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147-594: The group met with particular success in Boston, where they performed Mendelssohn 's "Overture" to A Midsummer Night's Dream 39 times at 22 concerts, and spent the summer in Newport, Rhode Island . In 1852 they settled in Boston and remained for three years before disbanding. They performed regularly in the oratorio performances of the Handel and Haydn Society , which gave Boston's first performance of Beethoven 's Ninth Symphony with

294-653: A Berlin court on 18 July 1870. Richard and Cosima's wedding took place on 25 August 1870. On Christmas Day of that year, Wagner arranged a surprise performance (its premiere) of the Siegfried Idyll for Cosima's birthday. The marriage to Cosima lasted to the end of Wagner's life. Wagner, settled into his new-found domesticity, turned his energies towards completing the Ring cycle. He had not abandoned polemics: he republished his 1850 pamphlet "Judaism in Music", originally issued under

441-518: A bastion of this anti-radical outlook. After a long period of relative denigration due to changing musical tastes and antisemitism in the late 19th and early 20th centuries, his creative originality has been re-evaluated. He is now among the most popular composers of the Romantic era. Felix Mendelssohn was born on 3 February 1809, in Hamburg , at the time an independent city-state , in the same house where,

588-591: A close personal friend, Ignaz Moscheles, was of an older generation and equally conservative in outlook. Moscheles preserved this conservative attitude at the Leipzig Conservatory until his own death in 1870. Mendelssohn married Cécile Charlotte Sophie Jeanrenaud (10 October 1817 – 25 September 1853), the daughter of a French Reformed Church clergyman, on 28 March 1837. The couple had five children: Carl, Marie, Paul, Lili and Felix August. The second youngest child, Felix August, contracted measles in 1844 and

735-611: A composer, who both greatly admired his music. Mendelssohn's oratorio Elijah was commissioned by the Birmingham Triennial Music Festival and premiered on 26 August 1846, at the Town Hall, Birmingham . It was composed to a German text translated into English by William Bartholomew , who authored and translated many of Mendelssohn's works during his time in England. On his last visit to Britain in 1847, Mendelssohn

882-510: A daughter, named Isolde , a child not of Bülow but of Wagner. Cosima was 24 years younger than Wagner and was herself illegitimate, the daughter of the Countess Marie d'Agoult , who had left her husband for Franz Liszt . Liszt initially disapproved of his daughter's involvement with Wagner, though nevertheless the two men were friends. The indiscreet affair scandalised Munich, and Wagner also fell into disfavour with many leading members of

1029-566: A distance, [was] a menace to his peace of mind." Wagner continued his correspondence with Mathilde and his friendship with her husband Otto, who maintained his financial support of the composer. In an 1859 letter to Mathilde, Wagner wrote, half-satirically, of Tristan : "Child! This Tristan is turning into something terrible . This final act!!!—I fear the opera will be banned ... only mediocre performances can save me! Perfectly good ones will be bound to drive people mad." In November 1859, Wagner once again moved to Paris to oversee production of

1176-686: A group of works of his early maturity: the String Octet (1825), the Overture A Midsummer Night's Dream (1826), which in its finished form also owes much to the influence of Adolf Bernhard Marx , at the time a close friend of Mendelssohn, and the two early string quartets : Op. 12 (1829) and Op. 13 (1827), which both show a remarkable grasp of the techniques and ideas of Beethoven's last quartets that Mendelssohn had been closely studying. These four works show an intuitive command of form, harmony, counterpoint , colour, and compositional technique, which in

1323-514: A head in 1849, when the unsuccessful May Uprising in Dresden broke out, in which Wagner played a minor supporting role . Warrants were issued for the revolutionaries' arrest. Wagner had to flee, first visiting Paris and then settling in Zürich where he at first took refuge with a friend, Alexander Müller . Wagner was to spend the next twelve years in exile from Germany. He had completed Lohengrin ,

1470-425: A lengthy Prelude (Vorspiel).... At a specially-appointed Festival, I propose, some future time, to produce those three Dramas with their Prelude, in the course of three days and a fore-evening [emphasis in original]. Wagner began composing the music for Das Rheingold between November 1853 and September 1854, following it immediately with Die Walküre (written between June 1854 and March 1856). He began work on

1617-473: A letter to Mathilde from him. After the resulting confrontation with Minna, Wagner left Zürich alone, bound for Venice , where he rented an apartment in the Palazzo Giustinian , while Minna returned to Germany. Wagner's attitude to Minna had changed; the editor of his correspondence with her, John Burk, has said that she was to him "an invalid, to be treated with kindness and consideration, but, except at

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1764-466: A letter to a stranger, as a place "where it is to be hoped there is still music, but no more sorrow or partings." While Mendelssohn was often presented as equable, happy, and placid in temperament, particularly in the detailed family memoirs published by his nephew Sebastian Hensel after the composer's death, this was misleading. The music historian R. Larry Todd notes "the remarkable process of idealization" of Mendelssohn's character "that crystallized in

1911-508: A musical career until it became clear that he was seriously dedicated. Mendelssohn grew up in an intellectual environment. Frequent visitors to the salon organised by his parents at their home in Berlin included artists, musicians and scientists, among them Wilhelm and Alexander von Humboldt , and the mathematician Peter Gustav Lejeune Dirichlet (whom Mendelssohn's sister Rebecka would later marry). The musician Sarah Rothenburg has written of

2058-720: A new revision of Tannhäuser , staged thanks to the efforts of Princess Pauline von Metternich , whose husband was the Austrian ambassador in Paris. The performances of the Paris Tannhäuser in 1861 were a notable fiasco . This was partly a consequence of the conservative tastes of the Jockey Club , which organised demonstrations in the theatre to protest at the presentation of the ballet feature in Act ;1 (instead of its traditional location in

2205-461: A number of chamber works. His first work, a piano quartet, was published when he was 13. It was probably Abraham Mendelssohn who procured the publication of this quartet by the house of Schlesinger . In 1824 the 15-year-old wrote his first symphony for full orchestra (in C minor, Op. 11). At age 16 Mendelssohn wrote his String Octet in E-flat major , a work which has been regarded as "mark[ing]

2352-432: A pastoral opera based on Goethe 's Die Laune des Verliebten ( The Infatuated Lover's Caprice ), written at the age of 17, Die Hochzeit ( The Wedding ), on which Wagner worked in 1832, and the singspiel Männerlist größer als Frauenlist ( Men are More Cunning than Women , 1837–1838). Die Feen ( The Fairies , 1833) was not performed in the composer's lifetime, and Das Liebesverbot ( The Ban on Love , 1836)

2499-536: A piano transcription of the 9th Symphony. He was also greatly impressed by a performance of Mozart 's Requiem . Wagner's early piano sonatas and his first attempts at orchestral overtures date from this period. In 1829 he saw a performance by dramatic soprano Wilhelmine Schröder-Devrient , who became his ideal of the fusion of drama and music in opera. In Mein Leben Wagner wrote, "When I look back across my entire life I find no event to place beside this in

2646-449: A pseudonym, under his own name in 1869, extending the introduction and adding a lengthy final section. The publication led to several public protests at early performances of Die Meistersinger in Vienna and Mannheim. In 1871, Wagner decided to move to Bayreuth , which was to be the location of his new opera house. The town council donated a large plot of land—the "Green Hill"—as a site for

2793-631: A reconciliation with Minna during this Paris visit, and although she joined him there, the reunion was not successful and they again parted from each other when Wagner left. The political ban that had been placed on Wagner in the North German Confederation after he had fled Dresden was fully lifted in 1862. The composer settled in Biebrich , on the Rhine near Wiesbaden in Hesse . Here Minna visited him for

2940-616: A scant living by writing articles and short novelettes such as A pilgrimage to Beethoven , which sketched his growing concept of "music drama", and An end in Paris , where he depicts his own miseries as a German musician in the French metropolis. He also provided arrangements of operas by other composers, largely on behalf of the Schlesinger publishing house. During this stay he completed his third and fourth operas Rienzi and Der fliegende Holländer . Wagner had completed Rienzi in 1840. With

3087-643: A series of strokes. His grandfather Moses, Fanny, and both his parents had all died from similar apoplexies . Although he had been generally meticulous in the management of his affairs, he died intestate . Mendelssohn's funeral was held at the Paulinerkirche , Leipzig, and he was buried at the Dreifaltigkeitsfriedhof I in Berlin- Kreuzberg . The pallbearers included Moscheles, Schumann and Niels Gade . Mendelssohn had once described death, in

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3234-415: A small pension which she maintained until 1859. With help from her friend Jessie Laussot, this was to have been augmented to an annual sum of 3,000 thalers per year, but the plan was abandoned when Wagner began an affair with Mme. Laussot. Wagner even plotted an elopement with her in 1850, which her husband prevented. Meanwhile, Wagner's wife Minna, who had disliked the operas he had written after Rienzi ,

3381-400: A staged performance but to evoke a literary theme in performance on a concert platform; this was a genre which became a popular form in musical Romanticism . In 1824 Mendelssohn studied under the composer and piano virtuoso Ignaz Moscheles , who confessed in his diaries that he had little to teach him. Moscheles and Mendelssohn became close colleagues and lifelong friends. The year 1827 saw

3528-597: A strong following, which enabled him to make a good impression on British musical life. He composed and performed, and also edited for British publishers the first critical editions of oratorios of Handel and of the organ music of J. S. Bach. Scotland inspired two of his most famous works: the overture The Hebrides (also known as Fingal's Cave ); and the Scottish Symphony (Symphony No. 3). An English Heritage blue plaque commemorating Mendelssohn's residence in London

3675-425: A variety of works by great composers in chronological order, and must explain to him how they contributed to the advance of music." Secondly, it highlights that Mendelssohn was more concerned to reinvigorate the musical legacy which he inherited, rather than to replace it with new forms and styles, or with the use of more exotic orchestration . In these ways he differed significantly from many of his contemporaries in

3822-565: A year later, the dedicatee and first performer of his Violin Concerto, Ferdinand David , would be born. Mendelssohn's father, the banker Abraham Mendelssohn , was the son of the German Jewish philosopher Moses Mendelssohn , whose family was prominent in the German Jewish community. Until his baptism at age seven, Mendelssohn was brought up largely without religion. His mother, Lea Salomon ,

3969-481: Is German?" (1878, but based on a draft written in the 1860s), repeated Wagner's antisemitic preoccupations. Wagner completed Parsifal in January 1882, and a second Bayreuth Festival was held for the new opera, which premiered on 26 May. Wagner was by this time extremely ill, having suffered a series of increasingly severe angina attacks. During the sixteenth and final performance of Parsifal on 29 August, he entered

4116-442: Is a stub . You can help Misplaced Pages by expanding it . Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 1809 – 4 November 1847), widely known as Felix Mendelssohn , was a German composer, pianist, organist and conductor of the early Romantic period. Mendelssohn's compositions include symphonies , concertos, piano music, organ music and chamber music . His best-known works include

4263-510: Is conveyed in his comments to a correspondent who suggested converting some of the Songs Without Words into lieder by adding texts: "What [the] music I love expresses to me, are not thoughts that are too indefinite for me to put into words, but on the contrary, too definite ." Schumann wrote of Mendelssohn that he was "the Mozart of the nineteenth century, the most brilliant musician,

4410-505: Is such a frightful muddle [...] that one ought to wash one's hands after handling one of his scores"; and of Meyerbeer's opera Robert le diable "I consider it ignoble", calling its villain Bertram "a poor devil". When his friend the composer Ferdinand Hiller suggested in conversation to Mendelssohn that he looked rather like Meyerbeer – they were actually distant cousins, both descendants of Rabbi Moses Isserles  – Mendelssohn

4557-475: The Gesamtkunstwerk ("total work of art"), by which he sought to synthesise the poetic, visual, musical and dramatic arts, with music subsidiary to drama. The drama was to be presented as a continuously sung narrative, without conventional operatic structures like arias and recitatives . He described this vision in a series of essays published between 1849 and 1852. Wagner realised these ideas most fully in

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4704-697: The Journal of the Royal Musical Association that "The Committee of the Mendelssohn Scholarship Foundation possesses material indicating that Mendelssohn wrote passionate love letters to Jenny Lind entreating her to join him in an adulterous relationship and threatening suicide as a means of exerting pressure upon her, and that these letters were destroyed on being discovered after her death." Mendelssohn met and worked with Lind many times, and started an opera, Lorelei , for her, based on

4851-524: The Centennial March for America, for which he received $ 5,000. Following the first Bayreuth Festival, Wagner began work on Parsifal , his final opera. The composition took four years, much of which Wagner spent in Italy for health reasons. From 1876 to 1878 Wagner also embarked on the last of his documented emotional liaisons, this time with Judith Gautier , whom he had met at the 1876 Festival. Wagner

4998-623: The Jerusalem Church , at which time Felix was given the additional names Jakob Ludwig. Abraham and his wife Lea were baptised in 1822, and formally adopted the surname Mendelssohn Bartholdy (which they had used since 1812) for themselves and for their children. The name Bartholdy was added at the suggestion of Lea's brother, Jakob Salomon Bartholdy, who had inherited a property of this name in Luisenstadt and adopted it as his own surname. In an 1829 letter to Felix, Abraham explained that adopting

5145-581: The National Theatre Munich on 10 June 1865, the first Wagner opera premiere in almost 15 years. (The premiere had been scheduled for 15 May, but was delayed by bailiffs acting for Wagner's creditors, and also because the Isolde, Malvina Schnorr von Carolsfeld , was hoarse and needed time to recover.) The conductor of this premiere was Hans von Bülow , whose wife, Cosima , had given birth in April that year to

5292-462: The Philharmonic Society of London , including one before Queen Victoria . The Queen enjoyed his Tannhäuser overture and spoke with Wagner after the concert, writing in her diary that Wagner was "short, very quiet, wears spectacles & has a very finely-developed forehead, a hooked nose & projecting chin." Wagner's uneasy affair with Mathilde collapsed in 1858, when Minna intercepted

5439-506: The Ring cycle (which was not resumed for the next twelve years) and begin work on Tristan . While planning the opera, Wagner composed the Wesendonck Lieder , five songs for voice and piano, setting poems by Mathilde. Two of these settings are explicitly subtitled by Wagner as "studies for Tristan und Isolde ". Among the conducting engagements that Wagner undertook for revenue during this period, he gave several concerts in 1855 with

5586-560: The Ring , and the other operas Wagner planned. Wagner also began to dictate his autobiography, Mein Leben , at the King's request. Wagner noted that his rescue by Ludwig coincided with news of the death of his earlier mentor (but later supposed enemy) Giacomo Meyerbeer , and regretted that "this operatic master, who had done me so much harm, should not have lived to see this day." After grave difficulties in rehearsal, Tristan und Isolde premiered at

5733-588: The St. Matthew Passion . Mendelssohn worked with the dramatist Karl Immermann to improve local theatre standards, and made his first appearance as an opera conductor in Immermann's production of Mozart's Don Giovanni at the end of 1833, where he took umbrage at the audience's protests about the cost of tickets. His frustration at his everyday duties in Düsseldorf, and the city's provincialism, led him to resign his position at

5880-597: The overture and incidental music for A Midsummer Night's Dream (which includes his " Wedding March "), the Italian Symphony , the Scottish Symphony , the oratorio St. Paul , the oratorio Elijah , the overture The Hebrides , the mature Violin Concerto , the String Octet , and the melody used in the Christmas carol " Hark! The Herald Angels Sing ". Mendelssohn's Songs Without Words are his most famous solo piano compositions. Mendelssohn's grandfather

6027-479: The 13 early string symphonies . These were written from 1821 to 1823, when he was between the ages of 12 and 14, principally for performance in the Mendelssohn household, and not published or publicly performed until long after his death. His first published works were his three piano quartets (1822–1825; Op. 1 in C minor, Op. 2 in F minor and Op. 3 in B minor); but his capacities are especially revealed in

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6174-477: The Bartholdy name was meant to demonstrate a decisive break with the traditions of his father Moses: "There can no more be a Christian Mendelssohn than there can be a Jewish Confucius ". (Letter to Felix of 8 July 1829). On embarking on his musical career, Felix did not entirely drop the name Mendelssohn as Abraham had requested, but in deference to his father signed his letters and had his visiting cards printed using

6321-589: The Emperor Pedro II of Brazil , Anton Bruckner , Camille Saint-Saëns and Pyotr Ilyich Tchaikovsky . Wagner was far from satisfied with the Festival; Cosima recorded that months later his attitude towards the productions was "Never again, never again!" Moreover, the festival finished with a deficit of about 150,000 marks. The expenses of Bayreuth and of Wahnfried meant that Wagner still sought further sources of income by conducting or taking on commissions such as

6468-634: The French newspaper Le Figaro , which called the music "the dream of a lunatic". The disillusioned included Wagner's (then) friend Friedrich Nietzsche , who, having published his eulogistic essay "Richard Wagner in Bayreuth" before the festival as part of his Untimely Meditations , was bitterly disappointed by what he saw as Wagner's pandering to increasingly exclusivist German nationalism; his breach with Wagner began at this time. The festival firmly established Wagner as an artist of European, and indeed world, importance: attendees included Kaiser Wilhelm I ,

6615-662: The Germania Orchestra under the baton of the Germania's conductor Carl Bergmann on April 2, 1853. A reviewer in the Journal of Music wrote: "It was the unanimous feeling that the 'Germanians' covered themselves with glory upon the occasion." By one account: In the fall of 1854 the Germania Musical Society came to an end at the height of its fame. ... Many of the players were determined to establish permanent homes and avoid

6762-416: The King's request, music for productions of Sophocles 's Antigone (1841 – an overture and seven pieces ) and Oedipus at Colonus (1845), A Midsummer Night's Dream (1843) and Racine 's Athalie (1845). But the funds for the school never materialised, and many of the court's promises to Mendelssohn regarding finances, title, and concert programming were broken. He was therefore not displeased to have

6909-592: The Leipzig church registers. She and her family moved to Geyer's residence in Dresden . Until he was fourteen, Wagner was known as Wilhelm Richard Geyer. He almost certainly thought that Geyer was his biological father. Geyer's love of the theatre came to be shared by his stepson, and Wagner took part in his performances. In his autobiography Mein Leben Wagner recalled once playing the part of an angel. In late 1820, Wagner

7056-504: The Prussian throne in 1840 with ambitions to develop Berlin as a cultural centre (including the establishment of a music school, and reform of music for the church), the obvious choice to head these reforms was Mendelssohn. He was reluctant to undertake the task, especially in the light of his existing strong position in Leipzig. Mendelssohn nonetheless spent some time in Berlin, writing some church music such as Die Deutsche Liturgie , and, at

7203-604: The Singakademie; Zelter, whose tastes in music were conservative, was also an admirer of the Bach tradition. This undoubtedly played a significant part in forming Felix Mendelssohn's musical tastes, as his works reflect this study of Baroque and early classical music. His fugues and chorales especially reflect a tonal clarity and use of counterpoint reminiscent of Johann Sebastian Bach , whose music influenced him deeply. Mendelssohn probably made his first public concert appearance at

7350-408: The Singakademie; but at a vote in January 1833 he was defeated for the post by Carl Friedrich Rungenhagen . This may have been because of Mendelssohn's youth, and fear of possible innovations; it was also suspected by some to be attributable to his Jewish ancestry. Following this rebuff, Mendelssohn divided most of his professional time over the next few years between Britain and Düsseldorf , where he

7497-402: The age of nine, when he participated in a chamber music concert accompanying a horn duo. He was a prolific composer from an early age. As an adolescent, his works were often performed at home with a private orchestra for the associates of his wealthy parents amongst the intellectual elite of Berlin. Between the ages of 12 and 14, Mendelssohn wrote 13 string symphonies for such concerts, and

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7644-553: The age of seven years, Mendelssohn was baptised with his brother and sisters in a private domestic ceremony by Johann Jakob Stegemann, Minister of the Evangelical congregation of Berlin's Jerusalem Church and New Church . Although Mendelssohn was a conforming Christian as a member of the Reformed Church, he was both conscious and proud of his Jewish ancestry and notably of his connection with his grandfather, Moses Mendelssohn. He

7791-485: The architect Gottfried Semper . Wagner's involvement in left-wing politics abruptly ended his welcome in Dresden. Wagner was active among socialist German nationalists there, regularly receiving such guests as the conductor and radical editor August Röckel and the Russian anarchist Mikhail Bakunin . He was also influenced by the ideas of Pierre-Joseph Proudhon and Ludwig Feuerbach . Widespread discontent came to

7938-629: The arts throughout the 20th century; his influence spread beyond composition into conducting, philosophy, literature, the visual arts and theatre. Richard Wagner was born on 22 May 1813 to an ethnic German family in Leipzig , then part of the Confederation of the Rhine . His family lived at No 3, the Brühl ( The House of the Red and White Lions ) in Leipzig's Jewish quarter . He was baptised at St. Thomas Church . He

8085-498: The backing of Zelter and the assistance of the actor Eduard Devrient , Mendelssohn arranged and conducted a performance in Berlin of Bach's St Matthew Passion . Four years previously his grandmother, Bella Salomon , had given him a copy of the manuscript of this (by then all-but-forgotten) masterpiece. The orchestra and choir for the performance were provided by the Berlin Singakademie. The success of this performance, one of

8232-632: The basis of the extensive collection of Mendelssohn manuscripts, including the so-called "Green Books" of his correspondence, now in the Bodleian Library at Oxford University. Cécile Mendelssohn Bartholdy died less than six years after her husband, on 25 September 1853. Mendelssohn became close to the Swedish soprano Jenny Lind , whom he met in October 1844. Papers confirming their relationship had not been made public. In 2013, George Biddlecombe confirmed in

8379-438: The beginning of his maturity as a composer." This Octet and his Overture to Shakespeare 's A Midsummer Night's Dream , which he wrote a year later in 1826, are the best-known of his early works. (Later, in 1843, he also wrote incidental music for the play, including the famous " Wedding March ".) The Overture is perhaps the earliest example of a concert overture  – that is, a piece not written deliberately to accompany

8526-410: The best education possible. Fanny became a pianist well known in Berlin musical circles as a composer; originally Abraham had thought that she, rather than Felix, would be the more musical. But it was not considered proper, by either Abraham or Felix, for a woman to pursue a career in music, so she remained an active but non-professional musician. Abraham was initially disinclined to allow Felix to follow

8673-420: The classical tradition had tended to be at the transition from the development section of the movement to the recapitulation; whereas Berlioz and other "modernists" sought to have the emotional climax at the end of a movement, if necessary by adding an extended coda to follow the recapitulation proper. Mendelssohn's solution to this problem was less sensational than Berlioz's approach, but was rooted in changing

8820-414: The contradictions between classical forms and the sentiments of Romanticism. The expressiveness of Romantic music presented a problem in adherence to sonata form ; the final ( recapitulation ) section of a movement could seem, in the context of Romantic style, a bland element without passion or soul. Furthermore, it could be seen as a pedantic delay before reaching the emotional climax of a movement, which in

8967-487: The couple had amassed such large debts that they fled Riga on the run from creditors. Debts plagued Wagner for most of his life. Initially the pair took a stormy sea passage to London, from which Wagner drew the inspiration for his opera Der fliegende Holländer ( The Flying Dutchman ), with a plot based on a sketch by Heinrich Heine . The Wagners settled in Paris in September 1839 and stayed there until 1842. Wagner made

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9114-549: The court, who were suspicious of his influence on the King. In December 1865, Ludwig was finally forced to ask the composer to leave Munich. He apparently also toyed with the idea of abdicating to follow his hero into exile, but Wagner quickly dissuaded him. Ludwig installed Wagner at the Villa Tribschen , beside Switzerland's Lake Lucerne . Die Meistersinger was completed at Tribschen in 1867, and premiered in Munich on 21 June

9261-433: The development of classical music; his Tristan und Isolde is sometimes described as marking the start of modern music . As he matured, he softened his ideological stance against traditional operatic forms (ie. arias, ensembles and choruses ), reintroducing them into his last few stage works, including Die Meistersinger von Nürnberg ( The Mastersingers of Nuremberg ) and Parsifal . To properly present his vision of

9408-525: The discomforts of touring. The Society had given approximately seven hundred concerts in the United States and one hundred matinees and soirees. ... The total sum of public performances exceeded nine hundred, with more than one million listeners. Band members, who had become U.S. citizens, settled in Baltimore, Boston, New York, Philadelphia, Syracuse and Chicago. This article about a classical ensemble

9555-435: The early Romantic period, such as Wagner, Berlioz and Franz Liszt . Whilst Mendelssohn admired Liszt's virtuosity at the keyboard, he found his music jejune. Berlioz said of Mendelssohn that he had "perhaps studied the music of the dead too closely." The musicologist Greg Vitercik considers that, while "Mendelssohn's music only rarely aspires to provoke", the stylistic innovations evident from his earliest works solve some of

9702-496: The effect as "to assimilate the dynamic trajectory of 'external form' to the 'logical' unfolding of the story of the theme". Richard Taruskin wrote that, although Mendelssohn produced works of extraordinary mastery at a very early age, he never outgrew his precocious youthful style. [...] He remained stylistically conservative [...] feeling no need to attract attention with a display of "revolutionary" novelty. Throughout his short career he remained comfortably faithful to

9849-581: The end of 1834. He had offers from both Munich and Leipzig for important musical posts, namely, direction of the Munich Opera , the editorship of the prestigious Leipzig music journal the Allgemeine musikalische Zeitung , and direction of the Leipzig Gewandhaus Orchestra ; he accepted the latter in 1835. In Leipzig, Mendelssohn concentrated on developing the town's musical life by working with

9996-548: The excuse to return to Leipzig. In 1843 Mendelssohn founded a major music school – the Leipzig Conservatory, now the Hochschule für Musik und Theater "Felix Mendelssohn Bartholdy" . where he persuaded Ignaz Moscheles and Robert Schumann to join him. Other prominent musicians, including the string players Ferdinand David and Joseph Joachim and the music theorist Moritz Hauptmann , also became staff members. After Mendelssohn's death in 1847, his musically conservative tradition

10143-422: The family home, " Wahnfried ", into which Wagner, with Cosima and the children, moved from their temporary accommodation on 18 April 1874. The theatre was completed in 1875, and the festival was scheduled for the following year. Commenting on the struggle to finish the building, Wagner remarked to Cosima: "Each stone is red with my blood and yours." For the design of the Festspielhaus, Wagner appropriated some of

10290-623: The family was assembled ... he began to talk incoherently in English. The stern voice of his father at last checked the wild torrent of words; they took him to bed, and a profound sleep of twelve hours restored him to his normal state". Such fits may be related to his early death. Mendelssohn was an enthusiastic visual artist who worked in pencil and watercolour , a skill which he enjoyed throughout his life. His correspondence indicates that he could write with considerable wit in German and English – his letters were sometimes accompanied by humorous sketches and cartoons. On 21 March 1816, at

10437-435: The festival was deferred. To raise funds for the construction, " Wagner societies " were formed in several cities, and Wagner began touring Germany conducting concerts. By the spring of 1873, only a third of the required funds had been raised; further pleas to Ludwig were initially ignored, but early in 1874, with the project on the verge of collapse, the King relented and provided a loan. The full building programme included

10584-474: The first evening of the complete Ring cycle; the 1876 Bayreuth Festival therefore saw the premiere of the complete cycle, performed as a sequence as the composer had intended. The 1876 Festival consisted of three full Ring cycles (under the baton of Hans Richter ). At the end, critical reactions ranged between that of the Norwegian composer Edvard Grieg , who thought the work "divinely composed", and that of

10731-583: The first half of the 16-hour, four-opera cycle Der Ring des Nibelungen ( The Ring of the Nibelung , also known simply as The Ring ). Wagner's compositions, particularly those of his later period, are notable for their complex textures , rich harmonies and orchestration , and the elaborate use of leitmotifs —musical phrases associated with individual characters, places, ideas, or plot elements. His advances in musical language, such as extreme chromaticism and quickly shifting tonal centres , greatly influenced

10878-444: The following year. At Ludwig's insistence, "special previews" of the first two works of the Ring , Das Rheingold and Die Walküre , were performed at Munich in 1869 and 1870, but Wagner retained his dream, first expressed in "A Communication to My Friends", to present the first complete cycle at a special festival with a new, dedicated, opera house . Minna died of a heart attack on 25 January 1866 in Dresden. Wagner did not attend

11025-550: The form 'Mendelssohn Bartholdy'. In 1829, his sister Fanny wrote to him of "Bartholdy [...] this name that we all dislike". Mendelssohn began taking piano lessons from his mother when he was six, and at seven was tutored by Marie Bigot in Paris. Later in Berlin, all four Mendelssohn children studied piano with Ludwig Berger , who was himself a former student of Muzio Clementi . From at least May 1819 Mendelssohn (initially with his sister Fanny) studied counterpoint and composition with Carl Friedrich Zelter in Berlin. This

11172-416: The funeral. Following Minna's death Cosima wrote to Hans von Bülow several times asking him to grant her a divorce, but Bülow refused to concede this. He consented only after she had two more children with Wagner: another daughter, named Eva, after the heroine of Meistersinger , and a son Siegfried , named after the hero of the Ring . The divorce was finally sanctioned, after delays in the legal process, by

11319-514: The household that "Europe came to their living room". Abraham Mendelssohn renounced the Jewish religion prior to Felix's birth and he and his wife decided against having Felix circumcised . Felix and his siblings were at first brought up without religious education; on 21 March 1816, they were baptized in a private ceremony in the family's Berlin apartment by the Reformed Protestant minister of

11466-428: The ideas of his former colleague, Gottfried Semper, which he had previously solicited for a proposed new opera house in Munich. Wagner was responsible for several theatrical innovations at Bayreuth; these include darkening the auditorium during performances, and placing the orchestra in a pit out of view of the audience. The Festspielhaus finally opened on 13 August 1876 with Das Rheingold , at last taking its place as

11613-524: The importance of the orchestra is equal to that of the singers. The orchestra's dramatic role in the later operas includes the use of leitmotifs , musical phrases that can be interpreted as announcing specific characters, locales, and plot elements; their complex interweaving and evolution illuminate the progression of the drama. These operas are still, despite Wagner's reservations, referred to by many writers as "music dramas". Wagner's earliest attempts at opera were often uncompleted. Abandoned works include

11760-750: The impression it produced on me," and claimed that the "profoundly human and ecstatic performance of this incomparable artist" kindled in him an "almost demonic fire". In 1831, Wagner enrolled at the Leipzig University , where he became a member of the Saxon student fraternity . He took composition lessons with the Thomaskantor Theodor Weinlig . Weinlig was so impressed with Wagner's musical ability that he refused any payment for his lessons. He arranged for his pupil's Piano Sonata in B-flat major (which

11907-534: The journal Bayreuther Blätter , published by his supporter Hans von Wolzogen . Wagner's sudden interest in Christianity at this period, which infuses Parsifal , was contemporary with his increasing alignment with German nationalism , and required on his part, and the part of his associates, "the rewriting of some recent Wagnerian history", so as to represent, for example, the Ring as a work reflecting Christian ideals. Many of these later articles, including "What

12054-551: The last of his middle-period operas, before the Dresden uprising, and now wrote desperately to his friend Franz Liszt to have it staged in his absence. Liszt conducted the premiere in Weimar in August 1850. Nevertheless, Wagner was in grim personal straits, isolated from the German musical world and without any regular income. In 1850, Julie, the wife of his friend Karl Ritter, began to pay him

12201-471: The last time: they parted irrevocably, though Wagner continued to give financial support to her while she lived in Dresden until her death in 1866. In Biebrich, Wagner, at last, began work on Die Meistersinger von Nürnberg , his only mature comedy. Wagner wrote a first draft of the libretto in 1845, and he had resolved to develop it during a visit he had made to Venice with the Wesendoncks in 1860, where he

12348-554: The legend of the Lorelei Rhine maidens; the opera was unfinished at his death. He is said to have tailored the aria "Hear Ye Israel", in his oratorio Elijah , to Lind's voice, although she did not sing the part until after his death, at a concert in December 1848. In 1847, Mendelssohn attended a London performance of Meyerbeer's Robert le diable  – an opera that musically he despised – in order to hear Lind's British debut, in

12495-527: The masses in order to achieve fame and financial success, rather than creating genuine works of art. In " Opera and Drama " (1851), Wagner described the aesthetics of music drama that he was using to create the Ring cycle. Before leaving Dresden, Wagner had drafted a scenario that eventually became Der Ring des Nibelungen . He initially wrote the libretto for a single opera, Siegfried's Tod ( Siegfried's Death ), in 1848. After arriving in Zürich, he expanded

12642-429: The memoirs of the composer's circle", including Hensel's. The nickname "discontented Polish count" was given to Mendelssohn on account of his aloofness, and he referred to the epithet in his letters. He was frequently given to fits of temper which occasionally led to collapse. Devrient mentions that on one occasion in the 1830s, when his wishes had been crossed, "his excitement was increased so fearfully ... that when

12789-516: The most important event of his life. His personal circumstances certainly made him an easy convert to what he understood to be Schopenhauer's philosophy, sometimes categorised as " philosophical pessimism ". He remained an adherent of Schopenhauer for the rest of his life. One of Schopenhauer's doctrines was that music held a supreme role in the arts as a direct expression of the world's essence, namely, blind, impulsive will. This doctrine contradicted Wagner's view, expressed in "Opera and Drama", that

12936-418: The music in opera had to be subservient to the drama. Wagner scholars have argued that Schopenhauer's influence caused Wagner to assign a more commanding role to music in his later operas, including the latter half of the Ring cycle, which he had yet to compose. Aspects of Schopenhauerian doctrine found their way into Wagner's subsequent libretti. A second source of inspiration was Wagner's infatuation with

13083-485: The musical status quo – that is, the "classical" forms, as they were already thought of by his time. His version of romanticism, already evident in his earliest works, consisted in musical "pictorialism" of a fairly conventional, objective nature (though exquisitely wrought). The young Mendelssohn was greatly influenced in his childhood by the music of both J. S. Bach and C. P. E. Bach , and of Beethoven, Joseph Haydn and Mozart; traces of these composers can be seen in

13230-423: The one who most clearly sees through the contradictions of the age and for the first time reconciles them." This appreciation brings to the fore two features that characterized Mendelssohn's compositions and his compositional process. First, that his inspiration for musical style was rooted in his technical mastery and his interpretation of the style of previous masters, although he certainly recognized and developed

13377-573: The only person who brought fulfillment to my spirit, and almost as soon as I found him I lost him again." In 1849, she established the Mendelssohn Scholarship Foundation, which makes an award to a young resident British composer every two years in Mendelssohn's memory. The first winner of the scholarship, in 1856, was Arthur Sullivan , then aged 14. In 1869, Lind erected a plaque in Mendelssohn's memory at his birthplace in Hamburg. Something of Mendelssohn's intense attachment to his personal vision of music

13524-478: The operas he had previously written through Lohengrin. Partly in an attempt to explain his change of views, Wagner published in 1851 the autobiographical " A Communication to My Friends ". This included his first public announcement of what was to become the Ring cycle: I shall never write an Opera more. As I have no wish to invent an arbitrary title for my works, I will call them Dramas ... I propose to produce my myth in three complete dramas, preceded by

13671-545: The opinion of R. Larry Todd justifies claims frequently made that Mendelssohn's precocity exceeded even that of Mozart in its intellectual grasp. A 2009 survey by the BBC of 16 music critics opined that Mendelssohn was the greatest composing prodigy in the history of Western classical music. Richard Wagner Wilhelm Richard Wagner ( / ˈ v ɑː ɡ n ər / VAHG -nər ; German: [ˈʁɪçaʁt ˈvaːɡnɐ] ; 22 May 1813 – 13 February 1883)

13818-475: The orchestra, the opera house, the Thomanerchor (of which Bach had been a director), and the city's other choral and musical institutions. Mendelssohn's concerts included, in addition to many of his own works, three series of "historical concerts" featuring music of the eighteenth century, and a number of works by his contemporaries. He was deluged by offers of music from rising and would-be composers; among these

13965-603: The pit unseen during act 3, took the baton from conductor Hermann Levi , and led the performance to its conclusion. After the festival, the Wagner family journeyed to Venice for the winter. Wagner died of a heart attack at the age of 69 on 13 February 1883 at Ca' Vendramin Calergi , a 16th-century palazzo on the Grand Canal . The legend that the attack was prompted by an argument with Cosima over Wagner's supposedly amorous interest in

14112-561: The poet-writer Mathilde Wesendonck , the wife of the silk merchant Otto Wesendonck. Wagner met the Wesendoncks, who were both great admirers of his music, in Zürich in 1852. From May 1853 onwards Wesendonck made several loans to Wagner to finance his household expenses in Zürich, and in 1857 placed a cottage on his estate at Wagner's disposal, which became known as the Asyl ("asylum" or "place of rest"). During this period, Wagner's growing passion for his patron's wife inspired him to put aside work on

14259-425: The premiere – and sole performance in his lifetime – of Mendelssohn's opera Die Hochzeit des Camacho . The failure of this production left him disinclined to venture into the genre again. Besides music, Mendelssohn's education included art, literature, languages, and philosophy. He had a particular interest in classical literature and translated Terence 's Andria for his tutor Heyse in 1825; Heyse

14406-421: The role of Alice. The music critic Henry Chorley , who was with him, wrote: "I see as I write the smile with which Mendelssohn, whose enjoyment of Mdlle. Lind's talent was unlimited, turned round and looked at me, as if a load of anxiety had been taken off his mind. His attachment to Mdlle. Lind's genius as a singer was unbounded, as was his desire for her success." Upon Mendelssohn's death, Lind wrote: "[He was]

14553-460: The same relation to the Mozart of that time that the cultivated talk of a grown-up person bears to the prattle of a child." Mendelssohn was invited to meet Goethe on several later occasions, and set a number of Goethe's poems to music. His other compositions inspired by Goethe include the overture Calm Sea and Prosperous Voyage (Op. 27, 1828), and the cantata Die erste Walpurgisnacht ( The First Walpurgis Night , Op. 60, 1832). In 1829, with

14700-441: The second act); but the opportunity was also exploited by those who wanted to use the occasion as a veiled political protest against the pro-Austrian policies of Napoleon III . It was during this visit that Wagner met the French poet Charles Baudelaire , who wrote an appreciative brochure, " Richard Wagner et Tannhäuser à Paris ". The opera was withdrawn after the third performance and Wagner left Paris soon after. He had sought

14847-716: The singer Carrie Pringle , who had been a Flower-maiden in Parsifal at Bayreuth, is without credible evidence. After a funerary gondola bore Wagner's remains over the Grand Canal, his body was taken to Germany where it was buried in the garden of the Villa Wahnfried in Bayreuth. Wagner's musical output is listed by the Wagner-Werk-Verzeichnis (WWV) as comprising 113 works, including fragments and projects. The first complete scholarly edition of his musical works in print

14994-419: The slightest and most humorous allusions". Thus for example in a letter to his sister Rebecka, Mendelssohn rebukes her complaint about an unpleasant relative: "What do you mean by saying you are not hostile to Jews? I hope this was a joke [...] It is really sweet of you that you do not despise your family, isn't it?" Some modern scholars have devoted considerable energy to demonstrate either that Mendelssohn

15141-423: The story with Der junge Siegfried ( Young Siegfried ), which explored the hero's background. He completed the text of the cycle by writing the libretti for Die Walküre ( The Valkyrie ) and Das Rheingold ( The Rhine Gold ) and revising the other libretti to conform to his new concept, completing them in 1852. The concept of opera expressed in "Opera and Drama" and in other essays effectively renounced all

15288-450: The strains of early Romanticism in the music of Beethoven and Weber. The historian James Garratt writes that from his early career, "the view emerged that Mendelssohn's engagement with early music was a defining aspect of his creativity." This approach was recognized by Mendelssohn himself, who wrote that, in his meetings with Goethe, he gave the poet "historical exhibitions" at the keyboard; "every morning, for about an hour, I have to play

15435-614: The strong support of Giacomo Meyerbeer , it was accepted for performance by the Dresden Court Theatre ( Hofoper ) in the Kingdom of Saxony , and in 1842 Wagner moved to Dresden. His relief at returning to Germany was recorded in his " Autobiographic Sketch " of 1842, where he wrote that, en route from Paris, "For the first time I saw the Rhine —with hot tears in my eyes, I, poor artist, swore eternal fidelity to my German fatherland." Rienzi

15582-401: The structural balance of the formal components of the movement. Thus typically in a Mendelssohnian movement, the development-recapitulation transition might not be strongly marked, and the recapitulation section would be harmonically or melodically varied so as not to be a direct copy of the opening, exposition , section; this allowed a logical movement towards a final climax. Vitercik summarizes

15729-553: The summer of 1844, he conducted five of the Philharmonic concerts in London, and wrote: "[N]ever before was anything like this season – we never went to bed before half-past one, every hour of every day was filled with engagements three weeks beforehand, and I got through more music in two months than in all the rest of the year." (Letter to Rebecka Mendelssohn Bartholdy, Soden, 22 July 1844). On subsequent visits Mendelssohn met Queen Victoria and her husband Prince Albert , himself

15876-412: The task of writing the libretto (the text and lyrics) to others, Wagner wrote his own libretti, which he referred to as "poems". From 1849 onwards, he urged a new concept of opera often referred to as "music drama" (although he later rejected this term), in which all musical, poetic and dramatic elements were to be fused together—the Gesamtkunstwerk . Wagner developed a compositional style in which

16023-695: The theatre in Würzburg . In the same year, at the age of 20, Wagner composed his first complete opera, Die Feen ( The Fairies ). This work, which imitated the style of Weber, went unproduced until half a century later, when it was premiered in Munich shortly after the composer's death in 1883. Having returned to Leipzig in 1834, Wagner held a brief appointment as musical director at the opera house in Magdeburg during which he wrote Das Liebesverbot ( The Ban on Love ), based on Shakespeare's Measure for Measure . This

16170-572: The theatre. The two married in Tragheim Church on 24 November 1836. In May 1837, Minna left Wagner for another man, and this was only the first débâcle of a tempestuous marriage. In June 1837, Wagner moved to Riga (then in the Russian Empire ), where he became music director of the local opera; having in this capacity engaged Minna's sister Amalie (also a singer) for the theatre, he presently resumed relations with Minna during 1838. By 1839,

16317-465: The theatre. The Wagners moved to the town the following year, and the foundation stone for the Bayreuth Festspielhaus ("Festival Theatre") was laid. Wagner initially announced the first Bayreuth Festival, at which for the first time the Ring cycle was presented complete, for 1873, but since Ludwig had declined to finance the project, the start of building was delayed and the proposed date for

16464-608: The third Ring drama, which he now called simply Siegfried , probably in September 1856, but by June 1857 he had completed only the first two acts. He decided to put the work aside to concentrate on a new idea: Tristan und Isolde , based on the Arthurian love story Tristan and Iseult . One source of inspiration for Tristan und Isolde was the philosophy of Arthur Schopenhauer , notably his The World as Will and Representation , to which Wagner had been introduced in 1854 by his poet friend Georg Herwegh . Wagner later called this

16611-426: The throne of Bavaria at the age of 18. The young king, an ardent admirer of Wagner's operas, had the composer brought to Munich. The King, who was homosexual, expressed in his correspondence a passionate personal adoration for the composer, and Wagner in his responses had no scruples about feigning reciprocal feelings. Ludwig settled Wagner's considerable debts and proposed to stage Tristan , Die Meistersinger ,

16758-463: The very few since Bach's death and the first ever outside of Leipzig , was the central event in the revival of Bach's music in Germany and, eventually, throughout Europe. It earned Mendelssohn widespread acclaim at the age of 20. It also led to one of the few explicit references which Mendelssohn made to his origins: "To think that it took an actor and a Jew's son to revive the greatest Christian music for

16905-521: The works, Wagner had his own opera house built to his specifications: the Bayreuth Festspielhaus , which featured many innovative design elements intended to immerse the audience in the drama. The premieres of The Ring and Parsifal took place there, and his most important stage works are performed at the annual Bayreuth Festival . The early success of the festival was secured by the efforts of his wife, Cosima Wagner , and has since been maintained by their descendants , attracting audiences from around

17052-622: The world!" Over the next few years Mendelssohn travelled widely. His first visit to England was in 1829; other places visited during the 1830s included Vienna, Florence, Milan, Rome and Naples, in all of which he met with local and visiting musicians and artists. These years proved to be the germination for some of his most famous works, including the Hebrides Overture and the Scottish and Italian symphonies. On Zelter's death in 1832, Mendelssohn had hopes of succeeding him as conductor of

17199-452: The world. Wagner's unorthodox operas, essays, and personal dealings engendered considerable controversy during his lifetime, and continue to do so. Declared a "genius" by some and a "disease" by others, his music is widely performed, but his views on religion, politics, and social life are debated—most notably on the extent to which his antisemitism finds expression in his stage and prose works. The effect of his ideas can be traced in many of

17346-603: The writer Johann Wolfgang von Goethe (then in his seventies), who was greatly impressed by the child, leading to perhaps the earliest confirmed comparison with Mozart in the following conversation between Goethe and Zelter: "Musical prodigies ... are probably no longer so rare; but what this little man can do in extemporizing and playing at sight borders the miraculous, and I could not have believed it possible at so early an age." "And yet you heard Mozart in his seventh year at Frankfurt?" said Zelter. "Yes", answered Goethe, "... but what your pupil already accomplishes, bears

17493-452: Was Richard Wagner , who submitted his early Symphony , the score of which, to Wagner's disgust, Mendelssohn lost or mislaid. Mendelssohn also revived interest in the music of Franz Schubert . Robert Schumann discovered the manuscript of Schubert's Ninth Symphony and sent it to Mendelssohn, who promptly premiered it in Leipzig on 21 March 1839, more than a decade after Schubert's death. A landmark event during Mendelssohn's Leipzig years

17640-461: Was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, " music dramas "). Unlike most opera composers, Wagner wrote both the libretto and the music for each of his stage works. Initially establishing his reputation as a composer of works in the romantic vein of Carl Maria von Weber and Giacomo Meyerbeer , Wagner revolutionised opera through his concept of

17787-598: Was a member of the Itzig family and a sister of Jakob Salomon Bartholdy . Mendelssohn was the second of four children; his older sister Fanny also displayed exceptional and precocious musical talent. The family moved to Berlin in 1811, leaving Hamburg in disguise in fear of French reprisal for the Mendelssohn bank 's role in breaking Napoleon 's Continental System blockade. Abraham and Lea Mendelssohn sought to give their children – Fanny, Felix, Paul and Rebecka  –

17934-707: Was also much troubled by problems of financing Parsifal , and by the prospect of the work being performed by other theatres than Bayreuth. He was once again assisted by the liberality of King Ludwig, but was still forced by his personal financial situation in 1877 to sell the rights of several of his unpublished works (including the Siegfried Idyll ) to the publisher Schott . Wagner wrote several articles in his later years, often on political topics, and often reactionary in tone, repudiating some of his earlier, more liberal, views. These include "Religion and Art" (1880) and "Heroism and Christianity" (1881), which were printed in

18081-549: Was an important influence on his future career. Zelter had almost certainly been recommended as a teacher by his aunt Sarah Levy , who had been a pupil of W. F. Bach and a patron of C. P. E. Bach . Sarah Levy displayed some talent as a keyboard player, and often played with Zelter's orchestra at the Berliner Singakademie ; she and the Mendelssohn family were among its leading patrons. Sarah had formed an important collection of Bach family manuscripts, which she bequeathed to

18228-571: Was appointed musical director (his first paid post as a musician) in 1833. In the spring of that year Mendelssohn directed the Lower Rhenish Music Festival in Düsseldorf, beginning with a performance of George Frideric Handel 's oratorio Israel in Egypt prepared from the original score, which he had found in London. This precipitated a Handel revival in Germany, similar to the reawakened interest in J. S. Bach following his performance of

18375-528: Was carried on when Moscheles succeeded him as head of the Conservatory. Mendelssohn first visited Britain in 1829, where Moscheles, who had already settled in London, introduced him to influential musical circles. In the summer he visited Edinburgh , where he met among others the composer John Thomson , whom he later recommended for the post of professor of music at Edinburgh University . He made ten visits to Britain, lasting altogether about 20 months; he won

18522-614: Was commenced in 1970 under the aegis of the Bavarian Academy of Fine Arts and the Akademie der Wissenschaften und der Literatur of Mainz , and is presently under the editorship of Egon Voss . It will consist of 21 volumes (57 books) of music and 10 volumes (13 books) of relevant documents and texts. As at October 2017, three volumes remain to be published. The publisher is Schott Music . Wagner's operatic works are his primary artistic legacy. Unlike most opera composers, who generally left

18669-513: Was consequently dedicated to him) to be published as Wagner's Op. 1. A year later, Wagner composed his Symphony in C major , a Beethovenesque work performed in Prague in 1832 and at the Leipzig Gewandhaus in 1833. He then began to work on an opera, Die Hochzeit ( The Wedding ), which he never completed. In 1833, Wagner's brother Albert managed to obtain for him a position as choirmaster at

18816-634: Was deeply sympathetic to his ancestors' Jewish beliefs, or that he was hostile to this and sincere in his Christian beliefs. Throughout his life Mendelssohn was wary of the more radical musical developments undertaken by some of his contemporaries. He was generally on friendly, if sometimes somewhat cool, terms with Hector Berlioz , Franz Liszt , and Giacomo Meyerbeer , but in his letters expresses his frank disapproval of their works, for example writing of Liszt that his compositions were "inferior to his playing, and […] only calculated for virtuosos"; of Berlioz's overture Les francs-juges "[T]he orchestration

18963-529: Was determined to set it to music and persuaded his family to allow him music lessons. By 1827, the family had returned to Leipzig. Wagner's first lessons in harmony were taken during 1828–1831 with Christian Gottlieb Müller. In January 1828 he first heard Beethoven 's 7th Symphony and then, in March, the same composer's 9th Symphony , both at the Gewandhaus . Beethoven became a major inspiration, and Wagner wrote

19110-529: Was enrolled at Pastor Wetzel's school at Possendorf, near Dresden, where he received some piano instruction from his Latin teacher. He struggled to play a proper scale at the keyboard and preferred playing theatre overtures by ear . Following Geyer's death in 1821, Richard was sent to the Kreuzschule , the boarding school of the Dresdner Kreuzchor , at the expense of Geyer's brother. At the age of nine he

19257-563: Was falling into a deepening depression . Wagner fell victim to ill health, according to Ernest Newman "largely a matter of overwrought nerves", which made it difficult for him to continue writing. Wagner's primary published output during his first years in Zürich was a set of essays. In " The Artwork of the Future " (1849), he described a vision of opera as Gesamtkunstwerk (total work of art), in which music, song, dance, poetry, visual arts and stagecraft were unified. " Judaism in Music " (1850)

19404-853: Was for a time mistakenly attributed to him after being lost and rediscovered in the 1970s. Mendelssohn enjoyed early success in Germany, and revived interest in the music of Johann Sebastian Bach , notably with his performance of the St Matthew Passion in 1829. He became well received in his travels throughout Europe as a composer, conductor and soloist; his ten visits to Britain – during which many of his major works were premiered – form an important part of his adult career. His essentially conservative musical tastes set him apart from more adventurous musical contemporaries, such as Franz Liszt , Richard Wagner , Charles-Valentin Alkan and Hector Berlioz . The Leipzig Conservatory , which he founded, became

19551-563: Was hugely impressed by the Gothic elements of Carl Maria von Weber 's opera Der Freischütz , which he saw Weber conduct. At this period Wagner entertained ambitions as a playwright. His first creative effort, listed in the Wagner-Werk-Verzeichnis (the standard listing of Wagner's works) as WWV 1, was a tragedy called Leubald . Begun when he was in school in 1826, the play was strongly influenced by Shakespeare and Goethe . Wagner

19698-502: Was impressed and had it published in 1826 as a work of "his pupil, F****" [i.e. "Felix" (asterisks as provided in original text)]. This translation also qualified Mendelssohn to study at the University of Berlin , where from 1826 to 1829 he attended lectures on aesthetics by Georg Wilhelm Friedrich Hegel , on history by Eduard Gans , and on geography by Carl Ritter . In 1821 Zelter introduced Mendelssohn to his friend and correspondent,

19845-462: Was inspired by Titian 's painting The Assumption of the Virgin . Throughout this period (1861–1864) Wagner sought to have Tristan und Isolde produced in Vienna. Despite many rehearsals, the opera remained unperformed, and gained a reputation as being "impossible" to sing, which added to Wagner's financial problems. Wagner's fortunes took a dramatic upturn in 1864, when King Ludwig II succeeded to

19992-631: Was left with impaired health; he died in 1851. The eldest, Carl Mendelssohn Bartholdy (7 February 1838 – 23 February 1897), became a historian, and professor of history at Heidelberg and Freiburg universities; he died in a psychiatric institution in Freiburg aged 59. Paul Mendelssohn Bartholdy (1841–1880) was a noted chemist and pioneered the manufacture of aniline dye. Marie married Victor Benecke and lived in London. Lili married Adolf Wach , later professor of law at Leipzig University . The family papers inherited by Marie's and Lili's children form

20139-514: Was placed at 4 Hobart Place in Belgravia , London, in 2013. His protégé, the British composer and pianist William Sterndale Bennett , worked closely with Mendelssohn during this period, both in London and Leipzig. He first heard Bennett perform in London in 1833 aged 17. Bennett appeared with Mendelssohn in concerts in Leipzig throughout the 1836/1837 season. On Mendelssohn's eighth British visit in

20286-458: Was so upset that he immediately went to get a haircut to differentiate himself. In particular, Mendelssohn seems to have regarded Paris and its music with the greatest of suspicion and an almost puritanical distaste. Attempts made during his visit there to interest him in Saint-Simonianism ended in embarrassing scenes. It is significant that the only musician with whom Mendelssohn remained

20433-426: Was staged at Magdeburg in 1836 but closed before the second performance; this, together with the financial collapse of the theatre company employing him, left the composer in bankruptcy. Wagner had fallen for one of the leading ladies at Magdeburg, the actress Christine Wilhelmine "Minna" Planer , and after the disaster of Das Liebesverbot he followed her to Königsberg , where she helped him to get an engagement at

20580-497: Was staged to considerable acclaim on 20 October. Wagner lived in Dresden for the next six years, eventually being appointed the Royal Saxon Court Conductor. During this period, he staged there Der fliegende Holländer (2 January 1843) and Tannhäuser (19 October 1845), the first two of his three middle-period operas. Wagner also mixed with artistic circles in Dresden, including the composer Ferdinand Hiller and

20727-498: Was the first of Wagner's writings to feature antisemitic views. In this polemic Wagner asserted—often with vulgar, abusive language—that Jews lived as "outsiders" amid European societies and were disconnected from the national spirit ( Volksgeist ) of these countries, thus capable of producing only shallow and artificial imitations of European art music, despite having achieved technical proficiency in its study. According to Wagner, Jews such as Meyerbeer commercialised music catered to

20874-434: Was the ninth child of Carl Friedrich Wagner, a clerk in the Leipzig police service, and his wife, Johanna Rosine (née Pätz), the daughter of a baker. Wagner's father Carl died of typhoid fever six months after Richard's birth. Afterwards, his mother Johanna lived with Carl's friend, the actor and playwright Ludwig Geyer . In August 1814 Johanna and Geyer probably married, although no documentation of this has been found in

21021-626: Was the premiere of his oratorio Paulus , (the English version of this is known as St. Paul ), given at the Lower Rhenish Festival in Düsseldorf in 1836, shortly after the death of the composer's father, which affected him greatly; Felix wrote that he would "never cease to endeavour to gain his approval ... although I can no longer enjoy it". St. Paul seemed to many of Mendelssohn's contemporaries to be his finest work, and sealed his European reputation. When Friedrich Wilhelm IV came to

21168-457: Was the prime mover in proposing to the publisher Heinrich Brockhaus a complete edition of Moses' works, which continued with the support of his uncle, Joseph Mendelssohn . Felix was notably reluctant, either in his letters or conversation, to comment on his innermost beliefs; his friend Devrient wrote that "[his] deep convictions were never uttered in intercourse with the world; only in rare and intimate moments did they ever appear, and then only in

21315-573: Was the renowned Jewish philosopher Moses Mendelssohn , but Felix was initially raised without religion until he was baptised aged seven into the Reformed Christian church. He was recognised early as a musical prodigy , but his parents were cautious and did not seek to capitalise on his talent. His sister Fanny Mendelssohn received a similar musical education and was a talented composer and pianist in her own right; some of her early songs were published under her brother's name and her Easter Sonata

21462-675: Was the soloist in Beethoven 's Piano Concerto No. 4 and conducted his own Scottish Symphony with the Philharmonic Orchestra before the Queen and Prince Albert. Mendelssohn suffered from poor health in the final years of his life, probably aggravated by nervous problems and overwork. A final tour of England left him exhausted and ill, and the death of his sister, Fanny, on 14 May 1847, caused him further distress. Less than six months later, on 4 November, aged 38, Mendelssohn died in Leipzig after

21609-520: Was withdrawn after its first performance. Rienzi (1842) was Wagner's first opera to be successfully staged. The compositional style of these early works was conventional—the relatively more sophisticated Rienzi showing the clear influence of Grand Opera à la Spontini and Meyerbeer—and did not exhibit the innovations that would mark Wagner's place in musical history. Later in life, Wagner said that he did not consider these works to be part of his oeuvre , and they have been performed only rarely in

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