Misplaced Pages

Franz Schreker

Article snapshot taken from Wikipedia with creative commons attribution-sharealike license. Give it a read and then ask your questions in the chat. We can research this topic together.

Der Schatzgräber ( The Treasure Hunter ) is an opera in a prologue, four acts and an epilogue by Franz Schreker with a libretto by the composer.

#792207

61-468: Franz Schreker (originally Schrecker ; 23 March 1878 – 21 March 1934) was an Austrian composer , conductor , librettist, teacher and administrator. Primarily a composer of operas , Schreker developed a style characterized by aesthetic plurality (a mixture of Romanticism , Naturalism , Symbolism , Impressionism , Expressionism and Neue Sachlichkeit ), timbral experimentation, strategies of extended tonality and conception of total music theatre into

122-573: A composition , and it is then transmitted via oral tradition . Conversely, in some Western classical traditions music may be composed aurally—i.e. "in the mind of the musician"—and subsequently written and passed through written documents . In the development of European classical music , the function of composing music initially did not have much greater importance than that of performing it. The preservation of individual compositions did not receive enormous attention and musicians generally had no qualms about modifying compositions for performance. In

183-532: A singer in a choir , as a player in a youth orchestra , or as a performer on a solo instrument (e.g., piano , pipe organ , or violin ). Teens aspiring to be composers can continue their postsecondary studies in a variety of formal training settings, including colleges, conservatories, and universities. Conservatories , which are the standard musical training system in countries such as France and Canada, provide lessons and amateur orchestral and choral singing experience for composition students. Universities offer

244-467: A breeze, to avant-garde music from the 20th century that uses graphic notation , to text compositions such as Aus den Sieben Tagen , to computer programs that select sounds for musical pieces. Music that makes heavy use of randomness and chance is called aleatoric music , and is associated with contemporary composers active in the 20th century, such as John Cage , Morton Feldman , and Witold Lutosławski . The nature and means of individual variation of

305-426: A composition professor , ensemble experience, and graduate courses in music history and music theory, along with one or two concerts featuring the composition student's pieces. A master's degree in music (referred to as an M.Mus. or M.M.) is often a required minimum credential for people who wish to teach composition at a university or conservatory. A composer with an M.Mus. could be an adjunct professor or instructor at

366-412: A culture eventually developed whereby faithfulness to the composer's written intention came to be highly valued (see, for example, Urtext edition ). This musical culture is almost certainly related to the high esteem (bordering on veneration) in which the leading classical composers are often held by performers. The historically informed performance movement has revived to some extent the possibility of

427-432: A given place is referred to as performance practice , whereas interpretation is generally used to mean the individual choices of a performer. Although a musical composition often has a single author, this is not always the case. A work of music can have multiple composers, which often occurs in popular music when a band collaborates to write a song, or in musical theatre , where the songs may be written by one person,

488-401: A highly individual harmonic language, which, although broadly tonal, is inflected with chromatic and polytonal passages. Schreker also took musical inspiration from his close friend Arnold Schoenberg with the use of expressionist style. The Third Reich banned Schreker's music along with that of many other composers of Jewish origin. His early death in 1934 at the age of 55, together with

549-807: A new production conducted by Marc Albrecht and directed by Ivo van Hove , in September 2012. In May 2022, the Deutsche Oper Berlin staged a new production by Christof Loy , conducted by Marc Albrecht with Elisabet Strid and Daniel Johansson in the leading roles. This was recorded and released by Naxos in 2023. This production was also staged at the Opéra national du Rhin in Strasbourg in October 2022 conducted by Marko Letonja . The queen has lost her jewels, and with them her beauty and fertility. The king seeks

610-441: A performer of Western popular music creates a "cover" of an earlier song, there is little expectation of exact rendition of the original; nor is exact faithfulness necessarily highly valued (with the possible exception of "note-for-note" transcriptions of famous guitar solos ). In Western art music, the composer typically orchestrates their compositions, but in musical theatre and pop music, songwriters may hire an arranger to do

671-600: A provisional teaching appointment at the Conservatory where Schreker had studied, now the Vienna Music Academy . In early 1913 he was appointed full professor . Schreker wrote his own libretti for all of his mature operas. This breakthrough heralds a decade of great success for the composer. His next opera, Das Spielwerk und die Prinzessin , which was given simultaneous premières in Frankfurt and Vienna on 15 March 1913

SECTION 10

#1732852439793

732-473: A range of composition programs, including bachelor's degrees, Master of Music degrees, and Doctor of Musical Arts degrees. As well, there are a variety of other training programs such as classical summer camps and festivals, which give students the opportunity to get coaching from composers. Bachelor's degrees in composition (referred to as B.Mus. or B.M) are four-year programs that include individual composition lessons, amateur orchestra/choral experience, and

793-506: A second: Der ferne Klang during the Bard Summerscape Festival. Australian composer, pianist, and conductor David Stanhope included Scheker's Prelude to a Drama in his recording Tall Poppies TP274 David Stanhope live in concert with Sydney Symphony Orchestra : Franz Schreker Prelude to a Drama , and Rachmaninoff Symphonic Dances . Principal publisher: Universal Edition Notes Sources Composer A composer

854-453: A sequence of courses in music history, music theory, and liberal arts courses (e.g., English literature), which give the student a more well-rounded education. Usually, composition students must complete significant pieces or songs before graduating. Not all composers hold a B.Mus. in composition; composers may also hold a B.Mus. in music performance or music theory. Master of Music degrees (M.mus.) in composition consists of private lessons with

915-459: A tendency to cluster in specific cities throughout history. Based on over 12,000 prominent composers listed in Grove Music Online and using word count measurement techniques, the most important cities for classical music can be quantitatively identified. Paris has been the main hub for western classical music in all periods. It was ranked fifth in the 15th and 16th centuries but first in

976-676: A university, but it would be difficult in the 2010s to obtain a tenure track professor position with this degree. To become a tenure track professor, many universities require a doctoral degree . In composition, the key doctoral degree is the Doctor of Musical Arts , rather than the PhD ; the PhD is awarded in music, but typically for subjects such as musicology and music theory . Doctor of Musical Arts (referred to as D.M.A., DMA, D.Mus.A. or A.Mus.D) degrees in composition provide an opportunity for advanced study at

1037-487: A very difficult time breaking through and getting the credit they deserve." During the Medieval eras, most of the art music was created for liturgical (religious) purposes and due to the views about the roles of women that were held by religious leaders, few women composed this type of music, with the nun Hildegard von Bingen being among the exceptions. Most university textbooks on the history of music discuss almost exclusively

1098-463: Is a person who writes music . The term is especially used to indicate composers of Western classical music , or those who are composers by occupation. Many composers are, or were, also skilled performers of music. The term is descended from Latin , compōnō ; literally "one who puts together". The earliest use of the term in a musical context given by the Oxford English Dictionary

1159-506: Is from Thomas Morley 's 1597 A Plain and Easy Introduction to Practical Music , where he says "Some wil [ sic ] be good descanters [...] and yet wil be but bad composers". "Composer" is a loose term that generally refers to any person who writes music. More specifically, it is often used to denote people who are composers by occupation, or those who work in the tradition of Western classical music . Writers of exclusively or primarily songs may be called composers, but since

1220-458: Is in love with her. The minstrel Elis has meanwhile found his way to the inn and presents Els with an ornament he has found in the woods. Els falls in love with the young minstrel, but then the body of the dead nobleman is found in the woods; the bailiff, who wants Els for himself, arrests Elis on suspicion of murder. Elis is to be hanged for his crime. Els asks the fool for help, who assures her that all will turn out well. The king's messenger stops

1281-404: Is termed "interpretation". Different performers' interpretations of the same work of music can vary widely, in terms of the tempos that are chosen and the playing or singing style or phrasing of the melodies. Composers and songwriters who present their music are interpreting, just as much as those who perform the music of others. The standard body of choices and techniques present at a given time and

SECTION 20

#1732852439793

1342-589: The Baroque music era, many composers were employed by aristocrats or as church employees. During the Classical period , composers began to organize more public concerts for profit, which helped composers to be less dependent on aristocratic or church jobs. This trend continued in the Romantic music era in the 19th century. In the 20th century, composers began to seek employment as professors in universities and conservatories. In

1403-682: The Concertgebouw Orchestra conducted by Willem Mengelberg in October 1923. The opera was revived in a concert performance conducted by Robert Heger in 1968, followed by another concert performance in Vienna under Lothar Zagrosek in 1985. Fully staged productions followed at the Theater St. Gallen (1988) and the Hamburg State Opera (1989). The Netherlands Opera in Amsterdam staged

1464-504: The Hochschule für Musik in Berlin and between 1920 and 1932 he gave extensive musical tuition in a variety of subjects with Berthold Goldschmidt , Alois Hába , Jascha Horenstein , Julius Bürger , Ernst Krenek , Artur Rodziński , Stefan Wolpe , Zdenka Ticharich and Grete von Zieritz numbering among his students. Schreker's fame and influence were at their peak during the early years of

1525-524: The Jugendstil movement, which incorporated non-western styles inspired by Ancient Egypt and the Far East. His " pantomime ", Der Geburtstag der Infantin , commissioned by the dancer Grete Wiesenthal and her sister Elsa for the opening of the 1908 Kunstschau, first called attention to his development as a composer. Such was the success of the venture that Schreker composed several more dance-related works for

1586-683: The Neue musikalische Presse in 1901. His first opera, Flammen , was completed in 1902 but failed to receive a staged production. Schreker had begun conducting in 1895, when he had founded the Verein der Musikfreunde Döbling. In 1907 he formed the Vienna Philharmonic Chorus, which he conducted until 1920: among its many premières were Zemlinsky's Psalm XXIII and Schoenberg's Friede auf Erden and Gurre-Lieder . Schreker and other composers, such as Schoenberg and Zemlinsky, were influential during

1647-519: The Renaissance music era, composers typically worked for aristocratic employers. While aristocrats typically required composers to produce a significant amount of religious music, such as Masses , composers also penned many non-religious songs on the topic of courtly love : the respectful, reverential love of a great woman from afar. Courtly love songs were very popular during the Renaissance era. During

1708-964: The Staatsoper Unter den Linden in Berlin and the Zurich Opera in 2010, as well as in smaller opera houses in Germany. Irrelohe was performed at the Volksoper in Vienna in 2004, at the Bonn Opera in November 2010 then staged for the first time in France at the Opéra National de Lyon in March 2022. In 2010 a Schreker opera was staged in the US for the first time: Die Gezeichneten at Los Angeles Opera ; and months after that came

1769-559: The Weimar Republic when he was the most performed living opera composer after Richard Strauss . The decline of his artistic fortunes began with the mixed reception given to Irrelohe at the Cologne Opera in 1924 under Otto Klemperer and the failure of Der singende Teufel , given in Berlin in 1928 under Erich Kleiber . Political developments and the spread of antisemitism were also contributory factors, both of which heralded

1830-400: The orchestration of the accompaniment parts and writing of the overture is done by an orchestrator, and the words may be written by a third person. A piece of music can also be composed with words, images, or, in the 20th and 21st centuries, computer programs that explain or notate how the singer or musician should create musical sounds. Examples of this range from wind chimes jingling in

1891-427: The 17th to 20th centuries inclusive. London was the second most meaningful city: eighth in the 15th century, seventh in the 16th, fifth in the 17th, second in the 18th and 19th centuries, and fourth in the 20th century. Rome topped the rankings in the 15th century, dropped to second in the 16th and 17th centuries, eighth in the 18th century, ninth in the 19th century but back at sixth in the 20th century. Berlin appears in

Franz Schreker - Misplaced Pages Continue

1952-410: The 20th century the terms ' songwriter ' or ' singer-songwriter ' are more often used, particularly in popular music genres. In other contexts, the term 'composer' can refer to a literary writer, or more rarely and generally, someone who combines pieces into a whole. Across cultures and traditions composers may write and transmit music in a variety of ways. In much popular music, the composer writes

2013-422: The 20th century, composers also earned money from the sales of their works, such as sheet music publications of their songs or pieces or as sound recordings of their works. In 1993, American musicologist Marcia Citron asked, "Why is music composed by women so marginal to the standard 'classical' repertoire?" Citron "examines the practices and attitudes that have led to the exclusion of women composers from

2074-568: The Akademie der Künste. In his lifetime he went from being hailed as the future of German opera to being considered irrelevant as a composer and marginalized as an educator. After suffering from a stroke in December 1933, he died in Berlin on 21 March 1934, two days before his 56th birthday. Although Schreker was influenced by composers such as Richard Strauss and Richard Wagner , his mature style shows

2135-788: The Nazi ban, prevented Schreker's music from expanding outside of German-speaking Europe. After decades in obscurity, Schreker has begun to enjoy a considerable revival in reputation in the German-speaking world and in the United States. In 2005 the Salzburg Festival mounted an incomplete production of Die Gezeichneten , conducted by Kent Nagano (and filmed), and the Jewish Museum in Vienna presented an exhibition devoted to his life and work. New productions of Der ferne Klang were staged at

2196-461: The Western world, before the Romantic period of the 19th century, composition almost always went side by side with a combination of either singing, instructing and theorizing . Even in a conventional Western piece of instrumental music, in which all of the melodies , chords , and basslines are written out in musical notation, the performer has a degree of latitude to add artistic interpretation to

2257-448: The advice of his fool who knows about Elis, a wandering minstrel whose magic lute has the ability to hunt down hidden treasure. The king promises the fool that he will be allowed to have a wife of his choice as a reward, if Elis can find the jewels. Els, daughter of the innkeeper, has to marry a brutal but rich young nobleman she despises. She therefore sends him away to find the queen's jewels, and has him murdered by Albi, her servant, who

2318-617: The cultural and political climate in Germany, only a further 31 performances took place until 1932. The last production during the composer's lifetime was in Oldenburg in October 1931 whereafter, under the Nazis (who took power in 1933), Schreker's music was banned due to his Jewish ancestry. The Berlin premiere took place on 3 April 1922 at the Berlin State Opera , conducted by Leo Blech , with Vera Schwarz , Robert Hutt and Waldemar Henke in

2379-517: The definition of composition is broad enough for the creation of popular and traditional music songs and instrumental pieces and to include spontaneously improvised works like those of free jazz performers and African percussionists such as Ewe drummers . During the Middle Ages, most composers worked for the Catholic church and composed music for religious services such as plainchant melodies. During

2440-563: The end of Schreker's career. Right-wing demonstrations marred the première of Der Schmied von Gent in Berlin in 1932 and National Socialist pressure forced the cancellation of the scheduled Freiburg première of Christophorus in 1933 (the work was finally performed there in 1978). Finally, in June 1932, Schreker lost his position as Director of the Musikhochschule in Berlin and, the following year, also his post as professor of composition at

2501-399: The execution at the last moment, so Elis can go in search of the jewels. To avoid being exposed as the thief, Els orders Albi to steal the minstrel's magic lute. During a night of love, Els presents herself to Elis in the full beauty of the jewels. She hands over the jewellery to him, on condition that he will never ask her about their provenance, and will always trust her. Elis has returned

Franz Schreker - Misplaced Pages Continue

2562-520: The family moved from Linz to Vienna (1888) where in 1892, with the help of a scholarship, Schreker entered the Vienna Conservatory . Starting with violin studies, with Sigismund Bachrich and Arnold Rosé , he moved into the composition class of Robert Fuchs , graduating as a composer in 1900. His first success was with the Intermezzo for strings, Op. 8, which won an important prize sponsored by

2623-459: The front ranks of contemporary opera composers. The first performance of Der Schatzgräber in Frankfurt on 21 January 1920 was the high point of his career. The Chamber Symphony , composed between the two operas for the faculty of the Vienna Academy in 1916, quickly entered the repertoire and remains Schreker's most frequently performed work today. In March 1920 he was appointed director of

2684-503: The guidance of faculty composition professors. Some schools require DMA composition students to present concerts of their works, which are typically performed by singers or musicians from the school. The completion of advanced coursework and a minimum B average are other typical requirements of a D.M.A program. During a D.M.A. program, a composition student may get experience teaching undergraduate music students. Some composers did not complete composition programs, but focused their studies on

2745-552: The highest artistic and pedagogical level, requiring usually an additional 54+ credit hours beyond a master's degree (which is about 30+ credits beyond a bachelor's degree). For this reason, admission is highly selective. Students must submit examples of their compositions. If available, some schools will also accept video or audio recordings of performances of the student's pieces. Examinations in music history, music theory, ear training/dictation, and an entrance examination are required. Students must prepare significant compositions under

2806-405: The increased use by composers of more detailed scoring in the form of dynamics, articulation et cetera; composers became uniformly more explicit in how they wished their music to be interpreted, although how strictly and minutely these are dictated varies from one composer to another. Because of this trend of composers becoming increasingly specific and detailed in their instructions to the performer,

2867-402: The jewels to the queen. During a celebration, the bailiff intervenes and announces that Albi has confessed to the murder. Els is denounced as the instigator of the murder, and the bailiff demands her immediate execution. But the fool, reminding the king of his promise, chooses Els as his wife and thus saves her from being executed. They go off together. It is one year later and Els is dying. Only

2928-465: The leading roles. The Viennese premiere took place at the Vienna State Opera on 18 October 1922, conducted by Franz Schalk , with a cast including Nikolaus Zek, Fritz Krenn, Karl Norbert, Richard Schubert, Richard Tauber and Gertrud Kappel. In 1922, Schreker prepared a Symphonic Interlude for concert performance, mainly drawn from the orchestral interlude from act 3. This was premiered by

2989-400: The mid-20th century was Nadia Boulanger . Philips states that "[d]uring the 20th century the women who were composing/playing gained far less attention than their male counterparts." Women today are being taken more seriously in the realm of concert music, though the statistics of recognition, prizes, employment, and overall opportunities are still biased toward men. Famous composers have

3050-400: The music are varied, depending on the musical culture in the country and the time period it was written. For instance, music composed in the Baroque era , particularly in slow tempos, often was written in bare outline, with the expectation that the performer would add improvised ornaments to the melody line during a performance. Such freedom generally diminished in later eras, correlating with

3111-516: The narrative of 20th-century music . He was born as Franz Schrecker in Monaco , the eldest son of the Bohemian Jewish court photographer Ignaz Franz Schrekker (Germanized from Ignácz Furencz , originally Isak ), and his wife, Eleonore von Cloßmann, who was a member of the Catholic aristocracy of Styria . He grew up during travels across half of Europe and, after the early death of his father,

SECTION 50

#1732852439793

3172-435: The orchestration. In some cases, a pop songwriter may not use notation at all, and, instead, compose the song in their mind and then play or record it from memory. In jazz and popular music, notable recordings by influential performers are given the weight that written scores play in classical music. The study of composition has traditionally been dominated by the examination of methods and practice of Western classical music, but

3233-473: The performance of voice or an instrument or on music theory , and developed their compositional skills over the course of a career in another musical occupation. Der Schatzgr%C3%A4ber Schreker wrote the libretto for the opera in the summer of 1915. He then broke off to attend to a revision of Das Spielwerk und die Prinzessin and compose the Chamber Symphony , returning to Der Schatzgräber in

3294-408: The performer elaborating seriously the music as given in the score, particularly for Baroque music and music from the early Classical period . The movement might be considered a way of creating greater faithfulness to the original in works composed at a time that expected performers to improvise . In genres other than classical music, the performer generally has more freedom; thus for instance when

3355-479: The received ' canon ' of performed musical works." She argues that in the 1800s, women composers typically wrote art songs for performance in small recitals rather than symphonies intended for performance with an orchestra in a large hall, with the latter works being seen as the most important genre for composers; since women composers did not write many symphonies, they were deemed to be not notable as composers. According to Abbey Philips, "women musicians have had

3416-430: The role of male composers. As well, very few works by women composers are part of the standard repertoire of classical music. In Concise Oxford History of Music , " Clara Shumann [ sic ] is one of the only female composers mentioned", but other notable women composers of the common practice period include Fanny Mendelssohn and Cécile Chaminade , and arguably the most influential teacher of composers during

3477-461: The summer of 1917. He dated the manuscript full score 12 November 1918. The score is published by Universal Edition Vienna. The opera was first performed on 21 January 1920 by the Oper Frankfurt , conducted by Ludwig Rottenberg . It was Schreker's most (but also his last) successful opera. It received 354 performances in over fifty cities between 1920 and 1924/1925, but after the change in

3538-440: The top ten rankings only in the 18th century and was ranked third most important city in both the 19th and 20th centuries. New York City entered the rankings in the 19th century (in fifth place) and stood at second rank in the 20th century. The patterns are very similar for a sample of 522 top composers. Professional classical composers often have a background in performing classical music during their childhood and teens, either as

3599-456: The two sisters including Der Wind , Valse lente and Ein Tanzspiel (Rokoko) . November 1909 saw the stormy premiere of the complex orchestral interlude (entitled Nachtstück ) from Der ferne Klang , the opera he had been working on since 1903. In 1912, the first performance of the complete opera by Oper Frankfurt consolidated his fame. In the same year, director Wihelm Bopp offered Schreker

3660-422: The work, by such means as by varying their articulation and phrasing , choosing how long to make fermatas (held notes) or pauses, and — in the case of bowed string instruments, woodwinds or brass instruments — deciding whether to use expressive effects such as vibrato or portamento . For a singer or instrumental performer, the process of deciding how to perform music that has been previously composed and notated

3721-399: Was less well received (the work was subsequently revised as a one-act 'Mysterium' entitled simply Das Spielwerk in 1915), but the scandal caused by this opera in Vienna only served to make Schreker's name more widely known. The outbreak of World War I interrupted the composer's success but with the première of his opera Die Gezeichneten , in Frankfurt on 25 April 1918, Schreker moved to

SECTION 60

#1732852439793
#792207