XT3 is a model of the XT video server. It was created in 2011 by Belgian company EVS Broadcast Equipment .
41-405: This video server was built and designed to allow broadcasters to record, control and play media. It is capable of handling up to 12 channels of SD/HD, 6 channels of 3D /1080p (3G or dual link), as well as 3 channels in 4K resolution. The tapeless server allows loop recording and functions such as replays , slow-motion , non-linear editing or streaming while recording. The server
82-459: A closed-circuit system as an analog signal. Broadcast or studio cameras use a single or dual coaxial cable system using serial digital interface (SDI). See List of video connectors for information about physical connectors and related signal standards. Video may be transported over networks and other shared digital communications links using, for instance, MPEG transport stream , SMPTE 2022 and SMPTE 2110 . Digital television broadcasts use
123-433: A natively progressive broadcast or recorded signal, the result is the optimum spatial resolution of both the stationary and moving parts of the image. Interlacing was invented as a way to reduce flicker in early mechanical and CRT video displays without increasing the number of complete frames per second . Interlacing retains detail while requiring lower bandwidth compared to progressive scanning. In interlaced video,
164-442: A number is available. Analog video is a video signal represented by one or more analog signals . Analog color video signals include luminance (Y) and chrominance (C). When combined into one channel, as is the case among others with NTSC , PAL , and SECAM , it is called composite video . Analog video may be carried in separate channels, as in two-channel S-Video (YC) and multi-channel component video formats. Analog video
205-438: A particular refresh rate, display resolution , and color space . Many analog and digital recording formats are in use, and digital video clips can also be stored on a computer file system as files, which have their own formats. In addition to the physical format used by the data storage device or transmission medium, the stream of ones and zeros that is sent must be in a particular digital video coding format , for which
246-507: A ratio between width and height. The ratio of width to height for a traditional television screen is 4:3, or about 1.33:1. High-definition televisions use an aspect ratio of 16:9, or about 1.78:1. The aspect ratio of a full 35 mm film frame with soundtrack (also known as the Academy ratio ) is 1.375:1. Pixels on computer monitors are usually square, but pixels used in digital video often have non-square aspect ratios, such as those used in
287-404: A sequence of miniature photographic images visible to the eye when the film is physically examined. Video, by contrast, encodes images electronically, turning the images into analog or digital electronic signals for transmission or recording. Video technology was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) television systems. Video
328-725: A server is a device used to store broadcast quality images and allows several users to edit stories using the images they contain simultaneously. The video server can be used in a number of contexts, some of which include: A professional-grade video server performs recording, storage, and playout of multiple video streams without any degradation of the video signal. Broadcast quality video servers often store hundreds of hours of compressed audio and video (in different codecs ), play out multiple and synchronised simultaneous streams of video by, and offer quality interfaces such as SDI for digital video and XLR for balanced analog audio, AES/EBU digital audio and also Time Code . A genlock input
369-583: A variety of media, including radio broadcasts , magnetic tape , optical discs , computer files , and network streaming . The word video comes from the Latin video (I see). Video developed from facsimile systems developed in the mid-19th century. Early mechanical video scanners, such as the Nipkow disk , were patented as early as 1884, however, it took several decades before practical video systems could be developed, many decades after film . Film records using
410-426: A video server is a device to which one or more video sources can be attached. Video servers are used to give existing analog systems network connectivity. Video servers are essentially transmission/ telemetry / monitoring devices. Viewing is done using a web browser or in some cases supplied software. These products also allow the upload of images to the internet or direct viewing from the internet. In order to upload to
451-633: Is controlled by Multicam(LSM) or IPDirector software . With the Multicam(LSM), instant replay of any live camera angle at variable speed is possible. The server inspired the XS model, dedicated to specific studio environments and controllers. XT servers have been used in global sporting events productions such as the FIFA World Cup , the IFAF World Cup , MotoGP , Formula 1 , BBC Football Programmes,
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#1732854896324492-456: Is in rough chronological order. All formats listed were sold to and used by broadcasters, video producers, or consumers; or were important historically. Digital video tape recorders offered improved quality compared to analog recorders. Optical storage mediums offered an alternative, especially in consumer applications, to bulky tape formats. A video codec is software or hardware that compresses and decompresses digital video . In
533-455: Is less sensitive to details in color than brightness, the luminance data for all pixels is maintained, while the chrominance data is averaged for a number of pixels in a block, and the same value is used for all of them. For example, this results in a 50% reduction in chrominance data using 2-pixel blocks (4:2:2) or 75% using 4-pixel blocks (4:2:0). This process does not reduce the number of possible color values that can be displayed, but it reduces
574-517: Is often described as 576i50 , where 576 indicates the total number of horizontal scan lines, i indicates interlacing, and 50 indicates 50 fields (half-frames) per second. When displaying a natively interlaced signal on a progressive scan device, the overall spatial resolution is degraded by simple line doubling —artifacts, such as flickering or "comb" effects in moving parts of the image that appear unless special signal processing eliminates them. A procedure known as deinterlacing can optimize
615-527: Is reduced by registering differences between parts of a single frame; this task is known as intraframe compression and is closely related to image compression . Likewise, temporal redundancy can be reduced by registering differences between frames; this task is known as interframe compression , including motion compensation and other techniques. The most common modern compression standards are MPEG-2 , used for DVD , Blu-ray, and satellite television , and MPEG-4 , used for AVCHD , mobile phones (3GP), and
656-422: Is shot at a slower frame rate of 24 frames per second, which slightly complicates the process of transferring a cinematic motion picture to video. The minimum frame rate to achieve a comfortable illusion of a moving image is about sixteen frames per second. Video can be interlaced or progressive . In progressive scan systems, each refresh period updates all scan lines in each frame in sequence. When displaying
697-502: Is used in NTSC television, YUV is used in PAL television, YDbDr is used by SECAM television, and YCbCr is used for digital video. The number of distinct colors a pixel can represent depends on the color depth expressed in the number of bits per pixel. A common way to reduce the amount of data required in digital video is by chroma subsampling (e.g., 4:4:4, 4:2:2, etc.). Because the human eye
738-440: Is used in both consumer and professional television production applications. Digital video signal formats have been adopted, including serial digital interface (SDI), Digital Visual Interface (DVI), High-Definition Multimedia Interface (HDMI) and DisplayPort Interface. Video can be transmitted or transported in a variety of ways including wireless terrestrial television as an analog or digital signal, coaxial cable in
779-528: Is usually provided to provide a means of synchronizing with the house reference clock, thereby avoiding the need for timebase correction or frame synchronizers . Video servers usually offer some type of control interface allowing them to be driven by broadcast automation systems that incorporate sophisticated broadcast programming applications. Popular protocols include VDCP and the 9-Pin Protocol . They can optionally allow direct to disk recording using
820-499: The MPEG-2 and other video coding formats and include: Analog television broadcast standards include: An analog video format consists of more information than the visible content of the frame. Preceding and following the image are lines and pixels containing metadata and synchronization information. This surrounding margin is known as a blanking interval or blanking region ; the horizontal and vertical front porch and back porch are
861-487: The Olympic Games and in studio environments such as NBC , Sky , France 2 and CCTV or others. This configuration is used in most OB vans around the world. and has received Emmy Award for this. Video server A video server is a computer-based device that is dedicated to delivering video. Video servers are used in a number of applications, and often have additional functions and capabilities that address
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#1732854896324902-547: The consumer market . Digital video is capable of higher quality and, eventually, a much lower cost than earlier analog technology. After the commercial introduction of the DVD in 1997 and later the Blu-ray Disc in 2006, sales of videotape and recording equipment plummeted. Advances in computer technology allow even inexpensive personal computers and smartphones to capture, store, edit, and transmit digital video, further reducing
943-463: The Internet. Stereoscopic video for 3D film and other applications can be displayed using several different methods: Different layers of video transmission and storage each provide their own set of formats to choose from. For transmission, there is a physical connector and signal protocol (see List of video connectors ). A given physical link can carry certain display standards that specify
984-489: The PAL and NTSC variants of the CCIR 601 digital video standard and the corresponding anamorphic widescreen formats. The 720 by 480 pixel raster uses thin pixels on a 4:3 aspect ratio display and fat pixels on a 16:9 display. The popularity of viewing video on mobile phones has led to the growth of vertical video . Mary Meeker , a partner at Silicon Valley venture capital firm Kleiner Perkins Caufield & Byers , highlighted
1025-450: The building blocks of the blanking interval. Computer display standards specify a combination of aspect ratio, display size, display resolution, color depth, and refresh rate. A list of common resolutions is available. Early television was almost exclusively a live medium, with some programs recorded to film for historical purposes using Kinescope . The analog video tape recorder was commercially introduced in 1951. The following list
1066-438: The context of video compression, codec is a portmanteau of encoder and decoder , while a device that only compresses is typically called an encoder , and one that only decompresses is a decoder . The compressed data format usually conforms to a standard video coding format . The compression is typically lossy , meaning that the compressed video lacks some information present in the original video. A consequence of this
1107-417: The cost of video production and allowing programmers and broadcasters to move to tapeless production . The advent of digital broadcasting and the subsequent digital television transition are in the process of relegating analog video to the status of a legacy technology in most parts of the world. The development of high-resolution video cameras with improved dynamic range and color gamuts , along with
1148-509: The display of an interlaced video signal from an analog, DVD, or satellite source on a progressive scan device such as an LCD television , digital video projector , or plasma panel. Deinterlacing cannot, however, produce video quality that is equivalent to true progressive scan source material. Aspect ratio describes the proportional relationship between the width and height of video screens and video picture elements. All popular video formats are rectangular , and this can be described by
1189-445: The fields one at a time, rather than dividing up a complete frame after it is captured, the frame rate for motion is effectively doubled as well, resulting in smoother, more lifelike reproduction of rapidly moving parts of the image when viewed on an interlaced CRT display. NTSC, PAL, and SECAM are interlaced formats. Abbreviated video resolution specifications often include an i to indicate interlacing. For example, PAL video format
1230-414: The first practical video tape recorders (VTR). In 1951, the first VTR captured live images from television cameras by writing the camera's electrical signal onto magnetic videotape . Video recorders were sold for $ 50,000 in 1956, and videotapes cost US$ 300 per one-hour reel. However, prices gradually dropped over the years; in 1971, Sony began selling videocassette recorder (VCR) decks and tapes into
1271-466: The growth of vertical video viewing in her 2015 Internet Trends Report – growing from 5% of video viewing in 2010 to 29% in 2015. Vertical video ads like Snapchat 's are watched in their entirety nine times more frequently than landscape video ads. The color model uses the video color representation and maps encoded color values to visible colors reproduced by the system. There are several such representations in common use: typically, YIQ
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1312-432: The horizontal scan lines of each complete frame are treated as if numbered consecutively and captured as two fields : an odd field (upper field) consisting of the odd-numbered lines and an even field (lower field) consisting of the even-numbered lines. Analog display devices reproduce each frame, effectively doubling the frame rate as far as perceptible overall flicker is concerned. When the image capture device acquires
1353-415: The internet an account with an ISP (internet service provider) may be required. Phone apps that send direct security video feed to smartphones from security video servers are another recent security video server application innovation. This allows smartphone users to view security video server feed from anywhere they can use their smartphone. Analog video Video is an electronic medium for
1394-749: The introduction of high-dynamic-range digital intermediate data formats with improved color depth , has caused digital video technology to converge with film technology. Since 2013, the use of digital cameras in Hollywood has surpassed the use of film cameras. Frame rate , the number of still pictures per unit of time of video, ranges from six or eight frames per second ( frame/s ) for old mechanical cameras to 120 or more frames per second for new professional cameras. PAL standards (Europe, Asia, Australia, etc.) and SECAM (France, Russia, parts of Africa, etc.) specify 25 frame/s, while NTSC standards (United States, Canada, Japan, etc.) specify 29.97 frame/s. Film
1435-435: The needs of particular applications. For example, video servers used in security, surveillance and inspection applications typically are designed to capture video from one or more cameras and deliver the video via a computer network. In video production and broadcast applications, a video server may have the ability to record and play recorded video, and to deliver many video streams simultaneously. In TV broadcast industries,
1476-622: The number of distinct points at which the color changes. Video quality can be measured with formal metrics like peak signal-to-noise ratio (PSNR) or through subjective video quality assessment using expert observation. Many subjective video quality methods are described in the ITU-T recommendation BT.500 . One of the standardized methods is the Double Stimulus Impairment Scale (DSIS). In DSIS, each expert views an unimpaired reference video, followed by an impaired version of
1517-470: The recording, copying , playback, broadcasting , and display of moving visual media . Video was first developed for mechanical television systems, which were quickly replaced by cathode-ray tube (CRT) systems, which, in turn, were replaced by flat-panel displays of several types. Video systems vary in display resolution , aspect ratio , refresh rate , color capabilities, and other qualities. Analog and digital variants exist and can be carried on
1558-580: The same codec that is used in various post-production video editing software packages to prevent any wasted time in transcoding . Typically, a video server can do the following: Generally, they have several bi directional channels (record and ingest) for video and audio. A perfect synchronisation is necessary between those channels to manage the feeds. In some surveillance and inspection applications, IP video servers are employed which convert analog video signals into IP video streams. These IP video servers can stream digitized video over IP networks in
1599-436: The same video. The expert then rates the impaired video using a scale ranging from "impairments are imperceptible" to "impairments are very annoying." Uncompressed video delivers maximum quality, but at a very high data rate . A variety of methods are used to compress video streams, with the most effective ones using a group of pictures (GOP) to reduce spatial and temporal redundancy . Broadly speaking, spatial redundancy
1640-412: The same way that an IP camera can. Because an IP Video server uses IP protocols, it can stream video over any IP-compatible network, including via a modem for access over a phone or ISDN connection. With the use of a video server attached to an analog camera, the video from an existing surveillance system can be converted and networked into a new IP surveillance system. In the video security industry
1681-407: Was originally exclusively live technology. Live video cameras used an electron beam, which would scan a photoconductive plate with the desired image and produce a voltage signal proportional to the brightness in each part of the image. The signal could then be sent to televisions, where another beam would receive and display the image. Charles Ginsburg led an Ampex research team to develop one of