21-952: Boutilier is a surname. Notable people with the surname include: Alicia Boutilier (born 1968), Canadian art curator Ava Boutilier (born 1999), Canadian ice hockey goaltender Goldie Boutilier (born 1985), Canadian singer and songwriter Guy Boutilier (born 1958–59), Canadian politician Kate Boutilier (born 1966), American screenwriter Paul Boutilier (born 1963), Canadian ice hockey defenceman Robert Boutilier (1953–2003), Canadian biologist Rob Boutilier (born 1971), Canadian animator, director, writer, and storyboard artist See also [ edit ] Boutiliers Point, Nova Scotia , rural community in Halifax Boutilier v. Immigration and Naturalization Service , lawsuit Boutillier , surname Le Boutillier , surname [REDACTED] Surname list This page lists people with
42-679: A lieutenant in the Royal Air Force who was killed in action on 4 August 1918. Her second marriage was to Andrew Roy Courtice. She died in 1973. Courtice was one of the first women to participate in the Canadian modernist movement. She was invited to exhibit with the Group of Seven . Courtice made many landscapes in a similar style to the members of the Group of Seven. She was not always serious about this. Yvonne McKague Housser remembers going with Courtice on
63-570: A member of the Canadian Group of Painters , which was founded in 1933. Courtice contributed illustrations to The Kingdom of Saguenay (1936) by Marius Barbeau , as did A. Y. Jackson , George Pepper , Kathleen Daly , Peter Haworth , Bobs Cogill Haworth , André Charles Biéler , Arthur Lismer , Gordon Edward Pfeiffer , Yvonne McKague and Albert Edward Cloutier . She accompanied Housser and Isabel McLaughlin on trips to locations such as Cobalt , Gowganda , Nipissing and Kirkland Lake in
84-627: A qualifying year in Art History at Carleton University , Ottawa (1995/1996) and received her MA in Canadian Art History from Carleton University, Ottawa (1998). Boutilier began her career as an exhibition assistant at the show of Helen Galloway McNicoll: A Canadian Impressionist at the Art Gallery of Ontario in 1999, then worked in various jobs at the Art Gallery of Northumberland (1999-2000),
105-447: A sketching trip in the north where they could not find any scenery that interested them. Courtice assembled a tree trunk, branches and rocks into a still life, which she called "a Lawren Harris ". The two women each painted it as though it were a panoramic landscape, and described it as a landscape when they sold their paintings. Later Courtice moved away from the Group of Seven, and exhibited solo or with other women artists. She became
126-749: A solo show at Victoria College, Toronto in 1951. Her retrospective curated by Linda Jansma was held at the Robert McLaughlin Gallery in Oshawa in 2006. A review of the work by the Canadian Group of Painters at the 1939 World's Fair said: "These ... are vital and young and imaginative ... Some of the artists are rather more expressionistic ... still others are more interested in highly inventive sophisticated pattern, among them Rody Kenny Courtice with his [ sic ] Just Cows , or in near-primitive fantasy, like Paraskeva Clark ." Courtice
147-662: A special recognition award from Queen's University at Kingston for her work as a team leader, adapting to the new realities caused by Covid. She is a Canadian art historian with wide-ranging concerns with emphasis on women artists, artistic groups, regional scenes and collecting histories. Boutilier was born in Welland and grew up in Niagara Falls, Ontario. She received her Honours BA in English, University of Ottawa (1990); her MA in English, Dalhousie University , Halifax (1992); then did
168-533: A wider Canadian consciousness of art. In her exhibitions and publications, she has continued to be interested in such a "wider consciousness" herself, choosing to discuss, for instance, the intersections of art and craft as in quilts (2011) and assisting with the history of the Art Gallery of Hamilton's historical Canadian collection in Lasting Impressions: celebrated works from the Art Gallery of Hamilton (2005) . She focused as well on Canadian historical art in
189-638: Is different from Wikidata All set index articles Alicia Boutilier Alicia Boutilier (born 1968) is the Chief Curator and Curator of Canadian Historical Art at the Agnes Etherington Art Centre in Kingston. She has been Curator of Canadian Historical Art since 2008 and was appointed Chief Curator in 2017. In 2020, she served as the Interim Director at the gallery and received
210-574: The Art Gallery of Hamilton (2001-2006), as an Independent Curator (2005-2008) and as a research assistant at the Art Gallery of Ontario (2006-2008). She was appointed Curator of Canadian Historical Art at the Agnes Etherington Art Centre in 2008, and in 2017, Chief Curator. In 2020, she served as the gallery`s Interim Director. In her 1998 inaugural show 4 Women Who Painted in the 1930s and 1940s - Rody Kenny Courtice , Bobs Cogill Haworth , Yvonne McKague Housser , and Isabel McLaughlin , she discussed as part of her narrative their striving to promote
231-717: The Art Institute of Chicago in 1927, and continued to study these subjects in New York, London and Paris. She was assistant instructor to John William Beatty at the Port Hope Summer School. She taught at the Doon School of Art. She and John Alford taught the teachers' summer course. In 1950, Courtice studied at Hans Hofmann 's summer school in Provincetown, Massachusetts . Courtice was first married to Henry Lloyd Hammond,
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#1732852480781252-472: The Kingston Conference of Canadian Artists in 1941. Courtice, women artists such as Yvonne McKague Housser and Elizabeth Wyn Wood , and their male colleagues, worked towards gaining increasing public support for the arts, leading to state sponsorship of professional artists. In 1998, Courtice was one of the four artists in 4 Women Who Painted in the 1930s and 1940s , curated by Alicia Boutilier for
273-415: The surname Boutilier . If an internal link intending to refer to a specific person led you to this page, you may wish to change that link by adding the person's given name (s) to the link. Retrieved from " https://en.wikipedia.org/w/index.php?title=Boutilier&oldid=1105590426 " Category : Surnames Hidden categories: Articles with short description Short description
294-713: The 1930s, where they painted industrial subjects. Her work could have a political content. The Game ( c. 1949 ) depicts war as a game in a toy theatre, with black, white and red chess pieces on a board decorated with a hammer and sickle. Courtice exhibited at the Tate Gallery , London, in Brazil, in New York at the World's Fair of 1939, at the Riverside Museum and at the American-British Gallery, New York. She had
315-453: The exhibition and publication of collections such as that of H. B. Southam (2009), Inuit art (2011) and Northern Indigenous Art (2013), as well as on Canadian artists such as Jack Bush (2009) and William Brymner (2010) (co-curated and co-authored with Paul Maréchal of the Musée national des beaux-arts du Québec ). Her A Vital Force: The Canadian Group of Painters (CGP) (2013), which she curated,
336-610: The genre's definition of self-representation. Her 2021 exhibition Tom Thomson: The Art of Authentication , co-curated and authored again with Bruce, established criteria to authenticate a work of art, taking as its focus the work of Tom Thomson . Boutilier has written entries to the catalogues of such exhibitions as Uninvited, Canadian Women Artists in the Modern Movement , McMichael Canadian Art Collection (2021) as well as writing numerous essays in publications and journals such as "Road Trip Across Canada with Alan C. Collier" which
357-407: The present. Rody Kenny Courtice Rody Kenny Courtice (born Roselyn Margaret Kenny ; 1891–1973) was a modernist Canadian painter. She was associated with the Group of Seven early in her career, but later developed a more individual style. She was active in associations of artists and worked for the professionalization of their occupation. She also was an educator. Roselyn Margaret Kenny
378-817: Was an associate member of the Royal Canadian Academy of Arts , and belonged to the Ontario Society of Artists , the Canadian Society of Painters in Water Colour and the Canadian Society of Graphic Art . She became an executive member of the Heliconian Club . She was president of the Ontario branch of the Federation of Canadian Artists from 1945 to 1946. The Federation was a lobbying organization founded after
399-528: Was born in Renfrew, Ontario , in 1891. She was one of the first women to be admitted to the Ontario College of Art to study with Arthur Lismer . She won a scholarship each year from 1920 to 1924. Courtice was a librarian at the Ontario College of Art from 1925 to 1926, and for ten years, was assistant instructor for children's classes with Lismer. She also studied puppets and stagecraft under Tony Sarg at
420-510: Was related to her show of the same name (2017). Since 2009, she has supervised M.A. and Ph.D. theses in the area of Canadian art at Queen's University, Kingston and since 2019, she has served as an adjunct professor in its department of Art History and Conservation. She also has served on many committees, notably for the city of Kingston, and was a Founding member of the Curators of Canadian Historical Art (COCHA), in 2009 and has remained on it till
441-477: Was the first major touring exhibition to focus exclusively on the CGP in an exhibition of major paintings from public and private collections across Canada, for which she received an oaag Curatorial Writing Award for Major Essay. In 2015, she co-curated The Artist Herself: Self-Portraits by Canadian Historical Women Artists (2015) with Tobi Bruce of the Art Gallery of Hamilton, concentrating on what art and craft offered
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