Christopher Sly is a minor character in William Shakespeare 's The Taming of the Shrew . He is a drunk man who is easily dominated by women, set up as a foil to Petruchio , the central male character in the play.
89-552: The Taming of the Shrew is a play within a play . The frame play, where the action opens (called the " Induction ," just prior to Act One), shows a drunk Christopher Sly being ejected from a bar by its hostess. A wealthy lord arrives, finds Sly in a drunken stupor, and decides to play a prank on him. With Sly asleep in his intoxication, the lord's men dress Sly in fine apparel and the men in turn dress up as servants and one even as Sly's wife, in an effort to persuade Sly when he wakes up that he
178-475: A flashback of events leading up to the murder. Within this flashback, an unreliable narrator tells a story to mislead the would-be murderer, who later discovers that he was misled after another character narrates the truth to him. As the story concludes, the " Tale of Núr al-Dín Alí and his Son " is narrated within it. This perennially popular work can be traced back to Arabic , Persian , and Indian storytelling traditions. Mary Shelley 's Frankenstein has
267-489: A "bonus material" style inner story is the chapter "The Town Ho's Story" in Herman Melville 's novel Moby-Dick ; that chapter tells a fully formed story of an exciting mutiny and contains many plot ideas that Melville had conceived during the early stages of writing Moby-Dick —ideas originally intended to be used later in the novel—but as the writing progressed, these plot ideas eventually proved impossible to fit around
356-418: A classification of unreliable narrators. William Riggan analysed in a 1981 study four discernible types of unreliable narrators, focusing on the first-person narrator as this is the most common kind of unreliable narration. Riggan provides the following definitions and examples to illustrate his classifications: It remains a matter of debate whether and how a non-first-person narrator can be unreliable, though
445-453: A closing segment in which Sly, deposited back outside the tavern in a stupor once more, says he will return home to deal with his own shrewish wife, having had "the best dream that ever I had in my life" in which he learned how to "tame a shrew". The closing part of the frame-play does not appear in the text of The Taming of the Shrew as it was published in the First Folio . It only appears in
534-408: A couplet that was added, possibly by religious zealots intent on giving the play extra moral gravity, are said only on the night that Oedipa sees the play. From what Pynchon relates, this is the only mention in the play of Thurn and Taxis' rivals' name—Trystero—and it is the seed for the conspiracy that unfurls. A significant portion of Walter Moers ' Labyrinth of Dreaming Books is an ekphrasis on
623-464: A deeply nested frame story structure, that features the narration of Walton, who records the narration of Victor Frankenstein, who recounts the narration of his creation, who narrates the story of a cabin dwelling family he secretly observes. Another classic novel with a frame story is Wuthering Heights , the majority of which is recounted by the central family's housekeeper to a boarder. Similarly, Roald Dahl 's story The Wonderful Story of Henry Sugar
712-570: A history compiled by several of the characters. The subtitle of The Hobbit ("There and Back Again") is depicted as part of a rejected title of this book within a book, and The Lord of the Rings is a part of the final title. An example of an interconnected inner story is "The Mad Trist" in Edgar Allan Poe 's Fall of the House of Usher , where through somewhat mystical means the narrator's reading of
801-401: A keeper of bears used in bear-baiting entertainments) before becoming a tinker. Christopher Sly is mentioned in the novel The Eyre Affair , by Jasper Fforde . A man named Victor Analogy explains that the reason why Christopher Sly does not appear after Act One of The Taming of the Shrew is because the character of Sly was, in fact, summoned out of the original copy of the play and thus
890-476: A man who finds a manuscript telling the story of a documentary that may or may not have ever existed, contains multiple layers of plot. The book includes footnotes and letters that tell their own stories only vaguely related to the events in the main narrative of the book, and footnotes for fake books. Robert A. Heinlein 's later books ( The Number of the Beast , The Cat Who Walks Through Walls and To Sail Beyond
979-420: A more famous composer is told in a series of letters to his lover Rufus Sixsmith, which are interrupted halfway through and revealed to be in the possession of an investigative journalist named Luisa Rey and so on. Each of the first five tales are interrupted in the middle, with the sixth tale being told in full, before the preceding five tales are finished in reverse order. Each layer of the story either challenges
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#17328519039221068-533: A narrative counterpoint and add a touch of surrealism to the main narrative. They additionally raise the question of whether works of artistic genius justify or atone for the sins and crimes of their creators. Auster's The Book of Illusions (2002) and Flicker by Theodore Roszak (1991) also rely heavily on fictional films within their respective narratives. This dramatic device was probably first used by Thomas Kyd in The Spanish Tragedy around 1587, where
1157-501: A narrator reliable when he speaks for or acts in accordance with the norms of the work (which is to say the implied author 's norms), unreliable when he does not." Peter J. Rabinowitz criticized Booth's definition for relying too much on facts external to the narrative, such as norms and ethics, which must necessarily be tainted by personal opinion. He consequently modified the approach to unreliable narration. There are unreliable narrators (c.f. Booth). An unreliable narrator however,
1246-721: A noble story, the boring character tells a very dull tale, and the rude miller tells a smutty tale. Homer 's Odyssey too makes use of this device; Odysseus ' adventures at sea are all narrated by Odysseus to the court of king Alcinous in Scheria . Other shorter tales, many of them false, account for much of the Odyssey . Many modern children's story collections are essentially anthology works connected by this device, such as Arnold Lobel 's Mouse Tales , Paula Fox 's The Little Swineherd , and Phillip and Hillary Sherlock's Ears and Tails and Common Sense . A well-known modern example of framing
1335-455: A sprawling, loosely interconnected science fiction narrative, as do the albums of Janelle Monae . On Tom Waits 's concept album Alice (consisting of music he wrote for the musical of the same name), most of the songs are (very) loosely inspired by both Alice in Wonderland , and the book's real-life author, Lewis Carroll , and inspiration Alice Liddell . The song "Poor Edward", however,
1424-400: A story can be used in all types of narration including poems , and songs . Stories within stories can be used simply to enhance entertainment for the reader or viewer, or can act as examples to teach lessons to other characters. The inner story often has a symbolic and psychological significance for the characters in the outer story. There is often some parallel between the two stories, and
1513-415: A story may disclose the background of characters or events, tell of myths and legends that influence the plot, or even seem to be extraneous diversions from the plot. In some cases, the story within a story is involved in the action of the plot of the outer story. In others, the inner story is independent, and could either be skipped or stand separately, although many subtle connections may be lost. Often there
1602-502: A surreal version of Madam Mao 's Red Detachment of Women , illuminating the ascendance of human values over the disillusionment of high politics in the meeting. In Bertolt Brecht 's The Caucasian Chalk Circle , a play is staged as a parable to villagers in the Soviet Union to justify the re-allocation of their farmland: the tale describes how a child is awarded to a servant-girl rather than its natural mother, an aristocrat, as
1691-455: A tale told through the music of Coheed and Cambria , tells a story for the first two albums but reveals that the story is being actively written by a character called the Writer in the third. During the album, the Writer delves into his own story and kills one of the characters, much to the dismay of the main character. The critically acclaimed Beatles album Sgt. Pepper's Lonely Hearts Club Band
1780-455: A young boy. Both the book and the movie assert that the central story is from a book called "The Princess Bride" by a nonexistent author named S. Morgenstern . In the Welsh novel Aelwyd F'Ewythr Robert (1852), by Gwilym Hiraethog , a visitor to a farm in north Wales tells the story of Uncle Tom's Cabin to those gathered around the hearth. Sometimes a frame story exists in the same setting as
1869-543: Is James Merrill 's 1974 modernist poem " Lost in Translation ". In Rabih Alameddine 's novel The Hakawati , or The Storyteller , the protagonist describes coming home to the funeral of his father, one of a long line of traditional Arabic storytellers. Throughout the narrative, the author becomes hakawati (an Arabic word for a teller of traditional tales) himself, weaving the tale of the story of his own life and that of his family with folkloric versions of tales from Qur'an,
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#17328519039221958-465: Is a literary device in which a character within a story becomes the narrator of a second story (within the first one). Multiple layers of stories within stories are sometimes called nested stories . A play may have a brief play within it, such as in Shakespeare's play Hamlet ; a film may show the characters watching a short film; or a novel may contain a short story within the novel. A story within
2047-498: Is a graphic novel about a middle-school musical production, and the tentative romantic fumblings of its cast members. In Manuel Puig 's Kiss of the Spider Woman , ekphrases on various old movies, some real, and some fictional, make up a substantial portion of the narrative. In Paul Russell 's Boys of Life , descriptions of movies by director/antihero Carlos (loosely inspired by controversial director Pier Paolo Pasolini ) provide
2136-545: Is about a rich bachelor who finds an essay written by someone who learned to "see" playing cards from the reverse side. The full text of this essay is included in the story, and itself includes a lengthy sub-story told as a true experience by one of the essay's protagonists, Imhrat Khan. Lewis Carroll 's Alice books, Alice's Adventures in Wonderland (1865) and Through the Looking-Glass (1871), have several multiple poems that are mostly recited by several characters to
2225-495: Is about a troupe of actors who perform a play about marital infidelity that mirrors their own lives, and composer Richard Rodney Bennett and playwright - librettist Beverley Cross 's The Mines of Sulphur features a ghostly troupe of actors who perform a play about murder that similarly mirrors the lives of their hosts, from whom they depart, leaving them with the plague as nemesis. John Adams ' Nixon in China (1985-7) features
2314-457: Is about the production of a fictitious musical, The Taming of the Shrew , based on the Shakespeare play of the same name , and features several scenes from it. Pericles draws in part on the 14th-century Confessio Amantis (itself a frame story), by John Gower , and Shakespeare has the ghost of Gower "assume man's infirmities" to introduce his work to the contemporary audience and comment on
2403-580: Is also found in classic religious and philosophical texts. The structure of The Symposium and Phaedo , attributed to Plato , is of a story within a story within a story. In the Christian Bible , the gospels are accounts of the life and ministry of Jesus . However, they also include within them the parables that Jesus told. In more modern philosophical works, Jostein Gaarder 's books often feature this device. Examples are The Solitaire Mystery , where
2492-496: Is also the world's longest epic, has a nested structure. The experimental modernist works that incorporate multiple narratives into one story are quite often science-fiction or science fiction influenced. These include most of the various novels written by the American author Kurt Vonnegut . Vonnegut includes the recurring character Kilgore Trout in many of his novels. Trout acts as the mysterious science fiction writer who enhances
2581-402: Is an aristocrat. After this task is accomplished, the lord's men perform what we know as The Taming of the Shrew . He briefly is seen again making a comment about having some privacy with his "wife" (actually a pageboy in drag ). In the standard version of the play the audience never sees or hears from Christopher Sly again and thus assume that he has probably fallen asleep. Another version has
2670-399: Is compromised. They can be found in fiction and film, and range from children to mature characters. While unreliable narrators are almost by definition first-person narrators , arguments have been made for the existence of unreliable second- and third-person narrators , especially within the context of film and television, but sometimes also in literature. The term “unreliable narrator”
2759-447: Is more than one level of internal stories, leading to deeply-nested fiction. Mise en abyme is the French term for a similar literary device (also referring to the practice in heraldry of placing the image of a small shield on a larger shield). The literary device of stories within a story dates back to a device known as a " frame story ", where a supplemental story is used to help tell
Christopher Sly - Misplaced Pages Continue
2848-513: Is not simply a narrator who 'does not tell the truth' – what fictional narrator ever tells the literal truth? Rather an unreliable narrator is one who tells lies, conceals information, misjudges with respect to the narrative audience – that is, one whose statements are untrue not by the standards of the real world or of the authorial audience but by the standards of his own narrative audience. ... In other words, all fictional narrators are false in that they are imitations. But some are imitations who tell
2937-503: Is presented as a stage show by the fictional eponymous band, and one of its songs, "A Day in the Life" is in the form of a story within a dream. Similarly, the Fugees album The Score is presented as the soundtrack to a fictional movie, as are several other notable concept albums , while Wyclef Jean 's The Carnival is presented as testimony at a trial. The majority of Ayreon 's albums outline
3026-450: Is presented as a story told by a narrator about Edward Mordrake , and the song "Fish and Bird" is presented as a retold story that the narrator heard from a sailor. In his 1895 historical novel Pharaoh , Bolesław Prus introduces a number of stories within the story, ranging in length from vignettes to full-blown stories, many of them drawn from ancient Egyptian texts, that further the plot, illuminate characters , and even inspire
3115-441: Is presented as a translation of a found manuscript by (fictional) Cide Hamete Benengeli . A commonly independently anthologised story is " The Grand Inquisitor " by Dostoevsky from his long psychological novel The Brothers Karamazov , which is told by one brother to another to explain, in part, his view on religion and morality. It also, in a succinct way, dramatizes many of Dostoevsky's interior conflicts. An example of
3204-399: Is the fantasy genre work The Princess Bride (both the book and the movie ). In the movie, a grandfather is reading the story of "The Princess Bride" to his grandson. In the book, a more detailed frame story has a father editing a much longer (but fictive) work for his son, creating his own "Good Parts Version" (as the book called it) by leaving out all the parts that would bore or displease
3293-557: The Neil Gaiman series The Sandman feature an endless series of waking from one dream into another dream. In Charles Maturin 's novel Melmoth the Wanderer , the use of vast stories-within-stories creates a sense of dream-like quality in the reader. The 2023 Christian fictional novel Just Once by Karen Kingsbury features a series of three nested stories, all centering around the main characters of Hank and Irvel Myers: This structure
3382-446: The dramatic tension and also makes more poignant the inevitable failure of the relationship between the mortal Hans and water sprite Ondine. The Two-Character Play by Tennessee Williams has a concurrent double plot with the convention of a play within a play. Felice and Clare are siblings and are both actor/producers touring "The Two-Character Play". They have supposedly been abandoned by their crew and have been left to put on
3471-477: The "unreliability" of the main character (Mr Stevens) as a narrator to work, we need to believe that he describes events reliably, while interpreting them in an unreliable way. Wayne C. Booth was among the first critics to formulate a reader-centered approach to unreliable narration and to distinguish between a reliable and unreliable narrator on the grounds of whether the narrator's speech violates or conforms with general norms and values. He writes, "I have called
3560-652: The High Castle , each character comes into interaction with a book called The Grasshopper Lies Heavy , which was written by the Man in the High Castle. As Dick's novel details a world in which the Axis Powers of World War II had succeeded in dominating the known world , the novel within the novel details an alternative to this history in which the Allies overcome the Axis and bring stability to
3649-479: The Old Testament, Ovid, and One Thousand and One Nights. Both the tales he tells of his family (going back to his grandfather) and the embedded folk tales, themselves embed other tales, often 2 or more layers deep. In Sue Townsend 's Adrian Mole: The Wilderness Years , Adrian writes the book Lo! The Flat Hills of My Homeland , in which the character Jake Westmorland writes a book called Sparg of Kronk , where
Christopher Sly - Misplaced Pages Continue
3738-551: The Sky (which adopts the conceit that it is a book from the future by an author called Gen Jaramet-Sauner), and J. R. Rasmussen's "Research" in the anthology Star Trek: Strange New Worlds II . Steven Barnes 's novelization of " Far Beyond the Stars " partners with Greg Cox 's The Eugenics Wars: The Rise and Fall of Khan Noonien Singh (Volume Two) to tell us that the story "Far Beyond the Stars"—and, by extension, all of Star Trek itself—is
3827-533: The Sunset ) propose the idea that every real universe is a fiction in another universe. This hypothesis enables many writers who are characters in the books to interact with their own creations. Margaret Atwood 's novel The Blind Assassin is interspersed with excerpts from a novel written by one of the main characters; the novel-within-a-novel itself contains a science fiction story written by one of that novel's characters. In Philip K. Dick 's novel The Man in
3916-577: The action of the play. In Francis Beaumont 's Knight of the Burning Pestle (ca. 1608) a supposed common citizen from the audience, actually a "planted" actor, condemns the play that has just started and "persuades" the players to present something about a shopkeeper. The citizen's "apprentice" then acts, pretending to extemporise, in the rest of the play. This is a satirical tilt at Beaumont's playwright contemporaries and their current fashion for offering plays about London life. The opera Pagliacci
4005-409: The character Sparg writes a book with no language. In Anthony Horowitz 's Magpie Murders , a significant proportion of the book features a fictional but authentically formatted mystery novel by Alan Conway, titled 'Magpie Murders'. The secondary novel ends before its conclusion returning the narrative to the original, and primary, story where the protagonist and reviewer of the book attempts to find
4094-465: The characters that Melville went on to create and develop . Instead of discarding the ideas altogether, Melville wove them into a coherent short story and had the character Ishmael demonstrate his eloquence and intelligence by telling the story to his impressed friends. One of the most complicated structures of a story within a story was used by Vladimir Nabokov in his novel The Gift . There, as inner stories, function both poems and short stories by
4183-480: The content and process of the text and novelist was discussed rather than the lives of the patients. In this way subconscious defenses could be circumvented. Farmer took the real life case-studies and melded these with adventures of his characters in the series. The Quantum Leap novel Knights of the Morningstar also features a character who writes a book by that name. In Matthew Stover 's novel Shatterpoint ,
4272-418: The context of frame theory and of readers' cognitive strategies. ... to determine a narrator's unreliability one need not rely merely on intuitive judgments. It is neither the reader's intuitions nor the implied author's norms and values that provide the clue to a narrator's unreliability, but a broad range of definable signals. These include both textual data and the reader's preexisting conceptual knowledge of
4361-458: The creation of 1950s writer Benny Russell. The book Cloud Atlas (later adapted into a film by The Wachowskis and Tom Tykwer ) consisted of six interlinked stories nested inside each other in a Russian doll fashion. The first story (that of Adam Ewing in the 1850s befriending an escaped slave) is interrupted halfway through and revealed to be part of a journal being read by composer Robert Frobisher in 1930s Belgium. His own story of working for
4450-498: The deliberate restriction of information to the audience can provide instances of unreliable narrative , even if not necessarily of an unreliable narrator . For example, in the three interweaving plays of Alan Ayckbourn 's The Norman Conquests , each confines the action to one of three locations during the course of a weekend. Kathleen Wall argues that in The Remains of the Day , for
4539-419: The device of unreliability can best be considered along a spectrum of fallibility that begins with trustworthiness and ends with unreliability. This model allows for all shades of grey in between the poles of trustworthiness and unreliability. It is consequently up to each individual reader to determine the credibility of a narrator in a fictional text. Whichever definition of unreliability one follows, there are
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#17328519039224628-707: The epic Mahabharata , the Kurukshetra War is narrated by a character in Vyasa 's Jaya , which itself is narrated by a character in Vaisampayana 's Bharata , which itself is narrated by a character in Ugrasrava's Mahabharata . Both The Golden Ass by Apuleius and Metamorphoses by Ovid extend the depths of framing to several degrees. Another early example is the One Thousand and One Nights ( Arabian Nights ), where
4717-562: The exposure of a murderer (although not a king). The play I Hate Hamlet and the movie A Midwinter's Tale are about a production of Hamlet , which in turn includes a production of The Murder of Gonzago , as does the Hamlet -based film Rosencrantz & Guildenstern Are Dead , which even features a third-level puppet theatre version within their play. Similarly, in Anton Chekhov 's The Seagull there are specific allusions to Hamlet : in
4806-562: The fashioning of individual characters. Jan Potocki 's The Manuscript Found in Saragossa (1797–1805) has an interlocking structure with stories-within-stories reaching several levels of depth. The provenance of the story is sometimes explained internally, as in The Lord of the Rings by J. R. R. Tolkien , which depicts the Red Book of Westmarch (a story-internal version of the book itself) as
4895-453: The fiction of the inner story is used to reveal the truth in the outer story. Often the stories within a story are used to satirize views, not only in the outer story, but also in the real world. When a story is told within another instead of being told as part of the plot, it allows the author to play on the reader's perceptions of the characters—the motives and the reliability of the storyteller are automatically in question. Stories within
4984-409: The final chapter. As this progresses characters and messages within the fictional 'Magpie Murders' manifest themselves within the primary narrative and the final chapter's content reveals the reason for its original absence. Dreams are a common way of including stories inside stories, and can sometimes go several levels deep. Both the book The Arabian Nightmare and the curse of "eternal waking" from
5073-513: The first act a son stages a play to impress his mother, a professional actress, and her new lover; the mother responds by comparing her son to Hamlet. Later he tries to come between them, as Hamlet had done with his mother and her new husband. The tragic developments in the plot follow in part from the scorn the mother shows for her son's play. Shakespeare adopted the play-within-a-play device for many of his other plays as well, including A Midsummer Night's Dream and Love's Labours Lost . Almost
5162-401: The general story is narrated by an unknown narrator, and in this narration the stories are told by Scheherazade . In many of Scheherazade's narrations, there are also stories narrated , and even in some of these, there are some other stories. An example of this is " The Three Apples ", a murder mystery narrated by Scheherazade. Within the story, after the murderer reveals himself, he narrates
5251-409: The main character Fyodor Cherdyntsev as well as the whole Chapter IV, a critical biography of Nikolay Chernyshevsky (also written by Fyodor). This novel is considered one of the first metanovels in literature. With the rise of literary modernism , writers experimented with ways in which multiple narratives might nest imperfectly within each other. A particularly ingenious example of nested narratives
5340-480: The main story. On the television series The Young Indiana Jones Chronicles , each episode was framed as though it were being told by Indy when he was older (usually acted by George Hall , but once by Harrison Ford ). The same device of an adult narrator representing the older version of a young protagonist is used in the films Stand by Me and A Christmas Story , and the television show The Wonder Years and How I Met Your Mother . In The Amory Wars ,
5429-883: The main story. Typically, the outer story or "frame" does not have much matter, and most of the work consists of one or more complete stories told by one or more storytellers. The earliest examples of "frame stories" and "stories within stories" were in ancient Egyptian and Indian literature , such as the Egyptian " Tale of the Shipwrecked Sailor " and Indian epics like the Ramayana , Seven Wise Masters , Hitopadesha and Vikrama and Vethala . In Vishnu Sarma 's Panchatantra , an inter-woven series of colorful animal tales are told with one narrative opening within another, sometimes three or four layers deep, and then unexpectedly snapping shut in irregular rhythms to sustain attention. In
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#17328519039225518-479: The morals of the novels through plot descriptions of his stories. Books such as Breakfast of Champions and God Bless You, Mr. Rosewater are sprinkled with these plot descriptions. Stanisław Lem 's Tale of the Three Storytelling Machines of King Genius from The Cyberiad has several levels of storytelling. All levels tell stories of the same person, Trurl. House of Leaves is the tale of
5607-409: The murder of Hamlet's father in the main action, and Prince Hamlet writes additional material to emphasize this. Hamlet wishes to provoke the murderer, his uncle, and sums this up by saying "the play's the thing wherein I'll catch the conscience of the king." Hamlet calls this new play The Mouse-trap (a title that Agatha Christie later took for the long-running play The Mousetrap ). Christie's work
5696-431: The narrator's account (c.f. signals of unreliable narration ). Nünning thus effectively eliminates the reliance on value judgments and moral codes which are always tainted by personal outlook and taste. Greta Olson recently debated both Nünning's and Booth's models, revealing discrepancies in their respective views. Booth's text-immanent model of narrator unreliability has been criticized by Ansgar Nünning for disregarding
5785-423: The narrator's unreliability is made immediately evident. For instance, a story may open with the narrator making a plainly false or delusional claim or admitting to being severely mentally ill, or the story itself may have a frame in which the narrator appears as a character, with clues to the character's unreliability. A more dramatic use of the device delays the revelation until near the story's end. In some cases,
5874-497: The performance of all or part of the play, as in Noises Off , A Chorus of Disapproval or Lilies . Similarly, the musical Man of La Mancha presents the story of Don Quixote as an impromptu play staged in prison by Quixote ' s author, Miguel de Cervantes . Unreliable narrator In literature , film , and other such arts , an unreliable narrator is a narrator who cannot be trusted, one whose credibility
5963-448: The play broadly mirror those of the novel and give the character Oedipa Maas a greater context to consider her predicament; the play concerns a feud between two rival mail distribution companies, which appears to be ongoing to the present day, and in which, if this is the case, Oedipa has found herself involved. As in Hamlet , the director makes changes to the original script; in this instance,
6052-416: The play by themselves. The characters in the play are also brother and sister and are also named Clare and Felice. The Mysteries , a modern reworking of the medieval mystery plays , remains faithful to its roots by having the modern actors play the sincere, naïve tradesmen and women as they take part in the original performances. Alternatively, a play might be about the production of a play, and include
6141-529: The play is presented before an audience of two of the characters, who comment upon the action. From references in other contemporary works, Kyd is also assumed to have been the writer of an early, lost version of Hamlet (the so-called Ur-Hamlet ), with a play-within-a-play interlude. William Shakespeare 's Hamlet retains this device by having Hamlet ask some strolling players to perform The Murder of Gonzago . The action and characters in The Murder mirror
6230-423: The protagonist Mace Windu narrates the story within his journal, while the main story is being told from the third-person limited point of view. Several Star Trek tales are stories or events within stories, such as Gene Roddenberry 's novelization of Star Trek: The Motion Picture , J. A. Lawrence 's Mudd's Angels , John M. Ford 's The Final Reflection , Margaret Wander Bonanno 's Strangers from
6319-456: The protagonist receives a small book from a baker, in which the baker tells the story of a sailor who tells the story of another sailor, and Sophie's World about a girl who is actually a character in a book that is being read by Hilde, a girl in another dimension. Later on in the book Sophie questions this idea, and realizes that Hilde too could be a character in a story that in turn is being read by another. Mahabharata , an Indian epic that
6408-460: The reader discovers that in the foregoing narrative, the narrator had concealed or greatly misrepresented vital pieces of information. Such a twist ending forces readers to reconsider their point of view and experience of the story. In some cases the narrator's unreliability is never fully revealed but only hinted at, leaving readers to wonder how much the narrator should be trusted and how the story should be interpreted. Attempts have been made at
6497-715: The reader's role in the perception of reliability and for relying on the insufficiently defined concept of the implied author. Nünning updates Booth's work with a cognitive theory of unreliability that rests on the reader's values and her sense that a discrepancy exists between the narrator's statements and perceptions and other information given by the text. and offers "an update of Booth's model by making his implicit differentiation between fallible and untrustworthy narrators explicit". Olson then argues "that these two types of narrators elicit different responses in readers and are best described using scales for fallibility and untrustworthiness." She proffers that all fictional texts that employ
6586-464: The same person as the "hostess" who appears at the beginning of the play). Reference is also made to a barmaid called Cicily Hacket, probably Marian's daughter. A Hacket family lived in Wincot at this time, but it is not known whether Marian and Cicily Hacket were real innkeepers. Sly lists his past occupations, insisting that he was born a peddler, trained as a cardmaker, but worked as a "bearherd", (meaning
6675-463: The same time. Although there are many ways to understand this duality, I propose to analyze the four audiences which it generates." Similarly, Tamar Yacobi has proposed a model of five criteria ('integrating mechanisms') which determine if a narrator is unreliable. Instead of relying on the device of the implied author and a text-centered analysis of unreliable narration, Ansgar Nünning gives evidence that narrative unreliability can be reconceptualized in
6764-420: The stories of their predecessors in a manner that validates a belief stated in the sixth tale that "Our lives are not our own. We are bound to others, past and present and by each crime, and every kindness, we birth our future." The Crying of Lot 49 by Thomas Pynchon has several characters seeing a play called The Courier's Tragedy by the fictitious Jacobean playwright Richard Wharfinger. The events of
6853-453: The story within a story influences the reality of the story he has been telling, so that what happens in "The Mad Trist" begins happening in "The Fall of the House of Usher". Also, in Don Quixote by Miguel de Cervantes , there are many stories within the story that influence the hero's actions (there are others that even the author himself admits are purely digressive). Most of the first part
6942-522: The subject of an epic puppet theater presentation. Another example is found in Samuel Delany 's Trouble on Triton , which features a theater company that produces elaborate staged spectacles for randomly selected single-person audiences. Plays produced by the "Caws of Art" theater company also feature in Russell Hoban's modern fable, The Mouse and His Child . Raina Telgemeier 's best-selling Drama
7031-598: The titular character. The most notable examples are " You Are Old, Father William ", " 'Tis the Voice of the Lobster ", " Jabberwocky ", and " The Walrus and the Carpenter ". Chaucer 's The Canterbury Tales and Boccaccio 's Decameron are also classic frame stories. In Chaucer's Canterbury Tales , the characters tell tales suited to their personalities and tell them in ways that highlight their personalities. The noble knight tells
7120-402: The truth, some of people who lie. Rabinowitz's main focus is the status of fictional discourse in opposition to factuality. He debates the issues of truth in fiction, bringing forward four types of audience who serve as receptors of any given literary work: Rabinowitz suggests that "In the proper reading of a novel, then, events which are portrayed must be treated as both 'true' and 'untrue' at
7209-429: The veracity of the previous layer, or is challenged by the succeeding layer. Presuming each layer to be a true telling within the overall story, a chain of events is created linking Adam Ewing's embrace of the abolitionist movement in the 1850s to the religious redemption of a post-apocalyptic tribal man over a century after the fall of modern civilization. The characters in each nested layer take inspiration or lessons from
7298-532: The version published in quarto as The Taming of a Shrew (rather than "the" Shrew). Sly says he is from Burton Heath, where Shakespeare's aunt and uncle lived. He also mentions a "Marian Hacket, the fat alewife of Wincot". Wincot is where Shakespeare's mother was born. Both these villages are near Stratford-upon-Avon , Warwickshire , where Shakespeare grew up. Marian Hacket is said to be the landlady of an ale house, who allows Sly to build up an unpaid tab of 14 pence, but ejects him when he fails to pay up (presumably
7387-420: The whole of The Taming of the Shrew is a play-within-a-play, presented to convince Christopher Sly , a drunken tinker, that he is a nobleman watching a private performance, but the device has no relevance to the plot (unless Katharina's subservience to her "lord" in the last scene is intended to strengthen the deception against the tinker ) and is often dropped in modern productions. The musical Kiss Me, Kate
7476-462: The woman most likely to care for it well. This kind of play-within-a-play, which appears at the beginning of the main play and acts as a "frame" for it, is called an " induction ". Brecht's one-act play The Elephant Calf (1926) is a play-within-a-play performed in the foyer of the theatre during his Man Equals Man . In Jean Giraudoux 's play Ondine , all of act two is a series of scenes within scenes, sometimes two levels deep. This increases
7565-592: The world – a victory which itself is quite different from real history. In Red Orc's Rage by Philip J. Farmer a doubly recursive method is used to intertwine its fictional layers. This novel is part of a science-fiction series, the World of Tiers . Farmer collaborated in the writing of this novel with an American psychiatrist, Dr. A. James Giannini. Dr. Giannini had previously used the World of Tiers series in treating patients in group therapy. During these therapeutic sessions,
7654-440: The world. In sum whether a narrator is called unreliable or not does not depend on the distance between the norms and values of the narrator and those of the implied author but between the distance that separates the narrator's view of the world from the reader's world-model and standards of normality. Unreliable narration in this view becomes purely a reader's strategy of making sense of a text, i.e., of reconciling discrepancies in
7743-401: Was coined by Wayne C. Booth in his 1961 book The Rhetoric of Fiction . James Phelan expands on Booth’s concept by offering the term “bonding unreliability” to describe situations in which the unreliable narration ultimately serves to approach the narrator to the work’s envisioned audience, creating a bonding communication between the implied author and this “authorial audience.” Sometimes
7832-628: Was parodied in Tom Stoppard's The Real Inspector Hound , in which two theater critics are drawn into the murder mystery they are watching. The audience is similarly absorbed into the action in Woody Allen's play God , which is about two failed playwrights in Ancient Greece. The phrase The Conscience of the King also became the title of a Star Trek episode featuring a production of Hamlet which leads to
7921-407: Was removed from the play's plot. Victor Analogy explains, "Six years ago an uneducated drunk who spoke only Elizabethan English was found wandering in a confused state just outside Warwick . He said that his name was Christopher Sly, demanded a drink and was very keen to see how the play turned out." Play within a play A story within a story , also referred to as an embedded narrative ,
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