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163-518: Watchmen is a comic book limited series by the British creative team of writer Alan Moore , artist Dave Gibbons and colorist John Higgins . It was published monthly by DC Comics in 1986 and 1987 before being collected in a single-volume edition in 1987. Watchmen originated from a story proposal Moore submitted to DC featuring superhero characters that the company had acquired from Charlton Comics . As Moore's proposed story would have left many of

326-400: A kenosis towards comic book history [...] [which] does not ennoble and empower his characters [...] Rather, it sends a wave of disruption back through superhero history [...] devalue[ing] one of the basic superhero conventions by placing his masked crime fighters in a realistic world". First and foremost, "Moore's exploration of the [often compromised] motives for costumed crimefighting sheds

489-585: A story within a story in the form of Tales of the Black Freighter , a fictional comic book from which scenes appear in issues three, five, eight, ten, and eleven. The fictional comic's story, "Marooned", is read by a youth in New York City. Moore and Gibbons conceived a pirate comic because they reasoned that since the characters of Watchmen experience superheroes in real life, "they probably wouldn't be at all interested in superhero comics." Gibbons suggested

652-610: A tabloid form. Underground comics and "small press" titles have also appeared in the UK, notably Oz and Escape Magazine . The content of Action , another title aimed at children and launched in the mid-1970s, became the subject of discussion in the House of Commons . Although on a smaller scale than similar investigations in the US, such concerns led to a moderation of content published within British comics. Such moderation never became formalized to

815-842: A 12-issue limited series and sequel to the original Watchmen series, from 2017 to 2019 – both without Moore's or Gibbons' involvement. The second series integrated the Watchmen characters within the DC Universe . A standalone sequel, Rorschach by Tom King , began publication in October 2020. A television continuation to the original comic, set 34 years after the comic's timeline, was broadcast on HBO from October to December 2019 with Gibbons' involvement. Moore has expressed his displeasure with adaptations and sequels of Watchmen and asked it not be used for future works. Watchmen , created by writer Alan Moore and artist Dave Gibbons , first appeared in

978-456: A 1986 interview, Moore said, "What I'd like to explore is the areas that comics succeed in where no other media is capable of operating", and emphasized this by stressing the differences between comics and film. Moore said that Watchmen was designed to be read "four or five times", with some links and allusions only becoming apparent to the reader after several readings. Dave Gibbons notes that, "[a]s it progressed, Watchmen became much more about

1141-631: A black artist or writer allowed in a major comics company." Asian characters within comic books encountered similar prejudiced treatment as black characters did. They were subjected to dehumanizing depictions, with narratives often portraying them as "incompetent and subhuman." In a 1944 edition of the publication United States Marines , there was a story titled The Smell of the Monkeymen . This narrative portrayed Japanese soldiers as brutish simians, and it depicted their concealed positions being betrayed by their repugnant body odor. Chinese characters received

1304-473: A company named Comics Guaranty (CGC) initiated the practice of "slabbing" comics, which involves encasing them within thick plastic cases and assigning them a numerical grade. This approach inspired the emergence of Comic Book Certification Service . Given the significance of condition in determining the value of rare comics, the concept of grading by an impartial company, one that does not engage in buying or selling comics, seemed promising. Nevertheless, there

1467-429: A concerted effort to draw the characters in a manner different from that commonly seen in comics. The artist tried to draw the series with "a particular weight of line, using a hard, stiff pen that didn't have much modulation in terms of thick and thin" which he hoped "would differentiate it from the usual lush, fluid kind of comic book line". In a 2009 interview, Moore recalled that he took advantage of Gibbons' training as

1630-444: A day at the latter's house creating characters, crafting details for the story's milieu and discussing influences. The pair were particularly influenced by a Mad parody of Superman named " Superduperman "; Moore said: "We wanted to take Superduperman 180 degrees—dramatic, instead of comedic". Moore and Gibbons conceived of a story that would take "familiar old-fashioned superheroes into a completely new realm"; Moore said his intention

1793-399: A direct sequel to both DC Universe Rebirth and the 2011 storyline " Flashpoint ". Manhattan reappears in the 2017–19 twelve-part sequel series Doomsday Clock . "I suppose I was just thinking, 'That'd be a good way to start a comic book: have a famous super-hero found dead.' As the mystery unraveled, we would be led deeper and deeper into the real heart of this super-hero's world, and show

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1956-401: A disturbing light on past superhero stories, and forces the reader to reevaluate—to revision—every superhero in terms of Moore's kenosis —his emptying out of the tradition". Klock relates the title to the quote by Juvenal to highlight the problem of controlling those who hold power and quoted repeatedly within the work itself. The deconstructive nature of Watchmen is, Klock notes, played out on

2119-530: A dysutopian [ sic ] mystery story". In 1988, Watchmen received a Hugo Award in the Other Forms category. According to Gibbons, Moore had his award placed upside down in his garden and used it as a bird table. Dave Langford reviewed Watchmen for White Dwarf #96, and stated that "The modern myth of the Superhero is curiously powerful despite its usual silliness; Watchmen lovingly disassembles

2282-452: A famous example of the British comic annual. DC Thomson also repackages The Broons and Oor Wullie strips in softcover A4-size books for the holiday season. On 19 March 2012, the British postal service, the Royal Mail , released a set of stamps depicting British comic book characters and series. The collection featured The Beano , The Dandy , Eagle , The Topper , Roy of

2445-577: A five chapter spy genre tale written by Otto Binder and drawn by Al Carreno. It is readable online in the Digital Comic Museum . The magazine never reached a second issue. In 1950, St. John Publications produced the digest-sized , adult-oriented "picture novel" It Rhymes with Lust , a 128-page digest by pseudonymous writer "Drake Waller" ( Arnold Drake and Leslie Waller ), penciler Matt Baker and inker Ray Osrin , touted as "an original full-length novel" on its cover. "It Rhymes with Lust"

2608-420: A former surveyor for "including incredible amounts of detail in every tiny panel, so we could choreograph every little thing". Gibbons described the series as "a comic about comics". Gibbons felt that "Alan is more concerned with the social implications of [the presence of super-heroes] and I've gotten involved in the technical implications." The story's alternate world setting allowed Gibbons to change details of

2771-465: A gigantic squid -like creature , created by Veidt's laboratories, dead in the middle of the city. Manhattan notices his prescient abilities are limited by tachyons emanating from the Antarctic and the pair teleport there. They discover Veidt's involvement and confront him. Veidt shows everyone news broadcasts confirming that the emergence of a new threat has indeed prompted peaceful co-operation between

2934-623: A government ran program, the Writers' War Board, became heavily involved in what would be published in comics. "The Writers' War Board used comic books to shape popular perceptions of race and ethnicity..." Not only were they using comic books as a means of recruiting all Americans, they were also using it as propaganda to "[construct] a justification for race-based hatred of America's foreign enemies." The Writers' War Board created comics books that were meant to "[promote] domestic racial harmony". However, "these pro-tolerance narratives struggled to overcome

3097-426: A government-sponsored superhero pulls them out of retirement. Gibbons uses a nine-panel grid layout throughout the series and adds recurring symbols such as a blood-stained smiley face . All but the last issue feature supplemental fictional documents that add to the series' backstory and the narrative is intertwined with that of another story, an in-story pirate comic titled Tales of the Black Freighter , which one of

3260-427: A less superior race and cannot believe they bested his men."The Tuskegee Airmen, and images of black aviators appear in just three of the fifty three panels... the pilots of the 99th Squadron have no dialogue and interact with neither Hop Harrigan nor his Nazi captive." During this time, they also used black characters in comic books as a means to invalidate the militant black groups that were fighting for equality within

3423-412: A lifelong passion for the stories within comics, often focusing on specific superheroes and striving to gather a complete collection of a particular series. Comics are assigned sequential numbers, and the initial issue of a long-lasting comic book series tends to be both the scarcest and the most coveted among collectors. The introduction of a new character might occur within an existing title. For instance,

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3586-582: A limited-edition, slipcased hardcover volume, produced by Graphitti Design, that contained 48 pages of bonus material, including the original proposal and concept art. In 2005, DC released Absolute Watchmen , an oversized slipcased hardcover edition of the series in DC's Absolute Edition format. Assembled under the supervision of Dave Gibbons, Absolute Watchmen included the Graphitti materials, as well as restored and recolored art by John Higgins. That December DC published

3749-632: A local right-wing newspaper. When Rorschach and Dreiberg travel to Antarctica to confront Veidt at his private retreat, Veidt explains that he plans to save humanity from an impending nuclear war by staging a fake alien invasion and killing half the population of New York, forcing the United States and the Soviet Union to unite against a common enemy. He reveals that he murdered Blake after he discovered his plan, arranged for Doctor Manhattan's past associates to contract cancer to force him to leave Earth, staged

3912-427: A longer letters column to fill the space, but editor Len Wein felt this would be unfair to anyone who wrote in during the last four issues of the series. He decided to use the extra pages to fill in the series' backstory. Moore said, "By the time we got around to issue #3, #4, and so on, we thought that the book looked nice without a letters page. It looks less like a comic book, so we stuck with it." Watchmen features

4075-440: A lot of these things started to generate themselves as if by magic", in particular citing an occasion where they decided to name a lock company the " Gordian Knot Lock Company". The initial premise of the series was to examine what superheroes would be like "in a credible, real world". As the story became more complex, Moore said Watchmen became about "power and about the idea of the superman manifest within society." The title of

4238-433: A lot to recommend them". Gibbons said that while readers "were left with the idea that it was a grim and gritty kind of thing", he said in his view the series was "a wonderful celebration of superheroes as much as anything else". Watchmen was first mentioned publicly in the 1985 Amazing Heroes Preview . When Moore and Gibbons turned in the first issue of their series to DC, Gibbons recalled, "What really clinched it [...]

4401-451: A major contributor to the series. Moore chose Orlando because he felt that if pirate stories were popular in the Watchmen universe that DC editor Julius Schwartz might have tried to lure the artist over to the company to draw a pirate comic book. Orlando contributed a drawing designed as if it were a page from the fake title to the supplemental piece. In "Marooned", a young mariner (called "The Sea Captain") journeys to warn his hometown of

4564-439: A new printing of Watchmen issue #1 at the original 1986 cover price of $ 1.50 as part of its "Millennium Edition" line. In 2012, DC published Before Watchmen , a series of nine prequel miniseries, with various creative teams producing the characters' early adventures set before the events of the original series. In the 2016 one-shot DC Universe: Rebirth Special , numerous symbols and visual references to Watchmen , such as

4727-552: A pirate theme, and Moore agreed in part because he is "a big Bertolt Brecht fan": the Black Freighter alludes to the song " Seeräuberjenny " (" Pirate Jenny ") from Brecht's Threepenny Opera . Moore theorized that since superheroes existed, and existed as "objects of fear, loathing, and scorn, the main superheroes quickly fell out of popularity in comic books, as we suggest. Mainly, genres like horror, science fiction, and piracy, particularly piracy, became prominent—with EC riding

4890-539: A project, so he devised a murder mystery plot which would begin with the discovery of the body of the Shield in a harbor. The writer felt it did not matter which set of characters he ultimately used, as long as readers recognized them "so it would have the shock and surprise value when you saw what the reality of these characters was". Moore used this premise and crafted a proposal featuring the Charlton characters titled Who Killed

5053-482: A reality that was very different to the general public image of the super-hero." —Alan Moore on the basis for Watchmen In 1983, DC Comics acquired a line of characters from Charlton Comics . During that period, writer Alan Moore contemplated writing a story that featured an unused line of superheroes that he could revamp, as he had done in his Miracleman series in the early 1980s. Moore reasoned that MLJ Comics ' Mighty Crusaders might be available for such

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5216-699: A short story without the risk and obligations of an ongoing monthly. In 1980, DC followed World of Krypton with the three-issue series The Untold Legend of the Batman , by Len Wein , John Byrne , and Jim Aparo . DC produced three more limited series in 1981, featuring another Krypton series, the Legion of Super-Heroes , and the Green Lantern Corps . With the success of the miniseries format, DC followed by experimenting with longer stories and concepts outside their universe of superheroes. Debuting in 1982, Camelot 3000

5379-497: A surge of creativity emerged in what became known as underground comix . Published and distributed independently of the established comics industry, most of such comics reflected the youth counterculture and drug culture of the time. Underground comix "reflected and commented on the social divisions and tensions of American society". Many had an uninhibited, often irreverent style; their frank depictions of nudity, sex, profanity, and politics had no parallel outside their precursors,

5542-514: A template that was "moodier" and favored secondary colors. Moore stated that he had also "always loved John's coloring, but always associated him with being an airbrush colorist", which Moore was not fond of; Higgins subsequently decided to color Watchmen in European-style flat color. Moore noted that the artist paid particular attention to lighting and subtle color changes; in issue six, Higgins began with "warm and cheerful" colors and throughout

5705-491: Is Japan. By 1995, the manga market in Japan was valued at ¥ 586.4 billion ( $ 6–7 billion ), with annual sales of 1.9   billion manga books ( tankōbon volumes and manga magazines ) in Japan, equivalent to 15   issues per person. In 2020 the manga market in Japan reached a new record value of ¥612.5 billion due to a fast growth of digital manga sales as well as an increase in print sales. The comic book market in

5868-410: Is a publication that consists of comics art in the form of sequential juxtaposed panels that represent individual scenes. Panels are often accompanied by descriptive prose and written narrative, usually dialogue contained in word balloons emblematic of the comics art form. Comic Cuts was a British comic published from 1890 to 1953. It was preceded by Ally Sloper's Half Holiday (1884), which

6031-402: Is a recurring image in the story, appearing in many forms. In The System of Comics , Thierry Groensteen described the symbol as a recurring motif that produces "rhyme and remarkable configurations" by appearing in key segments of Watchmen , notably the first and last pages of the series—spattered with blood on the first, and sauce from a hamburger on the last. Groensteen cites it as one form of

6194-493: Is also available to read online in the Digital Comic Museum. In 1971, writer-artist Gil Kane and collaborators applied a paperback format to their "comics novel" Blackmark . Will Eisner popularized the term "graphic novel" when he used it on the cover of the paperback edition of his work A Contract with God, and Other Tenement Stories in 1978 and, subsequently, the usage of the term began to increase. In 2017,

6357-458: Is an ongoing debate regarding whether the relatively high cost of this grading service is justified and whether it serves the interests of collectors or mainly caters to speculators seeking rapid profits, akin to trading in stocks or fine art. Comic grading has played a role in establishing standards for valuation, which online price guides such as GoCollect and GPAnalysis utilize to provide real-time market value information. Collectors also seek out

6520-653: Is generally considered the beginning of the modern comic book as it is known today. The Silver Age of Comic Books is generally considered to date from the first successful revival of the then-dormant superhero form, with the debut of the Flash in Showcase #4 (Oct. 1956). The Silver Age lasted through the late 1960s or early 1970s, during which time Marvel Comics revolutionized the medium with such naturalistic superheroes as Stan Lee and Jack Kirby 's Fantastic Four and Lee and Steve Ditko 's Spider-Man . The demarcation between

6683-617: Is largely set in Britain and starring the magician John Constantine , paved the way for British writers such as Jamie Delano . The English musician Peter Gabriel issued in 2000 The Story of OVO which was released in a CD-booklet-shaped comic book as part of the CD edition with the title " OVO The Millennium Show ". The 2000 Millennium Dome Show based on it. At Christmas, publishers repackage and commission material for comic annuals , printed and bound as hardcover A4 -size books; "Rupert" supplies

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6846-416: Is notable for its use of sequential cartoons to unfold narrative. These British comics existed alongside the popular lurid " penny dreadfuls " (such as Spring-heeled Jack ), boys' " story papers " and the humorous Punch magazine, which was the first to use the term "cartoon" in its modern sense of a humorous drawing. The first modern American-style comic book , Famous Funnies: A Carnival of Comics ,

7009-547: Is still president as of October 1985 upon the repeal of term limits and the Watergate scandal not coming to pass. The Soviet invasion of Afghanistan occurs approximately six years later than in real life. When the story begins, the existence of Doctor Manhattan has given the U.S. a strategic advantage over the Soviet Union , which has dramatically increased Cold War tensions. Eventually, by 1977, superheroes grow unpopular among

7172-480: Is that DC owns it for the time they're publishing it, and then it reverts to Dave and me, so we can make all the money from the Slurpee cups." For Watchmen , Moore and Gibbons received eight percent of the series' earnings. Moore explained in 1986 that his understanding was that when "DC have not used the characters for a year, they're ours." Both Moore and Gibbons said DC paid them "a substantial amount of money" to retain

7335-591: Is used in South Korea to refer to both comics and cartooning in general. Outside South Korea, the term usually refers to comics originally published in the country. Manhwa is greatly influenced by Japanese Manga comics though it differs from manga and manhua with its own distinct features. Webtoons have become popular in South Korea as a new way to read comics. Thanks in part to different censorship rules, color and unique visual effects, and optimization for easier reading on smartphones and computers. More manhwa have made

7498-511: Is usually determined by some combination of the writer's plotting and editorial mandate. In 1979, in the process of recovering from the DC Implosion , publisher DC Comics experimented with a new format in the World of Krypton "miniseries", as DC termed such short-run works. The new format allowed the company to tell stories that may not have fit into an ongoing series and to showcase characters in

7661-463: The Doomsday Clock ticking up to midnight. Moore drew inspiration from psychological tests of behaviorism , explaining that the tests had presented the face as "a symbol of complete innocence". With the addition of a blood splash over the eye, the face's meaning was altered to become simultaneously radical and simple enough for the first issue's cover to avoid human detail. Although most evocations of

7824-634: The Peacemaker , and submitted the unsolicited proposal to DC managing editor Dick Giordano . Giordano was receptive to the proposal, but opposed the idea of using the Charlton characters for the story. After the acquisition of Charlton's Action Hero line, DC intended to use their upcoming Crisis on Infinite Earths event to fold them into their mainstream superhero universe. Moore said, "DC realized their expensive characters would end up either dead or dysfunctional." Instead, Giordano persuaded Moore to continue his project but with new characters that simply resembled

7987-560: The United States and Canada was valued at $ 1.09 billion in 2016. As of 2017 , the largest comic book publisher in the United States is manga distributor Viz Media , followed by DC Comics and Marvel Comics featuring superhero comics franchises such as Superman , Batman , Wonder Woman , Spider-Man , the Incredible Hulk and the X-Men . The best-selling comic book categories in

8150-574: The archetype of the superhero . According to historian Michael A. Amundson , appealing comic-book characters helped ease young readers' fear of nuclear war and neutralize anxiety about the questions posed by atomic power. Historians generally divide the timeline of the American comic book into eras. The Golden Age of Comic Books began in 1938, with the debut of Superman in Action Comics #1, published by Detective Comics (predecessor of DC Comics), which

8313-480: The "worrying" times he lived in, he stated the reason that the story was set in an alternate reality was because he was worried that readers would "switch off" if he attacked a leader they admired. Moore stated in 1986 that he "was consciously trying to do something that would make people feel uneasy." Citing Watchmen as the point where the comic book medium "came of age", Iain Thomson wrote in his essay "Deconstructing

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8476-512: The 100 Best Novels as one of the best English language novels published since 1923. In a retrospective review, the BBC 's Nicholas Barber described it as "the moment comic books grew up". Moore opposed this idea, stating, "I tend to think that, no, comics hadn't grown up. There were a few titles that were more adult than people were used to. But the majority of comics titles were pretty much the same as they'd ever been. It wasn't comics growing up. I think it

8639-543: The 1930s – and through really to the 1950s and 60s – these comics were almost the only entertainment available to children." Dennis the Menace was created in the 1950s, which saw sales for The Beano soar. He features in the cover of The Beano , with the BBC referring to him as the "definitive naughty boy of the comic world." In 1954, Tiger comics introduced Roy of the Rovers ,

8802-422: The 1940s there was a change in portrayal of black characters. "A cursory glance...might give the impression that situations had improved for African Americans in comics." In many comics being produced in this time there was a major push for tolerance between races. "These equality minded heroes began to spring to action just as African Americans were being asked to participate in the war effort." During this time,

8965-424: The 1985 issue of DC Spotlight, the 50th anniversary special. It was eventually published as a 12-issue maxiseries from DC Comics , cover-dated September 1986 to October 1987. It was subsequently collected in 1987 as a DC Comics trade paperback that has had at least 24 printings as of March 2017; another trade paperback was published by Warner Books , a DC sister company, in 1987. In February 1988, DC published

9128-560: The 1990s, changed the format and distribution of their comics to more closely resemble non-comics publishing. The " minicomics " form, an extremely informal version of self-publishing , arose in the 1980s and became increasingly popular among artists in the 1990s, despite reaching an even more limited audience than the small press. Small publishers regularly releasing titles include Avatar Press , Hyperwerks , Raytoons, and Terminal Press , buoyed by such advances in printing technology as digital print-on-demand . In 1964, Richard Kyle coined

9291-399: The 20th century, with the first comic standard-sized comic being Funnies on Parade . Funnies on Parades was the first book that established the size, duration, and format of the modern comic book. Following this was, Dell Publishing 's 36-page Famous Funnies: A Carnival of Comics as the first true newsstand American comic book; Goulart, for example, calls it "the cornerstone for one of

9454-459: The 21st century and which Shari Springer Berman and Robert Pulcini adapted into a 2003 film . Some independent comics continued in the tradition of underground comics. While their content generally remained less explicit, others resembled the output of mainstream publishers in format and genre but were published by smaller artist-owned companies or by single artists. A few (notably RAW ) represented experimental attempts to bring comics closer to

9617-404: The American landscape, such as adding electric cars , slightly different buildings, and spark hydrants instead of fire hydrants , which Moore said, "perhaps gives the American readership a chance in some ways to see their own culture as an outsider would". Gibbons noted that the setting was liberating for him because he did not have to rely primarily on reference books. Colorist John Higgins used

9780-529: The Charlton heroes. Moore had initially believed that original characters would not provide emotional resonance for readers but later changed his mind. He said, "Eventually, I realized that if I wrote the substitute characters well enough, so that they seemed familiar in certain ways, certain aspects of them brought back a kind of generic super-hero resonance or familiarity to the reader, then it might work." Artist Dave Gibbons , who had collaborated with Moore on previous projects, recalled that he "must have heard on

9943-659: The Comics Magazine Association of America. The CMAA instilled the Comics Code Authority in 1954 and drafted the self-censorship Comics Code that year, which required all comic books to go through a process of approval. It was not until the 1970s that comic books could be published without passing through the inspection of the CMAA. The Code was made formally defunct in November 2011. In the late 1960s and early 1970s,

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10106-478: The Hero" that the story accomplished this by "developing its heroes precisely in order to deconstruct the very idea of the hero and so encouraging us to reflect upon its significance from the many different angles of the shards left lying on the ground". Thomson stated that the heroes in Watchmen almost all share a nihilistic outlook, and that Moore presents this outlook "as the simple, unvarnished truth" to "deconstruct

10269-548: The Innocent (1954). This critique led to the involvement of the American Senate Subcommittee on Juvenile Delinquency , which launched an investigation into comic books. Wertham argued that comic books were accountable for a surge in juvenile delinquency and posed a potential impact on a child's sexuality and moral values. In response to attention from the government and from the media, the US comic book industry set up

10432-651: The Magician , and the Phantom . Several reprint companies became involved in repackaging American material for the British market, notably the importer and distributor Thorpe & Porter . Marvel Comics established a UK office in 1972. DC Comics and Dark Horse Comics also opened offices in the 1990s. The repackaging of European material has occurred less frequently, although The Adventures of Tintin and Asterix serials have been successfully translated and repackaged in softcover books. The number of European comics available in

10595-414: The Rovers , Bunty , Buster , Valiant , Twinkle and 2000 AD . Limited series (comics) A limited series can "vary widely in length, but often run from three to ten issues. They can usually be distinguished from ongoing series by having both the current issue number and total issue number on the cover and/or in the indicia ". The limited series has a single story to tell. It follows

10758-579: The Silver Age and the following era, the Bronze Age of Comic Books , is less well-defined, with the Bronze Age running from the very early 1970s through the mid-1980s. The Modern Age of Comic Books runs from the mid-1980s to the present day. A significant event in the timeline of American comic books occurred when psychiatrist Fredric Wertham voiced his criticisms of the medium through his book Seduction of

10921-426: The U.S. "Spider-Man 'made it clear that militant black power was not the remedy for racial injustice'." "The Falcon openly criticized black behavior stating' maybe it's important fo [ sic ] us to cool things down-so we can protect the rights we been fightin' for'." This portrayal and character development of black characters can be partially blamed on the fact that, during this time, "there had rarely been

11084-507: The UK has increased in the last two decades. The British company Cinebook , founded in 2005, has released English translated versions of many European series. In the 1980s, a resurgence of British writers and artists gained prominence in mainstream comic books, which was dubbed the " British Invasion " in comic book history. These writers and artists brought with them their own mature themes and philosophy such as anarchy, controversy and politics common in British media. These elements would pave

11247-460: The US as of 2019 are juvenile children's fiction at 41%, manga at 28% and superhero comics at 10% of the market. Another major comic book market is France , where Franco-Belgian comics and Japanese manga each represent 40% of the market, followed by American comics at 10% market share. Comic books heavily rely on their organization and visual presentation. Authors dedicate significant attention to aspects like page layout, size, orientation, and

11410-463: The United States depends on Manhattan as a strategic military asset, his departure throws humanity into political turmoil, with the Soviets invading Afghanistan to capitalize on the United States' perceived weakness. Rorschach's concerns appear validated when Veidt narrowly survives an assassination attempt. Rorschach himself is framed for murdering a former supervillain named Moloch. While attempting to flee

11573-465: The United States won the Vietnam War and the Watergate scandal was never exposed. In 1985, the country is edging toward World War III with the Soviet Union , freelance costumed vigilantes have been outlawed and most former superheroes are in retirement or working for the government. The story focuses on the protagonists' personal development and moral struggles as an investigation into the murder of

11736-443: The United States. They were the ones painted as intolerant and disrespectful of the dominant concerns of white America". Manga (漫画) are comic books or graphic novels originating from Japan. Most manga conform to a style developed in Japan in the late 19th century, though the art form has a long prehistory in earlier Japanese art . The term manga is used in Japan to refer to both comics and cartooning in general. Outside Japan,

11899-552: The artist had to number each page "in case I drop them on the floor, because it would take me two days to put them back in the right order", and used a highlighter pen to single out lettering and shot descriptions; he remarked, "It takes quite a bit of organizing before you can actually put pen to paper." Despite Moore's detailed scripts, his panel descriptions would often end with the note "If that doesn't work for you, do what works best"; Gibbons nevertheless worked to Moore's instructions. In fact, Gibbons only suggested one single change to

12062-465: The attempt on his own life to place himself above suspicion, and framed Rorschach for Moloch's murder to prevent him from discovering the truth. Horrified by Veidt's callous logic, Dreiberg and Rorschach vow to stop him, but Veidt reveals that he already enacted his plan before they arrived. When Manhattan and Juspeczyk arrive back on Earth, they are confronted by mass destruction and death in New York, with

12225-405: The base and finds Veidt, who asks him if he did the right thing in the end. Manhattan cryptically responds that "nothing ever ends" before leaving Earth. Dreiberg and Juspeczyk go into hiding under new identities and continue their romance. Back in New York, the editor at New Frontiersman asks his assistant to find some filler material from the "crank file", a collection of rejected submissions to

12388-471: The basis of reprinting them in a collected form for these markets. Watchmen received critical praise, both inside and outside of the comics industry. Time magazine, which noted that the series was "by common assent the best of breed" of the new wave of comics published at the time, praised Watchmen as "a superlative feat of imagination, combining sci-fi, political satire, knowing evocations of comics past and bold reworkings of current graphic formats into

12551-527: The blood-splattered smiley face, and the dialogue between Doctor Manhattan and Ozymandias in the last issue of Watchmen , are shown. Further Watchmen imagery was added in the DC Universe: Rebirth Special #1 second printing, which featured an update to Gary Frank's cover, better revealing the outstretched hand of Doctor Manhattan in the top right corner. Doctor Manhattan later appeared in the 2017 four-part DC miniseries The Button serving as

12714-449: The central image were created on purpose, others were coincidental. Moore mentioned in particular that on "the little plugs on the spark hydrants if you turn them upside down, you discover a little smiley face". Other symbols, images, and allusions that appeared throughout the series often emerged unexpectedly. Moore mentioned that "[t]he whole thing with Watchmen has just been loads of these little bits of synchronicity popping up all over

12877-555: The characters of Watchmen were Moore's "admonition to those who trusted in 'heroes' and leaders to guard the world's fate". He added that to place faith in such icons was to give up personal responsibility to "the Reagans , Thatchers , and other 'Watchmen' of the world who supposed to 'rescue' us and perhaps lay waste to the planet in the process". Moore specifically stated in 1986 that he was writing Watchmen to be "not anti-Americanism, [but] anti- Reaganism ", specifically believing that "at

13040-457: The characters reads. Structured at times as a nonlinear narrative , the story skips through space, time and plot. In the same manner, entire scenes and dialogues have parallels with others through synchronicity , coincidence , and repeated imagery. A commercial success, Watchmen has received critical acclaim both in the comics and mainstream press. Watchmen was recognized in Time ' s List of

13203-424: The characters unusable for future stories, managing editor Dick Giordano convinced Moore to create original characters instead. Moore used the story as a means of reflecting contemporary anxieties, deconstructing and satirizing the superhero concept and making political commentary. Watchmen depicts an alternate history in which superheroes emerged in the 1940s and 1960s and their presence changed history so that

13366-438: The circle shape that appears throughout the story, as a "recurrent geometric motif" and due to its symbolic connotations. Gibbons created a smiley face badge as an element of The Comedian's costume in order to "lighten" the overall design, later adding a splash of blood to the badge to imply his murder. Gibbons said the creators came to regard the blood-stained smiley face as "a symbol for the whole series", noting its resemblance to

13529-687: The comic book market size for North America was just over $ 1 billion with digital sales being flat, book stores having a 1 percent decline, and comic book stores having a 10 percent decline over 2016. The global comic book market saw a substantial 12% growth in 2020, reaching a total worth of US$ 8.49 billion. This positive trajectory continued in 2021, with the market's annual valuation surging to US$ 9.21 billion. The rising popularity of comic books can be attributed to heightened global interest, driven significantly by collaborative efforts among diverse brands. These collaborations are geared towards producing more engaging and appealing comic content, contributing to

13692-463: The comic book market. The rarest modern comic books include the original press run of The League of Extraordinary Gentlemen #5, which DC executive Paul Levitz recalled and pulped due to the appearance of a vintage Victorian era advertisement for "Marvel Douche ", which the publisher considered offensive; only 100 copies exist, most of which have been CGC graded. (See Recalled comics for more pulped, recalled, and erroneous comics.) In 2000,

13855-534: The comics all together. There was a comic created about the 99th Squadron, also known as the Tuskegee Airmen , an all-black air force unit. Instead of making the comic about their story, the comic was about Hop Harrigan. A white pilot who captures a Nazi, shows him videos of the 99th Squadron defeating his men and then reveals to the Nazi that his men were defeated by African Americans which infuriated him as he sees them as

14018-415: The coming of The Black Freighter , after he survives the destruction of his own ship. He uses the bodies of his dead shipmates as a makeshift raft and sails home, gradually descending into insanity. When he finally returns to his hometown, believing it to be already under the occupation of The Black Freighter ' s crew, he makes his way to his house and slays everyone he finds there, only to discover that

14181-552: The conception of Watchmen . He admired Burroughs' use of "repeated symbols that would become laden with meaning" in Burroughs' only comic strip, " The Unspeakable Mr. Hart ", which appeared in the British underground magazine Cyclops . Not every intertextual link in the series was planned by Moore, who remarked that "there's stuff in there Dave had put in that even I only noticed on the sixth or seventh read", while other "things [...] turned up in there by accident." A stained smiley face

14344-660: The contemporary world of the 1980s. The primary difference is the presence of superheroes. The point of divergence occurs in the year 1938. Their existence in this version of the United States is shown to have dramatically affected and altered the outcomes of real-world events such as the Vietnam War and the presidency of Richard Nixon . In keeping with the realism of the series, although the costumed crimefighters of Watchmen are commonly called "superheroes", only one, named Doctor Manhattan, possesses any superhuman abilities. The war in Vietnam ends with an American victory in 1971 and Nixon

14507-433: The coon stereotype but had some subtle differences. They are both a derogatory way of portraying black characters. "The name itself, an abbreviation of raccoon, is dehumanizing. As with Sambo, the coon was portrayed as a lazy, easily frightened, chronically idle, inarticulate, buffoon." This portrayal "was of course another attempt to solidify the intellectual inferiority of the black race through popular culture." However, in

14670-440: The creators began to hit deadlines, Moore would hire a taxi driver to drive 50 miles and deliver scripts to Gibbons. On later issues the artist even had his wife and son draw panel grids on pages to help save time. Near the end of the project, Moore realized that the story bore some similarity to " The Architects of Fear ", an episode of The Outer Limits television series. The writer and Wein (an editor) argued over changing

14833-438: The crest of the wave." Moore felt "the imagery of the whole pirate genre is so rich and dark that it provided a perfect counterpoint to the contemporary world of Watchmen ". The writer expanded upon the premise so that its presence in the story would add subtext and allegory. The supplemental article detailing the fictional history of Tales of the Black Freighter at the end of issue five credits real-life artist Joe Orlando as

14996-403: The dead bodies of his former comrades as a means of reaching his goal". Moore stated that the story of The Black Freighter ends up specifically describing "the story of Adrian Veidt" and that it can also be used as a counterpoint to other parts of the story, such as Rorschach's capture and Dr. Manhattan's self-exile on Mars. Moore named William S. Burroughs as one of his main influences during

15159-618: The debut appearances of iconic characters such as Superman, Batman, Wonder Woman , the Flash , Captain Marvel , Spider-Man, the Incredible Hulk , Iron Man , Captain America and the Mighty Thor are regarded as priceless treasures within the comic book world. Many early iterations of black characters in comics "became variations on the 'single stereotypical image of Sambo'." Sambo was closely related to

15322-438: The deconstructions of the hero in the existentialism movement. Richard Reynolds states that without any supervillains in the story, the superheroes of Watchmen are forced to confront "more intangible social and moral concerns", adding that this removes the superhero concept from the normal narrative expectations of the genre. Reynolds concludes that the series' ironic self-awareness of the genre "all mark out Watchmen either as

15485-493: The echoing of the EC-style layouts "was a very deliberate thing", although his inspiration was rather Harvey Kurtzman , but it was altered enough to give the series a unique look. The artist also cited Steve Ditko's work on early issues of The Amazing Spider-Man as an influence, as well as Doctor Strange , where "even at his most psychedelic [he] would still keep a pretty straight page layout". The cover of each issue serves as

15648-476: The ending and when Moore refused to give in, Wein quit the book. Wein explained, "I kept telling him, 'Be more original, Alan, you've got the capability, do something different, not something that's already been done!' And he didn't seem to care enough to do that." Moore acknowledged the Outer Limits episode by referencing it in the series' last issue. Watchmen is set in an alternate reality that closely mirrors

15811-420: The eradication of Asian invaders." There was "a constant relay race in which one Asian culture merely handed off the baton of hatred to another with no perceptible changes in the manner in which the characters would be portrayed." "The only specific depiction of a Hispanic superhero did not end well. In 1975, Marvel gave us Hector Ayala (a.k.a. The White Tiger)." "Although he fought for several years alongside

15974-413: The extent of promulgating a code, nor did it last long. The UK has also established a healthy market in the reprinting and repackaging of material, notably material originating in the US. The lack of reliable supplies of American comic books led to a variety of black-and-white reprints, including Marvel's monster comics of the 1950s, Fawcett's Captain Marvel , and other characters such as Sheena , Mandrake

16137-494: The first appearance of Spider-Man took place in Amazing Fantasy #15. New characters were frequently introduced in this manner, waiting for an established audience before launching their own titles. Consequently, comics featuring the debut appearance of a significant character can sometimes be even more challenging to locate than the inaugural issue of that character's standalone series. Some rare comic books include copies of

16300-508: The first appearance of Superman , both sold privately through online dealer ComicConnect.com in 2010, and Detective Comics #27, the first appearance of Batman , via public auction. Updating the above price obtained for Action Comics #1, the first appearance of Superman , the highest sale on record for this book is $ 3.2 million, for a 9.0 copy. Misprints, promotional comic-dealer incentive printings, and issues with exceptionally low distribution tend to possess scarcity value in

16463-549: The first page mirrors the last (in terms of frame disposition), with the following pages mirroring each other before the center-spread is (broadly) symmetrical in layout. The end of each issue, with the exception of issue twelve, contains supplemental prose pieces written by Moore. Among the contents are fictional book chapters, letters, reports, and articles written by various Watchmen characters. DC had trouble selling ad space in issues of Watchmen , which left an extra eight to nine pages per issue. DC planned to insert house ads and

16626-426: The first panel to the story. Gibbons said, "The cover of the Watchmen is in the real world and looks quite real, but it's starting to turn into a comic book, a portal to another dimension." The covers were designed as close-ups that focused on a single detail with no human elements present. The creators on occasion experimented with the layout of the issue contents. Gibbons drew issue five, titled "Fearful Symmetry", so

16789-401: The grapevine that he was doing a treatment for a new miniseries. I rang Alan up, saying I'd like to be involved with what he was doing", and Moore sent him the story outline. Gibbons told Giordano he wanted to draw the series Moore proposed and Moore approved. Gibbons brought colorist John Higgins onto the project because he liked his "unusual" style; Higgins lived near the artist, which allowed

16952-590: The hugely popular football based strip recounting the life of Roy Race and the team he played for, Melchester Rovers . The stock media phrase "real 'Roy of the Rovers' stuff" is often used by football writers, commentators and fans when describing displays of great skill, or surprising results that go against the odds, in reference to the dramatic storylines that were the strip's trademark. Other comic books such as Eagle , Valiant , Warrior , Viz and 2000 AD also flourished. Some comics, such as Judge Dredd and other 2000 AD titles, have been published in

17115-426: The industry's continued growth. The 1970s saw the advent of specialty comic book stores . Initially, comic books were marketed by publishers to children because comic books were perceived as children's entertainment. However, with increasing recognition of comics as an art form and the growing pop culture presence of comic book conventions , they are now embraced by many adults. Comic book collectors often exhibit

17278-465: The influence of the Francophone "Franco-Belgian" comics but have their own distinct style. Although Ally Sloper's Half Holiday (1884) was aimed at an adult market, publishers quickly targeted a younger demographic, which has led to most publications being for children and has created an association in the public's mind of comics as somewhat juvenile. The Guardian refers to Ally Sloper as "one of

17441-460: The introduction to the Graffiti hardcover of Watchmen that while writing the series he was able to purge himself of his nostalgia for superheroes, and instead he found an interest in real human beings. Bradford Wright described Watchmen as "Moore's obituary for the concept of heroes in general and superheroes in particular." Putting the story in a contemporary sociological context, Wright wrote that

17604-407: The issue gradually made it darker to give the story a dark and bleak feeling. Structurally, certain aspects of Watchmen deviated from the norm in comic books at the time, particularly the panel layout and the coloring. Instead of panels of various sizes, the creators divided each page into a nine-panel grid. Gibbons favored the nine-panel grid system due to its "authority". Moore accepted the use of

17767-504: The last key superhero text, or the first in a new maturity of the genre". Geoff Klock eschewed the term "deconstruction" in favor of describing Watchmen as a "revisionary superhero narrative". He considers Watchmen and Frank Miller 's Batman: The Dark Knight Returns to be "the first instances [...] of [a] new kind of comic book [...] a first phase of development, the transition of the superhero from fantasy to literature." He elaborates by noting that "Alan Moore's realism [...] performs

17930-437: The likes of much more popular heroes such as Spider-Man and Daredevil, he only lasted six years before sales of comics featuring him got so bad that Marvel had him retire. The most famous Hispanic character is Bane, a villain from Batman." The Native American representation in comic books "can be summed up in the noble savage stereotype" " a recurring theme...urged American indians to abandon their traditional hostility towards

18093-401: The moment a certain part of Reagan's America isn't scared. They think they're invulnerable." Before the series premiered, Gibbons stated: "There's no overt political message at all. It's a fantasy extrapolation of what might happen and if people can see things in it that apply to the real America, then they're reading it into the comic [...]." While Moore wanted to write about "power politics" and

18256-495: The most lucrative branches of magazine publishing". In 1905 G.W. Dillingham Company published 24 select strips by the cartoonist Gustave Verbeek in an anthology book called 'The Incredible Upside-Downs of Little Lady Lovekins and Old Man Muffaroo'. The introduction of Jerry Siegel and Joe Shuster 's Superman in 1938 turned comic books into a major industry and ushered in the Golden Age of Comic Books . The Golden Age originated

18419-450: The mythology into bloodstained cogs and ratchets, concluding with the famous quotation Quis custodiet ipsos custodes? " Disagreements about the ownership of the story ultimately led Moore to sever ties with DC Comics. Not wanting to work under a work for hire arrangement, Moore and Gibbons had a reversion clause in their contract for Watchmen . Speaking at the 1985 San Diego Comic-Con , Moore said: "The way it works, if I understand it,

18582-556: The name Foolbert Sturgeon, has been credited as the first underground comix; while R. Crumb and the crew of cartoonists who worked on Zap Comix popularized the form. The rise of comic book specialty stores in the late 1970s created and paralleled a dedicated market for "independent" or " alternative comics " in the US. The first such comics included the anthology series Star Reach , published by comic book writer Mike Friedrich from 1974 to 1979, and Harvey Pekar 's American Splendor , which continued sporadic publication into

18745-482: The nine-panel grid format, which "gave him a level of control over the storytelling he hadn't had previously", according to Gibbons. "There was this element of the pacing and visual impact that he could now predict and use to dramatic effect." Bhob Stewart of The Comics Journal mentioned to Gibbons in 1987, that the page layouts recalled those of EC Comics , in addition to the art itself, which Stewart felt particularly echoed that of John Severin . Gibbons agreed that

18908-456: The notion of "[cramming] regurgitated morals" down the readers' throats and instead sought to show heroes in an ambivalent light. Moore said, "What we wanted to do was show all of these people, warts and all. Show that even the worst of them had something going for them, and even the best of them had their flaws." Moore and Gibbons designed Watchmen to showcase the unique qualities of the comics medium and to highlight its particular strengths. In

19071-408: The original artwork pages from comic books, which are perhaps the most rarefied items in the realm of comic book collecting. These pages hold unparalleled scarcity due to the fact that there exists only one unique page of artwork for every page that was printed and published. The creation of these original artwork pages involves a collaborative effort: a writer crafts the story, a pencil artist designs

19234-583: The page also as, "[l]ike Alan Moore's kenosis , [Veidt] must destroy, then reconstruct, in order to build 'a unity which would survive him. ' " Moore has expressed dismay that "[t]he gritty, deconstructivist postmodern superhero comic, as exemplified by Watchmen [...] became a genre". He said in 2003 that "to some degree there has been, in the 15 years since Watchmen , an awful lot of the comics field devoted to these grim, pessimistic, nasty, violent stories which kind of use Watchmen to validate what are, in effect, often just some very nasty stories that don't have

19397-479: The pair take it upon themselves to break him out of prison. After looking back on his own personal history, Manhattan places the fate of his involvement with human affairs in Juspeczyk's hands. He teleports her to Mars to make the case for emotional investment. During the course of the argument, Juspeczyk is forced to come to terms with the fact that Blake, who once attempted to rape her mother (the original Silk Spectre),

19560-431: The paper, many of which have not yet been reviewed. The series ends with the young man reaching toward the pile of discarded submissions, near the top of which is Rorschach's journal. With Watchmen , Alan Moore's intention was to create four or five "radically opposing ways" to perceive the world and to give readers of the story the privilege of determining which one was most morally comprehensible. Moore did not believe in

19723-422: The person he mistook for a pirate was in fact his wife. He returns to the seashore, where he realizes that The Black Freighter has not come to claim the town, but rather to claim him; he swims out to sea and climbs aboard the ship. According to Richard Reynolds, the mariner is "forced by the urgency of his mission to shed one inhibition after another." Just like Adrian Veidt, he "hopes to stave off disaster by using

19886-453: The place". Gibbons noted an unintended theme was contrasting the mundane and the romantic, citing the separate sex scenes between Nite Owl and Silk Spectre on his couch and then high in the sky on Nite Owl's airship. In a book of the craters and boulders of Mars, Gibbons discovered a photograph of the Galle crater , which resembles a happy face, which they worked into an issue. Moore said, "We found

20049-550: The police and the public, leading them to be outlawed with the passage of the Keene Act. While many of the heroes retired, Doctor Manhattan and another superhero, known as The Comedian, operate as government-sanctioned agents. Another named Rorschach continues to operate outside the law. In October 1985, New York City detectives investigate the murder of Edward Blake. With the police having no leads, costumed vigilante Rorschach decides to probe further. Rorschach deduces Blake to have been

20212-491: The popular and widely understood negative tropes used for decades in American mass culture...". However, they were not accomplishing this agenda within all of their comics. In the comic series Captain Marvel Adventures , there was a character named Steamboat who embodied a collection of highly negative stereotypes prevalent during that period. The Writers' War Board did not request any alterations to this character despite

20375-428: The pornographic and even more obscure " Tijuana bibles ". Underground comics were almost never sold at newsstands, but rather in such youth-oriented outlets as head shops and record stores, as well as by mail order . The underground comics encouraged creators to publish their work independently so that they would have full ownership rights to their characters. Frank Stack 's The Adventures of Jesus , published under

20538-736: The positioning of panels. These characteristics are crucial for effectively conveying the content and messages within the comic book. Key components of comic books encompass panels, speech bubbles (also known as balloons), text lines, and characters. Speech balloons generally take the form of convex containers that hold character dialogue and are connected to the character via a tail element. The tail comprises an origin, path, tip, and directional point. The creation of comic books involves several essential steps: writing, drawing, and coloring. Various technological tools and methods are employed to craft comic books, incorporating concepts such as directions, axes, data, and metrics. Following these formatting guidelines,

20701-550: The problematic portrayal. The removal of Steamboat from the series only came about due to the persistent advocacy of a black youth group based in New York City." Originally their request was refused by individuals working on the comic stating, " Captain Marvel Adventures included many kinds of caricatures 'for the sake of humor'." The black youth group responded with "this is not the Negro race, but your one-and-a-half millions readers will think it so." Afterwards, Steamboat disappeared from

20864-488: The process unfolds with writing, drawing, and coloring. In the United States, the term "comic book", is generally used for comics periodicals and trade paperbacks while " graphic novel " is the term used for standalone books. Comics as a print medium have existed in the United States since the printing of The Adventures of Mr. Obadiah Oldbuck in 1842 in hardcover, making it the first known American prototype comic book. Proto-comics periodicals began appearing early in

21027-444: The rights. Moore added, "So basically they're not ours, but if DC is working with the characters in our interests then they might as well be. On the other hand, if the characters have outlived their natural life span and DC doesn't want to do anything with them, then after a year we've got them and we can do what we want with them, which I'm perfectly happy with." Comic book A comic book , comic-magazine or simply ' comic' ,

21190-452: The same for Asian people. However, "Japanese and Filipino characters were visually indistinguishable. Both groups have grotesque buckteeth, tattered clothing, and bright yellow skin." "Publishers depicted America's Asian allies through derogatory images and language honed over the preceding decades." Asian characters were previously portrayed as, "ghastly yellow demons". During WWII, "[every] major superhero worth his spandex devoted himself to

21353-450: The same treatment. "By the time the United States entered WWII, negative perceptions of Chinese were an established part of mass culture...." However, concerned that the Japanese could use America's anti-Chinese material as propaganda they began "to present a more positive image of America's Chinese allies..." Just as they tried to show better representation for Black people in comics they did

21516-495: The scene of Moloch's murder, Rorschach is captured by police and unmasked as Walter Kovacs. Neglected in her relationship with the once-human Manhattan, whose godlike powers have left him emotionally detached from ordinary people, and no longer kept on retainer by the government, Juspeczyk stays with Dreiberg. They begin a romance, don their costumes, and resume vigilante work as they grow closer together. With Dreiberg starting to believe some aspects of Rorschach's conspiracy theory ,

21679-667: The script - a compression of Ozymandias' narration while he was preventing a sneak attack by Rorschach - as he felt that the dialogue was too long to fit with the length of the action; Moore agreed and re-wrote the scene. Gibbons had a great deal of autonomy in developing the visual look of Watchmen and frequently inserted background details that Moore admitted he did not notice until later. Moore occasionally contacted fellow comics writer Neil Gaiman for answers to research questions and for quotes to include in issues. Despite his intentions, Moore admitted in November 1986 that there were likely to be delays, stating that he was, with issue five on

21842-441: The second Silk Spectre; and Adrian Veidt, once the hero " Ozymandias ", and now a successful businessman. Dreiberg, Veidt, and Manhattan attend Blake's funeral, where Dreiberg tosses Blake's pin badge in his coffin before he is buried. Manhattan is later accused on national television of being the cause of cancer in friends and former colleagues. When the government takes the accusations seriously, Manhattan exiles himself to Mars. As

22005-551: The sequential panels on the page, an ink artist goes over the pencil with pen and ink, a letterer provides the dialogue and narration through hand-lettering, and finally, a colorist adds color as the final touch before the pages are sent to the printer. When the printer returns the original artwork pages, they are typically returned to the artists themselves. These artists sometimes opt to sell these pages at comic book conventions, in galleries, and at art shows centered around comic book art. The original pages from DC and Marvel, featuring

22168-466: The series refers to the question "Who will watch the watchmen themselves?", famously posed by the Roman satirist Juvenal (as " Quis custodiet ipsos custodes? "), although Moore was not aware of the phrase's classical origins until Harlan Ellison informed him. Moore commented in 1987, "In the context of Watchmen , that fits. 'They're watching out for us, who's watching out for them? ' " The writer stated in

22331-418: The series' backstory by portraying events that occurred in 1966. Watchmen was published in single-issue form over the course of 1986 and 1987. The limited series was a commercial success, and its sales helped DC Comics briefly overtake its competitor Marvel Comics in the comic book direct market. The series' publishing schedule ran into delays because it was scheduled with three issues completed instead of

22494-457: The series. Ten thousand sets of the four badges, including a replica of the blood-stained smiley face badge worn by the Comedian in the story, were released and sold. Mayfair Games introduced a Watchmen module for its DC Heroes Role-playing Game series that was released before the series concluded. The module, which was endorsed by Moore (who also provided story assistance), adds details to

22657-540: The six editor Len Wein believed were necessary. Further delays were caused when later issues each took more than a month to complete. One contemporaneous report noted that although DC solicited issue #12 for publication in April 1987, it became apparent "it [wouldn't] debut until July or August". After the series concluded, the individual issues were collected and sold in trade paperback form. Along with Frank Miller 's 1986 Batman: The Dark Knight Returns miniseries, Watchmen

22820-440: The standard plot set-up of beginning, middle and end. Usually, all plot points are covered by the end of the series. There have been limited series done in an anthology format, but only a few of these have been produced. Limited series are often done by a single creative team, but in cases where there are changes, it is usually the writer who remains constant throughout the run, while the artist(s) may change. The number of issues

22983-493: The stands, still writing issue nine. Gibbons mentioned that a major factor in the delays was the "piecemeal way" in which he received Moore's scripts. Gibbons said the team's pace slowed around the fourth issue; from that point onward the two undertook their work "just several pages at a time. I'll get three pages of script from Alan and draw it and then toward the end, call him up and say, 'Feed me!' And he'll send another two or three pages or maybe one page or sometimes six pages." As

23146-452: The status of fine art . During the 1970s the " small press " culture grew and diversified. By the 1980s, several independent publishers – such as Pacific , Eclipse , First , Comico , and Fantagraphics – had started releasing a wide range of styles and formats—from color-superhero, detective , and science-fiction comic books to black-and-white magazine-format stories of Latin American magical realism . A number of small publishers in

23309-460: The superpowers; this leads almost all present to agree that concealing the truth is in the best interests of world peace. Rorschach refuses to compromise and leaves, intent on revealing the truth. As he is making his way back, he is confronted by Manhattan who argues that at this point, the truth can only hurt. Rorschach declares that Manhattan will have to kill him to stop him from exposing Veidt, which Manhattan duly does. Manhattan then wanders through

23472-738: The switch from traditional print manhwa to online webtoons thanks to better pay and more freedom than traditional print manhwa. The webtoon format has also expanded to other countries outside of Korea like China, Japan, Southeast Asia, and Western countries. Major webtoon distributors include Lezhin , Naver , and Kakao . France and Belgium have a long tradition in comics and comic books, often called BDs (an abbreviation of bandes dessinées , meaning literally "drawn strips") in French, and strips in Dutch or Flemish . Belgian comic books originally written in Dutch show

23635-522: The telling than the tale itself. The main thrust of the story essentially hinges on what is called a macguffin , a gimmick ... So really the plot itself is of no great consequence ... it just really isn't the most interesting thing about Watchmen . As we actually came to tell the tale, that's where the real creativity came in." Gibbons said he deliberately constructed the visual look of Watchmen so that each page would be identifiable as part of that particular series and "not some other comic book". He made

23798-406: The term " graphic novel ". Precursors of the form existed by the 1920s, which saw a revival of the medieval woodcut tradition by Belgian Frans Masereel , American Lynd Ward and others, including Stan Lee. In 1947, Fawcett Publications published "Comics Novel No. 1", as the first in an intended series of these "comics novels". The story in the first issue was "Anarcho, Dictator of Death",

23961-488: The true identity of "The Comedian", a costumed hero employed by the U.S. government, after finding his costume and signature smiley-face pin badge. Believing that Blake's murder could be part of a larger plot against costumed adventurers, Rorschach seeks out and warns four of his retired comrades: shy inventor Daniel Dreiberg, formerly the second Nite Owl; the superpowered and emotionally detached Jon Osterman, codenamed "Doctor Manhattan"; Doctor Manhattan's lover Laurie Juspeczyk,

24124-411: The two to "discuss [the art] and have some kind of human contact rather than just sending it across the ocean". Len Wein joined the project as its editor, while Giordano stayed on to oversee it. Both Wein and Giordano stood back and "got out of their way", as Giordano remarked later. "Who copy-edits Alan Moore, for God's sake?" After receiving the go-ahead to work on the project, Moore and Gibbons spent

24287-496: The unreleased Motion Picture Funnies Weekly #1 from 1939. Eight copies, plus one without a cover, emerged in the estate of the deceased publisher in 1974. The "Pay Copy" of this book sold for $ 43,125 in a 2005 Heritage auction. The most valuable American comics have combined rarity and quality with the first appearances of popular and enduring characters. Four comic books have sold for over US$ 1 million as of December 2010 , including two examples of Action Comics #1,

24450-578: The way for mature and "darker and edgier" comic books and jump start the Modern Age of Comics . Writers included Alan Moore , famous for his V for Vendetta , From Hell , Watchmen , Marvelman , and The League of Extraordinary Gentlemen ; Neil Gaiman with The Sandman mythos and Books of Magic ; Warren Ellis , creator of Transmetropolitan and Planetary ; and others such as Mark Millar , creator of Wanted and Kick-Ass . The comic book series John Constantine, Hellblazer , which

24613-417: The word is typically used to refer to comics originally published in the country. Dōjinshi ( 同人誌 , fan magazine ) , fan-made Japanese comics, operate in a far larger market in Japan than the American "underground comix" market; the largest dōjinshi fair, Comiket , attracts 500,000 visitors twice a year. Manhwa (만화) are comic books or graphic novels originating from South Korea . The term manhwa

24776-591: The world's first iconic cartoon characters", and "as famous in Victorian Britain as Dennis the Menace would be a century later." British comics in the early 20th century typically evolved from illustrated penny dreadfuls of the Victorian era (featuring Sweeney Todd , Dick Turpin and Varney the Vampire ). First published in the 1830s, penny dreadfuls were "Britain's first taste of mass-produced popular culture for

24939-424: The would-be hero's ultimate motivation, namely, to provide a secular salvation and so attain a mortal immortality". He wrote that the story "develops its heroes precisely in order to ask us if we would not in fact be better off without heroes". Thomson added that the story's deconstruction of the hero concept "suggests that perhaps the time for heroes has passed", which he feels distinguishes "this postmodern work" from

25102-453: The young." The two most popular British comic books, The Beano and The Dandy , were first published by DC Thomson in the 1930s. By 1950 the weekly circulation of both reached two million. Explaining the enormous popularity of comics in the UK during this period, Anita O'Brien, director curator at London's Cartoon Museum, states: "When comics like the Beano and Dandy were invented back in

25265-415: Was [writer/artist] Howard Chaykin , who doesn't give praise lightly, and who came up and said, 'Dave what you've done on Watchmen is freaking A.'" Speaking in 1986, Moore said, "DC backed us all the way [...] and have been really supportive about even the most graphic excesses". To promote the series, DC Comics released a limited-edition badge ("button") display card set, featuring characters and images from

25428-456: Was actually her biological father, having fathered her in a second, consensual relationship. This discovery, reflecting the complexity of human emotions and relationships, reignites Manhattan's interest in humanity. On Earth, Dreiberg and Rorschach find evidence that Veidt may be behind the conspiracy. Rorschach writes his suspicions about Veidt in his journal, which includes the full details of his investigation, and mails it to New Frontiersman ,

25591-500: Was his favorite to draw because "you just have to draw a hat. If you can draw a hat, then you've drawn Rorschach, you just draw kind of a shape for his face and put some black blobs on it and you're done." Moore began writing the series very early on, hoping to avoid publication delays such as those faced by the DC limited series Camelot 3000 . When writing the script for the first issue Moore said he realized "I only had enough plot for six issues. We were contracted for 12!" His solution

25754-404: Was marketed as a " graphic novel ", a term that allowed DC and other publishers to sell similar comic book collections in a way that associated them with novels and dissociated them from comics. As a result of the publicity given to the books like the Watchmen trade in 1987, bookstores and public libraries began to devote special shelves to them. Subsequently, new comics series were commissioned on

25917-426: Was more comics meeting the emotional age of the audience coming the other way." After several attempts to adapt the series into a feature film, director Zack Snyder 's Watchmen was released in 2009. An episodic video game, Watchmen: The End Is Nigh , was released to coincide with the film's release. DC Comics published Before Watchmen , a series of nine prequel miniseries, in 2012, and Doomsday Clock ,

26080-422: Was released in the U.S. in 1933 and was a reprinting of earlier newspaper humor comic strips , which had established many of the story-telling devices used in comics. The term comic book derives from American comic books once being a compilation of comic strips of a humorous tone; however, this practice was replaced by featuring stories of all genres, usually not humorous in tone. The largest comic book market

26243-547: Was the first limited series to run to 12 issues. DC coined the term "maxiseries" as a promotional description for this. It did not take long for other publishers to begin using the limited series format. In 1982, Marvel Comics published its first limited series, Marvel Super Hero Contest of Champions , followed shortly thereafter by miniseries' featuring the X-Men 's Wolverine and the Avengers ' Hercules , and then The Vision and

26406-411: Was to alternate issues that dealt with the overall plot of the series with origin issues for the characters. Moore wrote very detailed scripts for Gibbons to work from. Gibbons recalled that "[t]he script for the first issue of Watchmen was, I think, 101 pages of typescript—single-spaced—with no gaps between the individual panel descriptions or, indeed, even between the pages." Upon receiving the scripts,

26569-445: Was to create "a superhero Moby Dick ; something that had that sort of weight, that sort of density". Moore came up with the character names and descriptions but left the specifics of how they looked to Gibbons. Gibbons did not sit down and design the characters deliberately, but rather "did it at odd times [...] spend[ing] maybe two or three weeks just doing sketches." Gibbons designed his characters to make them easy to draw; Rorschach

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