An arts district or cultural district is a demarcated urban area, usually on the periphery of a city centre , intended to create a 'critical mass' of places of cultural consumption - such as art galleries , theatres , art cinemas , music venues, and public squares for performances. Such an area is usually encouraged by public policy-making and planning, but sometimes occurs spontaneously. It is associated with allied service-industry jobs like cafes, printers, fashion outlets, restaurants, and a variety of 'discreet services' (see the back-page small-ads of almost any cultural events-listings magazine).
63-448: Such artistic districts can sometimes spontaneously occur in deprived areas where housing and artistic spaces are at enhanced economic level of affordability, due to a perceived low quality of housing or location. A classic example of this is the famous Kreuzberg area in Berlin which from the 1960s became home to artists and squatters and people seeking an alternative lifestyle. Another example
126-566: A boisterous alcohol-based nightlife scene does not lead to aggressive and anti-social behaviour. In the UK the term sometimes used is "Cultural quarter" or "Arts quarter". Americans for the Arts defines the following types of cultural districts: Steiner and Butler outline five types of arts districts commonly found in the United States. The creation of a cultural district implies collaboration between
189-548: A centralized basis from theaters rather than each theater chain collating their own numbers from other theater chains. The company later became National Gross Service then Entertainment Data, Inc. (EDI). Except for disclosures by the studios on very successful films, total domestic (U.S. and Canada) box office gross information for films was not readily available until National Gross Service started to collate this data around 1981. The collation of grosses led to wider reporting of domestic box office grosses for films. Arthur D. Murphy,
252-414: A cultural district has emerged 'naturally,' then it grows from, builds on and validates existing community assets rather than importing assets from outside a community." Indeed, different conceptions of cultural districts include self-organization and emergence in different degrees (e.g. Lazzeretti, 2003; Le Blanc, 2010; Sacco et al., 2013; Stern & Seifert, 2007). Many authors argue that districtualization
315-496: A former U.S. Navy lieutenant at Variety was one of the first to organize and chart that information and report it in a meaningful form. During the 1980s, Daily Variety started to publish a weekly chart of the domestic box office grosses of films collated from the studios as compared to the Top 50 chart in Variety which was based on a sample of theatre grosses from key markets. Gradually
378-410: A hole in a wall or window, or at a wicket . By extension, the term is frequently used, especially in the context of the film industry , as a metonym for the amount of business a particular production, such as a film or theatre show, receives. The term is also used to refer to a ticket office at an arena or a stadium . Box office business can be measured in terms of the number of tickets sold or
441-420: A list of films that had achieved or gave promise of earning $ 4,000,000 or more in domestic (U.S. and Canada) theatrical rentals . This became a leading source of data for a film's performance. Variety would publish an updated all-time list annually for over 50 years, normally in their anniversary edition each January. The anniversary edition would also normally contain the list of the top performing films of
504-605: A more holistic and bottom-up approach rather than a linear top-down approach to analysis and design. This does not suggest inhibiting any attempt at prediction or planning. The use of qualitative analysis and rough estimations or agent-based modelling can represent a fertile ground for both future research, policy-making and managerial implications. Notable arts districts in the United States (alphabetical by city): Art districts in London include: Kreuzberg Kreuzberg ( German pronunciation: [ˈkʁɔʏtsbɛʁk] )
567-556: A result, housing was of low quality, but cheap, which made the borough greatly attractive to immigrants. Starting in the late 1960s, increasing numbers of students, artists, and immigrants began moving to Kreuzberg. Enclosed by the Berlin Wall on three sides, the area became famous for its alternative lifestyle and its squatters , especially the SO36 part of Kreuzberg. Starting in 1987, there have been violent riots in SO36 on Labour day. After
630-621: A structural form, exhibiting a certain degree of order and determinism. Such a linear top-down approach to analysis and design, however, exhibits many limitations when used for organizational settings characterized by a complex web of interdependencies. The view of a cultural district as a complex adaptive system suggests new ideas and approaches for policy-makers, designers and managers. It also opens up debate on issues of organizational design and change. All cultural districts are unique, reflecting their cities’ unique environment, including history of land use, urban growth and cultural development. There
693-641: Is a district of Berlin , Germany. It is part of the Friedrichshain-Kreuzberg borough located south of Mitte . During the Cold War era, it was one of the poorest areas of West Berlin , but since German reunification in 1990, it has become more gentrified and is known for its arts scene. The borough is known for its large percentage of immigrants and descendants of immigrants, many of whom are of Turkish ancestry . As of 2006, 31.6% of Kreuzberg's inhabitants does not have German citizenship. Kreuzberg
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#1732852419637756-415: Is essentially spontaneous and that the conditions for formation can be recognized and sustained, not created from the top. If the conception of a cultural district as a complex adaptive system were accepted, the design process would be conceived as something more flexible, dynamic and in evolution. Complexity theory and complex adaptive systems should move understanding of supra-urban cultural districts towards
819-471: Is known for its diverse cultural life and experimental alternative lifestyles, and is an attractive area for many. However, some parts of the district are still characterized by higher levels of unemployment. Kreuzberg is bounded by the river Spree in the east. The Landwehrkanal flows through Kreuzberg from east to west, with the Paul-Lincke-Ufer street running alongside it. Other characteristics are
882-404: Is larger. The distributor's share of the box office gross is often referred to as the "distributor rentals", especially for box office reporting of older films. Ceramic money boxes were used at the sixteenth-century Globe Theatre and Rose Theatre in London, where many examples have been found during archaeological investigations. They were possibly used by the "gatherer" at the entrance to
945-399: Is no standard model. Most cultural districts are built to take advantage of other city attractions such as historic features, convention spaces and parks and other natural amenities . Structural considerations within or near the district, community leadership and social forces all influence the development of a cultural district and the type of district that results. Factors influencing
1008-408: Is now also used. In particular, the weekend box office for the initial week of release, or opening weekend, is often widely reported. (See List of highest-grossing openings for films .) Theaters is the number of theaters in which the movie is showing. Since a single theater may show a movie on multiple screens, the total number of screens or engagements is used as another measure. The theaters measure
1071-467: Is often incomplete due to the way box office reporting evolved, especially in the U.S., and the availability of information prior to the introduction of the internet. Variety started reporting box office results by theatre on March 3, 1922, to give exhibitors around the country information on a film's performance on Broadway, which was often where first run showings of a film were held. In addition to New York City, they also endeavoured to include all of
1134-666: Is the Shoreditch area in London, which had a large number of old commercial spaces which artists could use. Rather than town planners deciding that a particular area should have theatres and galleries, these spontaneous artists centres are driven by affordability of space and a concentration of mutual interests. There may also be some artists' studios located in nearby back-streets. But, as Richard Florida has found from his research, cultural production facilities are often better sited some miles away from cultural consumption facilities - except in some very tolerant cities and in countries where
1197-658: Is the point of the highest elevation in the Kreuzberg locality, which is 66 m (217 ft) above sea level. The hill is traditionally a place for weekend trips. It received its name from the 1821 Prussian National Monument for the Liberation Wars by Karl Friedrich Schinkel within the Viktoriapark , built in commemoration of the Napoleonic Wars . Except for its northernmost part—the quarter Friedrichstadt (established at
1260-413: Is used to classify whether a film is in wide release , meaning at least 600 theaters, or limited release which is less than 600 theaters. Occasionally, a film may achieve wide release after an initial limited release; Little Miss Sunshine is an example of this. Gross refers to gross earnings. On average, the movie's distributor receives a little more than half of the final gross (often referred to as
1323-514: The Hobrecht-Plan in an area that came to be known architecturally as the Wilhelmine Ring . Far into the 20th century, Kreuzberg was the most populous of Berlin's boroughs even in absolute numbers, with more than 400,000 people, although it was and still is geographically the smallest. As a result, with more than 60,000 people per square kilometer (160,000 people/sq mi), Kreuzberg had
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#17328524196371386-532: The coronavirus pandemic . Only drive-in theaters , which are typically not included in box office reporting, remained open. The average ticket price (ATP) is the average cost to purchase a film ticket at the box office in any given year. According to the UNESCO Institute for Statistics , the ATP is "calculated as the total revenues generated from tickets sales divided by the number of feature film tickets sold during
1449-474: The 1930s, BoxOffice magazine published a Barometer issue in January, which reported the performance of movies for the year expressed as percentages. In 1946, Variety started to publish a weekly National Box Office survey on page 3 indicating the performance of the week's hits and flops based on the box office results of 25 key U.S. cities. Later in 1946, Variety published a list of All-Time Top Grossers with
1512-742: The American bombing by over a thousand aircraft on 3 February 1945. In remembrance of the old tradition, the Axel Springer press company erected its German headquarters at Kochstraße again, right next to the Berlin Wall . In July 1945, most of the then district was assigned to the American Sector. After the Berlin Wall was built, the most important transit location to East Berlin was Checkpoint Charlie . After World War II, Kreuzberg's housing rents were regulated by law which made investments unattractive. As
1575-566: The Friday grosses sourced from Exhibitor Relations so that they were publicly available for free online on Saturdays and posted the Sunday estimates on Sundays. In July 2008, Box Office Mojo was purchased by Amazon.com through its subsidiary , IMDb . Rentrak started tracking box office data from point of sale in 2001 and started to rival EDI in providing the studios with data. In December 2009, Rentrak acquired Nielsen EDI for $ 15 million, and became
1638-610: The North American ticket sales by dividing the domestic box office gross by the average ticket price (ATP) of a given year, a method that Box Office India uses to estimate Indian footfalls (ticket sales). See List of films by box office admissions for the films with the highest known estimated ticket sales. For lists of films which are major box-office hits, see List of highest-grossing films , List of films by box office admissions and Lists of highest-grossing films . Films that are considered to have been very unsuccessful at
1701-473: The UK, moved into Germany in 1993 and Spain in 1995 reporting box office data for those markets. EDI were acquired by ACNielsen Corporation in 1997 for $ 26 million and became Nielsen EDI. By the 1990s, Daily Variety started to report studio's weekend estimates from Sundays on Monday mornings which led to other media reporting the data earlier. When Entertainment Weekly was launched in 1990 it started to publish
1764-402: The United States and Canada, and foreign which includes all other countries. Weekly box office figures are now normally taken to be from Friday through Thursday to allow for the fact that most films are officially released in the United States on a Friday. With Variety being published for many years every Wednesday, most weekly box office figures they reported from the 1920s to the 1990s were for
1827-476: The amount of money raised by ticket sales ( revenue ). The projection and analysis of these earnings is greatly important for the creative industries and often a source of interest for fans. This is predominant in the Hollywood movie industry . To determine if a movie made a profit, it is not correct to directly compare the box office gross with the production budget , because the movie theater keeps nearly half of
1890-439: The arts and the local community. Cultural districts may be seen by local authorities as a way to revitalize the “brownfields” of the urban core: areas of abandoned buildings that encourage businesses and residents to leave the cities . The developing theory of cultural districts increasingly conceives them as development models for local systems, where the term ‘district’ refers to supra-urban area. At supra-urban or regional level
1953-416: The arts community, providing marketing /promotion, box office services and property management; the other targets the district's business and property owners, offering urban design and development services or administrative support. The excitement and attraction of a cultural district is a high mixture of interesting things to do, places to see, and places to visit (both cultural and noncultural), across
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2016-416: The box office are called box-office bombs or box office flops. For a list of these films, see List of biggest box-office bombs . Inflation Adjustment There are two main methods of box office inflation. First, used by boxofficemojo and comscore, To adjust it for inflation (or see what it might have made in the past), the estimated number of tickets sold is multiplied by the average ticket price of
2079-472: The complexity of a cultural district is even more marked than at urban level, due to potential interdependencies among a greater multitude of actors. A useful approach towards a deeper understanding can be to conceive cultural districts as complex adaptive systems . Indeed, complexity is definitely not a management fad and fashion, a mere metaphor or methodology, but a deeper perception of reality. Organizations are classically seen as purpose-driven entities with
2142-425: The day and evening. Some artist-activists are promoting the concept of a "Naturally Occurring Cultural District," or NOCD, patterned after the demographic concept of a naturally occurring retirement community . A NOCD "supports existing neighborhood cultural assets rather than imposing arts institutions somewhere new," according to Tamara Greenfield, co-director of NOCD-New York. Co-director Caron Atlas explained: "If
2205-481: The direction of the cultural district varies according to its size, budget, mandated functions and degree of authority, resulting in widespread variation in the coordinated cultural programming and administration services offered by cultural districts. The coordinated agency appointed for the district must work carefully to ensure inclusiveness of concerns and to balance potentially conflicting interests. Cultural districts offer two major types of services : one targets
2268-418: The end of the 17th century)—today's Kreuzberg was a very rural place until well into the 19th century. This changed when, in the 1860s, industrialization caused Berlin to grow rapidly. This called for extensive housing—much of which was built exploiting the dire needs of the poor, with widespread land speculation. Many of Kreuzberg's buildings originate from that time. They were built on the streets laid out in
2331-461: The epicenter of LGBTQ life and arts in Berlin. Kreuzberg is home to the Schwules Museum , established in the 1980s and dedicated to preserving, exhibiting, and discovering queer history, art, and culture. Box office A box office or ticket office is a place where tickets are sold to the public for admission to an event. Patrons may perform the transaction at a countertop , through
2394-439: The fall of the Berlin Wall, Kreuzberg suddenly found itself in the middle of the city again. The initially cheap rents and the high concentration of 19th-century housing made some parts of the borough more attractive as a residential area for a much wider (and richer) variety of people. Today, Kreuzberg has one of the youngest populations of all European city boroughs; statistically, its population has been completely swapped twice in
2457-416: The finest new-wave venues in the world. There has also been a significant influence stemming from African-American and hip hop culture on Kreuzberg's youth and the area has become a centre for rap and breakdance within Berlin. Though the majority of Kreuzberg's residents are of German or Turkish descent , some identify more with (African-)American or other cultures. Hip hop was largely introduced to
2520-523: The focus of a film's performance became its box office gross rather than the rentals that Variety continued to report annually. Prior to the tracking of these grosses, domestic or worldwide box office grosses is not available for many earlier films so the only domestic or worldwide data available is still often the rental figures. Murphy started to publish Art Murphy's Box Office Register annually from 1984 detailing U.S. box office grosses. In 1984, EDI started to report Canadian grosses as well and by 1985
2583-408: The gross on average. The split varies from movie to movie, and the percentage for the distributor is generally higher in early weeks. Usually the distributor gets a percentage of the revenue after first deducting a "house allowance" or "house nut". It is also common that the distributor gets either a percentage of the gross revenue, or a higher percentage of the revenue after deducting the nut, whichever
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2646-473: The highest population density in Berlin. Kreuzberg became a district of migration during the late 19th century when Berlin began growing rapidly as an economic and cultural hub. Before World War II, it was home to a diverse population, with a large portion of the population being Ashkenazi Jews . Central to Kreuzberg Jewish life was the Fraenkelufer Synagogue , with a capacity of 2,000. This synagogue
2709-523: The incorporation of suburbs and the reorganisation of Berlin into twenty boroughs. The eastern Friedrichsvorstadt, the southern Friedrichstadt , the western and southern Luisenstadt , and the Tempelhofer Vorstadt were merged into the new sixth borough of Berlin, first named Hallesches Tor . On 27 September 1921, the borough assembly of Hallesches Tor decided to rename the borough after the homonymous hill . Kreuzberg, literally meaning 'cross hill',
2772-479: The key cities in the U.S. in future and initially also reported results for 10 other cities including Chicago and Los Angeles. In 1929, the first issue of The Motion Picture Almanac was released and included a list of the top 104 grossing films for the past year. In 1932, Variety published the studios' top-grossing films of the year and has maintained this tradition annually since. In 1937, BoxOffice magazine]began publishing box office reports. Beginning in
2835-520: The last two decades. Berlin's 2001 administrative reform combined Kreuzberg with Friedrichshain to form the new borough of Friedrichshain-Kreuzberg . Since the two areas are linked only by a single bridge over the Spree River, the Oberbaumbrücke , this combination seemed awkward to many residents. The two areas not being able to agree on a common location for the future borough's city hall,
2898-536: The murdered Jews who lived in the area. In addition to housing, Kreuzberg was also an industrial center of Berlin. The "export quarter" along Ritter Street consisted of many profitable small businesses, and the "press quarter" along Koch Street ( Friedrichstadt ) was the home of most of Germany's large newspapers, as well as the Ullstein , Scherl , and Mosse book publishers. Both industrial quarters were almost entirely destroyed by air raids during World War II , with
2961-508: The number of tickets sold at the box office. In countries such as France, box office reporting was historically reported in terms of admissions, with rules regulated by the government and fines issued if exhibitors failed to report the data. Other countries which historically reported box office figures in terms of admissions include European countries such as Germany, Italy, and Spain, the Soviet Union , and South Korea. Box Office Mojo estimates
3024-652: The office from which tickets for theatre boxes were sold (although the use of "box" for a private section from which to watch the play was in use in 1609); this is the derivation favoured by the Oxford English Dictionary . Total ticket sales were being termed box office from at least 1904. The following is film industry specific terminology used by box office reporters such as Variety and Box Office Mojo . For films released in North America, box office figures are usually divided between domestic, meaning
3087-572: The old U-Bahn line of the present-day U1, Görlitzer Park in the SO36 district, and Viktoriapark on the slope of Kreuzberg hill in SW 61 . Kreuzberg is divided into 2 zones ( Ortslagen ): In contrast to many other areas of Berlin, which were villages before their integration into Berlin, Kreuzberg has a rather short history. It was formed on 1 October 1920 by the Greater Berlin Act , which provided for
3150-546: The present location in Friedrichshain was decided by flipping a five- Mark coin. Kreuzberg has historically been home to Berlin's punk rock movement as well as other alternative subcultures in Germany. The SO36 club remains a fixture on the Berlin music scene. It was originally focused on punk music and in the 1970s was often frequented by Iggy Pop and David Bowie . In those days, the club rivalled New York's CBGB as one of
3213-412: The rentals) with the remainder going to the exhibitor (i.e., movie theater). Multiple is the ratio of a film's total gross to that of the opening weekend. A film that earns $ 20 million on its opening weekend and finishes with $ 80 million has a multiple of 4. From 2004 to 2014, films viewers graded as A+ on CinemaScore had a 4.8 multiple, while films graded as F had a 2.2 multiple. Admissions refers to
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#17328524196373276-634: The selected year. Second, Using CPI of respective country. Both methods have some flaws. I first, content of movies change over time, then number of ticket sold may increase or decreas. In second, ATP of movies increased exponentially in 1990s but CPI increased slower than ATP. A third method is also available, In which we can use APT of movies as CPI and adjust box office. There are numerous websites that monitor box-office receipts, such as BoxOffice , Box Office Mojo , The Numbers , Box Office India , and ShowBIZ Data . These sites provide box office information for hundreds of movies. Data for older movies
3339-430: The siting of cultural districts include: perceived need for urban revitalization, existing investment, property value and preexisting cultural facilities. Unlike a cultural center or a shopping mall , a cultural district comprises a large number of property owners, both public and private, who control the various properties involved, hence a structural complexity . The effectiveness of the coordinating agency in guiding
3402-535: The sole provider of worldwide box office ticket sales revenue and attendance information which is used by many of the websites noted above. On October 23, 2019, Box Office Mojo unveiled a dramatic redesign resembling IMDb, and was rebranded as "Box Office Mojo by IMDbPro" with some of the content move to the subscription based IMDbPro. US box office reporting largely paused for the first time in 26 years in March 2020, as nearly all theaters nationwide were closed because of
3465-445: The theatres, who collected the admission money. There is disagreement, however, around whether the term originates from this time, as the objects could have been carried by the many snack-sellers attending the audiences; they too needed a convenient and secure way to collect their customers' cash. There is no record of the term being used until the eighteenth century. The term "box office" was being used from at least 1741, deriving from
3528-553: The top 10 box office weekend lists from Exhibitor Relations and the company was also supplying box office data to companies such as the Los Angeles Times , CNN and the Associated Press . In 1994, Variety published their first annual global box office chart showing the top 100 grossing films internationally for the prior year. On August 7, 1998, Box Office Mojo was launched by Brandon Gray and in 1999 he started posting
3591-402: The week from Thursday to Wednesday. A large component of the weekly gross is the weekend box office. Historically, this was reported as the box office receipts around Friday through Sunday plus any public holidays close to the weekend, such as a 4-day Memorial Day weekend, however, with the increased regularity of reporting of box office figures, a comparable 3-day figure for the Friday to Sunday
3654-417: The year of reference." Box-office figures are reported in the form of either gross receipts or distributor rentals, the latter being especially true of older films. Commonly mistaken for home video revenue, the rentals are the distributor's share of the film's theatrical revenue i.e. the box office gross less the exhibitor's cut. Historically, the rental price averaged at 30–40% when the distributors owned
3717-430: The year. In the late 1960s, Variety used an IBM 360 computer to collate the grosses from their weekly reports of 22 to 24 U.S. cities from January 1, 1968. The data came from up to 800 theatres which represented around 5% of the U.S. cinema population at the time but around one-third of the total U.S. box office grosses. In 1969, Variety started to publish a list of the top 50 grossing films each week. The Love Bug
3780-578: The youth of Kreuzberg by the children of American servicemen who were stationed nearby until the reunification of Germany . The art collective Berlin Kidz who are known for their pichação influenced graffiti , parkour , and train surfing are from the Kreuzberg area. The Carnival of Cultures , a large annual festival, celebrates different cultures and heritages with colourful street parades and festivities including street entertainment, food, arts and craft stalls, music, and art. Kreuzberg has long been
3843-458: Was destroyed during Kristallnacht , as were numerous Jewish businesses and property. The vast majority of Kreuzberg's Jews were deported to their deaths between 1942 and 1944 by the Nazis during The Holocaust , and their houses and businesses were seized and given to ethnic Germans. The Jewish Museum Berlin stands in Kreuzberg, and many Stolpersteine can be seen on Kreuzberg streets, commemorating
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#17328524196373906-434: Was reporting data for 15,000 screens. In 1987, EDI set up a database of box office information which included data on certain films back to 1970. By 1991, all U.S. studios had agreed to share their complete data reports with EDI. By then box office results were publicized, with Entertainment Tonight segments on the weekend's top films, increasing public discussion of poorly performing films. In 1990, EDI opened an office in
3969-454: Was the number one on the first chart published for the week ending April 16, 1969. The chart was discontinued in 1990. In 1974, Nat Fellman founded Exhibitor Relations Co., the first company set up to track box office grosses, which it collected from the studios. Two years later, Marcy Polier, an employee of the Mann theater chain, set up Centralized Grosses to collate U.S. daily box office data on
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