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74-701: Advancing Women Artists closed its doors on June 30, 2021. Although the organization is no longer operative, the website will remain accessible as a digital archive and a resource for those interested in research, restoration and exhibition of art by women in Florence. In addition to restoration, research, and exhibition, the ultimate goal of AWA is to provide art by women an exhibition space of its own in Florence with satellite spaces established worldwide, where paintings and sculptures can be exhibited and eventually return to Florence permanently. In 2003, author and philanthropist Dr. Jane Fortune founded The Florence Committee of

148-528: A concave traverse. The interior was equally revolutionary; the main space of the church was oval, beneath an oval dome. Painted ceilings, crowded with angels and saints and trompe-l'œil architectural effects, were an important feature of the Italian High Baroque. Major works included The Entry of Saint Ignatius into Paradise by Andrea Pozzo (1685–1695) in the Sant'Ignazio Church, Rome , and The Triumph of

222-705: A deliberate confusion between the real architecture and the decoration. The architecture is transformed into a theatre of light, colour and movement. In Poland, the Italian-inspired Polish Baroque lasted from the early 17th to the mid-18th century and emphasised richness of detail and colour. The first Baroque building in present-day Poland and probably one of the most recognizable is the Saints Peter and Paul Church, Kraków , designed by Giovanni Battista Trevano . Sigismund's Column in Warsaw , erected in 1644,

296-508: A distinct, more flamboyant and asymmetric style which emerged from the Baroque, then replaced it in Central Europe in the first half of the 18th century, until it was replaced in turn by classicism. The princes of the multitude of states in that region also chose Baroque or Rococo for their palaces and residences, and often used Italian-trained architects to construct them. A notable example

370-656: A giant ellipse balance the oversize dome and give the Church and square a unity and the feeling of a giant theatre. Another major innovator of the Italian High Baroque was Francesco Borromini , whose major work was the Church of San Carlo alle Quattro Fontane or Saint Charles of the Four Fountains (1634–1646). The sense of movement is given not by the decoration, but by the walls themselves, which undulate and by concave and convex elements, including an oval tower and balcony inserted into

444-446: A narrowing floor and a miniature statue in the garden beyond to create the illusion that a passageway was thirty meters long, when it was actually only seven meters long. A statue at the end of the passage appears to be life-size, though it is only sixty centimeters high. Borromini designed the illusion with the assistance of a mathematician. The first building in Rome to have a Baroque façade

518-593: A period called Royal Absolutism, which allowed the Portuguese Baroque to flourish. Baroque architecture in Portugal enjoys a special situation and different timeline from the rest of Europe. It is conditioned by several political, artistic, and economic factors, that originate several phases, and different kinds of outside influences, resulting in a unique blend, often misunderstood by those looking for Italian art, find instead specific forms and character which give it

592-469: A pilgrimage church located near the town of Bad Staffelstein near Bamberg, in Bavaria, southern Germany. The Basilica was designed by Balthasar Neumann and was constructed between 1743 and 1772, its plan a series of interlocking circles around a central oval with the altar placed in the exact centre of the church. The interior of this church illustrates the summit of Rococo decoration. Another notable example of

666-456: A proliferation of forms, and a richness of colours and dramatic effects. Among the most influential monuments of the Early Baroque were the façade of St. Peter's Basilica (1606–1619), and the new nave and loggia which connected the façade to Michelangelo's dome in the earlier church. The new design created a dramatic contrast between the soaring dome and the disproportionately wide façade, and

740-529: A rounded surface, which carried images or text in gilded letters, and were placed as interior decoration or above the doorways of buildings, delivering messages to those below. They showed a wide variety of invention, and were found in all types of buildings, from cathedrals and palaces to small chapels. Baroque architects sometimes used forced perspective to create illusions. For the Palazzo Spada in Rome, Francesco Borromini used columns of diminishing size,

814-537: A sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to the rest of Italy, France, Spain, and Portugal, then to Austria, southern Germany, and Poland. By the 1730s, it had evolved into an even more flamboyant style, called rocaille or Rococo , which appeared in France and Central Europe until the mid to late 18th century. In the territories of the Spanish and Portuguese Empires including

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888-510: A sense of mystery. The Santiago de Compostela Cathedral was modernized with a series of Baroque additions beginning at the end of the 17th century, starting with a highly ornate bell tower (1680), then flanked by two even taller and more ornate towers, called the Obradorio , added between 1738 and 1750 by Fernando de Casas Novoa . Another landmark of the Spanish Baroque is the chapel tower of

962-718: A time, the Baroque ceiling paintings were carefully created so the viewer on the floor of the church would see the entire ceiling in correct perspective, as if the figures were real. The interiors of Baroque churches became more and more ornate in the High Baroque, and focused around the altar, usually placed under the dome. The most celebrated baroque decorative works of the High Baroque are the Chair of Saint Peter (1647–1653) and St. Peter's Baldachin (1623–1634), both by Gian Lorenzo Bernini , in St. Peter's Basilica in Rome. The Baldequin of St. Peter

1036-465: A uniquely Portuguese variety. Another key factor is the existence of the Jesuitical architecture, also called "plain style" (Estilo Chão or Estilo Plano) which like the name evokes, is plainer and appears somewhat austere. The buildings are single-room basilicas, deep main chapel, lateral chapels (with small doors for communication), without interior and exterior decoration, simple portal and windows. It

1110-739: Is a Western style of architecture , music , dance , painting , sculpture , poetry, and other arts that flourished from the early 17th century until the 1750s. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep color, grandeur, and surprise to achieve

1184-427: Is a practical building, allowing it to be built throughout the empire with minor adjustments, and prepared to be decorated later or when economic resources are available. In fact, the first Portuguese Baroque does not lack in building because "plain style" is easy to be transformed, by means of decoration (painting, tiling, etc.), turning empty areas into pompous, elaborate baroque scenarios. The same could be applied to

1258-423: Is an example of the balance of opposites in Baroque art; the gigantic proportions of the piece, with the apparent lightness of the canopy; and the contrast between the solid twisted columns, bronze, gold and marble of the piece with the flowing draperies of the angels on the canopy. The Dresden Frauenkirche serves as a prominent example of Lutheran Baroque art, which was completed in 1743 after being commissioned by

1332-569: Is crowded, dense, overlapping, loaded, in order to provoke shock effects. New motifs introduced by Baroque are: the cartouche , trophies and weapons, baskets of fruit or flowers, and others, made in marquetry , stucco , or carved. The English word baroque comes directly from the French . Some scholars state that the French word originated from the Portuguese term barroco 'a flawed pearl', pointing to

1406-482: Is supported by an International Advisory Council and assisted by an honorary Florentine Council of Advisors composed of museum directors, art historians, restorers, city officials, and art experts who advise the Foundation on its restorations, publications, and awareness-raising projects. Advancing Women Artists supports an ongoing annual awards program honoring museum directors in Florence, women restorers, patronesses of

1480-654: Is that in which the harmony is confused, and loaded with modulations and dissonances. The singing is harsh and unnatural, the intonation difficult, and the movement limited. It appears that term comes from the word 'baroco' used by logicians." In 1788 Quatremère de Quincy defined the term in the Encyclopédie Méthodique as "an architectural style that is highly adorned and tormented". The French terms style baroque and musique baroque appeared in Le Dictionnaire de l'Académie Française in 1835. By

1554-561: Is the St. Nicholas Church (Malá Strana) in Prague (1704–1755), built by Christoph Dientzenhofer and his son Kilian Ignaz Dientzenhofer . Decoration covers all of walls of interior of the church. The altar is placed in the nave beneath the central dome, and surrounded by chapels, light comes down from the dome above and from the surrounding chapels. The altar is entirely surrounded by arches, columns, curved balustrades and pilasters of coloured stone, which are richly decorated with statuary, creating

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1628-467: Is the city of Baroque in Portugal. Its historical centre is part of UNESCO World Heritage List . Many of the Baroque works in the historical area of the city and beyond, belong to Nicolau Nasoni an Italian architect living in Portugal, drawing original buildings with scenographic emplacement such as the church and tower of Clérigos , the logia of the Porto Cathedral , the church of Misericórdia,

1702-541: The quadratura ; trompe-l'œil paintings on the ceiling in stucco frames, either real or painted, crowded with paintings of saints and angels and connected by architectural details with the balustrades and consoles. Quadratura paintings of Atlantes below the cornices appear to be supporting the ceiling of the church. Unlike the painted ceilings of Michelangelo in the Sistine Chapel , which combined different scenes, each with its own perspective, to be looked at one at

1776-864: The Advancing Women Artists Foundation (AWA) in 2009, it has carried out several restoration projects for drawings, paintings, and sculptures by women artists in Florence from the sixteenth to the nineteenth centuries including Dominican convent painter Suor Plautilla Nelli at the San Salvi's Last Supper Museum, eighteenth-century Florentine poet-painter Irene Parenti Duclos at the Accademia Gallery and nineteenth-century French sculptor Félicie de Fauveau in Santa Croce , and Santa Maria del Carmine . The foundation also sponsors exhibitions, conference, seminars, books, and documentaries to promote

1850-791: The Chapel of the Holy Shroud (1668–1694) by Guarino Guarini . The style also began to be used in palaces; Guarini designed the Palazzo Carignano in Turin, while Longhena designed the Ca' Rezzonico on the Grand Canal , (1657), finished by Giorgio Massari with decorated with paintings by Giovanni Battista Tiepolo . A series of massive earthquakes in Sicily required the rebuilding of most of them and several were built in

1924-686: The Indianapolis Museum of Art — nominated her for the Accessibility Award, for her leadership and financial support of the museum's accessibility program. In 2008, Dr. Fortune also received the ‘Spirit of Philanthropy Award’ from Indiana University Purdue University Indianapolis (IUPUI), the Herron School of Art and Design in Indianapolis. In 2013, the documentary, Invisible Women: Forgotten Artists of Florence , based on her 2009 book by

1998-612: The Latin verruca 'wart', or to a word with the Romance suffix -ǒccu (common in pre-Roman Iberia ). Other sources suggest a Medieval Latin term used in logic, baroco , as the most likely source. In the 16th century the Medieval Latin word baroco moved beyond scholastic logic and came into use to characterise anything that seemed absurdly complex. The French philosopher Michel de Montaigne (1533–1592) helped to give

2072-604: The Palace of San Telmo in Seville by Leonardo de Figueroa . Granada had only been conquered from the Moors in the 15th century, and had its own distinct variety of Baroque. The painter, sculptor and architect Alonso Cano designed the Baroque interior of Granada Cathedral between 1652 and his death in 1657. It features dramatic contrasts of the massive white columns and gold decor. The most ornamental and lavishly decorated architecture of

2146-642: The Palace of São João Novo , the Palace of Freixo , the Episcopal Palace ( Portuguese : Paço Episcopal do Porto ) along with many others. The debut of Russian Baroque, or Petrine Baroque , followed a long visit of Peter the Great to western Europe in 1697–1698, where he visited the Châteaux of Fontainebleau and Versailles as well as other architectural monuments. He decided, on his return to Russia, to construct similar monuments in St. Petersburg , which became

2220-871: The Pennsylvania Academy of the Fine Arts . She was the founder of the same organization's Special Needs Program that resulted in the establishment of the Women's Board Endowed Scholarship at Pennsylvania Academy of the Fine Arts, a scholarship for persons with disabilities to attend the PAFA art school. She endowed the Jane Fortune Outstanding Women Visiting Artist Lecture at Herron School of Art and Design. Past lecturers have been Eleanor Antin, Maria Magdalena Compos-Pons, Judy Chicago, Judith Shea, Audrey Flack, Betty Woodman, and Polly Apfelbaum. She

2294-599: The Wessobrunner School . It is now a UNESCO World Heritage Site . Baroque in France developed quite differently from the ornate and dramatic local versions of Baroque from Italy, Spain and the rest of Europe. It appears severe, more detached and restrained by comparison, preempting Neoclassicism and the architecture of the Enlightenment . Unlike Italian buildings, French Baroque buildings have no broken pediments or curvilinear façades. Even religious buildings avoided

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2368-542: The 18th century the term began to be used to describe music, and not in a flattering way. In an anonymous satirical review of the première of Jean-Philippe Rameau 's Hippolyte et Aricie in October 1733, which was printed in the Mercure de France in May 1734, the critic wrote that the novelty in this opera was " du barocque ", complaining that the music lacked coherent melody,

2442-619: The City (The Florentine Press, 2007). The book's second edition, reprinted three years later with 13 additional chapters, is entitled To Florence, Con Amore: 90 Ways to Love the City (The Florentine Press, 2011). Fortune's subsequent books, documentaries, and essays were influenced largely by her efforts to safeguard and promote art by women artists. Her book, Invisible Women: Forgotten Artists of Florence (2009), documents women painters in Florence and their thousands of works on display or in storage, many of which are in need of restoration. In 2009,

2516-524: The Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. In the decorative arts , the style employs plentiful and intricate ornamentation. The departure from Renaissance classicism has its own ways in each country. But a general feature is that everywhere the starting point is the ornamental elements introduced by the Renaissance . The classical repertoire

2590-624: The Italian nonprofit organization, The Florence Committee of the National Museum for Women in the Arts. In 2006, under Fortune's leadership, The Florence Committee funded the restoration a painting in the San Marco Museum , Lamentation with Saints , a large-scale Renaissance painting by Suor Plautilla Nelli , Florence's earliest recognized woman painter to that date. In 2008, her quest continued with

2664-491: The Lutheran city council of Dresden and was "compared by eighteenth-century observers to St Peter's in Rome". The twisted column in the interior of churches is one of the signature features of the Baroque. It gives both a sense of motion and also a dramatic new way of reflecting light. The cartouche was another characteristic feature of Baroque decoration. These were large plaques carved of marble or stone, usually oval and with

2738-675: The Name of Jesus by Giovanni Battista Gaulli in the Church of the Gesù in Rome (1669–1683), which featured figures spilling out of the picture frame and dramatic oblique lighting and light-dark contrasts. The style spread quickly from Rome to other regions of Italy: It appeared in Venice in the church of Santa Maria della Salute (1631–1687) by Baldassare Longhena , a highly original octagonal form crowned with an enormous cupola . It appeared also in Turin , notably in

2812-424: The National Museum for Women in the Arts, an Italian not-for-profit association in Florence. This all began when she picked up a book about Suor Plautilla Nelli, a sixteenth-century Florence painter whom she was unfamiliar with and realised the goal to bring awareness to little-known women artists. We later found out through more digging that Suor Plautilla Nelli was one of the first known female Renaissance artists and

2886-555: The Spanish Baroque is called Churrigueresque style, named after the brothers Churriguera , who worked primarily in Salamanca and Madrid. Their works include the buildings on Salamanca's main square, the Plaza Mayor (1729). This highly ornamental Baroque style was influential in many churches and cathedrals built by the Spanish in the Americas. Other notable Spanish baroque architects of

2960-551: The achievements of historic women artists, in addition to safeguarding their work. The foundation sponsors an honors program, 'The Nelli Awards', dedicated to recognizing modern-day women working in Florence, including women curators, artists, and restorers. In 2010, Fortune established the Jane Fortune Research Program at the Medici Archive Project in Florence, for finding new archival documents regarding

3034-455: The age of 76. A memorial ceremony was held for her at the Basilica of Santa Croce in Florence on October 9, 2018. She is survived by her son, John Medveckis, her daughter, Jennifer Medveckis, and her son-in-law, James Marzo. Baroque The Baroque ( UK : / b ə ˈ r ɒ k / bə- ROK , US : /- ˈ r oʊ k / -⁠ ROHK ; French: [baʁɔk] )

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3108-476: The arts and contemporary artists for their outstanding contributions to the culture of Florence. The awards are designed to give recognition to women within the Fine Arts sector by commending their commitment to enhancing Florence and its artistic heritage. Selected restorations Jane Fortune Jane Fortune (August 7, 1942 – September 23, 2018) was an American author and journalist. Many of her publications and philanthropic activities were centered on

3182-564: The book was presented to the Uffizi Library. This volume was followed up in 2012 by a guidebook she co-authored with Linda Falcone, which describes where to view artworks by women artists in the public collections of Florence: Art by Women in Florence: A Guide through Five Hundred Years (The Florentine Press, 2012). In 2005, with the goal of raising awareness about the achievements of women artists and protecting their artworks, Fortune founded

3256-684: The churches built in the Spanish colonies in Latin America and the Philippines. The church built by the Jesuits for the College of San Francisco Javier in Tepotzotlán , with its ornate Baroque façade and tower, is a good example. From 1680 to 1750, many highly ornate cathedrals, abbeys, and pilgrimage churches were built in Central Europe, Austria, Bohemia and southwestern Poland. Some were in Rococo style,

3330-483: The contrast on the façade itself between the Doric columns and the great mass of the portico. In the mid to late 17th century the style reached its peak, later termed the High Baroque. Many monumental works were commissioned by Popes Urban VIII and Alexander VII . The sculptor and architect Gian Lorenzo Bernini designed a new quadruple colonnade around St. Peter's Square (1656 to 1667). The three galleries of columns in

3404-404: The exterior. Subsequently, it is easy to adapt the building to the taste of the time and place, and add on new features and details. Practical and economical. With more inhabitants and better economic resources, the north, particularly the areas of Porto and Braga , witnessed an architectural renewal, visible in the large list of churches, convents and palaces built by the aristocracy. Porto

3478-594: The exuberant late Baroque or Rococo style. The Catholic Church in Spain, and particularly the Jesuits , were the driving force of Spanish Baroque architecture. The first major work in this style was the San Isidro Chapel in Madrid , begun in 1643 by Pedro de la Torre . It contrasted an extreme richness of ornament on the exterior with simplicity in the interior, divided into multiple spaces and using effects of light to create

3552-482: The history of women artists, assisting study of this material by scholars, and mentoring young scholars in the field. In 2008, with co-founder Robert Hesse, Fortune established the Indianapolis City Ballet (ICB), a nonprofit organization that supports ballet performances with international dancers from ballet companies from several countries and master classes with these dancers in Indianapolis. Fortune

3626-443: The intense spatial drama one finds in the work of Borromini . The style is closely associated with the works built for Louis XIV (reign 1643–1715), and because of this, it is also known as the Louis XIV style . Louis XIV invited the master of Baroque, Bernini, to submit a design for the new east wing of the Louvre , but rejected it in favor of a more classical design by Claude Perrault and Louis Le Vau . The main architects of

3700-413: The late Baroque include Pedro de Ribera , a pupil of Churriguera, who designed the Real Hospicio de San Fernando in Madrid, and Narciso Tomé , who designed the celebrated El Transparente altarpiece at Toledo Cathedral (1729–1732) which gives the illusion, in certain light, of floating upwards. The architects of the Spanish Baroque had an effect far beyond Spain; their work was highly influential in

3774-406: The mass of churchgoers. The Council of Trent decided instead to appeal to a more popular audience, and declared that the arts should communicate religious themes with direct and emotional involvement. Similarly, Lutheran Baroque art developed as a confessional marker of identity, in response to the Great Iconoclasm of Calvinists . Baroque churches were designed with a large central space, where

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3848-417: The mid-19th century, art critics and historians had adopted the term baroque as a way to ridicule post-Renaissance art. This was the sense of the word as used in 1855 by the leading art historian Jacob Burckhardt , who wrote that baroque artists "despised and abused detail" because they lacked "respect for tradition". In 1888 the art historian Heinrich Wölfflin published the first serious academic work on

3922-411: The model for his summer residence, Sanssouci , in Potsdam , designed for him by Georg Wenzeslaus von Knobelsdorff (1745–1747). Another work of Baroque palace architecture is the Zwinger (Dresden) , the former orangerie of the palace of the electors of Saxony in the 18th century. One of the best examples of a rococo church is the Basilika Vierzehnheiligen, or Basilica of the Fourteen Holy Helpers ,

3996-410: The most celebrated work of Polish Baroque is the Poznań Fara Church, with details by Pompeo Ferrari . After Thirty Years' War under the agreements of the Peace of Westphalia two unique baroque wattle and daub structures was built: Church of Peace in Jawor , Holy Trinity Church of Peace in Świdnica the largest wooden Baroque temple in Europe. The many states within the Holy Roman Empire on

4070-409: The new capital of Russia in 1712. Early major monuments in the Petrine Baroque include the Peter and Paul Cathedral and Menshikov Palace . During the reign of Anna and Elisabeth , Russian architecture was dominated by the luxurious Baroque style of Italian-born Francesco Bartolomeo Rastrelli , which developed into Elizabethan Baroque . Rastrelli's signature buildings include the Winter Palace ,

4144-466: The period was the expansion of Palace of Versailles , begun in 1661 by Le Vau with decoration by the painter Charles Le Brun . The gardens were designed by André Le Nôtre specifically to complement and amplify the architecture. The Galerie des Glaces ( Hall of Mirrors ), the centerpiece of the château, with paintings by Le Brun, was constructed between 1678 and 1686. Mansart completed the Grand Trianon in 1687. The chapel, designed by Robert de Cotte ,

4218-449: The research, restoration , and exhibition of art by women in Florence , Italy. Fortune was the cultural editor of The Florentine , an English-language newspaper in Tuscany , in which she appeared as a regular art and culture columnist from the newspaper's founding in 2005 until her death in 2018. Her original column, Mosaics (2005–2008), led to her writing a guidebook on the culture of Florence, To Florence, Con Amore: 77 Ways to Love

4292-436: The restoration of David and Bathsheba by seventeenth-century Baroque painter Artemisia Gentileschi . Following up on these achievements, but wishing to work on a broader scope, in 2009, Fortune founded the American 501(c)(3) nonprofit organization, Advancing Women Artists Foundation (AWA), dedicated to researching, restoring, and exhibiting art work by women artists, particularly in Florence, Italy. Since Fortune founded

4366-503: The same title, was awarded a regional Emmy Award as Best Documentary in the Historical/Cultural Program Category. In 2013, for her work in Florence she received the Tuscan-American Association Award. This award, presented annually at Florence's Palazzo Vecchio , honors an American and an Italian for their contributions to the culture of Florence. Past awardees include Andrea Bocelli , Zubin Mehta , and Franco Zeffirelli . Fortune died at her home in Indianapolis on September 23, 2018, at

4440-479: The style included François Mansart (1598–1666), Pierre Le Muet (Church of Val-de-Grâce , 1645–1665) and Louis Le Vau ( Vaux-le-Vicomte , 1657–1661). Mansart was the first architect to introduce Baroque styling, principally the frequent use of an applied order and heavy rustication , into the French architectural vocabulary. The mansard roof was not invented by Mansart, but it has become associated with him, as he used it frequently. The major royal project of

4514-409: The style is the Pilgrimage Church of Wies ( German : Wieskirche ). It was designed by the brothers J. B. and Dominikus Zimmermann . It is located in the foothills of the Alps , in the municipality of Steingaden in the Weilheim-Schongau district, Bavaria, Germany. Construction took place between 1745 and 1754, and the interior was decorated with frescoes and with stuccowork in the tradition of

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4588-488: The style, Renaissance und Barock , which described the differences between the painting, sculpture, and architecture of the Renaissance and the Baroque. The Baroque style of architecture was a result of doctrines adopted by the Catholic Church at the Council of Trent in 1545–1563, in response to the Protestant Reformation . The first phase of the Counter-Reformation had imposed a severe, academic style on religious architecture, which had appealed to intellectuals but not

4662-485: The term baroco (spelled Barroco by him) the meaning 'bizarre, uselessly complicated'. Other early sources associate baroco with magic, complexity, confusion, and excess. The word baroque was also associated with irregular pearls before the 18th century. The French baroque and Portuguese barroco were terms often associated with jewelry. An example from 1531 uses the term to describe pearls in an inventory of Charles V of France 's treasures. Later,

4736-433: The territory of today's Germany all looked to represent themselves with impressive Baroque buildings. Notable architects included Johann Bernhard Fischer von Erlach , Lukas von Hildebrandt and Dominikus Zimmermann in Bavaria , Balthasar Neumann in Bruhl , and Matthäus Daniel Pöppelmann in Dresden. In Prussia , Frederick II of Prussia was inspired by the Grand Trianon of the Palace of Versailles , and used it as

4810-403: The word appears in a 1694 edition of Le Dictionnaire de l'Académie Française , which describes baroque as "only used for pearls that are imperfectly round." A 1728 Portuguese dictionary similarly describes barroco as relating to a "coarse and uneven pearl". An alternative derivation of the word baroque points to the name of the Italian painter Federico Barocci (1528–1612). In

4884-486: The worshippers could be close to the altar, with a dome or cupola high overhead, allowing light to illuminate the church below. The dome was one of the central symbolic features of Baroque architecture illustrating the union between the heavens and the earth. The inside of the cupola was lavishly decorated with paintings of angels and saints, and with stucco statuettes of angels, giving the impression to those below of looking up at heaven. Another feature of Baroque churches are

4958-507: Was a cloistered Dominican nun. In 2009, Fortune created a new organization, the Advancing Women Artists Foundation, its American non-profit sister organization, which allowed for more opportunities for American involvement. AWA is supported by private contributors and institutions that are dedicated to safeguarding and promoting works by women artists, particularly in Florence, Italy. The Board of Trustees holds fiduciary responsibility for its organizational activities and financial well-being. AWA

5032-442: Was a member of the board of the National Museum of Women in the Arts , Washington, D.C.; the Sidney and Lois Eskenazi Museum of Art at Indiana University ; the Herron School of Art and Design ; the Pennsylvania Academy of the Fine Arts , and of the National Museum of Women in the Arts in Washington, D.C. Fortune was a member of the board of directors of the Pennsylvania Academy of the Fine Arts in Philadelphia, Pennsylvania, and

5106-538: Was chair of the board of the Deafness Research Foundation in New York City and its volunteer president-CEO. In 2010, Fortune was awarded an honorary doctorate in Humane Letters from Indiana University for her work as an author and philanthropist in the United States and Italy. In 2007, the Indianapolis Mayor's Advisory Council on Disabilities awarded Fortune their Accessibility Award for her work on accessibility and inclusion for persons with disabilities. Maxwell L. Anderson —the Melvin & Bren Simon Director and CEO of

5180-411: Was chair of the board of trustees of the Studio Arts Center International (SACI) in Florence. She was an honorary member of the dean's advisory board at Herron School of Art and Design in Indianapolis, Indiana, and was on the board of trustees of the Medici Archive Project (Florence, Italy and New York). In Philadelphia, Fortune co-founded USArtists, an American Fine Art Show and Sale, which benefited

5254-701: Was finished in 1710. Following the death of Louis XIV, Louis XV added the more intimate Petit Trianon and the highly ornate theatre. The fountains in the gardens were designed to be seen from the interior, and to add to the dramatic effect. The palace was admired and copied by other monarchs of Europe, particularly Peter the Great of Russia, who visited Versailles early in the reign of Louis XV, and built his own version at Peterhof Palace near Saint Petersburg, between 1705 and 1725. Baroque architecture in Portugal lasted about two centuries (the late seventeenth century and eighteenth century). The reigns of John V and Joseph I had increased imports of gold and diamonds, in

5328-421: Was the Church of the Gesù in 1584; it was plain by later Baroque standards, but marked a break with the traditional Renaissance façades that preceded it. The interior of this church remained very austere until the high Baroque, when it was lavishly ornamented. In Rome in 1605, Paul V became the first of series of popes who commissioned basilicas and church buildings designed to inspire emotion and awe through

5402-537: Was the world's first secular Baroque monument built in the form of a column. The palatial residence style was exemplified by the Wilanów Palace , constructed between 1677 and 1696. The most renowned Baroque architect active in Poland was Dutchman Tylman van Gameren and his notable works include Warsaw's St. Kazimierz Church and Krasiński Palace , Church of St. Anne, Kraków and Branicki Palace, Białystok . However,

5476-462: Was unsparing with dissonances, constantly changed key and meter, and speedily ran through every compositional device. In 1762 Le Dictionnaire de l'Académie Française recorded that the term could figuratively describe something "irregular, bizarre or unequal". Jean-Jacques Rousseau , who was a musician and composer as well as a philosopher, wrote in the Encyclopédie in 1768: "Baroque music

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