . More recent analysis spurred by Jacques Lacan 's psychoanalysis and Ferdinand de Saussure 's semiotics among other things has given rise to psychoanalytic film theory , structuralist film theory , feminist film theory , and others. On
5053-485: A wrestling match at the Hanging Gardens in Bombay, was the first film to be shot by an Indian and the first Indian documentary film. From 1913 to 1931, all the movies made in India were silent films , which had no sound and had intertitles . In 1913, Dadasaheb Phalke released Raja Harishchandra (1913) in Bombay, the first film made in India. It was a silent film incorporating Marathi and English intertitles. It
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5216-509: Is partially lost ; only the first and last reels of the film are preserved at the National Film Archive of India . Some film historians believe these belong to a 1917 remake of the film by Phalke titled Satyavadi Raja Harishchandra . The status of Raja Harishchandra as the first full-length Indian feature film has been debated. Some film historians consider Dadasaheb Torne 's silent film Shree Pundalik , released on 18 May 1912,
5379-401: Is a shortening of the word " cinematography " and is used to refer to either filmmaking , the film industry , the overall art form, or a movie theater . The moving images of a film are created by photographing actual scenes with a motion-picture camera , by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation , or by
5542-529: Is based on the legend of Harishchandra , with Dabke portraying the title character. The film, being silent, had English, Marathi , and Hindi -language intertitles . Phalke decided to make a feature film after watching The Life of Christ (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported
5705-411: Is having a shot that zooms in on the forehead of an actor with an expression of silent reflection that cuts to a shot of a younger actor who vaguely resembles the first actor, indicating that the first person is remembering a past self, an edit of compositions that causes a time transition. Montage is a film editing technique in which separate pieces of film are selected, edited, and assembled to create
5868-419: Is ordered to be beheaded by Harishchandra. When he raises his sword to complete his task, a pleased Lord Shiva appears. Vishvamitra reveals that he was examining Harishchandra's integrity, returns the crown to him and brings Rohitashva back to life. Other artists in the film were Dattatreya Kshirsagar, Dattatreya Telang, Ganpat G. Shinde, Vishnu Hari Aundhkar, and Nath T. Telang. "While The Life of Christ
6031-436: Is part of one of the Hindu rituals to be performed after the death of one's father. Phalke persuaded the actors and their fathers to have the moustaches shaved and the unit left for Vangani. The unit was lodged at the village temple and continued their rehearsals until Phalke arrived from Bombay. The villagers were frightened to see the troupe of people wearing costumes, wielding swords, shields, and spears while practising
6194-422: Is particularly revered for its use of technology. The use of special effects, innovative for the 1950s, like the first illusion of moonlight, showcased technical brilliance.. Powerful performances and relatable themes ensure Mayabazar stays relevant, a classic enjoyed by new generations. On the centenary of Indian cinema in 2013, CNN-IBN included Mayabazar in its list of "100 greatest Indian films of all time". In
6357-446: Is the greatest director , the one who invented a new language , true to the nature of film, as it captures life as a reflection, life as a dream." An example of the language is a sequence of back and forth images of one speaking actor's left profile, followed by another speaking actor's right profile, then a repetition of this, which is a language understood by the audience to indicate a conversation. This describes another theory of film,
6520-487: Is the only Bollywood actor to have starred in a top 10 grossing film each year of her active career (1983–1997). K. V. Reddy 's Mayabazar (1957) is a landmark film in Indian cinema, a classic of Telugu cinema that inspired generations of filmmakers. It blends myth, fantasy, romance and humour in a timeless story, captivating audiences with its fantastical elements. The film excelled in various departments like cast performances, production design, music, cinematography and
6683-455: The 180-degree rule , as a visual story-telling device with an ability to place a viewer in a context of being psychologically present through the use of visual composition and editing. The " Hollywood style " includes this narrative theory, due to the overwhelming practice of the rule by movie studios based in Hollywood, California, during film's classical era. Another example of cinematic language
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6846-458: The 7th Busan ; Rajnesh Domalpalli's Vanaja (2006) won "Best First Feature Award" at the 57th Berlinale . Film A film , also known as a movie or motion picture , is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally accompanied by sound and (less commonly) other sensory stimulations. The word "cinema"
7009-718: The British Raj banned Wrath (1930) and Raithu Bidda (1938) for broaching the subject of the Indian independence movement . The Indian Masala film —a term used for mixed-genre films that combined song, dance, romance, etc.—arose following the Second World War. During the 1940s, cinema in South India accounted for nearly half of India's cinema halls, and cinema came to be viewed as an instrument of cultural revival. The Indian People's Theatre Association (IPTA), an art movement with
7172-538: The French New Wave , New German Cinema wave, Indian New Wave , Japanese New Wave , New Hollywood , and Egyptian New Wave ) and the rise of film-school-educated independent filmmakers contributed to the changes the medium experienced in the latter half of the 20th century. Digital technology has been the driving force for change throughout the 1990s and into the 2000s. Digital 3D projection largely replaced earlier problem-prone 3D film systems and has become popular in
7335-525: The Indian Cinematograph Enquiry Committee . The ICC consisted of three British and three Indians, led by T. Rangachari , a Madras lawyer. This committee failed to bolster the desired recommendations of supporting British Film, instead recommending support for the fledgling Indian film industry, and their suggestions were set aside. The first Indian sound film was Alam Ara (1931) made by Ardeshir Irani . Ayodhyecha Raja (1932)
7498-741: The Indian film industry's Hindi cinema which produces the largest number of films in the world. Though the expense involved in making films has led cinema production to concentrate under the auspices of movie studios , recent advances in affordable film making equipment have allowed independent film productions to flourish. Profit is a key force in the industry, due to the costly and risky nature of filmmaking; many films have large cost overruns , an example being Kevin Costner 's Waterworld . Yet many filmmakers strive to create works of lasting social significance. The Academy Awards (also known as "the Oscars") are
7661-409: The National Film Archive of India (NFAI) making it a partially lost film . Some film historians believe they actually belong to a 1917 remake of the film, titled Satyavadi Raja Harishchandra . NFAI duplicated the film, but around twenty percent of the left side of the screen was lost in the transfer. It was believed the film's remaining reels were destroyed along with 1,700 nitrate-based films in
7824-493: The Palme d'Or at Cannes and Indian films competed for the award most years in the 1950s and early 1960s. Ray is regarded as one of the greatest auteurs of 20th century cinema , along with his contemporaries Dutt and Ghatak. In 1992, the Sight & Sound Critics' Poll ranked Ray at No. 7 in its list of Top 10 Directors of all time. Multiple films from this era are included among
7987-471: The greatest films of all time in various critics' and directors' polls, including The Apu Trilogy , Jalsaghar , Charulata Aranyer Din Ratri , Pyaasa , Kaagaz Ke Phool , Meghe Dhaka Tara , Komal Gandhar , Awaara , Baiju Bawra , Mother India , Mughal-e-Azam and Subarnarekha (also tied at No. 11). Sivaji Ganesan became India's first actor to receive an international award when he won
8150-517: The "Prize of the Public" at the Besançon Film Festival of France in the year 1981. Forbes included J. V. Somayajulu 's performance in the film on its list of "25 Greatest Acting Performances of Indian Cinema". Swathi Muthyam (1986) was India's official entry to the 59th Academy Awards . Swarna Kamalam (1988) the dance film choreographed by Kelucharan Mohapatra , and Sharon Lowen
8313-438: The 1840s and commercial success since the early 1850s, raised interest in completing the photographic medium with the addition of means to capture colour and motion. In 1849, Joseph Plateau published about the idea to combine his invention of the phénakisticope with the stereoscope, as suggested to him by stereoscope inventor Charles Wheatstone , and to use photographs of plaster sculptures in different positions to be animated in
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#17328550934298476-427: The 1890s. Photography was introduced in 1839, but initially photographic emulsions needed such long exposures that the recording of moving subjects seemed impossible. At least as early as 1844, photographic series of subjects posed in different positions were created to either suggest a motion sequence or document a range of different viewing angles. The advent of stereoscopic photography, with early experiments in
8639-432: The 1920s, with pioneering Soviet filmmakers such as Sergei Eisenstein and Lev Kuleshov developing the theory of montage. Eisenstein's film Battleship Potemkin (1925) is a prime example of the innovative use of montage, where he employed complex juxtapositions of images to create a visceral impact on the audience. As the art of montage evolved, filmmakers began incorporating musical and visual counterpoint to create
8802-440: The 1947 partition of India divided the nation's assets and a number of studios moved to Pakistan. Partition became an enduring film subject thereafter. The Indian government had established a Films Division by 1948, which eventually became one of the world's largest documentary film producers with an annual production of over 200 short documentaries, each released in 18 languages with 9,000 prints for permanent film theatres across
8965-501: The 1960s, Indira Gandhi supported the production of off-beat cinema through the FFC. Baburao Patel of Filmindia called B. N. Reddy 's Malliswari (1951) an "inspiring motion picture" which would "save us the blush when compared with the best of motion pictures of the world". Film historian Randor Guy called Malliswari scripted by Devulapalli Krishnasastri a "poem in celluloid, told with rare artistic finesse, which lingers long in
9128-669: The 1970s. Madhumati (1958, Bimal Roy ) popularised the theme of reincarnation in Western popular culture . Actor Dilip Kumar rose to fame in the 1950s, and was the biggest Indian movie star of the time. He was a pioneer of method acting , predating Hollywood method actors such as Marlon Brando . Much like Brando's influence on New Hollywood actors, Kumar inspired Hindi actors, including Amitabh Bachchan , Naseeruddin Shah , Shah Rukh Khan and Nawazuddin Siddiqui . Neecha Nagar (1946) won
9291-686: The 2000s is so intense, well-coordinated and well financed that reviewers cannot prevent a poorly written or filmed blockbuster from attaining market success. However, the cataclysmic failure of some heavily promoted films which were harshly reviewed, as well as the unexpected success of critically praised independent films indicates that extreme critical reactions can have considerable influence. Other observers note that positive film reviews have been shown to spark interest in little-known films. Conversely, there have been several films in which film companies have so little confidence that they refuse to give reviewers an advanced viewing to avoid widespread panning of
9454-662: The Best Actor award at the Afro-Asian film festival in 1960 and was awarded the title of Chevalier in the Legion of Honour by the French Government in 1995. Tamil cinema is influenced by Dravidian politics , with prominent film personalities C N Annadurai , M G Ramachandran , M Karunanidhi and Jayalalithaa becoming Chief Ministers of Tamil Nadu . By 1986, India's annual film output had increased to 833 films annually, making India
9617-659: The Bollywood directors and producers held the rights to their films in Northern India, Salim–Javed retained the rights in South India, where they sold remake rights for films such as Zanjeer , Yaadon Ki Baarat and Don . Several of these remakes became breakthroughs for actor Rajinikanth . Sridevi is widely regarded as the first female superstar of Indian cinema due to her pan-Indian appeal with equally successful careers in Hindi , Tamil , Malayalam , Kannada and Telugu cinema . She
9780-533: The Coronation Cinematograph and Variety Hall. The show included a dance by Irene Delmar, a comic act by McClements, foot-juggling by Alexandroff, and Tip-Top comic items followed by the film. The show's duration was one-and-half hours with four shows scheduled a day at 6:00 pm, 8:00 pm, 10:00 pm, and 11:45 pm. An advertisement for the film published in The Bombay Chronicle had
9943-504: The Dolby A noise reduction system, which became a standard in the recording industry and eliminated the hissing sound associated with earlier standardization efforts. Dolby Stereo , a revolutionary surround sound system, followed and allowed cinema designers to take acoustics into consideration when designing theaters. This innovation enabled audiences in smaller venues to enjoy comparable audio experiences to those in larger city theaters. Today,
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#173285509342910106-660: The Indian box office since the 1990s. Shah Rukh Khan was the most successful for most of the 1990s and 2000s, while Aamir Khan has been the most successful since the late 2000s; according to Forbes , Shah Rukh Khan is "arguably the world's biggest movie star" as of 2017, due to his immense popularity in India and China. Other notable Hindi film stars of recent decades include Arjun Rampal , Sunny Deol , Akshay Kumar , Ajay Devgn , Hrithik Roshan , Anil Kapoor , Sanjay Dutt , Sridevi , Madhuri Dixit , Juhi Chawla , Karisma Kapoor , Kajol , Tabu , Aishwarya Rai , Rani Mukerji and Preity Zinta . Haider (2014, Vishal Bhardwaj ),
10269-648: The Mumbai-based Hindi-language film industry (Bollywood). As of 2022, Telugu cinema leads Indian cinema with 23.3 crore (233 million) tickets sold, followed by Tamil cinema with 20.5 crore (205 million) and Hindi cinema with 18.9 crore (189 million). Indian cinema is a global enterprise, and its films have attracted international attention and acclaim throughout South Asia . Since talkies began in 1931, Hindi cinema has led in terms of box office performance, but in recent years it has faced stiff competition from Telugu cinema. Overseas Indians account for 12% of
10432-492: The Rajapurkar Natak Mandali drama company visited Bombay. Many of the company's shows were based on Hindu mythology. Phalke met the company's proprietor, Babajirao Rane, and explained his idea of indigenous film production. Rane was impressed by the idea and offered his support by lending his actors and their costumes. Phalke decided to use material like Harishchandra's crown, wig, swords, shields, and bows and arrows in
10595-454: The United States is "movie", while in Europe , "film" is preferred. Archaic terms include "animated pictures" and "animated photography". "Flick" is, in general a slang term, first recorded in 1926. It originates in the verb flicker, owing to the flickering appearance of early films. Common terms for the field, in general, include "the big screen", "the movies", "the silver screen", and "cinema";
10758-402: The United States, movie is the predominant term for the medium. Although the words film and movie are sometimes used interchangeably, film is more often used when considering artistic , theoretical , or technical aspects. The term movies more often refers to entertainment or commercial aspects, as where to go for fun evening on a date. For example, a book titled How to Understand
10921-497: The Williamson camera and made him the film's cinematographer . Production design for the film started after the monsoon season of 1912. While the sets were being erected at Phalke's bungalow at Dadar , an outdoor shooting was scheduled at Vangani , a village outside Bombay. Some of the male actors playing female roles, including Anna Salunke who was playing the female lead, were not ready to shave off their moustaches because it
11084-500: The advertisement to read: "Only good-looking women should come for interview." Two more prostitutes auditioned but left after two days. A young lady, who was a mistress , auditioned and Phalke selected her for the female lead. She rehearsed for four days. However, on the fifth day, her master objected to her working in the film and took her away. In despair, Phalke also visited Bombay's red-light area on Grant Road in Kamathipura . He
11247-400: The biggest Bollywood movie star of the period. Another landmark was Amar Akbar Anthony (1977, Manmohan Desai ). Desai further expanded the genre in the 1970s and 1980s. Commercial Hindi cinema grew in the 1980s, with films such as Ek Duuje Ke Liye (1981), Disco Dancer (1982), Himmatwala (1983), Tohfa (1984), Naam (1986), Mr India (1987), and Tezaab (1988). In
11410-619: The business of "moving pictures". In South India , film pioneer Raghupathi Venkaiah Naidu , credited as the father of Telugu cinema , built the first cinemas in Madras (now Chennai ), and a film studio was established in the city by Nataraja Mudaliar. In 1921, Naidu produced the silent film, Bhishma Pratigna , generally considered to be the first Telugu feature film . The first Tamil and Malayalam films , also silent films, were Keechaka Vadham (1917–1918, R. Nataraja Mudaliar ) and Vigathakumaran (1928, J. C. Daniel Nadar ). The latter
11573-533: The camera. Phalke completed filming in six months and 27 days producing a film of 3,700 feet (1,100 m), about four reels. The film premiered at the Olympia Theatre, Bombay, on 21 April 1913, and had its theatrical release on 3 May 1913 at the Coronation Cinematograph and Variety Hall , Girgaon . It was a commercial success and laid the foundation for the film industry in the country . The film
11736-503: The cast and crew required for the film. It was well-received and huge number of applicants came in for the auditions. Despite a growing response to the advertisement, he was not satisfied with the performers' skills. He discontinued the advertisements and decided to scout for the artists through theatre companies. Padurang Gadhadhar Sane and Gajanan Vasudev Sane were among the first artists to join Phalke Films Company. The former
11899-403: The cast did not have any prior acting experience. Phalke ran several rehearsals with the actors. Often, he had to wear a sari himself and act out the scene. A number of photographs from English periodicals showing various facial expressions were hung up in the rehearsal studio. All the actors had to go through a mandatory exercise where they were asked to make similar faces. About the same time,
12062-479: The chronophotography works of Muybridge and Étienne-Jules Marey . In 1886, Anschütz developed the Electrotachyscope , an early device that displayed short motion picture loops with 24 glass plate photographs on a 1.5 meter wide rotating wheel that was hand-cranked to a speed of circa 30 frames per second. Different versions were shown at many international exhibitions, fairs, conventions, and arcades from 1887 until at least 1894. Starting in 1891, some 152 examples of
12225-428: The colour red. During the early nineteenth century, plays had an introductory episode, a compere or a person who introduces the performers in a show. Unit members suggested the film should also have similar introductory episode with Phalke and his wife playing the roles of Sutradhar and Nati. Phalke agreed to the idea but could not convince Saraswatibai to act in front of a camera. Finally, Padurang Gadhadhar Sane played
12388-547: The combined device. In 1852, Jules Duboscq patented such an instrument as the "Stéréoscope-fantascope, ou Bïoscope", but he only marketed it very briefly, without success. One Bïoscope disc with stereoscopic photographs of a machine is in the Plateau collection of Ghent University, but no instruments or other discs have yet been found. By the late 1850s the first examples of instantaneous photography came about and provided hope that motion photography would soon be possible, but it took
12551-403: The contours of dozens of his chronophotographic series traced onto glass discs and projected them with his zoopraxiscope in his lectures from 1880 to 1895. Anschütz made his first instantaneous photographs in 1881. He developed a portable camera that allowed shutter speeds as short as 1/1000 of a second in 1882. The quality of his pictures was generally regarded as much higher than that of
12714-525: The country include Mumbai , Hyderabad , Chennai , Kolkata , Kochi , Bangalore , Bhubaneswar - Cuttack , and Guwahati . For a number of years, the Indian film industry has ranked first in the world in terms of annual film output. In 2022, Indian cinema earned ₹ 15,000 crore ($ 1.9 billion) at the box-office. Ramoji Film City located in Hyderabad is certified by the Guinness World Records as
12877-505: The country. The period from the late 1940s to the early 1960s is regarded by film historians as the Golden Age of Indian cinema. This period saw the emergence of the parallel cinema movement, which emphasised social realism . Mainly led by Bengalis, early examples include Dharti Ke Lal (1946, Khwaja Ahmad Abbas ), Neecha Nagar (1946, Chetan Anand ), Nagarik (1952, Ritwik Ghatak ) and Do Bigha Zamin (1953, Bimal Roy), laying
13040-419: The cries of some women. He reaches a place where the sage Vishvamitra (Gajanan Sane) is performing a yajna to get help from Triguna Shakti ( three powers ) against their will. Harishchandra unwittingly interrupts Vishvamitra in the midst of his yajna by releasing the three powers. To appease Vishvamitra's wrath, Harishchandra offers his kingdom. Returning to the royal palace, he informs Taramati of
13203-453: The early 1970s, Hindi cinema was experiencing thematic stagnation, dominated by musical romance films . Screenwriter duo Salim–Javed ( Salim Khan and Javed Akhtar ) revitalised the industry. They established the genre of gritty, violent, Bombay underworld crime films with Zanjeer (1973) and Deewaar (1975). They reinterpreted the rural themes of Mother India and Gunga Jumna in an urban context reflecting 1970s India, channelling
13366-588: The early 2010s. " Film theory " seeks to develop concise and systematic concepts that apply to the study of film as art . The concept of film as an art-form began in 1911 with Ricciotto Canudo 's manifest The Birth of the Sixth Art . The Moscow Film School , the oldest film school in the world, was founded in 1919, in order to teach about and research film theory. Formalist film theory , led by Rudolf Arnheim , Béla Balázs , and Siegfried Kracauer , emphasized how film differed from reality and thus could be considered
13529-572: The equipment. Without loading film into the camera, he asked his unit to enact one of the film's scenes and went through the motions of filming a scene. After viewing the scene, the Faujdar understood Phalke's new venture and released everyone. While playing with other children, Bhalchandra fell on a rock and his head started bleeding. Phalke treated him with a first aid kit , but he remained unconscious. Various unit members suggested that Bhalchandra should be taken to Bombay for further treatment and once he
13692-445: The film was also screened at Pune , Colombo , London, and Rangoon with Marathi and Hindi -language intertitles . Film historian Firoze Rangoonwalla feels that the film made "a wide impression and appealed to a large audience in different places" and its box office success provided "the seal of acceptance and laid the foundation of the film industry " in the country. Director and cinematographer Govind Nihalani explains that
13855-464: The film was shot partly outdoors in direct sunlight and partly in outdoor studios with sunlight blocked by white muslin producing soft and diffused light. He appreciates the tonal gradation, lighting, and camera movements. He also notes the scene where the god appears and disappears from behind the smoke of sage Vishvamitra's Yajna - kund gives an impression that the scene was filmed in a single shot. Film critic Satish Bahadur points out that though
14018-507: The film, the projector, an operator, and some assistants from place to place. When the film was screened for a week at the Nawabi Theatre in Surat , Phalke signed a temporary agreement for 50% partnership with the theatre owner. Despite advertising the film, at its first showing the film met with a lukewarm response. Disappointed by the earnings of only ₹ 3, the owner asked Phalke either to cancel
14181-437: The film. Phalke's brother-in-law owned two drama companies, Belgaokar Natak Mandali and Saraswati Natak Mandali. He offered similar help, but Phalke politely declined as the majority of the cast and crew were finalised. Phalke designed the costumes and stage scenes based on the paintings of Raja Ravi Varma and M. V. Dhurandhar . He painted the scenes for the palace, jungle, mountains, fields and caves himself on curtains. After
14344-792: The film. However, this usually backfires, as reviewers are wise to the tactic and warn the public that the film may not be worth seeing and the films often do poorly as a result. Journalist film critics are sometimes called film reviewers. Critics who take a more academic approach to films, through publishing in film journals and writing books about films using film theory or film studies approaches, study how film and filming techniques work, and what effect they have on people. Rather than having their reviews published in newspapers or appearing on television, their articles are published in scholarly journals or up-market magazines. They also tend to be affiliated with colleges or universities as professors or instructors. The making and showing of motion pictures became
14507-481: The fire at the Film and Television Institute of India on 8 January 2003. The prints were later retrieved from the private collection of Phalke's children. The NFAI has restored and digitised the film. The status of Raja Harischandra as the first full-length Indian feature film has been argued over. Some film historians consider Dadasaheb Torne 's silent film Shree Pundalik as the maiden Indian film. Torne's film
14670-433: The foundations for Indian neorealism The Apu Trilogy (1955–1959, Satyajit Ray ) won prizes at several major international film festivals and firmly established the parallel cinema movement. It was influential on world cinema and led to a rush of coming-of-age films in art house theatres. Cinematographer Subrata Mitra developed the technique of bounce lighting , to recreate the effect of daylight on sets, during
14833-410: The future of sound in film remains uncertain, with potential influences from artificial intelligence , remastered audio, and personal viewing experiences shaping its development. However, it is clear that the evolution of sound in cinema has been marked by continuous innovation and a desire to create more immersive and engaging experiences for audiences. A significant technological advancement in film
14996-522: The future of the cinema industry, and Hollywood employment has become less reliable, particularly for medium and low-budget films. Derivative academic fields of study may both interact with and develop independently of filmmaking, as in film theory and analysis. Fields of academic study have been created that are derivative or dependent on the existence of film, such as film criticism , film history , divisions of film propaganda in authoritarian governments, or psychological on subliminal effects (e.g., of
15159-602: The globe, compared to Hollywood 's 2.6 billion tickets sold. Realistic parallel cinema continued throughout the 1970s, practised in many Indian film cultures. The FFC's art film orientation came under criticism during a Committee on Public Undertakings investigation in 1976, which accused the body of not doing enough to encourage commercial cinema. Hindi commercial cinema continued with films such as Aradhana (1969), Sachaa Jhutha (1970), Haathi Mere Saathi (1971), Anand (1971), Kati Patang (1971) Amar Prem (1972), Dushman (1972) and Daag (1973). By
15322-453: The growing discontent and disillusionment among the masses, unprecedented growth of slums and urban poverty, corruption and crime, as well as anti-establishment themes. This resulted in their creation of the "angry young man", personified by Amitabh Bachchan , who reinterpreted Kumar's performance in Gunga Jumna and gave a voice to the urban poor. By the mid-1970s, Bachchan's position as
15485-490: The happenings. Vishvamitra sends Harishchandra, Taramati, and Rohitashva into exile and asks them to arrange for dakshina . While in exile, Rohitashva dies and Harishchandra sends Taramati to ask the Dom king for arranging a free cremation. While Taramati is on her way to meet the Dom king, Vishvamitra frames her for the murder of the prince of Kashi. Taramati faces trial, pleads guilty and
15648-536: The hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film Ankurachi Wadh ( Growth of a Pea Plant ) to attract investors for his venture. He published advertisements in various newspapers calling for the cast and crew. As no women were available to play female roles, male actors performed the female roles. Phalke was in charge of scriptment , direction, production design , make-up , film editing, along with film processing . Trymbak B. Telang handled
15811-885: The highest number of mainstream Indian hit movies that decade. At the end of the decade, Yash Chopra 's Chandni (1989) created a new formula for Bollywood musical romance films, reviving the genre and defining Hindi cinema in the years that followed. Commercial Hindi cinema grew in the late 1980s and 1990s, with the release of Mr. India (1987), Qayamat Se Qayamat Tak (1988), Chaalbaaz (1989), Maine Pyar Kiya (1989), Lamhe (1991), Saajan (1991), Khuda Gawah (1992), Khalnayak (1993), Darr (1993), Hum Aapke Hain Koun..! (1994), Dilwale Dulhaniya Le Jayenge (1995), Dil To Pagal Hai (1997), Pyar Kiya Toh Darna Kya (1998) and Kuch Kuch Hota Hai (1998). Cult classic Bandit Queen (1994) directed by Shekhar Kapur received international recognition and controversy. In
15974-685: The industry's revenue. The history of cinema in India extends to the beginning of the film era. Following the screening of the Lumière and Robert Paul moving pictures in London in 1896, commercial cinematography became a worldwide sensation and these films were shown in Bombay (now Mumbai ) that same year. In 1897, a film presentation by filmmaker Professor Stevenson featured a stage show at Calcutta's Star Theatre. With Stevenson's camera and encouragement, Indian photographer Hiralal Sen filmed scenes from that show, exhibited as The Flower of Persia (1898). The Wrestlers (1899), by H. S. Bhatavdekar , showing
16137-488: The innovative work of D. W. Griffith in The Birth of a Nation (1915) and Intolerance (1916). However, in the 1920s, European filmmakers such as Eisenstein , F. W. Murnau and Fritz Lang , in many ways inspired by the meteoric wartime progress of film through Griffith, along with the contributions of Charles Chaplin , Buster Keaton and others, quickly caught up with American film-making and continued to further advance
16300-447: The largest film industry in India in terms of box office. In 2022, Hindi cinema represented 33% of box office revenue, followed by Telugu representing 20%, Tamil representing 16%, Kannada representing 8%, and Malayalam representing 6%. Other prominent film industries are Marathi , Punjabi , Bengali , Gujarati , Bhojpuri , and Odia cinema . As of 2022, the combined revenue of South Indian film industries has surpassed that of
16463-509: The largest film studio complex in the world measuring over 1,666 acres (674 ha ). Indian cinema is composed of multilingual and multi-ethnic film art. The term ' Bollywood ', often mistakenly used to refer to Indian cinema as a whole, is only the Hindi-language segment, with Indian cinema being an umbrella term that includes various film industries, each offering films in diverse languages and styles. In 2021, Telugu cinema emerged as
16626-452: The last of these is commonly used, as an overarching term, in scholarly texts and critical essays. In the early years, the word "sheet" was sometimes used instead of "screen". The art of film has drawn on several earlier traditions in fields such as oral storytelling , literature , theatre and visual arts . Forms of art and entertainment that had already featured moving or projected images include: The stroboscopic animation principle
16789-454: The late 1980s, Hindi cinema experienced another period of stagnation, with a decline in box office turnout, due to increasing violence, decline in musical melodic quality, and rise in video piracy, leading to middle-class family audiences abandoning theatres. The turning point came with Indian blockbuster Disco Dancer (1982) which began the era of disco music in Indian cinema. Lead actor Mithun Chakraborty and music director Bappi Lahiri had
16952-545: The late 1990s, there was a resurgence of parallel cinema in Bollywood, largely due to the critical and commercial success of crime films such as Satya (1998) and Vaastav (1999). These films launched a genre known as "Mumbai noir", reflecting social problems in the city. Ram Gopal Varma directed the Indian Political Trilogy , and the Indian Gangster Trilogy ; film critic Rajeev Masand had labelled
17115-473: The latter series as one of the "most influential movies of Bollywood. The first instalment of the trilogy, Satya , was also listed in CNN-IBN 's 100 greatest Indian films of all time. Since the 1990s, the three biggest Bollywood movie stars have been the " Three Khans ": Aamir Khan , Shah Rukh Khan , and Salman Khan . Combined, they starred in the top ten highest-grossing Bollywood films , and have dominated
17278-402: The legends of Krishna, Savitri and Satyavan , and Harishchandra . At the time, a play based on the legends of Harishchandra was popular on Marathi and Urdu stages . Friends and neighbours had often called Phalke "Harishchandra" for having sold all his belongings, except his wife's mangala sutra , to fulfil his filmmaking dream. Thus, Phalke decided on the legends of Harishchandra and wrote
17441-403: The maiden Indian film. The Government of India , however, recognises Raja Harishchandra as the first Indian feature film. King Harishchandra ( D. D. Dabke ) is shown teaching his son, Rohitashva (Bhalchandra Phalke), how to shoot with a bow and arrow in the presence of Queen Taramati ( Anna Salunke ). His citizens ask him to go on a hunting expedition. While on the hunt, Harishchandra hears
17604-461: The majority of most film reviews can still have an important impact on whether people decide to see a film. For prestige films such as most dramas and art films , the influence of reviews is important. Poor reviews from leading critics at major papers and magazines will often reduce audience interest and attendance. The impact of a reviewer on a given film's box office performance is a matter of debate. Some observers claim that movie marketing in
17767-607: The making of Raja Harishchandra . The film won the National Film Award for Best Feature Film in Marathi at the 56th National Film Awards . It was selected as India's official entry to the 82nd Academy Awards in the Best Foreign Language Film category along with the 62nd British Academy Film Awards and the 66th Golden Globe Awards but was not listed among the final five nominations. The original length of
17930-504: The masses (admission as low as an anna [one-sixteenth of a rupee] in Bombay). Young producers began to incorporate elements of Indian social life and culture into cinema, others brought new ideas from across the world. Global audiences and markets soon became aware of India's film industry. In 1927, the British government, to promote the market in India for British films over American ones, formed
18093-405: The medium. In the 1920s, the development of electronic sound recording technologies made it practical to incorporate a soundtrack of speech, music and sound effects synchronized with the action on the screen. The resulting sound films were initially distinguished from the usual silent "moving pictures" or "movies" by calling them "talking pictures" or "talkies." The revolution they wrought
18256-459: The memory". Commercial Hindi cinema began thriving, including acclaimed films Pyaasa (1957) and Kaagaz Ke Phool (1959, Guru Dutt ) Awaara (1951) and Shree 420 (1955, Raj Kapoor ). These films expressed social themes mainly dealing with working-class urban life in India; Awaara presented Bombay as both a nightmare and a dream, while Pyaasa critiqued the unreality of city life. Epic film Mother India (1957, Mehboob Khan )
18419-401: The mood of the film at any given moment. By the early 1920s, most films came with a prepared list of sheet music to be used for this purpose, and complete film scores were composed for major productions. The rise of European cinema was interrupted by the outbreak of World War I , while the film industry in the United States flourished with the rise of Hollywood , typified most prominently by
18582-440: The most prominent film awards in the United States, providing recognition each year to films, based on their artistic merits. There is also a large industry for educational and instructional films made in lieu of or in addition to lectures and texts. Revenue in the industry is sometimes volatile due to the reliance on blockbuster films released in movie theaters . The rise of alternative home entertainment has raised questions about
18745-469: The name of the medium is film . The word movie is understood but seldom used. Additionally, the pictures (plural) is used somewhat frequently to refer to the place where movies are exhibited; in American English this may be called the movies , but that term is becoming outdated. In other countries, the place where movies are exhibited may be called a cinema or movie theatre . By contrast, in
18908-426: The notice of the world." The Times of India in their review noted the scenes depicted in the film are "simply marvellous" and "[I]t is really a pleasure to see this piece of Indian workmanship". With the favourable reviews generated, Nanasaheb Chitre, Manager of the Coronation Cinematograph and Variety Hall , Girgaon , expressed his desire to screen the film. The film had its theatrical release on 3 May 1913 at
19071-436: The number of films made in color gradually increased year after year. In the early 1950s, the proliferation of black-and-white television started seriously depressing North American theater attendance. In an attempt to lure audiences back into theaters, bigger screens were installed, widescreen processes, polarized 3D projection , and stereophonic sound were introduced, and more films were made in color, which soon became
19234-454: The other hand, critics from the analytical philosophy tradition, influenced by Wittgenstein , try to clarify misconceptions used in theoretical studies and produce analysis of a film's vocabulary and its link to a form of life . Film is considered to have its own language . James Monaco wrote a classic text on film theory, titled "How to Read a Film," that addresses this. Director Ingmar Bergman famously said, " Andrei Tarkovsky for me
19397-467: The responsibility for the scriptment , direction, production design , make-up , Film editing, and film processing . He asked Trymbak B. Telang , his childhood friend from Nashik , to come to Bombay. Telang was working as a priest at the Trimbakeshwar Shiva Temple . Phalke had taught him still photography as a childhood hobby. After his arrival, Phalke trained Telang in the operation of
19560-428: The role of Rohitashva , son of Harishchandra and Taramati, but none of the parents would allow their children to work in the film as the character would have to live in the forests and was to die. Finally, Phalke's elder son Bhalchandra was assigned the role, becoming the first child actor in Indian cinema. Phalke hired around forty people for his film studio known as a factory in those days. Since working in films
19723-573: The role of Nati. Phalke had difficulties arranging a theatre for screening as criticism of his work had already started. He decided to show the film to a select audience and arranged for a premiere at the Olympia Theatre, Bombay on 21 April 1913 at 9:00 pm. The invitees included doctor and public worker Sir Bhalchandra Bhatavdekar, scholar R. G. Bhandarkar , a judge of Small Cause Court Justice Donald, newspaper editors and representatives along with some intellectuals and prominent personalities from Bombay. As Phalke's infant daughter, Mandakini,
19886-520: The rule rather than the exception. Some important mainstream Hollywood films were still being made in black-and-white as late as the mid-1960s, but they marked the end of an era. Color television receivers had been available in the US since the mid-1950s, but at first, they were very expensive and few broadcasts were in color. During the 1960s, prices gradually came down, color broadcasts became common, and sales boomed. The overwhelming public verdict in favor of color
20049-492: The same dreams and hurts, then it deserves to be called great. — Roger Ebert (1986) Film criticism is the analysis and evaluation of films. In general, these works can be divided into two categories: academic criticism by film scholars and journalistic film criticism that appears regularly in newspapers and other media. Film critics working for newspapers, magazines , and broadcast media mainly review new releases. Normally they only see any given film once and have only
20212-585: The scenes. They informed the Patil (village headman) that dacoits (robbers) had entered the village. He immediately reported to the Faujdar (commander) who visited the temple. The unit explained film-making to them, but the Faujdar did not believe their story and arrested everyone. When Phalke reached the village, he immediately met the Patil and the Faujdar explaining to them again about cinema and filming by showing them
20375-490: The screen On 14 April 1911, Dadasaheb Phalke with his elder son Bhalchandra went to see a film, Amazing Animals , at the America India Picture Palace, Girgaon . Surprised at seeing animals on the screen, Bhalchandra informed his mother, Saraswatibai, about his experience. None of the family members believed them, so Phalke took his family to see the film the next day. As it was Easter, the theatre screened
20538-536: The script for his feature film. "Wanted actors, carpenters, washermen, barbers and painters. Bipeds who are drunkards, loafers or ugly should not bother to apply for actor. It would do if those who are handsome and without physical defect are dumb. Artistes must be good actors. Those who are given to immoral living or have ungainly looks or manners should not take pains to visit." – Casting call published in various newspapers Phalke published advertisements in various newspapers like Induprakash calling for
20701-599: The second film of the trilogy and later pioneered other effects such as the photo-negative flashbacks and X-ray digressions. During the 1950s, Indian cinema reportedly became the world's second largest film industry, earning a gross annual income of ₹ 250 million (equivalent to ₹ 26 billion or US$ 320 million in 2023) in 1953. The government created the Film Finance Corporation (FFC) in 1960 to provide financial support to filmmakers. While serving as Information and Broadcasting Minister of India in
20864-511: The sets were erected for the indoor shooting, painter Rangnekar was hired for the monthly salary of ₹ 60. Phalke imported the hardware required for the filmmaking and exhibition from England, France, Germany, and the United States from manufacturers including Houghton Butcher, Zeiss Tessar , and Pathé . This included negative and positive film stocks, cameras, lights, Film laboratory equipment, printing and editing machines, negative cutting tools, and film projectors . He decided to take on
21027-496: The show, increase its length, or reduce ticket prices. Phalke politely rejected these suggestions. He issued an advertisement in the Gujarati language calling on people to see "57,000 photographs of three-quarters of an inch width and two miles length", for just one Indian anna . He also had his actors enact some of the film's scenes at the town's crossroads. The promotion had the desired effect and earnings increased to ₹ 300. Later,
21190-602: The spoken words, music, and other sounds ) runs along a portion of the film exclusively reserved for it, and was not projected. Contemporary films are usually fully digital through the entire process of production, distribution, and exhibition. The name "film" originally referred to the thin layer of photochemical emulsion on the celluloid strip that used to be the actual medium for recording and displaying motion pictures. Many other terms exist for an individual motion-picture, including "picture", "picture show", "moving picture", "photoplay", and "flick". The most common term in
21353-506: The street, and the view from the front of a trolley as it traveled a city's Main Street. According to legend, when a film showed a locomotive at high speed approaching the audience, the audience panicked and ran from the theater. Around the turn of the 20th century, films started stringing several scenes together to tell a story. (The filmmakers who first put several shots or scenes discovered that, when one shot follows another, that act establishes
21516-445: The television threat emerged in the 1940s and 1950s, the film industry needed to innovate to attract audiences. In terms of sound technology, this meant the development of surround sound and more sophisticated audio systems, such as Cinerama's seven-channel system. However, these advances required a large number of personnel to operate the equipment and maintain the sound experience in theaters. In 1966, Dolby Laboratories introduced
21679-1502: The third instalment of the Indian Shakespearean Trilogy after Maqbool (2003) and Omkara (2006), won the People's Choice Award at the 9th Rome Film Festival in the Mondo Genere making it the first Indian film to achieve this honour. The 2000s and 2010s also saw the rise of a new generation of popular actors like Shahid Kapoor , Ranbir Kapoor , Ranveer Singh , Ayushmann Khurrana , Varun Dhawan , Sidharth Malhotra , Sushant Singh Rajput , Kartik Aaryan , Arjun Kapoor , Aditya Roy Kapur and Tiger Shroff , as well as actresses like Vidya Balan , Priyanka Chopra , Kareena Kapoor , Katrina Kaif , Kangana Ranaut , Deepika Padukone , Sonam Kapoor , Anushka Sharma , Shraddha Kapoor , Alia Bhatt , Parineeti Chopra and Kriti Sanon with Balan, Ranaut and Bhatt gaining wide recognition for successful female-centric films such as The Dirty Picture (2011), Kahaani (2012), Queen (2014), Highway (2014), Tanu Weds Manu Returns (2015), Raazi (2018) and Gangubai Kathiawadi (2022). Salim–Javed were highly influential in South Indian cinema . In addition to writing two Kannada films , many of their Bollywood films had remakes produced in other regions, including Tamil, Telugu and Malayalam cinema. While
21842-458: The title cards in the film were in English and Hindi, "there was something unmistakably Maharashtrian " in the film. He also mentions that the interior architecture and dresses of countries in the film are more of a Deccan Peshwai style than North Indian . Ashish Rajadhyaksha in his The Phalke Era: Conflict of Traditional Form and Modern Technology (1993) mentions that the film's narrative style
22005-451: The traditional montage technique to suit the evolving aesthetics and storytelling styles of modern cinema. As the medium of film continues to evolve, montage remains an integral aspect of visual storytelling, with filmmakers finding new and innovative ways to employ this powerful technique. If a movie can illuminate the lives of other people who share this planet with us and show us not only how different they are but, how even so, they share
22168-564: The various countries of Europe to buy their equipment and photograph, export, import, and screen additional product commercially. The Oberammergau Passion Play of 1898 was the first commercial motion picture ever produced. Other pictures soon followed, and motion pictures became a separate industry that overshadowed the vaudeville world. Dedicated theaters and companies formed specifically to produce and distribute films, while motion picture actors became major celebrities and commanded huge fees for their performances. By 1917 Charlie Chaplin had
22331-403: The viewer does not notice the interruptions due to flicker fusion . The apparent motion on the screen is the result of the fact that the visual sense cannot discern the individual images at high speeds, so the impressions of the images blend with the dark intervals and are thus linked together to produce the illusion of one moving image. An analogous optical soundtrack (a graphic recording of
22494-524: The world's largest film producer. Hindi film production of Bombay, the largest segment of the industry, became known as "Bollywood". Summary of the 2022 box office revenues. By 1996, the Indian film industry had an estimated domestic cinema viewership of 600 million people, establishing India as one of the largest film markets, with the largest regional industries being Hindi, Telugu, and Tamil films. In 2001, in terms of ticket sales, Indian cinema sold an estimated 3.6 billion tickets annually across
22657-420: The – arguably better known – French brothers Auguste and Louis Lumière with ten of their own productions. Private screenings had preceded these by several months, with Latham's slightly predating the otherss'. The earliest films were simply one static shot that showed an event or action with no editing or other cinematic techniques . Typical films showed employees leaving a factory gate, people walking in
22820-459: Was Kisan Kanya (1937, Moti B). Viswa Mohini (1940) was the first Indian film to depict the Indian movie-making world. Swamikannu Vincent , who had built the first cinema of South India in Coimbatore , introduced the concept of "tent cinema" in which a tent was erected on a stretch of open land to screen films. The first of its kind was in Madras and called Edison's Grand Cinema Megaphone. This
22983-556: Was a taboo , Phalke advised his artists to tell others they were working in a factory for a man named Harishchandra. Phalke watched several foreign films to learn about screenplay writing and then completed the script for Raja Harishchandra . The film had an all-male cast as no women were available to play female leads. After coming to the studio, male actors playing female roles were asked to wear saris and do women's chores like sifting rice, and making flour to help Saraswatibai. Though some actors were associated with theatres, most of
23146-428: Was asked either to pay a high salary or to marry the woman. One day, while having tea at a restaurant on Grant Road, Phalke noticed Krishna Hari alias Anna Salunke , an effeminate young man with slender features and hands. Salunke was working as a cook or waiter at the restaurant on a monthly salary of ₹10 . He agreed to work in films when Phalke offered him a raise of five rupees. Phalke auditioned many boys for
23309-475: Was borrowed from painting, theatre and traditional arts to attract the audience into cinema. Dilip Rajput of the National Film Archive of India notes that the film's scenes appear to run faster because of the current projector speed of 24-frames-per-second as compared to 16 to 18-frames-per-second speed of the projector that was used for the film. Directed by Paresh Mokashi , the 2009 Marathi film Harishchandrachi Factory ( Harishchandra's Factory ) depicts
23472-488: Was built in 1936 by Nidamarthi Surayya in Rajahmundry , Andhra Pradesh. The advent of sound to Indian cinema launched musicals such as Indra Sabha and Devi Devyani , marking the beginning of song-and-dance in Indian films. By 1935, studios emerged in major cities such as Madras, Calcutta and Bombay as filmmaking became an established industry, exemplified by the success of Devdas (1935). The first colour film made in India
23635-483: Was clear. After the final flurry of black-and-white films had been released in mid-decade, all Hollywood studio productions were filmed in color, with the usual exceptions made only at the insistence of "star" filmmakers such as Peter Bogdanovich and Martin Scorsese . The decades following the decline of the studio system in the 1960s saw changes in the production and style of film. Various New Wave movements (including
23798-444: Was coined in the 1970s, when the conventions of commercial Bombay-produced Hindi films were established. Key to this was Nasir Hussain and Salim–Javed's creation of the masala film genre, which combines elements of action , comedy , romance , drama , melodrama and musical . Their film Yaadon Ki Baarat (1973) has been identified as the first masala film and the first quintessentially Bollywood film. Masala films made Bachchan
23961-503: Was completely recovered, shooting could be resumed. The scene that was to be filmed showed Rohitashva, Bhalchandra's character, dead on a funeral pyre. Resuming the outdoor shoot after Bhalchandra's recovery would have delayed the production and incurred costs. To avoid both, Phalke stoically decided to shoot the scene with the unconscious Bhalchandra. As in the legends of Harishchandra, the King along with Taramati and Rohitashva visit Kashi . It
24124-567: Was due to the fact that electric carbons were used for motion picture projectors. Bombay Talkies opened in 1934 and Prabhat Studios in Pune began production of Marathi films. Sant Tukaram (1936) was the first Indian film to be screened at an international film festival, at the 1937 edition of the Venice Film Festival. The film was judged one of the three best films of the year. However, while Indian filmmakers sought to tell important stories,
24287-598: Was featured at the Ann Arbor Film Festival , fetching three Indian Express Awards . B. Narsing Rao , K. N. T. Sastry , and A. Kutumba Rao garnered international recognition for their works in new-wave cinema. Narsing Rao's Maa Ooru (1992) won the " Media Wave Award " of Hungary; Daasi (1988) and Matti Manushulu (1990) won the Diploma of Merit awards at the 16th and 17th MIFF respectively. Sastry's Thilaadanam (2000) received "New Currents Award" at
24450-425: Was financially challenging for Phalke to go to Kashi and shoot scenes there. So, he took his unit to Trimbakeshwar , where they camped for about a month and filmed the required scenes. Phalke used to develop the film at night for the scenes that were shot throughout the day. He would re-shoot the scenes next day if they were not of the desired quality. Filming was completed in six months and twenty-seven days to produce
24613-519: Was ill with pneumonia , his elder brother, Shivrampant, advised him to postpone the premiere to another day. But, as the invitations had already been sent and the theatre was available only on 21 April, Phalke could not change his decision. Bhatavdekar introduced the premiere acknowledging Phalke for his "daring". Justice Donald noted that the film would help Europeans learn more about Hindu mythology. Anant Narayan Kowlgekar of Kesari in his review mentioned that "Phalke has grandly brought his skill to
24776-545: Was introduced in 1833 with the stroboscopic disc (better known as the phénakisticope ) and later applied in the zoetrope (since 1866), the flip book (since 1868), and the praxinoscope (since 1877), before it became the basic principle for cinematography. Experiments with early phénakisticope-based animation projectors were made at least as early as 1843 and publicly screened in 1847. Jules Duboscq marketed phénakisticope projection systems in France from c. 1853 until
24939-574: Was playing female roles in the Natyakala theatre company; the latter was performing in Urdu plays. Both joined for a salary of ₹ 40 per month. Gajanan Sane introduced his acquaintance Dattatraya Damodar Dabke . Phalke was impressed with his physique and personality and offered him the lead role of Harishchandra. In response to the advertisement, four prostitutes auditioned for the role of Taramati. Phalke rejected them for not having satisfactory looks and revised
25102-541: Was premiered in Coronation cinema in Girgaon . Although some claim Shree Pundalik (1912) of Dadasaheb Torne is the first ever film made in India, some film scholars have argued that Pundalik was not a true Indian film because it was simply a recording of a stage play, filmed by a British cameraman and it was processed in London. Raja Harishchandra of Phalke had a story based on Hindu Sanskrit legend of Harishchandra ,
25265-450: Was released at the same theatre as Raja Harischandra on 18 May 1912, almost a year before. An argument has been made in favour of Raja Harischandra that Shree Pundalik is a cinematographic recording of a play, using a single, fixed camera and it was filmed by a British cameraman with the film stock processed in London. The Government of India recognises Raja Harischandra as the first Indian feature film. In 1969, it introduced
25428-485: Was rolling fast before my physical eyes, I was mentally visualising the Gods, Shri Krishna, Shri Ramachandra, their Gokul and their Ayodhya . I was gripped by a strange spell. I bought another ticket and saw the film again. This time I felt my imagination taking shape on the screen. Could this really happen? Could we, the sons of India, ever be able to see the Indian images on the screen?" – Phalke on watching Jesus on
25591-542: Was screened at the Alexandra Theatre on 28 June. The Bombay Chronicle in its issue of 5 May 1913 mentioned that "this wonderful drama is splendidly represented by the company of actors" and praised the "beauty and ingenuity" with which Phalke succeeded in presenting the film scenes. News of the film's success in Bombay spread across India and there were demands to screen the film in various locations. As there were no film distributors in those days, Phalke had to move
25754-942: Was swift. By 1930, silent film was practically extinct in the US and already being referred to as "the old medium." The evolution of sound in cinema began with the idea of combining moving images with existing phonograph sound technology. Early sound-film systems, such as Thomas Edison's Kinetoscope and the Vitaphone used by Warner Bros ., laid the groundwork for synchronized sound in film. The Vitaphone system, produced alongside Bell Telephone Company and Western Electric , faced initial resistance due to expensive equipping costs, but sound in cinema gained acceptance with movies like Don Juan (1926) and The Jazz Singer (1927). American film studios, while Europe standardized on Tobis-Klangfilm and Tri-Ergon systems. This new technology allowed for greater fluidity in film, giving rise to more complex and epic movies like King Kong (1933). As
25917-468: Was the first Indian film to be nominated for the US-based Academy of Motion Picture Arts and Sciences' Academy Award for Best Foreign Language Film and defined the conventions of Hindi cinema for decades. It spawned a new genre of dacoit films . Gunga Jumna (1961, Dilip Kumar ) was a dacoit crime drama about two brothers on opposite sides of the law, a theme that became common in Indian films in
26080-500: Was the first Indian social drama film and featured the first Dalit -caste film actress. The first chain of Indian cinemas, Madan Theatre , was owned by Parsi entrepreneur Jamshedji Framji Madan , who oversaw the production and distribution of films for the chain. These included film adaptations from Bengal's popular literature and Satyawadi Raja Harishchandra (1917), a remake of Phalke's influential film. Films steadily gained popularity across India as affordable entertainment for
26243-526: Was the first sound film of Marathi cinema . Irani also produced South India's first sound film, the Tamil–Telugu bilingual talking picture Kalidas (1931, H. M. Reddy ). The first Telugu film with audible dialogue, Bhakta Prahlada (1932), was directed by H. M. Reddy , who directed the first bilingual (Telugu and Tamil) talkie Kalidas (1931). East India Film Company produced its first Telugu film, Savitri (1933, C. Pullayya ), adapted from
26406-458: Was the introduction of "natural color," where color was captured directly from nature through photography, as opposed to being manually added to black-and-white prints using techniques like hand-coloring or stencil-coloring. Early color processes often produced colors that appeared far from "natural". Unlike the rapid transition from silent films to sound films, color's replacement of black-and-white happened more gradually. The crucial innovation
26569-479: Was the three-strip version of the Technicolor process, first used in animated cartoons in 1932. The process was later applied to live-action short films, specific sequences in feature films, and finally, for an entire feature film, Becky Sharp, in 1935. Although the process was expensive, the positive public response, as evidenced by increased box office revenue, generally justified the additional cost. Consequently,
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