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Tompall & the Glaser Brothers

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Tompall & the Glaser Brothers were an American country music group composed of three brothers: Chuck (February 27, 1936 – June 10, 2019), Jim (December 16, 1937 – April 6, 2019), and Tompall (September 3, 1933 – August 13, 2013) Glaser. The Glaser Brothers started singing together at country fairs and contests in and around the Spalding area when they were preteens. In 1957, the group got their big break when they appeared on the Arthur Godfrey 's Talent Show and attracted the attention of several well known country stars, including Marty Robbins .

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67-639: Between 1960 and 1975, the trio recorded ten studio albums and charted nine singles on the Billboard Hot Country Singles charts. (Their material for Bravo Records was released under the name The Charleston Trio .) The Glasers became members of the Grand Ole Opry in the 1960s. The group took a hiatus from 1973 to 1978, during which time each brother pursued individual interests. They reunited in 1979 and released several singles and two albums including, Loving Her Was Easier , which reached #2 on

134-500: A resurgence of interest in this format since the 1990s. The word first appears in a title in Francesco Berni 's Opere burlesche of the early 16th century, works that had circulated widely in manuscript before they were printed. For a time, burlesque verses were known as poesie bernesca in his honour. "Burlesque" as a literary term became widespread in 17th century Italy and France, and subsequently England, where it referred to

201-486: A "drame burlesque" ( Matroco , 1777). Stravinsky called his 1916 one-act chamber opera-ballet Renard ( The Fox ) a "Histoire burlesque chantée et jouée" ( burlesque tale sung and played ) and his 1911 ballet Petrushka a "burlesque in four scenes". A later example is the 1927 burlesque operetta by Ernst Krenek entitled Schwergewicht ( Heavyweight ) (1927). Some orchestral and chamber works have also been designated as burlesques, of which two early examples are

268-441: A "stage gossip" column covering the private lives of entertainers, a "tent show" section covering traveling shows and a subsection called "Freaks to order". Donaldson also published news articles opposing censorship, supporting productions exhibiting good taste and decrying yellow journalism ." As railroads became more developed, Billboard enabled a mail-forwarding system for traveling entertainers. The location of an entertainer

335-533: A background in the music industry. Gervino was appointed editor-in-chief in April 2014. An NPR item covered a leaked version of Billboard ' s annual survey, which it said had more gossip and focused on less professional topics than had prior surveys. For example, the magazine polled readers on a lawsuit that singer Kesha filed against her producer, alleging sexual abuse. Gervino was fired in May 2016. A note from Min to

402-604: A dedicated section called Amusement Machines in March 1932. Billboard began covering the motion-picture industry in 1907 but, facing strong competition from Variety , centered its focus on music. It created a radio-broadcasting station in the 1920s. The jukebox industry continued to grow through the Great Depression and was advertised heavily in Billboard , which led to even more editorial focus on music. The proliferation of

469-602: A grotesque imitation of the dignified or pathetic. Shakespeare 's Pyramus and Thisbe scene in Midsummer Night's Dream and the general mocking of romance in Beaumont and Fletcher's The Knight of the Burning Pestle were early examples of such imitation. In 17th century Spain, playwright and poet Miguel de Cervantes ridiculed medieval romance in his many satirical works. Among Cervantes' works are Exemplary Novels and

536-530: A high-tech firm for tracking music airtime. Private investors from Boston Ventures and BPI executives repurchased a two-thirds interest in Billboard Publications for $ 100 million, and more acquisitions followed. In 1993, it created a division known as Billboard Music Group for music-related publications. In 1994, Billboard Publications was sold to Dutch media conglomerate Verenigde Nederlandse Uitgeverijen (VNU) for $ 220 million. VNU acquired

603-419: A master of ceremonies. Comics who appeared in burlesque early in their careers included Fanny Brice , Mae West , Eddie Cantor , Abbott and Costello , W. C. Fields , Jackie Gleason , Danny Thomas , Al Jolson , Bert Lahr , Phil Silvers , Sid Caesar , Danny Kaye , Red Skelton and Sophie Tucker . The uninhibited atmosphere of burlesque establishments owed much to the free flow of alcoholic liquor, and

670-963: A revival of burlesque, sometimes called Neo-Burlesque , on both sides of the Atlantic. A new generation, nostalgic for the spectacle and perceived glamour of the classic American burlesque, developed a cult following for the art in the early 1990s at Billie Madley's "Cinema" and later at the "Dutch Weismann's Follies" revues in New York City, "The Velvet Hammer" troupe in Los Angeles and The Shim-Shamettes in New Orleans. Ivan Kane's Royal Jelly Burlesque Nightclub at Revel Atlantic City opened in 2012. Notable Neo-burlesque performers include Dita Von Teese , and Julie Atlas Muz and Agitprop groups like Cabaret Red Light incorporated political satire and performance art into their burlesque shows. Annual conventions such as

737-509: A set of self-study cassette tapes and four television franchises. It also acquired Photo Weekly that year. Over time, subjects that Billboard covered outside of the music world formed the basis of separate publications: Funspot magazine was created in 1957 to cover amusement parks and Amusement Business was created in 1961 to cover outdoor entertainment. In January 1961, Billboard was renamed Billboard Music Week to emphasize its newly exclusive interest in music. Two years later, it

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804-476: A trade publication for the Broadway theatre industry called Backstage . In 1987, Billboard was sold again to Affiliated Publications for $ 100 million. Billboard Publications Inc. became a subsidiary of Affiliated Publications called BPI Communications. As BPI Communications, it acquired The Hollywood Reporter , Adweek , Marketing Week and Mediaweek , and also purchased Broadcast Data Systems ,

871-569: A weekly paper with a greater emphasis on breaking news. He improved editorial quality and opened new offices in New York, Chicago, San Francisco, London, and Paris, and also refocused the magazine on outdoor entertainment such as fairs, carnivals, circuses, vaudeville , and burlesque shows. A section devoted to circuses was introduced in 1900, followed by more prominent coverage of outdoor events in 1901. Billboard also covered topics including regulation, professionalism, economics and new shows. It had

938-548: Is an American music and entertainment magazine published weekly by Penske Media Corporation . The magazine provides music charts, news, video, opinion, reviews, events and styles related to the music industry . Its music charts include the Hot 100 , the 200 , and the Global 200 , tracking the most popular albums and songs in various music genres. It also hosts events, owns a publishing firm and operates several television shows. Billboard

1005-498: Is considered one of the most reputable sources of music industry news. The website includes the Billboard Charts, news separated by music genre, videos and a separate website. It also compiles lists, hosts a fashion website called Pret-a-Reporter and publishes eight different newsletters. The print magazine's regular sections include: Billboard is known for publishing several annual listicles on its website, in recognition of

1072-626: Is enormous and it has been performed live over 6 million times. In 1970 the brothers opened their own studio at 916 19th Ave. South in Nashville, TN. The new studio, Glaser Sound , was often referred to as Hillbilly Central because it was a haven for artists who wanted to have more artistic control over their own music and careers. The studio included a publishing company, production company, talent agency, and design services for album covers. In that venue creative experimentation thrived as new opportunities for songwriters and artists became commonplace. On

1139-421: Is still performed in revues and sketches . Tom Stoppard 's 1974 play Travesties is an example of a full-length play drawing on the burlesque tradition. Beginning in the early 18th century, the term burlesque was used throughout Europe to describe musical works in which serious and comic elements were juxtaposed or combined to achieve a grotesque effect. As derived from literature and theatre, "burlesque"

1206-520: The Billboard 200 , which tracks the top-selling albums, has become more popular as an indicator of commercial success. Billboard has also published books in collaboration with Watson-Guptill and a radio and television series called American Top 40, based on Billboard charts. A daily Billboard Bulletin was introduced in February 1997 and Billboard hosts about 20 industry events each year. Billboard

1273-692: The Clio Awards in advertising and the National Research Group in 1997, as well as Editor & Publisher in 1999. In July 2000, it paid $ 650 million to the publisher Miller Freeman . BPI was combined with other entities in VNU in 2000 to form Bill Communications Inc. By the time CEO Gerald Hobbs retired in 2003, VNU had grown substantially larger, but had a great deal of debt from the acquisitions. An attempted $ 7 billion acquisition of IMS Health in 2005 prompted protests from shareholders that halted

1340-542: The Eight Comedies and Eight New Interludes published in 1615. The term burlesque has been applied retrospectively to works of Chaucer and Shakespeare and to the Graeco-Roman classics. Burlesque was intentionally ridiculous in that it imitated several styles and combined imitations of certain authors and artists with absurd descriptions. In this, the term was often used interchangeably with " pastiche ", " parody ", and

1407-482: The jukebox , phonograph and radio became commonplace. Many topics that it covered became the subjects of new magazines, including Amusement Business in 1961 to cover outdoor entertainment, so that Billboard could focus on music. After Donaldson died in 1925, Billboard was inherited by his and Hennegan's children, who retained ownership until selling it to private investors in 1985. The magazine has since been owned by various parties. The first issue of Billboard

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1474-460: The sextet , 'Chi mi frena in tal momento?', from Lucia di Lammermoor by Donizetti . Victorian burlesque, sometimes known as "travesty" or " extravaganza ", was popular in London theatres between the 1830s and the 1890s. It took the form of musical theatre parody in which a well-known opera, play or ballet was adapted into a broad comic play, usually a musical play, often risqué in style, mocking

1541-506: The "Rondo-Burleske" third movement of Symphony No. 9 by Mahler , and the "Burlesque" fourth movement of Shostakovich's Violin Concerto No. 1 . The use of burlesque has not been confined to classical music. Well-known ragtime travesties include Russian Rag , by George L. Cobb , which is based on Rachmaninoff 's Prelude in C-sharp minor , and Harry Alford 's Lucy's Sextette based on

1608-532: The "bible" of the recording industry. Billboard struggled after its founder William Donaldson died in 1925, and within three years, was once again heading towards bankruptcy . Donaldson's son-in-law Roger Littleford took command in 1928 and "nursed the publication back to health." His sons Bill and Roger became co-publishers in 1946 and inherited the magazine in the late 1970s after Littleford's death. They sold it to private investors in 1985 for an estimated $ 40 million. The investors cut costs and acquired

1675-451: The 17th and 18th century genre of the " mock-heroic ". Burlesque depended on the reader's (or listener's) knowledge of the subject to make its intended effect, and a high degree of literacy was taken for granted. 17th and 18th century burlesque was divided into two types: High burlesque refers to a burlesque imitation where a literary, elevated manner was applied to a commonplace or comically inappropriate subject matter as, for example, in

1742-436: The 1960s, when the service was discontinued, Billboard was still processing 1,500 letters per week. In 1920, Donaldson controversially hired black journalist James Albert Jackson to write a weekly column devoted to black performers. According to The Business of Culture: Strategic Perspectives on Entertainment and Media , the column identified discrimination against black performers and helped validate their careers. Jackson

1809-457: The Bill Poster. A department for agricultural fairs was established in 1896. The Billboard Advertising publication was renamed The Billboard in 1897. After a brief departure over editorial differences, Donaldson purchased Hennegan's interest in the business in 1900 for $ 500 (equal to $ 15,100 today) to save it from bankruptcy. On May 5, Donaldson changed the publication from a monthly to

1876-510: The Billboard charts. In 1962 the Glaser Brothers started a publishing company and began to take on songwriters that other name brand studios had chosen to ignore. One of those songwriters was John Hartford , who wrote Gentle on My Mind , a song that has been recorded by over 300 artists including Glen Campbell , Elvis Presley , and Johnny Cash , among others. The popularity of the song

1943-640: The Blasé Roué . A later use of the term, particularly in the United States , refers to performances in a variety show format. These were popular from the 1860s to the 1940s, often in cabarets and clubs, as well as theatres, and featured bawdy comedy and female striptease . Some Hollywood films attempted to recreate the spirit of these performances from the 1930s to the 1960s, or included burlesque-style scenes within dramatic films, such as 1972's Cabaret and 1979's All That Jazz , among others. There has been

2010-496: The Graeco-Roman classics. Contrasting examples of literary burlesque are Alexander Pope 's The Rape of the Lock and Samuel Butler 's Hudibras . An example of musical burlesque is Richard Strauss 's 1890 Burleske for piano and orchestra . Examples of theatrical burlesques include W. S. Gilbert 's Robert the Devil and the A. C. Torr – Meyer Lutz shows, including Ruy Blas and

2077-666: The Hollywood Reporter-Billboard Media Group, a unit of the holding company Eldridge Industries . Timothy White was appointed editor-in-chief in 1991, a position that he held until his unexpected death in 2002. White wrote a weekly column promoting music with "artistic merit" while criticizing music with violent or misogynistic themes, and also reworked the publication's music charts. Rather than relying on data from music retailers, new charts used data from store checkout scanners obtained by Nielsen SoundScan . White also wrote in-depth profiles on musicians, but

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2144-624: The Italian burlesco , which, in turn, is derived from the Italian burla – a joke, ridicule or mockery. Burlesque overlaps with caricature , parody and travesty , and, in its theatrical form, with extravaganza , as presented during the Victorian era . The word "burlesque" has been used in English in this literary and theatrical sense since the late 17th century. It has been applied retrospectively to works of Chaucer and Shakespeare and to

2211-690: The Ouverture-Suite Burlesque de Quixotte , TWV 55, by Telemann and the Sinfonia Burlesca by Leopold Mozart (1760). Another often-performed piece is Richard Strauss 's 1890 Burleske for piano and orchestra . Other examples include the following: Burlesque can be used to describe particular movements of instrumental musical compositions, often involving dance rhythms. Examples are the Burlesca, in Partita No. 3 for keyboard (BWV 827) by Bach ,

2278-411: The addition of gags and 'turns'." In the early burlesques, following the example of ballad opera , the words of the songs were written to popular music; later burlesques mixed the music of opera , operetta , music hall and revue , and some of the more ambitious shows had original music composed for them. This English style of burlesque was successfully introduced to New York in the 1840s. Some of

2345-413: The articles are written by staff writers, while some are written by industry experts. It covers news, gossip, opinion, and music reviews, but its "most enduring and influential creation" is the Billboard charts . The charts track music sales, radio airtime and other data about the most popular songs and albums. The Billboard Hot 100 chart of the top-selling songs was introduced in 1958. Since then,

2412-462: The audience would readily recognize. The house stars included Nellie Farren , John D'Auban , Edward Terry and Fred Leslie . From about 1880, Victorian burlesques grew longer, until they were a whole evening's entertainment rather than part of a double- or triple-bill. In the early 1890s, these burlesques went out of fashion in London, and the focus of the Gaiety and other burlesque theatres changed to

2479-473: The brothers were asked to reunite for one final show at the Grand Ole Opry in a tribute to Hank Snow . Out of respect for Snow, they accepted the offer. In 2013, a documentary entitled From Nebraska Ranchers to Nashville Rebels: The Story of the Glaser Brothers was released. Produced by Newshound Productions, the film provides new information about the brothers as individuals and as a group. The sources for

2546-476: The deal; it eventually agreed to an $ 11 billion takeover bid from investors in 2006. VNU changed its name to Nielsen in 2007, the namesake of a company that it had acquired for $ 2.5 billion in 1999. New CEO Robert Krakoff divested some of the previously owned publications, restructured the organization and planned some acquisitions before dying suddenly in 2007. He was subsequently replaced by Greg Farrar. Nielsen owned Billboard until 2009, when it

2613-430: The documentary came from family, friends, and music industry insiders. The documentary features comments by Jim Glaser, Chuck Glaser, Cowboy Jack Clement , Bobby Bare , Kinky Friedman, Ronny Robbins, Robert K. Oermann, Marshall Chapman, Gordon Stoker, Willis Hoover, Bill Holmes, Doyle Grisham among others. Tompall died on August 13, 2013, at the age of 79, leaving behind his widow, June Johnson Glaser. His funeral service

2680-522: The early 20th century, there were two national circuits of burlesque shows competing with the vaudeville circuit, as well as resident companies in New York, such as Minsky's at the Winter Garden. The transition from burlesque on the old lines to striptease was gradual. At first, soubrettes showed off their figures while singing and dancing; some were less active but compensated by appearing in elaborate stage costumes. The strippers gradually supplanted

2747-521: The editorial staff indicated that senior vice president of digital content Mike Bruno would head the editorial department. On June 15, 2016, BillboardPH , the first Billboard chart company in Southeast Asia, mainly in the Philippines, was announced. On September 12, 2016, Billboard expanded into China by launching Billboard China in partnership with Vision Music Ltd. On September 23, 2020, it

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2814-641: The enforcement of Prohibition was a serious blow. In New York, Mayor Fiorello H. La Guardia clamped down on burlesque, effectively putting it out of business by the early 1940s. It lingered on elsewhere in the US, increasingly neglected, and by the 1970s, with nudity commonplace in theatres, reached "its final shabby demise." Both during its declining years and afterwards there have been films that sought to capture American burlesque, including Lady of Burlesque (1943), Striporama (1953), and The Night They Raided Minsky's (1968). In recent decades, there has been

2881-516: The first female and youngest-ever executive editor at Billboard and led its first major redesign since the 1960s, designed by Daniel Stark and Stark Design. During Conniff's tenure, Billboard 's newsstand sales jumped 10%, ad pages climbed 22% and conference registrations rose 76%. In 2005, Billboard expanded its editorial outside the music industry into other areas of digital and mobile entertainment. In 2006, after leading Billboard's radio publication, former ABC News and CNN journalist Scott McKenzie

2948-571: The literary parody and the mock-heroic . One of the most commonly cited examples of high burlesque is Alexander Pope 's "sly, knowing and courtly" The Rape of the Lock . Low burlesque applied an irreverent, mocking style to a serious subject; an example is Samuel Butler 's poem Hudibras , which described the misadventures of a Puritan knight in satiric doggerel verse, using a colloquial idiom. Butler's addition to his comic poem of an ethical subtext made his caricatures into satire . In more recent times, burlesque true to its literary origins

3015-483: The most frequent subjects for burlesque were the plays of Shakespeare and grand opera. The dialogue was generally written in rhyming couplets, liberally peppered with bad puns . A typical example from a burlesque of Macbeth : Macbeth and Banquo enter under an umbrella, and the witches greet them with "Hail! hail! hail!" Macbeth asks Banquo, "What mean these salutations, noble thane?" and is told, "These showers of 'Hail' anticipate your 'reign ' ". A staple of burlesque

3082-558: The most influential executives, artists and companies in the music industry, such as the following: Since 1990 Billboard established the Billboard Music Awards , an awards ceremony honors top album, artist and single in a number of different music genres which achieved the highest results during the year form sales, streaming, radio airplay, touring, and social engagement. The data are taken from Billboard and its data partners, including MRC Data and Next Big Sound . Through

3149-415: The new more wholesome but less literary genre of Edwardian musical comedy . American burlesque shows were originally an offshoot of Victorian burlesque. The English genre had been successfully staged in New York from the 1840s, and it was popularised by a visiting British burlesque troupe, Lydia Thompson and the "British Blondes", beginning in 1868. New York burlesque shows soon incorporated elements and

3216-863: The phonograph and radio also contributed to its growing music emphasis. Billboard published the first music hit parade on January 4, 1936 and introduced a Record Buying Guide in January 1939. In 1940, it introduced Chart Line, which tracked the best-selling records, and was followed by a chart for jukebox records in 1944 called Music Box Machine. By the 1940s, Billboard was more of a music-industry specialist publication. The number of charts that it published grew after World War II , as new music interests and genres became popular. It had eight charts by 1987, covering different genres and formats, and 28 charts by 1994. By 1943, Billboard had about 100 employees. The magazine's offices moved to Brighton, Ohio in 1946, then to New York City in 1948. A five-column tabloid format

3283-426: The singing and dancing soubrettes; by 1932 there were at least 150 strip principals in the US. Star strippers included Sally Rand , Gypsy Rose Lee , Tempest Storm , Lili St. Cyr , Blaze Starr , Ann Corio and Margie Hart , who was celebrated enough to be mentioned in song lyrics by Lorenz Hart and Cole Porter . By the late 1930s, burlesque shows would have up to six strippers supported by one or two comics and

3350-512: The structure of the popular minstrel shows . They consisted of three parts: first, songs and ribald comic sketches by low comedians; second, assorted olios and male acts, such as acrobats, magicians and solo singers; and third, chorus numbers and sometimes a burlesque in the English style on politics or a current play. The entertainment was usually concluded by an exotic dancer or a wrestling or boxing match. The entertainments were given in clubs and cabarets, as well as music halls and theatres. By

3417-734: The theatrical and musical conventions and styles of the original work, and quoting or pastiching text or music from the original work. The comedy often stemmed from the incongruity and absurdity of the classical subjects, with realistic historical dress and settings, being juxtaposed with the modern activities portrayed by the actors. Madame Vestris produced burlesques at the Olympic Theatre beginning in 1831 with Olympic Revels by J. R. Planché . Other authors of burlesques included H. J. Byron , G. R. Sims , F. C. Burnand , W. S. Gilbert and Fred Leslie . Victorian burlesque related to and in part derived from traditional English pantomime "with

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3484-423: The very day that the publishing company was sold in 1975, Chuck was rushed to the hospital with a stroke. Following his recovery, which also included relearning how to sing, Chuck began to explore other lucrative business ventures including producing a syndicated television show, and a children’s album among others . Tompall and Jim continued with their musical careers, both achieving success as solo artists. In 1990

3551-423: The years, Billboard has established several other awards to honor different music genres, live performances, and artists. Since that Billboard established severals awards ceremonies and honors: Burlesque A burlesque is a literary, dramatic or musical work intended to cause laughter by caricaturing the manner or spirit of serious works, or by ludicrous treatment of their subjects. The word derives from

3618-504: Was adopted in November 1950 and coated paper was first used in Billboard ' s print issues in January 1963, allowing for photojournalism. Billboard Publications Inc. acquired a monthly trade magazine for candy and cigarette machine vendors called Vend , and in the 1950s it acquired an advertising trade publication called Tide . By 1969, Billboard Publications Inc. owned 11 trade and consumer publications, Watson-Guptill Publications,

3685-565: Was announced that Penske Media Corporation would assume operations of the MRC Media & Info publications under a joint venture with MRC known as PMRC. The joint venture includes the management of Billboard . On January 13, 2024, Billboard shared the intent to further expand in Asia by announcing the launch of Billboard Korea . Billboard publishes a news website and weekly trade magazine that covers music, video and home entertainment. Most of

3752-613: Was conducted at the Cathedral of the Incarnation in Nashville, Tennessee, on August 16, 2013. The private family service was conducted by Father Edward Steiner, senior pastor at the Cathedral. Jim died on April 6, 2019, aged 81. Chuck died on June 10, 2019, aged 83. †Honorary former member; was scheduled to be invited, but died before the invitation was extended Billboard (magazine) Billboard (stylized in lowercase since 2013)

3819-409: Was founded in 1894 by William Donaldson and James Hennegan as a trade publication for bill posters. Donaldson later acquired Hennegan's interest in 1900 for $ 500. In the early years of the 20th century, it covered the entertainment industry, such as circuses, fairs and burlesque shows, and also created a mail service for travelling entertainers. Billboard began focusing more on the music industry as

3886-613: Was named editorial director across all Billboard properties. Conniff launched the Billboard Women in Music event in 2007. Bill Werde was named editorial director in 2008, and was followed by Janice Min in January 2014, also responsible for editorial content at The Hollywood Reporter . The magazine became more of a general-interest music-news source rather than solely an industry trade, covering more celebrity and fashion news. Min hired Tony Gervino as editor although he did not have

3953-556: Was one of eight publications sold to e5 Global Media Holdings. e5 was formed by investment firms Pluribus Capital Management and Guggenheim Partners for the purpose of the acquisition. The following year, the new parent company was renamed Prometheus Global Media . Three years later, Guggenheim Partners acquired Pluribus' share of Prometheus and became the sole owner of Billboard . In December 2015, Guggenheim Digital Media spun out several media brands, including Billboard , to its own executive Todd Boehly . The assets operate under

4020-653: Was published in Cincinnati , Ohio by William Donaldson and James Hennegan on November 1, 1894. Initially it covered the advertising and bill-posting industry and was known as Billboard Advertising . At the time, billboards, posters, and paper advertisements placed in public spaces were the primary means of advertising. Donaldson handled editorial and advertising, while Hennegan, who owned Hennegan Printing Co., managed magazine production. The first issues were just eight pages long. The paper had columns such as The Bill Room Gossip and The Indefatigable and Tireless Industry of

4087-419: Was renamed to simply Billboard . According to The New Business Journalism , by 1984, Billboard Publications was a "prosperous" conglomerate of trade magazines, and Billboard had become the "undisputed leader" in music-industry news. In the early 1990s, Billboard introduced Billboard Airplay Monitors , a publication for disc jockeys and music programmers. By the end of the 1990s, Billboard dubbed itself

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4154-469: Was replaced by Keith Girard, who was subsequently fired in May 2004. Girard and a female employee filed a $ 29 million lawsuit alleging that Billboard fired them unfairly with an intent to damage their reputations and that they experienced sexual harassment, a hostile work environment and a financially motivated lack of editorial integrity. Email evidence suggested that human resources were given special instructions to watch minority employees. The case

4221-411: Was settled out of court in 2006 for an undisclosed sum. In the 2000s, economic decline in the music industry dramatically reduced readership and advertising from Billboard ' s traditional audience. Circulation declined from 40,000 in circulation in the 1990s to less than 17,000 by 2014. The publication's staff and ownership were also undergoing frequent changes. In 2004, Tamara Conniff became

4288-526: Was the display of attractive women in travesty roles , dressed in tights to show off their legs, but the plays themselves were seldom more than modestly risqué. Burlesque became the speciality of certain London theatres, including the Gaiety and Royal Strand Theatre from the 1860s to the early 1890s. Until the 1870s, burlesques were often one-act pieces running less than an hour and using pastiches and parodies of popular songs, opera arias and other music that

4355-498: Was the first black critic at a national magazine with a predominantly white audience. According to his grandson, Donaldson also established a policy against identifying performers by their race. Donaldson died in 1925. Billboard ' s editorial content changed focus as technology in recording and playback developed, covering "marvels of modern technology" such as the phonograph and wireless radios. The magazine began covering coin-operated entertainment machines in 1899 and created

4422-482: Was tracked in the paper's Routes Ahead column, and then Billboard would receive mail on the star's behalf and publish a notice in its Letter-Box column that it had mail for him or her. This service was first introduced in 1904 and became one of Billboard ' s largest sources of profit and celebrity connections. By 1914, 42,000 people were using the service. It was also used as the official address of traveling entertainers for draft letters during World War I . In

4489-736: Was used, and is still used, in music to indicate a bright or high-spirited mood, sometimes in contrast to seriousness. In this sense of farce and exaggeration rather than parody, it appears frequently on the German-language stage between the middle of the 19th century and the 1920s. Burlesque operettas were written by Johann Strauss II ( Die lustigen Weiber von Wien , 1868), Ziehrer ( Mahomed's Paradies , 1866; Das Orakel zu Delfi , 1872; Cleopatra, oder Durch drei Jahrtausende , 1875; In fünfzig Jahren , 1911) and Bruno Granichstaedten ( Casimirs Himmelfahrt , 1911). French references to burlesque are less common than German, though Grétry composed for

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