Creature Double Feature is a television show, syndicated in the Boston and Philadelphia area during the 1960s, 1970s and 1980s. It sometimes also aired under names like Sci-Fi Flix and Creature Feature . The show aired classic monster movies , with the name "Creature Double Feature" based on its airing two movies during its three-hour time slot. The movies broadcast were taken from the classic Universal Horror movies of the 1930s to 1950s, the Hammer Studios and American International Pictures films of the 1950s, Roger Corman 's horror films of the 1960s, and Toho Studio 's "giant monster" (known in Japanese as either kaiju or tokusatsu ) movies of the 1950s, 1960s, and 1970s.
90-631: Creature Double Feature usually aired on Saturday afternoons. Because it aired after the traditional Saturday morning cartoon time block, it introduced many younger viewers to classic (and not-so-classic) monster movies. In other cities it aired either on Friday night or Saturday night. Beginning in 1972 a station in the Kaiser Broadcasting (later Field Communications ) chain, WKBG (Channel 56; WLVI after The Boston Globe sold their share back to Kaiser in 1975) aired its collection of Godzilla movies—one per week at 4 p.m. on Saturday under
180-571: A 50-date world tour. It is noted for Emerson's Hammond organ catching fire during the show in Boston. The remains were donated to the Rock and Roll Hall of Fame . In May 1998, Lake's manager announced that the band had started work on a new studio album. This was followed by a North American tour in August as openers for Deep Purple and Dream Theater , which included the "Tarkus" suite performed in its entirety for
270-481: A Boston radio personality at WRKO and at WXKS-FM who also frequently did voice work for 56's children's programming. The intro/outro music used for Creature Double Feature throughout its run was Emerson, Lake & Palmer 's "Toccata" from Brain Salad Surgery . WLVI has kept the song as the theme of the 2006 and 2007 revival. It is not yet known if current WLVI owners Sunbeam Television will continue to air
360-471: A badge of courage", regardless of whether they were loved or loathed: Here are three words that strike fear in the hearts of all those allergic to prog rock: Emerson. Lake. Palmer. Popular enough to have several songs still in the regular FM rotation, obscure enough to be forever relegated as one of "those" bands from a certain time and place (the '70s), ambitious enough to attempt things few if any other bands did, for better or worse, pretentious enough to earn
450-599: A budget album in the UK in November 1971. It features their version of the Mussorgsky suite performed live at Newcastle City Hall on 26 March 1971 plus the concert's encore, "Nut Rocker". It was to be released before Tarkus , but the group delayed its release on purpose to show the music press and public that they could write their own songs, and were not merely "the band that did classical music". Atlantic Records declined to release it in
540-431: A documentary on the band's career. Lake said that despite the band having "tremendous technical problems" on stage and struggled at points, the audience were enthusiastic and people enjoyed their performance. Palmer held a more critical view, and said the group rehearsed for five weeks before the show, which he initially considered excessive, but upon hearing the recording, "maybe five weeks was not long enough. It wasn't to
630-556: A full price in January 1972. The album peaked at No. 3 in the UK and No. 10 in the US. Trilogy , the band's third studio album, was recorded at Advision Studios with Offord between October 1971 and January 1972. Its cover art was designed by Storm Thorgerson and Aubrey Powell of Hipgnosis . "Hoedown" is an adaptation of Rodeo by Aaron Copland . Released in July 1972, Trilogy reached No. 2 in
720-576: A live album in 1993, entitled Live at the Royal Albert Hall . The shows were also filmed and subsequently released on DVD. Later in 1993, Victory Music released The Return of the Manticore a 4-disc box set retrospective of the band's career and previously unreleased studio tracks, including a new studio recording of "Pictures at an Exhibition" in Dolby surround sound. The band's final studio album, In
810-501: A local band. They travelled to the venue in a transit van previously owned by fellow progressive rock band Yes , and were paid around £400 for the gig. A small venue outside London was deliberately chosen in case the concert was a failure, but the concert was well received. Their second gig took place on 29 August with a set at the Isle of Wight Festival which was attended by an estimated 600,000 people and drew considerable attention from
900-484: A piano as it spun, suspended, end-over-end; Palmer playing on a rotating drum platform; and Emerson throwing a Hammond organ around the stage to create feedback . Emerson often used a knife, given to him by Lemmy Kilmister , who had roadied for the Nice, to force the keys on the organ to stay down. The tour was one of the top concert draws during for the 1973–1974 period. Performances from Anaheim, California, were documented in
990-534: A popular joke from the 1970s: "How do you spell pretentious? E-L-P." Robert Christgau said of the band in Rock Albums of the Seventies (1981), "these guys are as stupid as their most pretentious fans", also calling them the "world's most overweening 'progressive' group". John Kelman of All About Jazz noted that an "overbearing sense of self-importance turned ELP from one of the 1970s' most exciting new groups into
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#17328525485991080-549: A replacement. To this day WLVI staffers report that they still receive more e-mail and phone calls about Creature Double Feature than anything else. In 2006, Channel 56's Steve Ratner was quoted in The Boston Globe as saying "I'm amazed at the following the show continues to have. It's just insane how many people come up to us and ask after the Creature Double Feature . Every day we get e-mails from people all over
1170-415: A stadium-filling phenomenon. At their heart was Emerson, whose eternal quest for a bigger, grander sound (thanks to a bank of organs and synthesizers that grew to resemble a fortress onstage) helped make ELP one of the most accomplished and absorbing bands rock ever birthed." Koji Kondo , Nintendo's first video game composer, cited ELP as a major influence on his work. Nobuo Uematsu , best known for scoring
1260-542: A subsidiary of Atlantic Records , in North America. Emerson believed that Atlantic's chief and co-founder Ahmet Ertegun agreed to take the band on "because we could sell out 20,000-seaters before we even had a record out. That was enough for him to think that a lot of people would go out and buy the record when it did come out." In the months surrounding their debut gigs, the band recorded their first album, Emerson Lake & Palmer , at Advision Studios . Lake took on
1350-407: A three-year break, Emerson, Lake & Palmer released Works Volume 1 (1977) and Works Volume 2 (1977). After Love Beach (1978), the group disbanded in 1979. The band re-formed partially in the 1980s as Emerson, Lake & Powell featuring Cozy Powell in place of Palmer, who was, by then, a member of Asia . Robert Berry then replaced Lake while Palmer returned, forming 3 . In 1991,
1440-414: A week for three months, which convinced them to abandon soundtrack work in favour of putting out a new album. By mid-1991, Carson had secured them with a two-album deal with his new independent label, Victory Music. Lake's voice had deepened by this point, and the band took greater care in the key that songs were written to better suit his vocals. They also utilised modern recording technology to complement
1530-445: A worldwide catalogue distribution deal with BMG Rights Management three years later. On 11 March 2016, Emerson died by suicide from a self-inflicted gunshot wound to his head. On 7 December, Lake died from cancer. In October 2021, Rocket 88 Books released Emerson, Lake & Palmer , the first official book about the band that was made in co-operation with Palmer and Emerson and Lake's families, with Palmer as executive editor. It
1620-399: Is a cover of the fourth movement of Piano Concerto No. 1 by Argentine composer Alberto Ginastera and contains synthesised percussion in the form of an acoustic drum kit fitted with pick-ups that triggered electronic sounds. The 29-minute track " Karn Evil 9 " is the longest song recorded by the group. Brain Salad Surgery was released in November 1973 and reached No. 2 in the UK and No. 11 in
1710-399: Is a double album with one side of an LP containing songs by each member and a fourth of group material. Much of the album was recorded with an orchestral accompaniment; Emerson's side consists of his 18-minute, three-movement " Piano Concerto No. 1 ". Lake contributed five songs he co-wrote with Sinfield, and Palmer's includes two covers of classical pieces by Sergei Prokofiev and Bach. One of
1800-421: Is certain is that it consigned them to eternal rock notoriety. Even discounting Punk , had not the musical climate changed enough to convince them that epics were out of fashion, both on record and in concert?" DJ John Peel went so far as to describe the band as "a tragic waste of talent and electricity". In an appraisal of the band's legacy, PopMatters journalist Sean Murphy said ELP "wore immoderation like
1890-467: Is taken up with "Memoirs of an Officer and a Gentleman", a four-part 20-minute track that tells a coming of age story of a soldier during the World War II -era. Its cover is a photograph of the group at a beach off an island from Salt Cay, Turks Islands , "decked out as bare-chested late-seventies disco stars". Despite Emerson expressing his disapproval on the album's title and cover to Ertegun, neither
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#17328525485991980-505: The Lyceum Theatre in London was filmed and released in UK theatres in 1972 with added psychedelic effects including characters from Marvel Comics . During a break in their first tour in January 1971, Emerson, Lake & Palmer returned to Advision Studios with Offord to record their second album, Tarkus . Friction between Emerson and Lake during the early recording sessions almost caused
2070-551: The "new Nice". Triton was a name that Emerson said "was buzzing around" for a little while, and Triumvirate and Seahorse were also in contention. They moved to Island Studios in Notting Hill to rehearse and form a live set. Most of the numbers were rock adaptations and arrangements of classical pieces, including: Allegro barbaro by Béla Bartók entitled " The Barbarian ", the jazz standard " Blue Rondo à la Turk " by Dave Brubeck entitled "Rondo" that Emerson had recorded with
2160-458: The 1960s and 1970s as performed by alternative rock artists. The Netflix animated series Saturday Morning All Star Hits! parodies the mid-1980s to early 1990s era of Saturday-morning animation, such as Thundercats , Care Bears , ProStars , and Denver, the Last Dinosaur . The science fiction animated series Futurama also spoofed 1970s and 1980s Saturday-morning cartoons in
2250-640: The 1970s, these groups exercised enough influence, especially with the U.S. Congress and the Federal Communications Commission , that the television networks felt compelled to impose more stringent content rules for the animation houses. In 1978, the Federal Trade Commission was openly considering a ban on all advertising during television programming targeting preschoolers, and severe restrictions on other children's program advertising, both of which would have effectively killed off
2340-504: The 1990s. Such examples included Disney's Disney Afternoon in syndication, Fox 's Fox Kids , UPN 's UPN Kids , CBS 's CBS Saturday , The WB 's Kids' WB , and Amazin' Adventures (later Bohbot Kids Network) in syndication. From 1992 however, the "Big Three" traditional major networks and their affiliates began replacing their Saturday-morning animated programming with weekend editions of their morning magazines . and live-action teen-oriented series. Multiple factors contributed to
2430-487: The 2 p.m. time slot. Its popularity grew and they tweaked the title to Creature Double Feature and changed its start time to 1 p.m. The show quickly became a staple of the station's Saturday programming schedule during the 1970s and early-1980s. Although the exact date of the final show is currently unknown, it seems to have petered out sometime in 1983 and was replaced with WLVI-TV's Martial Arts Theater , showing cheap English-dubbed Hong Kong martial arts movies, as
2520-520: The Crazy World of Arthur Brown . Palmer turned up for a session and enjoyed the chemistry, but was reluctant to commit as Atomic Rooster were starting to gain attention in Europe. Emerson and Lake persisted, and after several weeks Palmer agreed to join. The three named themselves Emerson, Lake & Palmer to remove the focus on Emerson as the most famous of the three, and to ensure that they were not called
2610-572: The Hot Seat , was released in September 1994. Victory Music was in financial trouble by this time, as albums by fellow label acts Tin Machine and Yes failed to generate strong enough sales, causing Victory and producer Keith Olsen to put pressure on Emerson to make a more commercially oriented album with the band. When Emerson reluctantly agreed, Victory and Olsen brought in several individuals to assist in
2700-535: The Jimi Hendrix Experience and suggested a jam session take place among the three of them and guitarist Jimi Hendrix . The session never happened, but it caused the press to report rumours of a planned supergroup named HELP, an acronym for "Hendrix Emerson Lake Palmer", which Lake later debunked. As part of auditions for drummers at a studio by Soho Square , Emerson's manager, Tony Stratton Smith , suggested Carl Palmer of Atomic Rooster and previously
2790-734: The Masters of the Universe and continuing with such series as The Transformers and Teenage Mutant Ninja Turtles . These were heavily criticized by ACT, but were nevertheless successful. As well, several more lighthearted series appeared, popularized by Hanna-Barbera’s The Smurfs and Jim Henson’s Muppet Babies . These included series based on popular video games , such as Saturday Supercade . Despite increased competition from cable television networks (such as Nickelodeon , Cartoon Network , and Disney Channel ), Saturday-morning and weekday cartoon blocks continued to remain popular in
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2880-635: The Nice keyboardist Keith Emerson and King Crimson bassist/vocalist Greg Lake were looking to leave their respective groups and form a new band. The pair first met in New York City and discussed the possibility of forming one together; they met again in December 1969 when the Nice and King Crimson were billed together for concerts at the Fillmore West in San Francisco. During a soundcheck before one of
2970-528: The Nice, " Nut Rocker " as an encore, and Pictures at an Exhibition by Modest Mussorgsky that Emerson wanted to do after seeing it performed by an orchestra. An original song from Lake, " Take a Pebble ", was also worked out. The group wished to enhance their live act, and spent £9,000 on a sound mixer and £4,000 on a Moog modular synthesizer imported from America that was adapted for better performance on stage. The trio's first live gig followed at Plymouth Guildhall on 23 August 1970, supported by Earth,
3060-766: The Son of Svengoolie out of Chicago, hosted the CDF in the early '80s). A second episode aired on October 28, 2006, featuring 1973's Horror Express followed by the original 1968 Night of the Living Dead . It was brought back again on October 27, 2007 with the American International Pictures' (A.I.P.) movies Gammera the Invincible (a.k.a. Gamera ) and Attack of the Monsters . The broadcast contained no pop-up ads during
3150-708: The UK and No. 5 in the US. " From the Beginning ", an acoustic ballad featuring an extended synthesizer solo, was released as a single which reached No. 39 in the US. Lake has picked Trilogy as his favourite studio album by the band. The album was supported with a North American tour in March and April 1972 which included a spot at the Mar y Sol Pop Festival in Manatí , Puerto Rico on 3 April. Following dates across Europe, including their first in Italy,
3240-456: The US, and an estimated 48 million records sold worldwide, they are one of the most popular and commercially successful progressive rock groups of the 1970s, with a musical sound including adaptations of classical music with jazz and symphonic rock elements, dominated by Emerson's flamboyant use of the Hammond organ , Moog synthesizer , and piano (although Lake wrote several acoustic songs for
3330-470: The US, claiming it would not sell or receive any radio airplay because of its classical orientation and offered to release it on its sister label Nonesuch Records which handled budget, classical, and avant-garde albums. The band refused until Island imported 250,000 copies into the US which quickly sold, helped by radio DJ Scott Muni playing the entire album on WNEW-FM in New York City. The strong response prompted Atlantic to release it through Cotillion at
3420-550: The US. From November 1973 to August 1974, the band toured North America and Europe which saw them carry almost 40 tons of equipment. On 6 April 1974, the band headlined the inaugural California Jam Festival at the Ontario Motor Speedway , California, to an attendance of 250,000 people. The show was filmed and broadcast across the US. These shows exhibited a mix of virtuoso musicianship and over-the-top performances which some criticised as excessive, such as Emerson playing
3510-480: The United States, The CW continued to air non-E/I cartoons as late as 2014; among the "Big Three" traditional major networks, the final non-E/I cartoon to date ( Kim Possible ) was last aired in 2006. This era continues to be satirized and/or spoofed in popular culture. The tribute album Saturday Morning: Cartoons' Greatest Hits was released in 1995, featuring covers of Saturday-morning cartoon themes from
3600-411: The album was repackaged with additional tracks as Works Live , and put out on video in 1998. Emerson later said that his insistence on the band using an orchestra was a mistake, but he was unwilling to tour without one. Lake looked back on this period as the beginning of the end of the group's original run. After their 1977–78 tour, the band discussed their next move. Emerson recalled that in order for
3690-458: The band 3 . They released an album, To the Power of Three , in 1988. In 1990, former Atlantic Records executive Phil Carson approached Emerson, Lake & Palmer to reunite and produce music for a proposed film. The project never developed, but the trio remained in London and started to come up with new musical ideas. The sessions were productive, with the band working as much as five to six days
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3780-863: The band performed at the Concert 10 Festival at Pocono International Raceway in Long Pond, Pennsylvania , on 9 July 1972. This was followed by their first dates in Japan where a riot broke out during the show in Osaka, causing the power to be cut and the group fleeing the stage. In early 1973, the band formed their own record label, Manticore Records , and purchased an abandoned cinema as their own rehearsal hall in Fulham , London. In June 1973, Emerson, Lake & Palmer began recording Brain Salad Surgery in London at Advision and Olympic Studios which lasted until September that year. Offord
3870-455: The band's 25th anniversary in 1995 were shelved. Following the demise of Victory Music, their back catalogue transferred to Rhino Records . Emerson and Palmer eventually recovered enough to start touring again from August 1996, beginning with a 33-date US tour opening for Jethro Tull . This was followed by a Japanese tour in October, where the group played a full set. In 1997, the band completed
3960-453: The change, among them the introduction of people meters that children found difficult to operate in the mid-1980s, an increasingly competitive market fueled by the multi-channel transition , a boom in first-run syndicated content and the introduction of home video and video games , increasing restrictions on advertising and educational content mandates , and broader cultural changes stemming from an increase in no-fault divorces and
4050-432: The country." However, the station is unlikely to revive the show on their own since that timeslot is usually used now for infomercials , from which the station makes a considerable amount of income. The main announcer on Creature Double Feature was a Channel 56 long-time booth announcer, Neil MacNevin. His radio/TV name was Tom Evans. He and an engineer named Press Campbell would create sound effects, echoes, wind etc. off
4140-472: The cuff during the weekly recording sessions for the movie and promos for CDF during the week. MacNevin says he still gets comments from some of the listeners from those days and really enjoys telling them about the sessions. MacNevin and Campbell retired from broadcasting in the early nineties. In June 2006, the Boston Herald reported that Boston-area car dealership owner Ernie Boch Jr. would be bringing
4230-493: The definition of masturbatory excess and self-aggrandizement in only a few short years." Kelman also stated that "in their fall from grace, [ELP] represented everything wrong with progressive rock." Paul Stump, in his History of Progressive Rock , likewise attributed ELP's infamy to their decadent activities during progressive rock's fall from favour: "What prompted ELP to do what they did to their listeners, their critics and ultimately themselves in 1977 can only be guessed at. What
4320-449: The end of 1998, and a tour booked for the spring of 1999 was cancelled. In April and May 2010, Emerson and Lake embarked on a North American tour with stripped-down versions of Emerson, Lake & Palmer, the Nice, and King Crimson songs. It originated when the pair got together at Lake's home studio earlier in the year to write new songs. When they stopped for a break, they occasionally played an Emerson, Lake & Palmer song which led to
4410-417: The end of the post-World War II baby boom . Attempting to pair the newscasts with the remaining cartoons was largely unsuccessful because the two program formats drew widely different audiences that did not lend themselves to leading in and out of each other , leading to viewership oddities (such as NBC's children's block having an average viewership age of over 40 years old); by the late 2010s, all of
4500-453: The episode " Saturday Morning Fun Pit ". Emerson, Lake %26 Palmer Emerson, Lake & Palmer (informally known as ELP ) were an English progressive rock supergroup formed in London in 1970. The band consisted of Keith Emerson (keyboards) of The Nice , Greg Lake (vocals, bass, guitars, producer) of King Crimson , and Carl Palmer (drums, percussion) of Atomic Rooster . With nine RIAA -certified gold record albums in
4590-405: The films and no interruptions from any on-air talent personnel during commercial breaks. The Boston Globe ' s Sunday Edition of their TV guide printed the schedule of the two Gamera movie titles reversed in their time slots. The show's original announcers were reportedly Ron Dwyer and Tom Evans. During most of its run in its later years, the show's announcer was Dale Dorman aka "Uncle Dale",
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#17328525485994680-418: The first time since 1974. After the tour, friction arose within the group as Lake wanted to relinquish his role as producer on the new album, and blamed the band's recent creative lull on this fact. Emerson and Palmer were against the idea, and claimed Lake had not presented any tangible material for them to work on despite knowing he was collecting ideas for a solo album. The rift resulted in the trio's split by
4770-469: The format; the commission ultimately dropped the proposal. The networks were encouraged to create educational spots that endeavored to use animation and/or live-action for enriching content, including the Schoolhouse Rock! series on ABC which became a fondly-remembered television classic. With the 1970s came a wave of animated versions of popular live-action prime time series as well, mainly with
4860-449: The group to continue, "we would have to do a lot of cutting down" and considered the possibility of producing music with just a piano, bass guitar, and drums. As the group were contractually obliged to record one more studio album, the band relocated to Emerson's home near Nassau in the Bahamas and recorded Love Beach at the nearby Compass Point Studios in 1978. Lake did not carry out
4950-452: The group to disband as Lake disliked the material that Emerson was writing. Following a meeting with the band and management, Lake agreed to write his own songs and continue recording. The album was recorded in six days. The album's first side is occupied by the 20-minute title track , a seven-part song based on reverse evolution that was recorded in four days. Its cover art was designed by painter and graphic designer William Neal . Tarkus
5040-711: The group). The band came to prominence following their performance at the Isle of Wight Festival in August 1970. In their first year, the group signed with E.G. Records (who distributed the band's records through Island Records in the United Kingdom, and Atlantic Records in North America), and released Emerson, Lake & Palmer (1970) and Tarkus (1971), both of which reached the UK top five. The band's success continued with Pictures at an Exhibition (1971), Trilogy (1972), and Brain Salad Surgery (1973, released on ELP's own Manticore Records label). After
5130-456: The idea of more group activity, but acknowledged Palmer's more negative comments to the press shortly before the 40th anniversary concert. Lake said: "I don't know why Carl has a propensity to dwell on negative issues... Keith and I have had our differences over the years, but we've certainly put them behind us and just forgot about them... I'm waiting for Carl to reach the point of wisdom in his life when he realises that carrying around grudges from
5220-452: The idea of recreating it on stage as it gave the songs a different feel to the originals. Later in 2010, the 4-CD box set A Time and a Place was released that features live tracks from 1970 to 1998. Two archival concerts followed in 2011: Live at Nassau Coliseum '78 and Live at the Mar Y Sol Festival '72 . In September 2009, Palmer announced that the band had planned to reform earlier in
5310-902: The live album, Welcome Back, My Friends, to the Show That Never Ends ~ Ladies and Gentlemen , released in August 1974 as a triple LP . The album peaked at No. 5 in the UK and No. 4 in the US. After touring in 1974, the band took an extended break. The three members bought homes overseas and became tax exiles in the process, but Emerson suffered a setback in 1975 when his Sussex home burned down and lost most of his possessions. The ordeal left him depressed, and he later credited his bandmates in helping him recover from drug misuse. They regrouped in 1976 to record Works Volume 1 at Mountain Studios in Montreux , Switzerland and EMI Studios in Paris, France. It
5400-486: The major American networks had shifted to live-action documentary programming, ostensibly targeted at teenagers to meet the educational mandates but less likely to cause a clash with the newscasts. This documentary programming also benefited from having less restrictive rules for advertising compared to programming targeted to children. Saturday-morning and Sunday-morning cartoons were largely discontinued in Canada by 2002. In
5490-503: The majority of titles in the Final Fantasy series, cites ELP as one of his influences. The trio are described as "genuinely classically aware, and openly demonstrated their respect for classical music." They are said to have "formed a genuine fusion between rock and jazz" and were noted for their "virtuosity and their uninhibited aggression." Despite their success and influence, ELP received criticism from some music critics, one citing
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#17328525485995580-471: The mid-1960s, the Saturday-morning timeslot would feature a great deal of series appropriate for children, although most of these were reruns of animated series originally broadcast in prime time and adventure series made in the 1950s, as well as telecasts of older cartoons made for movie theaters . Later in the decade, the slot would be dominated by superhero and action cartoon series, influenced by
5670-685: The non-commercial PBS in some markets, continued to air animated programming on Saturday and Sunday while partially meeting those mandates. In the United States, the generally accepted times for these and other children's programs to air on Saturday mornings were from 8:00 a.m. to approximately 1:00 p.m. Eastern Time Zone . Until the late 1970s, American networks also had a schedule of children's programming on Sunday mornings, though most programs at this time were repeats of Saturday-morning shows that were already out of production. In some markets, some shows were pre-empted in favor of syndicated or other types of local programming . Beginning in
5760-471: The original trio re-formed and released two more albums, Black Moon (1992) and In the Hot Seat (1994), and toured at various times between 1992 and 1998. Their final performance took place in 2010 at the High Voltage Festival in London to commemorate the band's 40th anniversary. Both Emerson and Lake died in 2016, leaving Palmer as the only surviving member of the band. By the end of 1969,
5850-477: The past is pointless." In 2012, Lake was unsure that a reunion could take place: "I doubt very much it will happen because I don't think Carl and Keith are in that same frame of mind." In 2013, Palmer revealed that he put a stop on further group plans. In December 2010, Emerson, Lake & Palmer signed a worldwide licensing deal with Sony Music Entertainment . In 2012, they secured a new back catalogue agreement with American-based Razor & Tie , and acquired
5940-442: The production duties, leaving Emerson to complete the record on his own after his bandmates returned home when recording was complete. The album has been dismissed by the band, who explained it was produced to fulfil a contractual obligation. Sinfield is credited on the majority of the tracks as a lyricist except "Canario", an instrumental based on Fantasía para un gentilhombre by Spanish composer Joaquín Rodrigo . The second side
6030-403: The public and music press. At the end of "Pictures at an Exhibition", the band fired two cannons that Emerson had tested in a field near Heathrow Airport . The success of the group's debut, as well as Lake's prior association with King Crimson, led to the band signing management and recording contracts with E.G. Records , who distributed their records through Island in the UK and Cotillion ,
6120-537: The revival. In the Philadelphia area , another Kaiser/Field station, WKBS Channel 48 , aired this program between 1976 and 1979 after the success the show had in Boston. Two of the most popular films included Attack of the Mushroom People and Tourist Trap . Saturday morning cartoon " Saturday-morning cartoon " is a colloquial term for the original animated series and live-action programming that
6210-569: The role of producer, which he had also done in King Crimson, with Eddy Offord as their engineer. The album included studio versions of "The Barbarian" and "Take a Pebble", " Knife-Edge ", based on the first movement of Sinfonietta by Leoš Janáček and the Allemande of French Suite No. 1 in D minor by Johann Sebastian Bach , Palmer's drum solo " Tank ", the three-part "The Three Fates", and " Lucky Man ", an acoustic ballad that Lake wrote when he
6300-460: The show back to WLVI—in its original timeslot—on an occasional basis. The first program of the new series aired on June 24, 2006. The two films shown on this occasion were Godzilla vs. the Smog Monster and The Giant Gila Monster . Boch himself hosted the show in full makeup as The Ghoul, though the original show almost never had a host—only announcers (other than for a brief time when Rich Koz,
6390-412: The shows, Emerson described the first time he and Lake played together: "Greg was moving a bass line and I played the piano in back and Zap! It was there." When the Nice split in March 1970 and Lake left King Crimson a month later, the pair began the search for a drummer, which turned out to be a difficult process. They initially approached Mitch Mitchell , who was at a loose end following the break-up of
6480-599: The songs, including MIDI and digital sampling, which Palmer said kept their material fresh. Atlantic capitalised on the reunion by releasing The Atlantic Years , a two-and-a-half hour compilation of their early material. Black Moon was released in July 1992; it peaked at No. 78 in the US but failed to chart in the UK. The group supported it with a world tour between July 1992 and April 1993, which included their first shows in England since 1974. The concerts at London's Royal Albert Hall were broadcast on BBC radio and released as
6570-472: The songwriting; Olsen received a credit on four tracks and Bill Wray on two. In the summer of 1994, the band cancelled an upcoming North American and Japanese tour, and the group split for a short period to pursue solo projects. Emerson underwent surgery to correct a compressed nerve in his arm in October, which left him able to play at only half his previous capacity. Palmer also had an operation to fix his carpal tunnel syndrome . Initial plans to commemorate
6660-418: The standard that I liked and I didn't think it sounded that good." Following their 2010 reunion, the band expressed differing opinions regarding their future. In early 2010, Emerson and Lake had not ruled out further Emerson, Lake & Palmer concerts or the possibility of a new studio album; the former said: "I see no reason why we shouldn't be doing more." In 2011, Lake said that Emerson and he were open to
6750-487: The success of Space Ghost . These were heavily criticized by parents for their violence. By 1972, most action programming had been removed from the Saturday-morning slot, following pressure from parents' lobbying groups such as the Action for Children's Television (ACT). These groups voiced concerns about the presentation of commercialism , violence, anti-social attitudes and stereotypes in Saturday-morning cartoons. By
6840-459: The title, The 4 O'Clock Movie . They cycled through their collection twice, noticing that the broadcasts were especially popular with youngsters. Then, they started showing the films at midnight, calling it Creature Feature . The ratings became so popular that the show was moved to noon to increase its ratings. However, it was in direct competition with WCVB -TV's Candlepin Bowling and was moved to
6930-426: The tour never materialised. The band made no announcement of their break-up, and Palmer moved on by forming a band, PM, which released one album entitled 1PM . In 1985, Emerson and Lake formed Emerson, Lake & Powell with former Rainbow drummer Cozy Powell . Palmer declined to participate in a reunion as he was busy with commitments with Asia . Rumours also linked Bill Bruford to their new line-up, but he
7020-478: The two group tracks, " Fanfare for the Common Man ", is a cover of the same-titled orchestral piece by Aaron Copland , who gave permission to have the band release it. Works Volume 1 was released in March 1977 and peaked at No. 9 in the UK and No. 12 in the US. A single of "Fanfare for the Common Man" was released and reached No. 2 in the UK, the band's highest charting UK single. In November 1977, Works Volume 2
7110-402: The voices of the original casts, as well as imitations of the highly successful Scooby-Doo combining teen characters and talking animals with supernatural mystery stories. By 1982, under President Ronald Reagan , the Federal Communications Commission (FCC) had loosened programming and advertising regulations, leading to the era of "half-hour toy commercials", starting with He-Man and
7200-420: The year, but it had to be pushed back for Emerson to receive medical attention on one of his hands. The three got together for a one-off concert for their 40th anniversary, headlining the High Voltage Festival at London's Victoria Park on 25 July 2010. The show was recorded and filmed; a live album was released as High Voltage . The DVD and Blu-ray of the concert followed in August 2011, which also contained
7290-461: Was attended by an estimated 78,000 people, the highest attended Emerson, Lake & Palmer concert as a solo act. The concert was filmed and released as a live album in 1979 entitled Emerson, Lake & Palmer in Concert that reached No. 73 in the US. Emerson wished for a double album release, but Atlantic Records decided against it due to the band's pending dissolution at its time of release. In 1993,
7380-476: Was available in three editions, Classic, Signature, and Ultimate, all containing rare and previously unpublished interviews and photographs. A 2016 retrospective review in Rolling Stone listed "10 Essential Songs by EL&P" and noted, "ELP became one of rock's first supergroups upon forming in 1970…The result was a stretch of albums…that turned prog from a black-light-in-the-basement listening experience into
7470-468: Was changed. Love Beach was released in November 1978 and was poorly received by the music press. "All I Want Is You" was released as a single in the UK, but failed to chart. It did sell enough to be certified gold in the US for 500,000 copies sold, in January 1979. In early 1979, Palmer attempted to organise a farewell summer tour and have the group disband at its conclusion. Due to internal problems, such as "what we should play and how we should play it",
7560-586: Was committed to King Crimson and Earthworks . The group's only album, Emerson Lake & Powell , was released in June 1986 and charted at No. 35 in the UK and No. 23 in the US. The single "Touch and Go" went to No. 60 in the US and No. 2 on the Billboard Hot Mainstream Rock Tracks chart. The trio toured the album in 1986, playing material by the Nice and Emerson, Lake & Palmer. In 1988, Emerson and Palmer joined with Robert Berry to form
7650-495: Was not present for the recording sessions as he was working with Yes , leaving engineering and mixing duties to Chris Kimsey and Geoff Young. Lake wrote the album's lyrics with Peter Sinfield and its sleeve was designed by H. R. Giger and includes the band's new logo. Formed of five tracks, the album includes a rendition of " Jerusalem " which features the debut of the Moog Apollo , a prototype polyphonic synthesizer . "Toccata"
7740-517: Was released as a compilation of shorter tracks recorded from 1973 to 1976 during various album recording sessions. The album was not as commercially successful as the band's previous albums; it reached No. 20 in the UK and No. 37 in the US. Three tracks from the album were released as singles: " Tiger in a Spotlight ", "Maple Leaf Rag", and "Watching Over You". The two Works albums were supported by North American tours which lasted from May 1977 to February 1978, spanning over 120 dates. The original plan
7830-463: Was released in June 1971 and was a commercial success, reaching No. 1 in the UK and No. 9 in the US. The band resumed touring with their first North American tour, starting 24 April 1971 at Thiel College in Greenville, Pennsylvania , and continued until the end of May. Further dates across Europe followed until the end of the year. The band's third album, Pictures at an Exhibition , was released as
7920-543: Was to have an orchestra on stage with the band each night, but the idea was dropped after 11 shows due to the high costs and difficulties with the orchestra unions. The 64-piece orchestra and choir were formed from the 500 who auditioned for a position. The orchestra was used two other times on the tour: for three dates at Madison Square Garden in New York City and the August 1977 show at the Olympic Stadium in Montreal that
8010-474: Was twelve. The album was released in the UK in November 1970, and reached No. 4 in the UK and No. 18 in the US. "Lucky Man" was released as a single that peaked at No. 48 in the US. From September 1970 to March 1971, the band completed their first concert tour with shows across the UK, Germany, Austria, and Switzerland. Emerson used a large Moog modular synthesizer on stage but it was unreliable as heat affected its sound. Their performance on 9 December 1970 at
8100-655: Was typically scheduled on Saturday and Sunday mornings in the United States on the "Big Three" television networks . The genre was a tradition from broadly the mid-1960s to mid-2010s; over time its popularity declined, in the face of changing cultural norms, increased competition from formats available at all times, and heavier media regulations. In the last years of the genre's existence, Saturday-morning and Sunday-morning cartoons were primarily created and aired on major networks to meet "educational and informational" (E/I) requirements . Minor television networks, in addition to
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