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57-523: The most common architectural plan had a rectangular temple raised on a high podium , with a clear front with a portico at the top of steps, and a triangular pediment above columns. The sides and rear of the building had much less architectural emphasis, and typically no entrances. There were also circular plans, generally with columns all round, and outside Italy there were many compromises with traditional local styles. The Roman form of temple developed initially from Etruscan temples , themselves influenced by

114-619: A Hellenistic trend, the Corinthian order and its variant the Composite order were most common in surviving Roman temples, but for small temples like that at Alcántara , a simple Tuscan order could be used. Vitruvius does not recognise the Composite order in his writings, and covers the Tuscan order only as Etruscan; Renaissance writers formalized them from observing surviving buildings. The front of

171-403: A fatality or major accident occurs during the event. Also, in countries where alcohol sponsorship or drinking is prohibited, alcoholic beverages may be replaced by other drinks, for example rose water . The term has become common parlance in the media, where a driver may be said to "be heading for a podium finish" or "just missing out on a podium" when he is heading for, or just misses out on

228-414: A lectern . In sports, a type of podium can be used to honor the top three competitors in events. In the modern Olympics a tri-level podium is used. Traditionally, the highest platform is in the center for the gold medalist . To their right is a lower platform for the silver medalist , and to the left of the gold medalist is a lower platform for the bronze medalist . At the 2016 Rio Summer Olympics ,

285-471: A cathedral-like position in the official religion of Rome. It was destroyed by fire three times, and rapidly rebuilt in contemporary styles. The first building, traditionally dedicated in 509 BC, has been claimed to have been almost 60 m × 60 m (200 ft × 200 ft), much larger than other Roman temples for centuries after, although its size is heavily disputed by specialists. Whatever its size, its influence on other early Roman temples

342-516: A four-columned Roman triumphal arch and added a pediment above; San Giorgio Maggiore, Venice , begun 1566, by Andrea Palladio , which has two superimposed temple fronts, one low and wide, the other tall and narrow; the Villa Capra "La Rotonda" , 1567 on, also by Palladio, with four isolated temple fronts on each side of a rectangle, with a large central dome. In Baroque architecture two temple fronts, often of different orders, superimposed one above

399-513: A hill, probably had many wide steps at the approach to the main front, followed by a flat area before the final few steps. After the eclipse of the Etruscan models, the Greek classical orders in all their details were closely followed in the façades of Roman temples, as in other prestigious buildings, with the direct adoption of Greek models apparently beginning around 200 BC, under the late Republic. But

456-547: A huge pilgrimage complex of the 1st century BC led visitors up several levels with large buildings on a steep hillside, before they eventually reached the sanctuary itself, a much smaller circular building. A caesareum was a temple devoted to the Imperial cult . Caesarea were located throughout the Roman Empire , and often funded by the imperial government, tending to replace state spending on new temples to other gods, and becoming

513-464: A podium at either the Indianapolis 500 or at Texas Motor Speedway . The Indy 500 has a long tradition of the winning driver and team celebrating in victory lane, while Texas Motor Speedway president Eddie Gossage has stated that victory lane should be reserved for the winner of the race. The series uses a podium at all other races, particularly road course events. Architectural podiums consist of

570-420: A projecting base or pedestal at ground level, and they have been used since ancient times. Originally sometimes only meters tall, architectural podiums have become more prominent in buildings over time, as illustrated in the gallery. Antefix In architecture , an antefix (from Latin antefigere  'to fasten before') is a vertical block which terminates and conceals the covering tiles of

627-547: A slow lap in Formula One, that driver is transported to the pit lane via road car by the Formula One Administration security officer. Following the presentation of the trophies, the drivers will often spray Champagne over each other and their team members watching below, a tradition started by Dan Gurney following the 1967 24 Hours of Le Mans race. The drivers will generally refrain from spraying champagne if

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684-415: A tiled roof (see imbrex and tegula , monk and nun ). It also serves to protect the join from the elements. In grand buildings, the face of each stone antefix was richly carved, often with the anthemion ornament. In less grand buildings moulded ceramic antefixes, usually terracotta , might be decorated with figures heads, either of humans, mythological creatures, or astrological iconography, especially in

741-494: A top three finish. The NASCAR Cup Series , the highest level of stock car racing in the United States, does not use a podium in post-game events or statistics. Instead, the winning team celebrates in victory lane , and top-five and top-ten finishes are recognized statistically. Those finishing second to fifth are required to stop in a media bullpen located on pit lane for interviews. The INDYCAR NTT IndyCar Series does not use

798-519: A verb, "to podium", meaning to attain a podium place. The word podium derives from Latin , which in turn borrowed it from Ancient Greek πόδιον ( podion ), a word derived from πούς ( pous , "foot", with a stem pod- ). Podiums were first used at the 1930 British Empire Games (now Commonwealth Games ) in Hamilton, Ontario and subsequently during the 1932 Winter Olympics in Lake Placid and

855-749: Is the Tempietto of Donato Bramante in the courtyard of San Pietro in Montorio in Rome, c. 1502, which has been widely admired ever since. Though the Pantheon's large circular domed cella, with a conventional portico front, is "unique" in Roman architecture, it has been copied many times by modern architects. Versions include the church of Santa Maria Assunta in Ariccia by Gian Lorenzo Bernini (1664), which followed his work restoring

912-478: The 1932 Summer Olympics in Los Angeles. Podiuming has become a slang term for finishing a contest within the first three places. The use of the word podium as a verb instead of noun is controversial. The New York Times wrote on the very subject of the correct use of the word podium during its Winter Olympic coverage in 2010. The winner stands in the middle, with the second placed driver to their right and

969-700: The Ptolemaic dynasty , the last pharaoh of Ancient Egypt , to honour her dead lover Julius Caesar , then converted by Augustus to his own cult. During the 4th century, after the Empire had come under Christian rule, it was converted to a church. The Temple of Jupiter Optimus Maximus on the Capitoline Hill was the oldest large temple in Rome, a capitolium dedicated to the Capitoline Triad consisting of Jupiter and his companion deities, Juno and Minerva , and had

1026-682: The Roman Forum , originally the Temple of Romulus , was not dedicated as a church until 527. The best known is the Pantheon, Rome , which, however, is highly untypical, being a very large circular temple with a magnificent concrete roof, behind a conventional portico front. The English word "temple" derives from the Latin templum , which was originally not the building itself, but a sacred space surveyed and plotted ritually. The Roman architect Vitruvius always uses

1083-551: The Roman period . On temple roofs, maenads and satyrs were often alternated. The frightening features of the Gorgon , with its petrifying eyes and sharp teeth, was also a popular motif to ward off evil. A Roman example from the Augustan period features the butting heads of two billy goats. It may have had special significance in imperial Rome since the constellation Capricorn was adopted by

1140-405: The Temple of Hercules Victor in Rome, which was perhaps by a Greek architect, these survivors had an unbroken colonnade encircling the building, and a low, Greek-style podium. Different formulae were followed in the Pantheon, Rome and a small temple at Baalbek (usually called the "Temple of Venus"), where the door is behind a full portico, though very different ways of doing this are used. In

1197-416: The colonnade , or at least down the sides. The description of the Greek models used here is a generalization of classical Greek ideals, and later Hellenistic buildings often do not reflect them. For example, the "Temple of Dionysus" on the terrace by the theatre at Pergamon (Ionic, 2nd century BC, on a hillside), had many steps in front, and no columns beyond the portico. The Parthenon , also approached up

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1254-517: The templum ; often on one of the narrow extensions of the podium to the side of the steps. Especially under the Empire , exotic foreign cults gained followers in Rome, and were the local religions in large parts of the expanded Empire. These often had very different practices, some preferring underground places of worship, while others, like Early Christians , worshiped in houses. Some remains of many Roman temples still survive, above all in Rome itself, but

1311-578: The 80s AD, under Domitian – the third building only lasted five years before burning down again. After a major sacking by Vandals in 455, and comprehensive removal of stone in the Renaissance, only foundations can now be seen, in the basement of the Capitoline Museums . The sculptor Flaminio Vacca (d 1605) claimed that the life-size Medici lion he carved to match a Roman survival, now in Florence ,

1368-725: The Glory of the Great Army"), the Virginia State Capitol as originally built in 1785–88, and Birmingham Town Hall (1832–34). Small Roman circular temples with colonnades have often been used as models, either for single buildings, large or small, or elements such as domes raised on drums, in buildings on another plan such as St Peters, Rome , St Paul's Cathedral in London and the United States Capitol . The great progenitor of these

1425-509: The Greeks, with subsequent heavy direct influence from Greece. Public religious ceremonies of the official Roman religion took place outdoors and not within the temple building. Some ceremonies were processions that started at, visited, or ended with a temple or shrine, where a ritual object might be stored and brought out for use, or where an offering would be deposited. Sacrifices , chiefly of animals , would take place at an open-air altar within

1482-408: The Pantheon only the portico has columns, and the "thoroughly uncomfortable" exterior meeting of the portico and circular cella are often criticised. At Baalbek, a wide portico with a broken pediment is matched by four other columns round the building, with the architrave in scooped curving sections, each ending in a projection supported by a column. At Praeneste (modern Palestrina) near Rome,

1539-605: The Roman original, Belle Isle House (1774) in England, and Thomas Jefferson 's library at the University of Virginia , The Rotunda (1817–26). The Pantheon was much the largest and most accessible complete classical temple front known to the Italian Renaissance, and was the standard exemplar when these were revived. Most of the best survivals had been converted to churches (and sometimes later mosques), which some remain. Often

1596-463: The Roman temple front. An archetypical pattern for churches in Georgian architecture was set by St Martin-in-the-Fields in London (1720), by James Gibbs , who boldly added to the classical temple façade at the west end a large steeple on top of a tower, set back slightly from the main frontage. This formula shocked purists and foreigners, but became accepted and was very widely copied, at home and in

1653-451: The Silver and Bronze podium places were of equal elevation. In many sports, results in the top three of a competition are often referred to as podiums or podium finishes. In some individual sports, podiums is an official statistic , referring to the number of top three results an athlete has achieved over the course of a season or career. The word may also be used, chiefly in the United States, as

1710-593: The building of new imperial temples mostly ceased after the reign of Marcus Aurelius (d. 180), though the Temple of Romulus on the Roman Forum was built and dedicated by the Emperor Maxentius to his son Valerius Romulus , who died in childhood in 309 and was deified. One of the earliest and most prominent of the caesarea was the Caesareum of Alexandria , located on the harbour. It was begun by Cleopatra VII of

1767-543: The colonies, for example at St Andrew's Church, Chennai in India and St. Paul's Chapel in New York City (1766). Examples of modern buildings that stick more faithfully to the ancient rectangular temple form are only found from the 18th century onwards. Versions of the Roman temple as a discrete block include La Madeleine, Paris (1807), now a church but built by Napoleon as a Temple de la Gloire de la Grande Armée ("Temple to

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1824-614: The distinctive classical features, and may have had considerable continuity with pre-Roman temples of the Celtic religion . Romano-Celtic temples were often circular, and circular temples of various kinds were built by the Romans. Greek models were available in tholos shrines and some other buildings , as assembly halls and various other functions. Temples of the goddess Vesta , which were usually small, typically had this shape, as in those at Rome and Tivoli (see list), which survive in part. Like

1881-540: The distinctive differences in the general arrangement of temples between the Etruscan-Roman style and the Greek, as outlined above, were retained. However the idealized proportions between the different elements in the orders set out by the only significant Roman writer on architecture to survive, Vitruvius , and subsequent Italian Renaissance writers, do not reflect actual Roman practice, which could be very variable, though always aiming at balance and harmony. Following

1938-568: The emperor Augustus as his own lucky star sign and appeared on coins and legionary standards. By this time they were found on many large buildings, including private houses. The earliest examples in museum collections date back to the 7th century BCE in both Greece and Etruria. In the garden of the Villa Giulia in Rome, that houses the National Etruscan Museum, is a reconstruction of an Etruscan temple built between 1889 and 1890 on

1995-426: The extensive painted statuary that decorated the rooflines, and the elaborate revetments and antefixes , in colourful terracotta in earlier examples, that enlivened the entablature . Etruscan and Roman temples emphasised the front of the building, which followed Greek temple models and typically consisted of wide steps leading to a portico with columns, a pronaos , and usually a triangular pediment above, which

2052-460: The large pieces of massive columns were less easy to remove and make use of; hence the podium, minus facing, and some columns are often all that remain. In most cases loose pieces of stone have been removed from the site, and some such as capitals may be found in local museums, along with non-architectural items excavated, such as terracotta votive statuettes or amulets, which are often found in large numbers. Very little indeed survives in place from

2109-441: The late Republic there was a switch to using Greek classical and Hellenistic styles, without much change in the key features of the form. The Etruscans were a people of northern Italy, whose civilization was at its peak in the seventh century BC. The Etruscans were already influenced by early Greek architecture , so Roman temples were distinctive but with both Etruscan and Greek features. Surviving temples (both Greek and Roman) lack

2166-524: The main entrance of grand buildings, but often flanked by large wings or set in courtyards. This flexibility has allowed the Roman temple front to be used in buildings made for a wide variety of purposes. The colonnade may no longer be pushed forward with a pronaus porch, and it may not be raised above the ground, but the essential shape remains the same. Among thousands of examples are the White House , Buckingham Palace , and St Peters, Rome ; in recent years

2223-416: The main or only large temple in new Roman towns in the provinces. This was the case at Évora , Vienne and Nîmes , which were all expanded by the Romans as coloniae from Celtic oppida soon after their conquest. Imperial temples paid for by the government usually used conventional Roman styles all over the empire, regardless of the local styles seen in smaller temples. In newly planned Roman cities

2280-497: The other, became extremely common for Catholic churches, often with the uppermost one supported by huge volutes to each side. This can be seen developing in the Gesù, Rome (1584), Santa Susanna , Rome (1597), Santi Vincenzo e Anastasio a Trevi (1646) and Val-de-Grâce , Paris (1645 on). The Palladian villas of the Veneto include numerous ingenious and influential variations on the theme of

2337-662: The population expected in its sacred architecture . This was especially the case in Egypt and the Near East , where different traditions of large stone temples were already millennia old. The Romano-Celtic temple was a simple style, usually with little use of stone, for small temples found in the Western Empire , and by far the most common type in Roman Britain , where they were usually square, with an ambulatory . It often lacked any of

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2394-719: The porticos were walled in between the columns, and the original cella front and side walls largely removed to create a large single space in the interior. Rural areas in the Islamic world have some good remains, which had been left largely undisturbed. In Spain some remarkable discoveries (Vic, Cordoba, Barcelona) were made in the 19th century when old buildings being reconstructed or demolished were found to contain major remains encased in later buildings. In Rome, Pula, and elsewhere some walls incorporated in later buildings have always been evident. The squared-off blocks of temple walls have always been attractive for later builders to reuse, while

2451-482: The relatively few near-complete examples were nearly all converted into Christian churches (and sometimes subsequently to mosques ), usually a considerable time after the initial triumph of Christianity under Constantine . The decline of Roman religion was relatively slow, and the temples themselves were not appropriated by the government until a decree of the Emperor Honorius in 415. Santi Cosma e Damiano , in

2508-586: The significant quantities of large sculpture that originally decorated temples. Podium A podium ( pl. : podiums or podia ) is a platform used to raise something to a short distance above its surroundings. In architecture a building can rest on a large podium. Podiums can also be used to raise people, for instance the conductor of an orchestra stands on a podium as do many public speakers . Common parlance has shown an increasing use of podium in North American English to describe

2565-409: The specific association with religion that it had for the Romans. Generally, later adaptions lack the colour of the original, and though there may be sculpture filling the pediment in grand examples, the full Roman complement of sculpture above the roofline is rarely emulated. Variations on the theme, mostly Italian in origin, include: San Andrea, Mantua , 1462 by Leon Battista Alberti , which took

2622-521: The temple front has become fashionable in China. Renaissance and later architects worked out ways of harmoniously adding high raised domes, towers and spires above a colonnaded temple portico front, something the Romans would have found odd. The Roman temple front remains a familiar feature of subsequent Early Modern architecture in the Western tradition, but although very commonly used for churches, it has lost

2679-475: The temple typically carried an inscription saying who had built it, cut into the stone with a "V" section. This was filled with brightly coloured paint, usually scarlet or vermilion . In major imperial monuments the letters were cast in lead and held in by pegs, then also painted or gilded . These have usually long vanished, but archaeologists can generally reconstruct them from the peg-holes, and some have been re-created and set in place. Sculptural decoration

2736-477: The temple was normally centrally placed at one end of the forum, often facing the basilica at the other. In the city of Rome, a caesareum was located within the religious precinct of the Arval Brothers . In 1570, it was documented as still containing nine statues of Roman emperors in architectural niches. Most of the earlier emperors had their own very large temples in Rome, but a faltering economy meant that

2793-516: The temple, which could be viewed and approached from all directions, the side and rear walls of Roman temples might be largely undecorated (as in the Pantheon, Rome and Vic ), inaccessible by steps (as in the Maison Carrée and Vic), and even back on to other buildings. As in the Maison Carrée, columns at the side might be half columns , emerging from ("engaged with" in architectural terminology)

2850-410: The third place driver to their left. Also present are the dignitaries selected by the race organisers who will present the trophies. In some motorsport events, including Formula One , a representative of the team that won the race will also be present at the podium, with a fourth podium step, trophy and champagne. In many forms of motorsport, the three top-placed drivers in a race stand on a podium for

2907-409: The trophy ceremony. In an international series, the national anthem of the winning driver, and the winning team or constructor may be played over a public address system and the flags of the drivers' countries are hoisted above them. The recordings are short versions of the national anthems, ensuring the podium ceremony stays within its allocated time. Should a driver experience problems with his car on

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2964-452: The wall. The platform on which the temple sat was typically raised higher in Etruscan and Roman examples than Greek, with up to ten, twelve or more steps rather than the three typical in Greek temples; the Temple of Claudius was raised twenty steps. These steps were normally only at the front, and typically not the whole width of that. It might or might not be possible to walk around the temple exterior inside ( Temple of Hadrian ) or outside

3021-571: The word templum to refer to the sacred precinct, and not to the building. The more common Latin words for a temple or shrine were sacellum (a small shrine or chapel), aedes , delubrum , and fanum (in this article, the English word "temple" refers to any of these buildings, and the Latin templum to the sacred precinct). The form of the Roman temple was mainly derived from the Etruscan model, but in

3078-421: Was filled with statuary in the most grand examples; this was as often in terracotta as stone, and no examples have survived except as fragments. Especially in the earlier periods, further statuary might be placed on the roof, and the entablature decorated with antefixes and other elements, all of this being brightly painted. However, unlike the Greek models, which generally gave equal treatment to all sides of

3135-480: Was made from a single capital from the temple. The Etruscan-Roman adaptation of the Greek temple model to place the main emphasis on the front façade and let the other sides of the building harmonize with it only as much as circumstances and budget allow has generally been adopted in Neoclassical architecture , and other classically derived styles. In these temple fronts with columns and a pediment are very common for

3192-495: Was significant and long-lasting. The same may have been true for the later rebuildings, though here the influence is harder to trace. For the first temple Etruscan specialists were brought in for various aspects of the building, including making and painting the extensive terracotta elements of the entablature or upper parts, such as antefixes . But for the second building they were summoned from Greece. Rebuildings after destruction by fire were completed in 69 BC, 75 AD, and in

3249-466: Was similar to that of Greek temples, often with pedimental sculpture with figures, of which only few fragments survive. However, exterior friezes with figures in relief were much less common. Many acroteria , antefixes and other elements were brightly coloured. In the early Empire older Greek statues were apparently sometimes re-used as acroteria. There was considerable local variation in style, as Roman architects often tried to incorporate elements

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