56-625: Cossington is the name of: In Australia Cossington (Turramurra) , a heritage-listed house in the Sydney suburb of Turramurra In England Cossington, Kent , a small settlement in Kent, home of a possible megalithic site Cossington, Leicestershire , a village in the Soar Valley in Leicestershire Cossington, Somerset , a village on
112-460: A railway line having been completed to Parramatta in 1856, it was decided to locate the new cemetery at a point on the line. Several sites were surveyed and found to be inappropriate. However, in 1862 the Cowper government purchased 80 hectares of land at Haslem's Creek from the estate of Edward Cohen. Cohen's land had previously formed part of a larger parcel known as "Hyde Park" that had been given to
168-462: A chair, beds made and unmade, windows and wardrobes open or shut - are imbued with spiritual everlastingness by the vibrancy of colour and light, a juncture of the ordinary and the sublime... " "Juxtaposed pure colours, applied with a distinctive broad brushstroke, depict intimate views of her home, light-filled and spiritual. She described her work as "expressing form in colour, colour vibrant with light - but containing this other, silent quality which
224-548: A few of them before selling on, including: Grace Smith is born in 1892 at Neutral Bay to English migrant Ernest Augustus Smith and Grace (née Fisher), the second of five children. The extended name "Grace Cossington Smith" appears on her baptism entry at St Augustine in Neutral Bay. Her mother encouraged her to adopt it as part of her identity as an artist and she began actively using it in her twenties as her preferred way of being recognised, personally and professionally. In 1895
280-523: A general statement of delight in the morning's silent annunciation of each new day, and its purification of inner space is also apparent. There are dreams and memory of a mother, father, sisters, brother and friends. Bedroom stillness, pain and death are present, but so too is sleep - as a source of renewal and revivification. "Interior in Yellow" is a rare philosophical meditation upon the unerotic bedroom, chaste but filled with psychic shimmer. And by contrast there
336-412: A great Australian city. "Her later work often takes its subject matter from the house and garden at Cossington , where her first studio, from 1914, was a hut built for her in the garden; then in 1939 a studio was added to the house itself. The late paintings evoke the lives of several women, artist friends, a sister who was a nurse, and their World War II activities, including church-going. The fact that
392-478: A non-denominational area of 23 hectares was also established. Other denominations allocated land in the original 200 acres (80 hectares) were Jews, Independents (Congregationalists), Presbyterians and Wesleyans. The Necropolis Act of 1867 came into force on 1 January 1868 formally dedicating the cemetery and establishing cemetery trusts. The first burial in the cemetery, reported by the Sydney Morning Herald,
448-477: A rough hewn stone fire surround. The house stands in a mature garden of dense-leafed evergreens, pines, azaleas and camellias, with a wide gravel brick-edged drive in good condition. The front fence repeats the style and structure of many fences in Ku-Ring-Gai Avenue, with overlapping palings and squared timber coping. There are heavy wrought iron gates in rectangular and diamond pattern. The door from
504-721: Is a heritage-listed cemetery in Rookwood , Sydney, Australia. It is the largest necropolis in the Southern Hemisphere and is the world's largest remaining operating cemetery from the Victorian era . It is close to Lidcombe railway station about 17 kilometres (11 mi) west of the Sydney central business district . It was added to the New South Wales State Heritage Register on 2 April 1999. Rookwood Cemetery
560-455: Is a voluntary organisation dedicated to preserving the site. As the largest Victorian era cemetery still in operation in the world, Rookwood is of significant national and historical importance. Some older sections of Rookwood are overgrown with a riot of plants, early horticultural plants, some now large trees or groves, as well as an interesting array of remnant indigenous flora. This results in quite an eclectic mix of flora to be found within
616-615: Is also likely to be considered of at least local heritage significance for its historical relationship with the Quakers in NSW. The place has a strong or special association with a person, or group of persons, of importance of cultural or natural history of New South Wales's history. As the adult home of Grace Cossington Smith and the subject of many of her finest paintings, Cossington is of State heritage significance for its association with this leading twentieth century Australian artist. Cossington
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#1732855912105672-507: Is also of local heritage significance for its previous use as a Quaker meeting house, still apparent in the wooden lined ceilings in the room now used as living room and dining room. Cossington is also of local heritage significance for its association with Cossington Smith's father Ernest Augustus Smith, a lawyer who was the NSW Solicitor General 1891–1894 (before buying the house). He also led his professional association of notaries
728-444: Is also of local heritage significance for its unusual timber-lined meeting room originally used for Quaker meetings, for its associations with Cossington Smith's eminent lawyer father Ernest Smith, for its architectural qualities as a Federation bungalow designed by Nixon & Allen, and for its garden contributing to the streetscape. "I am not sure there is another artist in the entire history of Australian art for whom there can be
784-483: Is also the unquiet crackle of tense, bounce-back energy surging between inwardness and the outside world. The body was cracking up but Grace was still high-spirited." "I was curator of Australian art at the Art Gallery of New South Wales in the 1960s and 70s, and prepared the touring exhibition that in 1973 first brought Grace Cossington Smith's work to an Australia-wide audience. I am now retired, as Emeritus Director of
840-410: Is different from Wikidata All article disambiguation pages All disambiguation pages Cossington (Turramurra) Cossington is a heritage-listed residence located at 43 Ku-Ring-Gai Avenue, in the Sydney suburb of Turramurra , New South Wales , Australia. It was designed by Nixon and Allen and built in 1899. It is also known as Sylvan Fells and Sylvan Falls . The property
896-501: Is divided into denominational and operational areas with individual offices, staff, and equipment to run different parts of the entire area. The cemetery is now managed by three trusts. Rookwood Necropolis Land Manager are the custodians of Rookwood on behalf of the NSW Government . The two denominational trusts are responsible for the care and maintenance of a number of burial sections catering to various ethnic and cultural groups within
952-414: Is privately owned. It was added to the New South Wales State Heritage Register on 18 August 2006. Originally a timber-getting area settlement begun in 1822 until after 1850 when the orchardists came to occupy extensive landholdings producing a variety of citrus and other fruits including persimmons, custard apples and Chinese pears. The Turramurra railway station was opened on 1 January 1890. The suburb
1008-463: Is probably the best Australian woman artist of any century, and the best Australian artist of any kind working in the 1920s and 30s. Her later work, more profound and inward than the earlier work, cannot be compared with the very different work of great artists like Sidney Nolan or Fred Williams, but is equal to theirs in excellence. All her paintings have extraordinary vitality; they live, and they express joy in living in an Australian bushland suburb and
1064-473: Is the portion around Ku-ring-gai Avenue and Boomerang Street and a number of houses listed in the Sands Directory of 1903 are found here. Shops appeared from 1912 and Chinese gardens, that disappeared after World War II . Ku-ring-gai Avenue was owned by a few prominent people. Thomas Cosh, the architect designed and built a number of houses here, possibly as a speculative builder and developer, and lived in
1120-405: Is unconscious, and belongs to all things created". "'Interior in Yellow' was begun [probably in 1962]... Like the ecstatic, abstract draperies that fill Old Master paintings, the rumpled bed cover and unspecific cloths are devices that connect the spectator to a surge of visual and emotional energy... "The fullness and density of light and air in a particular contained space are certainly here, but
1176-557: The Art Gallery of South Australia . Last year when the National Gallery of Australia prepared another major touring exhibition of Cossington Smith's work I contributed essays to the exhibition book, and I have since further reconsidered her work. "I would submit a stronger case, for national as well as State heritage significance. "I now believe that Grace Cossington Smith is more than "a leading twentieth-century Australian artist". She
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#17328559121051232-661: The Victoria Cross . As at May 2020, Rookwood Necropolis contains the graves of a total 704 Commonwealth service personnel that are registered by the Commonwealth War Graves Commission , 435 from World War I and 274 from World War II , besides three Dutch war graves. The commission also erected a memorial to 132 Commonwealth service personnel of World War II who were cremated at Rookwood Crematorium and whose ashes remain here. Four Japanese Imperial Navy crewmen of midget submarines M-14 and M-21 who died in
1288-591: The Allowah Estate in Turramurra is subdivided ( Cossington will be built on Lot 12). In 1899 the house was designed by Nixon and Allen for W. J. Baker. Named Sylvan Fells , it has an unusual timber lined meeting room which is used for Quaker meetings. According to Quaker researcher Jenny Madeline, William John Baker was a trustee for the Quaker Burial Ground established at Rookwood Necropolis in 1902 following
1344-735: The Concord Military Hospital in Sydney. The British war graves within the cemetery are of servicemen who died as prisoners of war in Japanese hands and had been cremated; after the war, their ashes were brought to Sydney and buried here. Here is also buried a civilian employee of the Admiralty and there is one French war grave. Within the entrance building is the New South Wales Cremation Memorial, which commemorates 199 service personnel of World War II who were cremated within
1400-521: The Necropolis was also being referred to by that name. The settlement of Rookwood changed its name in 1913 to Lidcombe , as a blend of two mayors' names, Lidbury and Larcombe (Larcombe was also a monumental stonemason whose business, 'Larcombe Memorials' exists to this day). The cemetery retained the name Rookwood. The name Rookwood is most likely an accidental or deliberate corruption of the name Brookwood Cemetery and its associated railway station . At
1456-632: The Polden Hills between Bridgwater and Street in Somerset [REDACTED] Topics referred to by the same term This disambiguation page lists articles about distinct geographical locations with the same name. If an internal link led you here, you may wish to change the link to point directly to the intended article. Retrieved from " https://en.wikipedia.org/w/index.php?title=Cossington&oldid=860554528 " Category : Place name disambiguation pages Hidden categories: Short description
1512-589: The St Michael the Archangel Chapel and various cottages for section managers and sextons . Originally known simply as the Necropolis ( Koine Greek meaning "city of the dead"), local residents lobbied officials to have the name of their village changed from Haslem's Creek due to its association with the cemetery. In 1879, the villagers got their wish and the area's name was changed to Rookwood; however, before long,
1568-599: The World War II Attack on Sydney Harbour during 31 May–8 June 1942 were cremated with naval honours at Rookwood Cemetery. The ashes were returned to Japan later that year. Within the grounds of Rookwood Cemetery is enclosed the CWGC's Sydney War Cemetery , whose entrance is on the west side on the necropolis railway. It was established in 1942 during World War II for service personnel and there are now 732 buried or commemorated by name here. Most of those buried here died at
1624-404: The back veranda, making it perhaps the most intact room in the house. In the living room, the original fireplace is graced with its original mantle clock and two period drawings of GCS's forebears titled "Great grandfather Smith" and "Great grandmother". Modifications since 1979 are minor and largely reversible if desired. As at 27 September 2006, as the adult home of Grace Cossington Smith and
1680-571: The cemetery were demolished. Cemetery Station No. 1 at the head of the rail spur was sold to Reverend Buckle for £100 in 1951 and was moved to Canberra in 1957 to become the All Saints Church, Canberra . Rookwood Cemetery gave rise to the phrase "crook as Rookwood", meaning chronically ill, as "crook" is Australian slang for being unwell. A novel by Chris Nyst published in 2005 uses the phrase as its title. Rookwood Cemetery has or had several notable interments, including three recipients of
1736-477: The cemetery. At the terminus inside the cemetery the coffins were unloaded using 'wheeled hand-propelled litters' The rail line was used to convey funeral parties to Rookwood until 1948 when the expanded use of processions by road made it obsolete. The stations were offered to the Joint Committee of Necropolis Trustees for the price of £1 but due to maintenance costs the offer was rejected and the platforms within
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1792-538: The community. Those trusts are: Rookwood General Cemeteries Reserve Land Manager (Rookwood General Cemetery) and the Catholic Cemeteries and Crematoria. The NSW Cremation Company, which founded and operates The Rookwood Memorial Gardens Crematorium, is the oldest operating crematorium in Australia. The NSW Cremation Company is the only private company operating a 'cemetery' section within the Necropolis grounds. Today
1848-629: The company is part of the InvoCare company. Rookwood also contains a number of memorial shrines including those dedicated to victims of The Holocaust and to members of the merchant marines killed in wartime. The Sydney War Cemetery is located in the eastern section of the Necropolis. The Circle of Love is a shrine dedicated to stillborn children or those who died in young infancy. There are 915,000 people (figures as at 31 December 2014) that have been buried and cremated at Rookwood, which covers an area of 314 hectares (780 acres). The "Friends of Rookwood Inc"
1904-504: The following criteria. The place is important in demonstrating the course, or pattern, of cultural or natural history in New South Wales. Cossington is likely to be of state heritage significance for its association with women's history in NSW. Cossington Smith's art works represent a widespread but especially feminine perspective on Australian culture – as viewed from the interior of an upper middle-class suburban house. Cossington
1960-547: The for a time. "The profession, and the community service, might be considered characteristic of those who lived in the highland suburbs on the North Shore Line". The place is important in demonstrating aesthetic characteristics and/or a high degree of creative or technical achievement in New South Wales. Cossington is of local heritage significance for its architectural qualities as a Federation bungalow designed by Dixon & Adam, and for its garden and contribution to
2016-435: The house, before the artist's father bought it, had been built as a Quaker meeting house, helped reinforce the sacramental delight in simple living that fills the artist's paintings." "I am not sure there is another artist in the entire history of Australian art for whom there can be the same two-fold association of firstly, a house in which the artist lived for entirety of a career - more than six decades - and secondly, where
2072-412: The inner, vibrant living force of all matter so well captured by Cossington Smith in the vivid contrasts of red and green and of solid and broken form in the furniture of "The Lacquer Room" [ c. 1935 ], has been described by Mary Eagle as a unifying theme in the work of many Australian artists of the time. For Cossington Smith, though, light was to become both the symbol of her Anglican beliefs and
2128-425: The inspiration and method of her painting'... Commenting on the use of her characteristic square brush style, she said: "I use squares because I feel that in that way that light can be put into the colour".... In her most sophisticated paintings, her later depictions of interiors, Cossington Smith was to give the fleeting moment the awe and dignity of a lasting monument. Small moments of daily living - clothes strewn on
2184-590: The interior structure itself - ie the rooms inside - formed the basis of subject matter pursued with magnificent and profoundly spiritual dedication over that time." "[Listing Cossington on the SHR] is a wonderful gesture to a very important Australian artist whose work relates so closely to her own home and its surrounds." A Federation period home with fine timber detailing and an unusual timber lined meeting room. A large single storey Federation style house constructed of red open kiln bricks with blue brick dressings along
2240-399: The line of the window ledges and above the windows. Mitre slate roof with lead ridging. There are four decorative chimneys of red and blue bricks. Strong veranda details include turned posts, delicately incised timber brackets and lattice valance. The interior features an impressive kauri board lined central meeting room with a fine cedar screen with decorative leadlight panels and
2296-464: The magistrate and parliamentarian Henry Grattan Douglass in 1833 and subsequently leased out. The site was approved due to its relative isolation and proximity to the railway line. The cemetery was then divided into sections for the various denominations according to their numbers in the 1861 census. The Church of England section was 21 hectares, the Catholic Church was allocated 14 hectares and
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2352-428: The mourners were known as 'unimproved Redferns' There were two types of Hearse carriages used for the procession. One consisted of a four-wheeled van that carried up to 10 coffins on its upper and lower shelves. Each of these shelves was designed so it could open onto the platform. There were also eight-wheeled vans that could hold 30 coffins. Both of these vehicles were attached the back of the train for transporting to
2408-532: The necropolis, including endangered native species such as Downy wattle and small leaved Dillwynia ( Dillwynia parvifolia ). The Serpentine Canal within the Rookwood General Cemeteries Reserve Land Manager was restored in recent years, repairing and replacing ornamentation, landscaping and vegetation over 31 hectares (77 acres) of the cemetery. In 1819, Governor Lachlan Macquarie established Sydney's main burial ground near
2464-454: The necropolis, with a fourth at the main junction and a fifth on Regent Street adjacent to Central station . The railway line construction began in November 1864 and from 1 January 1865, trains began their run into the cemetery. It stopped at prearranged stations on the journey from central Sydney to pick up mourners and coffins. Trains ran at 9.30 am and 3 pm. The trains that carried
2520-411: The new kitchen (previous spare bedroom) to the back veranda is original and unusual in that the joinery makes the shape of a cross (this may be a remnant of significance to the original Quaker occupants). The door into Cossington Smith's former studio (in the south eastern corner of the house) is significant as it had been the door to her studio in the garden and was moved to its new position when she moved
2576-487: The nightwatchman. The gaslights were lit each evening by the gaslighter. Those with very large properties kept cows for instant milk supply. Many dairies were established and the milkman delivered twice a day. By 1920 fruit fly put an end to all commercial growing of fruit on the North Shore and the land were converted into Chinese gardens. The most expensive subdivision, of lots of 4.0 hectares (10 acres) or more available,
2632-527: The resumption of the Devonshire Street Cemetery for Central railway station . He had had another house built to the design of Nixon and Allen at 37 Kuringai Ave Turramurra in 1897. Cossington Smith later would say that the house at Turramurra had been designed for "'Mr Baker the Quaker' as a dwelling that could also function as a Quaker lodge, a kind of church". "Henri Bergson's theory of vitalism,
2688-425: The same two-fold association of firstly, a house in which the artist lived for entirety of a career – more than six decades – and secondly, where the interior structure itself – ie the rooms inside – formed the basis of subject matter pursued with magnificent and profoundly spiritual dedication over that time." Cossington was listed on the New South Wales State Heritage Register on 18 August 2006 having satisfied
2744-444: The streetscape. The room that was the Quaker meeting room is also of aesthetic significance for its impressive kauri-board ceilings with fine cedar screen and decorative leadlight panels, as well as its rough hewn stone fireplaces. The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. As the long-time home of one of Australia's leading artists and
2800-409: The studio into the house. The major dark wood furniture in the dining room is largely the same as when Cossington Smith lived there - a large bookcase with many art books that had been owned by Cossington Smith, the dining table and chairs and the large sideboard, as well as the mantle clock over the original fireplace. This room also contains its original french doors leading from the living room to
2856-452: The subject of many of her finest paintings, Cossington is of State heritage significance for its association with this outstanding twentieth century Australian artist. Cossington is also of State significance for its association with women's history in NSW in so far as Cossington Smith's art works represent an especially feminine perspective on Australian culture – as viewed from the interior of an upper middle-class suburban house. Cossington
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#17328559121052912-655: The subject of many of her finest paintings, Cossington is of State significance with respect to its research potential for art historians. [REDACTED] This Misplaced Pages article was originally based on Cossington , entry number 01763 in the New South Wales State Heritage Register published by the State of New South Wales (Department of Planning and Environment) 2018 under CC-BY 4.0 licence , accessed on 2 June 2018. [REDACTED] Media related to Cossington, Turramurra at Wikimedia Commons Rookwood Necropolis Rookwood Cemetery (officially named Rookwood Necropolis )
2968-470: The time of Rookwood's opening, Brookwood Cemetery, located in Brookwood, Surrey , England, was one of the largest cemeteries in the world. It is less likely that, as claimed by some sources, Rookwood was named after William Harrison Ainsworth 's novel Rookwood , written in 1834. Rookwood was served by a rail spur from the main line from 1867 until 1948. Mortuary stations served each of the three sections of
3024-550: The town's brickworks. By the 1840s, the Devonshire Street Cemetery was close to being full so another larger site was needed. A location on the Sydney Common was chosen in 1845, but abandoned in 1859 without ever being used due to complaints from local residents and churches. In Australia, as in Europe, there was an increasing trend to move burial sites outside of the cities for practical, hygienic and other more aesthetic purposes. With
3080-481: Was a pauper, 18-year-old John Whalan, buried on 5 January 1867. This burial was not recorded in the burial register. The first official burial was recorded in the Roman Catholic area: a 14-month-old toddler, Catherine McMullen, on 7 January 1867. By 1879, more land was needed and the remaining 233 hectares of the former "Hyde Park" were then purchased. By the 1890s the cemetery was home to several buildings including
3136-475: Was then known as Eastern Road and it was nearly a year later on 14 December 1890 that Turramurra was named after the Aboriginal word meaning "high hill". The construction of the railway brought immediate progress. In 1881 the population was only 142, by 1891 it was 788 and in 1901 1,306. There was no electricity until 1927, water was piped from Wahroonga Reservoir and the outside loos were regularly emptied by
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