The Thesmophoria ( Ancient Greek : Θεσμοφόρια ) was an ancient Greek religious festival, held in honor of the goddess Demeter and her daughter Persephone . It was held annually, mostly around the time that seeds were sown in late autumn – though in some places it was associated with the harvest instead – and celebrated human and agricultural fertility. The festival was one of the most widely celebrated in the Greek world. It was restricted to adult women, and the rites practiced during the festival were kept secret. The most extensive sources on the festival are a comment in a scholion on Lucian , explaining the festival, and Aristophanes ' play Thesmophoriazusae , which parodies the festival.
100-583: Walter Burkert ( German: [ˈbʊɐ̯kɐt] ; 2 February 1931 – 11 March 2015) was a German scholar of Greek mythology and cult . A professor of classics at the University of Zurich , Switzerland, he taught in the UK and the US. He has influenced generations of students of religion since the 1960s, combining in the modern way the findings of archaeology and epigraphy with the work of poets, historians, and philosophers. He
200-579: A pederastic light . Alexandrian poets at first, then more generally literary mythographers in the early Roman Empire, often re-adapted stories of Greek mythological characters in this fashion. The achievement of epic poetry was to create story-cycles and, as a result, to develop a new sense of mythological chronology. Thus, Greek mythology unfolds as a phase in the development of the world and of humans. While self-contradictions in these stories make an absolute timeline impossible, an approximate chronology may be discerned. The resulting mythological "history of
300-655: A Christian moralizing perspective. The discovery of the Mycenaean civilization by the German amateur archaeologist Heinrich Schliemann in the nineteenth century, and the discovery of the Minoan civilization in Crete by the British archaeologist Arthur Evans in the twentieth century, helped to explain many existing questions about Homer's epics and provided archaeological evidence for many of
400-571: A collection of epic poems , starts with the events leading up to the war: Eris and the golden apple of Kallisti , the Judgement of Paris , the abduction of Helen , the sacrifice of Iphigenia at Aulis . To recover Helen, the Greeks launched a great expedition under the overall command of Menelaus 's brother, Agamemnon, king of Argos, or Mycenae , but the Trojans refused to return Helen. The Iliad , which
500-488: A combination of their name and epithets , that identify them by these distinctions from other manifestations of themselves (e.g., Apollo Musagetes is " Apollo , [as] leader of the Muses "). Alternatively, the epithet may identify a particular and localized aspect of the god, sometimes thought to be already ancient during the classical epoch of Greece. Most gods were associated with specific aspects of life. For example, Aphrodite
600-515: A convenient framework into which to fit their own courtly and chivalric ideals. Twelfth-century authors, such as Benoît de Sainte-Maure ( Roman de Troie [Romance of Troy, 1154–60]) and Joseph of Exeter ( De Bello Troiano [On the Trojan War, 1183]) describe the war while rewriting the standard version they found in Dictys and Dares . They thus follow Horace 's advice and Virgil's example: they rewrite
700-485: A flat disk afloat on the river of Oceanus and overlooked by a hemispherical sky with sun, moon, and stars. The Sun ( Helios ) traversed the heavens as a charioteer and sailed around the Earth in a golden bowl at night. Sun, earth, heaven, rivers, and winds could be addressed in prayers and called to witness oaths. Natural fissures were popularly regarded as entrances to the subterranean house of Hades and his predecessors, home of
800-552: A god "greater than he", Zeus swallowed her. She was already pregnant with Athena , however, and she burst forth from his head—fully-grown and dressed for war. The earliest Greek thought about poetry considered the theogonies to be the prototypical poetic genre—the prototypical mythos —and imputed almost magical powers to it. Orpheus , the archetypal poet, also was the archetypal singer of theogonies, which he uses to calm seas and storms in Apollonius' Argonautica , and to move
900-515: A junior fellow in the Center for Hellenic Studies in Washington, D.C. for one year. The first academic era of his life ended with a placement as professor of classical philology at Technische Universität Berlin (1966–1969), and as guest professor at Harvard University for a year (1968). The start of a new era began in 1981 when his work of ancient Greek religious anthropology, Homo Necans (1972),
1000-513: A limited number of gods, who were the focus of large pan-Hellenic cults. It was, however, common for individual regions and villages to devote their own cults to minor gods. Many cities also honored the more well-known gods with unusual local rites and associated strange myths with them that were unknown elsewhere. During the heroic age, the cult of heroes (or demigods) supplemented that of the gods. "The origins of humanity [were] ascribed to various figures, including Zeus and Prometheus ." Bridging
1100-405: A musical contest with Apollo . Ian Morris considers Prometheus' adventures as "a place between the history of the gods and that of man." An anonymous papyrus fragment, dated to the third century, vividly portrays Dionysus ' punishment of the king of Thrace , Lycurgus , whose recognition of the new god came too late, resulting in horrific penalties that extended into the afterlife. The story of
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#17328515622511200-454: A number of local legends became attached. The story of Medea , in particular, caught the imagination of the tragic poets. In between the Argo and the Trojan War, there was a generation known chiefly for its horrific crimes. This includes the doings of Atreus and Thyestes at Argos. Behind the myth of the house of Atreus (one of the two principal heroic dynasties with the house of Labdacus ) lies
1300-633: A poem of Troy instead of telling something completely new. Thesmophoria The Thesmophoria was one of the most widespread ancient Greek festivals. The fact that it was celebrated across the Greek world suggests that it dates back to before the Greek settlement in Ionia in the eleventh century BCE. The best evidence for the Thesmophoria concern its practice in Athens , but there is also information from elsewhere in
1400-499: A spirit to every aspect of nature. Eventually, these vague spirits assumed human forms and entered the local mythology as gods. When tribes from the north of the Balkan Peninsula invaded, they brought with them a new pantheon of gods, based on conquest, force, prowess in battle, and violent heroism. Other older gods of the agricultural world fused with those of the more powerful invaders or else faded into insignificance. After
1500-461: Is portrayed as a sacrificer, mentioned as a founder of altars, and imagined as a voracious eater himself; it is in this role that he appears in comedy. While his tragic end provided much material for tragedy— Heracles is regarded by Thalia Papadopoulou as "a play of great significance in examination of other Euripidean dramas." In art and literature, Heracles was represented as an enormously strong man of moderate height; his characteristic weapon
1600-608: Is set in the tenth year of the war, tells of the quarrel between Agamemnon and Achilles, who was the finest Greek warrior, and the consequent deaths in battle of Achilles' beloved comrade Patroclus and Priam 's eldest son, Hector . After Hector's death, the Trojans were joined by two exotic allies, Penthesilea , queen of the Amazons , and Memnon , king of the Ethiopians and son of the dawn-goddess, Eos . Achilles killed both of these, but Paris then managed to kill Achilles with an arrow in
1700-469: Is that "the Greek gods are persons, not abstractions, ideas or concepts." Regardless of their underlying forms, the Ancient Greek gods have many fantastic abilities; most significantly, the gods are not affected by disease and can be wounded only under highly unusual circumstances. The Greeks considered immortality as the distinctive characteristic of their gods; this immortality, as well as unfading youth,
1800-573: The Chimera and Medusa . Bellerophon's adventures are commonplace types, similar to the adventures of Heracles and Theseus. Sending a hero to his presumed death is also a recurrent theme of this early heroic tradition, used in the cases of Perseus and Bellerophon. The only surviving Hellenistic epic, the Argonautica of Apollonius of Rhodes (epic poet, scholar, and director of the Library of Alexandria ) tells
1900-469: The Derveni Papyrus now proves that at least in the fifth-century BC a theogonic-cosmogonic poem of Orpheus was in existence. The first philosophical cosmologists reacted against, or sometimes built upon, popular mythical conceptions that had existed in the Greek world for some time. Some of these popular conceptions can be gleaned from the poetry of Homer and Hesiod. In Homer, the Earth was viewed as
2000-515: The Geometric period from c. 900 BC to c. 800 BC onward. In fact, literary and archaeological sources integrate, sometimes mutually supportive and sometimes in conflict; however, in many cases, the existence of this corpus of data is an indication that many elements of Greek mythology have strong factual and historical roots. Mythical narration plays an important role in nearly every genre of Greek literature. Nevertheless,
2100-826: The Gifford Lectures at the University of St Andrews in Scotland (1989). After holding these posts and receiving numerous honorary awards (including, in 1990, the Balzan Prize for the Study of the Ancient World), he retired as an emeritus in 1996. He died in Zürich , aged 84. Three of his most important academic works (a selection from seventeen books and two hundred essays, including encyclopedia contributions and memorabilia), which are still at
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#17328515622512200-528: The Hellenistic and Roman ages was primarily composed as a literary rather than cultic exercise. Nevertheless, it contains many important details that would otherwise be lost. This category includes the works of: Prose writers from the same periods who make reference to myths include Apuleius , Petronius , Lollianus , and Heliodorus . Two other important non-poetical sources are the Fabulae and Astronomica of
2300-583: The Parthenon depicting the sack of Troy); this artistic preference for themes deriving from the Trojan Cycle indicates its importance to the Ancient Greek civilization. The same mythological cycle also inspired a series of posterior European literary writings. For instance, Trojan Medieval European writers, unacquainted with Homer at first hand, found in the Troy legend a rich source of heroic and romantic storytelling and
2400-679: The Peloponnesian kingdoms of Mycenae , Sparta and Argos , claiming, according to legend, a right to rule them through their ancestor. Their rise to dominance is frequently called the " Dorian invasion ". The Lydian and later the Macedonian kings, as rulers of the same rank, also became Heracleidae. Other members of this earliest generation of heroes such as Perseus, Deucalion , Theseus and Bellerophon , have many traits in common with Heracles. Like him, their exploits are solitary, fantastic and border on fairy tale , as they slay monsters such as
2500-577: The Roman culture because of the story of Aeneas , a Trojan hero whose journey from Troy led to the founding of the city that would one day become Rome, as recounted in Virgil's Aeneid (Book II of Virgil's Aeneid contains the best-known account of the sack of Troy). Finally there are two pseudo-chronicles written in Latin that passed under the names of Dictys Cretensis and Dares Phrygius . The Trojan War cycle ,
2600-548: The ancient Greek religion 's view of the origin and nature of the world ; the lives and activities of deities , heroes , and mythological creatures ; and the origins and significance of the ancient Greeks' cult and ritual practices. Modern scholars study the myths to shed light on the religious and political institutions of ancient Greece, and to better understand the nature of mythmaking itself. The Greek myths were initially propagated in an oral-poetic tradition most likely by Minoan and Mycenaean singers starting in
2700-669: The 18th century BC; eventually the myths of the heroes of the Trojan War and its aftermath became part of the oral tradition of Homer 's epic poems , the Iliad and the Odyssey . Two poems by Homer's near contemporary Hesiod , the Theogony and the Works and Days , contain accounts of the genesis of the world, the succession of divine rulers, the succession of human ages, the origin of human woes, and
2800-466: The Ancient Greek pantheon, poets composed the Homeric Hymns (a group of thirty-three songs). Gregory Nagy (1992) regards "the larger Homeric Hymns as simple preludes (compared with Theogony ), each of which invokes one god." The gods of Greek mythology are described as having essentially corporeal but ideal bodies. According to Walter Burkert , the defining characteristic of Greek anthropomorphism
2900-597: The Greek leaders (including the wanderings of Odysseus and Aeneas (the Aeneid ), and the murder of Agamemnon) were told in two epics, the Returns (the lost Nostoi ) and Homer's Odyssey . The Trojan cycle also includes the adventures of the children of the Trojan generation (e.g., Orestes and Telemachus ). The Trojan War provided a variety of themes and became a main source of inspiration for Ancient Greek artists (e.g. metopes on
3000-468: The Greek world and noted the stories they heard, supplied numerous local myths and legends, often giving little-known alternative versions. Herodotus in particular, searched the various traditions he encountered and found the historical or mythological roots in the confrontation between Greece and the East. Herodotus attempted to reconcile origins and the blending of differing cultural concepts. The poetry of
3100-436: The Greek world, including Arcadia , Sicily and Eretria . The festival was dedicated to Demeter and her daughter Persephone and was celebrated in order to promote fertility, both human and agricultural. It was celebrated only by women, and men were forbidden to see or hear about the rites. It is not certain whether all free women celebrated the Thesmophoria, or whether this was restricted to aristocratic women; whichever
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3200-450: The Homeric epics the Iliad and Odyssey , onlooking women raise a cry of worship ( ololugma ) at this point in the ritual . After the animal is skinned and cut into pieces, the inner parts are tasted and shared, and a part burned on the altar with incense. The remainder is roasted and eaten by all participants present. If the entrails are of normal shape and color, it is an omen that
3300-543: The Olympians, the Greeks worshipped various gods of the countryside, the satyr-god Pan , Nymphs (spirits of rivers), Naiads (who dwelled in springs), Dryads (who were spirits of the trees), Nereids (who inhabited the sea), river gods, Satyrs , and others. In addition, there were the dark powers of the underworld, such as the Erinyes (or Furies), said to pursue those guilty of crimes against blood-relatives. In order to honor
3400-736: The Roman writer styled as Pseudo- Hyginus , the Imagines of Philostratus the Elder and Philostratus the Younger , and the Descriptions of Callistratus . Finally, several Byzantine Greek writers provide important details of myth, much derived from earlier now lost Greek works. These preservers of myth include Arnobius , Hesychius , the author of the Suda , John Tzetzes , and Eustathius . They often treat mythology from
3500-514: The Trojan cycle, as well as the adventures of Heracles. These visual representations of myths are important for two reasons. Firstly, many Greek myths are attested on vases earlier than in literary sources: of the twelve labors of Heracles, for example, only the Cerberus adventure occurs in a contemporary literary text. Secondly, visual sources sometimes represent myths or mythical scenes that are not attested in any extant literary source. In some cases,
3600-456: The age when gods lived alone and the age when divine interference in human affairs was limited was a transitional age in which gods and mortals moved together. These were the early days of the world when the groups mingled more freely than they did later. Most of these tales were later told by Ovid's Metamorphoses and they are often divided into two thematic groups: tales of love, and tales of punishment. Tales of love often involve incest, or
3700-438: The animal's head and into the altar fire. A lock of hair from the animal is then cut and burned, libation being poured on the altar with prayer. After silence is proclaimed, the music of flutes begins and the animal is slain. The larger animals were killed with a sacrificial axe. The head is turned toward the heavens, and the throat cut. The blood then spreads on the altar and is caught in a vessel. In early literary sources such as
3800-476: The appropriation or invention of some important cultural artifact, as when Prometheus steals fire from the gods, when Tantalus steals nectar and ambrosia from Zeus' table and gives it to his subjects—revealing to them the secrets of the gods, when Prometheus or Lycaon invents sacrifice, when Demeter teaches agriculture and the Mysteries to Triptolemus , or when Marsyas invents the aulos and enters into
3900-605: The army of the dead." Another important difference between the hero cult and the cult of gods is that the hero becomes the centre of local group identity. The monumental events of Heracles are regarded as the dawn of the age of heroes. To the Heroic Age are also ascribed three great events: the Argonautic expedition, the Theban Cycle , and the Trojan War . Some scholars believe that behind Heracles' complicated mythology there
4000-450: The arrival of Dionysus to establish his cult in Thrace was also the subject of an Aeschylean trilogy. In another tragedy, Euripides' The Bacchae , the king of Thebes , Pentheus , is punished by Dionysus, because he disrespected the god and spied on his Maenads , the female worshippers of the god. In another story, based on an old folktale-motif, and echoing a similar theme, Demeter
4100-524: The base of the study of Hellenic religion, are Homo Necans (1972, English 1983), Greek Religion (1977, English 1985), and Ancient Mystery Cults (1982 lectures, published 1987). In his preface to the English translation of Homo Necans Burkert, who characterised himself on this occasion as "a philologist who starts from ancient Greek texts and attempts to find biological, psychological and sociological explanations for religious phenomena", expressed some of
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4200-577: The basis for the collection; however, the "Library" discusses events that occurred long after his death, hence the name Pseudo-Apollodorus. Among the earliest literary sources are Homer 's two epic poems, the Iliad and the Odyssey . Other poets completed the Epic Cycle , but these later and lesser poems now are lost almost entirely. Despite their traditional name, the Homeric Hymns have no direct connection with Homer. The oldest are choral hymns from
4300-409: The beginnings of the universe in human language. The most widely accepted version at the time, although a philosophical account of the beginning of things, is reported by Hesiod , in his Theogony . He begins with Chaos , a yawning nothingness. Next comes Gaia (Earth), "the ever-sure foundation of all", and then Tartarus , "in the depth of the wide-pathed Earth", and Eros (Love), "fairest among
4400-502: The composition of the story of the Argonauts is earlier than Odyssey , which shows familiarity with the exploits of Jason (the wandering of Odysseus may have been partly founded on it). In ancient times, the expedition was regarded as a historical fact, an incident in the opening up of the Black Sea to Greek commerce and colonization. It was also extremely popular, forming a cycle to which
4500-447: The concept and ritual. The age in which the heroes lived is known as the Heroic age . The epic and genealogical poetry created cycles of stories clustered around particular heroes or events and established the family relationships between the heroes of different stories; they thus arranged the stories in sequence. According to Ken Dowden (1992), "there is even a saga effect: We can follow
4600-400: The culture, arts, and literature of Western civilization and remains part of Western heritage and language. Poets and artists from ancient times to the present have derived inspiration from Greek mythology and have discovered contemporary significance and relevance in the themes. Greek mythology is known today primarily from Greek literature and representations on visual media dating from
4700-457: The dead. Influences from other cultures always afforded new themes. According to Classical-era mythology, after the overthrow of the Titans, the new pantheon of gods and goddesses was confirmed. Among the principal Greek gods were the Olympians, residing on Mount Olympus under the eye of Zeus. (The limitation of their number to twelve seems to have been a comparatively modern idea.) Besides
4800-507: The deathless gods". Without male assistance, Gaia gave birth to Uranus (the Sky) who then fertilized her. From that union were born first the Titans —six males: Coeus , Crius , Cronus , Hyperion , Iapetus , and Oceanus ; and six females: Mnemosyne , Phoebe , Rhea , Theia , Themis , and Tethys . After Cronus was born, Gaia and Uranus decreed no more Titans were to be born. They were followed by
4900-467: The decoration of votive gifts and many other artifacts. Geometric designs on pottery of the eighth century BC depict scenes from the Epic Cycle as well as the adventures of Heracles . In the succeeding Archaic , Classical , and Hellenistic periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has had an extensive influence on
5000-484: The disquieting manifestations of violence." The book argues that solidarity was achieved among the Greeks through a sacred crime with due reparations: "for the strange prominence of animal slaughter in ancient religion this still seems to be the most economical, and most humane explanation" (p. xv). Its first chapter "Sacrifice as an Act of Killing" offers conclusions that are supported in the ensuing chapters through individual inquiries into myth, festival and ritual, in which
5100-610: The divine-focused Theogony and Homeric Hymns in both size and popularity. Under the influence of Homer the "hero cult" leads to a restructuring in spiritual life, expressed in the separation of the realm of the gods from the realm of the dead (heroes), of the Chthonic from the Olympian. In the Works and Days , Hesiod makes use of a scheme of Four Ages of Man (or Races): Golden, Silver, Bronze, and Iron. These races or ages are separate creations of
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#17328515622515200-476: The earlier part of the so-called Lyric age . Hesiod , a possible contemporary with Homer, offers in his Theogony ( Origin of the Gods ) the fullest account of the earliest Greek myths, dealing with the creation of the world, the origin of the gods, Titans , and Giants , as well as elaborate genealogies, folktales, and aetiological myths. Hesiod's Works and Days , a didactic poem about farming life, also includes
5300-468: The evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued. The earlier inhabitants of the Balkan Peninsula were an agricultural people who, using animism , assigned
5400-405: The fates of some families in successive generations." After the rise of the hero cult, gods and heroes constitute the sacral sphere and are invoked together in oaths and prayers which are addressed to them. Burkert (2002) notes that "the roster of heroes, again in contrast to the gods, is never given fixed and final form. Great gods are no longer born, but new heroes can always be raised up from
5500-419: The festival mixes authentically Thesmophoric elements with elements from other Greek religious practice, especially the worship of Dionysus . According to the scholiast on Lucian, during the Thesmophoria pigs were sacrificed , and their remains were put into pits called megara . An inscription from Delos shows that part of the cost of the Thesmophoria there went towards paying for a ritual butcher to perform
5600-551: The festival seems to have taken place in the summer, and been associated with the harvest, instead. In other places the festival lasted for longer – in Syracuse, Sicily , the Thesmophoria was a ten-day long event. The main source about the rituals of the Thesmophoria comes from a scholion on Lucian 's Dialogues of the Courtesans . A second major source is Aristophanes ' play Thesmophoriazusae ; however, Aristophanes' portrayal of
5700-504: The first known representation of a myth in geometric art predates its first known representation in late archaic poetry, by several centuries. In the Archaic ( c. 750 – c. 500 BC ), Classical ( c. 480 –323 BC), and Hellenistic (323–146 BC) periods, Homeric and various other mythological scenes appear, supplementing the existing literary evidence. Greek mythology has changed over time to accommodate
5800-466: The gods, the Golden Age belonging to the reign of Cronos, the subsequent races to the creation of Zeus . The presence of evil was explained by the myth of Pandora , when all of the best of human capabilities, save hope, had been spilled out of her overturned jar. In Metamorphoses , Ovid follows Hesiod's concept of the four ages. "Myths of origin" or " creation myths " represent an attempt to explain
5900-530: The heel. Achilles' heel was the only part of his body which was not invulnerable to damage by human weaponry. Before they could take Troy, the Greeks had to steal from the citadel the wooden image of Pallas Athena (the Palladium ). Finally, with Athena's help, they built the Trojan Horse . Despite the warnings of Priam's daughter Cassandra , the Trojans were persuaded by Sinon , a Greek who feigned desertion, to take
6000-709: The highest social prestige through his appointment as official ancestor of the Dorian kings. This probably served as a legitimation for the Dorian migrations into the Peloponnese . Hyllus , the eponymous hero of one Dorian phyle , became the son of Heracles and one of the Heracleidae or Heraclids (the numerous descendants of Heracles, especially the descendants of Hyllus —other Heracleidae included Macaria , Lamos, Manto , Bianor , Tlepolemus , and Telephus ). These Heraclids conquered
6100-420: The horse inside the walls of Troy as an offering to Athena; the priest Laocoon, who tried to have the horse destroyed, was killed by sea-serpents. At night the Greek fleet returned, and the Greeks from the horse opened the gates of Troy. In the total sack that followed, Priam and his remaining sons were slaughtered; the Trojan women passed into slavery in various cities of Greece. The adventurous homeward voyages of
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#17328515622516200-576: The middle of the Archaic period, myths about relationships between male gods and male heroes became more and more frequent, indicating the parallel development of pedagogic pederasty ( παιδικὸς ἔρως , eros paidikos ), thought to have been introduced around 630 BC. By the end of the fifth-century BC, poets had assigned at least one eromenos , an adolescent boy who was their sexual companion, to every important god except Ares and many legendary figures. Previously existing myths, such as those of Achilles and Patroclus , also then were cast in
6300-564: The myth of the voyage of Jason and the Argonauts to retrieve the Golden Fleece from the mythical land of Colchis . In the Argonautica , Jason is impelled on his quest by king Pelias , who receives a prophecy that a man with one sandal would be his nemesis . Jason loses a sandal in a river, arrives at the court of Pelias, and the epic is set in motion. Nearly every member of the next generation of heroes, as well as Heracles, went with Jason in
6400-427: The mythological details about gods and heroes. The evidence about myths and rituals at Mycenaean and Minoan sites is entirely monumental, as the Linear B script (an ancient form of Greek found in both Crete and mainland Greece) was used mainly to record inventories, although certain names of gods and heroes have been tentatively identified. Geometric designs on pottery of the eighth-century BC depict scenes from
6500-474: The myths of Prometheus , Pandora , and the Five Ages . The poet advises on the best way to succeed in a dangerous world, rendered yet more dangerous by its gods. Lyrical poets often took their subjects from myth, but their treatment became gradually less narrative and more allusive. Greek lyric poets, including Pindar , Bacchylides and Simonides , and bucolic poets such as Theocritus and Bion , relate individual mythological incidents. Additionally, myth
6600-429: The one-eyed Cyclopes and the Hecatoncheires or Hundred-Handed Ones, who were both thrown into Tartarus by Uranus. This made Gaia furious. Cronus ("the wily, youngest and most terrible of Gaia 's children") was convinced by Gaia to castrate his father. He did this and became the ruler of the Titans with his sister-wife, Rhea, as his consort, and the other Titans became his court. A motif of father-against-son conflict
6700-420: The only general mythographical handbook to survive from Greek antiquity was the Library of Pseudo-Apollodorus. This work attempts to reconcile the contradictory tales of the poets and provides a grand summary of traditional Greek mythology and heroic legends. Apollodorus of Athens lived from c. 180 BC to c. 125 BC and wrote on many of these topics. His writings may have formed
6800-573: The origin of sacrificial practices. Myths are also preserved in the Homeric Hymns , in fragments of epic poems of the Epic Cycle , in lyric poems , in the works of the tragedians and comedians of the fifth century BC, in writings of scholars and poets of the Hellenistic Age , and in texts from the time of the Roman Empire by writers such as Plutarch and Pausanias . Aside from this narrative deposit in ancient Greek literature , pictorial representations of gods, heroes, and mythic episodes featured prominently in ancient vase paintings and
6900-428: The pits for some time. Possibly they were thrown in during one festival and retrieved the next year. However, if they were thrown in during the Thesmophoria and retrieved in time for the sowing of seeds that year, then they may have only been left for a few weeks before being taken out again. The first day of the Thesmophoria at Athens was known as anodos ("ascent"). This is usually thought to be because on this day
7000-500: The principles underlying a book that had seemed somewhat revolutionary to German readers in 1972 in its consistent application of inter-relationships of myth and ritual, the application to texts of the kind of functionalism espoused in Jane Ellen Harrison 's Themis and the use of structuralism to elucidate an ethology of Greek religion, its social aspect. Burkert confirmed that an impetus for his book had come from Konrad Lorenz , On Aggression , "which seemed to offer new insight into
7100-404: The problem of the devolution of power and of the mode of accession to sovereignty. The twins Atreus and Thyestes with their descendants played the leading role in the tragedy of the devolution of power in Mycenae. The Theban Cycle deals with events associated especially with Cadmus , the city's founder, and later with the doings of Laius and Oedipus at Thebes; a series of stories that lead to
7200-413: The ritual with myth. Firstly, under the direction of the priest, priestess, father, mother (at least, in certain women's rites like Thesmophoria ), or king, a basket containing the utensils and a bowl of water were placed around the altar. The participants then dipped their hands into the consecrated water, and sprinkled it on the altar, victim and offerer. Salted-barley corns from the basket were thrown on
7300-468: The roasted meal, while music and dance took place in the service of the gods. At some special festivals, there are instances where everyone in the banquet consumes hundreds of animal sacrifices. Greek mythology Greek mythology is the body of myths originally told by the ancient Greeks , and a genre of ancient Greek folklore , today absorbed alongside Roman mythology into the broader designation of classical mythology . These stories concern
7400-425: The role of poetic creation and re-creation are set aside "in order to confront the power and effect of tradition as fully as possible". The term gods , Burkert concludes, remains fluid, whereas sacrifice is a fact (p. xv). In 1985, Burkert used ancient sources (both literary and visual representations) to put together some of the pieces of how ancient Greek sacrificial ritual actually proceeded, and to link together
7500-507: The sacrifice is acceptable to the gods. In both the Iliad and Odyssey , as well as other early sources such as the Homeric Hymn to Hermes , the priest or sacrifice-leader wrapped the thigh pieces in fat and burned them on the altar. The tail and back, along with other bones and pieces with less meat left over were burned with a libation. After this procedure, it was then that the worshippers shared
7600-443: The sacrifices for the festival; literary evidence suggests that in other places, however, the sacrifices may have been made by the women themselves. Some time later, the rotten remains of these sacrifices were retrieved from the pits by "bailers" – women who were required to spend three days in a state of ritual purity before descending into the megara . These were placed on altars to Persephone and Demeter, along with cakes baked in
7700-450: The seduction or rape of a mortal woman by a male god, resulting in heroic offspring. The stories generally suggest that relationships between gods and mortals are something to avoid; even consenting relationships rarely have happy endings. In a few cases, a female divinity mates with a mortal man, as in the Homeric Hymn to Aphrodite , where the goddess lies with Anchises to produce Aeneas . The second type (tales of punishment) involves
7800-500: The shape of snakes and phalluses. These remains were then scattered on fields when seeds were sown, in the belief that this would ensure a good harvest. According to Walter Burkert , this practice was "the clearest example in Greek religion of agrarian magic". It is not certain how long the remains of the pigs were left in the megara . The fact that they had decomposed by the time that they were retrieved shows that they had been left in
7900-575: The ship Argo to fetch the Golden Fleece. This generation also included Theseus , who went to Crete to slay the Minotaur ; Atalanta , the female heroine, and Meleager , who once had an epic cycle of his own to rival the Iliad and Odyssey . Pindar , Apollonius and the Bibliotheca endeavor to give full lists of the Argonauts. Although Apollonius wrote his poem in the 3rd century BC,
8000-483: The society while the beliefs were held. After they ceased to become religious beliefs, few would have known the rites and rituals. Allusions often existed, however, to aspects that were quite public. Images existed on pottery and religious artwork that were interpreted and more likely, misinterpreted in many diverse myths and tales. A few fragments of these works survive in quotations by Neoplatonist philosophers and recently unearthed papyrus scraps. One of these scraps,
8100-601: The stone, which had been sitting in Cronus's stomach all this time. Zeus then challenged Cronus to war for the kingship of the gods. At last, with the help of the Cyclopes (whom Zeus freed from Tartarus), Zeus and his siblings were victorious, while Cronus and the Titans were hurled down to imprisonment in Tartarus . Zeus was plagued by the same concern, and after a prophecy that the offspring of his first wife, Metis , would give birth to
8200-406: The stony hearts of the underworld gods in his descent to Hades . When Hermes invents the lyre in the Homeric Hymn to Hermes , the first thing he does is sing about the birth of the gods. Hesiod's Theogony is not only the fullest surviving account of the gods but also the fullest surviving account of the archaic poet's function, with its long preliminary invocation to the Muses . Theogony also
8300-422: The tale known to us through tragedy (e.g. Sophocles' Oedipus Rex ) and later mythological accounts. Greek mythology culminates in the Trojan War, fought between Greece and Troy , and its aftermath. In Homer's works, such as the Iliad , the chief stories have already taken shape and substance, and individual themes were elaborated later, especially in Greek drama. The Trojan War also elicited great interest in
8400-514: The underworld, which was celebrated at the festival. Dillon suggests that a sacrifice to celebrate this ascent was performed on the first day of the festival. The second day of the festival was called the nesteia . This was a day of fasting, imitating Demeter's mourning for the loss of her daughter. On this day, the women at the festival sat on the ground on seats made of plants which were believed to be anaphrodisiac . Angeliki Tzanetou says that ritual obscenity ( Ancient Greek : αἰσχρολογία )
8500-564: The war of the Seven against Thebes and the eventual pillage of that city at the hands of the Epigoni . (It is not known whether the Seven figured in early epic.) As far as Oedipus is concerned, early epic accounts seem to have him continuing to rule at Thebes after the revelation that Iokaste was his mother, and subsequently marrying a second wife who becomes the mother of his children—markedly different from
8600-482: The women celebrating the festival ascended to the shrine called the Thesmophorion. Preparations for the rest of the festival were made on this day: two women were elected to oversee the celebrations. Women also set up tents on this day; they would spend the rest of the festival staying in these rather than at home. Matthew Dillon argues that the name anodos is more likely to relate to the ascent of Persephone from
8700-434: The world" may be divided into three or four broader periods: While the age of gods often has been of more interest to contemporary students of myth, the Greek authors of the archaic and classical eras had a clear preference for the age of heroes, establishing a chronology and record of human accomplishments after the questions of how the world came into being were explained. For example, the heroic Iliad and Odyssey dwarfed
8800-498: Was a feature of the second day of the festival; however, Dillon says that the ritual obscenity would have taken place on another day, rather than the subdued second day, and Radek Chlup argues that it took place on the third day of the festival. The third day of the Thesmophoria was kalligeneia , or "beautiful birth". On this day, women called upon the goddess Kalligeneia, praying for their own fertility. Plutarch notes that in Eretria
8900-680: Was a member of both the American Philosophical Society and the American Academy of Arts and Sciences . He published books on the balance between lore and science among the followers of Pythagoras , and more extensively on ritual and archaic cult survival, on the ritual killing at the heart of religion, on mystery religions, and on the reception in the Hellenic world of Near Eastern and Persian culture , which sets Greek religion in its wider Aegean and Near Eastern context. Burkert
9000-692: Was born in Neuendettelsau . He married Maria Bosch in 1957 and they had three children, Reinhard, Andrea and Cornelius. He died on 11 March 2015 in Zürich , Switzerland. He studied classical philology , history, and philosophy at the Universities of Erlangen and Munich (1950–1954), and obtained his doctorate in philosophy at Erlangen in 1955. Following his marriage, he became an assistant in course teaching at Erlangen for five years (1957–1961) and, then returned to his former university as lecturer for another five years (until 1966). From early 1965 he worked as
9100-593: Was central to classical Athenian drama . The tragic playwrights Aeschylus , Sophocles , and Euripides took most of their plots from myths of the age of heroes and the Trojan War. Many of the great tragic stories (e.g. Agamemnon and his children, Oedipus , Jason , Medea , etc.) took on their classic form in these tragedies. The comic playwright Aristophanes also used myths, in The Birds and The Frogs . Historians Herodotus and Diodorus Siculus , and geographers Pausanias and Strabo , who traveled throughout
9200-478: Was insured by the constant use of nectar and ambrosia , by which the divine blood was renewed in their veins. Each god descends from his or her own genealogy, pursues differing interests, has a certain area of expertise, and is governed by a unique personality; however, these descriptions arise from a multiplicity of archaic local variants, which do not always agree with one another. When these gods are called upon in poetry, prayer, or cult, they are referred to by
9300-592: Was probably a real man, perhaps a chieftain-vassal of the kingdom of Argos . Some scholars suggest the story of Heracles is an allegory for the sun's yearly passage through the twelve constellations of the zodiac. Others point to earlier myths from other cultures, showing the story of Heracles as a local adaptation of hero myths already well established. Traditionally, Heracles was the son of Zeus and Alcmene , granddaughter of Perseus . His fantastic solitary exploits, with their many folk-tale themes, provided much material for popular legend. According to Burkert (2002), "He
9400-460: Was published in an Italian translation, followed in 1983 by an English translation. The book is today considered an outstanding account of concepts in Greek religion. He was professor of classical philology at the University of Zurich (1969–1996); visiting professor of classical literature at the University of California for two years (1977 and 1988); lecturer at Harvard in 1982; dean of the philosophical faculty I at Zürich (1986–1988); and presented
9500-511: Was repeated when Cronus was confronted by his son, Zeus . Because Cronus had betrayed his father, he feared that his offspring would do the same, and so each time Rhea gave birth, he snatched up the child and ate it. Rhea hated this and tricked him by hiding Zeus and wrapping a stone in a baby's blanket, which Cronus ate. When Zeus was full-grown, he fed Cronus a drugged drink which caused him to vomit, throwing up Rhea's other children, including Poseidon , Hades , Hestia , Demeter , and Hera , and
9600-583: Was searching for her daughter, Persephone , having taken the form of an old woman called Doso, and received a hospitable welcome from Celeus , the King of Eleusis in Attica . As a gift to Celeus, because of his hospitality, Demeter planned to make his son Demophon a god, but she was unable to complete the ritual because his mother Metanira walked in and saw her son in the fire and screamed in fright, which angered Demeter, who lamented that foolish mortals do not understand
9700-571: Was the bow but frequently also the club. Vase paintings demonstrate the unparalleled popularity of Heracles, his fight with the lion being depicted many hundreds of times. Heracles also entered Etruscan and Roman mythology and cult, and the exclamation "mehercule" became as familiar to the Romans as "Herakleis" was to the Greeks. In Italy he was worshipped as a god of merchants and traders, although others also prayed to him for his characteristic gifts of good luck or rescue from danger. Heracles attained
9800-610: Was the case, non-citizen and unmarried women appear not to have celebrated the festival. In fact, participation was expected of all Attic wives, and could serve as a form of proof of marriage. In Athens, the Thesmophoria took place over three days, from the eleventh to the thirteenth of Pyanepsion . This corresponds to late October in the Gregorian calendar , and was the time of the Greek year when seeds were sown. The Thesmophoria may have taken place in this month in other cities, though in some places – for instance Delos and Thebes –
9900-431: Was the goddess of love and beauty, Ares was the god of war, Hades the ruler of the underworld, and Athena the goddess of wisdom and courage. Some gods, such as Apollo and Dionysus , revealed complex personalities and mixtures of functions, while others, such as Hestia (literally "hearth") and Helios (literally "sun"), were little more than personifications. The most impressive temples tended to be dedicated to
10000-499: Was the subject of many lost poems, including those attributed to Orpheus, Musaeus , Epimenides , Abaris , and other legendary seers, which were used in private ritual purifications and mystery-rites . There are indications that Plato was familiar with some version of the Orphic theogony. A silence would have been expected about religious rites and beliefs, however, and that nature of the culture would not have been reported by members of
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