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88-516: "Cornerstone Theater Company is a multi-ethnic, ensemble-based theater company. We commission and produce new plays, both original works and contemporary adaptations of classics, which combine the artistry of professional and community collaborators. By making theater with and for people of many ages, cultures and levels of theatrical experience, Cornerstone builds bridges between and within diverse communities in our home city of Los Angeles and nationwide." Typically, Cornerstone artists take up residence in

176-438: A character using the basic character archetypes which are common to many cultural traditions: the father figure , mother figure, hero , and so on. Some writers make use of archetypes as presented by Carl Jung as the basis for character traits. Generally, when an archetype from some system (such as Jung's) is used, elements of the story also follow the system's expectations in terms of storyline . An author can also create

264-455: A distinction between the individuals represented in tragedy and in comedy arose: tragedy, along with epic poetry , is "a representation of serious people" (1449b9—10), while comedy is "a representation of people who are rather inferior" (1449a32—33). In the Tractatus coislinianus (which may or may not be by Aristotle), Ancient Greek comedy is defined as involving three types of characters:

352-429: A fictional character using generic stock characters , which are generally flat. They tend to be used for supporting or minor characters. However, some authors have used stock characters as the starting point for building richly detailed characters, such as William Shakespeare 's use of the boastful soldier character as the basis for John Falstaff . Some authors create charactonyms for their characters. A charactonym

440-596: A performing actor occurred in 534 BC (though the changes in the calendar over the years make it hard to determine exactly) when the Greek performer Thespis stepped onto the stage at the Theatre Dionysus to become the first known person to speak words as a character in a play or story. Before Thespis' act, Grecian stories were only expressed in song , dance, and in third person narrative. In honor of Thespis, actors are commonly called Thespians . The exclusively male actors in

528-469: A representative of a particular class or group of people is known as a type. Types include both stock characters and those that are more fully individualized . The characters in Henrik Ibsen 's Hedda Gabler (1891) and August Strindberg 's Miss Julie (1888), for example, are representative of specific positions in the social relations of class and gender , such that the conflicts between

616-469: A role—the art of acting —pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art . Formerly, in ancient Greece and the medieval world , and in England at

704-458: A series. A co-star role is a small speaking role that usually only appears in one episode. A guest star is a larger role than a co-star role, and the character is often the central focus of the episode or integral to the plot. Radio drama is a dramatized, purely acoustic performance , broadcast on radio or published on audio media, such as tape or CD. With no visual component, radio drama depends on dialogue, music and sound effects to help

792-574: A shift in acting techniques between 1913 and 1921, influenced by techniques found in German silent film. This is mainly attributed to the influx of emigrants from the Weimar Republic , "including film directors, producers, cameramen, lighting and stage technicians, as well as actors and actresses". Film actors have to learn to get used to and be comfortable with a camera being in front of them. Film actors need to learn to find and stay on their "mark". This

880-480: A summer residency, a two-day intensive course, and a semester-long traveling program mentored by Cornerstone staffers. Actor An actor or actress is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film , radio , and television . The analogous Greek term is ὑποκριτής ( hupokritḗs ), literally "one who answers". The actor's interpretation of

968-575: A woman. Occasionally, the issue is further complicated, for example, by a woman playing a woman acting as a man—who then pretends to be a woman, such as Julie Andrews in Victor/Victoria , or Gwyneth Paltrow in Shakespeare in Love . In It's Pat: The Movie , film-watchers never learn the gender of the androgynous main characters Pat and Chris (played by Julia Sweeney and Dave Foley ). Similarly, in

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1056-458: Is a "walk-on", a term used by Seymour Chatman for characters that are not fully delineated and individualized; rather they are part of the background or the setting of the narrative. Dynamic characters are those that change over the course of the story, while static characters remain the same throughout. An example of a popular dynamic character in literature is Ebenezer Scrooge , the protagonist of A Christmas Carol by Charles Dickens. At

1144-587: Is a name that implies the psychological makeup of the person, makes an allegorical allusion, or makes reference to their appearance. For example, Shakespeare has an emotional young male character named Mercutio , John Steinbeck has a kind, sweet character named Candy in Of Mice and Men , and Mervyn Peake has a Machiavellian, manipulative, and murderous villain in Gormenghast named Steerpike . The charactonym can also indicate appearance. For example, François Rabelais gave

1232-422: Is a position on the floor marked with tape. This position is where the lights and camera focus are optimized. Film actors also need to learn how to prepare well and perform well on- screen tests . Screen tests are a filmed audition of part of the script. Unlike theater actors, who develop characters for repeat performances, film actors lack continuity, forcing them to come to all scenes (sometimes shot in reverse of

1320-490: Is experiencing a revival. Character (arts) In fiction , a character is a person or other being in a narrative (such as a novel , play , radio or television series , music , film , or video game ). The character may be entirely fictional or based on a real-life person, in which case the distinction of a "fictional" versus "real" character may be made. Derived from the Ancient Greek word χαρακτήρ ,

1408-460: Is particularly common in presentations of older plays, such as Shakespearean works with large numbers of male characters in roles where gender is inconsequential. Having an actor dress as the opposite sex for comic effect is also a long-standing tradition in comic theatre and film. Most of Shakespeare's comedies include instances of overt cross-dressing , such as Francis Flute in A Midsummer Night's Dream . The movie A Funny Thing Happened on

1496-491: Is possible, therefore, to have stories that do not contain "characters" in Aristotle's sense of the word, since character necessarily involves making the ethical dispositions of those performing the action clear. If, in speeches, the speaker "decides or avoids nothing at all", then those speeches "do not have character" (1450b9—11). Aristotle argues for the primacy of plot ( mythos ) over character ( ethos ). He writes: But

1584-742: The BBC produces and broadcasts hundreds of new radio plays each year on Radio 3 , Radio 4 , and Radio 4 Extra . Podcasting has also offered the means of creating new radio dramas, in addition to the distribution of vintage programs. The terms "audio drama" or "audio theatre" are sometimes used synonymously with "radio drama" with one possible distinction: audio drama or audio theatre may not necessarily be intended specifically for broadcast on radio. Audio drama, whether newly produced or OTR classics, can be found on CDs , cassette tapes , podcasts , webcasts , and conventional broadcast radio. Thanks to advances in digital recording and Internet distribution, radio drama

1672-1081: The Edo period ; this convention continues. In some forms of Chinese drama such as Beijing opera , men traditionally performed all the roles, including female roles, while in Shaoxing opera women often play all roles, including male ones. In modern times, women occasionally played the roles of boys or young men. For example, the stage role of Peter Pan is traditionally played by a woman, as are most principal boys in British pantomime . Opera has several " breeches roles " traditionally sung by women, usually mezzo-sopranos . Examples are Hansel in Hänsel und Gretel , Cherubino in The Marriage of Figaro and Octavian in Der Rosenkavalier . Women playing male roles are uncommon in film, with notable exceptions. In 1982, Stina Ekblad played

1760-535: The OED , the first occurrence of the term actress was in 1608 and is ascribed to Middleton . In the 19th century, many viewed women in acting negatively, as actresses were often courtesans and associated with promiscuity. Despite these prejudices, the 19th century also saw the first female acting "stars", most notably Sarah Bernhardt . In Japan, onnagata , or men taking on female roles, were used in kabuki theatre when women were banned from performing on stage during

1848-530: The Old West Shakespearean adaptation Marmarth Hamlet . For the next five years they traveled to small towns in America, including Port Gibson, Mississippi ; Norcatur, Kansas ; Dinwiddie, Virginia ; and many others, creating theater with the local inhabitants. In 1992 the company decided to settle in a city that would allow them access to a wider variety of communities to collaborate with. Since then,

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1936-499: The Western Roman Empire fell into decay through the 4th and 5th centuries, the seat of Roman power was moved eastward to Constantinople . Records show that mime , pantomime , scenes or recitations from tragedies and comedies , dances , and other entertainments were very popular. From the 5th century, Western Europe was plunged into a period of general disorder. Small nomadic bands of actors traveled around Europe throughout

2024-440: The actor-managers , who formed their own companies and controlled the actors, the productions, and the financing. When successful, they built up a permanent clientele that flocked to their productions. They could enlarge their audience by going on tour across the country, performing a repertoire of well-known plays, such as those by Shakespeare. The newspapers, private clubs, pubs, and coffee shops rang with lively debates evaluating

2112-463: The buffoon ( bômolochus ), the ironist ( eirōn ), and the imposter or boaster ( alazṓn ). All three are central to Aristophanes ' Old Comedy . By the time the Roman comic playwright Plautus wrote his plays two centuries later, the use of characters to define dramatic genres was well established. His Amphitryon begins with a prologue in which Mercury claims that since

2200-674: The medieval world , it was considered disgraceful for a woman to go on stage; nevertheless, women did perform in Ancient Rome, and again entered the stage in the Commedia dell'arte in Italy in the 16th century; Lucrezia Di Siena became the perhaps first professional actress since Ancient Rome. France and Spain, too, also had female actors in the 16th century. In William Shakespeare's England, however, women's roles were generally played by men or boys. When an eighteen-year Puritan prohibition of drama

2288-446: The social order . In fiction writing , authors create dynamic characters using various methods. Sometimes characters are conjured up from imagination; in other instances, they are created by amplifying the character trait of a real person into a new fictional creation. An author or creator basing a character on a real person can use a person they know, a historical figure, a current figure whom they have not met, or themselves, with

2376-484: The theater or cinema, involves "the illusion of being a human person". In literature, characters guide readers through their stories, helping them to understand plots and ponder themes. Since the end of the 18th century, the phrase " in character " has been used to describe an effective impersonation by an actor. Since the 19th century, the art of creating characters, as practiced by actors or writers , has been called characterization . A character who stands as

2464-470: The theatre of ancient Greece performed in three types of drama : tragedy , comedy , and the satyr play . This developed and expanded considerably under the Romans . The theatre of ancient Rome was a thriving and diverse art form, ranging from festival performances of street theatre , nude dancing, and acrobatics, to the staging of situation comedies , to high-style , verbally elaborate tragedies . As

2552-504: The "...men on Forbes' list of top-paid actors for that year made ⁠2 + 1 / 2 ⁠ times as much money as the top-paid actresses. That means that Hollywood's best-compensated actresses made just 40 cents for every dollar that the best-compensated men made." Actors working in theatre , film , television , and radio have to learn specific skills. Techniques that work well in one type of acting may not work well in another type of acting. To act on stage, actors need to learn

2640-496: The 100 top-grossing films of 2014 featured a female lead or co-lead, while only 28.1 percent of characters in 100 top-grossing films were female...". "In the U.S., there is an "industry-wide [gap] in salaries of all scales. On average, white women earn 78 cents to every dollar a white man makes, while Hispanic women earn 56 cents to a white male's dollar, black women 64 cents and Native American women just 59 cents to that." Forbes' analysis of US acting salaries in 2013 determined that

2728-560: The 13th century. At the end of the Late Middle Ages , professional actors began to appear in England and Europe. Richard III and Henry VII both maintained small companies of professional actors. Beginning in the mid-16th century, Commedia dell'arte troupes performed lively improvisational playlets across Europe for centuries. Commedia dell'arte was an actor-centred theatre, requiring little scenery and very few props. Plays were loose frameworks that provided situations, complications, and

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2816-617: The English word dates from the Restoration , although it became widely used after its appearance in Tom Jones by Henry Fielding in 1749. From this, the sense of "a part played by an actor " developed. (Before this development, the term dramatis personae , naturalized in English from Latin and meaning "masks of the drama", encapsulated the notion of characters from the literal aspect of masks .) Character, particularly when enacted by an actor in

2904-515: The Jewish community, Catholics, Muslims, and so on. This artistic strategy is specifically aimed at developing and serving new audiences, and yields a collaborative theater form that blends professional actors , playwrights and stage designers with artists and actors who are in some way telling their own stories, or the stories of their community. Cornerstone was founded by director Bill Rauch and playwright Alison Carey in 1986. The impulse behind

2992-776: The United States , the gender-neutral term "player" was common in film in the silent film era and the early days of the Motion Picture Production Code , but in the 2000s in a film context, it is generally deemed archaic . However, "player" remains in use in the theatre , often incorporated into the name of a theatre group or company, such as the American Players , the East West Players , etc. Also, actors in improvisational theatre may be referred to as "players". In 2015, Forbes reported that "...just 21 of

3080-540: The United States recognized the different limitations and freedoms of the mediums of stage and screen by the early 1910s. Silent films became less vaudevillian in the mid-1910s, as the differences between stage and screen became apparent. Due to the work of directors such as D W Griffith , cinematography became less stage-like, and the then-revolutionary close-up shot allowed subtle and naturalistic acting. In America, D.W. Griffith's company Biograph Studios , became known for its innovative direction and acting, conducted to suit

3168-761: The Way to the Forum stars Jack Gilford dressing as a young bride. Tony Curtis and Jack Lemmon famously posed as women to escape gangsters in the Billy Wilder film Some Like It Hot . Cross-dressing for comic effect was a frequently used device in most of the Carry On films . Dustin Hoffman and Robin Williams have each appeared in a hit comedy film ( Tootsie and Mrs. Doubtfire , respectively) in which they played most scenes dressed as

3256-487: The aforementioned example of The Marriage of Figaro , there is a scene in which Cherubino (a male character portrayed by a woman) dresses up and acts like a woman; the other characters in the scene are aware of a single level of gender role obfuscation, while the audience is aware of two levels. A few modern roles are played by a member of the opposite sex to emphasize the gender fluidity of the role. Edna Turnblad in Hairspray

3344-469: The audio archives of collectors and museums, as well as several online sites such as Internet Archive . As of 2011 , radio drama has a minimal presence on terrestrial radio in the United States. Much of American radio drama is restricted to rebroadcasts or podcasts of programs from previous decades. However, other nations still have thriving traditions of radio drama. In the United Kingdom, for example,

3432-517: The characters reveal ideological conflicts. The study of a character requires an analysis of its relations with all of the other characters in the work. The individual status of a character is defined through the network of oppositions (proairetic, pragmatic , linguistic , proxemic ) that it forms with the other characters. The relation between characters and the action of the story shifts historically, often miming shifts in society and its ideas about human individuality, self-determination , and

3520-453: The characters, but they include the characters for the sake of their actions" (1450a15-23). Aristotle suggests that works were distinguished in the first instance according to the nature of the person who created them: "the grander people represented fine actions, i.e. those of fine persons" by producing "hymns and praise-poems", while "ordinary people represented those of inferior ones" by "composing invectives" (1448b20—1449a5). On this basis,

3608-500: The cinema rather than the stage. Griffith realized that theatrical acting did not look good on film and required his actors and actresses to go through weeks of film acting training. Lillian Gish has been called film's "first true actress" for her work in the period, as she pioneered new film performing techniques, recognizing the crucial differences between stage and screen acting. Directors such as Albert Capellani and Maurice Tourneur began to insist on naturalism in their films. By

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3696-507: The community they will be working with to develop a script for production. Using members of the community, Cornerstone creates a performance company, mixing the professional Cornerstone ensemble with local talent. The resulting plays are often adaptations of classics, but they are informed by and attempt to address local concerns. These plays are often organized into "Cycles" which include several related communities. For example, Cornerstone's Faith Based cycles included plays created with members of

3784-431: The company has expanded its definition of "community". Initially only defined geographically, the company's collaborations have incorporated religious communities, workplace communities, and age-based communities. For the company's 10th anniversary in 1996, the "community" was defined as "people whose birth date is the same as that of the company". While the company normally spends weeks to months preparing for performances,

3872-439: The concept of "frame". "The term frame refers to the area that the camera's lens is capturing." Within the acting industry, there are four types of television roles one could land on a show. Each type varies in prominence, frequency of appearance, and pay. The first is known as a series regular —the main actors on the show as part of the permanent cast. Actors in recurring roles are under contract to appear in multiple episodes of

3960-455: The downtown Los Angeles Arts District . “We will be carefully considering what and where we want our next physical home to be—what makes sense for a unique organization like ours?” Garcés and Wanlass said in a statement. Another unique facet of Cornerstone is the production of the "Bridge show", a production which links two or more communities together by combining their members into a new show that then performs in each of those communities. At

4048-579: The earliest surviving work of dramatic theory , Poetics ( c.  335 BCE ), the Classical Greek philosopher Aristotle states that character ( ethos ) is one of six qualitative parts of Athenian tragedy and one of the three objects that it represents (1450a12). He understands character not to denote a fictional person, but the quality of the person acting in the story and reacting to its situations (1450a5). He defines character as "that which reveals decision , of whatever sort" (1450b8). It

4136-520: The elaborate masques frequently presented at court, also contributed to the shaping of public theatre. Since before the reign of Elizabeth I, companies of players were attached to the households of leading aristocrats and performed seasonally in various locations. These became the foundation for the professional players that performed on the Elizabethan stage . The development of the theatre and opportunities for acting ceased when Puritan opposition to

4224-508: The end of the company's initial rural residencies, Cornerstone and its community partners produced The Winter's Tale: An Interstate Adventure . This musical adaptation of Shakespeare with a cast and crew of 50 from all 12 previous residency communities toured 10,000 miles, culminating Cornerstone's national touring phase. Cornerstone Theater Company also operates the educational Cornerstone Institute, which offers theater artists hands-on training in community-based theater. Programs offered include

4312-676: The eviction of the South Central Farmers from a privately held plot of land that had been used as a community garden. Starting in the Spring of 2007, Cornerstone began a new cycle of plays concerning the topic of Justice . 2007's Los Illegals concerned the presence of undocumented workers in America, and 2008's Someday focused on reproductive rights in an era when technology makes new interventions and treatments possible. The Justice Cycle will continue through 2009 with three more productions. In 2018, Cornerstone Theater let go of its space in

4400-492: The eyebrow to create a believable character." Some theatre stars "...have made the theater-to-cinema transition quite successfully ( Laurence Olivier , Glenn Close , and Julie Andrews , for instance), others have not..." "On a television set, there are typically several cameras angled at the set. Actors who are new to on-screen acting can get confused about which camera to look into." TV actors need to learn to use lav mics ( Lavaliere microphones ). TV actors need to understand

4488-566: The first Italian actress known by name, with Vincenza Armani and Barbara Flaminia as the first primadonnas and the first well-documented actresses in Italy (and in Europe). After the English Restoration of 1660, women began to appear onstage in England. In modern times, particularly in pantomime and some operas, women occasionally play the roles of boys or young men. The first recorded case of

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4576-457: The first time to appear on the English stage, exclusively in female roles. This period saw the introduction of the first professional actresses and the rise of the first celebrity actors. In the 19th century, the negative reputation of actors was largely reversed, and acting became an honored, popular profession and art. The rise of the actor as celebrity provided the transition, as audiences flocked to their favorite "stars". A new role emerged for

4664-401: The group, according to Carey, was to create theater for audiences that they otherwise would never come in contact with. Gathering a group of theater artists they had worked with while students at Harvard University , Rauch, Carey and their fellow artists picked a destination for their theatrical experiment that none of them had ever visited before: Marmarth, North Dakota . There they performed

4752-523: The idea of "rapid response theater" had been suggested since the 1992 Los Angeles riots , which occurred shortly after the troupe's relocation to the city. In April 2006, Michael John Garcés replaced Bill Rauch as artistic director. Rauch moved to the Oregon Shakespeare Festival . On June 14 of the same year, Garcés put the "rapid response theater" concept into action with staged readings from John Steinbeck 's Grapes of Wrath in protest of

4840-431: The late 1920s, movies were silent films . Silent film actors emphasized body language and facial expression , so that the audience could better understand what an actor was feeling and portraying on screen. Much silent film acting is apt to strike modern-day audiences as simplistic or campy . The melodramatic acting style was in some cases a habit actors transferred from their former stage experience. Vaudeville theatre

4928-546: The latter being either an author-surrogate or an example of self-insertion . The use of a famous person easily identifiable with certain character traits as the base for a principal character is a feature of allegorical works, such as Animal Farm by George Orwell, which portrays Soviet revolutionaries as pigs. Other authors, especially for historical fiction , make use of real people and create fictional stories revolving around their lives, as with The Paris Wife which revolves around Ernest Hemingway . An author can create

5016-546: The listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual force in the psychological dimension." Radio drama achieved widespread popularity within a decade of its initial development in the 1920s. By the 1940s, it was a leading international popular entertainment. With the advent of television in the 1950s, however, radio drama lost some of its popularity, and in some countries has never regained large audiences. However, recordings of OTR ( old-time radio ) survive today in

5104-511: The local population. Amateur performers in England were exclusively male, but other countries had female performers. There were several secular plays staged in the Middle Ages, the earliest of which is The Play of the Greenwood by Adam de la Halle in 1276. It contains satirical scenes and folk material such as faeries and other supernatural occurrences. Farces also rose in popularity after

5192-463: The mid-1920s many American silent films had adopted a more naturalistic acting style, though not all actors and directors accepted naturalistic, low-key acting straight away; as late as 1927, films featuring expressionistic acting styles, such as Metropolis , were still being released. According to Anton Kaes, a silent film scholar from the University of Wisconsin, American silent cinema began to see

5280-406: The most important of these is the structure of the incidents. For (i) tragedy is a representation not of human beings but of action and life. Happiness and unhappiness lie in action, and the end [of life] is a sort of action, not a quality; people are of a certain sort according to their characters, but happy or the opposite according to their actions. So [the actors] do not act in order to represent

5368-593: The mysterious Ismael Retzinsky in Fanny and Alexander , and Linda Hunt received the Academy Award for Best Supporting Actress for playing Billy Kwan in The Year of Living Dangerously . In 2007, Cate Blanchett was nominated for the Academy Award for Best Supporting Actress for playing Jude Quinn, a fictionalized representation of Bob Dylan in the 1960s, in I'm Not There . In the 2000s, women playing men in live theatre

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5456-633: The name Gargantua to a giant and the huge whale in Pinocchio (1940) is named Monstro . In his book Aspects of the Novel , E. M. Forster defined two basic types of characters, their qualities, functions, and importance for the development of the novel: flat characters and round characters. Flat characters are two-dimensional, in that they are relatively uncomplicated. By contrast, round characters are complex figures with many different characteristics, that undergo development, sometimes sufficiently to surprise

5544-406: The narrative structure, unlike core characters, for which any significant conflict must be traced during a considerable time, which is often seen as an unjustified waste of resources. There may also be a continuing or recurring guest character. Sometimes a guest or minor character may gain unanticipated popularity and turn into a regular or main one; this is known as a breakout character . In

5632-428: The neutral term dates to the post-war period of the 1950s and '60s, when the contributions of women to cultural life in general were being reviewed. When The Observer and The Guardian published their new joint style guide in 2010, it stated "Use ['actor'] for both male and female actors; do not use actress except when in name of award, e.g. Oscar for best actress". The guide's authors stated that "actress comes into

5720-423: The order in which they ultimately appear) with a fully developed character already. "Since film captures even the smallest gesture and magnifies it..., cinema demands a less flamboyant and stylized bodily performance from the actor than does the theater." "The performance of emotion is the most difficult aspect of film acting to master: ...the film actor must rely on subtle facial ticks, quivers, and tiny lifts of

5808-498: The outcome of the action, around which the actors improvised. The plays used stock characters . A troupe typically consisted of 13 to 14 members. Most actors were paid a share of the play's profits roughly equivalent to the sizes of their roles. Renaissance theatre derived from several medieval theatre traditions, such as the mystery plays , " morality plays ", and the "university drama" that attempted to recreate Athenian tragedy. The Italian tradition of Commedia dell'arte , as well as

5896-614: The period, performing wherever they could find an audience; there is no evidence that they produced anything but crude scenes. Traditionally, actors were not of high status; therefore, in the Early Middle Ages , traveling acting troupes were often viewed with distrust. Early Middle Ages actors were denounced by the Church during the Dark Ages , as they were viewed as dangerous, immoral, and pagan . In many parts of Europe, traditional beliefs of

5984-404: The play contains kings and gods, it cannot be a comedy and must be a tragicomedy . [...] is first used in English to denote 'a personality in a novel or a play' in 1749 ( The Shorter Oxford English Dictionary , s.v.). Its use as 'the sum of the qualities which constitute an individual' is a mC17 development. The modern literary and theatrical sense of 'an individual created in a fictitious work'

6072-493: The power of star actors and celebrated roles to attract enthusiastic audiences. His knighthood in 1895 indicated full acceptance into the higher circles of British society. By the early 20th century, the economics of large-scale productions displaced the actor-manager model. It was too hard to find people who combined a genius at acting as well as management, so specialization divided the roles as stage managers and later theatre directors emerged. Financially, much larger capital

6160-476: The reader. In psychological terms, round or complex characters may be considered to have five personality dimensions under the Big Five model of personality. The five factors are: Stock characters are usually one-dimensional and thin. Mary Sues are characters that usually appear in fan fiction which are virtually devoid of flaws, and are therefore considered flat characters. Another type of flat character

6248-614: The region and time meant actors could not receive a Christian burial. In the Early Middle Ages , churches in Europe began staging dramatized versions of biblical events. By the middle of the 11th century, liturgical drama had spread from Russia to Scandinavia to Italy. The Feast of Fools encouraged the development of comedy. In the Late Middle Ages , plays were produced in 127 towns. These vernacular Mystery plays often contained comedy , with actors playing devils , villains , and clowns . The majority of actors in these plays were drawn from

6336-403: The reign of Charles II in part because he enjoyed watching actresses on stage. Specifically, Charles II issued letters patent to Thomas Killigrew and William Davenant , granting them the monopoly right to form two London theatre companies to perform "serious" drama, and the letters patent were reissued in 1662 with revisions allowing actresses to perform for the first time. According to

6424-406: The relative merits of the stars and the productions. Henry Irving (1838–1905) was the most successful of the British actor-managers. Irving was renowned for his Shakespearean roles, and for such innovations as turning out the house lights so that attention could focus more on the stage and less on the audience. His company toured across Britain, as well as Europe and the United States, demonstrating

6512-414: The same category as authoress, comedienne, manageress, 'lady doctor', 'male nurse' and similar obsolete terms that date from a time when professions were largely the preserve of one sex (usually men)." (See male as norm .) "As Whoopi Goldberg put it in an interview with the paper: 'An actress can only play a woman. I'm an actor – I can play anything. ' " The UK performers' union Equity has no policy on

6600-520: The second half of the 17th century, they did appear in Italy, Spain and France from the late 16th-century onward. Lucrezia Di Siena , whose name is on an acting contract in Rome from 10 October 1564, has been referred to as the first Italian actress known by name, with Vincenza Armani and Barbara Flaminia as the first primadonnas and the first well-documented actresses in Italy (and Europe). After 1660 in England, when women first started to appear on stage,

6688-400: The series' run. Recurring characters often play major roles in more than one episode, sometimes being the main focus. A guest or minor character is one who acts only in a few episodes or scenes. Unlike regular characters, the guest ones do not need to be carefully incorporated into the storyline with all its ramifications: they create a piece of drama and then disappear without consequences to

6776-464: The stage banned the performance of all plays within London. Puritans viewed the theatre as immoral. The re-opening of the theatres in 1660 signalled a renaissance of English drama. English comedies written and performed in the Restoration period from 1660 to 1710 are collectively called "Restoration comedy". Restoration comedy is notorious for its sexual explicitness. At this point, women were allowed for

6864-413: The stage directions that appear in the script, such as "Stage Left" and "Stage Right". These directions are based on the actor's point of view as they stand on the stage facing the audience. Actors also have to learn the meaning of the stage directions "Upstage" (away from the audience) and "Downstage" (towards the audience). Theatre actors need to learn blocking, which is "...where and how an actor moves on

6952-454: The stage during a play". Most scripts specify some blocking. The Director also gives instructions on blocking, such as crossing the stage or picking up and using a prop. Some theater actors need to learn stage combat , which is simulated fighting on stage. Actors may have to simulate hand-to-hand fighting or sword-fighting. Actors are coached by fight directors , who help them learn the choreographed sequence of fight actions. From 1894 to

7040-450: The start of the story, he is a bitter miser, but by the end of the tale, he transforms into a kindhearted, generous man. In television, a regular, main or ongoing character is a character who appears in all or a majority of episodes, or in a significant chain of episodes of the series. Regular characters may be both core and secondary ones. A recurring character or supporting character often and frequently appears from time to time during

7128-458: The terms actor or actress were initially used interchangeably for female performers, but later, influenced by the French actrice , actress became the commonly used term for women in theater and film. The etymology is a simple derivation from actor with -ess added. When referring to groups of performers of both sexes, actors is preferred. Within the profession, the re-adoption of

7216-429: The time of William Shakespeare , only men could become actors, and women's roles were generally played by men or boys. While Ancient Rome did allow female stage performers, only a small minority of them were given speaking parts. The commedia dell'arte of Italy, however, allowed professional women to perform early on; Lucrezia Di Siena , whose name is on a contract of actors from 10 October 1564, has been referred to as

7304-460: The use of "actor" or "actress". An Equity spokesperson said that the union does not believe that there is a consensus on the matter and stated that the "...subject divides the profession". In 2009, the Los Angeles Times stated that "Actress" remains the common term used in major acting awards given to female recipients (e.g., Academy Award for Best Actress ). With regard to the cinema of

7392-477: Was a minority of actresses in Rome employed in speaking roles, and also those who achieved wealth, fame and recognition for their art, such as Eucharis , Dionysia , Galeria Copiola and Fabia Arete , and they also formed their own acting guild, the Sociae Mimae , which was evidently quite wealthy. The profession seemingly died out in late antiquity. While women did not begin to perform onstage in England until

7480-571: Was an especially popular origin for many American silent film actors. The pervading presence of stage actors in film was the cause of this outburst from director Marshall Neilan in 1917: "The sooner the stage people who have come into pictures get out, the better for the pictures". In other cases, directors such as John Griffith Wray required their actors to deliver larger-than-life expressions for emphasis. As early as 1914, American viewers had begun to make known their preference for greater naturalness on screen. Pioneering film directors in Europe and

7568-478: Was lifted after the English Restoration of 1660, women began to appear on stage in England. Margaret Hughes is often credited as the first professional actress on the English stage. Previously, Angelica Martinelli , a member of a visiting Italian Commedia dell'arte company, did perform in England as early as 1578, but such foreign guest appearances had been rare exceptions and there had been no professional English actresses in England. This prohibition ended during

7656-511: Was played by Divine in the 1988 original film , Harvey Fierstein in the Broadway musical , and John Travolta in the 2007 movie musical . Eddie Redmayne was nominated for an Academy Award for playing Lili Elbe (a trans woman ) in 2015's The Danish Girl . In contrast to Ancient Greek theatre, Ancient Roman theatre did allow female performers. While the majority of them were seldom employed in speaking roles but rather for dancing, there

7744-545: Was required to operate out of a major city. The solution was corporate ownership of chains of theatres, such as by the Theatrical Syndicate , Edward Laurillard , and especially The Shubert Organization . By catering to tourists, theaters in large cities increasingly favored long runs of highly popular plays, especially musicals. Big name stars became even more essential. Formerly, in some societies, only men could become actors. In ancient Greece and ancient Rome and

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